<h3><SPAN name="V" id="V"></SPAN>V</h3>
<p class="nind"><span class="letter">T</span>HE first thing that happened to me after parting with him was to find
myself again engaged with Mrs. Brissenden, still full of the quick
conviction with which I had left her. "It <i>is</i> she—quite unmistakably,
you know. I don't see how I can have been so stupid as not to make it
out. I haven't your cleverness, of course, till my nose is rubbed into a
thing. But when it <i>is</i>—!" She celebrated her humility in a laugh that
was proud. "The two are off together."</p>
<p>"Off where?"</p>
<p>"I don't know where, but I saw them a few minutes ago most distinctly
'slope.' They've gone for a quiet, unwatched hour, poor dears, out into
the park or the gardens. When one knows it, it's all there. But what's
that vulgar song?—'You've got to know it first!' It strikes me, if you
don't mind my telling you so, that the way <i>you</i> get hold of things is
positively uncanny. I mean as regards what first marked her for you."</p>
<p>"But, my dear lady," I protested, "nothing at all first marked her for
me. She <i>isn't</i> marked for<SPAN name="page_071" id="page_071"></SPAN> me, first or last. It was only you who so
jumped at her."</p>
<p>My interlocutress stared, and I had at this moment, I remember, an
almost intolerable sense of her fatuity and cruelty. They were all
unconscious, but they were, at that stage, none the less irritating. Her
fine bosom heaved, her blue eyes expanded with her successful, her
simplified egotism. I couldn't, in short, I found, bear her being so
keen about Mrs. Server while she was so stupid about poor Briss. She
seemed to recall to me nobly the fact that <i>she</i> hadn't a lover. No, she
was only eating poor Briss up inch by inch, but she hadn't a lover. "I
don't," I insisted, "see in Mrs. Server any of the right signs."</p>
<p>She looked almost indignant. "Even after your telling me that you see in
Lady John only the wrong ones?"</p>
<p>"Ah, but there are other women here than Mrs. Server and Lady John."</p>
<p>"Certainly. But didn't we, a moment ago, think of them all and dismiss
them? If Lady John's out of the question, how can Mrs. Server possibly
<i>not</i> be in it? We want a fool——"</p>
<p>"Ah, <i>do</i> we?" I interruptingly wailed.</p>
<p>"Why, exactly by your own theory, in which you've so much interested me!
It was you who struck off the idea."</p>
<p>"That we want a fool?" I felt myself turning<SPAN name="page_072" id="page_072"></SPAN> gloomy enough. "Do we
really want anyone at all?"</p>
<p>She gave me, in momentary silence, a strange smile. "Ah, you want to
take it back now? You're sorry you spoke. My dear man, you may be——"
but that didn't hinder the fact, in short, that I had kindled near me a
fine, if modest and timid, intelligence. There did remain the truth of
our friend's striking development, to which I had called her attention.
Regretting my rashness didn't make the prodigy less. "You'll lead me to
believe, if you back out, that there's suddenly someone you want to
protect. Weak man," she exclaimed with an assurance from which, I
confess, I was to take alarm, "something has happened to you since we
separated! Weak man," she repeated with dreadful gaiety, "you've been
squared!"</p>
<p>I literally blushed for her. "Squared?"</p>
<p>"Does it inconveniently happen that you find you're in love with her
yourself?"</p>
<p>"Well," I replied on quick reflection, "do, if you like, call it that;
for you see what a motive it gives me for being, in such a matter as
this wonderful one that you and I happened to find ourselves for a
moment making so free with, absolutely sure about her. I <i>am</i> absolutely
sure. There! She won't do. And for your postulate that she's at the
present moment in some sequestered spot in Long's company, suffer me
without delay to correct it.<SPAN name="page_073" id="page_073"></SPAN> It won't hold water. If you'll go into the
library, through which I have just passed, you'll find her there in the
company of the Comte de Dreuil."</p>
<p>Mrs. Briss stared again. "Already? She <i>was</i>, at any rate, with Mr.
