<h2><SPAN name="chap03"></SPAN>III. THE FIRE SERMON</h2>
<p>The river’s tent is broken: the last fingers of leaf<br/>
Clutch and sink into the wet bank. The wind<br/>
Crosses the brown land, unheard. The nymphs are departed.<br/>
Sweet Thames, run softly, till I end my song.<br/>
The river bears no empty bottles, sandwich papers,<br/>
Silk handkerchiefs, cardboard boxes, cigarette ends<br/>
Or other testimony of summer nights. The nymphs are departed.<br/>
And their friends, the loitering heirs of city directors; 180<br/>
Departed, have left no addresses.<br/>
By the waters of Leman I sat down and wept . . .<br/>
Sweet Thames, run softly till I end my song,<br/>
Sweet Thames, run softly, for I speak not loud or long.<br/>
But at my back in a cold blast I hear<br/>
The rattle of the bones, and chuckle spread from ear to ear.<br/>
A rat crept softly through the vegetation<br/>
Dragging its slimy belly on the bank<br/>
While I was fishing in the dull canal<br/>
On a winter evening round behind the gashouse <br/>
Musing upon the king my brother’s wreck<br/>
And on the king my father’s death before him.<br/>
White bodies naked on the low damp ground<br/>
And bones cast in a little low dry garret,<br/>
Rattled by the rat’s foot only, year to year.<br/>
But at my back from time to time I hear<br/>
The sound of horns and motors, which shall bring<br/>
Sweeney to Mrs. Porter in the spring.<br/>
O the moon shone bright on Mrs. Porter<br/>
And on her daughter <br/>
They wash their feet in soda water<br/>
<i>Et O ces voix d’enfants, chantant dans la coupole!</i><br/>
<br/>
Twit twit twit<br/>
Jug jug jug jug jug jug<br/>
So rudely forc’d.<br/>
Tereu<br/>
<br/>
Unreal City<br/>
Under the brown fog of a winter noon<br/>
Mr. Eugenides, the Smyrna merchant<br/>
Unshaven, with a pocket full of currants<br/>
C.i.f. London: documents at sight,<br/>
Asked me in demotic French<br/>
To luncheon at the Cannon Street Hotel<br/>
Followed by a weekend at the Metropole.<br/>
<br/>
At the violet hour, when the eyes and back<br/>
Turn upward from the desk, when the human engine waits<br/>
Like a taxi throbbing waiting,<br/>
I Tiresias, though blind, throbbing between two lives,<br/>
Old man with wrinkled female breasts, can see<br/>
At the violet hour, the evening hour that strives<br/>
Homeward, and brings the sailor home from sea,<br/>
The typist home at teatime, clears her breakfast, lights<br/>
Her stove, and lays out food in tins.<br/>
Out of the window perilously spread<br/>
Her drying combinations touched by the sun’s last rays,<br/>
On the divan are piled (at night her bed)<br/>
Stockings, slippers, camisoles, and stays.<br/>
I Tiresias, old man with wrinkled dugs<br/>
Perceived the scene, and foretold the rest—<br/>
I too awaited the expected guest. <br/>
He, the young man carbuncular, arrives,<br/>
A small house agent’s clerk, with one bold stare,<br/>
One of the low on whom assurance sits<br/>
As a silk hat on a Bradford millionaire.<br/>
The time is now propitious, as he guesses,<br/>
The meal is ended, she is bored and tired,<br/>
Endeavours to engage her in caresses<br/>
Which still are unreproved, if undesired.<br/>
Flushed and decided, he assaults at once;<br/>
Exploring hands encounter no defence; <br/>
His vanity requires no response,<br/>
And makes a welcome of indifference.<br/>
(And I Tiresias have foresuffered all<br/>
Enacted on this same divan or bed;<br/>
I who have sat by Thebes below the wall<br/>
And walked among the lowest of the dead.)<br/>
Bestows one final patronising kiss,<br/>
And gropes his way, finding the stairs unlit . . .<br/>
<br/>
She turns and looks a moment in the glass,<br/>
Hardly aware of her departed lover; <br/>
Her brain allows one half-formed thought to pass:<br/>
“Well now that’s done: and I’m glad it’s over.”<br/>
When lovely woman stoops to folly and<br/>
Paces about her room again, alone,<br/>
She smooths her hair with automatic hand,<br/>
And puts a record on the gramophone.<br/>
<br/>
“This music crept by me upon the waters”<br/>
And along the Strand, up Queen Victoria Street.<br/>
O City city, I can sometimes hear<br/>
Beside a public bar in Lower Thames Street,<br/>
The pleasant whining of a mandoline<br/>
And a clatter and a chatter from within<br/>
Where fishmen lounge at noon: where the walls<br/>
Of Magnus Martyr hold<br/>
Inexplicable splendour of Ionian white and gold.<br/>
<br/>
The river sweats<br/>
Oil and tar<br/>
The barges drift<br/>
With the turning tide<br/>
Red sails <br/>
Wide<br/>
To leeward, swing on the heavy spar.<br/>
The barges wash<br/>
Drifting logs<br/>
Down Greenwich reach<br/>
Past the Isle of Dogs.<br/>
Weialala leia<br/>
Wallala leialala<br/>
Elizabeth and Leicester<br/>
Beating oars <br/>
The stern was formed<br/>
A gilded shell<br/>
Red and gold<br/>
The brisk swell<br/>
Rippled both shores<br/>
Southwest wind<br/>
Carried down stream<br/>
The peal of bells<br/>
White towers<br/>
Weialala leia<br/>
Wallala leialala<br/>
<br/>
“Trams and dusty trees.<br/>
Highbury bore me. Richmond and Kew<br/>
Undid me. By Richmond I raised my knees<br/>
Supine on the floor of a narrow canoe.”<br/>
<br/>
“My feet are at Moorgate, and my heart<br/>
Under my feet. After the event<br/>
He wept. He promised ‘a new start’.<br/>
I made no comment. What should I resent?”<br/>
“On Margate Sands. <br/>
I can connect<br/>
Nothing with nothing.<br/>
The broken fingernails of dirty hands.<br/>
My people humble people who expect<br/>
Nothing.”<br/>
la la<br/>
<br/>
To Carthage then I came<br/>
<br/>
Burning burning burning burning<br/>
O Lord Thou pluckest me out<br/>
O Lord Thou pluckest<br/>
<br/>
burning<br/></p>
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