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<h2> Chapter 17 </h2>
<h3> A SOCIAL CHORUS </h3>
<p>Amazement sits enthroned upon the countenances of Mr and Mrs Alfred
Lammle's circle of acquaintance, when the disposal of their first-class
furniture and effects (including a Billiard Table in capital letters), 'by
auction, under a bill of sale,' is publicly announced on a waving
hearthrug in Sackville Street. But, nobody is half so much amazed as
Hamilton Veneering, Esquire, M.P. for Pocket-Breaches, who instantly
begins to find out that the Lammles are the only people ever entered on
his soul's register, who are NOT the oldest and dearest friends he has in
the world. Mrs Veneering, W.M.P. for Pocket-Breaches, like a faithful wife
shares her husband's discovery and inexpressible astonishment. Perhaps the
Veneerings twain may deem the last unutterable feeling particularly due to
their reputation, by reason that once upon a time some of the longer heads
in the City are whispered to have shaken themselves, when Veneering's
extensive dealings and great wealth were mentioned. But, it is certain
that neither Mr nor Mrs Veneering can find words to wonder in, and it
becomes necessary that they give to the oldest and dearest friends they
have in the world, a wondering dinner.</p>
<p>For, it is by this time noticeable that, whatever befals, the Veneerings
must give a dinner upon it. Lady Tippins lives in a chronic state of
invitation to dine with the Veneerings, and in a chronic state of
inflammation arising from the dinners. Boots and Brewer go about in cabs,
with no other intelligible business on earth than to beat up people to
come and dine with the Veneerings. Veneering pervades the legislative
lobbies, intent upon entrapping his fellow-legislators to dinner. Mrs
Veneering dined with five-and-twenty bran-new faces over night; calls upon
them all to day; sends them every one a dinner-card to-morrow, for the
week after next; before that dinner is digested, calls upon their brothers
and sisters, their sons and daughters, their nephews and nieces, their
aunts and uncles and cousins, and invites them all to dinner. And still,
as at first, howsoever, the dining circle widens, it is to be observed
that all the diners are consistent in appearing to go to the Veneerings,
not to dine with Mr and Mrs Veneering (which would seem to be the last
thing in their minds), but to dine with one another.</p>
<p>Perhaps, after all,—who knows?—Veneering may find this dining,
though expensive, remunerative, in the sense that it makes champions. Mr
Podsnap, as a representative man, is not alone in caring very particularly
for his own dignity, if not for that of his acquaintances, and therefore
in angrily supporting the acquaintances who have taken out his Permit,
lest, in their being lessened, he should be. The gold and silver camels,
and the ice-pails, and the rest of the Veneering table decorations, make a
brilliant show, and when I, Podsnap, casually remark elsewhere that I
dined last Monday with a gorgeous caravan of camels, I find it personally
offensive to have it hinted to me that they are broken-kneed camels, or
camels labouring under suspicion of any sort. 'I don't display camels
myself, I am above them: I am a more solid man; but these camels have
basked in the light of my countenance, and how dare you, sir, insinuate to
me that I have irradiated any but unimpeachable camels?'</p>
<p>The camels are polishing up in the Analytical's pantry for the dinner of
wonderment on the occasion of the Lammles going to pieces, and Mr Twemlow
feels a little queer on the sofa at his lodgings over the stable yard in
Duke Street, Saint James's, in consequence of having taken two advertised
pills at about mid-day, on the faith of the printed representation
accompanying the box (price one and a penny halfpenny, government stamp
included), that the same 'will be found highly salutary as a precautionary
measure in connection with the pleasures of the table.' To whom, while
sickly with the fancy of an insoluble pill sticking in his gullet, and
also with the sensation of a deposit of warm gum languidly wandering
within him a little lower down, a servant enters with the announcement
that a lady wishes to speak with him.</p>
