<p><i>—Ma!</i> Almidano Artifoni said.</p>
<p>He gazed over Stephen’s shoulder at Goldsmith’s knobby poll.</p>
<p>Two carfuls of tourists passed slowly, their women sitting fore, gripping the
handrests. Palefaces. Men’s arms frankly round their stunted forms. They looked
from Trinity to the blind columned porch of the bank of Ireland where pigeons
roocoocooed.</p>
<p>—<i>Anch’io ho avuto di queste idee</i>, Almidano Artifoni said,
<i>quand’ ero giovine come Lei. Eppoi mi sono convinto che il mondo è una
bestia. È peccato. Perchè la sua voce... sarebbe un cespite di rendita, via.
Invece, Lei si sacrifica.</i></p>
<p>—<i>Sacrifizio incruento,</i> Stephen said smiling, swaying his ashplant
in slow swingswong from its midpoint, lightly.</p>
<p><i>—Speriamo,</i> the round mustachioed face said pleasantly. <i>Ma, dia
retta a me. Ci rifletta</i>.</p>
<p>By the stern stone hand of Grattan, bidding halt, an Inchicore tram unloaded
straggling Highland soldiers of a band.</p>
<p>—<i>Ci rifletterò,</i> Stephen said, glancing down the solid trouserleg.</p>
<p>—<i>Ma, sul serio, eh?</i> Almidano Artifoni said.</p>
<p>His heavy hand took Stephen’s firmly. Human eyes. They gazed curiously an
instant and turned quickly towards a Dalkey tram.</p>
<p><i>—Eccolo,</i> Almidano Artifoni said in friendly haste. <i>Venga a
trovarmi e ci pensi. Addio, caro.</i></p>
<p>—<i>Arrivederla, maestro,</i> Stephen said, raising his hat when his hand
was freed. <i>E grazie.</i></p>
<p>—<i>Di che?</i> Almidano Artifoni said. <i>Scusi, eh? Tante belle
cose!</i></p>
<p>Almidano Artifoni, holding up a baton of rolled music as a signal, trotted on
stout trousers after the Dalkey tram. In vain he trotted, signalling in vain
among the rout of barekneed gillies smuggling implements of music through
Trinity gates.</p>
<p class="asterism">
* * *</p>
<p>Miss Dunne hid the Capel street library copy of <i>The Woman in White</i> far
back in her drawer and rolled a sheet of gaudy notepaper into her typewriter.</p>
<p>Too much mystery business in it. Is he in love with that one, Marion? Change it
and get another by Mary Cecil Haye.</p>
<p>The disk shot down the groove, wobbled a while, ceased and ogled them: six.</p>
<p>Miss Dunne clicked on the keyboard:</p>
<p>—16 June 1904.</p>
<p>Five tallwhitehatted sandwichmen between Monypeny’s corner and the slab where
Wolfe Tone’s statue was not, eeled themselves turning H. E. L. Y.’S and plodded
back as they had come.</p>
<p>Then she stared at the large poster of Marie Kendall, charming soubrette, and,
listlessly lolling, scribbled on the jotter sixteens and capital esses. Mustard
hair and dauby cheeks. She’s not nicelooking, is she? The way she’s holding up
her bit of a skirt. Wonder will that fellow be at the band tonight. If I could
get that dressmaker to make a concertina skirt like Susy Nagle’s. They kick out
grand. Shannon and all the boatclub swells never took his eyes off her. Hope to
goodness he won’t keep me here till seven.</p>
<p>The telephone rang rudely by her ear.</p>
<p>—Hello. Yes, sir. No, sir. Yes, sir. I’ll ring them up after five. Only
those two, sir, for Belfast and Liverpool. All right, sir. Then I can go after
six if you’re not back. A quarter after. Yes, sir. Twentyseven and six. I’ll
tell him. Yes: one, seven, six.</p>
<p>She scribbled three figures on an envelope.</p>
<p>—Mr Boylan! Hello! That gentleman from <i>Sport</i> was in looking for
you. Mr Lenehan, yes. He said he’ll be in the Ormond at four. No, sir. Yes,
sir. I’ll ring them up after five.</p>
<p class="asterism">
* * *</p>
<p>Two pink faces turned in the flare of the tiny torch.</p>
<p>—Who’s that? Ned Lambert asked. Is that Crotty?</p>
<p>—Ringabella and Crosshaven, a voice replied groping for foothold.</p>
<p>—Hello, Jack, is that yourself? Ned Lambert said, raising in salute his
pliant lath among the flickering arches. Come on. Mind your steps there.</p>
<p>The vesta in the clergyman’s uplifted hand consumed itself in a long soft flame
and was let fall. At their feet its red speck died: and mouldy air closed round
them.</p>
<p>—How interesting! a refined accent said in the gloom.</p>
