<p><SPAN name="linkC2HCH0089" id="C2HCH0089"></SPAN></p>
<h2> Chapter 89. A Nocturnal Interview. </h2>
<p>Monte Cristo waited, according to his usual custom, until Duprez had sung
his famous "Suivez-moi;" then he rose and went out. Morrel took leave of
him at the door, renewing his promise to be with him the next morning at
seven o'clock, and to bring Emmanuel. Then he stepped into his coupe, calm
and smiling, and was at home in five minutes. No one who knew the count
could mistake his expression when, on entering, he said, "Ali, bring me my
pistols with the ivory cross."</p>
<p>Ali brought the box to his master, who examined the weapons with a
solicitude very natural to a man who is about to intrust his life to a
little powder and shot. These were pistols of an especial pattern, which
Monte Cristo had had made for target practice in his own room. A cap was
sufficient to drive out the bullet, and from the adjoining room no one
would have suspected that the count was, as sportsmen would say, keeping
his hand in. He was just taking one up and looking for the point to aim at
on a little iron plate which served him as a target, when his study door
opened, and Baptistin entered. Before he had spoken a word, the count saw
in the next room a veiled woman, who had followed closely after Baptistin,
and now, seeing the count with a pistol in his hand and swords on the
table, rushed in. Baptistin looked at his master, who made a sign to him,
and he went out, closing the door after him. "Who are you, madame?" said
the count to the veiled woman.</p>
<p>The stranger cast one look around her, to be certain that they were quite
alone; then bending as if she would have knelt, and joining her hands, she
said with an accent of despair, "Edmond, you will not kill my son?" The
count retreated a step, uttered a slight exclamation, and let fall the
pistol he held. "What name did you pronounce then, Madame de Morcerf?"
said he. "Yours!" cried she, throwing back her veil,—"yours, which I
alone, perhaps, have not forgotten. Edmond, it is not Madame de Morcerf
who is come to you, it is Mercedes."</p>
<p>"Mercedes is dead, madame," said Monte Cristo; "I know no one now of that
name."</p>
<p>"Mercedes lives, sir, and she remembers, for she alone recognized you when
she saw you, and even before she saw you, by your voice, Edmond,—by
the simple sound of your voice; and from that moment she has followed your
steps, watched you, feared you, and she needs not to inquire what hand has
dealt the blow which now strikes M. de Morcerf."</p>
<p>"Fernand, do you mean?" replied Monte Cristo, with bitter irony; "since we
are recalling names, let us remember them all." Monte Cristo had
pronounced the name of Fernand with such an expression of hatred that
Mercedes felt a thrill of horror run through every vein. "You see, Edmond,
I am not mistaken, and have cause to say, 'Spare my son!'"</p>
<p>"And who told you, madame, that I have any hostile intentions against your
son?"</p>
<p>"No one, in truth; but a mother has twofold sight. I guessed all; I
followed him this evening to the opera, and, concealed in a parquet box,
have seen all."</p>
<p>"If you have seen all, madame, you know that the son of Fernand has
publicly insulted me," said Monte Cristo with awful calmness.</p>
<p>"Oh, for pity's sake!"</p>
<p>"You have seen that he would have thrown his glove in my face if Morrel,
one of my friends, had not stopped him."</p>
<p>"Listen to me, my son has also guessed who you are,—he attributes
his father's misfortunes to you."</p>
<p>"Madame, you are mistaken, they are not misfortunes,—it is a
punishment. It is not I who strike M. de Morcerf; it is providence which
punishes him."</p>
<p>"And why do you represent providence?" cried Mercedes. "Why do you
remember when it forgets? What are Yanina and its vizier to you, Edmond?
