<h2><SPAN name="CHAPTER_TWENTY-THREE" id="CHAPTER_TWENTY-THREE"></SPAN>CHAPTER TWENTY-THREE</h2>
<p>Ruth had been with Annie for five days now; the original three days for
which she had said she could come had been lengthened to a week, and she
knew that she would not want to go even then. For here was rest. Here
she could forget about herself as set apart from others. Here she did
not seem apart. After the stress of those days at home it was good to
rest in this simple feeling of being just one with others. It was good
to lie on the grass under the trees, troubled thoughts in abeyance, and
feel spring in the earth, take it in by smell and sound. It was
wonderfully good to play with the children, to lie on the grass and let
the little two year old girl—Annie's baby—pull at her hair, toddling
around her, cooing and crowing. There was healing in that. It was good
to be some place where she did not seem to cause embarrassment, to be
where she was wanted. After the strain of recent events the simple
things of these days were very sweet to her. It had become monstrous
always to have to feel that something about her made her different from
other people. There was something terrible in it—something not good for
one. Here was release from that.</p>
<p>And it was good to be with Annie; they had not talked much yet—not
seriously talked. Annie seemed to know that it was rest in little things
Ruth needed now, not talk of big ones. They talked about the chickens
and the cows, the flowers and the cauliflowers, about the children's
pranks. It was restoring to talk thus of inconsequential things; Ruth
was beginning to feel more herself than she had felt in years. On that
fifth day her step was lighter than when she came; it was easier to
laugh. Hers had once been so sunny a nature; it was amazingly easy to
break out of the moroseness with which circumstances had clouded her
into that native sunniness. That afternoon she sat on the knoll above
the house, leaning back against a tree and smiling lazily at the
gamboling of the new little pigs.</p>
<p>Annie was directing the boy who had been helping her cut asparagus to
carry the baskets up where Ruth was sitting. "I'm going to talk to you
while I make this into bunches, Ruth," she called.</p>
<p>"I'll help," Ruth called back with zest.</p>
<p>They talked at first of the idiosyncrasies of asparagus beds, of the
marketing of it; then something Annie said set Ruth thinking of
something that had happened when they were in high school. "Oh, do you
remember, Annie—" she laughingly began. There was that sort of talk for
awhile—"Do you remember...?" and "Oh, whatever became of...?"</p>
<p>As they worked on Ruth thought of the strangeness of her being there
with this girl who, when they were in school together, had meant so
little to her. Her own work lagged, watching Annie as with quick, sure
motions she made the asparagus into bunches for market. She did things
deftly and somehow gave the feeling of subordinating them to something
else, of not letting them take all of her. Ruth watched her with
affectionate interest; she wore an all-over gingham apron, her big sun
hat pushed back from her browned, thin face; she was not at all
attractive unless one saw the eager, living eyes—keenly intelligent
eyes. Ruth thought of her other friends—the girls who had been her
friends when she was in school and whom she had not seen now; she
wondered why it was Annie had none of the feeling that kept those other
girls away.</p>
<p>Annie's husband was a slow, stolid man; Ruth supposed that in his youth,
when Annie married him, he had perhaps been attractive in his
stalwartness. He was sluggish now; good humored enough, but apparently
as heavy in spirit as in body. Things outside the material round of
life—working, eating, sleeping—simply did not seem to exist for him.
At first she wondered how Annie could be content with life with him,
Annie, who herself was so keenly alive. Thinking of it now it seemed
Annie had the same adjustment to him that she had to the
asparagus,—something subordinated, not taking up very much of herself.
She had about Annie, and she did not know just why she had it, the
feeling that here was a person who could not be very greatly harmed,
could not be completely absorbed by routine, could not, for some reason
she could not have given, be utterly vanquished by any circumstance. She
went about her work as if that were one thing—and then there were other
things; as if she were in no danger of being swallowed up in her manner
of living. There was something apart that was dauntless. Ruth wondered
about her, she wanted to find out about her. She wanted for herself that
valiant spirit, a certain unconquerableness she felt in Annie.</p>
<p>Annie broke a pause to say: "You can't know, Ruth, how much it means to
have you here."</p>
<p>Ruth's face lighted and she smiled; she started to speak, but instead
only smiled again. She wanted to tell what it meant to her to be there,
but that seemed a thing not easily told.</p>
<p>"I wish you could stay longer," Annie went on, all the while working.
