<p><SPAN name="link2H_4_0043" id="link2H_4_0043"></SPAN></p>
<h2> ACT V. </h2>
<p><SPAN name="link2H_4_0044" id="link2H_4_0044"></SPAN></p>
<h2> SCENE I. </h2>
<p>The Scene the same as in the First Act.<br/>
<br/>
HANNAH KENNEDY in deep mourning, her eyes still red<br/>
from weeping, in great but quiet anguish, is employed<br/>
in sealing letters and parcels. Her sorrow often<br/>
interrupts her occupation, and she is seen at such<br/>
intervals to pray in silence. PAULET and DRURY,<br/>
also in mourning, enter, followed by many servants,<br/>
who bear golden and silver vessels, mirrors, paintings,<br/>
and other valuables, and fill the back part of the stage<br/>
with them. PAULET delivers to the NURSE a box of jewels<br/>
and a paper, and seems to inform her by signs that it<br/>
contains the inventory of the effects the QUEEN had brought<br/>
with her. At the sight of these riches, the anguish of<br/>
the NURSE is renewed; she sinks into a deep, glowing<br/>
melancholy, during which DRURY, PAULET, and the servants<br/>
silently retire.<br/>
<br/>
MELVIL enters.<br/>
<br/>
KENNEDY (screams aloud as soon as she observes him).<br/>
Melvil! Is it you? Behold I you again?<br/>
<br/>
MELVIL.<br/>
Yes, faithful Kennedy, we meet once more.<br/>
<br/>
KENNEDY.<br/>
After this long, long, painful separation!<br/>
<br/>
MELVIL.<br/>
A most unhappy, bitter meeting this!<br/>
<br/>
KENNEDY.<br/>
You come——<br/>
<br/>
MELVIL.<br/>
To take an everlasting leave<br/>
Of my dear queen—to bid a last farewell!<br/>
<br/>
KENNEDY.<br/>
And now at length, now on the fatal morn<br/>
Which brings her death, they grant our royal lady<br/>
The presence of her friends. Oh, worthy sir,<br/>
I will not question you, how you have fared,<br/>
Nor tell you all the sufferings we've endured,<br/>
Since you were torn away from us: alas!<br/>
There will be time enough for that hereafter.<br/>
O, Melvil, Melvil, why was it our fate<br/>
To see the dawn of this unhappy day?<br/>
<br/>
MELVIL.<br/>
Let us not melt each other with our grief.<br/>
Throughout my whole remaining life, as long<br/>
As ever it may be, I'll sit and weep;<br/>
A smile shall never more light up these cheeks,<br/>
Ne'er will I lay this sable garb aside,<br/>
But lead henceforth a life of endless mourning.<br/>
Yet on this last sad day I will be firm;<br/>
Pledge me your word to moderate your grief;<br/>
And when the rest of comfort all bereft,<br/>
Abandoned to despair, wail round her, we<br/>
Will lead her with heroic resolution,<br/>
And be her staff upon the road to death!<br/>
<br/>
KENNEDY.<br/>
Melvil! You are deceived if you suppose<br/>
The queen has need of our support to meet<br/>
Her death with firmness. She it is, my friend,<br/>
Who will exhibit the undaunted heart.<br/>
Oh! trust me, Mary Stuart will expire<br/>
As best becomes a heroine and queen!<br/>
<br/>
MELVIL.<br/>
Received she firmly, then, the sad decree<br/>
Of death?—'tis said that she was not prepared.<br/>
<br/>
KENNEDY.<br/>
She was not; yet they were far other terrors<br/>
Which made our lady shudder: 'twas not death,<br/>
But her deliverer, which made her tremble.<br/>
Freedom was promised us; this very night<br/>
Had Mortimer engaged to bear us hence:<br/>
And thus the queen, perplexed 'twixt hope and fear,<br/>
And doubting still if she should trust her honor<br/>
And royal person to the adventurous youth,<br/>
Sat waiting for the morning. On a sudden<br/>
We hear a boisterous tumult in the castle;<br/>
Our ears are startled by repeated blows<br/>
Of many hammers, and we think we hear<br/>
The approach of our deliverers: hope salutes us,<br/>
And suddenly and unresisted wakes<br/>
The sweet desire of life. And now at once<br/>
The portals are thrown open—it is Paulet,<br/>
Who comes to tell us—that—the carpenters<br/>
Erect beneath our feet the murderous scaffold!<br/>
<br/>
[She turns aside, overpowered by excessive anguish.<br/>
<br/>
MELVIL.<br/>
O God in Heaven! Oh, tell me then how bore<br/>
The queen this terrible vicissitude?<br/>
<br/>
KENNEDY (after a pause, in which she has somewhat collected herself).<br/>
Not by degrees can we relinquish life;<br/>
Quick, sudden, in the twinkling of an eye,<br/>
The separation must be made, the change<br/>
From temporal to eternal life; and God<br/>
Imparted to our mistress at this moment<br/>
His grace, to cast away each earthly hope,<br/>
And firm and full of faith to mount the skies.<br/>
No sign of pallid fear dishonored her;<br/>
No word of mourning, 'till she heard the tidings<br/>
Of Leicester's shameful treachery, the sad fate<br/>
Of the deserving youth, who sacrificed<br/>
Himself for her; the deep, the bitter anguish<br/>
Of that old knight, who lost, through her, his last,<br/>
His only hope; till then she shed no tear—<br/>
'Twas then her tears began to flow, 'twas not<br/>
Her own, but others' woe which wrung them from her.<br/>
<br/>
MELVIL.<br/>
Where is she now? Can you not lead me to her?<br/>
<br/>
KENNEDY.<br/>
She spent the last remainder of the night<br/>
In prayer, and from her dearest friends she took<br/>
Her last farewell in writing: then she wrote<br/>
Her will <SPAN href="#linknote-2" name="linknoteref-2" id="linknoteref-2">2</SPAN> with her own hand. She now enjoys<br/>
A moment of repose, the latest slumber<br/>
Refreshes her weak spirits.<br/>
<br/>
MELVIL.<br/>
Who attends her?<br/>
<br/>
KENNEDY.<br/>
None but her women and physician Burgoyn:<br/>
You seem to look around you with surprise;<br/>
Your eyes appear to ask me what should mean<br/>
This show of splendor in the house of death.<br/>
