<h4><b>A STREET CORTÈGE</b></h4>
<p>Both smiled over the crossblind at the file of capering newsboys in Mr Bloom’s
wake, the last zigzagging white on the breeze a mocking kite, a tail of white
bowknots.</p>
<p>—Look at the young guttersnipe behind him hue and cry, Lenehan said, and
you’ll kick. O, my rib risible! Taking off his flat spaugs and the walk. Small
nines. Steal upon larks.</p>
<p>He began to mazurka in swift caricature across the floor on sliding feet past
the fireplace to J. J. O’Molloy who placed the tissues in his receiving hands.</p>
<p>—What’s that? Myles Crawford said with a start. Where are the other two
gone?</p>
<p>—Who? the professor said, turning. They’re gone round to the Oval for a
drink. Paddy Hooper is there with Jack Hall. Came over last night.</p>
<p>—Come on then, Myles Crawford said. Where’s my hat?</p>
<p>He walked jerkily into the office behind, parting the vent of his jacket,
jingling his keys in his back pocket. They jingled then in the air and against
the wood as he locked his desk drawer.</p>
<p>—He’s pretty well on, professor MacHugh said in a low voice.</p>
<p>—Seems to be, J. J. O’Molloy said, taking out a cigarettecase in
murmuring meditation, but it is not always as it seems. Who has the most
matches?</p>
<h4>
<b>THE CALUMET OF PEACE</b>
</h4>
<p>He offered a cigarette to the professor and took one himself. Lenehan promptly
struck a match for them and lit their cigarettes in turn. J. J. O’Molloy opened
his case again and offered it.</p>
<p>—<i>Thanky vous</i>, Lenehan said, helping himself.</p>
<p>The editor came from the inner office, a straw hat awry on his brow. He
declaimed in song, pointing sternly at professor MacHugh:</p>
<p class="poem">
’Twas rank and fame that tempted thee,<br/>
’Twas empire charmed thy heart.</p>
<p>The professor grinned, locking his long lips.</p>
<p>—Eh? You bloody old Roman empire? Myles Crawford said.</p>
<p>He took a cigarette from the open case. Lenehan, lighting it for him with quick
grace, said:</p>
<p>—Silence for my brandnew riddle!</p>
<p>—<i>Imperium romanum</i>, J. J. O’Molloy said gently. It sounds nobler
than British or Brixton. The word reminds one somehow of fat in the fire.</p>
<p>Myles Crawford blew his first puff violently towards the ceiling.</p>
<p>—That’s it, he said. We are the fat. You and I are the fat in the fire.
We haven’t got the chance of a snowball in hell.</p>
<h4>
<b>THE GRANDEUR THAT WAS ROME</b>
</h4>
<p>—Wait a moment, professor MacHugh said, raising two quiet claws. We
mustn’t be led away by words, by sounds of words. We think of Rome, imperial,
imperious, imperative.</p>
<p>He extended elocutionary arms from frayed stained shirtcuffs, pausing:</p>
<p>—What was their civilisation? Vast, I allow: but vile. Cloacae: sewers.
The Jews in the wilderness and on the mountaintop said: <i>It is meet to be
here. Let us build an altar to Jehovah</i>. The Roman, like the Englishman who
follows in his footsteps, brought to every new shore on which he set his foot
(on our shore he never set it) only his cloacal obsession. He gazed about him
in his toga and he said: <i>It is meet to be here. Let us construct a
watercloset.</i></p>
<p>—Which they accordingly did do, Lenehan said. Our old ancient ancestors,
as we read in the first chapter of Guinness’s, were partial to the running
stream.</p>
<p>—They were nature’s gentlemen, J. J. O’Molloy murmured. But we have also
Roman law.</p>
<p>—And Pontius Pilate is its prophet, professor MacHugh responded.</p>
<p>—Do you know that story about chief baron Palles? J. J. O’Molloy asked.