What injury his Fernand Mondego done you in betraying Ali Tepelini?"</p>
<p>"Ah, madame," replied Monte Cristo, "all this is an affair between the
French captain and the daughter of Vasiliki. It does not concern me, you
are right; and if I have sworn to revenge myself, it is not on the French
captain, or the Count of Morcerf, but on the fisherman Fernand, the
husband of Mercedes the Catalane."</p>
<p>"Ah, sir!" cried the countess, "how terrible a vengeance for a fault which
fatality made me commit!—for I am the only culprit, Edmond, and if
you owe revenge to any one, it is to me, who had not fortitude to bear
your absence and my solitude."</p>
<p>"But," exclaimed Monte Cristo, "why was I absent? And why were you alone?"</p>
<p>"Because you had been arrested, Edmond, and were a prisoner."</p>
<p>"And why was I arrested? Why was I a prisoner?"</p>
<p>"I do not know," said Mercedes. "You do not, madame; at least, I hope not.
But I will tell you. I was arrested and became a prisoner because, under
the arbor of La Reserve, the day before I was to marry you, a man named
Danglars wrote this letter, which the fisherman Fernand himself posted."
Monte Cristo went to a secretary, opened a drawer by a spring, from which
he took a paper which had lost its original color, and the ink of which
had become of a rusty hue—this he placed in the hands of Mercedes.
It was Danglars' letter to the king's attorney, which the Count of Monte
Cristo, disguised as a clerk from the house of Thomson & French, had
taken from the file against Edmond Dantes, on the day he had paid the two
hundred thousand francs to M. de Boville. Mercedes read with terror the
following lines:—</p>
<p>"The king's attorney is informed by a friend to the throne and religion
that one Edmond Dantes, second in command on board the Pharaon, this day
arrived from Smyrna, after having touched at Naples and Porto-Ferrajo, is
the bearer of a letter from Murat to the usurper, and of another letter
from the usurper to the Bonapartist club in Paris. Ample corroboration of
this statement may be obtained by arresting the above-mentioned Edmond
Dantes, who either carries the letter for Paris about with him, or has it
at his father's abode. Should it not be found in possession of either
father or son, then it will assuredly be discovered in the cabin belonging
to the said Dantes on board the Pharaon."</p>
<p>"How dreadful!" said Mercedes, passing her hand across her brow, moist
with perspiration; "and that letter"—</p>
<p>"I bought it for two hundred thousand francs, madame," said Monte Cristo;
"but that is a trifle, since it enables me to justify myself to you."</p>
<p>"And the result of that letter"—</p>
<p>"You well know, madame, was my arrest; but you do not know how long that
arrest lasted. You do not know that I remained for fourteen years within a
quarter of a league of you, in a dungeon in the Chateau d'If. You do not
know that every day of those fourteen years I renewed the vow of vengeance
which I had made the first day; and yet I was not aware that you had
married Fernand, my calumniator, and that my father had died of hunger!"</p>
<p>"Can it be?" cried Mercedes, shuddering.</p>
<p>"That is what I heard on leaving my prison fourteen years after I had
entered it; and that is why, on account of the living Mercedes and my
deceased father, I have sworn to revenge myself on Fernand, and—I
have revenged myself."</p>
<p>"And you are sure the unhappy Fernand did that?"</p>
<p>"I am satisfied, madame, that he did what I have told you; besides, that
is not much more odious than that a Frenchman by adoption should pass over
to the English; that a Spaniard by birth should have fought against the
Spaniards; that a stipendiary of Ali should have betrayed and murdered
Ali. Compared with such things, what is the letter you have just read?—a
lover's deception, which the woman who has married that man ought
certainly to forgive; but not so the lover who was to have married her.
Well, the French did not avenge themselves on the traitor, the Spaniards
did not shoot the traitor, Ali in his tomb left the traitor unpunished;
but I, betrayed, sacrificed, buried, have risen from my tomb, by the grace
of God, to punish that man. He sends me for that purpose, and here I am."
The poor woman's head and arms fell; her legs bent under her, and she fell
on her knees. "Forgive, Edmond, forgive for my sake, who love you still!"</p>
<p>The dignity of the wife checked the fervor of the lover and the mother.
