<SPAN name="c7" id="c7"></SPAN>
<h3>Louisa M. Alcott.</h3><SPAN href="images/c7alcott.jpg"><br/>
<ANTIMG src="images/c7alcott_t.jpg" alt="LOUISA M. ALCOTT." /></SPAN>
<p>A dozen of us sat about the dinner-table at the Hotel
Bellevue, Boston. One was the gifted wife of a gifted
clergyman; one had written two or three novels; one was a
journalist; one was on the eve of a long journey abroad; and
one, whom we were all glad to honor, was the brilliant author
of <i>Little Women</i>. She had a womanly face, bright, gray
eyes, that looked full of merriment, and would not see the hard
side of life, and an air of common sense that made all defer to
her judgment. She told witty stories of the many who wrote her
for advice or favors, and good-naturedly gave bits of her own
personal experience. Nearly twenty years before, I had seen
her, just after her <i>Hospital Sketches</i> were published,
over which I, and thousands of others, had shed tears. Though
but thirty years old then, Miss Alcott looked frail and tired.
That was the day of her struggle with life. Now, at fifty, she
looked happy and comfortable. The desire of her heart had been
realized,--to do good to tens of thousands, and earn enough
money to care for those whom she loved.</p>
<p>Louisa Alcott's life, like that of so many famous women, has
been full of obstacles. She was born in Germantown, Pa., Nov.
29, 1832, in the home of an extremely lovely mother and
cultivated father, Amos Bronson Alcott. Beginning life poor,
his desire for knowledge led him to obtain an education and
become a teacher. In 1830 he married Miss May, a descendant of
the well-known Sewells and Quincys, of Boston. Louise Chandler
Moulton says, in her excellent sketch of Miss Alcott, "I have
heard that the May family were strongly opposed to the union of
their beautiful daughter with the penniless teacher and
philosopher;" but he made a devoted husband, though poverty was
long their guest.</p>
<p>For eleven years, mostly in Boston, he was the earnest and
successful teacher. Margaret Fuller was one of his assistants.
Everybody respected his purity of life and his scholarship. His
kindness of heart made him opposed to corporal punishment, and
in favor of self-government. The world had not come then to his
high ideal, but has been creeping toward it ever since, until
whipping, both in schools and homes, is fortunately becoming
one of the lost arts.</p>
<p>He believed in making studies interesting to pupils; not the
dull, old-fashioned method of learning by rote, whereby, when a
hymn was taught, such as, "A Charge to keep I have," the
children went home to repeat to their astonished mothers,
"Eight yards to keep I have," having learned by ear, with no
knowledge of the meaning of the words. He had friendly talks
with his pupils on all great subjects; and some of these Miss
Elizabeth Peabody, the sister of Mrs. Hawthorne, so greatly
enjoyed, that she took notes, and compiled them in a book.</p>
<p>New England, always alive to any theological discussion, at
once pronounced the book unorthodox. Emerson had been through
the same kind of a storm, and bravely came to the defence of
his friend. Another charge was laid at Mr. Alcott's door: he
was willing to admit colored children to his school, and such a
thing was not countenanced, except by a few fanatics(?) like
Whittier, and Phillips, and Garrison. The heated newspaper
discussion lessened the attendance at the school; and finally,
in 1839, it was discontinued, and the Alcott family moved to
Concord.</p>
<p>Here were gifted men and women with whom the philosopher
could feel at home, and rest. Here lived Emerson, in the
two-story drab house, with horsechestnut-trees in front of it.
Here lived Thoreau, near his beautiful Walden Lake, a restful
place, with no sound save, perchance, the dipping of an oar or
the note of a bird, which the lonely man loved so well. Here he
built his house, twelve feet square, and lived for two years
and a half, giving to the world what he desired others to
give,--his inner self. Here was his bean-field, where he "used
to hoe from five o'clock in the morning till noon," and made,
as he said, an intimate acquaintance with weeds, and a
pecuniary profit of eight dollars seventy-one and one-half
cents! Here, too, was Hawthorne, "who," as Oliver Wendell
Holmes says, "brooded himself into a dream-peopled
solitude."</p>
<p>Here Mr. Alcott could live with little expense and teach his
four daughters. Louisa, the eldest, was an active, enthusiastic
child, getting into little troubles from her frankness and lack
of policy, but making friends with her generous heart. Who can
ever forget Jo in <i>Little Women</i>, who was really Louisa,
the girl who, when reproved for whistling by Amy, the
art-loving sister, says: "I hate affected, niminy-piminy chits!
