<p><SPAN name="link2HCH0005" id="link2HCH0005"></SPAN></p>
<h2> Chapter 5 </h2>
<h3> BOFFIN'S BOWER </h3>
<p>Over against a London house, a corner house not far from Cavendish Square,
a man with a wooden leg had sat for some years, with his remaining foot in
a basket in cold weather, picking up a living on this wise:—Every
morning at eight o'clock, he stumped to the corner, carrying a chair, a
clothes-horse, a pair of trestles, a board, a basket, and an umbrella, all
strapped together. Separating these, the board and trestles became a
counter, the basket supplied the few small lots of fruit and sweets that
he offered for sale upon it and became a foot-warmer, the unfolded
clothes-horse displayed a choice collection of halfpenny ballads and
became a screen, and the stool planted within it became his post for the
rest of the day. All weathers saw the man at the post. This is to be
accepted in a double sense, for he contrived a back to his wooden stool,
by placing it against the lamp-post. When the weather was wet, he put up
his umbrella over his stock in trade, not over himself; when the weather
was dry, he furled that faded article, tied it round with a piece of yarn,
and laid it cross-wise under the trestles: where it looked like an
unwholesomely-forced lettuce that had lost in colour and crispness what it
had gained in size.</p>
<p>He had established his right to the corner, by imperceptible prescription.
He had never varied his ground an inch, but had in the beginning
diffidently taken the corner upon which the side of the house gave. A
howling corner in the winter time, a dusty corner in the summer time, an
undesirable corner at the best of times. Shelterless fragments of straw
and paper got up revolving storms there, when the main street was at
peace; and the water-cart, as if it were drunk or short-sighted, came
blundering and jolting round it, making it muddy when all else was clean.</p>
<p>On the front of his sale-board hung a little placard, like a
kettle-holder, bearing the inscription in his own small text:</p>
<p>Errands gone<br/>
On with fi<br/>
Delity By<br/>
Ladies and Gentlemen<br/>
I remain<br/>
Your humble Servt:<br/>
Silas Wegg<br/></p>
<p>He had not only settled it with himself in course of time, that he was
errand-goer by appointment to the house at the corner (though he received
such commissions not half a dozen times in a year, and then only as some
servant's deputy), but also that he was one of the house's retainers and
owed vassalage to it and was bound to leal and loyal interest in it. For
this reason, he always spoke of it as 'Our House,' and, though his
knowledge of its affairs was mostly speculative and all wrong, claimed to
be in its confidence. On similar grounds he never beheld an inmate at any
one of its windows but he touched his hat. Yet, he knew so little about
the inmates that he gave them names of his own invention: as 'Miss
Elizabeth', 'Master George', 'Aunt Jane', 'Uncle Parker '—having no
authority whatever for any such designations, but particularly the last—to
which, as a natural consequence, he stuck with great obstinacy.</p>
<p>Over the house itself, he exercised the same imaginary power as over its
inhabitants and their affairs. He had never been in it, the length of a
piece of fat black water-pipe which trailed itself over the area-door into
a damp stone passage, and had rather the air of a leech on the house that
had 'taken' wonderfully; but this was no impediment to his arranging it
according to a plan of his own. It was a great dingy house with a quantity
of dim side window and blank back premises, and it cost his mind a world
of trouble so to lay it out as to account for everything in its external
appearance. But, this once done, was quite satisfactory, and he rested
persuaded, that he knew his way about the house blindfold: from the barred
garrets in the high roof, to the two iron extinguishers before the main
door—which seemed to request all lively visitors to have the
kindness to put themselves out, before entering.</p>
<p>Assuredly, this stall of Silas Wegg's was the hardest little stall of all
the sterile little stalls in London. It gave you the face-ache to look at
his apples, the stomach-ache to look at his oranges, the tooth-ache to
look at his nuts. Of the latter commodity he had always a grim little
heap, on which lay a little wooden measure which had no discernible
inside, and was considered to represent the penn'orth appointed by Magna
Charta. Whether from too much east wind or no—it was an easterly
corner—the stall, the stock, and the keeper, were all as dry as the
Desert. Wegg was a knotty man, and a close-grained, with a face carved out
of very hard material, that had just as much play of expression as a
watchman's rattle. When he laughed, certain jerks occurred in it, and the
rattle sprung. Sooth to say, he was so wooden a man that he seemed to have
taken his wooden leg naturally, and rather suggested to the fanciful
observer, that he might be expected—if his development received no
untimely check—to be completely set up with a pair of wooden legs in
about six months.</p>
<p>Mr Wegg was an observant person, or, as he himself said, 'took a powerful
sight of notice'. He saluted all his regular passers-by every day, as he
sat on his stool backed up by the lamp-post; and on the adaptable
character of these salutes he greatly plumed himself. Thus, to the rector,
he addressed a bow, compounded of lay deference, and a slight touch of the
shady preliminary meditation at church; to the doctor, a confidential bow,
as to a gentleman whose acquaintance with his inside he begged
respectfully to acknowledge; before the Quality he delighted to abase
himself; and for Uncle Parker, who was in the army (at least, so he had
settled it), he put his open hand to the side of his hat, in a military
manner which that angry-eyed buttoned-up inflammatory-faced old gentleman
appeared but imperfectly to appreciate.</p>
<p>The only article in which Silas dealt, that was not hard, was gingerbread.
