<h2 class="title"><SPAN name="id2524978" name= "id2524978"></SPAN>Chapter VII. Creation Legend: Merodach the Dragon Slayer</h2>
<p class="title"><b>Abstract</b></p>
<p>Elder Spirits of the Primordial Deep--Apsu and the Tiamat
Dragon--Plot to Destroy the Beneficent Gods--Ea overcomes Apsu
and Muminu--The Vengeful Preparations of the Dragon--Anshar's
Appeal to Merodach--The Festival of the High Gods--Merodach
exalted as Ruler of the Universe--Dragon slain and Host taken
captive--Merodach rearranges the Pantheon--Creation of
Man--Merodach as Asari--The Babylonian Osiris--The Chief Purpose
of Mankind--Tiamat as Source of Good and Evil--The Dragon as the
Serpent or Worm--Folk Tale aspect of Creation Myth--British
Neolithic Legends--German and Egyptian Contracts--Biblical
references to Dragons--The Father and Son theme--Merodach and
Tammuz--Monotheistic Tendency--Bi-sexual Deities.</p>
<p><SPAN name="page.anchor.138" name="page.anchor.138"></SPAN> In the
beginning the whole universe was a sea. Heaven on high had not
been named, nor the earth beneath. Their begetter was Apsu, the
father of the primordial Deep, and their mother was Tiamat, the
spirit of Chaos. No plain was yet formed, no marsh could be seen;
the gods had no existence, nor had their fates been determined.
Then there was a movement in the waters, and the deities issued
forth. The first who had being were the god Lachmu and the
goddess Lachamu. Long ages went past. Then were created the god
Anshar and the goddess Kishar. When the days of these deities had
increased and extended, they were followed by Anu, god of the
sky, whose consort was Anatu; and Ea, most wise and all-powerful,
who was without an equal. Now Ea, god of the deep, was also Enki,
"lord of earth", and <SPAN name="page.anchor.139" name=
"page.anchor.139"></SPAN>his eternal spouse, Damkina, was Gashan-ki,
"lady of earth". The son of Ea and Damkina was Bel, the lord, who
in time created mankind.<span class="sub">[<SPAN name="fnrex1152"
href="#ftn.fnrex1152" name="fnrex1152">152</SPAN>]</span> Thus were
the high gods established in power and in glory.</p>
<SPAN name="id2525050" name="id2525050"></SPAN>
<p class="title"><b>Figure VII.1. STATUE OF GUDEA</b></p>
<blockquote class="blockquote">
<p>(<span class="emphasis"><em>Louvre, Paris</em></span>)</p>
</blockquote>
<ANTIMG alt="" src="img/15.jpg" />
<SPAN name="id2525068" name="id2525068"></SPAN>
<p class="title"><b>Figure VII.2. "THE SEVEN TABLETS OF
CREATION"</b></p>
<blockquote class="blockquote">
<p><span class="emphasis"><em>From the Library of Ashur-bani-pal
at Kouyunjik (Nineveh): now in the British Museum</em></span></p>
</blockquote>
<ANTIMG alt="" src="img/16.jpg" />
<p>Now Apsu and Tiamat remained amidst confusion in the deeps of
chaos. They were troubled because their offspring, the high gods,
aspired to control the universe and set it in order.<span class=
"sub">[<SPAN name="fnrex1153" href="#ftn.fnrex1153" id=
"fnrex1153">153</SPAN>]</span> Apsu was still powerful and fierce,
and Tiamat snarled and raised tempests, smiting herself. Their
purpose was to work evil amidst eternal confusion.</p>
<p>Then Apsu called upon Mummu, his counsellor, the son who
shared his desires, and said, "O Mummu, thou who art pleasing
unto me, let us go forth together unto Tiamat and speak with
her."</p>
<p>So the two went forth and prostrated themselves before the
Chaos Mother to consult with her as to what should be done to
prevent the accomplishment of the purpose of the high gods.</p>
<p>Apsu opened his mouth and spake, saying, "O Tiamat, thou
gleaming one, the purpose of the gods troubles me. I cannot rest
by day nor can I repose by night. I will thwart them and destroy
their purpose. I will bring sorrow and mourning so that we may
lie down undisturbed by them."</p>
<p>Tiamat heard these words and snarled. She raised angry and
roaring tempests; in her furious grief she uttered a curse, and
then spake to Apsu, saying, "What shall we do so that their
purpose may be thwarted and we may lie down undisturbed
again?"</p>
<p>Mummu, the counsellor, addressing Apsu, made answer, and said,
"Although the gods are powerful, thou <SPAN name="page.anchor.140"
name="page.anchor.140"></SPAN>canst overcome them; although their
purpose is strong, thou canst thwart it. Then thou shalt have
rest by day and peace by night to lie down."</p>
<p>The face of Apsu grew bright when he heard these words spoken
by Mummu, yet he trembled to think of the purpose of the high
gods, to whom he was hostile. With Tiamat he lamented because the
gods had changed all things; the plans of the gods filled their
hearts with dread; they sorrowed and spake with Mummu, plotting
evil.</p>
<p>Then Ea, who knoweth all, drew near; he beheld the evil ones
conspiring and muttering together. He uttered a pure incantation
and accomplished the downfall of Apsu and Mummu, who were taken
captive.<span class="sub">[<SPAN name="fnrex1154" href=
"#ftn.fnrex1154" name="fnrex1154">154</SPAN>]</span></p>
<p>Kingu, who shared the desires of Tiamat, spake unto her words
of counsel, saying, "Apsu and Mummu have been overcome and we
cannot repose. Thou shalt be their Avenger, O Tempestuous
One."</p>
<p>Tiamat heard the words of this bright and evil god, and made
answer, saying, "On my strength thou canst trust. So let war be
waged."</p>
<p>Then were the hosts of chaos and the deep gathered together.