I'm not a young lady; and if turning up my hair makes me one,
I'll wear it in two tails till I'm twenty. I hate to think I've
got to grow up, and be Miss March, and wear long gowns, and
look as prim as a china-aster! Its bad enough to be a girl,
anyway, when I like boy's games and work and manners!"</p>
<p>At fifteen, "Jo was very tall, thin, and brown, and reminded
one of a colt; for she never seemed to know what to do with her
long limbs, which were very much in her way. She had a decided
mouth, a comical nose, and sharp, gray eyes, which appeared to
see everything, and were by turns fierce or funny or
thoughtful. Her long, thick hair was her one beauty, but it was
usually bundled into a net to be out of her way. Round
shoulders had Jo, and big hands and feet, a fly-away look to
her clothes, and the uncomfortable appearance of a girl who was
rapidly shooting up into a woman, and didn't like it."</p>
<p>The four sisters lived a merry life in the Concord haunts,
notwithstanding their scanty means. Now, at the dear mother's
suggestion, they ate bread and milk for breakfast, that they
might carry their nicely prepared meal to a poor woman, with
six children, who called them <i>Engel-kinder</i>, much to
Louisa's delight. Now they improvised a stage, and produced
real plays, while the neighbors looked in and enjoyed the
fun.</p>
<p>Louisa was especially fond of reading Shakespeare, Goethe,
Emerson, Margaret Fuller, Miss Edgeworth, and George Sand. As
early as eight years of age she wrote a poem of eight lines,
<i>To a Robin</i>, which her mother carefully preserved,
telling her that "if she kept on in this hopeful way, she might
be a second Shakespeare in time." Blessings on those people who
have a kind smile or a word of encouragement as we struggle up
the hard hills of life!</p>
<p>At thirteen she wrote <i>My Kingdom</i>. When, years
afterward, Mrs. Eva Munson Smith wrote to her, asking for some
poems for <i>Woman in Sacred Song</i>, Miss Alcott sent her
this one, saying, "It is the only hymn I ever wrote. It was
composed at thirteen, and as I still find the same difficulty
in governing my kingdom, it still expresses my soul's desire,
and I have nothing better to offer."</p>
<div class="poetry">
<div class="ln">
"A little kingdom I possess<br/>
Where thoughts and feelings dwell,</div>
<div class="ln">
And very hard the task I find<br/>
Of governing it well;</div>
<div class="ln">
For passion tempts and troubles me,<br/>
A wayward will misleads,</div>
<div class="ln">
And selfishness its shadow casts<br/>
On all my words and deeds.</div>
<br/>
<div class="ln">
"How can I learn to rule myself,<br/>
To be the child I should,</div>
<div class="ln">
Honest and brave, and never tire<br/>
Of trying to be good?</div>
<div class="ln">
How can I keep a sunny soul<br/>
To shine along life's way?</div>
<div class="ln">
How can I tune my little heart<br/>
To sweetly sing all day?</div>
<br/>
<div class="ln">
"Dear Father, help me with the love<br/>
That casteth out my fear;</div>
<div class="ln">
Teach me to lean on Thee, and feel<br/>
That Thou art very near:</div>
<div class="ln">
That no temptation is unseen,<br/>
No childish grief too small,</div>
<div class="ln">
Since Thou, with patience infinite,<br/>
Doth soothe and comfort all.</div>
<br/>
<div class="ln">
"I do not ask for any crown,<br/>
But that which all may win;</div>
<div class="ln">
Nor try to conquer any world<br/>
Except the one within.</div>
<div class="ln">
Be Thou my guide until I find,<br/>
Led by a tender hand,</div>
<div class="ln">
Thy happy kingdom in myself,<br/>
And dare to take command."</div>
</div>
<p>Louisa was very imaginative, telling stories to her sisters
and her mates, and at sixteen wrote a book for Miss Ellen
Emerson, entitled <i>Flower Fables</i>. It was not published
till six years later, and then, being florid in style, did not
bring her any fame. She was now anxious to earn her support.
