<h2>THE TALKING HORSE</h2>
<h3>BY JOHN T. McINTYRE</h3>
<p>Upon a fence across the way was posted a "twenty-four sheet block
stand," and along the top, in big red letters, it read:</p>
<p>"<i>H. Wellington Sheldon Presents</i>"<br/></p>
<p>Then followed the names of a half dozen famous operatic stars.</p>
<p>Bat Scranton sat regarding it silently for a long time; but after he had
placed himself behind his third big cigar he joined in the talk.</p>
<p>"In fifteen years dubbing about this great and glorious," said he, "I
never run across a smoother piece of goods than old Cap. Sheldon. To see
him, now, in his plug hat, frock coat and white English whiskers, you'd
spot him as the main squeeze in a prosperous bank. He's doing the
Frohman stunt, too," and Bat nodded toward the poster, "and he handles
it with exceeding grace. When I see him after the curtain falls upon a
bunch of Verdi or Wagner stuff, come out and bow his thanks to a house
full of the town's swellest, and throw out a little spiel with an
aristocratic accent, I always think of the time when I first met him.</p>
<p>"Were any of you ever in Langtry, Ohio? Well, never take a chance on it
if there is anywhere else to go. It's a tank town with a community of
seven hundred of the<span class='pagenum'><SPAN name="Page_1186" id="Page_1186"></SPAN></span> tightest wads that ever sunk a dollar into the toe
of a sock. There was a fair going on in the place, and I blew in there
one September day; my turn just then was taking orders for crayon
portraits of rural gentlemen with horny hands and plenty of chin fringe.
I figure it out that about sixty per cent. of the parlors in the middle
west are adorned with one or more of these works of art, but Langtry,
Ohio, would not listen to the proposition for a moment; as soon as they
discovered that I wasn't giving the stuff away they sort of lost
interest in me and mine; so I began to study the time-table and kick off
the preliminary dust of the burg, preparatory to seeking a new base of
operations.</p>
<p>"As I made my way to the station I caught my first glimpse of Cap.
Sheldon. He had a satchel hanging from around his neck and was winsomely
wrapping ten dollar notes up with small cylinders of soap and offering
to sell them at one dollar a throw.</p>
<p>"'How are they going,' says I.</p>
<p>"'Not at all,' says he. 'There's nothing to it that I can see. The breed
and seed of Solomon himself must have camped down in this section; they
are the wisest lot I ever saw herd together. Instead of chewing straws
and leaning over fences after the customary and natural manner of
ruminates, they pike around with a calm, cold-blooded sagacity that is
truly awesome. It's me to pull out as soon as I can draw expenses.'</p>
<p>"The next time Cap. dawned upon my vision was a year afterward, down in
Georgia. He was doing the ballyho oration in front of a side wall circus
in a mellifluous style that was just dragging the tar heels up to the
entrance.</p>
<p>"'It's a little better than the Ohio gag,' says he, 'but I've seen
better, at that. I had a good paying faro outfit in Cincinnati since I
met you, but the police got sore be<span class='pagenum'><SPAN name="Page_1187" id="Page_1187"></SPAN></span>cause I wouldn't cut the takings in
what they considered the right place, so they closed me up.'</p>
<p>"During the next five years I met Cap. in every section of the country,
and handling various propositions. In San Francisco I caught him in the
act of selling toy balloons on a street corner; in Chicago he was
disposing of old line life insurance with considerable effect; at a
county fair, somewhere in Iowa, I ran across him as he gracefully
manipulated the shells.</p>
<p>"But Cap. did not break permanently into the show business until he
coupled up with the McClintock in Milwaukee. Mac was an Irish
Presbyterian, and was proud of it; he came out of the Black North and
was the most acute harp, mentally, that I had ever had anything to do
with. The Chosen People are not noted for commercial density; but a Jew
could enter Mac's presence attired in the height of fashion and leave it
with only his shoe strings and a hazy recollection as to how the thing
was done.</p>
<p>"Now, when a team like Cap. and Mac took to pulling together, there just
naturally had to be something doing. They began with a small show under
canvas, and their main card was a twenty-foot boa-constrictor, which
they billed as 'Mighty Mardo.' Then they had a boy with three legs, one
