Back Aa

This Side of Paradise

SNAPSHOTS OF THE YOUNG EGOTIST Amory spent nearly two years in Minneapolis. The first winter he wore moccasins that were born yellow, but after many applications of oil and dirt assumed their mature color, a dirty, greenish brown; he wore a gray plaid mackinaw coat, and a red toboggan cap. His dog, Count Del Monte, ate the red cap, so his uncle gave him a gray one that pulled down over his face. The trouble with this one was that you breathed into it and your breath froze; one day the darn thing froze his cheek. He rubbed snow on his cheek, but it turned bluish-black just the same. <hr /> The Count Del Monte ate a box of bluing once, but it didn't hurt him. Later, however, he lost his mind and ran madly up the street, bumping into fences, rolling in gutters, and pursuing his eccentric course out of Amory's life. Amory cried on his bed. "Poor little Count," he cried. "Oh, poor little Count!" After several months he suspected Count of a fine piece of emotional acting. <hr /> Amory and Frog Parker considered that the greatest line in literature occurred in Act III of "Arsene Lupin." They sat in the first row at the Wednesday and Saturday matinees. The line was: "If one can't be a great artist or a great soldier, the next best thing is to be a great criminal." <hr /> Amory fell in love again, and wrote a poem. This was it: "Marylyn and Sallee, Those are the girls for me. Marylyn stands above Sallee in that sweet, deep love." He was interested in whether McGovern of Minnesota would make the first or second All-American, how to do the card-pass, how to do the coin-pass, chameleon ties, how babies were born, and whether Three-fingered Brown was really a better pitcher than Christie Mathewson. Among other things he read: "For the Honor of the School," "Little Women" (twice), "The Common Law," "Sapho," "Dangerous Dan McGrew," "The Broad Highway" (three times), "The Fall of the House of Usher," "Three Weeks," "Mary Ware, the Little Colonel's Chum," "Gunga Din," The Police Gazette, and Jim-Jam Jems. He had all the Henty biasses in history, and was particularly fond of the cheerful murder stories of Mary Roberts Rinehart. <hr /> School ruined his French and gave him a distaste for standard authors. His masters considered him idle, unreliable and superficially clever. <hr /> He collected locks of hair from many girls. He wore the rings of several. Finally he could borrow no more rings, owing to his nervous habit of chewing them out of shape. This, it seemed, usually aroused the jealous suspicions of the next borrower. <hr /> All through the summer months Amory and Frog Parker went each week to the Stock Company. Afterward they would stroll home in the balmy air of August night, dreaming along Hennepin and Nicollet Avenues, through the gay crowd. Amory wondered how people could fail to notice that he was a boy marked for glory, and when faces of the throng turned toward him and ambiguous eyes stared into his, he assumed the most romantic of expressions and walked on the air cushions that lie on the asphalts of fourteen. Always, after he was in bed, there were voices—indefinite, fading, enchanting—just outside his window, and before he fell asleep he would dream one of his favorite waking dreams, the one about becoming a great half-back, or the one about the Japanese invasion, when he was rewarded by being made the youngest general in the world. It was always the becoming he dreamed of, never the being. This, too, was quite characteristic of Amory. <hr /> CODE OF THE YOUNG EGOTIST Before he was summoned back to Lake Geneva, he had appeared, shy but inwardly glowing, in his first long trousers, set off by a purple accordion tie and a "Belmont" collar with the edges unassailably meeting, purple socks, and handkerchief with a purple border peeping from his breast pocket. But more than that, he had formulated his first philosophy, a code to live by, which, as near as it can be named, was a sort of aristocratic egotism. He had realized that his best interests were bound up with those of a certain variant, changing person, whose label, in order that his past might always be identified with him, was Amory Blaine. Amory marked himself a fortunate youth, capable of infinite expansion for good or evil. He did not consider himself a "strong char'c'ter," but relied on his facility (learn things sorta quick) and his superior mentality (read a lotta deep books). He was proud of the fact that he could never become a mechanical or scientific genius. From no other heights was he debarred. Physically.—Amory thought that he was exceedingly handsome. He was. He fancied himself an athlete of possibilities and a supple dancer. Socially.—Here his condition was, perhaps, most dangerous. He granted himself personality, charm, magnetism, poise, the power of dominating all contemporary males, the gift of fascinating all women. Mentally.