<p>—Yes, sir, Ned Lambert said heartily. We are standing in the historic
council chamber of saint Mary’s abbey where silken Thomas proclaimed himself a
rebel in 1534. This is the most historic spot in all Dublin. O’Madden Burke is
going to write something about it one of these days. The old bank of Ireland
was over the way till the time of the union and the original jews’ temple was
here too before they built their synagogue over in Adelaide road. You were
never here before, Jack, were you?</p>
<p>—No, Ned.</p>
<p>—He rode down through Dame walk, the refined accent said, if my memory
serves me. The mansion of the Kildares was in Thomas court.</p>
<p>—That’s right, Ned Lambert said. That’s quite right, sir.</p>
<p>—If you will be so kind then, the clergyman said, the next time to allow
me perhaps...</p>
<p>—Certainly, Ned Lambert said. Bring the camera whenever you like. I’ll
get those bags cleared away from the windows. You can take it from here or from
here.</p>
<p>In the still faint light he moved about, tapping with his lath the piled
seedbags and points of vantage on the floor.</p>
<p>From a long face a beard and gaze hung on a chessboard.</p>
<p>—I’m deeply obliged, Mr Lambert, the clergyman said. I won’t trespass on
your valuable time...</p>
<p>—You’re welcome, sir, Ned Lambert said. Drop in whenever you like. Next
week, say. Can you see?</p>
<p>—Yes, yes. Good afternoon, Mr Lambert. Very pleased to have met you.</p>
<p>—Pleasure is mine, sir, Ned Lambert answered.</p>
<p>He followed his guest to the outlet and then whirled his lath away among the
pillars. With J. J. O’Molloy he came forth slowly into Mary’s abbey where
draymen were loading floats with sacks of carob and palmnut meal, O’Connor,
Wexford.</p>
<p>He stood to read the card in his hand.</p>
<p>—The reverend Hugh C. Love, Rathcoffey. Present address: Saint Michael’s,
Sallins. Nice young chap he is. He’s writing a book about the Fitzgeralds he
told me. He’s well up in history, faith.</p>
<p>The young woman with slow care detached from her light skirt a clinging twig.</p>
<p>—I thought you were at a new gunpowder plot, J. J. O’Molloy said.</p>
<p>Ned Lambert cracked his fingers in the air.</p>
<p>—God! he cried. I forgot to tell him that one about the earl of Kildare
after he set fire to Cashel cathedral. You know that one? <i>I’m bloody sorry I
did it,</i> says he, <i>but I declare to God I thought the archbishop was
inside.</i> He mightn’t like it, though. What? God, I’ll tell him anyhow. That
was the great earl, the Fitzgerald Mor. Hot members they were all of them, the
Geraldines.</p>
<p>The horses he passed started nervously under their slack harness. He slapped a
piebald haunch quivering near him and cried:</p>
<p>—Woa, sonny!</p>
<p>He turned to J. J. O’Molloy and asked:</p>
<p>—Well, Jack. What is it? What’s the trouble? Wait awhile. Hold hard.</p>
<p>With gaping mouth and head far back he stood still and, after an instant,
sneezed loudly.</p>
<p>—Chow! he said. Blast you!</p>
<p>—The dust from those sacks, J. J. O’Molloy said politely.</p>
<p>—No, Ned Lambert gasped, I caught a... cold night before... blast your
soul... night before last... and there was a hell of a lot of draught...</p>
<p>He held his handkerchief ready for the coming...</p>
<p>—I was... Glasnevin this morning... poor little... what do you call
him... Chow!... Mother of Moses!</p>
<p class="asterism">
* * *</p>
<p>Tom Rochford took the top disk from the pile he clasped against his claret
waistcoat.</p>
<p>—See? he said. Say it’s turn six. In here, see. Turn Now On.</p>
<p>He slid it into the left slot for them. It shot down the groove, wobbled a
while, ceased, ogling them: six.</p>
<p>Lawyers of the past, haughty, pleading, beheld pass from the consolidated
taxing office to Nisi Prius court Richie Goulding carrying the costbag of
Goulding, Collis and Ward and heard rustling from the admiralty division of
king’s bench to the court of appeal an elderly female with false teeth smiling
incredulously and a black silk skirt of great amplitude.</p>
<p>—See? he said. See now the last one I put in is over here: Turns Over.