of which they neglected to state was made of wood; also a blushing
damsel with excess embonpoint to the extent of four hundred pounds. With
this outfit they campaigned for one season; in the fall they bought a
museum in St. Louis and settled themselves as impresarios.</p>
<p>"Now, in my numerous meetings with Cap. I had never thought to ask his
name, so when I saw an 'ad' in the <i>Clipper</i> stating that Sheldon &
McClintock was in need of a good full-toned lecturer that doubled in
brass, I just<span class='pagenum'><SPAN name="Page_1188" id="Page_1188"></SPAN></span> sat me down in my ignorance and dropped them a line. They
sent me a ticket to where I was sidetracked up in Michigan, and I
hurried down.</p>
<p>"'Oh, it's you, is it?' says Cap., as I piked into the ten by twelve
office and announced myself. 'Well, I've heard you throw a spiel and
think you'll do. But I didn't know that you played brass. What's your
instrument?'</p>
<p>"Now, I had a faint sentiment from the beginning that this clause in
their bill of requirements would get me into trouble, for I knew no more
about band music than a he goat knows about the book of common prayer.</p>
<p>"'I do the cymbals,' says I.</p>
<p>"'What!' snorts Cap., rearing up; 'I thought you wrote that you played
brass?'</p>
<p>"'Well,' says I, 'ain't cymbals brass?'</p>
<p>"It must have been my cold nerve that won Cap.'s regard, for he placed
me as 'curio hall' lecturer and advertising man at twenty a week.</p>
<p>"The museum of Sheldon & McClintock proved to be a great notch. More
fake freaks were thought out, worked up and exhibited during the course
of that winter season than I would care to count. Then there was a small
theater attached in which they put on very bad specialties and where
painful-voiced young men and women warbled sentimental ballads about
their childhood homes and stuff of that character. These got about ten
dollars a week and had to do about thirty turns a day; they lived in
their make-up and got so accustomed to grease paint before the end of
their engagements that they felt only half dressed without it.</p>
<p>"The trick made money, and in about a year McClintock cut loose and went
into a patent promoting scheme.</p>
<p>"Shortly afterward the first 'continuous house' was opened in St. Louis,
and the novelty of the thing was a<span class='pagenum'><SPAN name="Page_1189" id="Page_1189"></SPAN></span> body blow to Cap. He made a good
fight, but lost money every day; and at last he imparted to me in
confidence that if business did not improve he could see himself getting
out the shells and limbering up on them preparatory to going out and
facing the world once more.</p>
<p>"'The bank will stand for three hundred thousand dollars' worth more of
my checks,' says he, 'and after they're used up I'm done.'</p>
<p>"He began to cut down expenses with the reckless energy of a man who saw
the poor-house looming ahead for him; the results was that his bad shows
grew worse, and the attendance wasn't enough to dust off the seats. The
biggest item of expense about the place was 'Mighty Mardo,' the
boa-constrictor; his diet was live rabbits, and a twenty-foot snake with
a body as thick as a four-inch pipe can dispose of good and plenty of
them when he takes the notion. Cap. began to feed him live rats, and the
mighty one soon began to show the effects of it.</p>
<p>"'He'll die on you,' says I to Cap. one day.</p>
<p>"'Let him,' says he; 'the rabbits stay cut out.'</p>
<p>"One day a fellow came along with a high-schooled horse that he wanted
to sell. He had more use for ready money just then than he had for the
nag, so he offered to put it in cheap. But Cap. waved him away.</p>
<p>"'I'll need the money to buy meals with before long,' says he to the
fellow, 'so tempt me not to my going hungry.'</p>
<p>"This little incident seemed to make the old man feel bad; he locked
himself up in the office for four hours or so communing with his inner
self; but when he came out he was looking bright and gay.</p>
<p>"'Say,' says he, 'I've changed my mind and just bought that horse.'</p>
<p>"'I didn't see the man come back,' says I.<span class='pagenum'><SPAN name="Page_1190" id="Page_1190"></SPAN></span></p>
<p>"'I made the deal over the 'phone,' says Cap. Then he pushes a thick wad
of penciled stuff at me. 'Here's some truck I want you to take over to
the printing house,' he goes on. 'When it's out and up the brute will be
