<SPAN name="startofbook"></SPAN>
<h1>Brenda,</h1>
<h2>Her School and Her Club</h2>
<h2>BY HELEN LEAH REED</h2>
<h3><span class="smcap">Author of "Miss Theodora," Etc.</span></h3>
<h3>ILLUSTRATED BY JESSIE WILLCOX SMITH</h3>
<h3>BOSTON<br/> LITTLE, BROWN, AND COMPANY<br/> 1900</h3>
<h3><i>Copyright, 1900</i>,<br/> <span class="smcap">By Little, Brown, and Company.</span></h3>
<h3><i>All rights reserved.</i></h3>
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<h3>"<span class="smcap">The child himself, surrounded by a group of curious girls, clung to Nora's hand</span>"</h3>
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<h2>CONTENTS</h2>
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<p><SPAN href="#I">I. <span class="smcap">Four Friends</span></SPAN><br/>
<SPAN href="#II">II. <span class="smcap">Julia's Arrival</span></SPAN><br/>
<SPAN href="#III">III. <span class="smcap">The Rescue</span></SPAN><br/>
<SPAN href="#IV">IV. <span class="smcap">A Club Meeting</span></SPAN><br/>
<SPAN href="#V">V. <span class="smcap">Miss Crawdon's School</span></SPAN><br/>
<SPAN href="#VI">VI. <span class="smcap">Misunderstandings</span></SPAN><br/>
<SPAN href="#VII">VII. <span class="smcap">Visiting Manuel</span></SPAN><br/>
<SPAN href="#VIII">VIII. <span class="smcap">Planning the Bazaar</span></SPAN><br/>
<SPAN href="#IX">IX. <span class="smcap">A Mysterious Mansion</span></SPAN><br/>
<SPAN href="#X">X. <span class="smcap">A Sophomore</span></SPAN><br/>
<SPAN href="#XI">XI. <span class="smcap">The Cooking Class</span></SPAN><br/>
<SPAN href="#XII">XII. <span class="smcap">Concerning Julia</span></SPAN><br/>
<SPAN href="#XIII">XIII. <span class="smcap">Great Expectations</span></SPAN><br/>
<SPAN href="#XIV">XIV. <span class="smcap">The Football Game</span></SPAN><br/>
<SPAN href="#XV">XV. <span class="smcap">A Poet at Home</span></SPAN><br/>
<SPAN href="#XVI">XVI. <span class="smcap">An Historic Ramble</span></SPAN><br/>
<SPAN href="#XVII">XVII. <span class="smcap">The Rosas at Home</span></SPAN><br/>
<SPAN href="#XVIII">XVIII. <span class="smcap">Merry Christmas</span></SPAN><br/>
<SPAN href="#XIX">XIX. <span class="smcap">Nora's Thoughtlessness</span></SPAN><br/>
<SPAN href="#XX">XX. <span class="smcap">Fidessa and Her Mistress</span></SPAN><br/>
<SPAN href="#XXI">XXI. <span class="smcap">Miss South and Julia</span></SPAN><br/>
<SPAN href="#XXII">XXII. <span class="smcap">Brenda's Secret</span></SPAN><br/>
<SPAN href="#XXIII">XXIII. <span class="smcap">Almost Ready</span></SPAN><br/>
<SPAN href="#XXIV">XXIV. <span class="smcap">An Evening's Fun</span></SPAN><br/>
<SPAN href="#XXV">XXV. <span class="smcap">The Bazaar</span></SPAN><br/>
<SPAN href="#XXVI">XXVI. <span class="smcap">Great Excitement</span></SPAN><br/>
<SPAN href="#XXVII">XXVII. <span class="smcap">A Mistake</span></SPAN><br/>
<SPAN href="#XXVIII">XXVIII. <span class="smcap">Explanations</span></SPAN><br/>
<SPAN href="#XXIX">XXIX. <span class="smcap">After Vacation</span></SPAN><br/>
<SPAN href="#XXX">XXX. <span class="smcap">Brenda's Folly</span></SPAN><br/>
<SPAN href="#XXXI">XXXI. <span class="smcap">The Shiloh Picnic</span></SPAN><br/><br/>
<SPAN href="#RECENT_BOOKS_FOR_THE_YOUNG">RECENT BOOKS FOR THE YOUNG</SPAN><br/></p>
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<h2>LIST OF ILLUSTRATIONS</h2>
<p><SPAN href="#illus1">"<span class="smcap">The child himself, surrounded by a group of curious girls, clung to
Nora's hand</span>"</SPAN></p>
<p><SPAN href="#illus2">"'<span class="smcap">Oh, I'll tell you what, girls,—let us work for—Manuel!</span>'"</SPAN></p>
<p><SPAN href="#illus3">"<span class="smcap">She was able to rush on and pick them up as they were dashed against a
lamp-post</span>"</SPAN></p>
<p><SPAN href="#illus4">"<span class="smcap">Now as Julia sat there drinking tea from the quaintest of old-fashioned
china cups</span>"</SPAN></p>
<p><SPAN href="#illus5">"'<span class="smcap">Why, Brenda Barlow, why are you lying in this downcast position?</span>'"</SPAN></p>