It was at the royal university dinner. Everything was going swimmingly ...</p>
<p>—First my riddle, Lenehan said. Are you ready?</p>
<p>Mr O’Madden Burke, tall in copious grey of Donegal tweed, came in from the
hallway. Stephen Dedalus, behind him, uncovered as he entered.</p>
<p>—<i>Entrez, mes enfants!</i> Lenehan cried.</p>
<p>—I escort a suppliant, Mr O’Madden Burke said melodiously. Youth led by
Experience visits Notoriety.</p>
<p>—How do you do? the editor said, holding out a hand. Come in. Your
governor is just gone.</p>
<h4>
<b>???</b>
</h4>
<p>Lenehan said to all:</p>
<p>—Silence! What opera resembles a railwayline? Reflect, ponder,
excogitate, reply.</p>
<p>Stephen handed over the typed sheets, pointing to the title and signature.</p>
<p>—Who? the editor asked.</p>
<p>Bit torn off.</p>
<p>—Mr Garrett Deasy, Stephen said.</p>
<p>—That old pelters, the editor said. Who tore it? Was he short taken?</p>
<p class="poem">
On swift sail flaming<br/>
From storm and south<br/>
He comes, pale vampire,<br/>
Mouth to my mouth.</p>
<p>—Good day, Stephen, the professor said, coming to peer over their
shoulders. Foot and mouth? Are you turned...?</p>
<p>Bullockbefriending bard.</p>
<h4>
<b>SHINDY IN WELLKNOWN RESTAURANT</b>
</h4>
<p>—Good day, sir, Stephen answered blushing. The letter is not mine. Mr
Garrett Deasy asked me to...</p>
<p>—O, I know him, Myles Crawford said, and I knew his wife too. The
bloodiest old tartar God ever made. By Jesus, she had the foot and mouth
disease and no mistake! The night she threw the soup in the waiter’s face in
the Star and Garter. Oho!</p>
<p>A woman brought sin into the world. For Helen, the runaway wife of Menelaus,
ten years the Greeks. O’Rourke, prince of Breffni.</p>
<p>—Is he a widower? Stephen asked.</p>
<p>—Ay, a grass one, Myles Crawford said, his eye running down the
typescript. Emperor’s horses. Habsburg. An Irishman saved his life on the
ramparts of Vienna. Don’t you forget! Maximilian Karl O’Donnell, graf von
Tirconnell in Ireland. Sent his heir over to make the king an Austrian
fieldmarshal now. Going to be trouble there one day. Wild geese. O yes, every
time. Don’t you forget that!</p>
<p>—The moot point is did he forget it, J. J. O’Molloy said quietly, turning
a horseshoe paperweight. Saving princes is a thank you job.</p>
<p>Professor MacHugh turned on him.</p>
<p>—And if not? he said.</p>
<p>—I’ll tell you how it was, Myles Crawford began. A Hungarian it was one
day...</p>
<h4>
<b>LOST CAUSES NOBLE MARQUESS MENTIONED</b>
</h4>
<p>—We were always loyal to lost causes, the professor said. Success for us
is the death of the intellect and of the imagination. We were never loyal to
the successful. We serve them. I teach the blatant Latin language. I speak the
tongue of a race the acme of whose mentality is the maxim: time is money.
Material domination. <i>Dominus!</i> Lord! Where is the spirituality? Lord
Jesus? Lord Salisbury? A sofa in a westend club. But the Greek!</p>
<h4>
<b>KYRIE ELEISON!</b>
</h4>
<p>A smile of light brightened his darkrimmed eyes, lengthened his long lips.</p>
<p>—The Greek! he said again. <i>Kyrios!</i> Shining word! The vowels the
Semite and the Saxon know not. <i>Kyrie!</i> The radiance of the intellect. I
ought to profess Greek, the language of the mind. <i>Kyrie eleison!</i> The
closetmaker and the cloacamaker will never be lords of our spirit. We are liege
subjects of the catholic chivalry of Europe that foundered at Trafalgar and of
the empire of the spirit, not an <i>imperium,</i> that went under with the
Athenian fleets at Aegospotami. Yes, yes. They went under. Pyrrhus, misled by
an oracle, made a last attempt to retrieve the fortunes of Greece. Loyal to a
lost cause.</p>
<p>He strode away from them towards the window.</p>
<p>—They went forth to battle, Mr O’Madden Burke said greyly, but they
always fell.</p>
<p>—Boohoo! Lenehan wept with a little noise. Owing to a brick received in
the latter half of the <i>matinée</i>. Poor, poor, poor Pyrrhus!</p>
<p>He whispered then near Stephen’s ear:</p>
<h4>
<b>LENEHAN’S LIMERICK</b>
</h4>
<p>—<i>There’s a ponderous pundit MacHugh<br/>
Who wears goggles of ebony hue.<br/>
As he mostly sees double<br/>
To wear them why trouble?<br/>
I can’t see the Joe Miller. Can you?</i><br/><br/></p>
<p>In mourning for Sallust, Mulligan says. Whose mother is beastly dead.</p>
<p>Myles Crawford crammed the sheets into a sidepocket.</p>
<p>—That’ll be all right, he said. I’ll read the rest after. That’ll be all
right.</p>
<p>Lenehan extended his hands in protest.</p>
<p>—But my riddle! he said. What opera is like a railwayline?</p>
<p>—Opera? Mr O’Madden Burke’s sphinx face reriddled.</p>
<p>Lenehan announced gladly:</p>
<p>—<i>The Rose of Castile</i>. See the wheeze? Rows of cast steel. Gee!</p>
<p>He poked Mr O’Madden Burke mildly in the spleen. Mr O’Madden Burke fell back
with grace on his umbrella, feigning a gasp.</p>
<p>—Help! he sighed. I feel a strong weakness.</p>
<p>Lenehan, rising to tiptoe, fanned his face rapidly with the rustling tissues.</p>
<p>The professor, returning by way of the files, swept his hand across Stephen’s