Oh, sir, while yet we lived we suffered want;<br/>
But at our death plenty returns to us.<br/></p>
<p><SPAN name="link2H_4_0045" id="link2H_4_0045"></SPAN></p>
<h2> SCENE II. </h2>
<p>Enter MARGARET CURL.<br/>
<br/>
KENNEDY.<br/>
How, madam, fares the queen? Is she awake?<br/>
<br/>
CURL (drying her tears).<br/>
She is already dressed—she asks for you.<br/>
<br/>
KENNEDY.<br/>
I go:—<br/>
[To MELVIL, who seems to wish to accompany her.<br/>
But follow not until the queen<br/>
Has been prepared to see you.<br/>
<br/>
[Exit.<br/>
<br/>
CURL.<br/>
Melvil, sure,<br/>
The ancient steward?<br/>
<br/>
MELVIL.<br/>
Yes, the same.<br/>
<br/>
CURL.<br/>
Oh, sir,<br/>
This is a house which needs no steward now!<br/>
Melvil, you come from London; can you give<br/>
No tidings of my husband?<br/>
<br/>
MELVIL.<br/>
It is said<br/>
He will be set at liberty as soon——<br/>
<br/>
CURL.<br/>
As soon as our dear queen shall be no more.<br/>
Oh, the unworthy, the disgraceful traitor!<br/>
He is our lady's murderer—'tis said<br/>
It was his testimony which condemned him.<br/>
<br/>
MELVIL.<br/>
'Tis true.<br/>
<br/>
CURL.<br/>
Oh, curse upon him! Be his soul<br/>
Condemned forever! he has borne false witness.<br/>
<br/>
MELVIL.<br/>
Think, madam, what you say.<br/>
<br/>
CURL.<br/>
I will maintain it<br/>
With every sacred oath before the court,<br/>
I will repeat it in his very face;<br/>
The world shall hear of nothing else. I say<br/>
That she dies innocent!<br/>
<br/>
MELVIL..<br/>
God grant it true!<br/></p>
<p><SPAN href="#linknoteref-2" name="linknote-2" id="linknote-2">2</SPAN> The document is now in the British Museum.<br/></p>
<p><SPAN name="link2H_4_0046" id="link2H_4_0046"></SPAN></p>
<h2> SCENE III. </h2>
<p>Enter HANNAH KENNEDY.<br/>
<br/>
KENNEDY (to CURL).<br/>
Go, madam, and require a cup of wine—<br/>
'Tis for our lady.<br/>
<br/>
MELVIL.<br/>
Is the queen then sick?<br/>
<br/>
KENNEDY.<br/>
She thinks that she is strong; she is deceived<br/>
By her heroic courage; she believes<br/>
She has no need of nourishment; yet still<br/>
A hard and painful task's allotted her.<br/>
Her enemies shall not enjoy the triumph;<br/>
They shall not say that fear hath blanched her cheeks<br/>
When her fatigues have conquered human weakness.<br/>
<br/>
MELVIL.<br/>
May I approach her?<br/>
<br/>
KENNEDY.<br/>
She will come herself.<br/></p>
<p><SPAN name="link2H_4_0047" id="link2H_4_0047"></SPAN></p>
<h2> SCENE IV. </h2>
<p>Enter BURGOYN; two women of the chamber follow him,<br/>
weeping, and in deep mourning.<br/>
<br/>
BURGOYN.<br/>
Oh, Melvil!<br/>
<br/>
MELVIL.<br/>
Oh, Burgoyn!<br/>
<br/>
[They embrace silently.<br/>
<br/>
FIRST WOMAN (to the NURSE).<br/>
She chose to be<br/>
Alone: she wishes, at this awful moment,<br/>
For the last time, to commune with her God.<br/></p>
<p><SPAN name="link2H_4_0048" id="link2H_4_0048"></SPAN></p>
<h2> SCENE V. </h2>
<p>Enter MARGARET CURL, bearing a golden cup of wine;<br/>
she places it hastily upon the table, and leans,<br/>
pale and trembling, against a chair.<br/>
<br/>
MELVIL.<br/>
How, madam! What has frightened you?<br/>
<br/>
KENNEDY.<br/>
Oh God!<br/>
<br/>
BURGOYN.<br/>
Speak, madam!<br/>
<br/>
CURL.<br/>
What, alas! have I beheld!<br/>
<br/>
MELVIL.<br/>
Come to yourself, and say what you have seen!<br/>
<br/>
CURL.<br/>
As I went down the staircase which conducts<br/>
To the great hall below, a door stood open;<br/>
I looked into the chamber, and I saw—<br/>
Oh heaven!<br/>
<br/>
MELVIL.<br/>
What saw you?<br/>
<br/>
CURL.<br/>
All the walls were hung<br/>
With black; a spacious scaffold, too, o'erspread<br/>
With sable cloth, was raised above the floor,<br/>
And in the middle of the scaffold stood<br/>
A dreadful sable block! upon it lay<br/>
A naked, polished axe:—the hall was full<br/>
Of cruel people, crowding round the scaffold<br/>
Who, with a horrid thirst for human blood,<br/>
Seemed waiting for the victim!<br/>
<br/>
THE WOMEN.<br/>
Gracious heaven,<br/>
Protect our queen!<br/>
<br/>
MELVIL.<br/>
Be calm; the queen approaches.<br/></p>
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<h2> SCENE VI. </h2>
<p>Enter MARY in white and sumptuously arrayed, as<br/>
for a festival: she wears hanging from her neck,<br/>
on a row of small beads, an Agnus Dei; a rosary<br/>
hangs from her girdle; she bears a crucifix in<br/>
her hand, and a diadem of precious stones binds<br/>
her hair; her large black veil is thrown back.<br/>
On her entrance all present fall back on both sides<br/>
with the most violent expressions of anguish.<br/>
MELVIL falls involuntarily upon his knees.<br/>
<br/>
MARY (with quiet majesty, looking round the whole circle).<br/>
Why these complaints? Why weep ye? Ye should rather<br/>
Rejoice with me, that now at length the end<br/>
Of my long woe approaches; that my shackles<br/>
Fall off, my prison opens, and my soul<br/>
Delighted mounts on seraph's wings, and seeks<br/>
The land of everlasting liberty.<br/>
When I was offered up to the oppression<br/>
Of my proud enemy, was forced to suffer<br/>
Ignoble taunts, and insults most unfitting<br/>
A free and sovereign queen, then was the time<br/>
To weep for me; but as an earnest friend,<br/>
Beneficent and healing death approaches.<br/>
All the indignities which I have suffered<br/>
On earth are covered by his sable wings.<br/>
The most degraded criminal's ennobled<br/>
By his last sufferings, by his final exit;<br/>
I feel again the crown upon my brows.<br/>
And dignity possess my swelling soul!<br/>
<br/>
[Advancing a few steps.<br/>
<br/>
How! Melvil here! My worthy sir, not so;<br/>
