<h2>THE TOWER OF LONDON</h2>
<h3>BY ARTEMUS WARD</h3>
<p>Mr. Punch, <i>My Dear Sir</i>:—I skurcely need inform you that your
excellent Tower is very pop'lar with pe'ple from the agricultooral
districks, and it was chiefly them class which I found waitin at the
gates the other mornin.</p>
<p>I saw at once that the Tower was established on a firm basis. In the
entire history of firm basisis I don't find a basis more firmer than
this one.</p>
<p>"You have no Tower in America?" said a man in the crowd, who had somehow
detected my denomination.</p>
<p>"Alars! no," I anserd; "we boste of our enterprise and improovements,
and yit we are devoid of a Tower. America oh my onhappy country! thou
hast not got no Tower! It's a sweet Boon."</p>
<p>The gates was opened after a while, and we all purchist tickets, and
went into a waitin-room.</p>
<p>"My frens," said a pale-faced little man, in black close, "this is a sad
day."</p>
<p>"Inasmuch as to how?" I said.</p>
<p>"I mean it is sad to think that so many peple have been killed within
these gloomy walls. My frens, let us drop a tear!"</p>
<p>"No," I said, "you must excuse me. Others may drop one if they feel like
it; but as for me, I decline. The early managers of this institootion
were a bad lot, and their crimes were trooly orful; but I can't sob for
those who died four or five hundred years ago. If they was my own<span class='pagenum'><SPAN name="Page_529" id="Page_529"></SPAN></span>
relations I couldn't. It's absurd to shed sobs over things which occurd
during the rain of Henry the Three. Let us be cheerful," I continnered.
"Look at the festiv Warders, in their red flannil jackets. They are
cheerful, and why should it not be thusly with us?"</p>
<p>A Warder now took us in charge, and showed us the Trater's Gate, the
armers, and things. The Trater's Gate is wide enuff to admit about
twenty traters abrest, I should jedge; but beyond this, I couldn't see
that it was superior to gates in gen'ral.</p>
<p>Traters, I will here remark, are a onfornit class of peple. If they
wasn't, they wouldn't be traters. They conspire to bust up a
country—they fail, and they're traters. They bust her, and they become
statesmen and heroes.</p>
<p>Take the case of Gloster, afterward Old Dick the Three, who may be seen
at the Tower on horseback, in a heavy tin overcoat—take Mr. Gloster's
case. Mr. G. was a conspirator of the basist dye, and if he'd failed, he
would have been hung on a sour apple tree. But Mr. G. succeeded, and
became great. He was slewed by Col. Richmond, but he lives in history,
and his equestrian figger may be seen daily for a sixpence, in
conjunction with other em'nent persons, and no extra charge for the
Warder's able and bootiful lectur.</p>
<p>There's one king in this room who is mounted onto a foaming steed, his
right hand graspin a barber's pole. I didn't learn his name.</p>
<p>The room where the daggers and pistils and other weppins is kept is
interestin. Among this collection of choice cuttlery I notist the bow
and arrer which those hot-heded old chaps used to conduct battles with.
It is quite like the bow and arrer used at this day by certain tribes of
American Injuns, and they shoot 'em off with such a<span class='pagenum'><SPAN name="Page_530" id="Page_530"></SPAN></span> excellent precision
that I almost sigh'd to be an Injun when I was in the Rocky Mountain
regin. They are a pleasant lot them Injuns. Mr. Cooper and Dr. Catlin
have told us of the red man's wonerful eloquence, and I found it so. Our
party was stopt on the plains of Utah by a band of Shoshones, whose
chief said:</p>
<p>"Brothers! the pale-face is welcome. Brothers! the sun is sinking in the
west, and Wa-na-bucky-she will soon cease speakin. Brothers! the poor
red man belongs to a race which is fast becomin extink."</p>
<p>He then whooped in a shrill manner, stole all our blankets and whisky,
and fled to the primeval forest to conceal his emotions.</p>
<p>I will remark here, while on the subjeck of Injuns, that they are in the
main a very shaky set, with even less sense than the Fenians, and when I
hear philanthropists be-wailin the fack that every year "carries the
noble red man nearer the settin sun," I simply have to say I'm glad of
it, tho' it is rough on the settin sun. They call you by the sweet name