<p>'A lady!' says Twemlow, pluming his ruffled feathers. 'Ask the favour of
the lady's name.'</p>
<p>The lady's name is Lammle. The lady will not detain Mr Twemlow longer than
a very few minutes. The lady is sure that Mr Twemlow will do her the
kindness to see her, on being told that she particularly desires a short
interview. The lady has no doubt whatever of Mr Twemlow's compliance when
he hears her name. Has begged the servant to be particular not to mistake
her name. Would have sent in a card, but has none.</p>
<p>'Show the lady in.' Lady shown in, comes in.</p>
<p>Mr Twemlow's little rooms are modestly furnished, in an old-fashioned
manner (rather like the housekeeper's room at Snigsworthy Park), and would
be bare of mere ornament, were it not for a full-length engraving of the
sublime Snigsworth over the chimneypiece, snorting at a Corinthian column,
with an enormous roll of paper at his feet, and a heavy curtain going to
tumble down on his head; those accessories being understood to represent
the noble lord as somehow in the act of saving his country.</p>
<p>'Pray take a seat, Mrs Lammle.' Mrs Lammle takes a seat and opens the
conversation.</p>
<p>'I have no doubt, Mr Twemlow, that you have heard of a reverse of fortune
having befallen us. Of course you have heard of it, for no kind of news
travels so fast—among one's friends especially.'</p>
<p>Mindful of the wondering dinner, Twemlow, with a little twinge, admits the
imputation.</p>
<p>'Probably it will not,' says Mrs Lammle, with a certain hardened manner
upon her, that makes Twemlow shrink, 'have surprised you so much as some
others, after what passed between us at the house which is now turned out
at windows. I have taken the liberty of calling upon you, Mr Twemlow, to
add a sort of postscript to what I said that day.'</p>
<p>Mr Twemlow's dry and hollow cheeks become more dry and hollow at the
prospect of some new complication.</p>
<p>'Really,' says the uneasy little gentleman, 'really, Mrs Lammle, I should
take it as a favour if you could excuse me from any further confidence. It
has ever been one of the objects of my life—which, unfortunately,
has not had many objects—to be inoffensive, and to keep out of
cabals and interferences.'</p>
<p>Mrs Lammle, by far the more observant of the two, scarcely finds it
necessary to look at Twemlow while he speaks, so easily does she read him.</p>
<p>'My postscript—to retain the term I have used'—says Mrs
Lammle, fixing her eyes on his face, to enforce what she says herself—'coincides
exactly with what you say, Mr Twemlow. So far from troubling you with any
new confidence, I merely wish to remind you what the old one was. So far
from asking you for interference, I merely wish to claim your strict
neutrality.'</p>
<p>Twemlow going on to reply, she rests her eyes again, knowing her ears to
be quite enough for the contents of so weak a vessel.</p>
<p>'I can, I suppose,' says Twemlow, nervously, 'offer no reasonable
objection to hearing anything that you do me the honour to wish to say to
me under those heads. But if I may, with all possible delicacy and
politeness, entreat you not to range beyond them, I—I beg to do so.'</p>
<p>'Sir,' says Mrs Lammle, raising her eyes to his face again, and quite
daunting him with her hardened manner, 'I imparted to you a certain piece
of knowledge, to be imparted again, as you thought best, to a certain
person.'</p>
<p>'Which I did,' says Twemlow.</p>
<p>'And for doing which, I thank you; though, indeed, I scarcely know why I
turned traitress to my husband in the matter, for the girl is a poor
little fool. I was a poor little fool once myself; I can find no better
reason.' Seeing the effect she produces on him by her indifferent laugh
and cold look, she keeps her eyes upon him as she proceeds. 'Mr Twemlow,
if you should chance to see my husband, or to see me, or to see both of
us, in the favour or confidence of any one else—whether of our
common acquaintance or not, is of no consequence—you have no right
to use against us the knowledge I intrusted you with, for one special
purpose which has been accomplished. This is what I came to say. It is not
a stipulation; to a gentleman it is simply a reminder.'</p>
<p>Twemlow sits murmuring to himself with his hand to his forehead.</p>
<p>'It is so plain a case,' Mrs Lammle goes on, 'as between me (from the
