<br/><SPAN name="XXVIII" id="XXVIII"></SPAN>
<br/>
<hr /><span class="pagenum"><SPAN name="Page_353" id="Page_353">[Pg 353]</SPAN></span>
<br/>
<h2>CHAPTER XXVIII</h2>
<h2>A Visit to the West</h2>
<br/>
<p>At twenty-seven years of age, and after having been six years absent
from Osage, the little town in which I went to school, I found myself
able to revisit it. My earnings were still humiliatingly less than those
of a hod-carrier, but by shameless economy I had saved a little over one
hundred dollars and with this as a travelling fund, I set forth at the
close of school, on a vacation tour which was planned to include the old
home in the Coulee, the Iowa farm, and my father's house in Dakota. I
took passage in a first class coach this time, but was still a long way
from buying a berth in a sleeping car.</p>
<p>To find myself actually on the train and speeding westward was deeply
and pleasurably exciting, but I did not realize how keen my hunger for
familiar things had grown, till the next day when I reached the level
lands of Indiana. Every field of wheat, every broad hat, every honest
treatment of the letter "r" gave me assurance that I was approaching my
native place. The reapers at work in the fields filled my mind with
visions of the past. The very weeds at the roadside had a magical appeal
and yet, eager as I was to reach old friends, I found in Chicago a new
friend whose sympathy was so stimulating, so helpful that I delayed my
journey for two days in order that I might profit by his critical
comment.</p>
<p>This meeting came about in a literary way. Some months earlier, in May,
to be exact, Hurd of the <span class="pagenum"><SPAN name="Page_354" id="Page_354">[Pg 354]</SPAN></span><i>Transcript</i> had placed in my hands a novel
called <i>Zury</i> and my review of it had drawn from its author, a western
man, a letter of thanks and a cordial invitation to visit him as I
passed through Chicago, on my way to my old home. This I had gladly
accepted, and now with keen interest, I was on my way to his home.</p>
<p>Joseph Kirkland was at this time nearly sixty years of age, a small,
alert, dark-eyed man, a lawyer, who lived in what seemed to me at the
time, plutocratic grandeur, but in spite of all this, and
notwithstanding the difference in our ages, I liked him and we formed an
immediate friendship. "Mrs. Kirkland and my daughters are in Michigan
for the summer," he explained, "and I am camping in my study." I was
rather glad of this arrangement for, having the house entirely to
ourselves, we could discuss realism, Howells and the land-question with
full vigor and all night if we felt like it.</p>
<p>Kirkland had read some of my western sketches and in the midst of his
praise of them suddenly asked, "Why don't you write fiction?"</p>
<p>To this I replied, "I can't manage the dialogue."</p>
<p>"Nonsense!" said he. "You're lazy, that's all. You use the narrative
form because it's easier. Buckle to it—you can write stories as well as
I can—but you must sweat!"</p>
<p>This so surprised me that I was unable to make any denial of his charge.
The fact is he was right. To compose a page of conversation, wherein
each actor uses his own accent and speaks from his own point of view,
was not easy. I had dodged the hard spots.</p>
<p>The older man's bluntness and humor, and his almost wistful appreciation
of my youth and capacity for being moved, troubled me, absorbed my mind
even during our talk. Some of his words stuck like burrs, because they
seemed so absurd. "When your name is known all over <span class="pagenum"><SPAN name="Page_355" id="Page_355">[Pg 355]</SPAN></span>the West," he said
in parting, "remember what I say. You can go far if you'll only work. I
began too late. I can't emotionalize present day western life—you can,
but you must bend to your desk like a man. You must grind!"</p>
<p>I didn't feel in the least like a successful fictionist and being a
household word seemed very remote,—but I went away resolved to "grind"
if grinding would do any good.</p>
<p>Once out of the city, I absorbed "atmosphere" like a sponge. It was with
me no longer (as in New England) a question of warmed-over themes and
appropriated characters. Whittier, Hawthorne, Holmes, had no connection
with the rude life of these prairies. Each weedy field, each wire fence,
the flat stretches of grass, the leaning Lombardy trees,—everything was
significant rather than beautiful, familiar rather than picturesque.</p>
<p>Something deep and resonant vibrated within my brain as I looked out
upon this monotonous commonplace landscape. I realized for the first
time that the east had surfeited me with picturesqueness. It appeared
that I had been living for six years amidst painted, neatly arranged
pasteboard scenery. Now suddenly I dropped to the level of nature
unadorned, down to the ugly unkempt lanes I knew so well, back to the
pungent realities of the streamless plain.</p>
<p>Furthermore I acknowledged a certain responsibility for the conditions
of the settlers. I felt related to them, an intolerant part of them.