—Complete, unquestioned superiority. Now a confession will have to be made. Amory had rather a Puritan conscience. Not that he yielded to it—later in life he almost completely slew it—but at fifteen it made him consider himself a great deal worse than other boys... unscrupulousness... the desire to influence people in almost every way, even for evil... a certain coldness and lack of affection, amounting sometimes to cruelty... a shifting sense of honor... an unholy selfishness... a puzzled, furtive interest in everything concerning sex. There was, also, a curious strain of weakness running crosswise through his make-up... a harsh phrase from the lips of an older boy (older boys usually detested him) was liable to sweep him off his poise into surly sensitiveness, or timid stupidity... he was a slave to his own moods and he felt that though he was capable of recklessness and audacity, he possessed neither courage, perseverance, nor self-respect. Vanity, tempered with self-suspicion if not self-knowledge, a sense of people as automatons to his will, a desire to "pass" as many boys as possible and get to a vague top of the world... with this background did Amory drift into adolescence. <hr /> PREPARATORY TO THE GREAT ADVENTURE The train slowed up with midsummer languor at Lake Geneva, and Amory caught sight of his mother waiting in her electric on the gravelled station drive. It was an ancient electric, one of the early types, and painted gray. The sight of her sitting there, slenderly erect, and of her face, where beauty and dignity combined, melting to a dreamy recollected smile, filled him with a sudden great pride of her. As they kissed coolly and he stepped into the electric, he felt a quick fear lest he had lost the requisite charm to measure up to her. "Dear boy—you're so tall... look behind and see if there's anything coming..." She looked left and right, she slipped cautiously into a speed of two miles an hour, beseeching Amory to act as sentinel; and at one busy crossing she made him get out and run ahead to signal her forward like a traffic policeman. Beatrice was what might be termed a careful driver. "You are tall—but you're still very handsome—you've skipped the awkward age, or is that sixteen; perhaps it's fourteen or fifteen; I can never remember; but you've skipped it." "Don't embarrass me," murmured Amory. "But, my dear boy, what odd clothes! They look as if they were a set—don't they? Is your underwear purple, too?" Amory grunted impolitely. "You must go to Brooks' and get some really nice suits. Oh, we'll have a talk to-night or perhaps to-morrow night. I want to tell you about your heart—you've probably been neglecting your heart—and you don't know." Amory thought how superficial was the recent overlay of his own generation. Aside from a minute shyness, he felt that the old cynical kinship with his mother had not been one bit broken. Yet for the first few days he wandered about the gardens and along the shore in a state of superloneliness, finding a lethargic content in smoking "Bull" at the garage with one of the chauffeurs. The sixty acres of the estate were dotted with old and new summer houses and many fountains and white benches that came suddenly into sight from foliage-hung hiding-places; there was a great and constantly increasing family of white cats that prowled the many flower-beds and were silhouetted suddenly at night against the darkening trees. It was on one of the shadowy paths that Beatrice at last captured Amory, after Mr. Blaine had, as usual, retired for the evening to his private library. After reproving him for avoiding her, she took him for a long tete-a-tete in the moonlight. He could not reconcile himself to her beauty, that was mother to his own, the exquisite neck and shoulders, the grace of a fortunate woman of thirty. "Amory, dear," she crooned softly, "I had such a strange, weird time after I left you." "Did you, Beatrice?" "When I had my last breakdown"—she spoke of it as a sturdy, gallant feat. "The doctors told me"—her voice sang on a confidential note—"that if any man alive had done the consistent drinking that I have, he would have been physically shattered, my dear, and in his grave—long in his grave." Amory winced, and wondered how this would have sounded to Froggy Parker. "Yes," continued Beatrice tragically, "I had dreams—wonderful visions." She pressed the palms of her hands into her eyes. "I saw bronze rivers lapping marble shores, and great birds that soared through the air, parti-colored birds with iridescent plumage. I heard strange music and the flare of barbaric trumpets—what?" Amory had snickered. "What, Amory?" "I said go on, Beatrice." "That was all—it merely recurred and recurred—gardens that flaunted coloring against which this would be quite dull, moons that whirled and swayed, paler than winter moons, more golden than harvest moons—" "Are you quite well now, Beatrice?" "Quite well—as well as I will ever be. I am not understood, Amory. I