and Mr O’Madden Burke’s loose ties.</p>
<p>—Paris, past and present, he said. You look like communards.</p>
<p>—Like fellows who had blown up the Bastile, J. J. O’Molloy said in quiet
mockery. Or was it you shot the lord lieutenant of Finland between you? You
look as though you had done the deed. General Bobrikoff.</p>
<h4>
<b>OMNIUM GATHERUM</b>
</h4>
<p>—We were only thinking about it, Stephen said.</p>
<p>—All the talents, Myles Crawford said. Law, the classics...</p>
<p>—The turf, Lenehan put in.</p>
<p>—Literature, the press.</p>
<p>—If Bloom were here, the professor said. The gentle art of advertisement.</p>
<p>—And Madam Bloom, Mr O’Madden Burke added. The vocal muse. Dublin’s prime
favourite.</p>
<p>Lenehan gave a loud cough.</p>
<p>—Ahem! he said very softly. O, for a fresh of breath air! I caught a cold
in the park. The gate was open.</p>
<h4>
<b>“YOU CAN DO IT!”</b>
</h4>
<p>The editor laid a nervous hand on Stephen’s shoulder.</p>
<p>—I want you to write something for me, he said. Something with a bite in
it. You can do it. I see it in your face. <i>In the lexicon of youth</i>...</p>
<p>See it in your face. See it in your eye. Lazy idle little schemer.</p>
<p>—Foot and mouth disease! the editor cried in scornful invective. Great
nationalist meeting in Borris-in-Ossory. All balls! Bulldosing the public! Give
them something with a bite in it. Put us all into it, damn its soul. Father,
Son and Holy Ghost and Jakes M’Carthy.</p>
<p>—We can all supply mental pabulum, Mr O’Madden Burke said.</p>
<p>Stephen raised his eyes to the bold unheeding stare.</p>
<p>—He wants you for the pressgang, J. J. O’Molloy said.</p>
<h4>
<b>THE GREAT GALLAHER</b>
</h4>
<p>—You can do it, Myles Crawford repeated, clenching his hand in emphasis.
Wait a minute. We’ll paralyse Europe as Ignatius Gallaher used to say when he
was on the shaughraun, doing billiardmarking in the Clarence. Gallaher, that
was a pressman for you. That was a pen. You know how he made his mark? I’ll
tell you. That was the smartest piece of journalism ever known. That was in
eightyone, sixth of May, time of the invincibles, murder in the Phoenix park,
before you were born, I suppose. I’ll show you.</p>
<p>He pushed past them to the files.</p>
<p>—Look at here, he said turning. The <i>New York World</i> cabled for a
special. Remember that time?</p>
<p>Professor MacHugh nodded.</p>
<p>—<i>New York World</i>, the editor said, excitedly pushing back his straw
hat. Where it took place. Tim Kelly, or Kavanagh I mean. Joe Brady and the rest
of them. Where Skin-the-Goat drove the car. Whole route, see?</p>
<p>—Skin-the-Goat, Mr O’Madden Burke said. Fitzharris. He has that cabman’s
shelter, they say, down there at Butt bridge. Holohan told me. You know
Holohan?</p>
<p>—Hop and carry one, is it? Myles Crawford said.</p>
<p>—And poor Gumley is down there too, so he told me, minding stones for the
corporation. A night watchman.</p>
<p>Stephen turned in surprise.</p>
<p>—Gumley? he said. You don’t say so? A friend of my father’s, is it?</p>
<p>—Never mind Gumley, Myles Crawford cried angrily. Let Gumley mind the
stones, see they don’t run away. Look at here. What did Ignatius Gallaher do?
I’ll tell you. Inspiration of genius. Cabled right away. Have you <i>Weekly
Freeman</i> of 17 March? Right. Have you got that?</p>
<p>He flung back pages of the files and stuck his finger on a point.</p>
<p>—Take page four, advertisement for Bransome’s coffee, let us say. Have
you got that? Right.</p>
<p>The telephone whirred.</p>
<h4>
<b>A DISTANT VOICE</b>
</h4>
<p>—I’ll answer it, the professor said, going.</p>
<p>—B is parkgate. Good.</p>
<p>His finger leaped and struck point after point, vibrating.</p>
<p>—T is viceregal lodge. C is where murder took place. K is Knockmaroon
gate.</p>
<p>The loose flesh of his neck shook like a cock’s wattles. An illstarched dicky
jutted up and with a rude gesture he thrust it back into his waistcoat.</p>
<p>—Hello? <i>Evening Telegraph</i> here... Hello?... Who’s there?... Yes...
Yes... Yes.</p>
<p>—F to P is the route Skin-the-Goat drove the car for an alibi, Inchicore,
Roundtown, Windy Arbour, Palmerston Park, Ranelagh. F.A.B.P. Got that? X is
Davy’s publichouse in upper Leeson street.</p>
<p>The professor came to the inner door.</p>
<p>—Bloom is at the telephone, he said.</p>
<p>—Tell him go to hell, the editor said promptly. X is Davy’s publichouse,
see?</p>
<h4>
<b>CLEVER, VERY</b>
</h4>
<p>—Clever, Lenehan said. Very.</p>
<p>—Gave it to them on a hot plate, Myles Crawford said, the whole bloody
history.</p>
<p>Nightmare from which you will never awake.</p>
<p>—I saw it, the editor said proudly. I was present. Dick Adams, the
besthearted bloody Corkman the Lord ever put the breath of life in, and myself.</p>
<p>Lenehan bowed to a shape of air, announcing:</p>
<p>—Madam, I’m Adam. And Able was I ere I saw Elba.</p>
<p>—History! Myles Crawford cried. The Old Woman of Prince’s street was
there first. There was weeping and gnashing of teeth over that. Out of an
advertisement. Gregor Grey made the design for it. That gave him the leg up.