Once fairly out among the fields of northern Illinois everything became
so homely, uttered itself so piercingly to me that nothing less than
song could express my sense of joy, of power. This was my country—these
my people.</p>
<p>It was the third of July, a beautiful day with a radiant sky, darkened
now and again with sudden showers. <span class="pagenum"><SPAN name="Page_356" id="Page_356">[Pg 356]</SPAN></span>Great clouds, trailing veils of
rain, enveloped the engine as it roared straight into the west,—for an
instant all was dark, then forth we burst into the brilliant sunshine
careening over the green ridges as if drawn by runaway dragons with
breath of flame.</p>
<p>It was sundown when I crossed the Mississippi river (at Dubuque) and the
scene which I looked out upon will forever remain a splendid page in my
memory. The coaches lay under the western bluffs, but away to the south
the valley ran, walled with royal purple, and directly across the flood,
a beach of sand flamed under the sunset light as if it were a bed of
pure untarnished gold. Behind this an island rose, covered with noble
trees which suggested all the romance of the immemorial river. The
redman's canoe, the explorer's batteau, the hunter's lodge, the
emigrant's cabin, all stood related to that inspiring vista. For the
first time in my life I longed to put this noble stream into verse.</p>
<p>All that day I had studied the land, musing upon its distinctive
qualities, and while I acknowledged the natural beauty of it, I revolted
from the gracelessness of its human habitations. The lonely boxlike
farm-houses on the ridges suddenly appeared to me like the dens of wild
animals. The lack of color, of charm in the lives of the people
anguished me. I wondered why I had never before perceived the futility
of woman's life on a farm.</p>
<p>I asked myself, "Why have these stern facts never been put into our
literature as they have been used in Russia and in England? Why has this
land no story-tellers like those who have made Massachusetts and New
Hampshire illustrious?"</p>
<p>These and many other speculations buzzed in my brain. Each moment was a
revelation of new uglinesses as well as of remembered beauties.</p>
<p>At four o'clock of a wet morning I arrived at Charles <span class="pagenum"><SPAN name="Page_357" id="Page_357">[Pg 357]</SPAN></span>City, from which
I was to take "the spur" for Osage. Stiffened and depressed by my
night's ride, I stepped out upon the platform and watched the train as
it passed on, leaving me, with two or three other silent and sleepy
passengers, to wait until seven o'clock in the morning for the
"accommodation train." I was still busy with my problem, but the salient
angles of my interpretation were economic rather than literary.</p>
<p>Walking to and fro upon the platform, I continued to ponder my
situation. In a few hours I would be among my old friends and
companions, to measure and be measured. Six years before I had left them
to seek my fortune in the eastern world. I had promised
little,—fortunately—and I was returning, without the pot of gold and
with only a tinge of glory.</p>
<p>Exteriorly I had nothing but a crop of sturdy whiskers to show for my
years of exile but mentally I was much enriched. Twenty years of
development lay between my thought at the moment and those of my simpler
days. My study of Spencer, Whitman and other of the great leaders of the
world, my years of absorbed reading in the library, my days of
loneliness and hunger in the city had swept me into a far bleak land of
philosophic doubt where even the most daring of my classmates would
hesitate to follow me.</p>
<p>A violent perception of the mysterious, the irrevocable march of human
life swept over me and I shivered before a sudden realization of the
ceaseless change and shift of western life and landscape. How few of
those I knew were there to greet me! Walter and Charles were dead, Maud
and Lena were both married, and Burton was preaching somewhere in the
West.</p>
<p>Six short years had made many changes in the little town and it was in
thinking upon these changes that I reached a full realization of the
fact that I was no longer <span class="pagenum"><SPAN name="Page_358" id="Page_358">[Pg 358]</SPAN></span>a "promising boy" of the prairie but a man,
with a notion of human life and duty and responsibility which was
neither cheerful nor resigned. I was returning as from deep valleys,
from the most alien climate.</p>
<p>Looking at the sky above me, feeling the rush of the earth beneath my
feet I saw how much I had dared and how little, how pitifully little I
had won. Over me the ragged rainclouds swept, obscuring the stars and in
their movement and in the feeling of the dawn lay something illimitable
and prophetic. Such moments do not come to men often—but to me for an
hour, life was painfully purposeless. "What does it all mean?" I asked
myself.</p>
<p>At last the train came, and as it rattled away to the north and I drew
closer to the scenes of my boyhood, my memory quickened. The Cedar
rippling over its limestone ledges, the gray old mill and the pond where
I used to swim, the farm-houses with their weedy lawns, all seemed not
only familiar but friendly, and when at last I reached the station (the