She was not the person to sit down idly and wait for marriage,
or for some rich relation to care for her; but she determined
to make a place in the world for herself. She says in <i>Little
Women</i>, "Jo's ambition was to do something very splendid;
what it was she had no idea, as yet, but left it for time to
tell her," and at sixteen the time had come to make the
attempt.</p>
<p>She began to teach school with twenty pupils. Instead of the
theological talks which her father gave his scholars, she told
them stories, which she says made the one pleasant hour in her
school-day. Now the long years of work had begun--fifteen of
them--which should give the girl such rich yet sometimes bitter
experiences, that she could write the most fascinating books
from her own history. Into her volume called <i>Work</i>,
published when she had become famous, she put many of her own
early sorrows in those of "Christie."</p>
<p>Much of this time was spent in Boston. Sometimes she cared
for an invalid child; sometimes she was a governess; sometimes
she did sewing, adding to her slender means by writing late at
night. Occasionally she went to the house of Rev. Theodore
Parker, where she met Emerson, Sumner, Garrison, and Julia Ward
Howe. Emerson always had a kind word for the girl whom he had
known in Concord, and Mr. Parker would take her by the hand and
say, "How goes it, my child? God bless you; keep your heart up,
Louisa," and then she would go home to her lonely room, brave
and encouraged.</p>
<p>At nineteen, one of her early stories was published in
<i>Gleason's Pictorial</i>, and for this she received five
dollars. How welcome was this brain-money! Some months later
she sent a story to the <i>Boston Saturday Gazette</i>,
entitled <i>The Rival Prima Donnas</i>, and, to her great
delight, received ten dollars; and what was almost better
still, a request from the editor for another story. Miss Alcott
made the <i>Rival Prima Donnas</i> into a drama, and it was
accepted by a theatre, and would have been put upon the stage
but for some disagreement among the actors. However, the young
teacher received for her work a pass to the theatre for forty
nights. She even meditated going upon the stage, but the
manager quite opportunely broke his leg, and the contract was
annulled. What would the boys and girls of America have lost,
had their favorite turned actress!</p>
<p>A second story was, of course, written for the <i>Saturday
Evening Gazette</i>. And now Louisa was catching a glimpse of
fame. She says, "One of the memorial moments of my life is that
in which, as I trudged to school on a wintry day, my eye fell
upon a large yellow poster with these delicious words,
'<i>Bertha</i>, a new tale by the author of <i>The Rival Prima
Donnas</i>, will appear in the <i>Saturday Evening
Gazette</i>.' I was late; it was bitter cold; people jostled
me; I was mortally afraid I should be recognized; but there I
stood, feasting my eyes on the fascinating poster, and saying
proudly to myself, in the words of the great Vincent Crummles,
'This, this is fame!' That day my pupils had an indulgent
teacher; for, while they struggled with their pot-hooks, I was
writing immortal works; and when they droned out the
multiplication table, I was counting up the noble fortune my
pen was to earn for me in the dim, delightful future. That
afternoon my sisters made a pilgrimage to behold this famous
placard, and finding it torn by the wind, boldly stole it, and
came home to wave it like a triumphal banner in the bosom of
the excited family. The tattered paper still exists, folded
away with other relics of those early days, so hard and yet so
sweet, when the first small victories were won, and the
enthusiasm of youth lent romance to life's drudgery."</p>
<p>Finding that there was money in sensational stories, she set
herself eagerly to work, and soon could write ten or twelve a
month. She says in <i>Little Women</i>: "As long as <i>The
Spread Eagle</i> paid her a dollar a column for her 'rubbish,'
as she called it, Jo felt herself a woman of means, and spun
her little romances diligently. But great plans fermented in
her busy brain and ambitious mind, and the old tin kitchen in
the garret held a slowly increasing pile of blotted manuscript,
which was one day to place the name of March upon the roll of
fame."</p>
<p>But sensational stories did not bring much fame, and the
conscientious Louisa tired of them. A novel, <i>Moods</i>,
written at eighteen, shared nearly the same fate as <i>Flower
Fables</i>. Some critics praised, some condemned, but the great
world was indifferent. After this, she offered a story to Mr.