Then Paddy Hooper worked Tay Pay who took him on to the <i>Star.</i> Now he’s
got in with Blumenfeld. That’s press. That’s talent. Pyatt! He was all their
daddies!</p>
<p>—The father of scare journalism, Lenehan confirmed, and the
brother-in-law of Chris Callinan.</p>
<p>—Hello?... Are you there?... Yes, he’s here still. Come across yourself.</p>
<p>—Where do you find a pressman like that now, eh? the editor cried.</p>
<p>He flung the pages down.</p>
<p>—Clamn dever, Lenehan said to Mr O’Madden Burke.</p>
<p>—Very smart, Mr O’Madden Burke said.</p>
<p>Professor MacHugh came from the inner office.</p>
<p>—Talking about the invincibles, he said, did you see that some hawkers
were up before the recorder...</p>
<p>—O yes, J. J. O’Molloy said eagerly. Lady Dudley was walking home through
the park to see all the trees that were blown down by that cyclone last year
and thought she’d buy a view of Dublin. And it turned out to be a commemoration
postcard of Joe Brady or Number One or Skin-the-Goat. Right outside the
viceregal lodge, imagine!</p>
<p>—They’re only in the hook and eye department, Myles Crawford said. Psha!
Press and the bar! Where have you a man now at the bar like those fellows, like
Whiteside, like Isaac Butt, like silvertongued O’Hagan. Eh? Ah, bloody
nonsense. Psha! Only in the halfpenny place.</p>
<p>His mouth continued to twitch unspeaking in nervous curls of disdain.</p>
<p>Would anyone wish that mouth for her kiss? How do you know? Why did you write
it then?</p>
<h4>
<b>RHYMES AND REASONS</b>
</h4>
<p>Mouth, south. Is the mouth south someway? Or the south a mouth? Must be some.
South, pout, out, shout, drouth. Rhymes: two men dressed the same, looking the
same, two by two.</p>
<p class="poem">
........................ la tua pace<br/>
.................. che parlar ti piace<br/>
Mentre che il vento, come fa, si tace.</p>
<p>He saw them three by three, approaching girls, in green, in rose, in russet,
entwining, <i>per l’aer perso</i>, in mauve, in purple, <i>quella pacifica
oriafiamma</i>, gold of oriflamme, <i>di rimirar fè più ardenti.</i> But I old
men, penitent, leadenfooted, underdarkneath the night: mouth south: tomb womb.</p>
<p>—Speak up for yourself, Mr O’Madden Burke said.</p>
<h4>
<b>SUFFICIENT FOR THE DAY...</b>
</h4>
<p>J. J. O’Molloy, smiling palely, took up the gage.</p>
<p>—My dear Myles, he said, flinging his cigarette aside, you put a false
construction on my words. I hold no brief, as at present advised, for the third
profession <i>qua</i> profession but your Cork legs are running away with you.
Why not bring in Henry Grattan and Flood and Demosthenes and Edmund Burke?
Ignatius Gallaher we all know and his Chapelizod boss, Harmsworth of the
farthing press, and his American cousin of the Bowery guttersheet not to
mention <i>Paddy Kelly’s Budget</i>, <i>Pue’s Occurrences</i> and our watchful
friend <i>The Skibbereen Eagle</i>. Why bring in a master of forensic eloquence
like Whiteside? Sufficient for the day is the newspaper thereof.</p>
<h4>
<b>LINKS WITH BYGONE DAYS OF YORE</b>
</h4>
<p>—Grattan and Flood wrote for this very paper, the editor cried in his
face. Irish volunteers. Where are you now? Established 1763. Dr Lucas. Who have
you now like John Philpot Curran? Psha!</p>
<p>—Well, J. J. O’Molloy said, Bushe K.C., for example.</p>
<p>—Bushe? the editor said. Well, yes: Bushe, yes. He has a strain of it in
his blood. Kendal Bushe or I mean Seymour Bushe.</p>
<p>—He would have been on the bench long ago, the professor said, only for
.... But no matter.</p>
<p>J. J. O’Molloy turned to Stephen and said quietly and slowly:</p>
<p>—One of the most polished periods I think I ever listened to in my life
fell from the lips of Seymour Bushe. It was in that case of fratricide, the
Childs murder case. Bushe defended him.</p>
<p class="poem">
<i>And in the porches of mine ear did pour.</i></p>
<p>By the way how did he find that out? He died in his sleep. Or the other story,
beast with two backs?</p>
<p>—What was that? the professor asked.</p>
<h4>
<b>ITALIA, MAGISTRA ARTIUM</b>
</h4>
<p>—He spoke on the law of evidence, J. J. O’Molloy said, of Roman justice
as contrasted with the earlier Mosaic code, the <i>lex talionis</i>. And he
cited the Moses of Michelangelo in the vatican.</p>
<p>—Ha.</p>
<p>—A few wellchosen words, Lenehan prefaced. Silence!</p>
<p>Pause. J. J. O’Molloy took out his cigarettecase.</p>
<p>False lull. Something quite ordinary.</p>
<p>Messenger took out his matchbox thoughtfully and lit his cigar.</p>
<p>I have often thought since on looking back over that strange time that it was
that small act, trivial in itself, that striking of that match, that determined
the whole aftercourse of both our lives.</p>
<h4>
<b>A POLISHED PERIOD</b>
</h4>
<p>J. J. O’Molloy resumed, moulding his words:</p>
<p>—He said of it: <i>that stony effigy in frozen music, horned and
terrible, of the human form divine, that eternal symbol of wisdom and of
prophecy which, if aught that the imagination or the hand of sculptor has
wrought in marble of soultransfigured and of soultransfiguring deserves to
live, deserves to live.</i></p>
<p>His slim hand with a wave graced echo and fall.</p>
<p>—Fine! Myles Crawford said at once.</p>
<p>—The divine afflatus, Mr O’Madden Burke said.</p>
<p>—You like it? J. J. O’Molloy asked Stephen.</p>
<p>Stephen, his blood wooed by grace of language and gesture, blushed. He took a
cigarette from the case. J. J. O’Molloy offered his case to Myles Crawford.