same grimy little den from which I had started forth six years before),
I rose from my seat with the air of a world-traveller and descended upon
the warped and splintered platform, among my one time friends and
neighbors, with quickened pulse and seeking eye.</p>
<p>It was the fourth of July and a crowd was at the station, but though I
recognized half the faces, not one of them lightened at sight of me. The
'bus driver, the ragged old dray-man (scandalously profane), the common
loafers shuffling about, chewing and spitting, seemed absolutely
unchanged. One or two elderly citizens eyed me closely as I slung my
little Boston valise with a long strap over my shoulder and started up
the billowing board sidewalk toward the center of the town, but I gave
out no word of recognition. Indeed I took a boyish pride in the
disguising effect of my beard.</p>
<p><span class="pagenum"><SPAN name="Page_359" id="Page_359">[Pg 359]</SPAN></span>How small and flat and leisurely the village seemed. The buildings which
had once been so imposing in my eyes were now of very moderate elevation
indeed, and the opera house was almost indistinguishable from the
two-story structures which flanked it; but the trees had increased in
dignity, and some of the lawns were lovely.</p>
<p>With eyes singling out each familiar object I loitered along the walk.
There stood the grimy wagon shop from which a hammer was ringing
cheerily, like the chirp of a cricket,—just as aforetime. Orrin Blakey
stood at the door of his lumber yard surveying me with curious eyes but
I passed him in silence. I wished to spend an hour or two in going about
in guise of a stranger. There was something instructive as well as
deliciously exciting in thus seeing old acquaintances as from behind a
mask. They were at once familiar and mysterious—mysterious with my new
question, "Is this life worth living?"</p>
<p>The Merchants' Hotel which once appeared so luxurious (within the reach
only of great lecturers like Joseph Cook and Wendell Phillips) had
declined to a shabby frame tavern, but entering the dining room I
selected a seat near an open window, from which I could look out upon
the streets and survey the throng of thickening sightseers as they moved
up and down before me like the figures in a vitascope.</p>
<p>I was waited upon by a slatternly girl and the breakfast she brought to
me was so bad (after Mary's cooking) that I could only make a pretense
of eating it, but I kept my seat, absorbed by the forms coming and
going, almost within the reach of my hand. Among the first to pace
slowly by was Lawyer Ricker, stately, solemn and bibulous as ever, his
red beard flowing over a vest unbuttoned in the manner of the
old-fashioned southern gentleman, his spotless linen and neat tie
showing that his careful, faithful wife was still on guard.</p>
<p><span class="pagenum"><SPAN name="Page_360" id="Page_360">[Pg 360]</SPAN></span>Him I remembered for his astounding ability to recite poetry by the hour
and also because of a florid speech which I once heard him make in the
court room. For six mortal hours he spoke on a case involving the
stealing of a horse-blanket worth about four dollars and a half. In the
course of his argument he ranged with leisurely self-absorption, from
ancient Egypt and the sacred Crocodile down through the dark ages,
touching at Athens and Mount Olympus, reviewing Rome and the court of
Charlemagne, winding up at four P. M. with an impassioned appeal to the
jury to remember the power of environment upon his client. I could not
remember how the suit came out, but I did recall the look of
stupefaction which rested on the face of the accused as he found himself
likened to Gurth the swine-herd and a peasant of Carcassone.</p>
<p>Ricker seemed quite unchanged save for the few gray hairs which had come
into his beard and, as he stood in conversation with one of the
merchants of the town, his nasal voice, his formal speech and the
grandiloquent gesture of his right hand brought back to me all the
stories I had heard of his drinking and of his wife's heroic rescuing
expeditions to neighboring saloons. A strange, unsatisfactory end to a
man of great natural ability.</p>
<p>Following him came a young girl leading a child of ten. I knew them at
once. Ella McKee had been of the size of the little one, her sister,
when I went away, and nothing gave me a keener realization of the years
which had passed than the flowering of the child I had known into this
charming maiden of eighteen. Her resemblance to her sister Flora was too
marked to be mistaken, and the little one by her side had the same
flashing eyes and radiant smile with which both of her grown up sisters
were endowed. Their beauty fairly glorified the dingy street as they
walked past my window.</p>
<p><span class="pagenum"><SPAN name="Page_361" id="Page_361">[Pg 361]</SPAN></span>Then an old farmer, bent and worn of frame, halted before me to talk
with a merchant. This was David Babcock, Burton's father, one of our old
time neighbors, a little more bent, a little thinner, a little
grayer—that was all, and as I listened to his words I asked, "What
purpose does a man serve by toiling like that for sixty years with no
increase of leisure, with no growth in mental grace?"</p>
<p>There was a wistful note in his voice which went straight to my heart.