On a certain day, some wretched infant having purchased the damp
gingerbread-horse (fearfully out of condition), and the adhesive
bird-cage, which had been exposed for the day's sale, he had taken a tin
box from under his stool to produce a relay of those dreadful specimens,
and was going to look in at the lid, when he said to himself, pausing:
'Oh! Here you are again!'</p>
<p>The words referred to a broad, round-shouldered, one-sided old fellow in
mourning, coming comically ambling towards the corner, dressed in a pea
over-coat, and carrying a large stick. He wore thick shoes, and thick
leather gaiters, and thick gloves like a hedger's. Both as to his dress
and to himself, he was of an overlapping rhinoceros build, with folds in
his cheeks, and his forehead, and his eyelids, and his lips, and his ears;
but with bright, eager, childishly-inquiring, grey eyes, under his ragged
eyebrows, and broad-brimmed hat. A very odd-looking old fellow altogether.</p>
<p>'Here you are again,' repeated Mr Wegg, musing. 'And what are you now? Are
you in the Funns, or where are you? Have you lately come to settle in this
neighbourhood, or do you own to another neighbourhood? Are you in
independent circumstances, or is it wasting the motions of a bow on you?
Come! I'll speculate! I'll invest a bow in you.'</p>
<p>Which Mr Wegg, having replaced his tin box, accordingly did, as he rose to
bait his gingerbread-trap for some other devoted infant. The salute was
acknowledged with:</p>
<p>'Morning, sir! Morning! Morning!'</p>
<p>('Calls me Sir!' said Mr Wegg, to himself; 'HE won't answer. A bow gone!')</p>
<p>'Morning, morning, morning!'</p>
<p>'Appears to be rather a 'arty old cock, too,' said Mr Wegg, as before;
'Good morning to YOU, sir.'</p>
<p>'Do you remember me, then?' asked his new acquaintance, stopping in his
amble, one-sided, before the stall, and speaking in a pounding way, though
with great good-humour.</p>
<p>'I have noticed you go past our house, sir, several times in the course of
the last week or so.'</p>
<p>'Our house,' repeated the other. 'Meaning—?'</p>
<p>'Yes,' said Mr Wegg, nodding, as the other pointed the clumsy forefinger
of his right glove at the corner house.</p>
<p>'Oh! Now, what,' pursued the old fellow, in an inquisitive manner,
carrying his knotted stick in his left arm as if it were a baby, 'what do
they allow you now?'</p>
<p>'It's job work that I do for our house,' returned Silas, drily, and with
reticence; 'it's not yet brought to an exact allowance.'</p>
<p>'Oh! It's not yet brought to an exact allowance? No! It's not yet brought
to an exact allowance. Oh!—Morning, morning, morning!'</p>
<p>'Appears to be rather a cracked old cock,' thought Silas, qualifying his
former good opinion, as the other ambled off. But, in a moment he was back
again with the question:</p>
<p>'How did you get your wooden leg?'</p>
<p>Mr Wegg replied, (tartly to this personal inquiry), 'In an accident.'</p>
<p>'Do you like it?'</p>
<p>'Well! I haven't got to keep it warm,' Mr Wegg made answer, in a sort of
desperation occasioned by the singularity of the question.</p>
<p>'He hasn't,' repeated the other to his knotted stick, as he gave it a hug;
'he hasn't got—ha!—ha!—to keep it warm! Did you ever
hear of the name of Boffin?'</p>
<p>'No,' said Mr Wegg, who was growing restive under this examination. 'I
never did hear of the name of Boffin.'</p>
<p>'Do you like it?'</p>
<p>'Why, no,' retorted Mr Wegg, again approaching desperation; 'I can't say I
do.'</p>
<p>'Why don't you like it?'</p>
<p>'I don't know why I don't,' retorted Mr Wegg, approaching frenzy, 'but I
don't at all.'</p>
<p>'Now, I'll tell you something that'll make you sorry for that,' said the
stranger, smiling. 'My name's Boffin.'</p>
<p>'I can't help it!' returned Mr Wegg. Implying in his manner the offensive
addition, 'and if I could, I wouldn't.'</p>
<p>'But there's another chance for you,' said Mr Boffin, smiling still, 'Do
you like the name of Nicodemus? Think it over. Nick, or Noddy.'</p>
<p>'It is not, sir,' Mr Wegg rejoined, as he sat down on his stool, with an
air of gentle resignation, combined with melancholy candour; 'it is not a
name as I could wish any one that I had a respect for, to call ME by; but