Long, and she told me on my meeting them that they had just come from
the pastels."</p>
<p>"Exactly. They met there—she and I having gone together; and they
retired together under my eyes. They must have parted, clearly, the
moment after."</p>
<p>She took it all in, turned it all over. "Then what does that prove but
that they're afraid to be seen?"</p>
<p>"Ah, they're <i>not</i> afraid, since both you and I saw them!"</p>
<p>"Oh, only just long enough for them to publish themselves as not
avoiding each other. All the same, you know," she said, "they do."</p>
<p>"Do avoid each other? How is your belief in that," I asked, "consistent
with your belief that they parade together in the park?"</p>
<p>"They ignore each other in public; they foregather in private."</p>
<p>"Ah, but they <i>don't</i>—since, as I tell you, she's even while we talk
the centre of the mystic circle of the twaddle of M. de Dreuil; chained
to a stake if you <i>can</i> be. Besides," I wound up, "it's not only that
she's not the 'right fool'—it's simply that she's<SPAN name="page_074" id="page_074"></SPAN> not a fool at all.
We want the woman who has been rendered most inane. But this lady hasn't
been rendered so in any degree. She's the reverse of inane. She's in
full possession."</p>
<p>"In full possession of what?"</p>
<p>"Why, of herself."</p>
<p>"Like Lady John?"</p>
<p>I had unfortunately to discriminate here. "No, not like Lady John."</p>
<p>"Like whom then?"</p>
<p>"Like anyone. Like me; like you; like Brissenden. Don't I satisfy you?"
I asked in a moment.</p>
<p>She only looked at me a little, handsome and hard. "If you wished to
satisfy me so easily you shouldn't have made such a point of working me
up. I daresay I, after all, however," she added, "notice more things
than you."</p>
<p>"As for instance?"</p>
<p>"Well, May Server last evening. I was not quite conscious at the time
that I did, but when one has had the 'tip' one looks back and sees
things in a new light."</p>
<p>It was doubtless because my friend irritated me more and more that I met
this with a sharpness possibly excessive. "She's perfectly natural. What
I saw was a test. And so is he."</p>
<p>But she gave me no heed. "If there hadn't been so many people I should
have noticed of myself after dinner that there was something the matter<SPAN name="page_075" id="page_075"></SPAN>
with her. I should have seen what it was. She was all over the place."</p>
<p>She expressed it as the poor lady's other critic had done, but this
didn't shut my mouth. "Ah, then, in spite of the people, you did notice.
What do you mean by 'all over the place'?"</p>
<p>"She couldn't keep still. She was different from the woman one had last
seen. She used to be so calm—as if she were always sitting for her
portrait. Wasn't she in fact always being painted in a pink frock and
one row of pearls, always staring out at you in exhibitions, as if she
were saying 'Here they are again'? Last night she was on the rush."</p>
<p>"The rush? Oh!"</p>
<p>"Yes, positively—from one man to another. She was on the pounce. She
talked to ten in succession, making up to them in the most extraordinary
way and leaving them still more crazily. She's as nervous as a cat. Put
it to any man here, and see if he doesn't tell you."</p>
<p>"I should think it quite unpleasant to put it to any man here," I
returned; "and I should have been sure you would have thought it the
same. I spoke to you in the deepest confidence."</p>
<p>Mrs. Brissenden's look at me was for a moment of the least
accommodating; then it changed to an intelligent smile. "How you <i>are</i>
protecting her! But don't cry out," she added, "before you're hurt.
Since your confidence has distinguished me—<SPAN name="page_076" id="page_076"></SPAN>though I don't quite see
why—you may be sure I haven't breathed. So I all the more resent your
making me a scene on the extraordinary ground that I've observed as well
as yourself. Perhaps what you don't like is that my observation may be
turned on <i>you</i>. I confess it is."</p>
<p>It was difficult to bear being put in the wrong by her, but I made an
effort that I believe was not unsuccessful to recover my good humour.