He said: "No, our wheat crop ain't a-going to amount to much this year.
Of course we don't try to raise much grain—it's mostly stock, but I
thought I'd try wheat again. I wisht we could get back to the good old
days of wheat raising—it w'ant so confining as stock-raisin'." His good
days were also in the past!</p>
<p>As I walked the street I met several neighbors from Dry Run as well as
acquaintances from the Grove. Nearly all, even the young men, looked
worn and weather-beaten and some appeared both silent and sad. Laughter
was curiously infrequent and I wondered whether in my days on the farm
they had all been as rude of dress, as misshapen of form and as wistful
of voice as they now seemed to me to be. "Have times changed? Has a
spirit of unrest and complaining developed in the American farmer?"</p>
<p>I perceived the town from the triple viewpoint of a former resident, a
man from the city, and a reformer, and every minutest detail of dress,
tone and gesture revealed new meaning to me. Fancher and Gammons were
feebler certainly, and a little more querulous with age, and their faded
beards and rough hands gave pathetic evidence of the hard wear of wind
and toil. At the moment nothing glozed the essential tragic futility of
their existence.</p>
<p><span class="pagenum"><SPAN name="Page_362" id="Page_362">[Pg 362]</SPAN></span>Then down the street came "The Ragamuffins," the little Fourth of July
procession, which in the old days had seemed so funny, so exciting to
me. I laughed no more. It filled me with bitterness to think that such a
makeshift spectacle could amuse anyone. "How dull and eventless life
must be to enable such a pitiful travesty to attract and hold the
attention of girls like Ella and Flora," I thought as I saw them
standing with their little sister to watch "the parade."</p>
<p>From the window of a law office, Emma and Matilda Leete were leaning and
I decided to make myself known to them. Emma, who had been one of my
high admirations, had developed into a handsome and interesting woman
with very little of the village in her dress or expression, and when I
stepped up to her and asked, "Do you know me?" her calm gray eyes and
smiling lips denoted humor. "Of course I know you—in spite of the
beard. Come in and sit with us and tell all of us about yourself."</p>
<p>As we talked, I found that they, at least, had kept in touch with the
thought of the east, and Ella understood in some degree the dark mood
which I voiced. She, too, occasionally doubted whether the life they
were all living was worth while. "We make the best of it," she said,
"but none of us are living up to our dreams."</p>
<p>Her musical voice, thoughtful eyes and quick intelligence, re-asserted
their charm, and I spent an hour or more in her company talking of old
friends. It was not necessary to talk down to her. She was essentially
urban in tone while other of the girls who had once impressed me with
their beauty had taken on the airs of village matrons and did not
interest me. If they retained aspirations they concealed the fact. Their
husbands and children entirely occupied their minds.</p>
<p>Returning to the street, I introduced myself to Uncle <span class="pagenum"><SPAN name="Page_363" id="Page_363">[Pg 363]</SPAN></span>Billy Fraser and
Osmund Button and other Sun Prairie neighbors and when it became known
that "Dick Garland's boy" was in town, many friends gathered about to
shake my hand and inquire concerning "Belle" and "Dick."</p>
<p>The hard, crooked fingers, which they laid in my palm completed the
sorrowful impression which their faces had made upon me. A twinge of
pain went through my heart as I looked into their dim eyes and studied
their heavy knuckles. I thought of the hand of Edwin Booth, of the
flower-like palm of Helena Modjeska, of the subtle touch of Inness, and
I said, "Is it not time that the human hand ceased to be primarily a
bludgeon for hammering a bare living out of the earth? Nature all
bountiful, undiscriminating, would, under justice, make such toil
unnecessary." My heart burned with indignation. With William Morris and
Henry George I exclaimed, "Nature is not to blame. Man's laws are to
blame,"—but of this I said nothing at the time—at least not to men
like Babcock and Fraser.</p>
<p>Next day I rode forth among the farms of Dry Run, retracing familiar
lanes, standing under the spreading branches of the maple trees I had
planted fifteen years before. I entered the low stone cabin wherein
Neighbor Button had lived for twenty years (always intending sometime to
build a house and make a granary of this), and at the table with the
family and the hired men, I ate again of Ann's "riz" biscuit and sweet
melon pickles. It was not a pleasant meal, on the contrary it was