The impact. Leverage, see?</p>
<p>He showed them the rising column of disks on the right.</p>
<p>—Smart idea, Nosey Flynn said, snuffling. So a fellow coming in late can
see what turn is on and what turns are over.</p>
<p>—See? Tom Rochford said.</p>
<p>He slid in a disk for himself: and watched it shoot, wobble, ogle, stop: four.
Turn Now On.</p>
<p>—I’ll see him now in the Ormond, Lenehan said, and sound him. One good
turn deserves another.</p>
<p>—Do, Tom Rochford said. Tell him I’m Boylan with impatience.</p>
<p>—Goodnight, M’Coy said abruptly. When you two begin...</p>
<p>Nosey Flynn stooped towards the lever, snuffling at it.</p>
<p>—But how does it work here, Tommy? he asked.</p>
<p>—Tooraloo, Lenehan said. See you later.</p>
<p>He followed M’Coy out across the tiny square of Crampton court.</p>
<p>—He’s a hero, he said simply.</p>
<p>—I know, M’Coy said. The drain, you mean.</p>
<p>—Drain? Lenehan said. It was down a manhole.</p>
<p>They passed Dan Lowry’s musichall where Marie Kendall, charming soubrette,
smiled on them from a poster a dauby smile.</p>
<p>Going down the path of Sycamore street beside the Empire musichall Lenehan
showed M’Coy how the whole thing was. One of those manholes like a bloody
gaspipe and there was the poor devil stuck down in it, half choked with sewer
gas. Down went Tom Rochford anyhow, booky’s vest and all, with the rope round
him. And be damned but he got the rope round the poor devil and the two were
hauled up.</p>
<p>—The act of a hero, he said.</p>
<p>At the Dolphin they halted to allow the ambulance car to gallop past them for
Jervis street.</p>
<p>—This way, he said, walking to the right. I want to pop into Lynam’s to
see Sceptre’s starting price. What’s the time by your gold watch and chain?</p>
<p>M’Coy peered into Marcus Tertius Moses’ sombre office, then at O’Neill’s clock.</p>
<p>—After three, he said. Who’s riding her?</p>
<p>—O. Madden, Lenehan said. And a game filly she is.</p>
<p>While he waited in Temple bar M’Coy dodged a banana peel with gentle pushes of
his toe from the path to the gutter. Fellow might damn easy get a nasty fall
there coming along tight in the dark.</p>
<p>The gates of the drive opened wide to give egress to the viceregal cavalcade.</p>
<p>—Even money, Lenehan said returning. I knocked against Bantam Lyons in
there going to back a bloody horse someone gave him that hasn’t an earthly.
Through here.</p>
<p>They went up the steps and under Merchants’ arch. A darkbacked figure scanned
books on the hawker’s cart.</p>
<p>—There he is, Lenehan said.</p>
<p>—Wonder what he’s buying, M’Coy said, glancing behind.</p>
<p>—<i>Leopoldo or the Bloom is on the Rye,</i> Lenehan said.</p>
<p>—He’s dead nuts on sales, M’Coy said. I was with him one day and he
bought a book from an old one in Liffey street for two bob. There were fine
plates in it worth double the money, the stars and the moon and comets with
long tails. Astronomy it was about.</p>
<p>Lenehan laughed.</p>
<p>—I’ll tell you a damn good one about comets’ tails, he said. Come over in
the sun.</p>
<p>They crossed to the metal bridge and went along Wellington quay by the
riverwall.</p>
<p>Master Patrick Aloysius Dignam came out of Mangan’s, late Fehrenbach’s,
carrying a pound and a half of porksteaks.</p>
<p>—There was a long spread out at Glencree reformatory, Lenehan said
eagerly. The annual dinner, you know. Boiled shirt affair. The lord mayor was
there, Val Dillon it was, and sir Charles Cameron and Dan Dawson spoke and
there was music. Bartell d’Arcy sang and Benjamin Dollard...</p>
<p>—I know, M’Coy broke in. My missus sang there once.</p>
<p>—Did she? Lenehan said.</p>
<p>A card <i>Unfurnished Apartments</i> reappeared on the windowsash of number 7
Eccles street.</p>
<p>He checked his tale a moment but broke out in a wheezy laugh.</p>
<p>—But wait till I tell you, he said. Delahunt of Camden street had the
catering and yours truly was chief bottlewasher. Bloom and the wife were there.
