<SPAN name="ON_THE_TRAIN"></SPAN>
<h2><b>ON THE TRAIN</b></h2>
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<p class="center">KIKI-THE-DEMURE, TOBY-DOG, SHE <i>and</i> HE,
<i>have taken their places in a first-class
compartment. The train rolls along towards
distant mountains, and the freedom
of Summer-time</i>. TOBY, <i>on a leash, lifts
an inquiring nose to the window</i>. HE
<i>has strewn the carriage with newspapers</i>:
KIKI-THE-DEMURE, <i>silent and invisible in a
closed basket, is under his immediate protection</i>.
SHE, <i>leaning back against the
dusty cushions, dreams of the mountain
she loves best and of the low house on it,
weighted down with jasmine and virginia-creeper</i>.</p>
<p class="center">TOBY-DOG</p>
<p>How fast this carriage goes! It can't be
our regular coachman. I haven't seen the
horses, but they smell very bad and make
black smoke. Oh, Silent Dreamer, look at me
and tell me—shall we arrive soon?</p>
<p>(<i>No response</i>. TOBY <i>gets
fidgety and blows through
his nostrils</i>.)</p>
<p class="center">SHE</p>
<p>Hush! Toby, hush!</p>
<p class="center">TOBY-DOG</p>
<p>I've hardly said a word.... Shall we
arrive soon?</p>
<p>(<i>He turns towards his master,
who is reading, and puts
a discreet paw on the edge
of his knee</i>.)</p>
<p class="center">HE</p>
<p>'Sh! ...</p>
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<p class="center">TOBY-DOG (<i>resigned</i>)</p>
<p>Hard luck! No one wants to talk to
me. I'm bored and what's more, I don't
know this carriage well enough. I'm tired
out. They woke me very early this morning.
I amused myself by running all over
the house. They had hidden the chairs
under sheets, wrapped up the lamps, rolled
up the rugs. Things were white and
changed and awful. There was a horrid
smell of camphor everywhere. My eyes
filled with water, I sneezed under the chairs
and slid on the bare floor in my haste to
follow the maids' white aprons. They
bustled about among trunks with such unwonted
zeal, that I was sure something exceptional
was going to happen.
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At the last
minute just as She came in, calling:
"Toby's collar and the cat's basket!
Quick! put the cat in his basket!"—just
as she was saying that, my chum disappeared.
It was indescribable! He, terrible
to see, swore by all the gods, and
struck the floor with his cane, furious because
they had allowed his Kiki to get away.
She called "Kiki!" at first supplicatingly,
then in threatening tones, and the maids
brought empty plates, meant to deceive, and
yellow paper from the butcher's. I really
thought my chum had left this world, when
suddenly—there he was perched on top
of the book-case, looking down on us with
an expression of contempt in his green eyes.
She put up her arms: "Kiki <i>will</i> you
come down immediately! You are going to
make us lose the train!" But he didn't come
down and it made me dizzy—though I was
on the ground—to see him way up there
walking and turning about and miauling
shrilly to tell us how impossible he found
it to obey. He was about frantic and
kept saying: "Heavens, he's going to fall."
But She smiled skeptically, went out of the
room and came back armed with the whip.
The whip said, "crack!" twice only; then a
miracle happened I think, 'cause the cat
leaped to the floor, softer and more bouncey
than our plaything, the ball of wool. <i>I</i>
would have broken to pieces falling like
that! ... He has been in this basket ever
since.... (TOBY <i>goes to the basket</i>.)
Ah! here's a little peek-hole.... I see his
whiskers ... they're like white needles.
Whew! What eyes! (<i>He jumps back</i>.)
I'm rather afraid. One can't really shut a
cat up; he always manages to get out somehow.
... He must suffer, poor fellow!
Perhaps if I speak kindly to him ... (<i>he
calls very politely</i>) Cat!</p>
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<p class="center">KIKI-THE-DEMURE, (<i>spitting furiously</i>)</p>
<p>Khhh! ...</p>
<p class="center">TOBY-DOG (<i>jumping back</i>)</p>
<p>Oh, you said a bad word! You look awful!