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<h2>BRENDA, HER SCHOOL AND HER CLUB</h2>
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<h2><SPAN name="I" id="I"></SPAN>I</h2>
<h3>FOUR FRIENDS</h3>
<p>"What do suppose she'll be like?"</p>
<p>"How can I tell?"</p>
<p>"Well, Brenda Barlow, I should think you'd have <i>some</i> idea—your own
cousin."</p>
<p>"Oh, that doesn't make any difference. I've hardly thought about her."</p>
<p>"But aren't you just a little curious?" continued the questioner, a
pretty girl with dark hair.</p>
<p>"No, Nora, I'm not. She's sixteen and a half—almost a year older than
we are. She's never lived in a big city, and that's enough."</p>
<p>"Oh, a country girl?"</p>
<p>"I don't know that she's a country girl exactly, but I just wish she
wasn't coming. She'll spoil all our fun."</p>
<p>"How?" asked a third girl, seated on the bottom step.</p>
<p>"Why, who ever heard of <i>five</i> girls going about together? If three's a
crowd, five's a perfect regiment. I agree with Brenda that it's too bad
to have her come. Now when there's four of us we can pair off and have a
good time."</p>
<p>The last speaker had a long thin face with a determined mouth and large
china blue eyes. She was the only one of the four whom the average
observer would not call pretty. Yet in her little circle she had her own
way more often even than Brenda, who was not only somewhat of a tyrant,
but a beauty as well.</p>
<div class="poem"><div class="stanza">
<span class="i0">"Brenda and Belle<br/></span>
<span class="i1">They carry a spell,"<br/></span></div>
</div>
<p>the other girls were in the habit of singing, when the two <i>Bs</i> had
accomplished something on which they had set their hearts. Edith, the
third of the group, in spite of her auburn hair, was the most amiable of
the four. I say "in spite" out of respect merely to the popular
prejudice. Nobody has ever proved that auburn hair really indicates
worse temper than hair of any other color. Edith almost always agreed
with any of the plans made by the others, and very often with their
opinions. Dark-haired Nora was the only one of the group who ever
ventured to dissent from the two <i>Bs</i>. Now she spoke up briskly,</p>
<p>"I know that I shall like your cousin."</p>
<p>"Why?" the other three exclaimed in a chorus.</p>
<p>"I can't tell you <i>why</i>, only that I know I shall."</p>
<p>"You're welcome to," said Brenda, tossing her head, "but I guess if you
had just begun to have your own house to yourself you wouldn't like
somebody else coming that you'd have to treat exactly like a sister."</p>
<p>"Why, Brenda!" said Nora, with a look of surprise, and then the others
remembered that Nora had had a little sister near her own age whose
death was a great sorrow to her.</p>
<p>"Why, Brenda!" repeated Nora, "I wish that I had a sister."</p>
<p>Now Brenda Barlow was not nearly as heartless as her words implied. She
had two sisters whom she loved very dearly. But they were both much
older than Brenda, and by petting and spoiling her they had to a large
extent helped to make her selfish. One of them had now been married for
four years, and had gone to California to live and the other was in
Paris completing her art studies. When Janet married, Brenda had not
realized the change in the family. But when Agnes went to Paris, Brenda
was older, and she fully felt her own importance as "Miss Barlow."</p>
<p>"It's the same as being 'Miss Barlow,'" she said to her friends, "the
servants call me so, and I've moved my things down into Janet's room. I
can invite any one I want to luncheon without asking whether Agnes has
any plans,—and I shouldn't wonder if I could have a dinner-party once
in a while—of course, not a <i>very</i> late one, but with raw oysters to
begin with—sure—" and the other girls laughed, for they knew that
Brenda had been practising on raw oysters for a long time, and that she
felt proud of her present prowess in swallowing them without winking or