there may be persons that would not view it with the same objections.—I
don't know why,' Mr Wegg added, anticipating another question.</p>
<p>'Noddy Boffin,' said that gentleman. 'Noddy. That's my name. Noddy—or
Nick—Boffin. What's your name?'</p>
<p>'Silas Wegg.—I don't,' said Mr Wegg, bestirring himself to take the
same precaution as before, 'I don't know why Silas, and I don't know why
Wegg.'</p>
<p>'Now, Wegg,' said Mr Boffin, hugging his stick closer, 'I want to make a
sort of offer to you. Do you remember when you first see me?'</p>
<p>The wooden Wegg looked at him with a meditative eye, and also with a
softened air as descrying possibility of profit. 'Let me think. I ain't
quite sure, and yet I generally take a powerful sight of notice, too. Was
it on a Monday morning, when the butcher-boy had been to our house for
orders, and bought a ballad of me, which, being unacquainted with the
tune, I run it over to him?'</p>
<p>'Right, Wegg, right! But he bought more than one.'</p>
<p>'Yes, to be sure, sir; he bought several; and wishing to lay out his money
to the best, he took my opinion to guide his choice, and we went over the
collection together. To be sure we did. Here was him as it might be, and
here was myself as it might be, and there was you, Mr Boffin, as you
identically are, with your self-same stick under your very same arm, and
your very same back towards us. To—be—sure!' added Mr Wegg,
looking a little round Mr Boffin, to take him in the rear, and identify
this last extraordinary coincidence, 'your wery self-same back!'</p>
<p>'What do you think I was doing, Wegg?'</p>
<p>'I should judge, sir, that you might be glancing your eye down the
street.'</p>
<p>'No, Wegg. I was a listening.'</p>
<p>'Was you, indeed?' said Mr Wegg, dubiously.</p>
<p>'Not in a dishonourable way, Wegg, because you was singing to the butcher;
and you wouldn't sing secrets to a butcher in the street, you know.'</p>
<p>'It never happened that I did so yet, to the best of my remembrance,' said
Mr Wegg, cautiously. 'But I might do it. A man can't say what he might
wish to do some day or another.' (This, not to release any little
advantage he might derive from Mr Boffin's avowal.)</p>
<p>'Well,' repeated Boffin, 'I was a listening to you and to him. And what do
you—you haven't got another stool, have you? I'm rather thick in my
breath.'</p>
<p>'I haven't got another, but you're welcome to this,' said Wegg, resigning
it. 'It's a treat to me to stand.'</p>
<p>'Lard!' exclaimed Mr Boffin, in a tone of great enjoyment, as he settled
himself down, still nursing his stick like a baby, 'it's a pleasant place,
this! And then to be shut in on each side, with these ballads, like so
many book-leaf blinkers! Why, its delightful!'</p>
<p>'If I am not mistaken, sir,' Mr Wegg delicately hinted, resting a hand on
his stall, and bending over the discursive Boffin, 'you alluded to some
offer or another that was in your mind?'</p>
<p>'I'm coming to it! All right. I'm coming to it! I was going to say that
when I listened that morning, I listened with hadmiration amounting to
haw. I thought to myself, "Here's a man with a wooden leg—a literary
man with—"'</p>
<p>'N—not exactly so, sir,' said Mr Wegg.</p>
<p>'Why, you know every one of these songs by name and by tune, and if you
want to read or to sing any one on 'em off straight, you've only to whip
on your spectacles and do it!' cried Mr Boffin. 'I see you at it!'</p>
<p>'Well, sir,' returned Mr Wegg, with a conscious inclination of the head;
'we'll say literary, then.'</p>
<p>'"A literary man—WITH a wooden leg—and all Print is open to
him!" That's what I thought to myself, that morning,' pursued Mr Boffin,
leaning forward to describe, uncramped by the clotheshorse, as large an
arc as his right arm could make; '"all Print is open to him!" And it is,
ain't it?'</p>
<p>'Why, truly, sir,' Mr Wegg admitted, with modesty; 'I believe you couldn't
show me the piece of English print, that I wouldn't be equal to collaring
and throwing.'</p>
<p>'On the spot?' said Mr Boffin.</p>
<p>'On the spot.'</p>
<p>'I know'd it! Then consider this. Here am I, a man without a wooden leg,
and yet all print is shut to me.'</p>
<p>'Indeed, sir?' Mr Wegg returned with increasing self-complacency.