well known.'</p>
<p>"I takes a look over the copy, and my hat was lifted two inches straight
off my head. The first one read something like this:</p>
<p style="text-align: center;">
ADMIRAL<br/>
<br/>
THE TALKING HORSE<br/>
<br/>
TALKS LIKE A HUMAN BEING<br/>
VOCAL ORGANS DEVELOPED LIKE THOSE OF<br/>
A MAN<br/>
HEAR HIM SING THE BASS SOLO<br/>
"DOWN IN THE DEPTHS"<br/>
<br/>
TEN THOUSAND DOLLARS<br/>
<br/>
TO ANY ONE PROVING THESE CLAIMS<br/>
FAKE IN THE SLIGHTEST DEGREE<br/></p>
<p>"'Reads good, don't it?' asks Cap., sort of beaming through his
nose-pinzes. 'But give a look at the others.'</p>
<p>"The next one was as bad as the first:</p>
<p style="text-align: center;">
ADMIRAL!!!<br/>
<br/>
THE HORSE WHO RECITES<br/>
THE DECLARATION OF INDEPENDENCE<br/>
IN A DEEP BASS VOICE<br/>
AND WITH PERFECT ENUNCIATION<br/>
<span class='pagenum'><SPAN name="Page_1191" id="Page_1191"></SPAN></span></p>
<p>"'I didn't hear the fellow say the skate could do that kind of stuff,'
says I, just a bit dazed, after looking over a lot more of it.</p>
<p>"'He only handed it to me as a sort of last card,' says Cap., 'and
that's what made me change my mind about buying him. Get five thousand
twelve sheets in yellow and red; ten thousand three sheets; fifteen
thousand block one sheets with cut of the horse. And you can place an
order for as many black and white dodgers as they can turn out between
this and the end of the week. It's a big card and we're going into it up
to our eyebrows.'</p>
<p>"If I had had time to consider anything but hustling, I might have
thought the thing was a fake. But it was the old man's game and I left
him to do the worrying. I threw rush orders into the printers and soon
had the presses banging away on the stuff desired.</p>
<p>"Next day Cap. started a four-inch double-column notice in every paper
in town. I hired an army of distributers and began to put out the
dodgers as they came hot off the bat; then I got a couple of Guinea
bands, put them in open wagons, done up with painted muslin
announcements, and sent them forth to tear off the melody and otherwise
delight the eye and ear of the town. As the big stuff came off the press
it was slapped up on every blank wall and fence in the city that wasn't
under guard; and when the job was finished, St. Louis fairly glared with
it. If there was a person who hadn't heard of the Talking Horse by the
end of the week, they must have been deaf, dead or in jail.</p>
<p>"The nag was to make his first appearance on Monday, and the last sheet
of paper had been put up and the last hand bill disposed of by Saturday
afternoon.</p>
<p>"'How does she look?' says Cap. to me when I came in.<span class='pagenum'><SPAN name="Page_1192" id="Page_1192"></SPAN></span></p>
<p>"'Great,' says I. 'If they ain't tearing the place down to get in on
Monday, why my bump of prophecy has a dent in it.'</p>
<p>"'Let 'em come,' says Cap., looking very much tickled. 'We need the
money and we ain't turning nobody away. The horse has reached town and
will be brought around to-morrow morning; so you make it a point to be
on hand to let it and the handler in.'</p>
<p>"I was around bright and early on Sunday morning, and along comes the
horse. He was got up in the swellest horse stuff I ever saw—beaded
blankets of plush and silk, with his name embroidered on them, and all
that kind of goods. The handler was a husky with one lamp and a bad one
at that.</p>
<p>"'Where do I put him?' says he.</p>
<p>"'On the top floor,' says I. 'We've got planks on the stairs and a
rigging fixed to haul him up by.'</p>
<p>"When we got him safely landed and the glad coverings off, I looked him
over.</p>
<p>"'His intellect must sort of tell on him, don't it?' asks I.</p>
<p>"'Why, he is some under weight,' says the fellow in charge.</p>
<p>"'He don't look over-bright to me,' I goes on.</p>
<p>"'He never does on Sundays,' the husky comes back. 'It's sort of an off
day with him.'</p>
<p>"Then I went out to lunch and stayed about two hours; when I got back I
found a gang of cops and things buzzing all over the place. Cap. was in
the office, his plug hat on the back of his head and a cigar in his
mouth.</p>
<p>"'What's the trouble?' says I.</p>
<p>"'Had a hell of a time around here,' says he. 'I was called up on the
'phone and got down as soon as I could. Just take an observation of that
fellow over there.'<span class='pagenum'><SPAN name="Page_1193" id="Page_1193"></SPAN></span></p>