James T. Fields, at that time editor of the <i>Atlantic
Monthly</i>, but it was declined, with the kindly advice that
she stick to her teaching. But Louisa Alcott had a strong will
and a brave heart, and would not be overcome by obstacles.</p>
<p>The Civil War had begun, and the school-teacher's heart was
deeply moved. She was now thirty, having had such experience as
makes us very tender toward suffering. The perfume of natures
does not usually come forth without bruising. She determined to
go to Washington and offer herself as a nurse at the hospital
for soldiers. After much official red tape, she found herself
in the midst of scores of maimed and dying, just brought from
the defeat at Fredericksburg. She says: "Round the great stove
was gathered the dreariest group I ever saw,--ragged, gaunt,
and pale, mud to the knees, with bloody bandages untouched
since put on days before; many bundled up in blankets, coats
being lost or useless, and all wearing that disheartened look
which proclaimed defeat more plainly than any telegram, of the
Burnside blunder. I pitied them so much, I dared not speak to
them. I yearned to serve the dreariest of them all.</p>
<p>"Presently there came an order, 'Tell them to take off
socks, coats, and shirts; scrub them well, put on clean shirts,
and the attendants will finish them off, and lay them in
bed.'</p>
<p>"I chanced to light on a withered old Irishman," she says,
"wounded in the head, which caused that portion of his frame to
be tastefully laid out like a garden, the bandages being the
walks, and his hair the shrubbery. He was so overpowered by the
honor of having a lady wash him, as he expressed it, that he
did nothing but roll up his eyes and bless me, in an
irresistible style which was too much for my sense of the
ludicrous, so we laughed together; and when I knelt down to
take off his shoes, he wouldn't hear of my touching 'them dirty
craters.' Some of them took the performance like sleepy
children, leaning their tired heads against me as I worked;
others looked grimly scandalized, and several of the roughest
colored like bashful girls."</p>
<p>When food was brought, she fed one of the badly wounded men,
and offered the same help to his neighbor. "Thank you, ma'am,"
he said, "I don't think I'll ever eat again, for I'm shot in
the stomach. But I'd like a drink of water, if you ain't too
busy."</p>
<p>"I rushed away," she says; "but the water pails were gone to
be refilled, and it was some time before they reappeared. I did
not forget my patient, meanwhile, and, with the first mugful,
hurried back to him. He seemed asleep; but something in the
tired white face caused me to listen at his lips for a breath.
None came. I touched his forehead; it was cold; and then I knew
that, while he waited, a better nurse than I had given him a
cooler draught, and healed him with a touch. I laid the sheet
over the quiet sleeper, whom no noise could now disturb; and,
half an hour later, the bed was empty."</p>
<p>With cheerful face and warm heart she went among the
soldiers, now writing letters, now washing faces, and now
singing lullabies. One day a tall, manly fellow was brought in.
