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<h2> VIII. HEROISM. </h2>
<p>In the elder English dramatists, and mainly in the plays Of Beaumont and
Fletcher, there is a constant recognition of gentility, as if a noble
behavior were as easily marked in the society of their age as color is in
our American population. When any Rodrigo, Pedro or Valerio enters, though
he be a stranger, the duke or governor exclaims, 'This is a gentleman,—and
proffers civilities without end; but all the rest are slag and refuse. In
harmony with this delight in personal advantages there is in their plays a
certain heroic cast of character and dialogue,—as in Bonduca,
Sophocles, the Mad Lover, the Double Marriage,—wherein the speaker
is so earnest and cordial and on such deep grounds of character, that the
dialogue, on the slightest additional incident in the plot, rises
naturally into poetry. Among many texts take the following. The Roman
Martius has conquered Athens,—all but the invincible spirits of
Sophocles, the duke of Athens, and Dorigen, his wife. The beauty of the
latter inflames Martius, and he seeks to save her husband; but Sophocles
will not ask his life, although assured that a word will save him, and the
execution of both proceeds:—</p>
<p>Valerius. Bid thy wife farewell.<br/>
<br/>
Soph. No, I will take no leave. My Dorigen,<br/>
Yonder, above, 'bout Ariadne's crown,<br/>
My spirit shall hover for thee. Prithee, haste.<br/>
<br/>
Dor. Stay, Sophocles,—with this tie up my sight;<br/>
Let not soft nature so transformed be,<br/>
And lose her gentler sexed humanity,<br/>
To make me see my lord bleed. So, 'tis well;<br/>
Never one object underneath the sun<br/>
Will I behold before my Sophocles:<br/>
Farewell; now teach the Romans how to die.<br/>
<br/>
Mar. Dost know what 't is to die?<br/>
<br/>
Soph. Thou dost not, Martius,<br/>
And, therefore, not what 'tis to live; to die<br/>
Is to begin to live. It is to end<br/>
An old, stale, weary work, and to commence<br/>
A newer and a better. 'Tis to leave<br/>
Deceitful knaves for the society<br/>
Of gods and goodness. Thou thyself must part<br/>
At last from all thy garlands, pleasures, triumphs,<br/>
And prove thy fortitude what then 't will do.<br/>
<br/>
Val. But art not grieved nor vexed to leave thy life thus?<br/>
<br/>
Soph. Why should I grieve or vex for being sent<br/>
To them I ever loved best? Now I'll kneel,<br/>
But with my back toward thee; 'tis the last duty<br/>
This trunk can do the gods.<br/>
<br/>
Mar. Strike, strike, Valerius,<br/>
Or Martius' heart will leap out at his mouth.<br/>
This is a man, a woman. Kiss thy lord,<br/>
And live with all the freedom you were wont.<br/>
O love! thou doubly hast afflicted me<br/>
With virtue and with beauty. Treacherous heart,<br/>
My hand shall cast thee quick into my urn,<br/>
Ere thou transgress this knot of piety.<br/>
<br/>
Val. What ails my brother?<br/>
<br/>
Soph. Martius, O Martius,<br/>
Thou now hast found a way to conquer me.<br/>
<br/>
Dor. O star of Rome! what gratitude can speak<br/>
Fit words to follow such a deed as this?<br/>
<br/>
Mar. This admirable duke, Valerius,<br/>
With his disdain of fortune and of death,<br/>
Captived himself, has captivated me,<br/>
And though my arm hath ta'en his body here,<br/>
His soul hath subjugated Martius' soul.<br/>
By Romulus, he is all soul, I think;<br/>
He hath no flesh, and spirit cannot be gyved;<br/>
Then we have vanquished nothing; he is free,<br/>
And Martius walks now in captivity.<br/></p>
<p>I do not readily remember any poem, play, sermon, novel, or oration that
our press vents in the last few years, which goes to the same tune. We
have a great many flutes and flageolets, but not often the sound of any
fife. Yet, Wordsworth's "Laodamia," and the ode of "Dion," and some
sonnets, have a certain noble music; and Scott will sometimes draw a
stroke like the portrait of Lord Evandale given by Balfour of Burley.