Lashings of stuff we put up: port wine and sherry and curacoa to which we did
ample justice. Fast and furious it was. After liquids came solids. Cold joints
galore and mince pies...</p>
<p>—I know, M’Coy said. The year the missus was there...</p>
<p>Lenehan linked his arm warmly.</p>
<p>—But wait till I tell you, he said. We had a midnight lunch too after all
the jollification and when we sallied forth it was blue o’clock the morning
after the night before. Coming home it was a gorgeous winter’s night on the
Featherbed Mountain. Bloom and Chris Callinan were on one side of the car and I
was with the wife on the other. We started singing glees and duets: <i>Lo, the
early beam of morning</i>. She was well primed with a good load of Delahunt’s
port under her bellyband. Every jolt the bloody car gave I had her bumping up
against me. Hell’s delights! She has a fine pair, God bless her. Like that.</p>
<p>He held his caved hands a cubit from him, frowning:</p>
<p>—I was tucking the rug under her and settling her boa all the time. Know
what I mean?</p>
<p>His hands moulded ample curves of air. He shut his eyes tight in delight, his
body shrinking, and blew a sweet chirp from his lips.</p>
<p>—The lad stood to attention anyhow, he said with a sigh. She’s a gamey
mare and no mistake. Bloom was pointing out all the stars and the comets in the
heavens to Chris Callinan and the jarvey: the great bear and Hercules and the
dragon, and the whole jingbang lot. But, by God, I was lost, so to speak, in
the milky way. He knows them all, faith. At last she spotted a weeny weeshy one
miles away. <i>And what star is that, Poldy?</i> says she. By God, she had
Bloom cornered. <i>That one, is it?</i> says Chris Callinan, <i>sure that’s
only what you might call a pinprick.</i> By God, he wasn’t far wide of the
mark.</p>
<p>Lenehan stopped and leaned on the riverwall, panting with soft laughter.</p>
<p>—I’m weak, he gasped.</p>
<p>M’Coy’s white face smiled about it at instants and grew grave. Lenehan walked
on again. He lifted his yachtingcap and scratched his hindhead rapidly. He
glanced sideways in the sunlight at M’Coy.</p>
<p>—He’s a cultured allroundman, Bloom is, he said seriously. He’s not one
of your common or garden... you know... There’s a touch of the artist about old
Bloom.</p>
<p class="asterism">
* * *</p>
<p>Mr Bloom turned over idly pages of <i>The Awful Disclosures of Maria Monk</i>,
then of Aristotle’s <i>Masterpiece.</i> Crooked botched print. Plates: infants
cuddled in a ball in bloodred wombs like livers of slaughtered cows. Lots of
them like that at this moment all over the world. All butting with their skulls
to get out of it. Child born every minute somewhere. Mrs Purefoy.</p>
<p>He laid both books aside and glanced at the third: <i>Tales of the Ghetto</i>
by Leopold von Sacher Masoch.</p>
<p>—That I had, he said, pushing it by.</p>
<p>The shopman let two volumes fall on the counter.</p>
<p>—Them are two good ones, he said.</p>
<p>Onions of his breath came across the counter out of his ruined mouth. He bent
to make a bundle of the other books, hugged them against his unbuttoned
waistcoat and bore them off behind the dingy curtain.</p>
<p>On O’Connell bridge many persons observed the grave deportment and gay apparel
of Mr Denis J Maginni, professor of dancing &c.</p>
<p>Mr Bloom, alone, looked at the titles. <i>Fair Tyrants</i> by James Lovebirch.