'Education neglected?'</p>
<p>'Neg—lected!' repeated Boffin, with emphasis. 'That ain't no word
for it. I don't mean to say but what if you showed me a B, I could so far
give you change for it, as to answer Boffin.'</p>
<p>'Come, come, sir,' said Mr Wegg, throwing in a little encouragement,
'that's something, too.'</p>
<p>'It's something,' answered Mr Boffin, 'but I'll take my oath it ain't
much.'</p>
<p>'Perhaps it's not as much as could be wished by an inquiring mind, sir,'
Mr Wegg admitted.</p>
<p>'Now, look here. I'm retired from business. Me and Mrs Boffin—Henerietty
Boffin—which her father's name was Henery, and her mother's name was
Hetty, and so you get it—we live on a compittance, under the will of
a diseased governor.'</p>
<p>'Gentleman dead, sir?'</p>
<p>'Man alive, don't I tell you? A diseased governor? Now, it's too late for
me to begin shovelling and sifting at alphabeds and grammar-books. I'm
getting to be a old bird, and I want to take it easy. But I want some
reading—some fine bold reading, some splendid book in a gorging
Lord-Mayor's-Show of wollumes' (probably meaning gorgeous, but misled by
association of ideas); 'as'll reach right down your pint of view, and take
time to go by you. How can I get that reading, Wegg? By,' tapping him on
the breast with the head of his thick stick, 'paying a man truly qualified
to do it, so much an hour (say twopence) to come and do it.'</p>
<p>'Hem! Flattered, sir, I am sure,' said Wegg, beginning to regard himself
in quite a new light. 'Hew! This is the offer you mentioned, sir?'</p>
<p>'Yes. Do you like it?'</p>
<p>'I am considering of it, Mr Boffin.'</p>
<p>'I don't,' said Boffin, in a free-handed manner, 'want to tie a literary
man—WITH a wooden leg—down too tight. A halfpenny an hour
shan't part us. The hours are your own to choose, after you've done for
the day with your house here. I live over Maiden-Lane way—out
Holloway direction—and you've only got to go East-and-by-North when
you've finished here, and you're there. Twopence halfpenny an hour,' said
Boffin, taking a piece of chalk from his pocket and getting off the stool
to work the sum on the top of it in his own way; 'two long'uns and a
short'un—twopence halfpenny; two short'uns is a long'un and two two
long'uns is four long'uns—making five long'uns; six nights a week at
five long'uns a night,' scoring them all down separately, 'and you mount
up to thirty long'uns. A round'un! Half a crown!'</p>
<p>Pointing to this result as a large and satisfactory one, Mr Boffin smeared
it out with his moistened glove, and sat down on the remains.</p>
<p>'Half a crown,' said Wegg, meditating. 'Yes. (It ain't much, sir.) Half a
crown.'</p>
<p>'Per week, you know.'</p>
<p>'Per week. Yes. As to the amount of strain upon the intellect now. Was you
thinking at all of poetry?' Mr Wegg inquired, musing.</p>
<p>'Would it come dearer?' Mr Boffin asked.</p>
<p>'It would come dearer,' Mr Wegg returned. 'For when a person comes to
grind off poetry night after night, it is but right he should expect to be
paid for its weakening effect on his mind.'</p>
<p>'To tell you the truth Wegg,' said Boffin, 'I wasn't thinking of poetry,
except in so fur as this:—If you was to happen now and then to feel
yourself in the mind to tip me and Mrs Boffin one of your ballads, why
then we should drop into poetry.'</p>
<p>'I follow you, sir,' said Wegg. 'But not being a regular musical
professional, I should be loath to engage myself for that; and therefore
when I dropped into poetry, I should ask to be considered so fur, in the
light of a friend.'</p>
<p>At this, Mr Boffin's eyes sparkled, and he shook Silas earnestly by the
hand: protesting that it was more than he could have asked, and that he
took it very kindly indeed.</p>
<p>'What do you think of the terms, Wegg?' Mr Boffin then demanded, with
unconcealed anxiety.</p>
<p>Silas, who had stimulated this anxiety by his hard reserve of manner, and
who had begun to understand his man very well, replied with an air; as if
he were saying something extraordinarily generous and great:</p>
<p>'Mr Boffin, I never bargain.'</p>
<p>'So I should have thought of you!' said Mr Boffin, admiringly. 'No, sir. I
never did 'aggle and I never will 'aggle. Consequently I meet you at once,
free and fair, with—Done, for double the money!'</p>
<p>Mr Boffin seemed a little unprepared for this conclusion, but assented,
with the remark, 'You know better what it ought to be than I do, Wegg,'
and again shook hands with him upon it.</p>
<p>'Could you begin to night, Wegg?' he then demanded.</p>
<p>'Yes, sir,' said Mr Wegg, careful to leave all the eagerness to him. 'I
see no difficulty if you wish it. You are provided with the needful
implement—a book, sir?'</p>
<p>'Bought him at a sale,' said Mr Boffin. 'Eight wollumes. Red and gold.