"It's not in the least to your observation that I object, it's to the
extravagant inferences you draw from it. Of course, however, I admit I
always want to protect the innocent. What does she gain, on your theory,
by her rushing and pouncing? Had she pounced on Brissenden when we met
him with her? Are you so very sure he hadn't pounced on <i>her</i>? They had,
at all events, to me, quite the air of people settled; she was not, it
was clear, at that moment meditating a change. It was we, if you
remember, who had absolutely to pull them apart."</p>
<p>"Is it your idea to make out," Mrs. Brissenden inquired in answer to
this, "that she has suddenly had the happy thought of a passion for my
husband?"</p>
<p>A new possibility, as she spoke, came to me with a whirr of wings, and I
half expressed it. "She may have a sympathy."</p>
<p>My interlocutress gazed at space. "You mean she may be sorry for him? On
what ground?"<SPAN name="page_077" id="page_077"></SPAN></p>
<p>I had gone too far indeed; but I got off as I could. "You neglect him
so! But what is she, at any rate," I went on, "nervous—as nervous as
you describe her—<i>about</i>?"</p>
<p>"About her danger; the contingency of its being fixed upon them—an
intimacy so thoroughgoing that they can scarcely afford to let it be
seen even as a mere acquaintance. Think of the circumstances—<i>her</i>
personal ones, I mean, and admit that it wouldn't do. It would be too
bad a case. There's everything to make it so. They must live on pins and
needles. Anything proved would go tremendously hard for her."</p>
<p>"In spite of which you're surprised that I 'protect' her?"</p>
<p>It was a question, however, that my companion could meet. "From people
in general, no. From me in particular, yes."</p>
<p>In justice to Mrs. Brissenden I thought a moment. "Well, then, let us be
fair all round. That you don't, as you say, breathe is a discretion I
appreciate; all the more that a little inquiry, tactfully pursued, would
enable you to judge whether any independent suspicion does attach. A
little loose collateral evidence <i>might</i> be picked up; and your scorning
to handle it is no more than I should, after all, have expected of you."</p>
<p>"Thank you for 'after all'!" My companion tossed her head. "I know for
myself what I scorn<SPAN name="page_078" id="page_078"></SPAN> to handle. Quite apart from that there's another
matter. You must have noticed yourself that when people are so much
liked——"</p>
<p>"There's a kind of general, amiable consensus of blindness? Yes—one can
think of cases. Popularity shelters and hallows—has the effect of
making a good-natured world agree not to see."</p>
<p>My friend seemed pleased that I so sufficiently understood. "This
evidently has been a case then in which it has not only agreed not to
see, but agreed not even to look. It has agreed in fact to look straight
the other way. They say there's no smoke without fire, but it appears
there may be fire without smoke. I'm satisfied, at all events, that one
wouldn't in connection with these two find the least little puff. Isn't
that just what makes the magnificence of their success—the success that
reduces us to playing over them with mere moonshine?" She thought of it;
seemed fairly to envy it. "I've never <i>seen</i> such luck!"</p>
<p>"A rare case of the beauty of impunity <i>as</i> impunity?" I laughed. "Such
a case puts a price on passions otherwise to be deprecated? I'm glad
indeed you admit we're 'reduced.' We <i>are</i> reduced. But what I meant to
say just now was that if you'll continue to join in the genial
conspiracy while I do the same—each of us making an exception only for
the other—I'll pledge myself absolutely to the straight course. If
before we separate I've seen<SPAN name="page_079" id="page_079"></SPAN> reason to change my mind, I'll loyally let
