<h2>CHAPTER XLI</h2>
<p>He slept heavily all night, and did not stir until aroused by the
postman on his morning round. Martin felt tired and passive, and
went through his letters aimlessly. One thin envelope, from a
robber magazine, contained for twenty-two dollars. He had been
dunning for it for a year and a half. He noted its amount apathetically.
The old-time thrill at receiving a publisher’s check was gone.
Unlike his earlier checks, this one was not pregnant with promise of
great things to come. To him it was a check for twenty-two dollars,
that was all, and it would buy him something to eat.</p>
<p>Another check was in the same mail, sent from a New York weekly in
payment for some humorous verse which had been accepted months before.
It was for ten dollars. An idea came to him, which he calmly considered.
He did not know what he was going to do, and he felt in no hurry to
do anything. In the meantime he must live. Also he owed
numerous debts. Would it not be a paying investment to put stamps
on the huge pile of manuscripts under the table and start them on their
travels again? One or two of them might be accepted. That
would help him to live. He decided on the investment, and, after
he had cashed the checks at the bank down in Oakland, he bought ten
dollars’ worth of postage stamps. The thought of going home
to cook breakfast in his stuffy little room was repulsive to him.
For the first time he refused to consider his debts. He knew that
in his room he could manufacture a substantial breakfast at a cost of
from fifteen to twenty cents. But, instead, he went into the Forum
Café and ordered a breakfast that cost two dollars. He
tipped the waiter a quarter, and spent fifty cents for a package of
Egyptian cigarettes. It was the first time he had smoked since
Ruth had asked him to stop. But he could see now no reason why
he should not, and besides, he wanted to smoke. And what did the
money matter? For five cents he could have bought a package of
Durham and brown papers and rolled forty cigarettes—but what of
it? Money had no meaning to him now except what it would immediately
buy. He was chartless and rudderless, and he had no port to make,
while drifting involved the least living, and it was living that hurt.</p>
<p>The days slipped along, and he slept eight hours regularly every
night. Though now, while waiting for more checks, he ate in the
Japanese restaurants where meals were served for ten cents, his wasted
body filled out, as did the hollows in his cheeks. He no longer
abused himself with short sleep, overwork, and overstudy. He wrote
nothing, and the books were closed. He walked much, out in the
hills, and loafed long hours in the quiet parks. He had no friends
nor acquaintances, nor did he make any. He had no inclination.
He was waiting for some impulse, from he knew not where, to put his
stopped life into motion again. In the meantime his life remained
run down, planless, and empty and idle.</p>
<p>Once he made a trip to San Francisco to look up the “real dirt.”
But at the last moment, as he stepped into the upstairs entrance, he
recoiled and turned and fled through the swarming ghetto. He was
frightened at the thought of hearing philosophy discussed, and he fled
furtively, for fear that some one of the “real dirt” might
chance along and recognize him.</p>
<p>Sometimes he glanced over the magazines and newspapers to see how
“Ephemera” was being maltreated. It had made a hit.
But what a hit! Everybody had read it, and everybody was discussing
whether or not it was really poetry. The local papers had taken
it up, and daily there appeared columns of learned criticisms, facetious
editorials, and serious letters from subscribers. Helen Della
Delmar (proclaimed with a flourish of trumpets and rolling of tomtoms
to be the greatest woman poet in the United States) denied Brissenden
a seat beside her on Pegasus and wrote voluminous letters to the public,
proving that he was no poet.</p>
<p><i>The Parthenon</i> came out in its next number patting itself on
the back for the stir it had made, sneering at Sir John Value, and exploiting
Brissenden’s death with ruthless commercialism. A newspaper
with a sworn circulation of half a million published an original and
spontaneous poem by Helen Della Delmar, in which she gibed and sneered
at Brissenden. Also, she was guilty of a second poem, in which
she parodied him.</p>
<p>Martin had many times to be glad that Brissenden was dead.