of Brother one minit, and the next they scalp you with their
Thomas-hawks. But I wander. Let us return to the Tower.</p>
<p>At one end of the room where the weppins is kept, is a wax figger of
Queen Elizabeth, mounted on a fiery stuffed hoss, whose glass eye
flashes with pride, and whose red morocker nostril dilates hawtily, as
if conscious of the royal burden he bears. I have associated Elizabeth
with the Spanish Armady. She's mixed up with it at the Surrey Theater,
where <i>Troo to the Core</i> is bein acted, and in which a full bally core
is introjooced on board the Spanish Admiral's ship, giving the audiens
the idee that he intends openin a moosic-hall in Plymouth the moment he
conkers that town. But a very interesting drammer is <i>Troo to the Core</i>,
notwithstandin the eccen<span class='pagenum'><SPAN name="Page_531" id="Page_531"></SPAN></span>tric conduct of the Spanish Admiral; and very
nice it is in Queen Elizabeth to make Martin Truegold a baronet.</p>
<p>The Warder shows us some instrooments of tortur, such as thumbscrews,
throat-collars, etc., statin that these was conkered from the Spanish
Armady, and addin what a crooil peple the Spaniards was in them
days—which elissited from a bright-eyed little girl of about twelve
summers the remark that she tho't it <i>was</i> rich to talk about the
crooilty of the Spaniards usin thumbscrews, when he was in a Tower where
so many poor peple's heads had been cut off. This made the Warder
stammer and turn red.</p>
<p>I was so pleased with the little girl's brightness that I could have
kissed the dear child, and I would if she'd been six years older.</p>
<p>I think my companions intended makin a day of it, for they all had
sandwiches, sassiges, etc. The sad-lookin man, who had wanted us to drop
a tear afore we started to go round, fling'd such quantities of sassige
into his mouth that I expected to see him choke hisself to death; he
said to me, in the Beauchamp Tower, where the poor prisoners writ their
onhappy names on the cold walls, "This is a sad sight."</p>
<p>"It is indeed," I anserd. "You're black in the face. You shouldn't eat
sassige in public without some rehearsals beforehand. You manage it
orkwardly."</p>
<p>"No," he said, "I mean this sad room."</p>
<p>Indeed, he was quite right. Tho' so long ago all these drefful things
happened, I was very glad to git away from this gloomy room, and go
where the rich and sparklin Crown Jewils is kept. I was so pleased with
the Queen's Crown, that it occurd to me what a agree'ble surprise it
would be to send a sim'lar one home to my wife; and I asked the Warder
what was the vally of a good, well-con<span class='pagenum'><SPAN name="Page_532" id="Page_532"></SPAN></span>structed Crown like that. He told
me, but on cypherin up with a pencil the amount of funs I have in the
Jint Stock Bank, I conclooded I'd send her a genteel silver watch
instid.</p>
<p>And so I left the Tower. It is a solid and commandin edifis, but I deny
that it is cheerful. I bid it adoo without a pang.</p>
<p>I was droven to my hotel by the most melancholly driver of a
four-wheeler that I ever saw. He heaved a deep sigh as I gave him two
shillings.</p>
<p>"I'll give you six d.'s more," I said, "if it hurts you so."</p>
<p>"It isn't that," he said, with a hart-rendin groan, "it's only a way I
have. My mind's upset to-day. I at one time tho't I'd drive you into the
Thames. I've been readin all the daily papers to try and understand
about Governor Eyre, and my mind is totterin. It's really wonderful I
didn't drive you into the Thames."</p>
<p>I asked the onhappy man what his number was, so I could redily find him
in case I should want him agin, and bad him good-by. And then I tho't
what a frollicsome day I'd made of it.</p>
<p>Respectably, etc.<br/>
<span style="margin-left: 2em;"><span class="smcap">Artemus Ward</span>.</span><br/>
<br/>
—<i>Punch</i>, 1866.<br/></p>
<h3>SCIENCE AND NATURAL HISTORY</h3>
<p><span class="smcap">Mr. Punch</span>, <i>My Dear Sir</i>:—I was a little disapinted at not receivin a
invitation to jine in the meetins of the Social Science Congress....</p>
<p>I prepared an Essy on Animals to read before the Social Science meetins.
It is a subjeck I may troothfully say I have successfully wrastled with.