Lenehan lit their cigarettes as before and took his trophy, saying:</p>
<p>—Muchibus thankibus.</p>
<h4>
<b>A MAN OF HIGH MORALE</b>
</h4>
<p>—Professor Magennis was speaking to me about you, J. J. O’Molloy said to
Stephen. What do you think really of that hermetic crowd, the opal hush poets:
A. E. the mastermystic? That Blavatsky woman started it. She was a nice old bag
of tricks. A. E. has been telling some yankee interviewer that you came to him
in the small hours of the morning to ask him about planes of consciousness.
Magennis thinks you must have been pulling A. E.’s leg. He is a man of the very
highest morale, Magennis.</p>
<p>Speaking about me. What did he say? What did he say? What did he say about me?
Don’t ask.</p>
<p>—No, thanks, professor MacHugh said, waving the cigarettecase aside. Wait
a moment. Let me say one thing. The finest display of oratory I ever heard was
a speech made by John F Taylor at the college historical society. Mr Justice
Fitzgibbon, the present lord justice of appeal, had spoken and the paper under
debate was an essay (new for those days), advocating the revival of the Irish
tongue.</p>
<p>He turned towards Myles Crawford and said:</p>
<p>—You know Gerald Fitzgibbon. Then you can imagine the style of his
discourse.</p>
<p>—He is sitting with Tim Healy, J. J. O’Molloy said, rumour has it, on the
Trinity college estates commission.</p>
<p>—He is sitting with a sweet thing, Myles Crawford said, in a child’s
frock. Go on. Well?</p>
<p>—It was the speech, mark you, the professor said, of a finished orator,
full of courteous haughtiness and pouring in chastened diction I will not say
the vials of his wrath but pouring the proud man’s contumely upon the new
movement. It was then a new movement. We were weak, therefore worthless.</p>
<p>He closed his long thin lips an instant but, eager to be on, raised an
outspanned hand to his spectacles and, with trembling thumb and ringfinger
touching lightly the black rims, steadied them to a new focus.</p>
<h4>
<b>IMPROMPTU</b>
</h4>
<p>In ferial tone he addressed J. J. O’Molloy:</p>
<p>—Taylor had come there, you must know, from a sickbed. That he had
prepared his speech I do not believe for there was not even one shorthandwriter
in the hall. His dark lean face had a growth of shaggy beard round it. He wore
a loose white silk neckcloth and altogether he looked (though he was not) a
dying man.</p>
<p>His gaze turned at once but slowly from J. J. O’Molloy’s towards Stephen’s face
and then bent at once to the ground, seeking. His unglazed linen collar
appeared behind his bent head, soiled by his withering hair. Still seeking, he
said:</p>
<p>—When Fitzgibbon’s speech had ended John F Taylor rose to reply. Briefly,
as well as I can bring them to mind, his words were these.</p>
<p>He raised his head firmly. His eyes bethought themselves once more. Witless
shellfish swam in the gross lenses to and fro, seeking outlet.</p>
<p>He began:</p>
<p><i>—Mr Chairman, ladies and gentlemen: Great was my admiration in
listening to the remarks addressed to the youth of Ireland a moment since by my
learned friend. It seemed to me that I had been transported into a country far
away from this country, into an age remote from this age, that I stood in
ancient Egypt and that I was listening to the speech of some highpriest of that
land addressed to the youthful Moses.</i></p>
<p>His listeners held their cigarettes poised to hear, their smokes ascending in
frail stalks that flowered with his speech. <i>And let our crooked smokes.</i>
Noble words coming. Look out. Could you try your hand at it yourself?</p>
<p><i>—And it seemed to me that I heard the voice of that Egyptian
highpriest raised in a tone of like haughtiness and like pride. I heard his
words and their meaning was revealed to me.</i></p>
<h4>
<b>FROM THE FATHERS</b>
</h4>
<p>It was revealed to me that those things are good which yet are corrupted which
neither if they were supremely good nor unless they were good could be
corrupted. Ah, curse you! That’s saint Augustine.</p>
<p><i>—Why will you jews not accept our culture, our religion and our
language? You are a tribe of nomad herdsmen: we are a mighty people. You have
no cities nor no wealth: our cities are hives of humanity and our galleys,
trireme and quadrireme, laden with all manner merchandise furrow the waters of
the known globe. You have but emerged from primitive conditions: we have a
literature, a priesthood, an agelong history and a polity.</i></p>
<p>Nile.</p>
<p>Child, man, effigy.</p>