He seldom spoke, and uttered no complaint. After a little, when
his wounds were being dressed, Miss Alcott observed the big
tears roll down his cheeks and drop on the floor.</p>
<p>She says: "My heart opened wide and took him in, as,
gathering the bent head in my arms, as freely as if he had been
a child, I said, 'Let me help you bear it, John!' Never on any
human countenance have I seen so swift and beautiful a look of
gratitude, surprise, and comfort as that which answered me more
eloquently than the whispered--</p>
<p>"'Thank you, ma'am; this is right good! this is what I
wanted.'</p>
<p>"'Then why not ask for it before?'</p>
<p>"'I didn't like to be a trouble, you seemed so busy, and I
could manage to get on alone.'"</p>
<p>The doctors had told Miss Alcott that John must die, and she
must take the message to him; but she had not the heart to do
it. One evening he asked her to write a letter for him. "Shall
it be addressed to wife or mother, John?"</p>
<p>"Neither, ma'am; I've got no wife, and will write to mother
myself when I get better. Mother's a widow; I'm the oldest
child she has, and it wouldn't do for me to marry until Lizzy
has a home of her own, and Jack's learned his trade; for we're
not rich, and I must be father to the children and husband to
the dear old woman, if I can."</p>
<p>"No doubt you are both, John; yet how came you to go to war,
if you felt so?"</p>
<p>"I went because I couldn't help it. I didn't want the glory
or the pay; I wanted the right thing done, and people kept
saying the men who were in earnest ought to fight. I was in
earnest, the Lord knows! but I held off as long as I could, not
knowing which was my duty. Mother saw the case, gave me her
ring to keep me steady, and said 'Go'; so I went."</p>
<p>"Do you ever regret that you came, when you lie here
suffering so much?"</p>
<p>"Never, ma'am; I haven't helped a great deal, but I've shown
I was willing to give my life, and perhaps I've got to.... This
is my first battle; do they think it's going to be my
last?"</p>
<p>"I'm afraid they do, John."</p>
<p>He seemed startled at first, but desired Miss Alcott to
write the letter to Jack, because he could best tell the sad
news to the mother. With a sigh, John said, "I hope the answer
will come in time for me to see it."</p>
<p>Two days later Miss Alcott was sent for. John stretched out
both hands as he said, "I knew you'd come. I guess I'm moving
on, ma'am." Then clasping her hand so close that the death
marks remained long upon it, he slept the final sleep. An hour
later John's letter came, and putting it in his hand, Miss
Alcott kissed the dead brow of the Virginia blacksmith, for his
aged mother's sake, and buried him in the government lot.</p>
<p>The noble teacher after a while became ill from overwork,
and was obliged to return home, soon writing her book,
<i>Hospital Sketches</i>, published in 1865. This year, needing
rest and change, she went to Europe as companion to an invalid
lady, spending a year in Germany, Switzerland, Paris, and
London. In the latter city she met Jean Ingelow, Frances Power
Cobbe, John Stuart Mill, George Lewes, and others, who had
known of the brilliant Concord coterie. Such persons did not
ask if Miss Alcott were rich, nor did they care.</p>
<p>In 1868 her father took several of her more recent stories
to Roberts Brothers to see about their publication in book
form. Mr. Thomas Niles, a member of the firm, a man of
refinement and good judgment, said: "We do not care just now
for volumes of collected stories. Will not your daughter write
us a new book consisting of a single story for girls?"</p>
<p>Miss Alcott feared she could not do it, and set herself to
write <i>Little Women</i>, to show the publishers that she
could <i>not</i> write a story for girls. But she did not
succeed in convincing them or the world of her inability. In
two months the first part was finished, and published October,
1868. It was a natural, graphic story of her three sisters and
herself in that simple Concord home. How we, who are grown-up
children, read with interest about the "Lawrence boy,"
especially if we had boys of our own, and sympathized with the
little girl who wrote Miss Alcott, "I have cried quarts over
Beth's sickness. If you don't have her marry Laurie in the
second part, I shall never forgive you, and none of the girls
in our school will ever read any more of your books. Do! do!