you know."</p>
<p>"What good will that do me," she asked, "if you <i>don't</i> change your
mind? You won't change it if you shut your eyes to her."</p>
<p>"Ah, I feel I can't do that now. I <i>am</i> interested. The proof of that
is," I pursued, "that I appeal to you for another impression of your
own. I still don't see the logic of her general importunity."</p>
<p>"The logic is simply that she has a terror of appearing to encourage
anyone in particular."</p>
<p>"Why then isn't it in her own interest, for the sake of the screen, just
to <i>do</i> that? The appearance of someone in particular would be exactly
the opposite of the appearance of Long. Your own admission is that
that's <i>his</i> line with Lady John."</p>
<p>Mrs. Brissenden took her view. "Oh, she doesn't want to do anything so
like the real thing. And, as for what he does, they don't feel in the
same way. He's not nervous."</p>
<p>"Then why does he go in for a screen?"</p>
<p>"I mean"—she readily modified it—"that he's not so nervous as May. He
hasn't the same reasons for panic. A man never has. Besides, there's not
so much in Mr. Long to show——"</p>
<p>"What, by my notion, has taken place? Why not, if it was precisely by
the change in him that my notion was inspired? Any change in <i>her</i> I
know comparatively little about."<SPAN name="page_080" id="page_080"></SPAN></p>
<p>We hovered so near the case of Mr. and Mrs. Brissenden that it
positively excited me, and all the more for her sustained
unconsciousness. "Oh, the man's not aware of his own change. He doesn't
see it as we do. It's all to his advantage."</p>
<p>"But <i>we</i> see it to his advantage. How should that prevent?"</p>
<p>"We see it to the advantage of his mind and his talk, but not to that
of——"</p>
<p>"Well, what?" I pressed as she pulled up.</p>
<p>She was thinking how to name such mysteries. "His delicacy. His
consideration. His thought <i>for</i> her. He would think for her if he
weren't selfish. But he <i>is</i> selfish—too much so to spare her, to be
generous, to realise. It's only, after all," she sagely went on, feeding
me again, as I winced to feel, with profundity of my own sort, "it's
only an excessive case, a case that in him happens to show as what the
doctors call 'fine,' of what goes on whenever two persons are so much
mixed up. One of them always gets more out of it than the other. One of
them—you know the saying—gives the lips, the other gives the cheek."</p>
<p>"It's the deepest of all truths. Yet the cheek profits too," I more
prudently argued.</p>
<p>"It profits most. It takes and keeps and uses all the lips give. The
cheek, accordingly," she continued to point out, "is Mr. Long's. The
lips are what we began by looking for. We've found them.<SPAN name="page_081" id="page_081"></SPAN> They're
drained—they're dry, the lips. Mr. Long finds his improvement natural
and beautiful. He revels in it. He takes it for granted. He's sublime."</p>
<p>It kept me for a minute staring at her. "So—do you know?—are <i>you</i>!"</p>
<p>She received this wholly as a tribute to her acuteness, and was
therefore proportionately gracious. "That's only because it's catching.
You've <i>made</i> me sublime. You found me dense. You've affected me quite
as Mrs. Server has affected Mr. Long. I don't pretend I show it," she
added, "quite as much as he does."</p>
<p>"Because that would entail <i>my</i> showing it as much as, by your
contention, <i>she</i> does? Well, I confess," I declared, "I do feel
remarkably like that pair of lips. I feel drained—I feel dry!" Her
answer to this, with another toss of her head, was extravagant enough to
mean forgiveness—was that I was impertinent, and her action in support
of her charge was to move away from me, taking her course again to the
terrace, easily accessible from the room in which we had been talking.