He had hated the crowd so, and here all that was finest and most sacred
of him had been thrown to the crowd. Daily the vivisection of
Beauty went on. Every nincompoop in the land rushed into free
print, floating their wizened little egos into the public eye on the
surge of Brissenden’s greatness. Quoth one paper: “We
have received a letter from a gentleman who wrote a poem just like it,
only better, some time ago.” Another paper, in deadly seriousness,
reproving Helen Della Delmar for her parody, said: “But unquestionably
Miss Delmar wrote it in a moment of badinage and not quite with the
respect that one great poet should show to another and perhaps to the
greatest. However, whether Miss Delmar be jealous or not of the
man who invented ‘Ephemera,’ it is certain that she, like
thousands of others, is fascinated by his work, and that the day may
come when she will try to write lines like his.”</p>
<p>Ministers began to preach sermons against “Ephemera,”
and one, who too stoutly stood for much of its content, was expelled
for heresy. The great poem contributed to the gayety of the world.
The comic verse-writers and the cartoonists took hold of it with screaming
laughter, and in the personal columns of society weeklies jokes were
perpetrated on it to the effect that Charley Frensham told Archie Jennings,
in confidence, that five lines of “Ephemera” would drive
a man to beat a cripple, and that ten lines would send him to the bottom
of the river.</p>
<p>Martin did not laugh; nor did he grit his teeth in anger. The
effect produced upon him was one of great sadness. In the crash
of his whole world, with love on the pinnacle, the crash of magazinedom
and the dear public was a small crash indeed. Brissenden had been
wholly right in his judgment of the magazines, and he, Martin, had spent
arduous and futile years in order to find it out for himself.
The magazines were all Brissenden had said they were and more.
Well, he was done, he solaced himself. He had hitched his wagon
to a star and been landed in a pestiferous marsh. The visions
of Tahiti—clean, sweet Tahiti—were coming to him more frequently.
And there were the low Paumotus, and the high Marquesas; he saw himself
often, now, on board trading schooners or frail little cutters, slipping
out at dawn through the reef at Papeete and beginning the long beat
through the pearl-atolls to Nukahiva and the Bay of Taiohae, where Tamari,
he knew, would kill a pig in honor of his coming, and where Tamari’s
flower-garlanded daughters would seize his hands and with song and laughter
garland him with flowers. The South Seas were calling, and he
knew that sooner or later he would answer the call.</p>
<p>In the meantime he drifted, resting and recuperating after the long
traverse he had made through the realm of knowledge. When <i>The
Parthenon</i> check of three hundred and fifty dollars was forwarded
to him, he turned it over to the local lawyer who had attended to Brissenden’s
affairs for his family. Martin took a receipt for the check, and
at the same time gave a note for the hundred dollars Brissenden had
let him have.</p>
<p>The time was not long when Martin ceased patronizing the Japanese
restaurants. At the very moment when he had abandoned the fight,
the tide turned. But it had turned too late. Without a thrill
he opened a thick envelope from <i>The Millennium</i>, scanned the face
of a check that represented three hundred dollars, and noted that it
was the payment on acceptance for “Adventure.” Every
debt he owed in the world, including the pawnshop, with its usurious
interest, amounted to less than a hundred dollars. And when he
had paid everything, and lifted the hundred-dollar note with Brissenden’s
lawyer, he still had over a hundred dollars in pocket. He ordered
a suit of clothes from the tailor and ate his meals in the best cafés
in town. He still slept in his little room at Maria’s, but
the sight of his new clothes caused the neighborhood children to cease
from calling him “hobo” and “tramp” from the
roofs of woodsheds and over back fences.</p>
<p>“Wiki-Wiki,” his Hawaiian short story, was bought by
<i>Warren’s Monthly</i> for two hundred and fifty dollars.
<i>The Northern Review</i> took his essay, “The Cradle of Beauty,”
and <i>Mackintosh’s Magazine</i> took “The Palmist”—the
poem he had written to Marian. The editors and readers were back
from their summer vacations, and manuscripts were being handled quickly.
But Martin could not puzzle out what strange whim animated them to this
general acceptance of the things they had persistently rejected for
two years. Nothing of his had been published. He was not
known anywhere outside of Oakland, and in Oakland, with the few who
thought they knew him, he was notorious as a red-shirt and a socialist.
So there was no explaining this sudden acceptability of his wares.
It was sheer jugglery of fate.</p>
<p>After it had been refused by a number of magazines, he had taken
Brissenden’s rejected advice and started, “The Shame of
the Sun” on the round of publishers. After several refusals,
Singletree, Darnley & Co. accepted it, promising fall publication.