Arise; you rather come in time to see<br/>
The triumph of your mistress than her death.<br/>
One comfort, which I never had expected,<br/>
Is granted me, that after death my name<br/>
Will not be quite abandoned to my foes;<br/>
One friend at least, one partner of my faith,<br/>
Will be my witness in the hour of death.<br/>
Say, honest Melvil, how you fared the while<br/>
In this inhospitable, hostile land?<br/>
For since the time they tore you from my side<br/>
My fears for you have oft depressed my soul.<br/>
<br/>
MELVIL.<br/>
No other evil galled me but my grief<br/>
For thee, and that I wanted power to serve thee.<br/>
<br/>
MARY.<br/>
How fares my chamberlain, old Didier?<br/>
But sure the faithful servant long has slept<br/>
The sleep of death, for he was full of years.<br/>
<br/>
MELVIL.<br/>
God hath not granted him as yet this grace;<br/>
He lives to see the grave o'erwhelm thy youth.<br/>
<br/>
MARY.<br/>
Oh! could I but have felt before my death,<br/>
The happiness of pressing one descendant<br/>
Of the dear blood of Stuart to my bosom.<br/>
But I must suffer in a foreign land,<br/>
None but my servants to bewail my fate!<br/>
Sir; to your loyal bosom I commit<br/>
My latest wishes. Bear then, sir, my blessing<br/>
To the most Christian king, my royal brother,<br/>
And the whole royal family of France.<br/>
I bless the cardinal, my honored uncle,<br/>
And also Henry Guise, my noble cousin.<br/>
I bless the holy father, the vicegerent<br/>
Of Christ on earth, who will, I trust, bless me.<br/>
I bless the King of Spain, who nobly offered<br/>
Himself as my deliverer, my avenger.<br/>
They are remembered in my will: I hope<br/>
That they will not despise, how poor soe'er<br/>
They be, the presents of a heart which loves them.<br/>
<br/>
[Turning to her servants.<br/>
<br/>
I have bequeathed you to my royal brother<br/>
Of France; he will protect you, he will give you<br/>
Another country, and a better home;<br/>
And if my last desire have any weight,<br/>
Stay not in England; let no haughty Briton<br/>
Glut his proud heart with your calamities,<br/>
Nor see those in the dust who once were mine.<br/>
Swear by this image of our suffering Lord<br/>
To leave this fatal land when I'm no more.<br/>
<br/>
MELVIL (touching the crucifix).<br/>
I swear obedience in the name of all.<br/>
<br/>
MARY.<br/>
What I, though poor and plundered, still possess,<br/>
Of which I am allowed to make disposal,<br/>
Shall be amongst you shared; for I have hope<br/>
In this at least my will may be fulfilled.<br/>
And what I wear upon my way to death<br/>
Is yours—nor envy me on this occasion<br/>
The pomp of earth upon the road to heaven.<br/>
<br/>
[To the ladies of her chamber.<br/>
<br/>
To you, my Alice, Gertrude, Rosamund,<br/>
I leave my pearls, my garments: you are young,<br/>
And ornament may still delight your hearts.<br/>
You, Margaret, possess the nearest claims,<br/>
To you I should be generous: for I leave you<br/>
The most unhappy woman of them all.<br/>
That I have not avenged your husband's fault<br/>
On you I hope my legacy will prove.<br/>
The worth of gold, my Hannah, charms not thee;<br/>
Nor the magnificence of precious stones:<br/>
My memory, I know, will be to thee<br/>
The dearest jewel; take this handkerchief,<br/>
I worked it for thee, in the hours of sorrow,<br/>
With my own hands, and my hot, scalding tears<br/>
Are woven in the texture:—you will bind<br/>
My eyes with this, when it is time: this last<br/>
Sad service I would wish but from my Hannah.<br/>
<br/>
KENNEDY.<br/>
O Melvil! I cannot support it.<br/>
<br/>
MARY.<br/>
Come,<br/>
Come all and now receive my last farewell.<br/>
<br/>
[She stretches forth her hands; the WOMEN<br/>
violently weeping, fall successively at her feet,<br/>
and kiss her outstretched hand.<br/>
<br/>
Margaret, farewell—my Alice, fare thee well;<br/>
Thanks, Burgoyn, for thy honest, faithful service—<br/>
Thy lips are hot, my Gertrude:—I have been<br/>
Much hated, yet have been as much beloved.<br/>
May a deserving husband bless my Gertrude,<br/>
For this warm, glowing heart is formed for love.<br/>
Bertha, thy choice is better, thou hadst rather<br/>
Become the chaste and pious bride of heaven;<br/>
Oh! haste thee to fulfil thy vows; the goods<br/>
Of earth are all deceitful; thou may'st learn<br/>
This lesson from thy queen. No more; farewell,<br/>
Farewell, farewell, my friends, farewell for ever.<br/>
<br/>
[She turns suddenly from them; all but MELVIL<br/>
retire at different sides.<br/></p>
<p><SPAN name="link2H_4_0050" id="link2H_4_0050"></SPAN></p>
<h2> SCENE VII. </h2>
<p>MARY, MELVIL.<br/>
<br/>
MARY (after the others are all gone).<br/>
I have arranged all temporal concerns,<br/>
And hope to leave the world in debt to none;<br/>
Melvil, one thought alone there is which binds<br/>
My troubled soul, nor suffers it to fly<br/>
Delighted and at liberty to heaven.<br/>
<br/>
MELVIL.<br/>
Disclose it to me; ease your bosom, trust<br/>
Your doubts, your sorrows, to your faithful friend.<br/>
<br/>
MARY.<br/>
I see eternity's abyss before me;<br/>
Soon must I stand before the highest Judge,<br/>
And have not yet appeased the Holy One.<br/>
A priest of my religion is denied me,<br/>
And I disdain to take the sacrament,<br/>
The holy, heavenly nourishment, from priests<br/>
Of a false faith; I die in the belief<br/>
Of my own church, for that alone can save.<br/>
<br/>
MELVIL.<br/>
Compose your heart; the fervent, pious wish<br/>
Is prized in heaven as high as the performance.<br/>
The might of tyrants can but bind the hands,<br/>
The heart's devotion rises free to God,<br/>