depressing to me. The days of the border were over, and yet Arvilla his
wife was ill and aging, still living in pioneer discomfort toiling like
a slave.</p>
<p>At neighbor Gardner's home, I watched his bent complaining old wife
housekeeping from dawn to dark, literally dying on her feet. William
Knapp's home was <span class="pagenum"><SPAN name="Page_364" id="Page_364">[Pg 364]</SPAN></span>somewhat improved but the men still came to the table
in their shirt sleeves smelling of sweat and stinking of the stable,
just as they used to do, and Mrs. Knapp grown more gouty, more unwieldy
than ever (she spent twelve or fourteen hours each day on her swollen
and aching feet), moved with a waddling motion because, as she
explained, "I can't limp—I'm just as lame in one laig as I am in
t'other. But 'tain't no use to complain, I've just so much work to do
and I might as well go ahead and do it."</p>
<p>I slept that night in her "best room," yes, at last, after thirty years
of pioneer life, she had a guest chamber and a new "bedroom soot." With
open pride and joy she led Belle Garland's boy in to view this precious
acquisition, pointing out the soap and towels, and carefully removing
the counterpane! I understood her pride, for my mother had not yet
acquired anything so luxurious as this. She was still on the border!</p>
<p>Next day, I called upon Andrew Ainsley and while the women cooked in a
red-hot kitchen, Andy stubbed about the barnyard in his bare feet,
showing me his hogs and horses. Notwithstanding his town-visitor and the
fact that it was Sunday, he came to dinner in a dirty, sweaty,
collarless shirt, and I, sitting at his oil-cloth covered table, slipped
back, deeper, ever deeper among the stern realities of the life from
which I had emerged. I recalled that while my father had never allowed
his sons or the hired men to come to the table unwashed or uncombed, we
usually ate while clothed in our sweaty garments, glad to get food into
our mouths in any decent fashion, while the smell of the horse and the
cow mingled with the savor of the soup. There is no escape even on a
modern "model farm" from the odor of the barn.</p>
<p>Every house I visited had its individual message of sordid struggle and
half-hidden despair. Agnes had <span class="pagenum"><SPAN name="Page_365" id="Page_365">[Pg 365]</SPAN></span>married and moved away to Dakota, and
Bess had taken upon her girlish shoulders the burdens of wifehood and
motherhood almost before her girlhood had reached its first period of
bloom. In addition to the work of being cook and scrub-woman, she was
now a mother and nurse. As I looked around upon her worn chairs, faded
rag carpets, and sagging sofas,—the bare walls of her pitiful little
house seemed a prison. I thought of her as she was in the days of her
radiant girlhood and my throat filled with rebellious pain.</p>
<p>All the gilding of farm life melted away. The hard and bitter realities
came back upon me in a flood. Nature was as beautiful as ever. The
soaring sky was filled with shining clouds, the tinkle of the bobolink's
fairy bells rose from the meadow, a mystical sheen was on the odorous
grass and waving grain, but no splendor of cloud, no grace of sunset
could conceal the poverty of these people, on the contrary they brought
out, with a more intolerable poignancy, the gracelessness of these
homes, and the sordid quality of the mechanical daily routine of these
lives.</p>
<p>I perceived beautiful youth becoming bowed and bent. I saw lovely
girlhood wasting away into thin and hopeless age. Some of the women I
had known had withered into querulous and complaining spinsterhood, and
I heard ambitious youth cursing the bondage of the farm. "Of such pain
and futility are the lives of the average man and woman of both city and
country composed," I acknowledged to myself with savage candor, "Why lie
about it?"</p>
<p>Some of my playmates opened their acrid hearts to me. My presence
stimulated their discontent. I was one of them, one who having escaped
had returned as from some far-off glorious land of achievement. My
improved dress, my changed manner of speech, everything <span class="pagenum"><SPAN name="Page_366" id="Page_366">[Pg 366]</SPAN></span>I said, roused
in them a kind of rebellious rage and gave them unwonted power of
expression. Their mood was no doubt transitory, but it was as real as my
own.</p>
<p>Men who were growing bent in digging into the soil spoke to me of their
desire to see something of the great eastern world before they died.
Women whose eyes were faded and dim with tears, listened to me with
almost breathless interest whilst I told them of the great cities I had
seen, of wonderful buildings, of theaters, of the music of the sea.