first relying on your honour) and you, that I will not waste another word
upon it.' She looks steadily at Mr Twemlow, until, with a shrug, he makes
her a little one-sided bow, as though saying 'Yes, I think you have a
right to rely upon me,' and then she moistens her lips, and shows a sense
of relief.</p>
<p>'I trust I have kept the promise I made through your servant, that I would
detain you a very few minutes. I need trouble you no longer, Mr Twemlow.'</p>
<p>'Stay!' says Twemlow, rising as she rises. 'Pardon me a moment. I should
never have sought you out, madam, to say what I am going to say, but since
you have sought me out and are here, I will throw it off my mind. Was it
quite consistent, in candour, with our taking that resolution against Mr
Fledgeby, that you should afterwards address Mr Fledgeby as your dear and
confidential friend, and entreat a favour of Mr Fledgeby? Always supposing
that you did; I assert no knowledge of my own on the subject; it has been
represented to me that you did.'</p>
<p>'Then he told you?' retorts Mrs Lammle, who again has saved her eyes while
listening, and uses them with strong effect while speaking.</p>
<p>'Yes.'</p>
<p>'It is strange that he should have told you the truth,' says Mrs Lammle,
seriously pondering. 'Pray where did a circumstance so very extraordinary
happen?'</p>
<p>Twemlow hesitates. He is shorter than the lady as well as weaker, and, as
she stands above him with her hardened manner and her well-used eyes, he
finds himself at such a disadvantage that he would like to be of the
opposite sex.</p>
<p>'May I ask where it happened, Mr Twemlow? In strict confidence?'</p>
<p>'I must confess,' says the mild little gentleman, coming to his answer by
degrees, 'that I felt some compunctions when Mr Fledgeby mentioned it. I
must admit that I could not regard myself in an agreeable light. More
particularly, as Mr Fledgeby did, with great civility, which I could not
feel that I deserved from him, render me the same service that you had
entreated him to render you.'</p>
<p>It is a part of the true nobility of the poor gentleman's soul to say this
last sentence. 'Otherwise,' he has reflected, 'I shall assume the superior
position of having no difficulties of my own, while I know of hers. Which
would be mean, very mean.'</p>
<p>'Was Mr Fledgeby's advocacy as effectual in your case as in ours?' Mrs
Lammle demands.</p>
<p>'As ineffectual.'</p>
<p>'Can you make up your mind to tell me where you saw Mr Fledgeby, Mr
Twemlow?'</p>
<p>'I beg your pardon. I fully intended to have done so. The reservation was
not intentional. I encountered Mr Fledgeby, quite by accident, on the
spot.—By the expression, on the spot, I mean at Mr Riah's in Saint
Mary Axe.'</p>
<p>'Have you the misfortune to be in Mr Riah's hands then?'</p>
<p>'Unfortunately, madam,' returns Twemlow, 'the one money obligation to
which I stand committed, the one debt of my life (but it is a just debt;
pray observe that I don't dispute it), has fallen into Mr Riah's hands.'</p>
<p>'Mr Twemlow,' says Mrs Lammle, fixing his eyes with hers: which he would
prevent her doing if he could, but he can't; 'it has fallen into Mr
Fledgeby's hands. Mr Riah is his mask. It has fallen into Mr Fledgeby's
hands. Let me tell you that, for your guidance. The information may be of
use to you, if only to prevent your credulity, in judging another man's
truthfulness by your own, from being imposed upon.'</p>
<p>'Impossible!' cries Twemlow, standing aghast. 'How do you know it?'</p>
<p>'I scarcely know how I know it. The whole train of circumstances seemed to
take fire at once, and show it to me.'</p>
<p>'Oh! Then you have no proof.'</p>
<p>'It is very strange,' says Mrs Lammle, coldly and boldly, and with some
disdain, 'how like men are to one another in some things, though their
characters are as different as can be! No two men can have less affinity
between them, one would say, than Mr Twemlow and my husband. Yet my
husband replies to me "You have no proof," and Mr Twemlow replies to me
with the very same words!'</p>
<p>'But why, madam?' Twemlow ventures gently to argue. 'Consider why the very
same words? Because they state the fact. Because you HAVE no proof.'</p>
<p>'Men are very wise in their way,' quoth Mrs Lammle, glancing haughtily at