<p>By the Nilebank the babemaries kneel, cradle of bulrushes: a man supple in
combat: stonehorned, stonebearded, heart of stone.</p>
<p><i>—You pray to a local and obscure idol: our temples, majestic and
mysterious, are the abodes of Isis and Osiris, of Horus and Ammon Ra. Yours
serfdom, awe and humbleness: ours thunder and the seas. Israel is weak and few
are her children: Egypt is an host and terrible are her arms. Vagrants and
daylabourers are you called: the world trembles at our name.</i></p>
<p>A dumb belch of hunger cleft his speech. He lifted his voice above it boldly:</p>
<p><i>—But, ladies and gentlemen, had the youthful Moses listened to and
accepted that view of life, had he bowed his head and bowed his will and bowed
his spirit before that arrogant admonition he would never have brought the
chosen people out of their house of bondage, nor followed the pillar of the
cloud by day. He would never have spoken with the Eternal amid lightnings on
Sinai’s mountaintop nor ever have come down with the light of inspiration
shining in his countenance and bearing in his arms the tables of the law,
graven in the language of the outlaw.</i></p>
<p>He ceased and looked at them, enjoying a silence.</p>
<h4>
<b>OMINOUS—FOR HIM!</b>
</h4>
<p>J. J. O’Molloy said not without regret:</p>
<p>—And yet he died without having entered the land of promise.</p>
<p>—A—sudden—at—the—moment—though—from—lingering—illness—often—previously—expectorated—demise, Lenehan added. And with a great future behind him.</p>
<p>The troop of bare feet was heard rushing along the hallway and pattering up the
staircase.</p>
<p>—That is oratory, the professor said uncontradicted. </p>
<p>Gone with the wind. Hosts at Mullaghmast and Tara of the kings. Miles of ears
of porches. The tribune’s words, howled and scattered to the four winds. A
people sheltered within his voice. Dead noise. Akasic records of all that ever
anywhere wherever was. Love and laud him: me no more.</p>
<p>I have money.</p>
<p>—Gentlemen, Stephen said. As the next motion on the agenda paper may I
suggest that the house do now adjourn?</p>
<p>—You take my breath away. It is not perchance a French compliment? Mr
O’Madden Burke asked. ’Tis the hour, methinks, when the winejug, metaphorically
speaking, is most grateful in Ye ancient hostelry.</p>
<p>—That it be and hereby is resolutely resolved. All that are in favour say
ay, Lenehan announced. The contrary no. I declare it carried. To which
particular boosing shed...? My casting vote is: Mooney’s!</p>
<p>He led the way, admonishing:</p>
<p>—We will sternly refuse to partake of strong waters, will we not? Yes, we
will not. By no manner of means.</p>
<p>Mr O’Madden Burke, following close, said with an ally’s lunge of his umbrella:</p>
<p>—Lay on, Macduff!</p>
<p>—Chip of the old block! the editor cried, clapping Stephen on the
shoulder. Let us go. Where are those blasted keys?</p>
<p>He fumbled in his pocket pulling out the crushed typesheets.</p>
<p>—Foot and mouth. I know. That’ll be all right. That’ll go in. Where are
they? That’s all right.</p>
<p>He thrust the sheets back and went into the inner office.</p>
<h4>
<b>LET US HOPE</b>
</h4>
<p>J. J. O’Molloy, about to follow him in, said quietly to Stephen:</p>
<p>—I hope you will live to see it published. Myles, one moment.</p>
<p>He went into the inner office, closing the door behind him.</p>
<p>—Come along, Stephen, the professor said. That is fine, isn’t it? It has
the prophetic vision. <i>Fuit Ilium!</i> The sack of windy Troy. Kingdoms of
this world. The masters of the Mediterranean are fellaheen today.</p>
<p>The first newsboy came pattering down the stairs at their heels and rushed out
into the street, yelling:</p>
<p>—Racing special!</p>
<p>Dublin. I have much, much to learn.</p>
<p>They turned to the left along Abbey street.</p>
<p>—I have a vision too, Stephen said.</p>
<p>—Yes? the professor said, skipping to get into step. Crawford will
follow.</p>
<p>Another newsboy shot past them, yelling as he ran:</p>
<p>—Racing special!</p>
<h4>
<b>DEAR DIRTY DUBLIN</b>
</h4>
<p>Dubliners.</p>
<p>—Two Dublin vestals, Stephen said, elderly and pious, have lived fifty
and fiftythree years in Fumbally’s lane.</p>
<p>—Where is that? the professor asked.</p>
<p>—Off Blackpitts, Stephen said.</p>
<p>Damp night reeking of hungry dough. Against the wall. Face glistering tallow
under her fustian shawl. Frantic hearts. Akasic records. Quicker, darlint!</p>
<p>On now. Dare it. Let there be life.</p>
<p>—They want to see the views of Dublin from the top of Nelson’s pillar.