Have you a pain anywhere?</p>
<p class="center">KIKI-THE-DEMURE</p>
<p>Go away! I'm a martyr.... Go away
I tell you, or I'll blow fire at you!</p>
<p class="center">TOBY-DOG (<i>ingenuous</i>)</p>
<p>But why?</p>
<p class="center">KIKI-THE-DEMURE</p>
<p>Why!--Because you're free, because I'm
in this basket, because the basket's in a foul
carriage which is shaking me to pieces, and
because the serenity of those two exasperates
me.</p>
<p class="center">TOBY-DOG</p>
<p>Would you like me to look out and tell
you what one sees from the carriage window?</p>
<p class="center">KIKI-THE-DEMURE</p>
<p>Everything is equally odious to me.</p>
<p class="center">TOBY-DOG (<i>having looked out, comes back</i>)</p>
<p>I haven't seen anything....</p>
<p class="center">KIKI-THE-DEMURE, (<i>bitterly</i>)</p>
<p>Thanks just the same.</p>
<p class="center">TOBY-DOG</p>
<p>I mean I haven't seen anything that's
easy to describe. Some green things which
pass right close to us—so close and so fast
that they give one a slap in the eye. A flat
field turning 'round and 'round and over
there, a little pointed steeple—it's running
as fast as the carriage. Another field all
red with blossoming clover has just given
me another slap in the eye—a red slap.
The earth is sinking in—or else we're going
up, I'm not sure which. I see way off,
<i>far</i> away, some green lawns dotted with white
daisies—perhaps they're cows.</p>
<p class="center">KIKI-THE-DEMURE, (<i>with sarcasm</i>)</p>
<p>Or wafers, for sealing letters—or anything
you like.</p>
<p class="center">TOBY-DOG</p>
<p>Aren't you the least little bit amused?</p>
<p class="center">KIKI-THE-DEMURE, (<i>with a sinister laugh</i>)</p>
<p>Ha! Ask of the damned ...</p>
<p class="center">TOBY-DOG</p>
<p>Of whom?</p>
<p class="center">KIKI-THE-DEMURE, (<i>more and more melodramatic,
but without conviction</i>)</p>
... of the damned in his vat of boiling
oil, if anything amuses him! Mine is not
physical torment. I suffer imprisonment,
humiliation, darkness, neglect—
<p>(<i>The train stops. A conductor
on the platform cries
"Aw-ll a-bor!! ... awl
aborr!!"</i>)</p>
<p class="center">TOBY-DOG (<i>bewildered</i>)</p>
<p>Someone's crying out! There's an accident!!
Let's run!!!</p>
<p>(<i>He throws himself against
the carriage door and
scratches madly at it</i>.)</p>
<p class="center">SHE, (<i>half asleep</i>)</p>
<p>Toby dear, you're a nuisance!</p>
<p class="center">TOBY-DOG (<i>distracted</i>)</p>
<p>Oh, you inexplicable person! How can
you sit there quietly? Don't you hear those
cries? They're stopping now—the accident
has gone away. Wish I'd known...</p>
<p>(<i>The train starts again</i>.)</p>
<p class="center">HE, (<i>throwing down his paper</i>)</p>
<p>The poor beast is hungry.</p>
<p class="center">SHE, (<i>now very wide awake</i>)</p>
<p>You think so? Well, I am too. But
Toby is to eat very little.</p>
<p class="center">HE, (<i>anxiously</i>)</p>
<p>And Kiki-the-Demure?</p>
<p class="center">SHE, (<i>peremptorily</i>)</p>
<p>Kiki sulks, and he hid this morning, so he'll
have even less than Toby.</p>
<p class="center">HE</p>
<p>He isn't making a sound. Aren't you
afraid he's sick?</p>
<p class="center">SHE</p>
<p>No, he's simply vexed.</p>
<p class="center">KIKI-THE-DEMURE, (<i>as soon as there's question
of himself</i>)</p>
<p>Me-ow!</p>
<p class="center">HE, (<i>tenderly and eagerly</i>)</p>
<p>Come my beautiful Kiki, my imprisoned
one, come. You shall have cold roast-beef
and some breast of chicken...</p>
<p>(<i>He opens the prison basket
and</i> KIKI <i>puts forth his</i>