know that can't express it to you, Amory, but—I am not understood." Amory was quite moved. He put his arm around his mother, rubbing his head gently against her shoulder. "Poor Beatrice—poor Beatrice." "Tell me about you, Amory. Did you have two horrible years?" Amory considered lying, and then decided against it. "No, Beatrice. I enjoyed them. I adapted myself to the bourgeoisie. I became conventional." He surprised himself by saying that, and he pictured how Froggy would have gaped. "Beatrice," he said suddenly, "I want to go away to school. Everybody in Minneapolis is going to go away to school." Beatrice showed some alarm. "But you're only fifteen." "Yes, but everybody goes away to school at fifteen, and I want to, Beatrice." On Beatrice's suggestion the subject was dropped for the rest of the walk, but a week later she delighted him by saying: "Amory, I have decided to let you have your way. If you still want to, you can go to school." "Yes?" "To St. Regis's in Connecticut." Amory felt a quick excitement. "It's being arranged," continued Beatrice. "It's better that you should go away. I'd have preferred you to have gone to Eton, and then to Christ Church, Oxford, but it seems impracticable now—and for the present we'll let the university question take care of itself." "What are you going to do, Beatrice?" "Heaven knows. It seems my fate to fret away my years in this country. Not for a second do I regret being American—indeed, I think that a regret typical of very vulgar people, and I feel sure we are the great coming nation—yet"—and she sighed—"I feel my life should have drowsed away close to an older, mellower civilization, a land of greens and autumnal browns—" Amory did not answer, so his mother continued: "My regret is that you haven't been abroad, but still, as you are a man, it's better that you should grow up here under the snarling eagle—is that the right term?" Amory agreed that it was. She would not have appreciated the Japanese invasion. "When do I go to school?" "Next month. You'll have to start East a little early to take your examinations. After that you'll have a free week, so I want you to go up the Hudson and pay a visit." "To who?" "To Monsignor Darcy, Amory. He wants to see you. He went to Harrow and then to Yale—became a Catholic. I want him to talk to you—I feel he can be such a help—" She stroked his auburn hair gently. "Dear Amory, dear Amory—" "Dear Beatrice—" <hr /> So early in September Amory, provided with "six suits summer underwear, six suits winter underwear, one sweater or T shirt, one jersey, one overcoat, winter, etc.," set out for New England, the land of schools. There were Andover and Exeter with their memories of New England dead—large, college-like democracies; St. Mark's, Groton, St. Regis'—recruited from Boston and the Knickerbocker families of New York; St. Paul's, with its great rinks; Pomfret and St. George's, prosperous and well-dressed; Taft and Hotchkiss, which prepared the wealth of the Middle West for social success at Yale; Pawling, Westminster, Choate, Kent, and a hundred others; all milling out their well-set-up, conventional, impressive type, year after year; their mental stimulus the college entrance exams; their vague purpose set forth in a hundred circulars as "To impart a Thorough Mental, Moral, and Physical Training as a Christian Gentleman, to fit the boy for meeting the problems of his day and generation, and to give a solid foundation in the Arts and Sciences." At St. Regis' Amory stayed three days and took his exams with a scoffing confidence, then doubling back to New York to pay his tutelary visit. The metropolis, barely glimpsed, made little impression on him, except for the sense of cleanliness he drew from the tall white buildings seen from a Hudson River steamboat in the early morning. Indeed, his mind was so crowded with dreams of athletic prowess at school that he considered this visit only as a rather tiresome prelude to the great adventure. This, however, it did not prove to be. Monsignor Darcy's house was an ancient, rambling structure set on a hill overlooking the river, and there lived its owner, between his trips to all parts of the Roman-Catholic world, rather like an exiled Stuart king waiting to be called to the rule of his land. Monsignor was forty-four then, and bustling—a trifle too stout for symmetry, with hair the color of spun gold, and a brilliant, enveloping personality. When he came into a room clad in his full purple regalia from thatch to toe, he resembled a Turner sunset, and attracted both admiration and attention. He had written two novels: one of them violently anti-Catholic, just before his conversion, and five years later another, in which he had attempted to turn all his clever jibes against Catholics into even cleverer innuendoes against Episcopalians. He was intensely ritualistic, startlingly dramatic, loved the idea of God enough to be a celibate, and rather liked