<h3>Chapter 22</h3>
<p>When Anna found Dolly at home before her, she looked intently in her eyes, as
though questioning her about the talk she had had with Vronsky, but she made no
inquiry in words.</p>
<p>“I believe it’s dinner time,” she said. “We’ve
not seen each other at all yet. I am reckoning on the evening. Now I want to go
and dress. I expect you do too; we all got splashed at the buildings.”</p>
<p>Dolly went to her room and she felt amused. To change her dress was impossible,
for she had already put on her best dress. But in order to signify in some way
her preparation for dinner, she asked the maid to brush her dress, changed her
cuffs and tie, and put some lace on her head.</p>
<p>“This is all I can do,” she said with a smile to Anna, who came in
to her in a third dress, again of extreme simplicity.</p>
<p>“Yes, we are too formal here,” she said, as it were apologizing for
her magnificence. “Alexey is delighted at your visit, as he rarely is at
anything. He has completely lost his heart to you,” she added.
“You’re not tired?”</p>
<p>There was no time for talking about anything before dinner. Going into the
drawing-room they found Princess Varvara already there, and the gentlemen of
the party in black frock-coats. The architect wore a swallow-tail coat. Vronsky
presented the doctor and the steward to his guest. The architect he had already
introduced to her at the hospital.</p>
<p>A stout butler, resplendent with a smoothly shaven round chin and a starched
white cravat, announced that dinner was ready, and the ladies got up. Vronsky
asked Sviazhsky to take in Anna Arkadyevna, and himself offered his arm to
Dolly. Veslovsky was before Tushkevitch in offering his arm to Princess
Varvara, so that Tushkevitch with the steward and the doctor walked in alone.</p>
<p>The dinner, the dining-room, the service, the waiting at table, the wine, and
the food, were not simply in keeping with the general tone of modern luxury
throughout all the house, but seemed even more sumptuous and modern. Darya
Alexandrovna watched this luxury which was novel to her, and as a good
housekeeper used to managing a household—although she never dreamed of
adapting anything she saw to her own household, as it was all in a style of
luxury far above her own manner of living—she could not help scrutinizing
every detail, and wondering how and by whom it was all done. Vassenka
Veslovsky, her husband, and even Sviazhsky, and many other people she knew,
would never have considered this question, and would have readily believed what
every well-bred host tries to make his guests feel, that is, that all that is
well-ordered in his house has cost him, the host, no trouble whatever, but
comes of itself. Darya Alexandrovna was well aware that even porridge for the
children’s breakfast does not come of itself, and that therefore, where
so complicated and magnificent a style of luxury was maintained, someone must
give earnest attention to its organization. And from the glance with which
Alexey Kirillovitch scanned the table, from the way he nodded to the butler,
and offered Darya Alexandrovna her choice between cold soup and hot soup, she
saw that it was all organized and maintained by the care of the master of the
house himself. It was evident that it all rested no more upon Anna than upon
Veslovsky. She, Sviazhsky, the princess, and Veslovsky, were equally guests,
with light hearts enjoying what had been arranged for them.</p>
<p>Anna was the hostess only in conducting the conversation. The conversation was
a difficult one for the lady of the house at a small table with persons
present, like the steward and the architect, belonging to a completely
different world, struggling not to be overawed by an elegance to which they
were unaccustomed, and unable to sustain a large share in the general
conversation. But this difficult conversation Anna directed with her usual tact
and naturalness, and indeed she did so with actual enjoyment, as Darya
Alexandrovna observed. The conversation began about the row Tushkevitch and
Veslovsky had taken alone together in the boat, and Tushkevitch began
describing the last boat races in Petersburg at the Yacht Club. But Anna,
seizing the first pause, at once turned to the architect to draw him out of his
silence.</p>
<p>“Nikolay Ivanitch was struck,” she said, meaning Sviazhsky,
“at the progress the new building had made since he was here last; but I
am there every day, and every day I wonder at the rate at which it
grows.”</p>
<p>“It’s first-rate working with his excellency,” said the
architect with a smile (he was respectful and composed, though with a sense of
his own dignity). “It’s a very different matter to have to do with
the district authorities. Where one would have to write out sheaves of papers,
here I call upon the count, and in three words we settle the business.”</p>
<p>“The American way of doing business,” said Sviazhsky, with a smile.</p>
<p>“Yes, there they build in a rational fashion....”</p>
<p>The conversation passed to the misuse of political power in the United States,
but Anna quickly brought it round to another topic, so as to draw the steward
into talk.</p>
<p>“Have you ever seen a reaping machine?” she said, addressing Darya
Alexandrovna. “We had just ridden over to look at one when we met.