Purple ribbon in every wollume, to keep the place where you leave off. Do
you know him?'</p>
<p>'The book's name, sir?' inquired Silas.</p>
<p>'I thought you might have know'd him without it,' said Mr Boffin slightly
disappointed. 'His name is Decline-And-Fall-Off-The-Rooshan-Empire.' (Mr
Boffin went over these stones slowly and with much caution.)</p>
<p>'Ay indeed!' said Mr Wegg, nodding his head with an air of friendly
recognition.</p>
<p>'You know him, Wegg?'</p>
<p>'I haven't been not to say right slap through him, very lately,' Mr Wegg
made answer, 'having been otherways employed, Mr Boffin. But know him? Old
familiar declining and falling off the Rooshan? Rather, sir! Ever since I
was not so high as your stick. Ever since my eldest brother left our
cottage to enlist into the army. On which occasion, as the ballad that was
made about it describes:</p>
<p>'Beside that cottage door, Mr Boffin,<br/>
A girl was on her knees;<br/>
She held aloft a snowy scarf, Sir,<br/>
Which (my eldest brother noticed) fluttered in the breeze.<br/>
She breathed a prayer for him, Mr Boffin;<br/>
A prayer he coold not hear.<br/>
And my eldest brother lean'd upon his sword, Mr Boffin,<br/>
And wiped away a tear.'<br/></p>
<p>Much impressed by this family circumstance, and also by the friendly
disposition of Mr Wegg, as exemplified in his so soon dropping into
poetry, Mr Boffin again shook hands with that ligneous sharper, and
besought him to name his hour. Mr Wegg named eight.</p>
<p>'Where I live,' said Mr Boffin, 'is called The Bower. Boffin's Bower is
the name Mrs Boffin christened it when we come into it as a property. If
you should meet with anybody that don't know it by that name (which hardly
anybody does), when you've got nigh upon about a odd mile, or say and a
quarter if you like, up Maiden Lane, Battle Bridge, ask for Harmony Jail,
and you'll be put right. I shall expect you, Wegg,' said Mr Boffin,
clapping him on the shoulder with the greatest enthusiasm, 'most joyfully.
I shall have no peace or patience till you come. Print is now opening
ahead of me. This night, a literary man—WITH a wooden leg—' he
bestowed an admiring look upon that decoration, as if it greatly enhanced
the relish of Mr Wegg's attainments—'will begin to lead me a new
life! My fist again, Wegg. Morning, morning, morning!'</p>
<p>Left alone at his stall as the other ambled off, Mr Wegg subsided into his
screen, produced a small pocket-handkerchief of a penitentially-scrubbing
character, and took himself by the nose with a thoughtful aspect. Also,
while he still grasped that feature, he directed several thoughtful looks
down the street, after the retiring figure of Mr Boffin. But, profound
gravity sat enthroned on Wegg's countenance. For, while he considered
within himself that this was an old fellow of rare simplicity, that this
was an opportunity to be improved, and that here might be money to be got
beyond present calculation, still he compromised himself by no admission
that his new engagement was at all out of his way, or involved the least
element of the ridiculous. Mr Wegg would even have picked a handsome
quarrel with any one who should have challenged his deep acquaintance with
those aforesaid eight volumes of Decline and Fall. His gravity was
unusual, portentous, and immeasurable, not because he admitted any doubt
of himself but because he perceived it necessary to forestall any doubt of
himself in others. And herein he ranged with that very numerous class of
impostors, who are quite as determined to keep up appearances to
themselves, as to their neighbours.</p>
<p>A certain loftiness, likewise, took possession of Mr Wegg; a condescending
sense of being in request as an official expounder of mysteries. It did
not move him to commercial greatness, but rather to littleness, insomuch
that if it had been within the possibilities of things for the wooden
measure to hold fewer nuts than usual, it would have done so that day.
But, when night came, and with her veiled eyes beheld him stumping towards
Boffin's Bower, he was elated too.</p>
<p>The Bower was as difficult to find, as Fair Rosamond's without the clue.