By day and by night they plotted against the high gods, raging
furiously, making ready for battle, fuming and storming and
taking no rest.</p>
<p>Mother Chuber,<span class="sub">[<SPAN name="fnrex1155" href=
"#ftn.fnrex1155" name="fnrex1155">155</SPAN>]</span> the creator of
all, provided irresistible weapons. She also brought into being
eleven kinds of fierce monsters--giant serpents, sharp of tooth
with unsparing fangs, whose bodies were filled with poison
instead of blood; snarling dragons, clad with terror, and of such
lofty stature that whoever saw them was overwhelmed with fear,
nor could any escape their attack when they <SPAN id=
"page.anchor.141" name="page.anchor.141"></SPAN>lifted themselves
up; vipers and pythons, and the Lachamu, hurricane monsters,
raging hounds, scorpion men, tempest furies, fish men, and
mountain rams. These she armed with fierce weapons and they had
no fear of war.</p>
<p>Then Tiamat, whose commands are unchangeable and mighty,
exalted Kingu, who had come to her aid, above all the evil gods;
she made him the leader to direct the army in battle, to go in
front, to open the attack. Robing Kingu in splendour, she seated
him on high and spoke, saying:</p>
<p>"I have established thy command over all the gods. Thou shalt
rule over them. Be mighty, thou my chosen husband, and let thy
name be exalted over all the spirits of heaven and spirits of
earth."</p>
<p>Unto Kingu did Tiamat deliver the tablets of fate; she laid
them in his bosom, and said, "Thy commands cannot be changed; thy
words shall remain firm."</p>
<p>Thus was Kingu exalted; he was vested with the divine power of
Anu to decree the fate of the gods, saying, "Let thy mouth open
to thwart the fire god; be mighty in battle nor brook
resistance."</p>
<p>Then had Ea knowledge of Tiamat's doings, how she had gathered
her forces together, and how she had prepared to work evil
against the high gods with purpose to avenge Apsu. The wise god
was stricken with grief, and he moaned for many days. Thereafter
he went and stood before his father, Anshar, and spake, saying,
"Our mother, Tiamat, hath turned against us in her wrath. She
hath gathered the gods about her, and those thou didst create are
with her also."</p>
<p>When Anshar heard all that Ea revealed regarding the
preparations made by Tiamat, he smote his loins and clenched his
teeth, and was ill at ease. In sorrow and anger he spoke and
said, "Thou didst go forth aforetime <SPAN name="page.anchor.142"
name="page.anchor.142"></SPAN>to battle; thou didst bind Mummu and
smite Apsu. Now Kingu is exalted, and there is none who can
oppose Tiamat."<span class="sub">[<SPAN name="fnrex1156" href=
"#ftn.fnrex1156" name="fnrex1156">156</SPAN>]</span></p>
<p>Anshar called his son, Anu, before him, and spoke, saying: "O
mighty one without fear, whose attack is irresistible, go now
before Tiamat and speak so that her anger may subside and her
heart be made merciful. But if she will not hearken unto thee,
speak thou for me, so that she may be reconciled."</p>
<p>Anu was obedient to the commands of Anshar. He departed, and
descended by the path of Tiamat until he beheld her fuming and
snarling, but he feared to approach her, and turned back.</p>
<p>Then Ea was sent forth, but he was stricken with terror and
turned back also.<span class="sub">[<SPAN name="fnrex1157" href=
"#ftn.fnrex1157" name="fnrex1157">157</SPAN>]</span></p>
<p>Anshar then called upon Merodach, son of Ea, and addressed
him, saying, "My son, who softeneth my heart, thou shalt go forth
to battle and none shall stand against thee."</p>
<p>The heart of Merodach was made glad at these words. He stood
before Anshar, who kissed him, because that he banished fear.
Merodach spake, saying: "O lord of the gods, withdraw not thy
words; let me go forth to do as is thy desire. What man hath
challenged thee to battle?"</p>
<p>Anshar made answer and said: "No man hath challenged me. It is
Tiamat, the woman, who hath resolved to wage war against us. But
fear not and make merry, for thou shalt bruise the head of
Tiamat. O wise god, thou shalt overcome her with thy pure
incantation. Tarry not but hasten forth; she cannot wound thee;
thou shalt come back again." <SPAN name="page.anchor.143" name=
"page.anchor.143"></SPAN>The words of Anshar delighted the heart of
Merodach, who spake, saying: "O lord of the gods, O fate of the
high gods, if I, the avenger, am to subdue Tiamat and save all,
then proclaim my greatness among the gods. Let all the high gods
gather together joyfully in Upshukinaku (the Council Hall), so
that my words like thine may remain unchanged, and what I do may
never be altered. Instead of thee I will decree the fates of the
gods."</p>
<p>Then Anshar called unto his counsellor, Gaga, and addressing
him, said: "O thou who dost share my desires, thou who dost
understand the purpose of my heart, go unto Lachmu and Lachamu
and summon all the high gods to come before me to eat bread and
drink wine. Repeat to them all I tell you of Tiamat's
preparations for war, of my commands to Anu and Ea, who turned
back, fearing the dragon, of my choice of Merodach to be our
avenger, and his desire to be equipped with my power to decree
fate, so that he may be made strong to combat against our
enemy."</p>
<p>As Anshar commanded so did Gaga do. He went unto Lachmu and
Lachamu and prostrated himself humbly before them. Then he rose
and delivered the message of Anshar, their son, adding: "Hasten
and speedily decide for Merodach your fate. Permit him to depart
to meet your powerful foe."</p>
<p>When Lachmu and Lachamu heard all that Gaga revealed unto them
they uttered lamentations, while the Igigi (heavenly spirits)
sorrowed bitterly, and said: "What change hath happened that
Tiamat hath become hostile to her own offspring? We cannot
understand her deeds."</p>
<p>All the high gods then arose and went unto Anshar, They filled
his council chamber and kissed one another. <SPAN id=
"page.anchor.144" name="page.anchor.144"></SPAN>Then they sat down
to eat bread and drink sesame wine. And when they were made drunk
and were merry and at their ease, they decreed the fate for
Merodach.</p>
<p>In the chamber of Anshar they honoured the Avenger. He was
exalted as a prince over them all, and they said: "Among the high
gods thou art the highest; thy command is the command of Anu.
Henceforth thou wilt have power to raise up and to cast down.
None of the gods will dispute thy authority. O Merodach, our
avenger, we give thee sovereignty over the entire Universe. Thy
weapon will ever be irresistible. Smite down the gods who have
raised revolt, but spare the lives of those who repose their
trust in thee."</p>
<p>Then the gods laid down a garment before Merodach, saying:
"Open thy mouth and speak words of command, so that the garment
may be destroyed; speak again and it will be brought back."</p>
<p>Merodach spake with his mouth and the garment vanished; he
spake again and the garment was reproduced.</p>
<p>All the gods rejoiced, and they prostrated themselves and
cried out, "Merodach is King!"</p>
<p>Thereafter they gave him the sceptre and the throne and the
insignia of royalty, and also an irresistible weapon<span class=
"sub">[<SPAN name="fnrex1158" href="#ftn.fnrex1158" id=
"fnrex1158">158</SPAN>]</span> with which to overcome his enemies,
saying: "Now, O Merodach, hasten and slay Tiamat. Let the winds
carry her blood to hidden places."</p>
<p>So was the fate of Merodach decreed by the gods; so was a path
of prosperity and peace prepared for him. He made ready for
battle; he strung his bow and hung his quiver; he slung a dart
over his shoulder, and he grasped a club in his right hand;
before him he set lightning, and with flaming fire he filled his
body. Anu gave unto him <SPAN name="page.anchor.145" name=
"page.anchor.145"></SPAN>a great net with which to snare his enemies
and prevent their escape. Then Merodach created seven winds--the
wind of evil, the uncontrollable wind, the sandstorm, and the
whirlwind, the fourfold wind, the sevenfold wind, and the wind
that has no equal--and they went after him. Next he seized his
mighty weapon, the thunderstone, and leapt into his storm
chariot, to which were yoked four rushing and destructive steeds
of rapid flight, with foam-flecked mouths and teeth full of
venom, trained for battle, to overthrow enemies and trample them
underfoot. A light burned on the head of Merodach, and he was
clad in a robe of terror. He drove forth, and the gods, his
fathers, followed after him: the high gods clustered around and
followed him, hastening to battle.</p>
<SPAN name="id2525477" name="id2525477"></SPAN>
<p class="title"><b>Figure VII.3. MERODACH SETS FORTH TO ATTACK
TIAMAT</b></p>
<blockquote class="blockquote">
<p><span class="emphasis"><em>From the Painting by E.