<i>head, flattened on top like
that of a serpent; then his
long, striped body, cautiously,
and so very slowly
that one begins to think it's
coming out by the yard</i>.)</p>
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<p class="center">TOBY-DOG (<i>pleasantly</i>)</p>
<p>Ah, there you are, cat! Well, now, proclaim
your freedom!</p>
<p>(KIKI, <i>without replying,
smoothes his ruffled fur</i>.)</p>
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<p class="center">TOBY-DOG</p>
<p>Proclaim your freedom I tell you! It's
the custom. Whenever a door is opened one
must run, jump, twist oneself into half circles
and cry out.</p>
<p class="center">KIKI-THE-DEMURE</p>
<p><i>One</i>? Who's one, pray?</p>
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<p class="center">TOBY-DOG</p>
<p>We dogs.</p>
<p class="center">KIKI-THE-DEMURE, (<i>seated and very dignified</i>)</p>
<p>Would you have me <i>bark</i>, too? ... We
have never followed the same rules of conduct,
that I know of.</p>
<p class="center">TOBY-DOG (<i>vexed</i>)</p>
<p>Oh very well, I don't insist. How do
you like this carriage?</p>
<p class="center">KIKI-THE-DEMURE, (<i>sniffing fastidiously</i>)</p>
<p>It's frightful.—However, the cushions
are rather good for one's nails.</p>
<p>(<i>He suits the action to the
word</i>.)</p>
<p class="center">TOBY-DOG (<i>aside</i>)</p>
<p>Now if <i>I</i> did that...</p>
<p class="center">KIKI-THE-DEMURE, (<i>continuing to scratch
the upholstery</i>)</p>
<p>Hon! May this spongy, gray cloth soothe
my rage! ... Since morning, the whole
universe has been in a state of monstrous
revolt. He whom I love, and who venerates
me, made not the least effort to defend me.
I've submitted to humiliating contacts, been
jolted to death, piercing whistles have shot
through my head from ear to ear. Ho, ho,
how good it is to relax the nerves and to
imagine that, with gleeful claws, one tears
the enemies' flesh in bloody shreds! Ho, ho!
S-c-r-a-t-c-h, and lift the paws on high!
Lift them high as possible! It's a supremely
insolent gesture....</p>
<p class="center">SHE</p>
<p>I say, Kiki, when are you going to stop
that?</p>
<p class="center">HE, (<i>Indulgent and admiring</i>)</p>
<p>Let him alone. He's doing his nails.</p>
<p class="center">KIKI-THE-DEMURE</p>
<p>He has spoken for me. I forgive him.
But since it's allowed, I don't care any more
about tearing the cushions ... When will I
get out of this? Not that I'm afraid; they
are both there, and the dog too, with their
everyday faces ... I've twinges in my
stomach.</p>
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<p>(<i>He yawns. The train stops.
A conductor on the platform
cries, "Aw-ll a-bor!
Aw-ll a-b-o-r-r!!"</i>)</p>
<p class="center">TOBY-DOG (<i>excited</i>)</p>
<p>Screaming again! Another accident?!--Let's
run!...</p>
<p class="center">KIKI-THE-DEMURE</p>
<p>Heavens, what a tiresome dog! What
does it matter to him, if there <i>is</i> an accident?</p>
<p>I don't believe in it moreover. It's the cry
of a man, and men cry out for the pleasure
of hearing their own voices.</p>
<p class="center">TOBY-DOG (<i>calm again</i>)</p>
<p>I'm hungry. Can't we hope to eat soon,
my mistress? I don't know what time it is
in this strange country, but it seems to
me...</p>
<p class="center">SHE</p>
<p>Come now, we'll all have our luncheon.</p>
<p>(<i>She takes the things out of
the basket, crumples up
some tissue paper and
breaks a crisp brown roll</i>.)</p>
<p class="center">TOBY-DOG (<i>chewing</i>)</p>
<p>What She gave me then must have been
very good indeed to seem such a tiny bit.