She passed out of the window that opened to the ground, and I watched
her while, in the brighter light, she put up her pink parasol. She
walked a few paces, as if to look about her for a change of company, and
by this time had reached a flight of steps that descended to a lower
level. On observing that here, in the act<SPAN name="page_082" id="page_082"></SPAN> to go down, she suddenly
paused, I knew she had been checked by something seen below and that
this was what made her turn the next moment to give me a look. I took it
as an invitation to rejoin her, and I perceived when I had done so what
had led her to appeal to me. We commanded from the point in question one
of the shady slopes of the park and in particular a spreading beech, the
trunk of which had been inclosed with a rustic circular bench, a
convenience that appeared to have offered, for the moment, a sense of
leafy luxury to a lady in pale blue. She leaned back, her figure
presented in profile and her head a little averted as if for talk with
some one on the other side of her, someone so placed as to be lost to
our view.</p>
<p>"There!" triumphed Mrs. Brissenden again—for the lady was unmistakably
Mrs. Server. Amusement was inevitable—the fact showed her as so
correctly described by the words to which I had twice had to listen. She
seemed really all over the place. "I thought you said," my companion
remarked, "that you had left her tucked away somewhere with M. de
Dreuil."</p>
<p>"Well," I returned after consideration, "that is obviously M. de
Dreuil."</p>
<p>"Are you so sure? I don't make out the person," my friend continued—"I
only see she's not alone. I understood you moreover that you had lately
left them in the house."<SPAN name="page_083" id="page_083"></SPAN></p>
<p>"They <i>were</i> in the house, but there was nothing to keep them from
coming out. They've had plenty of time while we've talked; they must
have passed down by some of the other steps. Perhaps also," I added,
"it's another man."</p>
<p>But by this time she was satisfied. "It's <i>he</i>!"</p>
<p>"Gilbert Long? I thought you just said," I observed, "that you can make
nobody out."</p>
<p>We watched together, but the distance was considerable, and the second
figure continued to be screened. "It <i>must</i> be he," Mrs. Brissenden
resumed with impatience, "since it was with him I so distinctly saw
her."</p>
<p>"Let me once more hold you to the fact," I answered, "that she had, to
my knowledge, succumbed to M. de Dreuil afterwards. The moments have
fled, you see, in our fascinating discussion, and various things, on
your theory of her pounce, have come and gone. Don't I moreover make out
a brown shoe, in a white gaiter, protruding from the other side of her
dress? It must be Lord Lutley."</p>
<p>Mrs. Brissenden looked and mused. "A brown shoe in a white gaiter?" At
this moment Mrs. Server moved, and the next—as if it were time for
another pounce—she had got up. We could, however, still distinguish but
a shoulder and an out-stretched leg of her gentleman, who, on her
movement, appeared, as in protest, to have affirmed by an emphatic shift
of his seat his preference for their<SPAN name="page_084" id="page_084"></SPAN> remaining as they were. This
carried him further round the tree. We thus lost him, but she stood
there while we waited, evidently exhorting him; after a minute of which
she came away as in confidence that he would follow. During this
process, with a face more visible, she had looked as charming as a
pretty woman almost always does in rising eloquent before the apathetic
male. She hadn't yet noticed us, but something in her attitude and
manner particularly spoke to me. There were implications in it to which
I couldn't be blind, and I felt how my neighbour also would have caught
them and been confirmed in her certitude. In fact I felt the breath of
her confirmation in another elated "There!"—in a "Look at her <i>now</i>!"
Incontestably, while not yet aware of us, Mrs. Server confessed with
every turn of her head to a part in a relation. It stuck out of her, her
part in a relation; it hung before us, her part in a relation; it was
large to us beyond the breadth of the glade. And since, off her guard,
she so let us have it, with whom in the world could the relation—so
much of one as that—be but with Gilbert Long? The question was not
settled till she had come on some distance; then the producer of our
tension, emerging and coming after her, offered himself to our united,
to our confounded, anxiety once more as poor Briss.</p>
<p>That we should have been confounded was doubtless but a proof of the
impression—the singular<SPAN name="page_085" id="page_085"></SPAN> assurance of intimacy borne toward us on the
soft summer air—that we had, however delusively, received. I should
myself have been as ready as my neighbour to say "Whoever he is, they're
in deep!"—and on grounds, moreover, quite as recklessly, as
fantastically constructive as hers. There was nothing to explain our
impression but the fact of our already having seen them figure together,
and of this we needed breathing-time to give them the natural benefit.