Know the kind that is. Had it? Yes.</p>
<p>He opened it. Thought so.</p>
<p>A woman’s voice behind the dingy curtain. Listen: the man.</p>
<p>No: she wouldn’t like that much. Got her it once.</p>
<p>He read the other title: <i>Sweets of Sin</i>. More in her line. Let us see.</p>
<p>He read where his finger opened.</p>
<p><i>—All the dollarbills her husband gave her were spent in the stores on
wondrous gowns and costliest frillies. For him! For Raoul!</i></p>
<p>Yes. This. Here. Try.</p>
<p>—<i>Her mouth glued on his in a luscious voluptuous kiss while his hands
felt for the opulent curves inside her déshabillé.</i></p>
<p>Yes. Take this. The end.</p>
<p>—You are late, he spoke hoarsely, eying her with a suspicious glare.</p>
<p>The beautiful woman threw off her sabletrimmed wrap, displaying her queenly
shoulders and heaving embonpoint. An imperceptible smile played round her
perfect lips as she turned to him calmly.</p>
<p>Mr Bloom read again: <i>The beautiful woman.</i></p>
<p>Warmth showered gently over him, cowing his flesh. Flesh yielded amply amid
rumpled clothes: whites of eyes swooning up. His nostrils arched themselves for
prey. Melting breast ointments (<i>for him! For Raoul!</i>). Armpits’ oniony
sweat. Fishgluey slime (<i>her heaving embonpoint!</i>). Feel! Press! Crished!
Sulphur dung of lions!</p>
<p>Young! Young!</p>
<p>An elderly female, no more young, left the building of the courts of chancery,
king’s bench, exchequer and common pleas, having heard in the lord chancellor’s
court the case in lunacy of Potterton, in the admiralty division the summons,
exparte motion, of the owners of the Lady Cairns versus the owners of the
barque Mona, in the court of appeal reservation of judgment in the case of
Harvey versus the Ocean Accident and Guarantee Corporation.</p>
<p>Phlegmy coughs shook the air of the bookshop, bulging out the dingy curtains.
The shopman’s uncombed grey head came out and his unshaven reddened face,
coughing. He raked his throat rudely, puked phlegm on the floor. He put his
boot on what he had spat, wiping his sole along it, and bent, showing a
rawskinned crown, scantily haired.</p>
<p>Mr Bloom beheld it.</p>
<p>Mastering his troubled breath, he said:</p>
<p>—I’ll take this one.</p>
<p>The shopman lifted eyes bleared with old rheum.</p>
<p>—<i>Sweets of Sin,</i> he said, tapping on it. That’s a good one.</p>
<p class="asterism">
* * *</p>
<p>The lacquey by the door of Dillon’s auctionrooms shook his handbell twice again
and viewed himself in the chalked mirror of the cabinet.</p>
<p>Dilly Dedalus, loitering by the curbstone, heard the beats of the bell, the
cries of the auctioneer within. Four and nine. Those lovely curtains. Five
shillings. Cosy curtains. Selling new at two guineas. Any advance on five
shillings? Going for five shillings.</p>
<p>The lacquey lifted his handbell and shook it:</p>
<p>—Barang!</p>
<p>Bang of the lastlap bell spurred the halfmile wheelmen to their sprint. J. A.
Jackson, W. E. Wylie, A. Munro and H. T. Gahan, their stretched necks wagging,
negotiated the curve by the College library.</p>
<p>Mr Dedalus, tugging a long moustache, came round from Williams’s row. He halted
near his daughter.</p>
<p>—It’s time for you, she said.</p>
<p>—Stand up straight for the love of the lord Jesus, Mr Dedalus said. Are
you trying to imitate your uncle John, the cornetplayer, head upon shoulder?