making a face.</p>
<p>Mr. Barlow was generally absorbed in business affairs, and Mrs. Barlow
had so many social engagements that Brenda did as she wished in most
respects. She ordered the servants about when her mother was out, and
they were as ready to obey her as her friends were to follow her lead,
for when Brenda wanted her own way she never seemed ill-natured. She
simply insisted with a very winning smile—and nobody could refuse her.</p>
<p>She had found it very pleasant to rule her little world. It was even
pleasanter than being the spoiled and petted child that she had been
when her sisters were at home. Her father and mother had never seen how
fond she was growing of her own way until they announced the coming of
her cousin Julia.</p>
<p>"She is older than you, Brenda, and I hear that she is far advanced in
her studies. I dare say that she will be able to help you sometimes."</p>
<p>"Oh, papa! I <i>hate</i> to have any one help me. She'll be an awful bore, I
suppose, if she thinks she knows more than me——"</p>
<p>"Grammar, Brenda," said her mother with a smile.</p>
<p>"Well, then, more than <i>I</i>," repeated Brenda.</p>
<p>"I'm sure she won't be a bore, Brenda, but her life has been very
different from yours. She has led a quiet life, for you know she was her
father's constant companion until he died."</p>
<p>Here Mrs. Barlow sighed. Julia's mother was Mrs. Barlow's sister, and
had died when the little Julia was hardly five years old.</p>
<p>"Uncle Richard was always delicate?" ventured Brenda.</p>
<p>"Yes, dear, and he spent his life trying to find a place where he could
gain perfect health. Boston was too bleak for him, and that is why you
have not seen Julia since she was very little. Your uncle did not care
to undergo the fatigue of traveling East even in the summer, and he
could not bear to be parted from Julia. But she was always a sweet
little thing."</p>
<p>"I hope you won't be disappointed in her," cried Brenda, half in a
temper. "I believe you are going to care for her more than you do for
me."</p>
<p>"Nonsense, Brenda," exclaimed her mother in surprise.</p>
<p>"Well, you can't expect me to feel the same about her,—a strange
girl—who knows more than I, and is just enough older to make every one
expect me to look up to her. Oh, dear!"</p>
<p>Since Brenda had not concealed her feelings from her mother, it was
hardly to be expected that she would be less frank with her three most
intimate friends.</p>
<p>After Nora and Edith had bade Brenda good-bye that afternoon when they
had talked about the unknown cousin, they walked rather slowly up the
street.</p>
<p>"Do you suppose Brenda's jealous?" said Nora, in a half whisper.</p>
<p>"Oh, hush," answered Edith, to whom the word jealousy meant something
dreadful. "Of course not."</p>
<p>"Well, don't you think it's strange for her not to feel more pleased at
the prospect of having her cousin with her. I should think it would be
great fun to have another girl in the house."</p>
<p>"Oh, well, Brenda can always have one of us. Her mother is so good about
letting her invite people—and of course she can't tell how she'll get
along with her cousin. No, I really shouldn't like it myself."</p>
<p>As Nora and Edith walked away, Brenda turned to Belle, in whom she
always found a ready sympathizer.</p>
<p>"You know how I feel, Belle."</p>
<p>"Yes, indeed; I think it's too bad. I'm sure it will spoil half our fun.
It's horrid anyway to have some one older than yourself ordering you
round."</p>
<p>"Oh, I don't suppose she'll do that exactly."</p>
<p>"Well, it's just the same thing. If she's such a model, as your mother
says, she'll make you feel uncomfortable all the time. Then if she's
wearing mourning, she can't do the things that you do, and you'll have
to stay at home and be polite to her. Yes, I'm really sorry for you,
Brenda."</p>
<p>With sympathy like this, Brenda began to regard herself as almost a
martyr.</p>
<p>"Oh, dear," she sighed, "why couldn't she have waited until next winter?