Mr Wegg, having reached the quarter indicated, inquired for the Bower half
a dozen times without the least success, until he remembered to ask for
Harmony Jail. This occasioned a quick change in the spirits of a hoarse
gentleman and a donkey, whom he had much perplexed.</p>
<p>'Why, yer mean Old Harmon's, do yer?' said the hoarse gentleman, who was
driving his donkey in a truck, with a carrot for a whip. 'Why didn't yer
niver say so? Eddard and me is a goin' by HIM! Jump in.'</p>
<p>Mr Wegg complied, and the hoarse gentleman invited his attention to the
third person in company, thus;</p>
<p>'Now, you look at Eddard's ears. What was it as you named, agin? Whisper.'</p>
<p>Mr Wegg whispered, 'Boffin's Bower.'</p>
<p>'Eddard! (keep yer hi on his ears) cut away to Boffin's Bower!'</p>
<p>Edward, with his ears lying back, remained immoveable.</p>
<p>'Eddard! (keep yer hi on his ears) cut away to Old Harmon's.' Edward
instantly pricked up his ears to their utmost, and rattled off at such a
pace that Mr Wegg's conversation was jolted out of him in a most
dislocated state.</p>
<p>'Was-it-Ev-verajail?' asked Mr Wegg, holding on.</p>
<p>'Not a proper jail, wot you and me would get committed to,' returned his
escort; 'they giv' it the name, on accounts of Old Harmon living solitary
there.'</p>
<p>'And-why-did-they-callitharm-Ony?' asked Wegg.</p>
<p>'On accounts of his never agreeing with nobody. Like a speeches of chaff.
Harmon's Jail; Harmony Jail. Working it round like.'</p>
<p>'Doyouknow-Mist-Erboff-in?' asked Wegg.</p>
<p>'I should think so! Everybody do about here. Eddard knows him. (Keep yer
hi on his ears.) Noddy Boffin, Eddard!'</p>
<p>The effect of the name was so very alarming, in respect of causing a
temporary disappearance of Edward's head, casting his hind hoofs in the
air, greatly accelerating the pace and increasing the jolting, that Mr
Wegg was fain to devote his attention exclusively to holding on, and to
relinquish his desire of ascertaining whether this homage to Boffin was to
be considered complimentary or the reverse.</p>
<p>Presently, Edward stopped at a gateway, and Wegg discreetly lost no time
in slipping out at the back of the truck. The moment he was landed, his
late driver with a wave of the carrot, said 'Supper, Eddard!' and he, the
hind hoofs, the truck, and Edward, all seemed to fly into the air
together, in a kind of apotheosis.</p>
<p>Pushing the gate, which stood ajar, Wegg looked into an enclosed space
where certain tall dark mounds rose high against the sky, and where the
pathway to the Bower was indicated, as the moonlight showed, between two
lines of broken crockery set in ashes. A white figure advancing along this
path, proved to be nothing more ghostly than Mr Boffin, easily attired for
the pursuit of knowledge, in an undress garment of short white
smock-frock. Having received his literary friend with great cordiality, he
conducted him to the interior of the Bower and there presented him to Mrs
Boffin:—a stout lady of a rubicund and cheerful aspect, dressed (to
Mr Wegg's consternation) in a low evening-dress of sable satin, and a
large black velvet hat and feathers.</p>
<p>'Mrs Boffin, Wegg,' said Boffin, 'is a highflyer at Fashion. And her make
is such, that she does it credit. As to myself I ain't yet as Fash'nable
as I may come to be. Henerietty, old lady, this is the gentleman that's a
going to decline and fall off the Rooshan Empire.'</p>
<p>'And I am sure I hope it'll do you both good,' said Mrs Boffin.</p>
<p>It was the queerest of rooms, fitted and furnished more like a luxurious
amateur tap-room than anything else within the ken of Silas Wegg. There
were two wooden settles by the fire, one on either side of it, with a
corresponding table before each. On one of these tables, the eight volumes
were ranged flat, in a row, like a galvanic battery; on the other, certain
squat case-bottles of inviting appearance seemed to stand on tiptoe to
exchange glances with Mr Wegg over a front row of tumblers and a basin of
white sugar. On the hob, a kettle steamed; on the hearth, a cat reposed.
Facing the fire between the settles, a sofa, a footstool, and a little
table, formed a centrepiece devoted to Mrs Boffin. They were garish in
taste and colour, but were expensive articles of drawing-room furniture
that had a very odd look beside the settles and the flaring gaslight
pendent from the ceiling. There was a flowery carpet on the floor; but,
instead of reaching to the fireside, its glowing vegetation stopped short
at Mrs Boffin's footstool, and gave place to a region of sand and sawdust.