<p>"The fellow referred to was the handler of the Talking Horse. His left
arm was done up in splints and bandaged from finger-tips to shoulder,
and he had a clump of reporters around him about six feet thick.</p>
<p>"'What hit him?' asks I.</p>
<p>"'About everything on the top floor,' says Cap., solemnly. 'The Talking
Horse is dead. Mighty Mardo broke out of his showcase about an hour ago,
took a couple of half hitches around the Admiral and crushed him to
death.'</p>
<p>"'Go 'way!' says I.</p>
<p>"'Sure thing,' says Cap. 'Come up stairs and have a look.'</p>
<p>"We went up and did so. The place was a wreck; the horse was the deadest
I ever saw and the constrictor was still twined about him.</p>
<p>"'Why, the snake's passed out, too,' says I.</p>
<p>"Cap. folds his hands meekly across his breast in a resigned sort of
way.</p>
<p>"'Yes,' says he; 'he, too, was killed in the dreadful struggle. He must
have went straight for the Admiral as soon as he got loose. The handler
was down in the office, alone, when the uproar started; he came jumping
upstairs six steps to the jump and when he sees Mardo putting in that
bunch of body holds on his intelligent charge, why, he took a hand. The
result was a dead snake for me and a crippled wing for him. When I got
here, Doc. Forbes was tying him up,' Cap. goes on rather sorrowful like;
'and when I sees what's happened, I know that I'm a ruined man. So I
'phones for the police and reporters to come down and view my finish.'</p>
<p>"From the way he talked I expected to see him carted home before the
hour was up; but he wasn't. As soon as the newspaper fellows cleared out
with all the facts<span class='pagenum'><SPAN name="Page_1194" id="Page_1194"></SPAN></span> of the case in their note-books, Cap. sends for a
fellow and puts him right to work fixing up the horse and snake so's
they'll keep, and then lays them out.</p>
<p>"Next morning the newspapers slopped over with scare headlines telling
of the battle. According to their way of looking at it, the struggles in
the arena of old Rome were scared to death in comparison, and modern
times did not come anywhere near showing a parallel of the combat
between the terrible constrictor and the horse with the human voice. The
result of this was that when the time came to open the doors at noon we
had to have a squad of police to keep the mob from blocking traffic for
squares around. Cap. had changed and doubled the size of his ads. over
night.</p>
<p>"The horse was done up in a big black coffin covered with flowers; and
the lid with his name, age and wonderful accomplishment engraved upon a
plate stood beside him. The remains of Mighty Mardo, stuffed with baled
hay and excelsior, were embracing the dead Admiral with monster coils;
and the crowds came, gazed, and marveled; then they went forth to tell
their friends that they might come and do likewise.</p>
<p>"For weeks the coin came into the box like a spring freshet in the hill
country, and Cap. must have kept the bank working after hours; at any
rate, he sat around and smoked with a smile so angelic, that, to look at
him, one wondered how he could wear it and not drift away into the
ethereal blue. It was a good month before the thing lost its pulling
power, and when it stopped Cap. had planted the stake that boosted him
into the company he now keeps and set him to handling voices that cost
thousands of simoleons an hour.</p>
<p>"When all was over, I found time to take the husky,<span class='pagenum'><SPAN name="Page_1195" id="Page_1195"></SPAN></span> with the damaged
fin out and throw a few drinks into him. Then he told me the whole
story.</p>
<p>"'The old man didn't think you could do the thing justice if you were
wise,' says he, 'so he kept you out. This ain't the horse the fellow
offered to sell him, at all. He bought it at a bazar for ten dollars,
the day before I brought it around. When you went out for lunch Cap. he
comes in. We done for the plug in a minute, and as Mighty Marda was all
but gone, on account of his rat diet, we finished him, too. Then we
wrecked the place up some, took a couple of turns about the horse with
Mardo, called in Doc. Forbes, who stood in, to fix up the fictitious
fracture, and then rung in the show.'</p>
<p>"Yes," observed Bat, thoughtfully, after a pause, "I've made up my mind
that H. Wellington Sheldon is a wise plug."<span class='pagenum'><SPAN name="Page_1196" id="Page_1196"></SPAN></span></p>
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