his neighbor. Children adored him because he was like a child; youth revelled in his company because he was still a youth, and couldn't be shocked. In the proper land and century he might have been a Richelieu—at present he was a very moral, very religious (if not particularly pious) clergyman, making a great mystery about pulling rusty wires, and appreciating life to the fullest, if not entirely enjoying it. He and Amory took to each other at first sight—the jovial, impressive prelate who could dazzle an embassy ball, and the green-eyed, intent youth, in his first long trousers, accepted in their own minds a relation of father and son within a half-hour's conversation. "My dear boy, I've been waiting to see you for years. Take a big chair and we'll have a chat." "I've just come from school—St. Regis's, you know." "So your mother says—a remarkable woman; have a cigarette—I'm sure you smoke. Well, if you're like me, you loathe all science and mathematics—" Amory nodded vehemently. "Hate 'em all. Like English and history." "Of course. You'll hate school for a while, too, but I'm glad you're going to St. Regis's." "Why?" "Because it's a gentleman's school, and democracy won't hit you so early. You'll find plenty of that in college." "I want to go to Princeton," said Amory. "I don't know why, but I think of all Harvard men as sissies, like I used to be, and all Yale men as wearing big blue sweaters and smoking pipes." Monsignor chuckled. "I'm one, you know." "Oh, you're different—I think of Princeton as being lazy and good-looking and aristocratic—you know, like a spring day. Harvard seems sort of indoors—" "And Yale is November, crisp and energetic," finished Monsignor. "That's it." They slipped briskly into an intimacy from which they never recovered. "I was for Bonnie Prince Charlie," announced Amory. "Of course you were—and for Hannibal—" "Yes, and for the Southern Confederacy." He was rather sceptical about being an Irish patriot—he suspected that being Irish was being somewhat common—but Monsignor assured him that Ireland was a romantic lost cause and Irish people quite charming, and that it should, by all means, be one of his principal biasses. After a crowded hour which included several more cigarettes, and during which Monsignor learned, to his surprise but not to his horror, that Amory had not been brought up a Catholic, he announced that he had another guest. This turned out to be the Honorable Thornton Hancock, of Boston, ex-minister to The Hague, author of an erudite history of the Middle Ages and the last of a distinguished, patriotic, and brilliant family. "He comes here for a rest," said Monsignor confidentially, treating Amory as a contemporary. "I act as an escape from the weariness of agnosticism, and I think I'm the only man who knows how his staid old mind is really at sea and longs for a sturdy spar like the Church to cling to." Their first luncheon was one of the memorable events of Amory's early life. He was quite radiant and gave off a peculiar brightness and charm. Monsignor called out the best that he had thought by question and suggestion, and Amory talked with an ingenious brilliance of a thousand impulses and desires and repulsions and faiths and fears. He and Monsignor held the floor, and the older man, with his less receptive, less accepting, yet certainly not colder mentality, seemed content to listen and bask in the mellow sunshine that played between these two. Monsignor gave the effect of sunlight to many people; Amory gave it in his youth and, to some extent, when he was very much older, but never again was it quite so mutually spontaneous. "He's a radiant boy," thought Thornton Hancock, who had seen the splendor of two continents and talked with Parnell and Gladstone and Bismarck—and afterward he added to Monsignor: "But his education ought not to be intrusted to a school or college." But for the next four years the best of Amory's intellect was concentrated on matters of popularity, the intricacies of a university social system and American Society as represented by Biltmore Teas and Hot Springs golf-links. ... In all, a wonderful week, that saw Amory's mind turned inside out, a hundred of his theories confirmed, and his joy of life crystallized to a thousand ambitions. Not that the conversation was scholastic—heaven forbid! Amory had only the vaguest idea as to what Bernard Shaw was—but Monsignor made quite as much out of "The Beloved Vagabond" and "Sir Nigel," taking good care that Amory never once felt out of his depth. But the trumpets were sounding for Amory's preliminary skirmish with his own generation. "You're not sorry to go, of course. With people like us our home is where we are not," said Monsignor. "I am sorry—" "No, you're not. No one person in the world is necessary to you or to me." "Well—" "Good-by." <hr /> <div style="break-after:column;"></div>

1 of 2

2 of 2

Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.