Melancholy God!</p>
<p>Dilly shrugged her shoulders. Mr Dedalus placed his hands on them and held them
back.</p>
<p>—Stand up straight, girl, he said. You’ll get curvature of the spine. Do
you know what you look like?</p>
<p>He let his head sink suddenly down and forward, hunching his shoulders and
dropping his underjaw.</p>
<p>—Give it up, father, Dilly said. All the people are looking at you.</p>
<p>Mr Dedalus drew himself upright and tugged again at his moustache.</p>
<p>—Did you get any money? Dilly asked.</p>
<p>—Where would I get money? Mr Dedalus said. There is no-one in Dublin
would lend me fourpence.</p>
<p>—You got some, Dilly said, looking in his eyes.</p>
<p>—How do you know that? Mr Dedalus asked, his tongue in his cheek.</p>
<p>Mr Kernan, pleased with the order he had booked, walked boldly along James’s
street.</p>
<p>—I know you did, Dilly answered. Were you in the Scotch house now?</p>
<p>—I was not, then, Mr Dedalus said, smiling. Was it the little nuns taught
you to be so saucy? Here.</p>
<p>He handed her a shilling.</p>
<p>—See if you can do anything with that, he said.</p>
<p>—I suppose you got five, Dilly said. Give me more than that.</p>
<p>—Wait awhile, Mr Dedalus said threateningly. You’re like the rest of
them, are you? An insolent pack of little bitches since your poor mother died.
But wait awhile. You’ll all get a short shrift and a long day from me. Low
blackguardism! I’m going to get rid of you. Wouldn’t care if I was stretched
out stiff. He’s dead. The man upstairs is dead.</p>
<p>He left her and walked on. Dilly followed quickly and pulled his coat.</p>
<p>—Well, what is it? he said, stopping.</p>
<p>The lacquey rang his bell behind their backs.</p>
<p>—Barang!</p>
<p>—Curse your bloody blatant soul, Mr Dedalus cried, turning on him.</p>
<p>The lacquey, aware of comment, shook the lolling clapper of his bell but
feebly:</p>
<p>—Bang!</p>
<p>Mr Dedalus stared at him.</p>
<p>—Watch him, he said. It’s instructive. I wonder will he allow us to talk.</p>
<p>—You got more than that, father, Dilly said.</p>
<p>—I’m going to show you a little trick, Mr Dedalus said. I’ll leave you
all where Jesus left the jews. Look, there’s all I have. I got two shillings
from Jack Power and I spent twopence for a shave for the funeral.</p>
<p>He drew forth a handful of copper coins, nervously.</p>
<p>—Can’t you look for some money somewhere? Dilly said.</p>
<p>Mr Dedalus thought and nodded.</p>
<p>—I will, he said gravely. I looked all along the gutter in O’Connell
street. I’ll try this one now.</p>
<p>—You’re very funny, Dilly said, grinning.</p>
<p>—Here, Mr Dedalus said, handing her two pennies. Get a glass of milk for
yourself and a bun or a something. I’ll be home shortly.</p>
<p>He put the other coins in his pocket and started to walk on.</p>
<p>The viceregal cavalcade passed, greeted by obsequious policemen, out of
Parkgate.</p>
<p>—I’m sure you have another shilling, Dilly said.</p>
<p>The lacquey banged loudly.</p>
<p>Mr Dedalus amid the din walked off, murmuring to himself with a pursing mincing
mouth gently:</p>
<p>—The little nuns! Nice little things! O, sure they wouldn’t do anything!
O, sure they wouldn’t really! Is it little sister Monica!</p>
<p class="asterism">
* * *</p>
<p>From the sundial towards James’s gate walked Mr Kernan, pleased with the order
he had booked for Pulbrook Robertson, boldly along James’s street, past
Shackleton’s offices. Got round him all right. How do you do, Mr Crimmins?
First rate, sir. I was afraid you might be up in your other establishment in
Pimlico. How are things going? Just keeping alive. Lovely weather we’re having.
Yes, indeed. Good for the country. Those farmers are always grumbling. I’ll
just take a thimbleful of your best gin, Mr Crimmins. A small gin, sir. Yes,
sir. Terrible affair that <i>General Slocum</i> explosion. Terrible, terrible!
A thousand casualties. And heartrending scenes. Men trampling down women and
children. Most brutal thing. What do they say was the cause? Spontaneous
combustion. Most scandalous revelation. Not a single lifeboat would float and
the firehose all burst. What I can’t understand is how the inspectors ever
allowed a boat like that... Now, you’re talking straight, Mr Crimmins. You know
why? Palm oil. Is that a fact? Without a doubt. Well now, look at that. And
America they say is the land of the free. I thought we were bad here.</p>
<p>I smiled at him. <i>America,</i> I said quietly, just like that. <i>What is it?