Wallcousins</em></span></p>
</blockquote>
<ANTIMG alt="" src="img/17.jpg" />
<p>Merodach drove on, and at length he drew nigh to the secret
lair of Tiamat, and he beheld her muttering with Kingu, her
consort. For a moment he faltered, and when the gods who followed
him beheld this, their eyes were troubled.</p>
<p>Tiamat snarled nor turned her head. She uttered curses, and
said: "O Merodach, I fear not thy advance as chief of the gods.
My allies are assembled here, and are more powerful than thou
art."</p>
<p>Merodach uplifted his arm, grasping the dreaded thunderstone,
and spake unto Tiamat, the rebellious one, saying: "Thou hast
exalted thyself, and with wrathful heart hath prepared for war
against the high gods and their fathers, whom thou dost hate in
thy heart of evil. Unto Kingu thou hast given the power of Anu to
decree fate, because thou art hostile to what is good and loveth
what is sinful. Gather thy forces together, and arm thyself and
come forth to battle."</p>
<p>When Tiamat heard these mighty words she raved and cried aloud
like one who is possessed; all her limbs <SPAN name="page.anchor.146"
name="page.anchor.146"></SPAN>shook, and she muttered a spell. The
gods seized their weapons.</p>
<p>Tiamat and Merodach advanced to combat against one another.
They made ready for battle. The lord of the high gods spread out
the net which Anu had given him. He snared the dragon and she
could not escape. Tiamat opened her mouth which was seven miles
wide, and Merodach called upon the evil wind to smite her; he
caused the wind to keep her mouth agape so that she could not
close it. All the tempests and the hurricanes entered in, filling
her body, and her heart grew weak; she gasped, overpowered. Then
the lord of the high gods seized his dart and cast it through the
lower part of her body; it tore her inward parts and severed her
heart. So was Tiamat slain.</p>
<p>Merodach overturned the body of the dead dragon and stood upon
it. All the evil gods who had followed her were stricken with
terror and broke into flight. But they were unable to escape.
Merodach caught them in his great net, and they stumbled and fell
uttering cries of distress, and the whole world resounded with
their wailing and lamentations. The lord of the high gods broke
the weapons of the evil gods and put them in bondage. Then he
fell upon the monsters which Tiamat had created; he subdued them,
divested them of their powers, and trampled them under his feet.
Kingu he seized with the others. From this god great Merodach
took the tablets of fate, and impressing upon them his own seal,
placed them in his bosom.</p>
<p>So were the enemies of the high gods overthrown by the
Avenger. Ansar's commands were fulfilled and the desires of Ea
fully accomplished.</p>
<p>Merodach strengthened the bonds which he had laid upon the
evil gods and then returned to Tiamat. He <SPAN name="page.anchor.147"
name="page.anchor.147"></SPAN>leapt upon the dragon's body; he clove
her skull with his great club; he opened the channels of her
blood which streamed forth, and caused the north to carry her
blood to hidden places. The high gods, his fathers, clustered
around; they raised shouts of triumph and made merry. Then they
brought gifts and offerings to the great Avenger.</p>
<p>Merodach rested a while, gazing upon the dead body of the
dragon. He divided the flesh of Ku-pu<span class="sub">[<SPAN name=
"fnrex1159" href="#ftn.fnrex1159" name="fnrex1159">159</SPAN>]</span>,
and devised a cunning plan.</p>
<p>Then the lord of the high gods split the body of the dragon
like that of a mashde fish into two halves. With one half he
enveloped the firmament; he fixed it there and set a watchman to
prevent the waters falling down<span class="sub">[<SPAN name=
"fnrex1160" href="#ftn.fnrex1160" name="fnrex1160">160</SPAN>]</span>.
With the other half he made the earth<span class="sub">[<SPAN name=
"fnrex1161" href="#ftn.fnrex1161" name="fnrex1161">161</SPAN>]</span>.
Then he made the abode of Ea in the deep, and the abode of Anu in
high heaven. The abode of Enlil was in the air.</p>
<p>Merodach set all the great gods in their several stations. He
also created their images, the stars of the Zodiac, and fixed
them all. He measured the year and divided it into months; for
twelve months he made three stars each. After he had given starry
images of the gods separate control of each day of the year, he
founded the station of Nibiru (Jupiter), his own star, to
determine the limits of all stars, so that none might err or go
astray. He placed beside his own the stations of Enlil and Ea,
and on each side he opened mighty <SPAN name="page.anchor.148" name=
"page.anchor.148"></SPAN>gates, fixing bolts on the left and on the
right. He set the zenith in the centre.</p>
<p>Merodach decreed that the moon god should rule the night and
measure the days, and each month he was given a crown. Its
various phases the great lord determined, and he commanded that
on the evening of its fullest brilliancy it should stand opposite
the sun.<span class="sub">[<SPAN name="fnrex1162" href=
"#ftn.fnrex1162" name="fnrex1162">162</SPAN>]</span></p>
<p>He placed his bow in heaven (as a constellation) and his net
also.</p>
<p>We have now reached the sixth tablet, which begins with a
reference to words spoken to Merodach by the gods. Apparently Ea
had conceived in his heart that mankind should be created. The
lord of the gods read his thoughts and said: "I will shed my
blood and fashion bone... I will create man to dwell on the earth
so that the gods may be worshipped and shrines erected for them.