I tackled it when only nineteen years old. At that tender age I writ a
Essy<span class='pagenum'><SPAN name="Page_533" id="Page_533"></SPAN></span> for a lit'ry Institoot entitled, "Is Cats to be trusted?" Of the
merits of that Essy it doesn't becum me to speak, but I may be excoos'd
for mentionin that the Institoot parsed a resolution that "whether we
look upon the length of this Essy, or the manner in which it is written,
we feel that we will not express any opinion of it, and we hope it will
be read in other towns."</p>
<p>Of course the Essy I writ for the Social Science Society is a more
finisheder production than the one on Cats, which was wroten when my
mind was crood, and afore I had masterd a graceful and ellygant stile of
composition. I could not even punctooate my sentences proper at that
time, and I observe with pane, on lookin over this effort of my youth,
that its beauty is in one or two instances mar'd by ingrammaticisms.
This was inexcusable, and I'm surprised I did it. A writer who can't
write in a grammerly manner better shut up shop.</p>
<p>You shall hear this Essy on Animals. Some day when you have four hours
to spare, I'll read it to you. I think you'll enjoy it. Or, what will be
much better, if I may suggest—omit all picturs in next week's <i>Punch</i>,
and do not let your contributors write eny thing whatever (let them have
a holiday; they can go to the British Mooseum;) and publish my Essy
intire. It will fill all your collumes full, and create comment. Does
this proposition strike you? Is it a go?</p>
<p>In case I had read the Essy to the Social Sciencers, I had intended it
should be the closin attraction. I intended it should finish the
proceedins. I think it would have finished them. I understand animals
better than any other class of human creatures. I have a very animal
mind, and I've been identified with 'em doorin my entire perfessional
career as a showman, more especial bears, wolves, leopards and
serpunts.<span class='pagenum'><SPAN name="Page_534" id="Page_534"></SPAN></span></p>
<p>The leopard is as lively a animal as I ever came into contack with. It
is troo he cannot change his spots, but you can change 'em for him with
a paint-brush, as I once did in the case of a leopard who wasn't
nat'rally spotted in a attractive manner. In exhibitin him I used to
stir him up in his cage with a protracted pole, and for the purpuss of
makin him yell and kick up in a leopardy manner, I used to casionally
whack him over the head. This would make the children inside the booth
scream with fright, which would make fathers of families outside the
booth very anxious to come in—because there is a large class of parents
who have a uncontrollable passion for takin their children to places
where they will stand a chance of being frightened to death.</p>
<p>One day I whacked this leopard more than ushil, which elissited a
remonstrance from a tall gentleman in spectacles, who said, "My good
man, do not beat the poor caged animal. Rather fondle him."</p>
<p>"I'll fondle him with a club," I ansered, hitting him another whack.</p>
<p>"I prithy desist," said the gentleman; "stand aside, and see the effeck
of kindness. I understand the idiosyncracies of these creeturs better
than you do."</p>
<p>With that he went up to the cage, and thrustin his face in between the
iron bars, he said, soothingly, "Come hither, pretty creetur."</p>
<p>The pretty creetur come-hithered rayther speedy, and seized the
gentleman by the whiskers, which he tore off about enuff to stuff a
small cushion with.</p>
<p>He said, "You vagabone, I'll have you indicted for exhibitin dangerous
and immoral animals."</p>
<p>I replied, "Gentle Sir, there isn't a animal here that hasn't a
beautiful moral, but you mustn't fondle 'em. You mustn't meddle with
their idiotsyncracies."<span class='pagenum'><SPAN name="Page_535" id="Page_535"></SPAN></span></p>
<p>The gentleman was a dramatic cricket, and he wrote a article for a
paper, in which he said my entertainment wos a decided failure.</p>
<p>As regards Bears, you can teach 'em to do interestin things, but they're
onreliable. I had a very large grizzly bear once, who would dance, and
larf, and lay down, and bow his head in grief, and give a mournful wale,
etsetry. But he often annoyed me. It will be remembered that on the
occasion of the first battle of Bull Run, it suddenly occurd to the
Fed'ral soldiers that they had business in Washington which ought not to
be neglected, and they all started for that beautiful and romantic city,
maintainin a rate of speed durin the entire distance that would have
done credit to the celebrated French steed <i>Gladiateur</i>. Very nat'rally
our Gov'ment was deeply grieved at this defeat; and I said to my Bear
shortly after, as I was givin a exhibition in Ohio—I said, "Brewin, are
you not sorry the National arms has sustained a defeat?" His business
was to wale dismal, and bow his head down, the band (a barrel origin and
a wiolin) playing slow and melancholy moosic. What did the grizzly old
cuss do, however, but commence darncin and larfin in the most joyous
manner? I had a narrer escape from being imprisoned for disloyalty.<span class='pagenum'><SPAN name="Page_536" id="Page_536"></SPAN></span></p>
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