The word is dead—'tis faith which brings to life.<br/>
<br/>
MARY.<br/>
The heart is not sufficient of itself;<br/>
Our faith must have some earthly pledge to ground<br/>
Its claim to the high bliss of heaven. For this<br/>
Our God became incarnate, and enclosed<br/>
Mysteriously his unseen heavenly grace<br/>
Within an outward figure of a body.<br/>
The church it is, the holy one, the high one,<br/>
Which rears for us the ladder up to heaven:—<br/>
'Tis called the Catholic Apostolic church,—<br/>
For 'tis but general faith can strengthen faith;<br/>
Where thousands worship and adore the heat<br/>
Breaks out in flame, and, borne on eagle wings,<br/>
The soul mounts upwards to the heaven of heavens.<br/>
Ah! happy they, who for the glad communion<br/>
Of pious prayer meet in the house of God!<br/>
The altar is adorned, the tapers blaze,<br/>
The bell invites, the incense soars on high;<br/>
The bishop stands enrobed, he takes the cup,<br/>
And blessing it declares the solemn mystery,<br/>
The transformation of the elements;<br/>
And the believing people fall delighted<br/>
To worship and adore the present Godhead.<br/>
Alas! I only am debarred from this;<br/>
The heavenly benediction pierces not<br/>
My prison walls: its comfort is denied me.<br/>
<br/>
MELVIL.<br/>
Yes! it can pierce them—put thy trust in Him<br/>
Who is almighty—in the hand of faith,<br/>
The withered staff can send forth verdant branches<br/>
And he who from the rock called living water,<br/>
He can prepare an altar in this prison,<br/>
Can change——<br/>
[Seizing the cup, which stands upon the table.<br/>
The earthly contents of this cup<br/>
Into a substance of celestial grace.<br/>
<br/>
MARY.<br/>
Melvil! Oh, yes, I understand you, Melvil!<br/>
Here is no priest, no church, no sacrament;<br/>
But the Redeemer says, "When two or three<br/>
Are in my name assembled, I am with them,"<br/>
What consecrates the priest? Say, what ordains him<br/>
To be the Lord's interpreter? a heart<br/>
Devoid of guile, and a reproachless conduct.<br/>
Well, then, though unordained, be you my priest;<br/>
To you will I confide my last confession,<br/>
And take my absolution from your lips.<br/>
<br/>
MELVIL.<br/>
If then thy heart be with such zeal inflamed,<br/>
I tell thee that for thine especial comfort,<br/>
The Lord may work a miracle. Thou say'st<br/>
Here is no priest, no church, no sacrament—<br/>
Thou err'st—here is a priest—here is a God;<br/>
A God descends to thee in real presence.<br/>
<br/>
[At these words he uncovers his head,<br/>
and shows a host in a golden vessel.<br/>
<br/>
I am a priest—to hear thy last confession,<br/>
And to announce to thee the peace of God<br/>
Upon thy way to death. I have received<br/>
Upon my head the seven consecrations.<br/>
I bring thee, from his Holiness, this host,<br/>
Which, for thy use, himself has deigned to bless.<br/>
<br/>
MARY.<br/>
Is then a heavenly happiness prepared<br/>
To cheer me on the very verge of death?<br/>
As an immortal one on golden clouds<br/>
Descends, as once the angel from on high,<br/>
Delivered the apostle from his fetters:—<br/>
He scorns all bars, he scorns the soldier's sword,<br/>
He steps undaunted through the bolted portals,<br/>
And fills the dungeon with his native glory;<br/>
Thus here the messenger of heaven appears<br/>
When every earthly champion had deceived me.<br/>
And you, my servant once, are now the servant<br/>
Of the Most High, and his immortal Word!<br/>
As before me your knees were wont to bend,<br/>
Before you humbled, now I kiss the dust.<br/>
<br/>
[She sinks before him on her knees.<br/>
<br/>
MELVIL (making over her the sign of the cross).<br/>
Hear, Mary, Queen of Scotland:—in the name<br/>
Of God the Father, Son, and Holy Ghost,<br/>
Hast thou examined carefully thy heart,<br/>
Swearest thou, art thou prepared in thy confession<br/>
To speak the truth before the God of truth?<br/>
<br/>
MARY.<br/>
Before my God and thee, my heart lies open.<br/>
<br/>
MELVIL.<br/>
What calls thee to the presence of the Highest?<br/>
<br/>
MARY.<br/>
I humbly do acknowledge to have erred<br/>
Most grievously, I tremble to approach,<br/>
Sullied with sin, the God of purity.<br/>
<br/>
MELVIL.<br/>
Declare the sin which weighs so heavily<br/>
Upon thy conscience since thy last confession.<br/>
<br/>
MARY.<br/>
My heart was filled with thoughts of envious hate,<br/>
And vengeance took possession of my bosom.<br/>
I hope forgiveness of my sins from God,<br/>
Yet could I not forgive my enemy.<br/>
<br/>
MELVIL.<br/>
Repentest thou of the sin? Art thou, in sooth,<br/>
Resolved to leave this world at peace with all?<br/>
<br/>
MARY.<br/>
As surely as I wish the joys of heaven.<br/>
<br/>
MELVIL.<br/>
What other sin hath armed thy heart against thee?<br/>
<br/>
MARY.<br/>
Ah! not alone through hate; through lawless love<br/>
Have I still more abused the sovereign good.<br/>
My heart was vainly turned towards the man<br/>
Who left me in misfortune, who deceived me.<br/>
<br/>
MELVIL.<br/>
Repentest thou of the sin? And hast thou turned<br/>
Thy heart, from this idolatry, to God?<br/>
<br/>
MARY.<br/>
It was the hardest trial I have passed;<br/>
This last of earthly bonds is torn asunder.<br/>
<br/>
MELVIL.<br/>
What other sin disturbs thy guilty conscience?<br/>
<br/>
MARY.<br/>
A bloody crime, indeed of ancient date,<br/>
And long ago confessed; yet with new terrors.<br/>
It now attacks me, black and grisly steps<br/>
Across my path, and shuts the gates of heaven:<br/>
By my connivance fell the king, my husband—<br/>
I gave my hand and heart to a seducer—<br/>