"So—" she paused, and continued a little diffidently—"so we could
really get acquainted; really talk. I hardly ever have anyone to talk
to," she said wistfully. "One gets pretty lonely sometimes. It would be
good to have someone to talk to about the things one thinks."</p>
<p>"What are the things you think, Annie?" Ruth asked impulsively.</p>
<p>"Oh, no mighty thoughts," laughed Annie; "but of course I'm always
thinking about things. We keep alive by thinking, don't we?"</p>
<p>Ruth gave her a startled look.</p>
<p>"Perhaps it's because I haven't had from life itself much of what I'd
like to have," Annie was going on, "that I've made a world within. Can't
let life cheat us, Ruth," she said brightly. "If we can't have things in
one way—have to get them in another."</p>
<p>Again Ruth looked at her in that startled way. Annie did not see it,
reaching over for more asparagus; she was all the time working along in
that quick, sure way—doing what she was doing cleverly and as if it
weren't very important. "Perhaps, Ruth," she said after a minute, "that
that's why my school-girl fancy for you persisted—deepened—the way it
has." She hesitated, then said simply: "I liked you for not letting life
cheat you."</p>
<p>She looked up with a quick little nod as she said that but found Ruth's
face very serious, troubled. "But I don't think I've done what you mean,
Annie," she began uncertainly. "I did what I did—because I had to. And
I'm afraid I haven't—gone on. It begins to seem to me now that I've
stayed in a pretty small place. I've been afraid!" she concluded with
sudden scorn.</p>
<p>"That isn't much wonder," Annie murmured gently.</p>
<p>"But with me," she took it up after a little, "I've had to go on." Her
voice went hard in saying it. "Things would have just shut right down on
me if I would have let them," she finished grimly.</p>
<p>"I married for passion," she began quietly after a minute. "Most people
do, I presume. At least most people who marry young."</p>
<p>Ruth colored. She was not used to saying things right out like that.</p>
<p>"Romantic love is a wonderful thing," Annie pursued; "I suppose it's the
most beautiful thing in the world—while it lasts." She laughed in a
queer, grim little way and gave a sharp twist to the knot she was tying.
"Sometimes it opens up to another sort of love—love of another
quality—and to companionship. It must be a beautiful thing—when it
does that." She hesitated a moment before she finished with a dryness
that had that grim quality: "With me—it didn't.</p>
<p>"So there came a time," she went on, and seemed newly to have gained
serenity, "when I saw that I had to give up—go under—or get through
myself what I wasn't going to get through anyone else. Oh, it's not the
beautiful way—not the complete way. But it's one way!" she flashed in
fighting voice. "I fought for something, Ruth. I held it. I don't know
that I've a name for it—but it's the most precious thing in life. My
life itself is pretty limited; aside from the children"—she softened in
speaking of them—"my life is—pretty barren. And as for the
children"—that fighting spirit broke sharply through, "they're all the
more reason for not sinking into things—not sinking into <i>them</i>," she
laughed.</p>
<p>As she stopped there Ruth asked eagerly, eyes intently upon her: "But
just what is it you mean, Annie? Just what is it you fought for—kept?"</p>
<p>"To be my <i>own</i>!" Annie flashed back at her, like steel.</p>
<p>Then she changed; for the first time her work fell unheeded in her lap;
the eyes which a minute before had flashed fight looked far off and were
dreamy; her face, over which the skin seemed to have become stretched,
burned by years of sun and wind, quivered a little. When she spoke again
it was firmly but with sadness. "It's what we think that counts, Ruth.
It's what we feel. It's what we <i>are</i>. Oh, I'd like richer living—more
beauty—more joy. Well, I haven't those things. For various reasons, I
won't have them. That makes it the more important to have all I can
take!"—it leaped out from the gentler thinking like a sent arrow.
"Nobody holds my thoughts. They travel as far as they themselves have
power to travel. They bring me whatever they can bring me—and I shut
nothing out. I'm not afraid!"</p>
<p>Ruth was looking at her with passionate earnestness.</p>
<p>"Over there in that town,"—Annie made a little gesture toward it, "are
hundreds of women who would say they have a great deal more than I have.
And it's true enough," she laughed, "that they have some things I'd like
to have. But do you think I'd trade with them? Oh, no! Not much! The
free don't trade with the bond, Ruth."</p>
<p>And still Ruth did not speak, but listened with that passionate
intentness.</p>
<p>"There in that town," Annie went on, "are people—most a whole townful
of them—who are going through life without being really awake to life
at all. They move around in a closed place, doing the same silly little
things—copy-cats—repeaters. They're not their <i>own</i>—they're not
awake. They're like things run by machinery. Like things going in their
sleep. Take those girls we used to go to school with. Why, take Edith
Lawrence. I see her sometimes. She always speaks sweetly to me; she
means to be nice. But she moves round and round in her little place and
she doesn't even <i>know</i> of the wonderful things going on in the world
today! Do you think I'd trade with <i>her</i>?—social leader and all the
rest of it!" She was gathering together the bundles of asparagus. She
had finished her work. "Very sweet—very charming," she disposed of
Edith, "but she simply doesn't count. The world's moving away from her,
and she,"—Annie laughed with a mild scorn—"doesn't even know that!"</p>
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