Come, Belle," she continued, "you'll stay to dinner, won't you?"</p>
<p>Belle hesitated for a moment. "I suppose I <i>ought</i> to go home."</p>
<p>"Oh, why?"</p>
<p>Belle was silent. She knew that certain unfinished lessons awaited her,
and that her grandmother objected to her dining away from home, unless
she had first asked permission. She fortified herself, however, by
saying to herself, "Oh, well, mother won't care." For her mother was
what is commonly known as easy-going, and seldom interfered with her
daughter's goings and comings.</p>
<p>Belle always enjoyed dining with Brenda. The dining-room was so
attractive with its great blazing fire, its heavy draperies and cheerful
oil-paintings on the wall. At home she sat down in a large, severely
furnished room, with her solemn grandmother wrapped in a white knitted
shawl at one end of the long table, her half-deaf uncle James at the
other end, and her brother Jack on the side opposite her. Her delicate
mother often dined upstairs. Uncle James usually had some story to tell
of misdeeds that he had heard some one ascribe to Jack ("and how a deaf
person can hear I don't see," Jack would say crossly to Brenda). Her
grandmother generally read Belle herself a lecture on paying proper
respect to one's elders, or some similar subject, while Belle and Jack
exchanged glances of mischievous intelligence, which often drew strong
reproofs from their grandmother, and sometimes from her mother when she
was present.</p>
<p>No wonder, then, that Brenda's invitation was a strong temptation to
Belle.</p>
<p>"Come, silence gives consent," laughed Brenda. Dragging Belle by the
arm, she touched the door-bell, and in a moment the two girls were
inside the house.</p>
<p>"What room is Julia going to have?" asked Belle, as they ran up the
front stairs.</p>
<p>"Well, you <i>will</i> be surprised; that's one of the things that makes me
so cross. Just <i>think</i> of it, Agnes's rooms in the L—that sweet little
studio that I wanted mamma to let me have—it's all fitted up for Julia.
Don't you call that mean?" Belle pressed her friend's hand.</p>
<p>"You poor thing!"</p>
<p>"Yes, it seems Agnes is sure not to come home for two years, and so
mamma thought the studio would be a good place for Julia to practice in,
and so there's a piano and—well—let's come and see. We've got time
before dinner."</p>
<p>Pushing open a door on the second floor and going down a step or two,
Brenda and Belle found themselves inside a little reception-room. The
walls were a deep red, there was a cashmere rug on the polished floor, a
clock and two bronze figures on the mantelpiece. An open bookcase in one
recess, a short lounge in the other, a low wicker tea-table, and two or
three small chairs made up the furnishing.</p>
<p>"This is just the same as it was," said Brenda, "and so is the
bedchamber," pointing to a door on the left of the reception-room, "but
see here!" and she turned to the right. Belle followed, and they found
themselves in a long, narrow room, with a bay window at one end and a
skylight overhead. On the walls were several large unframed sketches in
black and white, together with water colors and a number of fine
photographs and engravings in gilt or ebony frames. Against the wall
near the bay window stood a small upright piano with an elephant's cloth
scarf over the top. The groundwork of the scarf was of a deep yellow,
harmonizing with the tint of the painted walls. There were two or three
comfortable chairs covered in yellow-flowered chintz, and in the centre
an inlaid library table with a baize top and an assortment of writing
utensils. There were several rugs of a prevailing yellow tint on the
polished yellow floor, and one side of the room was occupied by rows of
low open book-shelves which held, however, only a few books.</p>
<p>"I believe Julia's going to have her father's library brought here,"
said Brenda, in explanation of the empty shelves. "Don't you <i>hate</i>
book-worms?"</p>
<p>"Yes," responded Belle, "but how <i>lovely</i> this room is! What a <i>shame</i>
that you couldn't have it yourself! Why, I thought your mother said that
they were going to leave the studio just as it was until Agnes came
home."</p>
<p>"Well, so they were, but she won't be home for two years, and then
she'll probably have a studio down town, and so they've put most of her
things away and fitted up this room just for Julia. <i>She</i> has to have
everything."</p>
<p>"I know just how you feel," and Belle pressed Brenda's hand
sympathetically. "But then, your own room is lovely."</p>
<p>"Oh, yes, of course; but it isn't the same thing as a studio. A studio
is so—so artistic."</p>
<p>The girls were standing in the bay window, bathed in a flood of sunshine
from the setting sun. They glanced across the broad river toward the