By rigid penance I have made atonement;<br/>
Yet in my soul the worm is gnawing still.<br/>
<br/>
MELVIL.<br/>
Has then thy heart no other accusation,<br/>
Which hath not been confessed and washed away?<br/>
<br/>
MARY.<br/>
All you have heard with which my heart is charged.<br/>
<br/>
MELVIL.<br/>
Think on the presence of Omniscience;<br/>
Think on the punishments with which the church<br/>
Threatens imperfect and reserved confessions<br/>
This is the sin to everlasting death,<br/>
For this is sinning 'gainst his Holy Spirit.<br/>
<br/>
MARY.<br/>
So may eternal grace with victory<br/>
Crown my last contest, as I wittingly<br/>
Have nothing hid——<br/>
<br/>
MELVIL.<br/>
How? Wilt thou then conceal<br/>
The crime from God for which thou art condemned?<br/>
Thou tell'st me nothing of the share thou hadst<br/>
In Babington and Parry's bloody treason:<br/>
Thou diest for this a temporal death; for this<br/>
Wilt thou, too, die the everlasting death?<br/>
<br/>
MARY.<br/>
I am prepared to meet eternity;<br/>
Within the narrow limits of an hour<br/>
I shall appear before my Judge's throne.<br/>
But, I repeat it, my confession's ended.<br/>
<br/>
MELVIL.<br/>
Consider well—the heart is a deceiver.<br/>
Thou hast, perhaps, with sly equivocation,<br/>
The word avoided, which would make thee guilty<br/>
Although thy will was party to the crime.<br/>
Remember, that no juggler's tricks can blind<br/>
The eye of fire which darts through every breast.<br/>
<br/>
MARY.<br/>
'Tis true that I have called upon all princes<br/>
To free me from unworthy chains; yet 'tis<br/>
As true that, neither by intent or deed,<br/>
Have I attempted my oppressor's life.<br/>
<br/>
MELVIL.<br/>
Your secretaries then have witnessed falsely.<br/>
<br/>
MARY.<br/>
It is as I have said;—what they have witnessed<br/>
The Lord will judge.<br/>
<br/>
MELVIL.<br/>
Thou mountest, then, satisfied<br/>
Of thy own innocence, the fatal scaffold?<br/>
<br/>
MARY.<br/>
God suffers me in mercy to atone,<br/>
By undeserved death, my youth's transgressions.<br/>
<br/>
MELVIL (making over her the sign of the cross).<br/>
Go, then, and expiate them all by death;<br/>
Sink a devoted victim on the altar,<br/>
Thus shall thy blood atone the blood thou'st spilt.<br/>
From female frailty were derived thy faults,<br/>
Free from the weakness of mortality,<br/>
The spotless spirit seeks the blest abodes.<br/>
Now, then, by the authority which God<br/>
Hath unto me committed, I absolve thee<br/>
From all thy sins; be as thy faith thy welfare!<br/>
<br/>
[He gives her the host.<br/>
<br/>
Receive the body which for thee was offered—<br/>
<br/>
[He takes the cup which stands upon the table,<br/>
consecrates it with silent prayer, then presents<br/>
it to her; she hesitates to take it, and makes<br/>
signs to him to withdraw it.<br/>
<br/>
Receive the blood which for thy sins was shed,<br/>
Receive it; 'tis allowed thee by the pope<br/>
To exercise in death the highest office<br/>
Of kings, the holy office of the priesthood.<br/>
<br/>
[She takes the cup.<br/>
<br/>
And as thou now, in this his earthly body<br/>
Hast held with God mysterious communion,<br/>
So may'st thou henceforth, in his realm of joy,<br/>
Where sin no more exists, nor tears of woe,<br/>
A fair, transfigured spirit, join thyself<br/>
Forever with the Godhead, and forever.<br/>
<br/>
[He sets down the cup; hearing a noise,<br/>
he covers his head, and goes to the door;<br/>
MARY remains in silent devotion on her knees.<br/>
<br/>
MELVIL (returning).<br/>
A painful conflict is in store for thee.<br/>
Feel'st thou within thee strength enough to smother<br/>
Each impulse of malignity and hate?<br/>
<br/>
MARY.<br/>
I fear not a relapse. I have to God<br/>
Devoted both my hatred and my love.<br/>
<br/>
MELVIL.<br/>
Well, then, prepare thee to receive my Lords<br/>
Of Leicester and of Burleigh. They are here.<br/></p>
<p><br/></p>
<div class="fig"> <ANTIMG alt="3pb120 (152K)" src="images/3pb120.jpg" width-obs="100%" /><br/></div>
<p><SPAN name="link2H_4_0051" id="link2H_4_0051"></SPAN></p>
<h2> SCENE VIII. </h2>
<p>Enter BURLEIGH, LEICESTER, and PAULET.<br/>
<br/>
[LEICESTER remains in the background, without raising<br/>
his eyes; BURLEIGH, who remarks his confusion, steps<br/>
between him and the QUEEN.<br/>
<br/>
BURLEIGH.<br/>
I come, my Lady Stuart, to receive<br/>
Your last commands and wishes.<br/>
<br/>
MARY.<br/>
Thanks, my lord.<br/>
<br/>
BURLEIGH.<br/>
It is the pleasure of my royal mistress<br/>
That nothing reasonable be denied you.<br/>
<br/>
MARY.<br/>
My will, my lord, declares my last desires;<br/>
I've placed it in the hand of Sir Amias,<br/>
And humbly beg that it may be fulfilled.<br/>
<br/>
PAULET.<br/>
You may rely on this.<br/>
<br/>
MARY.<br/>
I beg that all<br/>
My servants unmolested may return<br/>
To France, or Scotland, as their wishes lead.<br/>
<br/>
BURLEIGH.<br/>
It shall be as you wish.<br/>
<br/>
MARY.<br/>
And since my body<br/>
Is not to rest in consecrated ground,<br/>
I pray you suffer this my faithful servant<br/>
To bear my heart to France, to my relations—<br/>
Alas! 'twas ever there.<br/>
<br/>
BURLEIGH.<br/>
It shall be done.<br/>
What wishes else?<br/>
<br/>
MARY.<br/>
Unto her majesty<br/>
Of England bear a sister's salutation;<br/>
Tell her that from the bottom of my heart<br/>
I pardon her my death; most humbly, too,<br/>
I crave her to forgive me for the passion<br/>
With which I spoke to her. May God preserve her<br/>
And bless her with a long and prosperous reign.<br/>
<br/>
BURLEIGH.<br/>
Say, do you still adhere to your resolve,<br/>