I will change the pathways of the gods...."</p>
<p>The rest of the text is fragmentary, and many lines are
missing. Berosus states, however, that Belus (Bel Merodach)
severed his head from his shoulders. His blood flowed forth, and
the gods mixed it with earth and formed the first man and various
animals.</p>
<p>In another version of the creation of man, it is related that
Merodach "laid a reed upon the face of the waters; he formed
dust, and poured it out beside the reed.... That he might cause
the gods to dwell in the habitation of their heart's desire, he
formed mankind." The goddess Aruru, a deity of Sippar, and one of
the forms of "the lady of the gods", is associated with Merodach
as the creatrix of the seed of mankind. "The beasts of the field
and living creatures in the field he formed." <SPAN id=
"page.anchor.149" name="page.anchor.149"></SPAN>He also created the
Tigris and Euphrates rivers, grass, reeds, herbs and trees,
lands, marshes and swamps, cows, goats, &c.<span class=
"sub">[<SPAN name="fnrex1163" href="#ftn.fnrex1163" id=
"fnrex1163">163</SPAN>]</span></p>
<p>In the seventh tablet Merodach is praised by the gods--the
Igigi (spirits of heaven). As he has absorbed all their
attributes, he is addressed by his fifty-one names; henceforth
each deity is a form of Merodach. Bel Enlil, for instance, is
Merodach of lordship and domination; Sin, the moon god, is
Merodach as ruler of night; Shamash is Merodach as god of law and
holiness; Nergal is Merodach of war; and so on. The tendency to
monotheism appears to have been most marked among the priestly
theorists of Babylon.</p>
<p>Merodach is hailed to begin with as Asari, the introducer of
agriculture and horticulture, the creator of grain and plants. He
also directs the decrees of Anu, Bel, and Ea; but having rescued
the gods from destruction at the hands of Kingu and Tiamat, he
was greater than his "fathers", the elder gods. He set the
Universe in order, and created all things anew. He is therefore
Tutu, "the creator", a merciful and beneficent god. The following
are renderings of lines 25 to 32:</p>
<blockquote class="blockquote">
<tt>Tutu: Aga-azaga (the glorious crown)
may he make the crowns glorious--</tt>
<tt>The lord of the glorious incantation
bringing the dead to life;</tt>
<tt>He who had mercy on the gods who had
been overpowered;</tt>
<tt>Made heavy the yoke which he had laid
on the gods who were his enemies,</tt>
<tt>(And) to redeem (?) them created
mankind.</tt>
<tt>"The merciful one", "he with whom is
salvation",</tt>
<tt>May his word be established, and not
forgotten,</tt>
<tt>In the mouth of the black-headed ones
whom his hands have made.</tt>
<tt> </tt>
<tt> <span class=
"emphasis"><em>Pinches' Translation</em></span><span class=
"sub">[<SPAN name="fnrex1164" href="#ftn.fnrex1164" id=
"fnrex1164">164</SPAN>]</span></tt>
<tt> </tt>
<tt> </tt>
<tt><SPAN name="page.anchor.150" name=
"page.anchor.150"></SPAN>Tutu as Aga-azag may mankind fourthly
magnify!</tt>
<tt>"The Lord of the Pure Incantation",
"the Quickener of the Dead",</tt>
<tt>"Who had mercy upon the captive
gods",</tt>
<tt>"Who removed the yoke from upon the
gods his enemies".</tt>
<tt>"For their forgiveness did he create
mankind",</tt>
<tt>"The Merciful One, with whom it is to
bestow life!"</tt>
<tt>May his deeds endure, may they never be
forgotten</tt>
<tt>In the mouth of mankind whom his hands
have made.</tt>
<tt> </tt>
<tt> <span class=
"emphasis"><em>King's Translation.</em></span><span class=
"sub">[<SPAN name="fnrex1165" href="#ftn.fnrex1165" id=
"fnrex1165">165</SPAN>]</span></tt></blockquote><p>Apparently the Babylonian doctrine set forth that mankind was
created not only to worship the gods, but also to bring about the
redemption of the fallen gods who followed Tiamat.</p>
<blockquote class="blockquote">
<tt>Those rebel angels <span class=
"emphasis"><em>(ili</em></span>, gods) He prohibited
return;</tt>
<tt>He stopped their service; He removed
them unto the gods <span class="emphasis"><em>(ili)</em></span>
who were His enemies.</tt>
<tt>In their room he created
mankind.<span class="sub">[<SPAN name="fnrex1166" href=
"#ftn.fnrex1166" name="fnrex1166">166</SPAN>]</span></tt></blockquote><p>Tiamat, the chaos dragon, is the Great Mother. She has a dual
character. As the origin of good she is the creatrix of the gods.
Her beneficent form survived as the Sumerian goddess Bau, who was
obviously identical with the Phoenician Baau, mother of the first
man. Another name of Bau was Ma, and Nintu, "a form of the
goddess Ma", was half a woman and half a serpent, and was
depicted with "a babe suckling her breast" (Chapter IV). The
Egyptian goddesses Neheb-kau and Uazit were serpents, and the
goddesses Isis and Nepthys had also serpent forms. The serpent
was a symbol of fertility, and as a mother was a protector.
Vishnu, the Preserver of the Hindu Trinity, sleeps on the
world-serpent's body. Serpent charms are protective and fertility
charms.</p>
<p><SPAN name="page.anchor.151" name="page.anchor.151"></SPAN>As the
origin of evil Tiamat personified the deep and tempests. In this
character she was the enemy of order and good, and strove to
destroy the world.</p>
<blockquote class="blockquote">
<tt> I have seen</tt>
<tt>The ambitious ocean swell and rage and
foam</tt>
<tt>To be exalted with the threatening
clouds.<span class="sub">[<SPAN name="fnrex1167" href=
"#ftn.fnrex1167" name="fnrex1167">167</SPAN>]</span></tt></blockquote><p>Tiamat was the dragon of the sea, and therefore the serpent or
leviathan. The word "dragon" is derived from the Greek "drakon",
the serpent known as "the seeing one" or "looking one", whose
glance was the lightning. The Anglo-Saxon "fire drake" ("draca",
Latin "draco") is identical with the "flying dragon".</p>
<p>In various countries the serpent or worm is a destroyer which
swallows the dead. "The worm shall eat them like wool", exclaimed
Isaiah in symbolic language.<span class="sub">[<SPAN name=
"fnrex1168" href="#ftn.fnrex1168" name="fnrex1168">168</SPAN>]</span>
It lies in the ocean which surrounds the world in Egyptian,
Babylonian, Greek, Teutonic, Indian, and other mythologies. The
Irish call it "morúach", and give it a mermaid form like
the Babylonian Nintu. In a Scottish Gaelic poem Tiamat figures as
"The Yellow Muilearteach", who is slain by Finn-mac-Coul,
assisted by his warrior band.</p>
<blockquote class="blockquote">
<tt>There was seen coming on the top of the
waves</tt>
<tt>The crooked, clamouring, shivering
brave ...</tt>
<tt>Her face was blue black of the lustre
of coal,</tt>
<tt>And her bone-tufted tooth was like
rusted bone.<span class="sub">[<SPAN name="fnrex1169" href=
"#ftn.fnrex1169" name="fnrex1169">169</SPAN>]</span></tt></blockquote><p>The serpent figures in folk tales. When Alexander the Great,
according to Ethiopic legend, was lowered in a glass cage to the
depths of the ocean, he saw a great monster going past, and sat
for two days "watching for its tail and hinder parts to
appear".<span class="sub">[<SPAN name="fnrex1170" href=
"#ftn.fnrex1170" name="fnrex1170">170</SPAN>]</span> An <SPAN id=
"page.anchor.152" name="page.anchor.152"></SPAN>Argyllshire
Highlander had a similar experience. He went to fish one morning
on a rock. "He was not long there when he saw the head of an eel
pass. He continued fishing for an hour and the eel was still
passing. He went home, worked in the field all day, and having
returned to the same rock in the evening, the eel was still
passing, and about dusk he saw her tail
disappearing."<span class="sub">[<SPAN name="fnrex1171" href=
"#ftn.fnrex1171" name="fnrex1171">171</SPAN>]</span> Tiamat's
sea-brood is referred to in the Anglo-Saxon epic <span class=
"emphasis"><em>Beowulf</em></span> as "nickers". The hero "slew
by night sea monsters on the waves" (line 422).</p>
<p>The well dragon--the French "draco"--also recalls the
Babylonian water monsters. There was a "dragon well" near
Jerusalem.<span class="sub">[<SPAN name="fnrex1172" href=
"#ftn.fnrex1172" name="fnrex1172">172</SPAN>]</span> From China to
Ireland rivers are dragons, or goddesses who flee from the well
dragons. The demon of the Rhone is called the "drac". Floods are
also referred to as dragons, and the Hydra, or water serpent,
slain by Hercules, belongs to this category. Water was the source
of evil as well as good. To the Sumerians, the ocean especially
was the abode of monsters. They looked upon it as did
Shakespeare's Ferdinand, when, leaping into the sea, he cried:
"Hell is empty and all the devils are here".<span class=
"sub">[<SPAN name="fnrex1173" href="#ftn.fnrex1173" id=
"fnrex1173">173</SPAN>]</span></p>
<p>There can be little doubt but that in this Babylonian story of
Creation we have a glorified variation of the widespread Dragon
myth. Unfortunately, however, no trace can be obtained of the
pre-existing Sumerian oral version which the theorizing priests
infused with such sublime symbolism. No doubt it enjoyed as great
popularity as the immemorial legend of Perseus and Andromeda,
which the sages of Greece attempted to rationalize, and parts of
which the poets made use of and developed as these appealed to
their imaginations.</p>
<p><SPAN name="page.anchor.153" name="page.anchor.153"></SPAN>The lost
Sumerian story may be summarized as follows: There existed in the
savage wilds, or the ocean, a family of monsters antagonistic to
a group of warriors represented in the Creation legend by the
gods. Ea, the heroic king, sets forth to combat with the enemies
of man, and slays the monster father, Apsu, and his son, Mummu.