It melted in my mouth, there's not even the
memory of it left...</p>
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<p class="center">KIKI-THE-DEMURE, (<i>chewing</i>)</p>
<p>Breast of chicken! Purr-rr ... Goodness
me! I was purring without knowing it!
That won't do. They'll think me resigned
to this journey. I must eat slowly, grim,
and undeceived, eat for the sole purpose of
keeping myself alive...</p>
<p class="center">SHE, (<i>to the dog and cat</i>)</p>
<p>Allow me to have <i>my</i> luncheon now, if you
please. <i>I</i> too, like cold chicken and the
hearts of lettuce, dipped in salt...</p>
<p class="center">HE, (<i>anxiously</i>)</p>
<p>What <i>shall</i> we do to make this cat go into
his basket again?</p>
<p class="center">SHE</p>
<p>I don't know. We'll see presently...</p>
<p class="center">TOBY-DOG</p>
<p>Finished already? I could swallow three
times that much. I say Cat, you're eating
rather well for a martyr.</p>
<p class="center">KIKI-THE-DEMURE, (<i>fibbing</i>)</p>
<p>Trouble digs a hole in one's interior.
Move away please, I want to sleep now ...
if I can. Perhaps a merciful dream will
take me back to the house I've left, to the
flowered cushion He gave me.... Home!
sweet home! Rugs of bright colors for the
delight of my eyes, a palm with nice shoots
for me to eat, deep arm-chairs, under
which I hide my woolen ball as a future surprise
for myself—ah, and the cork hanging
by a string to the door-latch! the tables
covered with bibelots! I thread my way
in and out among them and occasionally
it amuses me to break some brittle thing.
The dining-room is a temple! The vestibule,
full of mystery; there unseen, I can
watch those who come and go ... Oh narrow
back-stairway, where the step of the
milkman rings out for me like a morning
angelus—farewell! farewell! my destiny
carries me on, and who knows if ever ...
But this is <i>too</i> sad! All the pretty things
I've been saying have really begun to make
me feel badly!!</p>
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<p>(<i>He begins a minute and
mournful toilet. The train
stops. A conductor on the
platform cries, "Aw-ll-a-borr-a-borr!!"</i>)</p>
<p class="center">TOBY-DOG</p>
<p>There it is again! An acci—Oh
bother, I've had enough of that!</p>
<p class="center">HE, (<i>anxiously</i>)</p>
<p>We're going to change trains in ten minutes.
How about the cat? He'll never allow
us to shut him up...</p>
<p class="center">SHE</p>
<p>We'll see ... Suppose we put some meat
in his basket?</p>
<p class="center">HE</p>
<p>Or perhaps petting would...</p>
<p>(<i>They approach the redoubtable</i>
KIKI <i>and both speak
together</i>.)</p>
<p class="center">HE</p>
<p>Kiki, my beautiful Kiki, come jump on my
knee, or on my shoulder. You like that
as a rule. You'll doze there and then I'll
put you gently into the basket. After all,
it's open-work and has a comfortable cushion
to protect you from the rough wicker.
Come, my dear....</p>
<p class="center">SHE</p>
<p>Listen, Kiki. You must learn to act
properly and to take life as it is. You can't
stay there like that. We're going to change
trains and a horrible guard will appear and
say insulting things of you and your race.
Besides you'd better obey, because if you
don't, I—I'll give you a good whipping.</p>
<p>(<i>But before she can lift her hand
against his sacred fur, Kiki gets up,
stretches himself, arches his back, yawns,—to
show the rosy lining of his mouth,
and then walks to the open basket
where he lies down with an admirable air
of quiet insolence. He and She exchange
eloquent glances</i>.)</p>
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