They save up three and tenpence in a red tin letterbox moneybox. They shake out
the threepenny bits and sixpences and coax out the pennies with the blade of a
knife. Two and three in silver and one and seven in coppers. They put on their
bonnets and best clothes and take their umbrellas for fear it may come on to
rain.</p>
<p>—Wise virgins, professor MacHugh said.</p>
<h4>
<b>LIFE ON THE RAW</b>
</h4>
<p>—They buy one and fourpenceworth of brawn and four slices of panloaf at
the north city diningrooms in Marlborough street from Miss Kate Collins,
proprietress... They purchase four and twenty ripe plums from a girl at the
foot of Nelson’s pillar to take off the thirst of the brawn. They give two
threepenny bits to the gentleman at the turnstile and begin to waddle slowly up
the winding staircase, grunting, encouraging each other, afraid of the dark,
panting, one asking the other have you the brawn, praising God and the Blessed
Virgin, threatening to come down, peeping at the airslits. Glory be to God.
They had no idea it was that high.</p>
<p>Their names are Anne Kearns and Florence MacCabe. Anne Kearns has the lumbago
for which she rubs on Lourdes water, given her by a lady who got a bottleful
from a passionist father. Florence MacCabe takes a crubeen and a bottle of
double X for supper every Saturday.</p>
<p>—Antithesis, the professor said nodding twice. Vestal virgins. I can see
them. What’s keeping our friend?</p>
<p>He turned.</p>
<p>A bevy of scampering newsboys rushed down the steps, scattering in all
directions, yelling, their white papers fluttering. Hard after them Myles
Crawford appeared on the steps, his hat aureoling his scarlet face, talking
with J. J. O’Molloy.</p>
<p>—Come along, the professor cried, waving his arm.</p>
<p>He set off again to walk by Stephen’s side.</p>
<h4>
<b>RETURN OF BLOOM</b>
</h4>
<p>—Yes, he said. I see them.</p>
<p>Mr Bloom, breathless, caught in a whirl of wild newsboys near the offices of
the <i>Irish Catholic</i> and <i>Dublin Penny Journal</i>, called:</p>
<p>—Mr Crawford! A moment!</p>
<p>—<i>Telegraph</i>! Racing special!</p>
<p>—What is it? Myles Crawford said, falling back a pace.</p>
<p>A newsboy cried in Mr Bloom’s face:</p>
<p>—Terrible tragedy in Rathmines! A child bit by a bellows!</p>
<h4>
<b>INTERVIEW WITH THE EDITOR</b>
</h4>
<p>—Just this ad, Mr Bloom said, pushing through towards the steps, puffing,
and taking the cutting from his pocket. I spoke with Mr Keyes just now. He’ll
give a renewal for two months, he says. After he’ll see. But he wants a par to
call attention in the <i>Telegraph</i> too, the Saturday pink. And he wants it
copied if it’s not too late I told councillor Nannetti from the <i>Kilkenny
People</i>. I can have access to it in the national library. House of keys,
don’t you see? His name is Keyes. It’s a play on the name. But he practically
promised he’d give the renewal. But he wants just a little puff. What will I
tell him, Mr Crawford?</p>
<h4>
<b>K.M.A.</b>
</h4>
<p>—Will you tell him he can kiss my arse? Myles Crawford said throwing out
his arm for emphasis. Tell him that straight from the stable.</p>
<p>A bit nervy. Look out for squalls. All off for a drink. Arm in arm. Lenehan’s
yachting cap on the cadge beyond. Usual blarney. Wonder is that young Dedalus
the moving spirit. Has a good pair of boots on him today. Last time I saw him
he had his heels on view. Been walking in muck somewhere. Careless chap. What
was he doing in Irishtown?</p>
<p>—Well, Mr Bloom said, his eyes returning, if I can get the design I
suppose it’s worth a short par. He’d give the ad, I think. I’ll tell him...</p>
<h4>
<b>K.M.R.I.A.</b>
</h4>
<p>—He can kiss my royal Irish arse, Myles Crawford cried loudly over his
shoulder. Any time he likes, tell him.</p>
<p>While Mr Bloom stood weighing the point and about to smile he strode on
jerkily.</p>
<h4>
<b>RAISING THE WIND</b>
</h4>
<p>—<i>Nulla bona</i>, Jack, he said, raising his hand to his chin. I’m up
to here. I’ve been through the hoop myself. I was looking for a fellow to back
a bill for me no later than last week. Sorry, Jack. You must take the will for
the deed. With a heart and a half if I could raise the wind anyhow.</p>
<p>J. J. O’Molloy pulled a long face and walked on silently. They caught up on the
others and walked abreast.</p>
<p>—When they have eaten the brawn and the bread and wiped their twenty
fingers in the paper the bread was wrapped in they go nearer to the railings.</p>
<p>—Something for you, the professor explained to Myles Crawford. Two old
Dublin women on the top of Nelson’s pillar.</p>
<h4>
<b>SOME COLUMN!—THAT’S WHAT WADDLER ONE SAID</b>
</h4>
<p>—That’s new, Myles Crawford said. That’s copy. Out for the waxies’
Dargle. Two old trickies, what?</p>
<p>—But they are afraid the pillar will fall, Stephen went on. They see the
roofs and argue about where the different churches are: Rathmines’ blue dome,
Adam and Eve’s, saint Laurence O’Toole’s. But it makes them giddy to look so
they pull up their skirts...</p>
<h4>
<b>THOSE SLIGHTLY RAMBUNCTIOUS FEMALES</b>
</h4>
<p>—Easy all, Myles Crawford said. No poetic licence. We’re in the
archdiocese here.</p>
<p>—And settle down on their striped petticoats, peering up at the statue of
the onehandled adulterer.</p>
<p>—Onehandled adulterer! the professor cried. I like that. I see the idea.