the Snigsworth portrait, and shaking out her dress before departing; 'but
they have wisdom to learn. My husband, who is not over-confiding,
ingenuous, or inexperienced, sees this plain thing no more than Mr Twemlow
does—because there is no proof! Yet I believe five women out of six,
in my place, would see it as clearly as I do. However, I will never rest
(if only in remembrance of Mr Fledgeby's having kissed my hand) until my
husband does see it. And you will do well for yourself to see it from this
time forth, Mr Twemlow, though I CAN give you no proof.'</p>
<p>As she moves towards the door, Mr Twemlow, attending on her, expresses his
soothing hope that the condition of Mr Lammle's affairs is not
irretrievable.</p>
<p>'I don't know,' Mrs Lammle answers, stopping, and sketching out the
pattern of the paper on the wall with the point of her parasol; 'it
depends. There may be an opening for him dawning now, or there may be
none. We shall soon find out. If none, we are bankrupt here, and must go
abroad, I suppose.'</p>
<p>Mr Twemlow, in his good-natured desire to make the best of it, remarks
that there are pleasant lives abroad.</p>
<p>'Yes,' returns Mrs Lammle, still sketching on the wall; 'but I doubt
whether billiard-playing, card-playing, and so forth, for the means to
live under suspicion at a dirty table-d'hote, is one of them.'</p>
<p>It is much for Mr Lammle, Twemlow politely intimates (though greatly
shocked), to have one always beside him who is attached to him in all his
fortunes, and whose restraining influence will prevent him from courses
that would be discreditable and ruinous. As he says it, Mrs Lammle leaves
off sketching, and looks at him.</p>
<p>'Restraining influence, Mr Twemlow? We must eat and drink, and dress, and
have a roof over our heads. Always beside him and attached in all his
fortunes? Not much to boast of in that; what can a woman at my age do? My
husband and I deceived one another when we married; we must bear the
consequences of the deception—that is to say, bear one another, and
bear the burden of scheming together for to-day's dinner and to-morrow's
breakfast—till death divorces us.'</p>
<p>With those words, she walks out into Duke Street, Saint James's. Mr
Twemlow returning to his sofa, lays down his aching head on its slippery
little horsehair bolster, with a strong internal conviction that a painful
interview is not the kind of thing to be taken after the dinner pills
which are so highly salutary in connexion with the pleasures of the table.</p>
<p>But, six o'clock in the evening finds the worthy little gentleman getting
better, and also getting himself into his obsolete little silk stockings
and pumps, for the wondering dinner at the Veneerings. And seven o'clock
in the evening finds him trotting out into Duke Street, to trot to the
corner and save a sixpence in coach-hire.</p>
<p>Tippins the divine has dined herself into such a condition by this time,
that a morbid mind might desire her, for a blessed change, to sup at last,
and turn into bed. Such a mind has Mr Eugene Wrayburn, whom Twemlow finds
contemplating Tippins with the moodiest of visages, while that playful
creature rallies him on being so long overdue at the woolsack. Skittish is
Tippins with Mortimer Lightwood too, and has raps to give him with her fan
for having been best man at the nuptials of these deceiving
what's-their-names who have gone to pieces. Though, indeed, the fan is
generally lively, and taps away at the men in all directions, with
something of a grisly sound suggestive of the clattering of Lady Tippins's
bones.</p>
<p>A new race of intimate friends has sprung up at Veneering's since he went
into Parliament for the public good, to whom Mrs Veneering is very
attentive. These friends, like astronomical distances, are only to be
spoken of in the very largest figures. Boots says that one of them is a
Contractor who (it has been calculated) gives employment, directly and
indirectly, to five hundred thousand men. Brewer says that another of them
is a Chairman, in such request at so many Boards, so far apart, that he
never travels less by railway than three thousand miles a week. Buffer
says that another of them hadn't a sixpence eighteen months ago, and,
through the brilliancy of his genius in getting those shares issued at