Her forehead almost touched the carpet, when the count sprang forward and
raised her. Then seated on a chair, she looked at the manly countenance of
Monte Cristo, on which grief and hatred still impressed a threatening
expression. "Not crush that accursed race?" murmured he; "abandon my
purpose at the moment of its accomplishment? Impossible, madame,
impossible!"</p>
<p>"Edmond," said the poor mother, who tried every means, "when I call you
Edmond, why do you not call me Mercedes?"</p>
<p>"Mercedes!" repeated Monte Cristo; "Mercedes! Well yes, you are right;
that name has still its charms, and this is the first time for a long
period that I have pronounced it so distinctly. Oh, Mercedes, I have
uttered your name with the sigh of melancholy, with the groan of sorrow,
with the last effort of despair; I have uttered it when frozen with cold,
crouched on the straw in my dungeon; I have uttered it, consumed with
heat, rolling on the stone floor of my prison. Mercedes, I must revenge
myself, for I suffered fourteen years,—fourteen years I wept, I
cursed; now I tell you, Mercedes, I must revenge myself."</p>
<p>The count, fearing to yield to the entreaties of her he had so ardently
loved, called his sufferings to the assistance of his hatred. "Revenge
yourself, then, Edmond," cried the poor mother; "but let your vengeance
fall on the culprits,—on him, on me, but not on my son!"</p>
<p>"It is written in the good book," said Monte Cristo, "that the sins of the
fathers shall fall upon their children to the third and fourth generation.
Since God himself dictated those words to his prophet, why should I seek
to make myself better than God?"</p>
<p>"Edmond," continued Mercedes, with her arms extended towards the count,
"since I first knew you, I have adored your name, have respected your
memory. Edmond, my friend, do not compel me to tarnish that noble and pure
image reflected incessantly on the mirror of my heart. Edmond, if you knew
all the prayers I have addressed to God for you while I thought you were
living and since I have thought you must be dead! Yes, dead, alas! I
imagined your dead body buried at the foot of some gloomy tower, or cast
to the bottom of a pit by hateful jailers, and I wept! What could I do for
you, Edmond, besides pray and weep? Listen; for ten years I dreamed each
night the same dream. I had been told that you had endeavored to escape;
that you had taken the place of another prisoner; that you had slipped
into the winding sheet of a dead body; that you had been thrown alive from
the top of the Chateau d'If, and that the cry you uttered as you dashed
upon the rocks first revealed to your jailers that they were your
murderers. Well, Edmond, I swear to you, by the head of that son for whom
I entreat your pity,—Edmond, for ten years I saw every night every
detail of that frightful tragedy, and for ten years I heard every night
the cry which awoke me, shuddering and cold. And I, too, Edmond—oh!
believe me—guilty as I was—oh, yes, I, too, have suffered
much!"</p>
<p>"Have you known what it is to have your father starve to death in your
absence?" cried Monte Cristo, thrusting his hands into his hair; "have you
seen the woman you loved giving her hand to your rival, while you were
perishing at the bottom of a dungeon?"</p>
<p>"No," interrupted Mercedes, "but I have seen him whom I loved on the point
of murdering my son." Mercedes uttered these words with such deep anguish,
with an accent of such intense despair, that Monte Cristo could not
restrain a sob. The lion was daunted; the avenger was conquered. "What do
you ask of me?" said he,—"your son's life? Well, he shall live!"