I see what you mean.</p>
<h4>
<b>DAMES DONATE DUBLIN’S CITS SPEEDPILLS VELOCITOUS AEROLITHS, BELIEF</b>
</h4>
<p>—It gives them a crick in their necks, Stephen said, and they are too
tired to look up or down or to speak. They put the bag of plums between them
and eat the plums out of it, one after another, wiping off with their
handkerchiefs the plumjuice that dribbles out of their mouths and spitting the
plumstones slowly out between the railings.</p>
<p>He gave a sudden loud young laugh as a close. Lenehan and Mr O’Madden Burke,
hearing, turned, beckoned and led on across towards Mooney’s.</p>
<p>—Finished? Myles Crawford said. So long as they do no worse.</p>
<h4>
<b>SOPHIST WALLOPS HAUGHTY HELEN SQUARE ON PROBOSCIS. SPARTANS GNASH MOLARS.
ITHACANS VOW PEN IS CHAMP.</b>
</h4>
<p>—You remind me of Antisthenes, the professor said, a disciple of Gorgias,
the sophist. It is said of him that none could tell if he were bitterer against
others or against himself. He was the son of a noble and a bondwoman. And he
wrote a book in which he took away the palm of beauty from Argive Helen and
handed it to poor Penelope.</p>
<p>Poor Penelope. Penelope Rich.</p>
<p>They made ready to cross O’Connell street.</p>
<h4>
<b>HELLO THERE, CENTRAL!</b>
</h4>
<p>At various points along the eight lines tramcars with motionless trolleys stood
in their tracks, bound for or from Rathmines, Rathfarnham, Blackrock, Kingstown
and Dalkey, Sandymount Green, Ringsend and Sandymount Tower, Donnybrook,
Palmerston Park and Upper Rathmines, all still, becalmed in short circuit.
Hackney cars, cabs, delivery waggons, mailvans, private broughams, aerated
mineral water floats with rattling crates of bottles, rattled, rolled,
horsedrawn, rapidly.</p>
<h4>
<b>WHAT?—AND LIKEWISE—WHERE?</b>
</h4>
<p>—But what do you call it? Myles Crawford asked. Where did they get the
plums?</p>
<h4>
<b>VIRGILIAN, SAYS PEDAGOGUE. SOPHOMORE PLUMPS FOR OLD MAN MOSES.</b>
</h4>
<p>—Call it, wait, the professor said, opening his long lips wide to
reflect. Call it, let me see. Call it: <i>deus nobis hæc otia fecit.</i></p>
<p>—No, Stephen said. I call it <i>A Pisgah Sight of Palestine</i> or <i>The
Parable of The Plums.</i></p>
<p>—I see, the professor said.</p>
<p>He laughed richly.</p>
<p>—I see, he said again with new pleasure. Moses and the promised land. We
gave him that idea, he added to J. J. O’Molloy.</p>
<h4>
<b>HORATIO IS CYNOSURE THIS FAIR JUNE DAY</b>
</h4>
<p>J. J. O’Molloy sent a weary sidelong glance towards the statue and held his
peace.</p>
<p>—I see, the professor said.</p>
<p>He halted on sir John Gray’s pavement island and peered aloft at Nelson through
the meshes of his wry smile.</p>
<h4>
<b>DIMINISHED DIGITS PROVE TOO TITILLATING FOR FRISKY FRUMPS. ANNE WIMBLES, FLO
WANGLES—YET CAN YOU BLAME THEM?</b>
</h4>
<p>—Onehandled adulterer, he said smiling grimly. That tickles me, I must
say.</p>
<p>—Tickled the old ones too, Myles Crawford said, if the God Almighty’s
truth was known.</p>
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