eighty-five, and buying them all up with no money and selling them at par
for cash, has now three hundred and seventy-five thousand pounds—Buffer
particularly insisting on the odd seventy-five, and declining to take a
farthing less. With Buffer, Boots, and Brewer, Lady Tippins is eminently
facetious on the subject of these Fathers of the Scrip-Church: surveying
them through her eyeglass, and inquiring whether Boots and Brewer and
Buffer think they will make her fortune if she makes love to them? with
other pleasantries of that nature. Veneering, in his different way, is
much occupied with the Fathers too, piously retiring with them into the
conservatory, from which retreat the word 'Committee' is occasionally
heard, and where the Fathers instruct Veneering how he must leave the
valley of the piano on his left, take the level of the mantelpiece, cross
by an open cutting at the candelabra, seize the carrying-traffic at the
console, and cut up the opposition root and branch at the window curtains.</p>
<p>Mr and Mrs Podsnap are of the company, and the Fathers descry in Mrs
Podsnap a fine woman. She is consigned to a Father—Boots's Father,
who employs five hundred thousand men—and is brought to anchor on
Veneering's left; thus affording opportunity to the sportive Tippins on
his right (he, as usual, being mere vacant space), to entreat to be told
something about those loves of Navvies, and whether they really do live on
raw beefsteaks, and drink porter out of their barrows. But, in spite of
such little skirmishes it is felt that this was to be a wondering dinner,
and that the wondering must not be neglected. Accordingly, Brewer, as the
man who has the greatest reputation to sustain, becomes the interpreter of
the general instinct.</p>
<p>'I took,' says Brewer in a favourable pause, 'a cab this morning, and I
rattled off to that Sale.'</p>
<p>Boots (devoured by envy) says, 'So did I.'</p>
<p>Buffer says, 'So did I'; but can find nobody to care whether he did or
not.</p>
<p>'And what was it like?' inquires Veneering.</p>
<p>'I assure you,' replies Brewer, looking about for anybody else to address
his answer to, and giving the preference to Lightwood; 'I assure you, the
things were going for a song. Handsome things enough, but fetching
nothing.'</p>
<p>'So I heard this afternoon,' says Lightwood.</p>
<p>Brewer begs to know now, would it be fair to ask a professional man how—on—earth—these—people—ever—did—come—TO—such—A—total
smash? (Brewer's divisions being for emphasis.)</p>
<p>Lightwood replies that he was consulted certainly, but could give no
opinion which would pay off the Bill of Sale, and therefore violates no
confidence in supposing that it came of their living beyond their means.</p>
<p>'But how,' says Veneering, 'CAN people do that!'</p>
<p>Hah! That is felt on all hands to be a shot in the bull's eye. How CAN
people do that! The Analytical Chemist going round with champagne, looks
very much as if HE could give them a pretty good idea how people did that,
if he had a mind.</p>
<p>'How,' says Mrs Veneering, laying down her fork to press her aquiline
hands together at the tips of the fingers, and addressing the Father who
travels the three thousand miles per week: 'how a mother can look at her
baby, and know that she lives beyond her husband's means, I cannot
imagine.'</p>
<p>Eugene suggests that Mrs Lammle, not being a mother, had no baby to look
at.</p>
<p>'True,' says Mrs Veneering, 'but the principle is the same.'</p>
<p>Boots is clear that the principle is the same. So is Buffer. It is the
unfortunate destiny of Buffer to damage a cause by espousing it. The rest
of the company have meekly yielded to the proposition that the principle
is the same, until Buffer says it is; when instantly a general murmur
arises that the principle is not the same.</p>
<p>'But I don't understand,' says the Father of the three hundred and
seventy-five thousand pounds, '—if these people spoken of, occupied
the position of being in society—they were in society?'</p>
<p>Veneering is bound to confess that they dined here, and were even married
from here.</p>
<p>'Then I don't understand,' pursues the Father, 'how even their living
beyond their means could bring them to what has been termed a total smash.