Mr Wegg also noticed, with admiring eyes, that, while the flowery land
displayed such hollow ornamentation as stuffed birds and waxen fruits
under glass-shades, there were, in the territory where vegetation ceased,
compensatory shelves on which the best part of a large pie and likewise of
a cold joint were plainly discernible among other solids. The room itself
was large, though low; and the heavy frames of its old-fashioned windows,
and the heavy beams in its crooked ceiling, seemed to indicate that it had
once been a house of some mark standing alone in the country.</p>
<p>'Do you like it, Wegg?' asked Mr Boffin, in his pouncing manner.</p>
<p>'I admire it greatly, sir,' said Wegg. 'Peculiar comfort at this fireside,
sir.'</p>
<p>'Do you understand it, Wegg?'</p>
<p>'Why, in a general way, sir,' Mr Wegg was beginning slowly and knowingly,
with his head stuck on one side, as evasive people do begin, when the
other cut him short:</p>
<p>'You DON'T understand it, Wegg, and I'll explain it. These arrangements is
made by mutual consent between Mrs Boffin and me. Mrs Boffin, as I've
mentioned, is a highflyer at Fashion; at present I'm not. I don't go
higher than comfort, and comfort of the sort that I'm equal to the
enjoyment of. Well then. Where would be the good of Mrs Boffin and me
quarrelling over it? We never did quarrel, before we come into Boffin's
Bower as a property; why quarrel when we HAVE come into Boffin's Bower as
a property? So Mrs Boffin, she keeps up her part of the room, in her way;
I keep up my part of the room in mine. In consequence of which we have at
once, Sociability (I should go melancholy mad without Mrs Boffin),
Fashion, and Comfort. If I get by degrees to be a higher-flyer at Fashion,
then Mrs Boffin will by degrees come for'arder. If Mrs Boffin should ever
be less of a dab at Fashion than she is at the present time, then Mrs
Boffin's carpet would go back'arder. If we should both continny as we are,
why then HERE we are, and give us a kiss, old lady.'</p>
<p>Mrs Boffin who, perpetually smiling, had approached and drawn her plump
arm through her lord's, most willingly complied. Fashion, in the form of
her black velvet hat and feathers, tried to prevent it; but got deservedly
crushed in the endeavour.</p>
<p>'So now, Wegg,' said Mr Boffin, wiping his mouth with an air of much
refreshment, 'you begin to know us as we are. This is a charming spot, is
the Bower, but you must get to apprechiate it by degrees. It's a spot to
find out the merits of; little by little, and a new'un every day. There's
a serpentining walk up each of the mounds, that gives you the yard and
neighbourhood changing every moment. When you get to the top, there's a
view of the neighbouring premises, not to be surpassed. The premises of
Mrs Boffin's late father (Canine Provision Trade), you look down into, as
if they was your own. And the top of the High Mound is crowned with a
lattice-work Arbour, in which, if you don't read out loud many a book in
the summer, ay, and as a friend, drop many a time into poetry too, it
shan't be my fault. Now, what'll you read on?'</p>
<p>'Thank you, sir,' returned Wegg, as if there were nothing new in his
reading at all. 'I generally do it on gin and water.'</p>
<p>'Keeps the organ moist, does it, Wegg?' asked Mr Boffin, with innocent
eagerness.</p>
<p>'N-no, sir,' replied Wegg, coolly, 'I should hardly describe it so, sir. I
should say, mellers it. Mellers it, is the word I should employ, Mr
Boffin.'</p>
<p>His wooden conceit and craft kept exact pace with the delighted
expectation of his victim. The visions rising before his mercenary mind,
of the many ways in which this connexion was to be turned to account,
never obscured the foremost idea natural to a dull overreaching man, that
he must not make himself too cheap.</p>
<p>Mrs Boffin's Fashion, as a less inexorable deity than the idol usually
worshipped under that name, did not forbid her mixing for her literary
guest, or asking if he found the result to his liking. On his returning a
gracious answer and taking his place at the literary settle, Mr Boffin
began to compose himself as a listener, at the opposite settle, with
exultant eyes.</p>
<p>'Sorry to deprive you of a pipe, Wegg,' he said, filling his own, 'but you
can't do both together. Oh! and another thing I forgot to name! When you
come in here of an evening, and look round you, and notice anything on a
shelf that happens to catch your fancy, mention it.'</p>
<p>Wegg, who had been going to put on his spectacles, immediately laid them
down, with the sprightly observation:</p>
<p>'You read my thoughts, sir. DO my eyes deceive me, or is that object up
there a—a pie? It can't be a pie.'</p>
<p>'Yes, it's a pie, Wegg,' replied Mr Boffin, with a glance of some little
discomfiture at the Decline and Fall.</p>
<p>'HAVE I lost my smell for fruits, or is it a apple pie, sir?' asked Wegg.</p>
<p>'It's a veal and ham pie,' said Mr Boffin.</p>
<p>'Is it indeed, sir? And it would be hard, sir, to name the pie that is a
better pie than a weal and hammer,' said Mr Wegg, nodding his head
emotionally.</p>
<p>'Have some, Wegg?'</p>
<p>'Thank you, Mr Boffin, I think I will, at your invitation. I wouldn't at
any other party's, at the present juncture; but at yours, sir!—And
meaty jelly too, especially when a little salt, which is the case where
there's ham, is mellering to the organ, is very mellering to the organ.'