It’s the first time I ever saw one.”</p>
<p>“How do they work?” asked Dolly.</p>
<p>“Exactly like little scissors. A plank and a lot of little scissors. Like
this.”</p>
<p>Anna took a knife and fork in her beautiful white hands covered with rings, and
began showing how the machine worked. It was clear that she saw nothing would
be understood from her explanation; but aware that her talk was pleasant and
her hands beautiful she went on explaining.</p>
<p>“More like little penknives,” Veslovsky said playfully, never
taking his eyes off her.</p>
<p>Anna gave a just perceptible smile, but made no answer. “Isn’t it
true, Karl Fedoritch, that it’s just like little scissors?” she
said to the steward.</p>
<p>“<i>Oh, ja,</i>” answered the German. <i>“Es ist ein ganz
einfaches Ding,”</i> and he began to explain the construction of the
machine.</p>
<p>“It’s a pity it doesn’t bind too. I saw one at the Vienna
exhibition, which binds with a wire,” said Sviazhsky. “They would
be more profitable in use.”</p>
<p><i>“Es kommt drauf an.... Der Preis vom Draht muss ausgerechnet
werden.”</i> And the German, roused from his taciturnity, turned to
Vronsky. <i>“Das lässt sich ausrechnen, Erlaucht.”</i> The German
was just feeling in the pocket where were his pencil and the notebook he always
wrote in, but recollecting that he was at a dinner, and observing
Vronsky’s chilly glance, he checked himself. <i>“Zu compliziert,
macht zu viel Klopot,”</i> he concluded.</p>
<p><i>“Wünscht man Dochots, so hat man auch Klopots,”</i> said
Vassenka Veslovsky, mimicking the German. <i>“J’adore
l’allemand,”</i> he addressed Anna again with the same smile.</p>
<p><i>“Cessez,”</i> she said with playful severity.</p>
<p>“We expected to find you in the fields, Vassily Semyonitch,” she
said to the doctor, a sickly-looking man; “have you been there?”</p>
<p>“I went there, but I had taken flight,” the doctor answered with
gloomy jocoseness.</p>
<p>“Then you’ve taken a good constitutional?”</p>
<p>“Splendid!”</p>
<p>“Well, and how was the old woman? I hope it’s not typhus?”</p>
<p>“Typhus it is not, but it’s taking a bad turn.”</p>
<p>“What a pity!” said Anna, and having thus paid the dues of civility
to her domestic circle, she turned to her own friends.</p>
<p>“It would be a hard task, though, to construct a machine from your
description, Anna Arkadyevna,” Sviazhsky said jestingly.</p>
<p>“Oh, no, why so?” said Anna with a smile that betrayed that she
knew there was something charming in her disquisitions upon the machine that
had been noticed by Sviazhsky. This new trait of girlish coquettishness made an
unpleasant impression on Dolly.</p>
<p>“But Anna Arkadyevna’s knowledge of architecture is
marvelous,” said Tushkevitch.</p>
<p>“To be sure, I heard Anna Arkadyevna talking yesterday about plinths and
damp-courses,” said Veslovsky. “Have I got it right?”</p>
<p>“There’s nothing marvelous about it, when one sees and hears so
much of it,” said Anna. “But, I dare say, you don’t even know
what houses are made of?”</p>
<p>Darya Alexandrovna saw that Anna disliked the tone of raillery that existed
between her and Veslovsky, but fell in with it against her will.</p>
<p>Vronsky acted in this matter quite differently from Levin. He obviously
attached no significance to Veslovsky’s chattering; on the contrary, he
encouraged his jests.</p>
<p>“Come now, tell us, Veslovsky, how are the stones held together?”</p>
<p>“By cement, of course.”</p>
<p>“Bravo! And what is cement?”</p>
<p>“Oh, some sort of paste ... no, putty,” said Veslovsky, raising a
general laugh.</p>
<p>The company at dinner, with the exception of the doctor, the architect, and the
steward, who remained plunged in gloomy silence, kept up a conversation that
never paused, glancing off one subject, fastening on another, and at times
stinging one or the other to the quick. Once Darya Alexandrovna felt wounded to
the quick, and got so hot that she positively flushed and wondered afterwards
whether she had said anything extreme or unpleasant. Sviazhsky began talking of
Levin, describing his strange view that machinery is simply pernicious in its
effects on Russian agriculture.</p>
<p>“I have not the pleasure of knowing this M. Levin,” Vronsky said,
smiling, “but most likely he has never seen the machines he condemns; or
if he has seen and tried any, it must have been after a queer fashion, some
Russian imitation, not a machine from abroad. What sort of views can anyone
have on such a subject?”</p>
<p>“Turkish views, in general,” Veslovsky said, turning to Anna with a
smile.</p>
<p>“I can’t defend his opinions,” Darya Alexandrovna said,
firing up; “but I can say that he’s a highly cultivated man, and if
he were here he would know very well how to answer you, though I am not capable
of doing so.”</p>
<p>“I like him extremely, and we are great friends,” Sviazhsky said,
smiling good-naturedly. “<i>Mais pardon, il est un petit peu toqué;</i>
he maintains, for instance, that district councils and arbitration boards are
all of no use, and he is unwilling to take part in anything.”</p>
<p>“It’s our Russian apathy,” said Vronsky, pouring water from
an iced decanter into a delicate glass on a high stem; “we’ve no
sense of the duties our privileges impose upon us, and so we refuse to
recognize these duties.”</p>
<p>“I know no man more strict in the performance of his duties,” said
Darya Alexandrovna, irritated by Vronsky’s tone of superiority.</p>
<p>“For my part,” pursued Vronsky, who was evidently for some reason
or other keenly affected by this conversation, “such as I am, I am, on