Young girls expressed to me their longing for a life which was better
worth while, and lads, eager for adventure and excitement, confided to
me their secret intention to leave the farm at the earliest moment. "I
don't intend to wear out my life drudging on this old place," said
Wesley Fancher with a bitter oath.</p>
<p>In those few days, I perceived life without its glamor. I no longer
looked upon these toiling women with the thoughtless eyes of youth. I
saw no humor in the bent forms and graying hair of the men. I began to
understand that my own mother had trod a similar slavish round with
never a full day of leisure, with scarcely an hour of escape from the
tugging hands of children, and the need of mending and washing clothes.
I recalled her as she passed from the churn to the stove, from the stove
to the bedchamber, and from the bedchamber back to the kitchen, day
after day, year after year, rising at daylight or before, and going to
her bed only after the evening dishes were washed and the stockings and
clothing mended for the night.</p>
<p>The essential tragedy and hopelessness of most human life under the
conditions into which our society was swiftly hardening embittered me,
called for expression, but even then I did not know that I had found my
theme. <span class="pagenum"><SPAN name="Page_367" id="Page_367">[Pg 367]</SPAN></span>I had no intention at the moment of putting it into fiction.</p>
<p>The reader may interrupt at this point to declare that all life, even
the life of the city is futile, if you look at it in that way, and I
reply by saying that I still have moments when I look at it that way.
What is it all about, anyhow, this life of ours? Certainly to be forever
weary and worried, to be endlessly soiled with thankless labor and to
grow old before one's time soured and disappointed, is not the whole
destiny of man!</p>
<p>Some of these things I said to Emma and Matilda but their optimism was
too ingrained to yield to my gray mood. "We can't afford to grant too
much," said Emma. "We are in it, you see."</p>
<p>Leaving the village of Osage, with my mind still in a tumult of revolt,
I took the train for the Northwest, eager to see my mother and my little
sister, yet beginning to dread the changes which I must surely find in
them. Not only were my senses exceedingly alert and impressionable, my
eyes saw nothing but the loneliness and the lack of beauty in the
landscape, and the farther west I went, the lonelier became the boxlike
habitations of the plain. Here were the lands over which we had hurried
in 1881, lured by the "Government Land" of the farther west. Here, now,
a kind of pioneering behind the lines was going on. The free lands were
gone and so, at last, the price demanded by these speculators must be
paid.</p>
<p>This wasteful method of pioneering, this desolate business of lonely
settlement took on a new and tragic significance as I studied it.
Instructed by my new philosophy I now perceived that these plowmen,
these wives and daughters had been pushed out into these lonely ugly
shacks by the force of landlordism behind. These plodding Swedes and
Danes, these thrifty Germans, these hairy Russians had all fled from the
feudalism of their <span class="pagenum"><SPAN name="Page_368" id="Page_368">[Pg 368]</SPAN></span>native lands and were here because they had no share
in the soil from which they sprung, and because in the settled
communities of the eastern states, the speculative demand for land had
hindered them from acquiring even a leasing right to the surface of the
earth.</p>
<p>I clearly perceived that our Song of Emigration had been, in effect, the
hymn of fugitives!</p>
<p>And yet all this did not prevent me from acknowledging the beauty of the
earth. On the contrary, social injustice intensified nature's
prodigality. I said, "Yes, the landscape is beautiful, but how much of
its beauty penetrates to the heart of the men who are in the midst of it
and battling with it? How much of consolation does the worn and weary
renter find in the beauty of cloud and tree or in the splendor of the
sunset?—Grace of flower does not feed or clothe the body, and when the
toiler is both badly clothed and badly fed, bird-song and leaf-shine
cannot bring content." Like Millet, I asked, "Why should all of a man's
waking hours be spent in an effort to feed and clothe his family? Is
there not something wrong in our social scheme when the unremitting
toiler remains poor?"</p>
<p>With such thoughts filling my mind, I passed through this belt of recent
settlement and came at last into the valley of the James. One by one the
familiar flimsy little wooden towns were left behind (strung like beads
upon a string), and at last the elevator at Ordway appeared on the edge
of the horizon, a minute, wavering projection against the sky-line, and
half an hour later we entered the village, a sparse collection of
weather-beaten wooden houses, without shade of trees or grass of lawns,
a desolate, drab little town.</p>
<p>Father met me at the train, grayer of beard and hair, but looking hale
and cheerful, and his voice, his peculiar expressions swept away all my
city experience. In an <span class="pagenum"><SPAN name="Page_369" id="Page_369">[Pg 369]</SPAN></span>instant I was back precisely where I had been
when I left the farm. He was Captain, I was a corporal in the rear
ranks.</p>
<p>And yet he was distinctly less harsh, less keen. He had mellowed. He had
gained in sentiment, in philosophy, that was evident, and as we rode
away toward the farm we fell into intimate, almost tender talk.</p>
<p>I was glad to note that he had lost nothing either in dignity or
manliness in my eyes. His speech though sometimes ungrammatical was
vigorous and precise and his stories gave evidence of his native
constructive skill. "Your mother is crazy to see you," he said, "but I
have only this one-seated buggy, and she couldn't come down to meet
you."</p>
<p>When nearly a mile away I saw her standing outside the door of the house
waiting for us, so eager that she could not remain seated, and as I
sprang from the carriage she came hurrying out to meet me, uttering a
curious little murmuring sound which touched me to the heart.</p>
<p>The changes in her shocked me, filled me with a sense of guilt.