But the most powerful demon remains to be dealt with. This is the
mother Tiamat, who burns to avenge the deaths of her kindred. To
wage war against her the hero makes elaborate preparations, and
equips himself with special weapons. The queen of monsters cannot
be overcome by ordinary means, for she has great cunning, and is
less vulnerable than were her husband and son. Although Ea may
work spells against her, she is able to thwart him by working
counter spells. Only a hand-to-hand combat can decide the fray.
Being strongly protected by her scaly hide, she must be wounded
either on the under part of her body or through her mouth by a
weapon which will pierce her liver, the seat of life. It will be
noted in this connection that Merodach achieved success by
causing the winds which followed him to distend the monster's
jaws, so that he might be able to inflict the fatal blow and
prevent her at the same time from uttering spells to weaken
him.</p>
<p>This type of story, in which the mother monster is greater and
more powerful than her husband or son, is exceedingly common in
Scottish folklore. In the legend which relates the adventures of
"Finn in the Kingdom of Big Men", the hero goes forth at night to
protect his allies against the attacks of devastating sea
monsters. Standing on the beach, "he saw the sea advancing in
fiery kilns and as a darting serpent.... A huge monster came up,
and looking down below where he (Finn) was, exclaimed, 'What
little speck do I see here?'" <SPAN name="page.anchor.154" name=
"page.anchor.154"></SPAN>Finn, aided by his fairy dog, slew the
water monster. On Finn, aided by his fairy dog, slew the water
monster. On the following night a bigger monster, "the father",
came ashore, and he also was slain. But the most powerful enemy
had yet to be dealt with. "The next night a Big Hag came ashore,
and the tooth in the front of her mouth would make a distaff.
'You killed my husband and son,' she said." Finn acknowledged
that he did, and they began to fight. After a prolonged struggle,
in which Finn was almost overcome, the Hag fell and her head was
cut off.<span class="sub">[<SPAN name="fnrex1174" href=
"#ftn.fnrex1174" name="fnrex1174">174</SPAN>]</span></p>
<p>The story of "Finlay the Changeling" has similar features. The
hero slew first a giant and then the giant's father. Thereafter
the Hag came against him and exclaimed, "Although with cunning
and deceitfulness you killed my husband last night and my son on
the night before last, I shall certainly kill you to-night." A
fierce wrestling match ensued on the bare rock. The Hag was
ultimately thrown down. She then offered various treasures to
ransom her life, including "a gold sword in my cave", regarding
which she says, "never was it drawn to man or to beast whom it
did not overcome".<span class="sub">[<SPAN name="fnrex1175" href=
"#ftn.fnrex1175" name="fnrex1175">175</SPAN>]</span> In other Scottish
stories of like character the hero climbs a tree, and says
something to induce the hag to open her mouth, so that he may
plunge his weapon down her throat.</p>
<p>The Grendel story in <span class=
"emphasis"><em>Beowulf</em></span>,<span class="sub">[<SPAN name=
"fnrex1176" href="#ftn.fnrex1176" name="fnrex1176">176</SPAN>]</span>
the Anglo-Saxon epic, is of like character. A male water monster
preys nightly upon the warriors who sleep in the great hall of
King Hrothgar. Beowulf comes over the sea, as did Finn to the
"Kingdom of Big Men", to sky Grendel. He wrestles with this
man-eater and mortally wounds him. Great rejoicings ensue, but
they have to be brought to an abrupt conclusion, because the
mother of Grendel has <SPAN name="page.anchor.155" name=
"page.anchor.155"></SPAN>meanwhile resolved "to go a sorry journey
and avenge the death of her son".</p>
<p>The narrative sets forth that she enters the Hall in the
darkness of night. "Quickly she grasped one of the nobles tight,
and then she went towards the fen", towards her submarine cave.
Beowulf follows in due course, and, fully armoured, dives through
the waters and ultimately enters the monster's lair. In the
combat the "water wife" proves to be a more terrible opponent
than was her son. Indeed, Beowulf was unable to slay her until he
possessed himself of a gigantic sword, "adorned with treasure",
which was hanging in the cave. With this magic weapon he slays
the mother monster, whose poisonous blood afterwards melts the
"damasked blade". Like Finn, he subsequently returns with the
head of one of the monsters.</p>
<p>An interesting point about this story is that it does not
appear in any form in the North German cycle of Romance. Indeed,
the poet who included in his epic the fiery dragon story, which
links the hero Beowulf with Sigurd and Siegfried, appears to be
doubtful about the mother monster's greatness, as if dealing with
unfamiliar material, for he says: "The terror (caused by
Grendel's mother) was less by just so much as woman's strength,
woman's war terror, is (measured) by fighting men".<span class=
"sub">[<SPAN name="fnrex1177" href="#ftn.fnrex1177" id=
"fnrex1177">177</SPAN>]</span> Yet, in the narrative which follows
the Amazon is proved to be the stronger monster of the two.