the contrary, extremely grateful for the honor they have done me, thanks to
Nikolay Ivanitch” (he indicated Sviazhsky), “in electing me a
justice of the peace. I consider that for me the duty of being present at the
session, of judging some peasants’ quarrel about a horse, is as important
as anything I can do. And I shall regard it as an honor if they elect me for
the district council. It’s only in that way I can pay for the advantages
I enjoy as a landowner. Unluckily they don’t understand the weight that
the big landowners ought to have in the state.”</p>
<p>It was strange to Darya Alexandrovna to hear how serenely confident he was of
being right at his own table. She thought how Levin, who believed the opposite,
was just as positive in his opinions at his own table. But she loved Levin, and
so she was on his side.</p>
<p>“So we can reckon upon you, count, for the coming elections?” said
Sviazhsky. “But you must come a little beforehand, so as to be on the
spot by the eighth. If you would do me the honor to stop with me.”</p>
<p>“I rather agree with your <i>beau-frère</i>,” said Anna, “though not
quite on the same ground as he,” she added with a smile. “I’m
afraid that we have too many of these public duties in these latter days. Just
as in old days there were so many government functionaries that one had to call
in a functionary for every single thing, so now everyone’s doing some
sort of public duty. Alexey has been here now six months, and he’s a
member, I do believe, of five or six different public bodies. <i>Du train que
cela va,</i> the whole time will be wasted on it. And I’m afraid that
with such a multiplicity of these bodies, they’ll end in being a mere
form. How many are you a member of, Nikolay Ivanitch?” she turned to
Sviazhsky—“over twenty, I fancy.”</p>
<p>Anna spoke lightly, but irritation could be discerned in her tone. Darya
Alexandrovna, watching Anna and Vronsky attentively, detected it instantly. She
noticed, too, that as she spoke Vronsky’s face had immediately taken a
serious and obstinate expression. Noticing this, and that Princess Varvara at
once made haste to change the conversation by talking of Petersburg
acquaintances, and remembering what Vronsky had without apparent connection
said in the garden of his work in the country, Dolly surmised that this
question of public activity was connected with some deep private disagreement
between Anna and Vronsky.</p>
<p>The dinner, the wine, the decoration of the table were all very good; but it
was all like what Darya Alexandrovna had seen at formal dinners and balls which
of late years had become quite unfamiliar to her; it all had the same
impersonal and constrained character, and so on an ordinary day and in a little
circle of friends it made a disagreeable impression on her.</p>
<p>After dinner they sat on the terrace, then they proceeded to play lawn tennis.
The players, divided into two parties, stood on opposite sides of a tightly
drawn net with gilt poles on the carefully leveled and rolled croquet-ground.
Darya Alexandrovna made an attempt to play, but it was a long time before she
could understand the game, and by the time she did understand it, she was so
tired that she sat down with Princess Varvara and simply looked on at the
players. Her partner, Tushkevitch, gave up playing too, but the others kept the
game up for a long time. Sviazhsky and Vronsky both played very well and
seriously. They kept a sharp lookout on the balls served to them, and without
haste or getting in each other’s way, they ran adroitly up to them,
waited for the rebound, and neatly and accurately returned them over the net.
Veslovsky played worse than the others. He was too eager, but he kept the
players lively with his high spirits. His laughter and outcries never paused.
Like the other men of the party, with the ladies’ permission, he took off
his coat, and his solid, comely figure in his white shirt-sleeves, with his red
perspiring face and his impulsive movements, made a picture that imprinted
itself vividly on the memory.</p>
<p>When Darya Alexandrovna lay in bed that night, as soon as she closed her eyes,
she saw Vassenka Veslovsky flying about the croquet ground.</p>
<p>During the game Darya Alexandrovna was not enjoying herself. She did not like
the light tone of raillery that was kept up all the time between Vassenka
Veslovsky and Anna, and the unnaturalness altogether of grown-up people, all
alone without children, playing at a child’s game. But to avoid breaking
up the party and to get through the time somehow, after a rest she joined the
game again, and pretended to be enjoying it. All that day it seemed to her as
though she were acting in a theater with actors cleverer than she, and that her
bad acting was spoiling the whole performance. She had come with the intention
of staying two days, if all went well. But in the evening, during the game, she
made up her mind that she would go home next day. The maternal cares and
worries, which she had so hated on the way, now, after a day spent without
them, struck her in quite another light, and tempted her back to them.</p>
<p>When, after evening tea and a row by night in the boat, Darya Alexandrovna went
alone to her room, took off her dress, and began arranging her thin hair for
the night, she had a great sense of relief.</p>
<p>It was positively disagreeable to her to think that Anna was coming to see her
immediately. She longed to be alone with her own thoughts.</p>
<div style="break-after:column;"></div><br />