And still refuse assistance from the dean?<br/>
<br/>
MARY.<br/>
My lord, I've made my peace with God.<br/>
<br/>
[To PAULET.<br/>
<br/>
Good sir,<br/>
I have unwittingly caused you much sorrow,<br/>
Bereft you of your age's only stay.<br/>
Oh, let me hope you do not hate my name.<br/>
<br/>
PAULET (giving her his hand).<br/>
The Lord be with you! Go your way in peace.<br/></p>
<p><SPAN name="link2H_4_0052" id="link2H_4_0052"></SPAN></p>
<h2> SCENE IX. </h2>
<p>HANNAH KENNEDY, and the other women of the QUEEN crowd<br/>
into the room with marks of horror. The SHERIFF follows<br/>
them, a white staff in his hand; behind are seen, through<br/>
the open doors, men under arms.<br/>
<br/>
MARY.<br/>
What ails thee, Hannah? Yes, my hour is come.<br/>
The sheriff comes to lead me to my fate,<br/>
And part we must. Farewell!<br/>
<br/>
KENNEDY and CURL.<br/>
We will not leave thee,<br/>
We will not part from thee.<br/>
<br/>
MARY (to MELVIL).<br/>
You, worthy sir,<br/>
And my dear, faithful Hannah, shall attend me<br/>
In my last moments. I am sure, my lord<br/>
Will not refuse my heart this consolation.<br/>
<br/>
BURLEIGH.<br/>
For this I have no warrant.<br/>
<br/>
MARY.<br/>
How, my lord;<br/>
Can you deny me, then, this small petition?<br/>
Respect my sex; who shall attend me else,<br/>
And yield me the last service? Sure, it never<br/>
Can be my sister's pleasure that in me<br/>
My sex should be insulted; that these men<br/>
With their rude hands should touch my royal person.<br/>
<br/>
BURLEIGH.<br/>
'Tis ordered that no woman shall ascend<br/>
The scaffold steps with you. Their tears and moans——<br/>
<br/>
MARY.<br/>
She shall not weep, my lord; she shall not moan;<br/>
I answer for my Hannah's resolution;<br/>
Be merciful; divide me not so soon<br/>
From my true foster-mother, from my friend.<br/>
She bore me on her arms into this life;<br/>
Let her then gently lead me to my death.<br/>
<br/>
PAULET (to BURLEIGH).<br/>
Yield to her wishes.<br/>
<br/>
BURLEIGH.<br/>
Be it so.<br/>
<br/>
MARY.<br/>
I now<br/>
Have nothing in this world to wish for more.<br/>
<br/>
[She takes the crucifix, and kisses it.<br/>
<br/>
My God! My Comforter! My blest Redeemer!<br/>
As once thy arms were stretched upon the cross,<br/>
Let them be now extended to receive me!<br/>
<br/>
[She turns round to go; at the same moment her<br/>
eyes fall upon LEICESTER, who, on her going, starts<br/>
involuntarily, and turns his eyes towards her; at<br/>
this sight MARY trembles, her knees fail her, she is<br/>
about to fall, when LEICESTER catches at her, and<br/>
receives her in his arms; she regards him for some<br/>
time earnestly, and in silence; he cannot support her<br/>
looks; at length she speaks.<br/>
<br/>
You keep your word, my Lord of Leicester: for<br/>
You promised me your arm to lead me forth<br/>
From prison, and you lend it to me now.<br/>
At length the wished-for day is come, and what<br/>
Was oft the object of my fondest dreams<br/>
Is now accomplished: and the Earl of Leicester,<br/>
The long-expected, the long-wished-for friend,<br/>
Appears at length in Fotheringay Castle.<br/>
I see him standing in my prison; all<br/>
Is ready for the journey; all the gates<br/>
Stand open, and at length I cross the threshold,<br/>
Conducted by his hand; and now I leave<br/>
These dismal walls behind me, and forever.<br/>
All is fulfilled, and you have saved your honor.<br/>
<br/>
[He stands as if annihilated; she continues,<br/>
with a gentle voice.<br/>
<br/>
Yes, Leicester; not for liberty alone<br/>
I wished to be indebted to your hands.<br/>
You should have made me bless that liberty.<br/>
Led by your hand, and happy in your love,<br/>
I hoped once more to taste the joys of life.<br/>
Yes; now that I'm prepared from all the world<br/>
To part, and to become a happy spirit,<br/>
Whom earthly inclinations tempt no more!<br/>
Now, Leicester, I may venture to confess<br/>
Without a blush the frailty I have conquered;<br/>
Farewell, my lord; and, if you can, be happy!<br/>
To woo two queens has been your daring aim;<br/>
You have disdained a tender, loving heart,<br/>
Betrayed it in the hope to win a proud one:<br/>
Kneel at the feet of Queen Elizabeth!<br/>
May your reward not prove your punishment.<br/>
Farewell; I now have nothing more on earth.<br/>
<br/>
[She goes, preceded by the SHERIFF; at her side<br/>
MELVIL and her nurse; BURLEIGH and PAULET follow;<br/>
the others, wailing, follow her with their eyes<br/>
till she disappears; they then retire through the<br/>
other two doors.<br/></p>
<p><SPAN name="link2H_4_0053" id="link2H_4_0053"></SPAN></p>
<h2> SCENE X. </h2>
<p>LEICESTER (remaining alone).<br/>
Do I live still? Can I still bear to live?<br/>
Will not this roof fall down and bury me?<br/>
Yawns no abyss to swallow in its gulf<br/>
The veriest wretch on earth? What have I lost?<br/>
Oh, what a pearl have I not cast away!<br/>
What bliss celestial madly dashed aside!<br/>
She's gone, a spirit purged from earthly stain,<br/>
And the despair of hell remains for me!<br/>
Where is the purpose now with which I came<br/>
To stifle my heart's voice in callous scorn?<br/>
To see her head descend upon the block<br/>
With unaverted and indifferent eyes?<br/>
How doth her presence wake my slumbering shame?<br/>
Must she in death surround me with love's toils?<br/>
Lost, wretched man! No more it suits thee now<br/>
To melt away in womanly compassion:<br/>
Love's golden bliss lies not upon thy path,<br/>
Then arm thy breast in panoply of steel,<br/>
And henceforth be thy brows of adamant!<br/>
Wouldst thou not lose the guerdon of thy guilt,<br/>