Mercedes uttered a cry which made the tears start from Monte Cristo's
eyes; but these tears disappeared almost instantaneously, for, doubtless,
God had sent some angel to collect them—far more precious were they
in his eyes than the richest pearls of Guzerat and Ophir.</p>
<p>"Oh," said she, seizing the count's hand and raising it to her lips; "oh,
thank you, thank you, Edmond! Now you are exactly what I dreamt you were,—the
man I always loved. Oh, now I may say so!"</p>
<p>"So much the better," replied Monte Cristo; "as that poor Edmond will not
have long to be loved by you. Death is about to return to the tomb, the
phantom to retire in darkness."</p>
<p>"What do you say, Edmond?"</p>
<p>"I say, since you command me, Mercedes, I must die."</p>
<p>"Die? and why so? Who talks of dying? Whence have you these ideas of
death?"</p>
<p>"You do not suppose that, publicly outraged in the face of a whole
theatre, in the presence of your friends and those of your son—challenged
by a boy who will glory in my forgiveness as if it were a victory—you
do not suppose that I can for one moment wish to live. What I most loved
after you, Mercedes, was myself, my dignity, and that strength which
rendered me superior to other men; that strength was my life. With one
word you have crushed it, and I die."</p>
<p>"But the duel will not take place, Edmond, since you forgive?"</p>
<p>"It will take place," said Monte Cristo, in a most solemn tone; "but
instead of your son's blood to stain the ground, mine will flow." Mercedes
shrieked, and sprang towards Monte Cristo, but, suddenly stopping,
"Edmond," said she, "there is a God above us, since you live and since I
have seen you again; I trust to him from my heart. While waiting his
assistance I trust to your word; you have said that my son should live,
have you not?"</p>
<p>"Yes, madame, he shall live," said Monte Cristo, surprised that without
more emotion Mercedes had accepted the heroic sacrifice he made for her.
Mercedes extended her hand to the count.</p>
<p>"Edmond," said she, and her eyes were wet with tears while looking at him
to whom she spoke, "how noble it is of you, how great the action you have
just performed, how sublime to have taken pity on a poor woman who
appealed to you with every chance against her, Alas, I am grown old with
grief more than with years, and cannot now remind my Edmond by a smile, or
by a look, of that Mercedes whom he once spent so many hours in
contemplating. Ah, believe me, Edmond, as I told you, I too have suffered
much; I repeat, it is melancholy to pass one's life without having one joy
to recall, without preserving a single hope; but that proves that all is
not yet over. No, it is not finished; I feel it by what remains in my
heart. Oh, I repeat it, Edmond; what you have just done is beautiful—it
is grand; it is sublime."</p>
<p>"Do you say so now, Mercedes?—then what would you say if you knew
the extent of the sacrifice I make to you? Suppose that the Supreme Being,
after having created the world and fertilized chaos, had paused in the
work to spare an angel the tears that might one day flow for mortal sins
from her immortal eyes; suppose that when everything was in readiness and
the moment had come for God to look upon his work and see that it was good—suppose
he had snuffed out the sun and tossed the world back into eternal night—then—even
then, Mercedes, you could not imagine what I lose in sacrificing my life
at this moment." Mercedes looked at the count in a way which expressed at
the same time her astonishment, her admiration, and her gratitude. Monte
Cristo pressed his forehead on his burning hands, as if his brain could no
longer bear alone the weight of its thoughts. "Edmond," said Mercedes, "I
have but one word more to say to you." The count smiled bitterly.
"Edmond," continued she, "you will see that if my face is pale, if my eyes
are dull, if my beauty is gone; if Mercedes, in short, no longer resembles
her former self in her features, you will see that her heart is still the
same. Adieu, then, Edmond; I have nothing more to ask of heaven—I
have seen you again, and have found you as noble and as great as formerly
you were. Adieu, Edmond, adieu, and thank you."</p>
<p>But the count did not answer. Mercedes opened the door of the study and
had disappeared before he had recovered from the painful and profound
revery into which his thwarted vengeance had plunged him. The clock of the
Invalides struck one when the carriage which conveyed Madame de Morcerf
away rolled on the pavement of the Champs-Elysees, and made Monte Cristo
raise his head. "What a fool I was," said he, "not to tear my heart out on
the day when I resolved to avenge myself!"</p>
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