Because, there is always such a thing as an adjustment of affairs, in the
case of people of any standing at all.'</p>
<p>Eugene (who would seem to be in a gloomy state of suggestiveness),
suggests, 'Suppose you have no means and live beyond them?'</p>
<p>This is too insolvent a state of things for the Father to entertain. It is
too insolvent a state of things for any one with any self-respect to
entertain, and is universally scouted. But, it is so amazing how any
people can have come to a total smash, that everybody feels bound to
account for it specially. One of the Fathers says, 'Gaming table.' Another
of the Fathers says, 'Speculated without knowing that speculation is a
science.' Boots says 'Horses.' Lady Tippins says to her fan, 'Two
establishments.' Mr Podsnap, saying nothing, is referred to for his
opinion; which he delivers as follows; much flushed and extremely angry:</p>
<p>'Don't ask me. I desire to take no part in the discussion of these
people's affairs. I abhor the subject. It is an odious subject, an
offensive subject, a subject that makes me sick, and I—' And with
his favourite right-arm flourish which sweeps away everything and settles
it for ever, Mr Podsnap sweeps these inconveniently unexplainable wretches
who have lived beyond their means and gone to total smash, off the face of
the universe.</p>
<p>Eugene, leaning back in his chair, is observing Mr Podsnap with an
irreverent face, and may be about to offer a new suggestion, when the
Analytical is beheld in collision with the Coachman; the Coachman
manifesting a purpose of coming at the company with a silver salver, as
though intent upon making a collection for his wife and family; the
Analytical cutting him off at the sideboard. The superior stateliness, if
not the superior generalship, of the Analytical prevails over a man who is
as nothing off the box; and the Coachman, yielding up his salver, retires
defeated.</p>
<p>Then, the Analytical, perusing a scrap of paper lying on the salver, with
the air of a literary Censor, adjusts it, takes his time about going to
the table with it, and presents it to Mr Eugene Wrayburn. Whereupon the
pleasant Tippins says aloud, 'The Lord Chancellor has resigned!'</p>
<p>With distracting coolness and slowness—for he knows the curiosity of
the Charmer to be always devouring—Eugene makes a pretence of
getting out an eyeglass, polishing it, and reading the paper with
difficulty, long after he has seen what is written on it. What is written
on it in wet ink, is:</p>
<p>'Young Blight.'</p>
<p>'Waiting?' says Eugene over his shoulder, in confidence, with the
Analytical.</p>
<p>'Waiting,' returns the Analytical in responsive confidence.</p>
<p>Eugene looks 'Excuse me,' towards Mrs Veneering, goes out, and finds Young
Blight, Mortimer's clerk, at the hall-door.</p>
<p>'You told me to bring him, sir, to wherever you was, if he come while you
was out and I was in,' says that discreet young gentleman, standing on
tiptoe to whisper; 'and I've brought him.'</p>
<p>'Sharp boy. Where is he?' asks Eugene.</p>
<p>'He's in a cab, sir, at the door. I thought it best not to show him, you
see, if it could be helped; for he's a-shaking all over, like—Blight's
simile is perhaps inspired by the surrounding dishes of sweets—'like
Glue Monge.'</p>
<p>'Sharp boy again,' returns Eugene. 'I'll go to him.'</p>
<p>Goes out straightway, and, leisurely leaning his arms on the open window
of a cab in waiting, looks in at Mr Dolls: who has brought his own
atmosphere with him, and would seem from its odour to have brought it, for
convenience of carriage, in a rum-cask.</p>
<p>'Now Dolls, wake up!'</p>
<p>'Mist Wrayburn? Drection! Fifteen shillings!'</p>
<p>After carefully reading the dingy scrap of paper handed to him, and as
carefully tucking it into his waistcoat pocket, Eugene tells out the
money; beginning incautiously by telling the first shilling into Mr
Dolls's hand, which instantly jerks it out of window; and ending by
telling the fifteen shillings on the seat.</p>
<p>'Give him a ride back to Charing Cross, sharp boy, and there get rid of
him.'</p>
<p>Returning to the dining-room, and pausing for an instant behind the screen
at the door, Eugene overhears, above the hum and clatter, the fair Tippins
saying: 'I am dying to ask him what he was called out for!'</p>
<p>'Are you?' mutters Eugene, 'then perhaps if you can't ask him, you'll die.
So I'll be a benefactor to society, and go. A stroll and a cigar, and I
can think this over. Think this over.' Thus, with a thoughtful face, he
finds his hat and cloak, unseen of the Analytical, and goes his way.</p>
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