The sweepings of every country including our own. Isn’t that true?</i> That’s a
fact.</p>
<p>Graft, my dear sir. Well, of course, where there’s money going there’s always
someone to pick it up.</p>
<p>Saw him looking at my frockcoat. Dress does it. Nothing like a dressy
appearance. Bowls them over.</p>
<p>—Hello, Simon, Father Cowley said. How are things?</p>
<p>—Hello, Bob, old man, Mr Dedalus answered, stopping.</p>
<p>Mr Kernan halted and preened himself before the sloping mirror of Peter
Kennedy, hairdresser. Stylish coat, beyond a doubt. Scott of Dawson street.
Well worth the half sovereign I gave Neary for it. Never built under three
guineas. Fits me down to the ground. Some Kildare street club toff had it
probably. John Mulligan, the manager of the Hibernian bank, gave me a very
sharp eye yesterday on Carlisle bridge as if he remembered me.</p>
<p>Aham! Must dress the character for those fellows. Knight of the road.
Gentleman. And now, Mr Crimmins, may we have the honour of your custom again,
sir. The cup that cheers but not inebriates, as the old saying has it.</p>
<p>North wall and sir John Rogerson’s quay, with hulls and anchorchains, sailing
westward, sailed by a skiff, a crumpled throwaway, rocked on the ferrywash,
Elijah is coming.</p>
<p>Mr Kernan glanced in farewell at his image. High colour, of course. Grizzled
moustache. Returned Indian officer. Bravely he bore his stumpy body forward on
spatted feet, squaring his shoulders. Is that Ned Lambert’s brother over the
way, Sam? What? Yes. He’s as like it as damn it. No. The windscreen of that
motorcar in the sun there. Just a flash like that. Damn like him.</p>
<p>Aham! Hot spirit of juniper juice warmed his vitals and his breath. Good drop
of gin, that was. His frocktails winked in bright sunshine to his fat strut.</p>
<p>Down there Emmet was hanged, drawn and quartered. Greasy black rope. Dogs
licking the blood off the street when the lord lieutenant’s wife drove by in
her noddy.</p>
<p>Bad times those were. Well, well. Over and done with. Great topers too.
Fourbottle men.</p>
<p>Let me see. Is he buried in saint Michan’s? Or no, there was a midnight burial
in Glasnevin. Corpse brought in through a secret door in the wall. Dignam is
there now. Went out in a puff. Well, well. Better turn down here. Make a
detour.</p>
<p>Mr Kernan turned and walked down the slope of Watling street by the corner of
Guinness’s visitors’ waitingroom. Outside the Dublin Distillers Company’s
stores an outside car without fare or jarvey stood, the reins knotted to the
wheel. Damn dangerous thing. Some Tipperary bosthoon endangering the lives of
the citizens. Runaway horse.</p>
<p>Denis Breen with his tomes, weary of having waited an hour in John Henry
Menton’s office, led his wife over O’Connell bridge, bound for the office of
Messrs Collis and Ward.</p>
<p>Mr Kernan approached Island street.</p>
<p>Times of the troubles. Must ask Ned Lambert to lend me those reminiscences of
sir Jonah Barrington. When you look back on it all now in a kind of
retrospective arrangement. Gaming at Daly’s. No cardsharping then. One of those
fellows got his hand nailed to the table by a dagger. Somewhere here lord
Edward Fitzgerald escaped from major Sirr. Stables behind Moira house.</p>
<p>Damn good gin that was.</p>
<p>Fine dashing young nobleman. Good stock, of course. That ruffian, that sham
squire, with his violet gloves gave him away. Course they were on the wrong
side. They rose in dark and evil days. Fine poem that is: Ingram. They were
gentlemen. Ben Dollard does sing that ballad touchingly. Masterly rendition.</p>
<p><i>At the siege of Ross did my father fall.</i></p>
<p>A cavalcade in easy trot along Pembroke quay passed, outriders leaping, leaping
in their, in their saddles. Frockcoats. Cream sunshades.</p>
<p>Mr Kernan hurried forward, blowing pursily.</p>
<p>His Excellency! Too bad! Just missed that by a hair. Damn it! What a pity!</p>
<p class="asterism">
* * *</p>
<div style="break-after:column;"></div><br />