Hesitation was in her speech. Her voice once so glowing and so jocund,
was tremulous, and her brown hair, once so abundant, was thin and gray.
I realized at once that in the three years of my absence she had topped
the high altitude of her life and was now descending swiftly toward
defenseless age, and in bitter sadness I entered the house to meet my
sister Jessie who was almost a stranger to me.</p>
<p>She had remained small and was quaintly stooped in neck and shoulders
but retained something of her childish charm. To her I was quite alien,
in no sense a brother. She was very reticent, but it did not take me
long to discover that in her quiet fashion she commanded the camp. For
all his military bluster, the old soldier <span class="pagenum"><SPAN name="Page_370" id="Page_370">[Pg 370]</SPAN></span>was entirely subject to her.
She was never wilful concerning anything really important, but she
assumed all the rights of an individual and being the only child left in
the family, went about her affairs without remark or question, serene,
sweet but determined.</p>
<p>The furniture and pictures of the house were quite as humble as I had
remembered them to be, but mother wore with pride the silk dress I had
sent to her and was so happy to have me at home that she sat in silent
content, while I told her of my life in Boston (boasting of my success
of course, I had to do that to justify myself), and explaining that I
must return, in time to resume my teaching in September.</p>
<p>Harvest was just beginning, and I said, "Father, if you'll pay me full
wages, I'll take a hand."</p>
<p>This pleased him greatly, but he asked, "Do you think you can stand it?"</p>
<p>"I can try," I responded. Next day I laid off my city clothes and took
my place as of old on the stack.</p>
<p>On the broad acres of the arid plains the header and not the binder was
then in use for cutting the wheat, and as stacker I had to take care of
the grain brought to me by the three header boxes.</p>
<p>It was very hard work that first day. It seemed that I could not last
out the afternoon, but I did, and when at night I went to the house for
supper, I could hardly sit at the table with the men, so weary were my
bones. I sought my bed early and rose next day so sore that movement was
torture. This wore away at last and on the third day I had no difficulty
in keeping up my end of the whiffletree.</p>
<p>The part of labor that I hated was the dirt. Night after night as I came
in covered with dust, too tired to bathe, almost too weary to change my
shirt, I declared against any further harvesting. However, I generally
<span class="pagenum"><SPAN name="Page_371" id="Page_371">[Pg 371]</SPAN></span>managed to slosh myself with cold water from the well, and so went to my
bed with a measure of self-respect, but even the "spare room" was hot
and small, and the conditions of my mother's life saddened me. It was so
hot and drear for her!</p>
<p>Every detail of the daily life of the farm now assumed literary
significance in my mind. The quick callousing of my hands, the swelling
of my muscles, the sweating of my scalp, all the unpleasant results of
severe physical labor I noted down, but with no intention of exalting
toil into a wholesome and regenerative thing as Tolstoi, an aristocrat,
had attempted to do. Labor when so prolonged and severe as at this time
my toil had to be, is warfare. I was not working as a visitor but as a
hired hand, and doing my full day's work and more.</p>
<p>At the end of the week I wrote to my friend Kirkland, enclosing some of
my detailed notes and his reply set me thinking. "You're the first
actual farmer in American fiction,—now tell the truth about it," he
wrote.</p>
<p>Thereafter I studied the glory of the sky and the splendor of the wheat
with a deepening sense of the generosity of nature and monstrous
injustice of social creeds. In the few moments of leisure which came to
me as I lay in the shade of a grain-rick, I pencilled rough outlines of
poems. My mind was in a condition of tantalizing productivity and I felt
vaguely that I ought to be writing books instead of pitching grain.