Traces of the mother monster survive in English folklore,
especially in the traditions about the mythical "Long Meg of
Westminster", referred to by Ben Jonson in his masque of the
"Fortunate Isles":</p>
<blockquote class="blockquote">
<tt>Westminster Meg,</tt>
<tt>With her long leg,</tt>
<tt><SPAN name="page.anchor.156" name=
"page.anchor.156"></SPAN>As long as a crane;</tt>
<tt>And feet like a plane,</tt>
<tt>With a pair of heels</tt>
<tt>As broad as two wheels.</tt></blockquote><p>Meg has various graves. One is supposed to be marked by a huge
stone in the south side of the cloisters of Westminster Abbey; it
probably marks the trench in which some plague victims--regarded,
perhaps, as victims of Meg--were interred. Meg was also reputed
to have been petrified, like certain Greek and Irish giants and
giantesses. At Little Salkeld, near Penrith, a stone circle is
referred to as "Long Meg and her Daughters". Like "Long Tom", the
famous giant, "Mons Meg" gave her name to big guns in early
times, all hags and giants having been famous in floating folk
tales as throwers of granite boulders, balls of hard clay,
quoits, and other gigantic missiles.</p>
<p>The stories about Grendel's mother and Long Meg are similar to
those still repeated in the Scottish Highlands. These contrast
sharply with characteristic Germanic legends, in which the giant
is greater than the giantess, and the dragon is a male, like
Fafner, who is slain by Sigurd, and Regin whom Siegfried
overcomes. It is probable, therefore, that the British stories of
female monsters who were more powerful than their husbands and
sons, are of Neolithic and Iberian origin--immemorial relics of
the intellectual life of the western branch of the Mediterranean
race.</p>
<p>In Egypt the dragon survives in the highly developed mythology
of the sun cult of Heliopolis, and, as sun worship is believed to
have been imported, and the sun deity is a male, it is not
surprising to find that the night demon, Apep, was a
personification of Set. This god, who is identical with Sutekh, a
Syrian and Asia Minor deity, was <SPAN name="page.anchor.157" name=
"page.anchor.157"></SPAN>apparently worshipped by a tribe which was
overcome in the course of early tribal struggles in pre-dynastic
times. Being an old and discredited god, he became by a familiar
process the demon of the conquerors. In the eighteenth dynasty,
however, his ancient glory was revived, for the Sutekh of Rameses
II figures as the "dragon slayer".<span class="sub">[<SPAN name=
"fnrex1178" href="#ftn.fnrex1178" name="fnrex1178">178</SPAN>]</span>
It is in accordance with Mediterranean modes of thought, however,
to find that in Egypt there is a great celestial battle heroine.
This is the goddess Hathor-Sekhet, the "Eye of Ra".<span class=
"sub">[<SPAN name="fnrex1179" href="#ftn.fnrex1179" id=
"fnrex1179">179</SPAN>]</span> Similarly in India, the post-Vedic
goddess Kali is a destroyer, while as Durga she is a guardian of
heroes.<span class="sub">[<SPAN name="fnrex1180" href=
"#ftn.fnrex1180" name="fnrex1180">180</SPAN>]</span> Kali, Durga, and
Hathor-Sekhet link with the classical goddesses of war, and also
with the Babylonian Ishtar, who, as has been shown, retained the
outstanding characteristics of Tiamat, the fierce old "Great
Mother" of primitive Sumerian folk religion.</p>
<p>It is possible that in the Babylonian dragon myth the original
hero was Ea. As much may be inferred from the symbolic references
in the Bible to Jah's victory over the monster of the deep: "Art
thou not it that hath cut Rahab and wounded the
dragon?"<span class="sub">[<SPAN name="fnrex1181" href=
"#ftn.fnrex1181" name="fnrex1181">181</SPAN>]</span> "Thou brakest the
heads of the dragons in the waters; thou brakest the heads of
leviathan in pieces, and gavest him to be meat to the people
inhabiting the wilderness";<span class="sub">[<SPAN name="fnrex1182"
href="#ftn.fnrex1182" name="fnrex1182">182</SPAN>]</span> "He divideth
the sea with his power, and by his understanding he smiteth
through the proud (Rahab). By his spirit he hath garnished the
heavens: his hand hath formed (or pierced) the crooked
serpent";<span class="sub">[<SPAN name="fnrex1183" href=
"#ftn.fnrex1183" name="fnrex1183">183</SPAN>]</span> "Thou hast broken
Rahab in pieces as one that is slain: thou hast scattered thine
enemies with thy strong arm";<span class="sub">[<SPAN name=
"fnrex1184" href="#ftn.fnrex1184" name="fnrex1184">184</SPAN>]</span>
"In that day the <SPAN name="page.anchor.158" name=
"page.anchor.158"></SPAN>Lord with his sore and great and strong
sword shall punish leviathan the piercing (or stiff) serpent,
even leviathan that crooked serpent; and he shall slay the dragon
that is in the sea".<span class="sub">[<SPAN name="fnrex1185" href=
"#ftn.fnrex1185" name="fnrex1185">185</SPAN>]</span></p>
<p>In the Babylonian Creation legend Ea is supplanted as dragon
slayer by his son Merodach. Similarly Ninip took the place of his
father, Enlil, as the champion of the gods. "In other words,"
writes Dr. Langdon, "later theology evolved the notion of the son
of the earth god, who acquires the attributes of the father, and
becomes the god of war. It is he who stood forth against the
rebellious monsters of darkness, who would wrest the dominion of
the world from the gods who held their conclave on the mountain.
The gods offer him the Tablets of Fate; the right to utter
decrees is given unto him." This development is "of extreme
importance for studying the growth of the idea of father and son,
as creative and active principles of the world".<span class=
"sub">[<SPAN name="fnrex1186" href="#ftn.fnrex1186" id=
"fnrex1186">186</SPAN>]</span> In Indian mythology Indra similarly
takes the place of his bolt-throwing father Dyaus, the sky god,
who so closely resembles Zeus. Andrew Lang has shown that this
myth is of widespread character.<span class="sub">[<SPAN name=
"fnrex1187" href="#ftn.fnrex1187" name="fnrex1187">187</SPAN>]</span>
Were the Babylonian theorists guided by the folk-lore clue?</p>
<p>Now Merodach, as the son of Ea whom he consulted and received
spells from, was a brother of "Tammuz of the Abyss". It seems
that in the great god of Babylon we should recognize one of the
many forms of the primeval corn spirit and patriarch--the
shepherd youth who was beloved by Ishtar. As the deity of the
spring sun, Tammuz slew the winter demons of rain and tempest, so
that he was an appropriate spouse for the goddess of harvest and
war. Merodach may have been a development of Tammuz in his
character as a demon slayer. <SPAN name="page.anchor.159" name=
"page.anchor.159"></SPAN> When he was raised to the position of Bel,
"the Lord" by the Babylonian conquerors, Merodach supplanted the
older Bel--Enlil of Nippur. Now Enlil, who had absorbed all the
attributes of rival deities, and become a world god, was the</p>
<blockquote class="blockquote">
<tt>Lord of the harvest lands ... lord of
the grain fields,</tt></blockquote><p>being "lord of the anunnaki", or "earth spirits". As
agriculturists in early times went to war so as to secure
prisoners who could be sacrificed to feed the corn spirit, Enlil
was a god of war and was adored as such:</p>
<blockquote class="blockquote">
<tt>The haughty, the hostile land thou dost
humiliate ...</tt>
<tt>With thee who ventureth to make
war?</tt></blockquote><p>He was also "the bull of goring horns ... Enlil the bull", the
