<SPAN name="chap07"></SPAN>
<h3> VII. </h3>
<p>Mrs. Henry van der Luyden listened in silence to her cousin Mrs.
Archer's narrative.</p>
<p>It was all very well to tell yourself in advance that Mrs. van der
Luyden was always silent, and that, though non-committal by nature and
training, she was very kind to the people she really liked. Even
personal experience of these facts was not always a protection from the
chill that descended on one in the high-ceilinged white-walled Madison
Avenue drawing-room, with the pale brocaded armchairs so obviously
uncovered for the occasion, and the gauze still veiling the ormolu
mantel ornaments and the beautiful old carved frame of Gainsborough's
"Lady Angelica du Lac."</p>
<p>Mrs. van der Luyden's portrait by Huntington (in black velvet and
Venetian point) faced that of her lovely ancestress. It was generally
considered "as fine as a Cabanel," and, though twenty years had elapsed
since its execution, was still "a perfect likeness." Indeed the Mrs.
van der Luyden who sat beneath it listening to Mrs. Archer might have
been the twin-sister of the fair and still youngish woman drooping
against a gilt armchair before a green rep curtain. Mrs. van der
Luyden still wore black velvet and Venetian point when she went into
society—or rather (since she never dined out) when she threw open her
own doors to receive it. Her fair hair, which had faded without
turning grey, was still parted in flat overlapping points on her
forehead, and the straight nose that divided her pale blue eyes was
only a little more pinched about the nostrils than when the portrait
had been painted. She always, indeed, struck Newland Archer as having
been rather gruesomely preserved in the airless atmosphere of a
perfectly irreproachable existence, as bodies caught in glaciers keep
for years a rosy life-in-death.</p>
<p>Like all his family, he esteemed and admired Mrs. van der Luyden; but
he found her gentle bending sweetness less approachable than the
grimness of some of his mother's old aunts, fierce spinsters who said
"No" on principle before they knew what they were going to be asked.</p>
<p>Mrs. van der Luyden's attitude said neither yes nor no, but always
appeared to incline to clemency till her thin lips, wavering into the
shadow of a smile, made the almost invariable reply: "I shall first
have to talk this over with my husband."</p>
<p>She and Mr. van der Luyden were so exactly alike that Archer often
wondered how, after forty years of the closest conjugality, two such
merged identities ever separated themselves enough for anything as
controversial as a talking-over. But as neither had ever reached a
decision without prefacing it by this mysterious conclave, Mrs. Archer
and her son, having set forth their case, waited resignedly for the
familiar phrase.</p>
<p>Mrs. van der Luyden, however, who had seldom surprised any one, now
surprised them by reaching her long hand toward the bell-rope.</p>
<p>"I think," she said, "I should like Henry to hear what you have told
me."</p>
<p>A footman appeared, to whom she gravely added: "If Mr. van der Luyden
has finished reading the newspaper, please ask him to be kind enough to
come."</p>
<p>She said "reading the newspaper" in the tone in which a Minister's wife
might have said: "Presiding at a Cabinet meeting"—not from any
arrogance of mind, but because the habit of a life-time, and the
attitude of her friends and relations, had led her to consider Mr. van
der Luyden's least gesture as having an almost sacerdotal importance.</p>
<p>Her promptness of action showed that she considered the case as
pressing as Mrs. Archer; but, lest she should be thought to have
committed herself in advance, she added, with the sweetest look:
"Henry always enjoys seeing you, dear Adeline; and he will wish to
congratulate Newland."</p>
<p>The double doors had solemnly reopened and between them appeared Mr.
Henry van der Luyden, tall, spare and frock-coated, with faded fair
hair, a straight nose like his wife's and the same look of frozen
gentleness in eyes that were merely pale grey instead of pale blue.</p>
<p>Mr. van der Luyden greeted Mrs. Archer with cousinly affability,
proffered to Newland low-voiced congratulations couched in the same
language as his wife's, and seated himself in one of the brocade
armchairs with the simplicity of a reigning sovereign.</p>
<p>"I had just finished reading the Times," he said, laying his long
finger-tips together. "In town my mornings are so much occupied that I
find it more convenient to read the newspapers after luncheon."</p>
<p>"Ah, there's a great deal to be said for that plan—indeed I think my
uncle Egmont used to say he found it less agitating not to read the
morning papers till after dinner," said Mrs. Archer responsively.</p>
<p>"Yes: my good father abhorred hurry. But now we live in a constant
rush," said Mr. van der Luyden in measured tones, looking with pleasant
deliberation about the large shrouded room which to Archer was so
complete an image of its owners.</p>
<p>"But I hope you HAD finished your reading, Henry?" his wife interposed.</p>
<p>"Quite—quite," he reassured her.</p>
<p>"Then I should like Adeline to tell you—"</p>
<p>"Oh, it's really Newland's story," said his mother smiling; and
proceeded to rehearse once more the monstrous tale of the affront
inflicted on Mrs. Lovell Mingott.</p>
<p>"Of course," she ended, "Augusta Welland and Mary Mingott both felt
that, especially in view of Newland's engagement, you and Henry OUGHT
TO KNOW."</p>
<p>"Ah—" said Mr. van der Luyden, drawing a deep breath.</p>
<p>There was a silence during which the tick of the monumental ormolu
clock on the white marble mantelpiece grew as loud as the boom of a
minute-gun. Archer contemplated with awe the two slender faded
figures, seated side by side in a kind of viceregal rigidity,
mouthpieces of some remote ancestral authority which fate compelled
them to wield, when they would so much rather have lived in simplicity
and seclusion, digging invisible weeds out of the perfect lawns of
Skuytercliff, and playing Patience together in the evenings.</p>
<p>Mr. van der Luyden was the first to speak.</p>
<p>"You really think this is due to some—some intentional interference of
Lawrence Lefferts's?" he enquired, turning to Archer.</p>
<p>"I'm certain of it, sir. Larry has been going it rather harder than
usual lately—if cousin Louisa won't mind my mentioning it—having
rather a stiff affair with the postmaster's wife in their village, or
some one of that sort; and whenever poor Gertrude Lefferts begins to
suspect anything, and he's afraid of trouble, he gets up a fuss of this
kind, to show how awfully moral he is, and talks at the top of his
voice about the impertinence of inviting his wife to meet people he
doesn't wish her to know. He's simply using Madame Olenska as a
lightning-rod; I've seen him try the same thing often before."</p>
<p>"The LEFFERTSES!—" said Mrs. van der Luyden.</p>
<p>"The LEFFERTSES!—" echoed Mrs. Archer. "What would uncle Egmont have
said of Lawrence Lefferts's pronouncing on anybody's social position?