It was not indeed as an absolute benefit for either that Grace
Brissenden's tone marked our recognition. "Dear Guy <i>again</i>?"—but she
had recovered herself enough to laugh. "I should have thought he had had
more than his turn!" She had recovered herself in fact much more than I;
for somehow, from this instant, convinced as she had been and turning
everything to her conviction, I found myself dealing, in thought, with
still larger material. It was odd what a difference was made for me by
the renewed sight of dear Guy. I didn't of course analyse this sense at
the time; that was still to come. Our friends meanwhile had noticed us,
and something clearly passed between them—it almost produced, for an
instant, a visible arrest in their advance—on the question of their
having perhaps been for some time exposed.</p>
<p>They came on, however, and I waved them from afar a greeting, to which
Mrs. Server alone replied. Distances were great at Newmarch and
landscape-gardening<SPAN name="page_086" id="page_086"></SPAN> on the grand scale; it would take them still some
minutes to reach our place of vantage or to arrive within sound of
speech. There was accordingly nothing marked in our turning away and
strolling back to the house. We had been so intent that we confessed by
this movement to a quick impulse to disown it. Yet it was remarkable
that, before we went in, Mrs. Brissenden should have struck me afresh as
having got all she wanted. Her recovery from our surprise was already so
complete that her high lucidity now alone reigned. "You don't require, I
suppose, anything more than <i>that</i>?"</p>
<p>"Well, I don't quite see, I'm bound to say, just where even 'that' comes
in." It incommoded me singularly little, at the point to which I had
jumped, that this statement was the exact reverse of the truth. Where it
came in was what I happened to be in the very act of seeing—seeing to
the exclusion of almost everything else. It was sufficient that I might
perhaps feel myself to have done at last with Mrs. Brissenden. I
desired, at all events, quite as if this benefit were assured me, to
leave her the honours of the last word.</p>
<p>She was finely enough prepared to take them. "Why, this invention of
using my husband——!" She fairly gasped at having to explain.</p>
<p>"Of 'using' him?"</p>
<p>"Trailing him across the scent as she does all of you, one after the
other. Excuse my comparing<SPAN name="page_087" id="page_087"></SPAN> you to so many red herrings. You each have
your turn; only <i>his</i> seems repeated, poor dear, till he's quite worn
out with it."</p>
<p>I kept for a little this image in my eye. "I can see of course that his
whole situation must be something of a strain for him; for I've not
forgotten what you told me yesterday of his service with Lady John. To
have to work in such a way for two of them at once"—it couldn't help, I
admitted, being a tax on a fellow. Besides, when one came to think of
it, the same man couldn't be <i>two</i> red herrings. To show as Mrs.
Server's would directly impair his power to show as Lady John's. It
would seem, in short, a matter for his patronesses to have out together.</p>
<p>Mrs. Brissenden betrayed, on this, some annoyance at my levity. "Oh, the
cases are not the same, for with Lady John it amuses him: he thinks he
knows."</p>
<p>"Knows what?"</p>
<p>"What she wants him for. He doesn't know"—she kept it wonderfully
clear—"that she really doesn't want him for anything; for anything
except, of course"—this came as a droll second thought—"himself."</p>
<p>"And he doesn't know, either"—I tried to remain at her level—"that
Mrs. Server does."</p>
<p>"No," she assented, "he doesn't know what it's her idea to do with
him."<SPAN name="page_088" id="page_088"></SPAN></p>
<p>"He doesn't know, in fine," I cheerfully pursued, "the truth about
anything. And of course, by your agreement with me, he's not to learn
it."</p>
<p>She recognised her agreement with me, yet looked as if she had reserved
a certain measure of freedom. Then she handsomely gave up even that. "I
certainly don't want him to become conscious."</p>
<p>"It's his unconsciousness," I declared, "that saves him."</p>
<p>"Yes, even from himself."</p>
<p>"We must accordingly feed it." In the house, with intention, we parted
company; but there was something that, before this, I felt it due to my
claim of consistency to bring out. "It wasn't, at all events, Gilbert
Long behind the tree!"</p>
<p>My triumph, however, beneath the sponge she was prepared to pass again
over much of our experience, was short-lived. "Of course it wasn't. We
shouldn't have been treated to the scene if it <i>had</i> been. What could
she possibly have put poor Briss there for but just to show it wasn't?"<SPAN name="page_089" id="page_089"></SPAN></p>
<div style="break-after:column;"></div><br />