god of fertility as well as of battle.<span class="sub">[<SPAN name=
"fnrex1188" href="#ftn.fnrex1188" id=
"fnrex1188">188</SPAN>]</span></p>
<p>Asari, one of Merodach's names, links him with Osiris, the
Egyptian Tammuz, who was supplanted by his son Horus. As the
dragon slayer, he recalls, among others, Perseus, the Grecian
hero, of whom it was prophesied that he would slay his
grandfather. Perseus, like Tammuz and Osiris, was enclosed in a
chest which was cast into the sea, to be rescued, however, by a
fisherman on the island of Seriphos. This hero afterwards slew
Medusa, one of the three terrible sisters, the Gorgons--a demon
group which links with Tiamat. In time, Perseus returned home,
and while an athletic contest was in progress, he killed his
grandfather with a quoit. There is no evidence, however, to show
that the displacement of Enlil by Merodach had any legendary
sanction of like character. The god of Babylon absorbed all other
deities, apparently for political purposes, and in accordance
with the tendency of the thought of the times, <SPAN id=
"page.anchor.160" name="page.anchor.160"></SPAN>when raised to
supreme rank in the national pantheon; and he was depicted
fighting the winged dragon, flapping his own storm wings, and
carrying the thunder weapon associated with Ramman.</p>
<p>Merodach's spouse Zer-panitu<span class='phonetic'>m</span>
was significantly called "the lady of the Abyss", a title which
connects her with Damkina, the mother, and Belit-sheri, the
sister of Tammuz. Damkina was also a sky goddess like Ishtar.</p>
<p>Zer-panitu<span class='phonetic'>m</span> was no pale
reflection of her Celestial husband, but a goddess of sharply
defined character with independent powers. Apparently she was
identical with Aruru, creatrix of the seed of mankind, who was
associated with Merodach when the first man and the first woman
were brought into being. Originally she was one of the mothers in
the primitive spirit group, and so identical with Ishtar and the
other prominent goddesses.</p>
<p>As all goddesses became forms of Ishtar, so did all gods
become forms of Merodach. Sin was "Merodach as illuminator of
night", Nergal was "Merodach of war", Addu (Ramman) was "Merodach
of rain", and so on. A colophon which contains a text in which
these identifications are detailed, appears to be "a copy", says
Professor Pinches, "of an old inscription", which, he thinks,
"may go back as far as 2000 B.C. This is the period at which the
name <span class="emphasis"><em>Yau<span class=
'phonetic'>m</span>-ilu</em></span>, 'Jah is god', is found,
together with references to <span class=
"emphasis"><em>ilu</em></span> as the name for the one great god,
and is also, roughly, the date of Abraham, who, it may be noted,
was a Babylonian of Ur of the Chaldees."<span class=
"sub">[<SPAN name="fnrex1189" href="#ftn.fnrex1189" id=
"fnrex1189">189</SPAN>]</span></p>
<p>In one of the hymns Merodach is addressed as follows:--</p>
<blockquote class="blockquote">
<tt><SPAN name="page.anchor.161" name=
"page.anchor.161"></SPAN>Who shall escape from before thy
power?</tt>
<tt>Thy will is an eternal
mystery!</tt>
<tt>Thou makest it plain in
heaven</tt>
<tt>And in the earth,</tt>
<tt>Command the sea</tt>
<tt>And the sea obeyeth thee.</tt>
<tt>Command the tempest</tt>
<tt>And the tempest becometh a
calm.</tt>
<tt>Command the winding course</tt>
<tt>Of the Euphrates,</tt>
<tt>And the will of Merodach</tt>
<tt>Shall arrest the floods.</tt>
<tt>Lord, thou art holy!</tt>
<tt>Who is like unto thee?</tt>
<tt>Merodach thou art honoured</tt>
<tt>Among the gods that bear a
name.</tt></blockquote><p>The monotheistic tendency, which was a marked feature of
Merodach worship, had previously become pronounced in the worship
of Bel Enlil of Nippur. Although it did not affect the religion
of the masses, it serves to show that among the ancient scholars
and thinkers of Babylonia religious thought had, at an early
period, risen far above the crude polytheism of those who
bargained with their deities and propitiated them with offerings
and extravagant flattery, or exercised over them a magical
influence by the performance of seasonal ceremonies, like the
backsliders in Jerusalem, censured so severely by Jeremiah, who
baked cakes to reward the Queen of Heaven for an abundant
harvest, and wept with her for the slain Tammuz when he departed
to Hades.</p>
<p>Perhaps it was due to the monotheistic tendency, if not to the
fusion of father-worshipping and mother-worshipping peoples, that
bi-sexual deities were conceived of. Nannar, the moon god, was
sometimes addressed as <SPAN name="page.anchor.162" name=
"page.anchor.162"></SPAN> father and mother in one, and Ishtar as a
god as well as a goddess. In Egypt Isis is referred to in a
temple chant as "the woman who was made a male by her father
Osiris", and the Nile god Hapi was depicted as a man with female
breasts.</p>
<br/>
<hr width="100" align="left" />
<span class="footnote">[<SPAN name=
"ftn.fnrex1152" href="#fnrex1152" id=
"ftn.fnrex1152">152</SPAN>]</span> The elder Bel was Enlil of Nippur
and the younger Merodach of Babylon. According to Damascius the
elder Bel came into existence before Ea, who as Enki shared his
attributes.
<span class="footnote">[<SPAN name=
"ftn.fnrex1153" href="#fnrex1153" id=
"ftn.fnrex1153">153</SPAN>]</span> This is the inference drawn from
fragmentary texts.
<span class="footnote">[<SPAN name=
"ftn.fnrex1154" href="#fnrex1154" id=
"ftn.fnrex1154">154</SPAN>]</span> A large portion of the narrative
is awaiting here.
<span class="footnote">[<SPAN name=
"ftn.fnrex1155" href="#fnrex1155" id=
"ftn.fnrex1155">155</SPAN>]</span> A title of Tiamat; pron.
<span class="emphasis"><em>ch</em></span> guttural.
<span class="footnote">[<SPAN name=
"ftn.fnrex1156" href="#fnrex1156" id=
"ftn.fnrex1156">156</SPAN>]</span> There is another gap here which
interrupts the narrative.
<span class="footnote">[<SPAN name=
"ftn.fnrex1157" href="#fnrex1157" id=
"ftn.fnrex1157">157</SPAN>]</span> This may refer to Ea's first
visit when he overcame Kingu, but did not attack Tiamat.
<span class="footnote">[<SPAN name=
"ftn.fnrex1158" href="#fnrex1158" id=
"ftn.fnrex1158">158</SPAN>]</span> The lightning trident or
thunderstone.
<span class="footnote">[<SPAN name=
"ftn.fnrex1159" href="#fnrex1159" id=
"ftn.fnrex1159">159</SPAN>]</span> The authorities are not agreed as
to the meaning of "Ku-pu." Jensen suggests "trunk, body". In
European dragon stories the heroes of the Siegfried order roast
and eat the dragon's heart. Then they are inspired with the
dragon's wisdom and cunning. Sigurd and Siegfried immediately
acquire the language of birds. The birds are the "Fates", and
direct the heroes what next they should do. Apparently Merodach's
"cunning plan" was inspired after he had eaten a part of the body
of Tiamat.
<span class="footnote">[<SPAN name=
"ftn.fnrex1160" href="#fnrex1160" id=
"ftn.fnrex1160">160</SPAN>]</span> The waters above the
firmament.
<span class="footnote">[<SPAN name=
"ftn.fnrex1161" href="#fnrex1161" id=
"ftn.fnrex1161">161</SPAN>]</span> According to Berosus.
<span class="footnote">[<SPAN name=
"ftn.fnrex1162" href="#fnrex1162" id=
"ftn.fnrex1162">162</SPAN>]</span> This portion is fragmentary and
seems to indicate that the Babylonians had made considerable
progress in the science of astronomy. It is suggested that they
knew that the moon derived its light from the sun.