It shows what Society has come to."</p>
<p>"We'll hope it has not quite come to that," said Mr. van der Luyden
firmly.</p>
<p>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer.</p>
<p>But instantly she became aware of her mistake. The van der Luydens
were morbidly sensitive to any criticism of their secluded existence.
They were the arbiters of fashion, the Court of last Appeal, and they
knew it, and bowed to their fate. But being shy and retiring persons,
with no natural inclination for their part, they lived as much as
possible in the sylvan solitude of Skuytercliff, and when they came to
town, declined all invitations on the plea of Mrs. van der Luyden's
health.</p>
<p>Newland Archer came to his mother's rescue. "Everybody in New York
knows what you and cousin Louisa represent. That's why Mrs. Mingott
felt she ought not to allow this slight on Countess Olenska to pass
without consulting you."</p>
<p>Mrs. van der Luyden glanced at her husband, who glanced back at her.</p>
<p>"It is the principle that I dislike," said Mr. van der Luyden. "As
long as a member of a well-known family is backed up by that family it
should be considered—final."</p>
<p>"It seems so to me," said his wife, as if she were producing a new
thought.</p>
<p>"I had no idea," Mr. van der Luyden continued, "that things had come to
such a pass." He paused, and looked at his wife again. "It occurs to
me, my dear, that the Countess Olenska is already a sort of
relation—through Medora Manson's first husband. At any rate, she will
be when Newland marries." He turned toward the young man. "Have you
read this morning's Times, Newland?"</p>
<p>"Why, yes, sir," said Archer, who usually tossed off half a dozen
papers with his morning coffee.</p>
<p>Husband and wife looked at each other again. Their pale eyes clung
together in prolonged and serious consultation; then a faint smile
fluttered over Mrs. van der Luyden's face. She had evidently guessed
and approved.</p>
<p>Mr. van der Luyden turned to Mrs. Archer. "If Louisa's health allowed
her to dine out—I wish you would say to Mrs. Lovell Mingott—she and I
would have been happy to—er—fill the places of the Lawrence
Leffertses at her dinner." He paused to let the irony of this sink in.
"As you know, this is impossible." Mrs. Archer sounded a sympathetic
assent. "But Newland tells me he has read this morning's Times;
therefore he has probably seen that Louisa's relative, the Duke of St.
Austrey, arrives next week on the Russia. He is coming to enter his
new sloop, the Guinevere, in next summer's International Cup Race; and
also to have a little canvasback shooting at Trevenna." Mr. van der
Luyden paused again, and continued with increasing benevolence:
"Before taking him down to Maryland we are inviting a few friends to
meet him here—only a little dinner—with a reception afterward. I am
sure Louisa will be as glad as I am if Countess Olenska will let us
include her among our guests." He got up, bent his long body with a
stiff friendliness toward his cousin, and added: "I think I have
Louisa's authority for saying that she will herself leave the
invitation to dine when she drives out presently: with our cards—of
course with our cards."</p>
<p>Mrs. Archer, who knew this to be a hint that the seventeen-hand
chestnuts which were never kept waiting were at the door, rose with a
hurried murmur of thanks. Mrs. van der Luyden beamed on her with the
smile of Esther interceding with Ahasuerus; but her husband raised a
protesting hand.</p>
<p>"There is nothing to thank me for, dear Adeline; nothing whatever.
This kind of thing must not happen in New York; it shall not, as long
as I can help it," he pronounced with sovereign gentleness as he
steered his cousins to the door.</p>
<p>Two hours later, every one knew that the great C-spring barouche in
which Mrs. van der Luyden took the air at all seasons had been seen at
old Mrs. Mingott's door, where a large square envelope was handed in;
and that evening at the Opera Mr. Sillerton Jackson was able to state
that the envelope contained a card inviting the Countess Olenska to the
dinner which the van der Luydens were giving the following week for
their cousin, the Duke of St. Austrey.</p>
<p>Some of the younger men in the club box exchanged a smile at this
announcement, and glanced sideways at Lawrence Lefferts, who sat
carelessly in the front of the box, pulling his long fair moustache,
and who remarked with authority, as the soprano paused: "No one but
Patti ought to attempt the Sonnambula."</p>
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