Thou must uphold, complete it daringly!<br/>
Pity be dumb; mine eyes be petrified!<br/>
I'll see—I will be witness of her fall.<br/>
<br/>
[He advances with resolute steps towards the door<br/>
through which MARY passed; but stops suddenly half way.<br/>
<br/>
No! No! The terrors of all hell possess me.<br/>
I cannot look upon the dreadful deed;<br/>
I cannot see her die! Hark! What was that?<br/>
They are already there. Beneath my feet<br/>
The bloody business is preparing. Hark!<br/>
I hear their voices. Hence! Away, away<br/>
From this abode of misery and death!<br/>
<br/>
[He attempts to escape by another door;<br/>
finds it locked, and returns.<br/>
<br/>
How! Does some demon chain me to this spot?<br/>
To hear what I would shudder to behold?<br/>
That voice—it is the dean's, exhorting her;<br/>
She interrupts him. Hark—she prays aloud;<br/>
Her voice is firm—now all is still, quite still!<br/>
And sobs and women's moans are all I hear.<br/>
Now, they undress her; they remove the stool;<br/>
She kneels upon the cushion; lays her head——<br/>
<br/>
[Having spoken these last words, and paused awhile,<br/>
he is seen with a convulsive motion suddenly to shrink<br/>
and faint away; a confused hum of voices is heard at<br/>
the same moment from below, and continues for some time.<br/></p>
<p><SPAN name="link2H_4_0054" id="link2H_4_0054"></SPAN></p>
<h2> SCENE XI. </h2>
<p>The Second Chamber in the Fourth Act.<br/>
<br/>
ELIZABETH (entering from a side door; her gait and action expressive<br/>
of the most violent uneasiness).<br/>
No message yet arrived! What! no one here!<br/>
Will evening never come! Stands the sun still<br/>
In its ethereal course? I can no more<br/>
Remain upon the rack of expectation!<br/>
Is it accomplished? Is it not? I shudder<br/>
At both events, and do not dare to ask.<br/>
My Lord of Leicester comes not,—Burleigh too,<br/>
Whom I appointed to fulfil the sentence.<br/>
If they have quitted London then 'tis done,<br/>
The bolt has left its rest—it cuts the air—<br/>
It strikes; has struck already: were my realm<br/>
At stake I could not now arrest its course.<br/>
Who's there?<br/></p>
<p><SPAN name="link2H_4_0055" id="link2H_4_0055"></SPAN></p>
<h2> SCENE XII. </h2>
<p>Enter a PAGE.<br/>
<br/>
ELIZABETH.<br/>
Returned alone? Where are the lords?<br/>
<br/>
PAGE.<br/>
My Lord High-Treasurer and the Earl of Leicester?<br/>
<br/>
ELIZABETH.<br/>
Where are they?<br/>
<br/>
PAGE.<br/>
They are not in London.<br/>
<br/>
ELIZABETH.<br/>
No!<br/>
Where are they then?<br/>
<br/>
PAGE.<br/>
That no one could inform me;<br/>
Before the dawn, mysteriously, in haste<br/>
They quitted London.<br/>
<br/>
ELIZABETH (exultingly).<br/>
I am Queen of England!<br/>
<br/>
[Walking up and down in the greatest agitation.<br/>
<br/>
Go—call me—no, remain, boy! She is dead;<br/>
Now have I room upon the earth at last.<br/>
Why do I shake? Whence comes this aguish dread?<br/>
My fears are covered by the grave; who dares<br/>
To say I did it? I have tears enough<br/>
In store to weep her fall. Are you still here?<br/>
[To the PAGE.<br/>
Command my secretary, Davison,<br/>
To come to me this instant. Let the Earl<br/>
Of Shrewsbury be summoned. Here he comes.<br/>
<br/>
[Exit PAGE.<br/></p>
<p><SPAN name="link2H_4_0056" id="link2H_4_0056"></SPAN></p>
<h2> SCENE XIII. </h2>
<p>Enter SHREWSBURY.<br/>
<br/>
ELIZABETH.<br/>
Welcome, my noble lord. What tidings; say<br/>
It cannot be a trifle which hath led<br/>
Your footsteps hither at so late an hour.<br/>
<br/>
SHREWSBURY.<br/>
My liege, the doubts that hung upon my heart,<br/>
And dutiful concern for your fair fame,<br/>
Directed me this morning to the Tower,<br/>
Where Mary's secretaries, Nau and Curl,<br/>
Are now confined as prisoners, for I wished<br/>
Once more to put their evidence to proof.<br/>
On my arrival the lieutenant seemed<br/>
Embarrassed and perplexed; refused to show me<br/>
His prisoners; but my threats obtained admittance.<br/>
God! what a sight was there! With frantic looks,<br/>
With hair dishevelled, on his pallet lay<br/>
The Scot like one tormented by a fury.<br/>
The miserable man no sooner saw me<br/>
Than at my feet he fell, and there, with screams,<br/>
Clasping my knees, and writhing like a worm,<br/>
Implored, conjured me to acquaint him with<br/>
His sovereign's destiny, for vague reports<br/>
Had somehow reached the dungeons of the Tower<br/>
That she had been condemned to suffer death.<br/>
When I confirmed these tidings, adding, too,<br/>
That on his evidence she had been doomed,—<br/>
He started wildly up,—caught by the throat<br/>
His fellow-prisoner; with the giant strength<br/>
Of madness tore him to the ground and tried<br/>
To strangle him. No sooner had we saved<br/>
The wretch from his fierce grapple than at once<br/>
He turned his rage against himself and beat<br/>
His breast with savage fists; then cursed himself<br/>
And his companions to the depths of hell!<br/>
His evidence was false; the fatal letters<br/>
To Babington, which he had sworn were true,<br/>
He now denounced as forgeries; for he<br/>
Had set down words the queen had never spoken;<br/>
The traitor Nau had led him to this treason.<br/>
Then ran he to the casement, threw it wide<br/>
With frantic force, and cried into the street<br/>
So loud that all the people gathered round:<br/>
I am the man, Queen Mary's secretary,<br/>
The traitor who accused his mistress falsely;<br/>
I bore false witness and am cursed forever!<br/>
<br/>
ELIZABETH.<br/>
You said yourself that he had lost his wits;<br/>
A madman's words prove nothing.<br/>