Mr Wegg did not say what organ, but spoke with a cheerful generality.</p>
<p>So, the pie was brought down, and the worthy Mr Boffin exercised his
patience until Wegg, in the exercise of his knife and fork, had finished
the dish: only profiting by the opportunity to inform Wegg that although
it was not strictly Fashionable to keep the contents of a larder thus
exposed to view, he (Mr Boffin) considered it hospitable; for the reason,
that instead of saying, in a comparatively unmeaning manner, to a visitor,
'There are such and such edibles down stairs; will you have anything up?'
you took the bold practical course of saying, 'Cast your eye along the
shelves, and, if you see anything you like there, have it down.'</p>
<p>And now, Mr Wegg at length pushed away his plate and put on his
spectacles, and Mr Boffin lighted his pipe and looked with beaming eyes
into the opening world before him, and Mrs Boffin reclined in a
fashionable manner on her sofa: as one who would be part of the audience
if she found she could, and would go to sleep if she found she couldn't.</p>
<p>'Hem!' began Wegg, 'This, Mr Boffin and Lady, is the first chapter of the
first wollume of the Decline and Fall off—' here he looked hard at
the book, and stopped.</p>
<p>'What's the matter, Wegg?'</p>
<p>'Why, it comes into my mind, do you know, sir,' said Wegg with an air of
insinuating frankness (having first again looked hard at the book), 'that
you made a little mistake this morning, which I had meant to set you right
in, only something put it out of my head. I think you said Rooshan Empire,
sir?'</p>
<p>'It is Rooshan; ain't it, Wegg?'</p>
<p>'No, sir. Roman. Roman.'</p>
<p>'What's the difference, Wegg?'</p>
<p>'The difference, sir?' Mr Wegg was faltering and in danger of breaking
down, when a bright thought flashed upon him. 'The difference, sir? There
you place me in a difficulty, Mr Boffin. Suffice it to observe, that the
difference is best postponed to some other occasion when Mrs Boffin does
not honour us with her company. In Mrs Boffin's presence, sir, we had
better drop it.'</p>
<p>Mr Wegg thus came out of his disadvantage with quite a chivalrous air, and
not only that, but by dint of repeating with a manly delicacy, 'In Mrs
Boffin's presence, sir, we had better drop it!' turned the disadvantage on
Boffin, who felt that he had committed himself in a very painful manner.</p>
<p>Then, Mr Wegg, in a dry unflinching way, entered on his task; going
straight across country at everything that came before him; taking all the
hard words, biographical and geographical; getting rather shaken by
Hadrian, Trajan, and the Antonines; stumbling at Polybius (pronounced
Polly Beeious, and supposed by Mr Boffin to be a Roman virgin, and by Mrs
Boffin to be responsible for that necessity of dropping it); heavily
unseated by Titus Antoninus Pius; up again and galloping smoothly with
Augustus; finally, getting over the ground well with Commodus: who, under
the appellation of Commodious, was held by Mr Boffin to have been quite
unworthy of his English origin, and 'not to have acted up to his name' in
his government of the Roman people. With the death of this personage, Mr
Wegg terminated his first reading; long before which consummation several
total eclipses of Mrs Boffin's candle behind her black velvet disc, would
have been very alarming, but for being regularly accompanied by a potent
smell of burnt pens when her feathers took fire, which acted as a
restorative and woke her. Mr Wegg, having read on by rote and attached as
few ideas as possible to the text, came out of the encounter fresh; but,
Mr Boffin, who had soon laid down his unfinished pipe, and had ever since
sat intently staring with his eyes and mind at the confounding enormities
of the Romans, was so severely punished that he could hardly wish his
literary friend Good-night, and articulate 'Tomorrow.'</p>
<p>'Commodious,' gasped Mr Boffin, staring at the moon, after letting Wegg
out at the gate and fastening it: 'Commodious fights in that
wild-beast-show, seven hundred and thirty-five times, in one character
only! As if that wasn't stunning enough, a hundred lions is turned into
the same wild-beast-show all at once! As if that wasn't stunning enough,
Commodious, in another character, kills 'em all off in a hundred goes! As
if that wasn't stunning enough, Vittle-us (and well named too) eats six
millions' worth, English money, in seven months! Wegg takes it easy, but
upon-my-soul to a old bird like myself these are scarers. And even now
that Commodious is strangled, I don't see a way to our bettering
ourselves.' Mr Boffin added as he turned his pensive steps towards the
Bower and shook his head, 'I didn't think this morning there was half so
many Scarers in Print. But I'm in for it now!'</p>
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