have her, please."</p>
<p>The second part appeared in April, 1869, and Miss Alcott
found herself famous. The "pile of blotted manuscript" had
"placed the name of March upon the roll of fame." Some of us
could not be reconciled to dear Jo's marriage with the German
professor, and their school at Plumfield, when Laurie loved her
so tenderly. "We cried over Beth, and felt how strangely like
most young housekeepers was Meg. How the tired teacher, and
tender-hearted nurse for the soldiers must have rejoiced at her
success! "This year," she wrote her publishers, "after toiling
so many years along the uphill road, always a hard one to women
writers, it is peculiarly grateful to me to find the way
growing easier at last, with pleasant little surprises
blossoming on either side, and the rough places made
smooth."</p>
<p>When <i>Little Men</i> was announced, fifty thousand copies
were ordered in advance of its publication! About this time
Miss Alcott visited Rome with her artist sister May, the "Amy"
of <i>Little Women</i>, and on her return, wrote
<i>Shawl-straps</i>, a bright sketch of their journey, followed
by an <i>Old-Fashioned Girl</i>; that charming book <i>Under
the Lilacs</i>, where your heart goes out to Ben and his dog
Sancho; six volumes of <i>Aunt Jo's Scrap-bag</i>; <i>Jack and
Jill</i>; and others. From these books Miss Alcott has already
received about one hundred thousand dollars.</p>
<p>She has ever been the most devoted of daughters. Till the
mother went out of life, in 1877, she provided for her every
want. May, the gifted youngest sister, who was married in Paris
in 1878 to Ernst Nieriker, died a year and a half later,
leaving her infant daughter, Louisa May Nieriker, to Miss
Alcott's loving care. The father, who became paralyzed in 1882,
now eighty-six years old, has had her constant ministries. How
proud he has been of his Louisa! I heard him say, years ago, "I
am riding in her golden chariot."</p>
<p>Miss Alcott now divides her time between Boston and Concord.
"The Orchards," the Alcott home for twenty-five years, set in
its frame of grand trees, its walls and doors daintily covered
with May Alcott's sketches, has become the home of the "Summer
School of Philosophy," and Miss Alcott and her father live in
the house where Thoreau died.</p>
<p>Most of her stories have been written in Boston, where she
finds more inspiration than at Concord. "She never had a
study," says Mrs. Moulton; "any corner will answer to write in.
She is not particular as to pens and paper, and an old atlas on
her knee is all the desk she cares for. She has the wonderful
power to carry a dozen plots in her head at a time, thinking
them over whenever she is in the mood. Often in the dead waste
and middle of the night she lies awake and plans whole
chapters. In her hardest working days she used to write
fourteen hours in the twenty-four, sitting steadily at her
work, and scarcely tasting food till her daily task was done.
When she has a story to write, she goes to Boston, hires a
quiet room, and shuts herself up in it. In a month or so the
book will be done, and its author comes out 'tired, hungry, and
cross,' and ready to go back to Concord and vegetate for a
time."</p>
<p>Miss Alcott, like Elizabeth Stuart Phelps, is an earnest
advocate of woman's suffrage, and temperance. When Meg in
<i>Little Women</i> prevails upon Laurie to take the pledge on
her wedding-day, the delighted Jo beams her approval. In 1883
she writes of the suffrage reform, "Every year gives me greater
faith in it, greater hope of its success, a larger charity for
those who cannot see its wisdom, and a more earnest wish to use
what influence I possess for its advancement."</p>
<p>Miss Alcott has done a noble work for her generation. Her
books have been translated into foreign languages, and
expressions of affection have come to her from both east and
west. She says, "As I turn my face toward sunset, I find so
much to make the down-hill journey smooth and lovely, that,
like Christian, I go on my way rejoicing with a cheerful
heart."</p>
<p class="spacer">* * * * *</p>
<p>Miss Alcott died March 6, 1888, at the age of fifty-five,
three days after the death of her distinguished father, Bronson
Alcott, eighty-eight years old. She had been ill for some
months, from care and overwork. On the Saturday morning before
she died, she wrote to a friend: "I am told that I must spend
another year in this 'Saint's Rest,' and then I am promised
twenty years of health. I don't want so many, and I have no
idea I shall see them. But as I don't live for myself, I will
live on for others."</p>
<p>On the evening of the same day she became unconscious, and
remained so till her death, on Tuesday morning.</p>
<hr />
<br/>
<br/>
<div style="break-after:column;"></div><br />