<br/>
SHREWSBURY.<br/>
Yet this madness<br/>
Serves in itself to swell the proof. My liege,<br/>
Let me conjure thee; be not over-hasty;<br/>
Prithee, give order for a new inquiry!<br/>
<br/>
ELIZABETH.<br/>
I will, my lord, because it is your wish,<br/>
Not that I can believe my noble peers<br/>
Have in this case pronounced a hasty judgment.<br/>
To set your mind at rest the inquiry shall<br/>
Be straight renewed. Well that 'tis not too late!<br/>
Upon the honor of our royal name,<br/>
No, not the shadow of a doubt shall rest.<br/></p>
<p><SPAN name="link2H_4_0057" id="link2H_4_0057"></SPAN></p>
<h2> SCENE XIV. </h2>
<p>Enter DAVISON.<br/>
<br/>
ELIZABETH.<br/>
The sentence, sir, which I but late intrusted<br/>
Unto your keeping; where is it?<br/>
<br/>
DAVISON (in the utmost astonishment).<br/>
The sentence!<br/>
<br/>
ELIZABETH (more urgent).<br/>
Which yesterday I gave into your charge.<br/>
<br/>
DAVISON.<br/>
Into my charge, my liege!<br/>
<br/>
ELIZABETH.<br/>
The people urged<br/>
And baited me to sign it. I perforce<br/>
Was driven to yield obedience to their will.<br/>
I did so; did so on extreme constraint,<br/>
And in your hands deposited the paper.<br/>
To gain time was my purpose; you remember<br/>
What then I told you. Now, the paper, sir!<br/>
<br/>
SHREWSBURY.<br/>
Restore it, sir, affairs have changed since then,<br/>
The inquiry must be set on foot anew.<br/>
<br/>
DAVISON.<br/>
Anew! Eternal mercy!<br/>
<br/>
ELIZABETH.<br/>
Why this pause,<br/>
This hesitation? Where, sir, is the paper?<br/>
<br/>
DAVISON.<br/>
I am undone! Undone! My fate is sealed!<br/>
<br/>
ELIZABETH (interrupting him violently).<br/>
Let me not fancy, sir——<br/>
<br/>
DAVISON.<br/>
Oh, I am lost!<br/>
I have it not.<br/>
<br/>
ELIZABETH.<br/>
How? What?<br/>
<br/>
SHREWSBURY.<br/>
Oh, God in heaven!<br/>
<br/>
DAVISON.<br/>
It is in Burleigh's hands—since yesterday.<br/>
<br/>
ELIZABETH.<br/>
Wretch! Is it thus you have obeyed my orders?<br/>
Did I not lay my strict injunction on you<br/>
To keep it carefully?<br/>
<br/>
DAVISON.<br/>
No such injunction<br/>
Was laid on me, my liege.<br/>
<br/>
ELIZABETH.<br/>
Give me the lie?<br/>
Opprobrious wretch! When did I order you<br/>
To give the paper into Burleigh's hands?<br/>
<br/>
DAVISON.<br/>
Never expressly in so many words.<br/>
<br/>
ELIZABETH.<br/>
And, paltering villain I dare you then presume<br/>
To construe, as you list, my words—and lay<br/>
Your bloody meaning on them? Wo betide you,<br/>
If evil come of this officious deed!<br/>
Your life shall answer the event to me.<br/>
Earl Shrewsbury, you see how my good name<br/>
Has been abused!<br/>
<br/>
SHREWSBURY.<br/>
I see! Oh, God in heaven!<br/>
<br/>
ELIZABETH.<br/>
What say you?<br/>
<br/>
SHREWSBURY.<br/>
If the knight has dared to act<br/>
In this, upon his own authority,<br/>
Without the knowledge of your majesty,<br/>
He must be cited to the Court of Peers<br/>
To answer there for subjecting thy name<br/>
To the abhorrence of all after time.<br/></p>
<p><SPAN name="link2H_4_0058" id="link2H_4_0058"></SPAN></p>
<h2> SCENE XV. </h2>
<p>Enter BURLEIGH.<br/>
<br/>
BURLEIGH (bowing his knee before the QUEEN).<br/>
Long life and glory to my royal mistress,<br/>
And may all enemies of her dominions<br/>
End like this Stuart.<br/>
<br/>
[SHREWSBURY hides his face. DAVIDSON wrings his hands in despair.<br/>
<br/>
ELIZABETH.<br/>
Speak, my lord; did you<br/>
From me receive the warrant?<br/>
<br/>
BURLEIGH.<br/>
No, my queen;<br/>
From Davison.<br/>
<br/>
ELIZABETH.<br/>
And did he in my name<br/>
Deliver it?<br/>
<br/>
BURLEIGH.<br/>
No, that I cannot say.<br/>
<br/>
ELIZABETH.<br/>
And dared you then to execute the writ<br/>
Thus hastily, nor wait to know my pleasure?<br/>
Just was the sentence—we are free from blame<br/>
Before the world; yet it behooved thee not<br/>
To intercept our natural clemency.<br/>
For this, my lord, I banish you my presence;<br/>
And as this forward will was yours alone<br/>
Bear you alone the curse of the misdeed!<br/>
<br/>
[To DAVISON.<br/>
<br/>
For you, sir; who have traitorously o'erstepped<br/>
The bounds of your commission, and betrayed<br/>
A sacred pledge intrusted to your care,<br/>
A more severe tribunal is prepared:<br/>
Let him be straight conducted to the Tower,<br/>
And capital arraignments filed against him.<br/>
My honest Talbot, you alone have proved,<br/>
'Mongst all my counsellors, an upright man:<br/>
You shall henceforward be my guide—my friend.<br/>
<br/>
SHREWSBURY.<br/>
Oh! banish not the truest of your friends;<br/>
Nor cast those into prison, who for you<br/>
Have acted; who for you are silent now.<br/>
But suffer me, great queen, to give the seal,<br/>
Which, these twelve years, I've borne unworthily,<br/>
Back to your royal hands, and take my leave.<br/>
<br/>
ELIZABETH (surprised).<br/>
No, Shrewsbury; you surely would not now<br/>
Desert me? No; not now.<br/>
<br/>
SHREWSBURY.<br/>
Pardon, I am<br/>
Too old, and this right hand is growing too stiff<br/>
To set the seal upon your later deeds.<br/>
<br/>
ELIZABETH.<br/>
Will he forsake me, who has saved my life?<br/>
<br/>
SHREWSBURY.<br/>
'Tis little I have done: I could not save<br/>
Your nobler part. Live—govern happily!<br/>
Your rival's dead! Henceforth you've nothing more<br/>
To fear—henceforth to nothing pay regard.<br/>
<br/>
[Exit.<br/>
<br/>
ELIZABETH (to the EARL of KENT, who enters).<br/>
Send for the Earl of Leicester.<br/>
<br/>
KENT.<br/>
He desires<br/>
To be excused—he is embarked for France.<br/>
<br/>
The Curtain drops.<br/></p>
<div style="break-after:column;"></div><br />