Conceptions for stories began to rise from the subconscious deeps of my
thought like bubbles, noiseless and swift—and still I did not realize
that I had entered upon a new career.</p>
<p>At night or on Sunday I continued my conferences with father and mother.
Together we went over the past, talking of old neighbors and from one of
these conversations came the theme of my first story. It was a very
simple tale (told by my mother) of an old woman, <span class="pagenum"><SPAN name="Page_372" id="Page_372">[Pg 372]</SPAN></span>who made a trip back
to her York state home after an absence in the West of nearly thirty
years. I was able to remember some of the details of her experience and
when my mother had finished speaking I said to her, "That is too good to
lose. I'm going to write it out." Then to amuse her, I added, "Why,
that's worth seventy-five dollars to me. I'll go halves with you."</p>
<p>Smilingly she held out her hand. "Very well, you may give me my share
now."</p>
<p>"Wait till I write it," I replied, a little taken aback.</p>
<p>Going to my room I set to work and wrote nearly two thousand words of
the sketch. This I brought out later in the day and read to her with
considerable excitement. I really felt that I had struck out a character
which, while it did not conform to the actual woman in the case, was
almost as vivid in my mind.</p>
<p>Mother listened very quietly until I had finished, then remarked with
sententious approval. "That's good. Go on." She had no doubt of my
ability to go on—indefinitely!</p>
<p>I explained to her that it wasn't so easy as all that, but that I could
probably finish it in a day or two. (As a matter of fact, I completed
the story in Boston but mother got her share of the "loot" just the
same.)</p>
<p>Soon afterward, while sitting in the door looking out over the fields, I
pencilled the first draft of a little poem called <i>Color in the Wheat</i>
which I also read to her.</p>
<p>She received this in the same manner as before, from which it appeared
that nothing I wrote could surprise her. Her belief in my powers was
quite boundless. Father was inclined to ask, "What's the good of it?"</p>
<p>Of course all of my visit was not entirely made up of hard labor in the
field. There were Sundays when we could rest or entertain the neighbors,
and sometimes a <span class="pagenum"><SPAN name="Page_373" id="Page_373">[Pg 373]</SPAN></span>shower gave us a few hours' respite, but for the most
part the weeks which I spent at home were weeks of stern service in the
ranks of the toilers.</p>
<p>There was a very good reason for my close application to the
fork-handle. Father paid me an extra price as "boss stacker," and I
could not afford to let a day pass without taking the fullest advantage
of it. At the same time, I was careful not to convey to my pupils and
friends from Boston the disgraceful fact that I was still dependent upon
my skill with a pitch-fork to earn a living. I was not quite sure of
their approval of the case.</p>
<p>At last there came the time when I must set my face toward the east.</p>
<p>It seemed a treachery to say good-bye to my aging parents, leaving them
and my untrained sister to this barren, empty, laborious life on the
plain, whilst I returned to the music, the drama, the inspiration, the
glory of Boston. Opposite poles of the world could not be farther apart.
Acute self-accusation took out of my return all of the exaltation and
much of the pleasure which I had expected to experience as I dropped my
harvester's fork and gloves and put on the garments of civilization once
more.</p>
<p>With heart sore with grief and rebellion at "the inexorable trend of
things," I entered the car, and when from its window I looked back upon
my grieving mother, my throat filled with a suffocating sense of guilt.
I was deserting her, recreant to my blood!—That I was re-enacting the
most characteristic of all American dramas in thus pursuing an ambitious
career in a far-off city I most poignantly realized and yet—I went! It
seemed to me at the time that my duty lay in the way of giving up all my
selfish plans in order that I might comfort my mother in her growing
infirmity, and counsel and defend my sister—but I did not. I went away
borne <span class="pagenum"><SPAN name="Page_374" id="Page_374">[Pg 374]</SPAN></span>on a stream of purpose so strong that I seemed but a leak in its
resistless flood.</p>
<p>This feeling of bitterness, of rebellion, of dissatisfaction with
myself, wore gradually away, and by the time I reached Chicago I had
resolved to climb high. "I will carry mother and Jessie to comfort and
to some small share, at least, in the world of art," was my resolve. In
this way I sought to palliate my selfish plan.</p>
<p>Obscurely forming in my mind were two great literary concepts—that
truth was a higher quality than beauty, and that to spread the reign of
justice should everywhere be the design and intent of the artist. The
merely beautiful in art seemed petty, and success at the cost of the
happiness of others a monstrous egotism.</p>
<p>In the spirit of these ideals I returned to my small attic room in
Jamaica Plain and set to work to put my new conceptions into some sort
of literary form.</p>
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