<span class="footnote">[<SPAN name=
"ftn.fnrex1163" href="#fnrex1163" id=
"ftn.fnrex1163">163</SPAN>]</span> <span class="emphasis"><em>The
Seven Tablets of Creation</em></span>, L.W. King, pp. 134,
135.
<span class="footnote">[<SPAN name=
"ftn.fnrex1164" href="#fnrex1164" id=
"ftn.fnrex1164">164</SPAN>]</span> <span class="emphasis"><em>The
Religion of Babylonia and Assyria</em></span>, T.G. Pinches, p.
43.
<span class="footnote">[<SPAN name=
"ftn.fnrex1165" href="#fnrex1165" id=
"ftn.fnrex1165">165</SPAN>]</span> <span class="emphasis"><em>The
Seven Tablets of Creation</em></span>, L. W. King, vol. i, pp.
98, 99.
<span class="footnote">[<SPAN name=
"ftn.fnrex1166" href="#fnrex1166" id=
"ftn.fnrex1166">166</SPAN>]</span> <span class="emphasis"><em>Trans.
Soc. Bib. Arch</em></span>., iv, 251-2.
<span class="footnote">[<SPAN name=
"ftn.fnrex1167" href="#fnrex1167" id=
"ftn.fnrex1167">167</SPAN>]</span> Shakespeare's <span class=
"emphasis"><em>Julius Caesar</em></span>, i, 3, 8.
<span class="footnote">[<SPAN name=
"ftn.fnrex1168" href="#fnrex1168" id=
"ftn.fnrex1168">168</SPAN>]</span> <span class=
"emphasis"><em>Isaiah</em></span>, li, 8.
<span class="footnote">[<SPAN name=
"ftn.fnrex1169" href="#fnrex1169" id=
"ftn.fnrex1169">169</SPAN>]</span> Campbell's <span class=
"emphasis"><em>West Highland Tales</em></span>, pp. 136
<span class="emphasis"><em>et seq</em></span>.
<span class="footnote">[<SPAN name=
"ftn.fnrex1170" href="#fnrex1170" id=
"ftn.fnrex1170">170</SPAN>]</span> <span class="emphasis"><em>The
Life and Exploits of Alexander the Great</em></span>, E. A.
Wallis Budge, pp. 284, 285.
<span class="footnote">[<SPAN name=
"ftn.fnrex1171" href="#fnrex1171" id=
"ftn.fnrex1171">171</SPAN>]</span> Campbell's <span class=
"emphasis"><em>West Highland Tales</em></span>.
<span class="footnote">[<SPAN name=
"ftn.fnrex1172" href="#fnrex1172" id=
"ftn.fnrex1172">172</SPAN>]</span> <span class=
"emphasis"><em>Nehemiah</em></span>, ii, 13.
<span class="footnote">[<SPAN name=
"ftn.fnrex1173" href="#fnrex1173" id=
"ftn.fnrex1173">173</SPAN>]</span> <span class="emphasis"><em>The
Tempest</em></span>, i, 2, 212.
<span class="footnote">[<SPAN name=
"ftn.fnrex1174" href="#fnrex1174" id=
"ftn.fnrex1174">174</SPAN>]</span> <span class="emphasis"><em>Waifs
and Strays of Celtic Tradition</em></span>, vol. iv, p. 176 et
seq.
<span class="footnote">[<SPAN name=
"ftn.fnrex1175" href="#fnrex1175" id=
"ftn.fnrex1175">175</SPAN>]</span> From unpublished folk tale.
<span class="footnote">[<SPAN name=
"ftn.fnrex1176" href="#fnrex1176" id=
"ftn.fnrex1176">176</SPAN>]</span> <span class=
"emphasis"><em>Beowulf</em></span>, translated by Clark Hall,
London, 1911, p. 18 et seq.
<span class="footnote">[<SPAN name=
"ftn.fnrex1177" href="#fnrex1177" id=
"ftn.fnrex1177">177</SPAN>]</span> <span class=
"emphasis"><em>Beowulf</em></span>, translated by Clark Hall,
London, 1911, p. 69, lines 1280-1287.
<span class="footnote">[<SPAN name=
"ftn.fnrex1178" href="#fnrex1178" id=
"ftn.fnrex1178">178</SPAN>]</span> <span class=
"emphasis"><em>Egyptian Myth and Legend</em></span>, pp. 260,
261.
<span class="footnote">[<SPAN name=
"ftn.fnrex1179" href="#fnrex1179" id=
"ftn.fnrex1179">179</SPAN>]</span> <span class=
"emphasis"><em>Egyptian Myth and Legend</em></span>, pp. 8,
9.
<span class="footnote">[<SPAN name=
"ftn.fnrex1180" href="#fnrex1180" id=
"ftn.fnrex1180">180</SPAN>]</span> <span class="emphasis"><em>Indian
Myth and Legend</em></span>, pp. xli, 149, 150.
<span class="footnote">[<SPAN name=
"ftn.fnrex1181" href="#fnrex1181" id=
"ftn.fnrex1181">181</SPAN>]</span> <span class=
"emphasis"><em>Isaiah</em></span>, li, 9.
<span class="footnote">[<SPAN name=
"ftn.fnrex1182" href="#fnrex1182" id=
"ftn.fnrex1182">182</SPAN>]</span> <span class=
"emphasis"><em>Psalms</em></span>, lxxiv, 13, 14. It will be
noted that the Semitic dragon, like the Egyptian, is a
male.
<span class="footnote">[<SPAN name=
"ftn.fnrex1183" href="#fnrex1183" id=
"ftn.fnrex1183">183</SPAN>]</span> <span class=
"emphasis"><em>Job</em></span>, xxvi, 12, 13.
<span class="footnote">[<SPAN name=
"ftn.fnrex1184" href="#fnrex1184" id=
"ftn.fnrex1184">184</SPAN>]</span> <span class=
"emphasis"><em>Psalms</em></span>, lxxxix, 10.
<span class="footnote">[<SPAN name=
"ftn.fnrex1185" href="#fnrex1185" id=
"ftn.fnrex1185">185</SPAN>]</span> <span class=
"emphasis"><em>Isaiah</em></span>, xxvii, I.
<span class="footnote">[<SPAN name=
"ftn.fnrex1186" href="#fnrex1186" id=
"ftn.fnrex1186">186</SPAN>]</span> <span class=
"emphasis"><em>Sumerian and Babylonian Psalms</em></span>, p.
204.
<span class="footnote">[<SPAN name=
"ftn.fnrex1187" href="#fnrex1187" id=
"ftn.fnrex1187">187</SPAN>]</span> <span class="emphasis"><em>Custom
and Myth</em></span>, pp. 45 et seq.
<span class="footnote">[<SPAN name=
"ftn.fnrex1188" href="#fnrex1188" id=
"ftn.fnrex1188">188</SPAN>]</span> Translation by Dr. Langdon, pp.
199 <span class="emphasis"><em>et seq</em></span>.
<span class="footnote">[<SPAN name=
"ftn.fnrex1189" href="#fnrex1189" id=
"ftn.fnrex1189">189</SPAN>]</span> <span class="emphasis"><em>The
Religion of Babylonia and Assyria</em></span>, T.G. Pinches, pp.
118, 119.
<div style="break-after:column;"></div><br />