When Martin asked for an advance on royalties, they wrote that such
was not their custom, that books of that nature rarely paid for themselves,
and that they doubted if his book would sell a thousand copies.
Martin figured what the book would earn him on such a sale. Retailed
at a dollar, on a royalty of fifteen per cent, it would bring him one
hundred and fifty dollars. He decided that if he had it to do
over again he would confine himself to fiction. “Adventure,”
one-fourth as long, had brought him twice as much from <i>The Millennium</i>.
That newspaper paragraph he had read so long ago had been true, after
all. The first-class magazines did not pay on acceptance, and
they paid well. Not two cents a word, but four cents a word, had
<i>The Millennium</i> paid him. And, furthermore, they bought
good stuff, too, for were they not buying his? This last thought
he accompanied with a grin.</p>
<p>He wrote to Singletree, Darnley & Co., offering to sell out his
rights in “The Shame of the Sun” for a hundred dollars,
but they did not care to take the risk. In the meantime he was
not in need of money, for several of his later stories had been accepted
and paid for. He actually opened a bank account, where, without
a debt in the world, he had several hundred dollars to his credit.
“Overdue,” after having been declined by a number of magazines,
came to rest at the Meredith-Lowell Company. Martin remembered
the five dollars Gertrude had given him, and his resolve to return it
to her a hundred times over; so he wrote for an advance on royalties
of five hundred dollars. To his surprise a check for that amount,
accompanied by a contract, came by return mail. He cashed the
check into five-dollar gold pieces and telephoned Gertrude that he wanted
to see her.</p>
<p>She arrived at the house panting and short of breath from the haste
she had made. Apprehensive of trouble, she had stuffed the few
dollars she possessed into her hand-satchel; and so sure was she that
disaster had overtaken her brother, that she stumbled forward, sobbing,
into his arms, at the same time thrusting the satchel mutely at him.</p>
<p>“I’d have come myself,” he said. “But
I didn’t want a row with Mr. Higginbotham, and that is what would
have surely happened.”</p>
<p>“He’ll be all right after a time,” she assured
him, while she wondered what the trouble was that Martin was in.
“But you’d best get a job first an’ steady down.
Bernard does like to see a man at honest work. That stuff in the
newspapers broke ’m all up. I never saw ’m so mad
before.”</p>
<p>“I’m not going to get a job,” Martin said with
a smile. “And you can tell him so from me. I don’t
need a job, and there’s the proof of it.”</p>
<p>He emptied the hundred gold pieces into her lap in a glinting, tinkling
stream.</p>
<p>“You remember that fiver you gave me the time I didn’t
have carfare? Well, there it is, with ninety-nine brothers of
different ages but all of the same size.”</p>
<p>If Gertrude had been frightened when she arrived, she was now in
a panic of fear. Her fear was such that it was certitude.
She was not suspicious. She was convinced. She looked at
Martin in horror, and her heavy limbs shrank under the golden stream
as though it were burning her.</p>
<p>“It’s yours,” he laughed.</p>
<p>She burst into tears, and began to moan, “My poor boy, my poor
boy!”</p>
<p>He was puzzled for a moment. Then he divined the cause of her
agitation and handed her the Meredith-Lowell letter which had accompanied
the check. She stumbled through it, pausing now and again to wipe
her eyes, and when she had finished, said:-</p>
<p>“An’ does it mean that you come by the money honestly?”</p>
<p>“More honestly than if I’d won it in a lottery.
I earned it.”</p>
<p>Slowly faith came back to her, and she reread the letter carefully.
It took him long to explain to her the nature of the transaction which
had put the money into his possession, and longer still to get her to
understand that the money was really hers and that he did not need it.</p>
<p>“I’ll put it in the bank for you,” she said finally.</p>
<p>“You’ll do nothing of the sort. It’s yours,
to do with as you please, and if you won’t take it, I’ll
give it to Maria. She’ll know what to do with it.
I’d suggest, though, that you hire a servant and take a good long
rest.”</p>
<p>“I’m goin’ to tell Bernard all about it,”
she announced, when she was leaving.</p>
<p>Martin winced, then grinned.</p>
<p>“Yes, do,” he said. “And then, maybe, he’ll
invite me to dinner again.”</p>
<p>“Yes, he will—I’m sure he will!” she exclaimed
fervently, as she drew him to her and kissed and hugged him.</p>
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