roofs and spires of Cambridge. A tug-boat went puffing along the stream
towing a schooner loaded with lumber.</p>
<p>"Oh, my, it must be late! the sun is just dropping behind those
Brookline Hills. Come up to my room."</p>
<p>The room on the floor above the studio which had formerly been Janet's,
also overlooked the river. It was in the main house and its windows
looked down on the roof of the L containing the studio. In fact, the
studio to a slight extent impeded the view of the river which was
obtainable from this upper room. But the room itself was large and
cheerful, with a carpet and paper of bluish tint, a large brass bedstead
canopied with blue, comfortable lounging chairs, a dainty little sofa,
dressing-table, desk, and all kinds of pretty ornaments. A half-open
door showed the adjoining dressing-room with its long pier-glass, and a
coal fire blazed in the open grate.</p>
<p>"Make yourself comfortable," said Brenda hospitably, "for if you don't
mind, I'm going to write a note that I want to send out by Thomas before
dinner. It won't take me ten minutes."</p>
<p>Brenda sat down at her little desk, while Belle sank in the depths of an
easy chair near the fire.</p>
<p>Just as Brenda finished her note, a white-capped maid came into the
room.</p>
<p>"Oh, Jane, just give this note to Thomas, please. I want him to take it
to Mrs. Grey's and bring back my new coat. I can't go to school
to-morrow without it."</p>
<p>"I don't hardly think Thomas can go, Miss Brenda."</p>
<p>"Why not?"</p>
<p>"Well, he's got to go to the station for your cousin."</p>
<p>"My cousin?"</p>
<p>"Yes, miss. A telegram came this afternoon that she'd be here at
six-thirty, and your mother left word when she went out that they
wouldn't be much later than that getting back from the train."</p>
<p>"Well, I never! The idea of her coming without any one's expecting her.
Why didn't she write?"</p>
<p>"I don't know, miss. I heard something about a letter that got lost, but
anyway your mother's gone to meet Miss Julia, and she left word she
thought you'd better give up going to the tableaux this evening, for she
wouldn't like you to leave your cousin alone."</p>
<p>"There, Belle, that's the way it's always going to be. Everything for
'Miss Julia.' I don't care, I'm going out just the same. The idea of
losing those tableaux."</p>
<p>"But, Brenda," began Belle.</p>
<p>"No, it isn't any good arguing with me. I never <i>could</i> bear to be
interfered with, and mamma knows perfectly well that I want to see 'The
Succession of the Seasons.'"</p>
<p>"But it's to be repeated to-morrow evening. You know I'm going then."</p>
<p>"I don't care. I hate to go the second night to anything."</p>
<p>Belle did not reply, though as Jane left the room, she turned to Brenda.</p>
<p>"I'd better not stay to dinner to-night."</p>
<p>"Oh, do. I don't want to sit alone with Julia. I shan't know what to say
to her. No, really you can't go home."</p>
<p>Then running to the stairs and calling after Jane, Brenda cried,</p>
<p>"See that there's an extra place at the table for Belle."</p>
<p>After this she began to open the drawers of her bureau, tossing their
contents about, and she ran in and out of her closet to bring out one
gown after another for Belle's inspection.</p>
<p>"Which would you wear if you wanted to make a good impression on a new
cousin? I want to look as old as I can, and I believe I'll do up my
hair."</p>
<p>"Oh, Brenda!"</p>
<p>"Yes, I will. Now see, if I put a string on the band of this skirt it
will almost touch the floor. There, help me."</p>
<p>When the skirt was lengthened, Brenda regarded her reflection in the
pier-glass with great satisfaction. Brushing her waving brown hair to
the top of her head, she gathered it in a soft knot, and thrust a long
gold pin through it.</p>
<p>"Tell me the truth, Belle, wouldn't you think me sixteen years old—if
you didn't know," she cried to her friend, who could hardly conceal her
mirth at Brenda's changed aspect.</p>
<p>"I don't—why, yes, of course," as she saw a frown stealing across
Brenda's face.</p>
<p>Brenda strode around the room with all the dignity she could command,
her pretty face somewhat flushed by her exertions in giving her hair
just the right touch. As a matter of fact she looked rather odd, but
Belle did not dare tell her that her skirt hung unevenly, and that two
or three short locks of her hair stood out almost straight behind.</p>
<p>"Hark, I believe they've come," Brenda exclaimed.</p>
<p>Certainly there was a noise in the hall below.</p>
<p>"Where's Brenda?" she heard her mother call.</p>
<p>"Well, I suppose we'll have to go down," she said reluctantly to Belle,
and the two girls slowly descended the stairs.</p>
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