Thomas Carlyle, with his natural taste for what is manly and daring in
character, has suffered no heroic trait in his favorites to drop from his
biographical and historical pictures. Earlier, Robert Burns has given us a
song or two. In the Harleian Miscellanies there is an account of the
battle of Lutzen which deserves to be read. And Simon Ockley's History of
the Saracens recounts the prodigies of individual valor, with admiration
all the more evident on the part of the narrator that he seems to think
that his place in Christian Oxford requires of him some proper
protestations of abhorrence. But if we explore the literature of Heroism
we shall quickly come to Plutarch, who is its Doctor and historian. To him
we owe the Brasidas, the Dion, the Epaminondas, the Scipio of old, and I
must think we are more deeply indebted to him than to all the ancient
writers. Each of his "Lives" is a refutation to the despondency and
cowardice of our religious and political theorists. A wild courage, a
Stoicism not of the schools but of the blood, shines in every anecdote,
and has given that book its immense fame.</p>
<p>We need books of this tart cathartic virtue more than books of political
science or of private economy. Life is a festival only to the wise. Seen
from the nook and chimney-side of prudence, it wears a ragged and
dangerous front. The violations of the laws of nature by our predecessors
and our contemporaries are punished in us also. The disease and deformity
around us certify the infraction of natural, intellectual, and moral laws,
and often violation on violation to breed such compound misery. A lock-jaw
that bends a man's head back to his heels; hydrophobia that makes him bark
at his wife and babes; insanity that makes him eat grass; war, plague,
cholera, famine, indicate a certain ferocity in nature, which, as it had
its inlet by human crime, must have its outlet by human suffering.
Unhappily no man exists who has not in his own person become to some
amount a stockholder in the sin, and so made himself liable to a share in
the expiation.</p>
<p>Our culture therefore must not omit the arming of the man. Let him hear in
season that he is born into the state of war, and that the commonwealth
and his own well-being require that he should not go dancing in the weeds
of peace, but warned, self-collected and neither defying nor dreading the
thunder, let him take both reputation and life in his hand, and, with
perfect urbanity dare the gibbet and the mob by the absolute truth of his
speech and the rectitude of his behavior.</p>
<p>Towards all this external evil the man within the breast assumes a warlike
attitude, and affirms his ability to cope single-handed with the infinite
army of enemies. To this military attitude of the soul we give the name of
Heroism. Its rudest form is the contempt for safety and ease, which makes
the attractiveness of war. It is a self-trust which slights the restraints
of prudence, in the plenitude of its energy and power to repair the harms
it may suffer. The hero is a mind of such balance that no disturbances can
shake his will, but pleasantly and as it were merrily he advances to his
own music, alike in frightful alarms and in the tipsy mirth of universal
dissoluteness. There is somewhat not philosophical in heroism; there is
somewhat not holy in it; it seems not to know that other souls are of one
texture with it; it has pride; it is the extreme of individual nature.
Nevertheless we must profoundly revere it. There is somewhat in great
actions which does not allow us to go behind them. Heroism feels and never
reasons, and therefore is always right; and although a different breeding,
different religion and greater intellectual activity would have modified
or even reversed the particular action, yet for the hero that thing he
does is the highest deed, and is not open to the censure of philosophers
or divines. It is the avowal of the unschooled man that he finds a quality
in him that is negligent of expense, of health, of life, of danger, of
hatred, of reproach, and knows that his will is higher and more excellent
than all actual and all possible antagonists.</p>
<p>Heroism works in contradiction to the voice of mankind and in
contradiction, for a time, to the voice of the great and good. Heroism is
an obedience to a secret impulse of an individual's character. Now to no
other man can its wisdom appear as it does to him, for every man must be
supposed to see a little farther on his own proper path than any one else.
Therefore just and wise men take umbrage at his act, until after some
little time be past: then they see it to be in unison with their acts. All
prudent men see that the action is clean contrary to a sensual prosperity;
for every heroic act measures itself by its contempt of some external
good. But it finds its own success at last, and then the prudent also
extol.</p>
<p>Self-trust is the essence of heroism. It is the state of the soul at war,
and its ultimate objects are the last defiance of falsehood and wrong, and
the power to bear all that can be inflicted by evil agents. It speaks the
truth and it is just, generous, hospitable, temperate, scornful of petty
calculations and scornful of being scorned. It persists; it is of an
undaunted boldness and of a fortitude not to be wearied out. Its jest is
the littleness of common life. That false prudence which dotes on health
and wealth is the butt and merriment of heroism. Heroism, like Plotinus,
is almost ashamed of its body. What shall it say then to the sugar-plums
and cats'-cradles, to the toilet, compliments, quarrels, cards and
custard, which rack the wit of all society? What joys has kind nature
provided for us dear creatures! There seems to be no interval between
greatness and meanness. When the spirit is not master of the world, then
it is its dupe. Yet the little man takes the great hoax so innocently,
works in it so headlong and believing, is born red, and dies gray,
arranging his toilet, attending on his own health, laying traps for sweet
food and strong wine, setting his heart on a horse or a rifle, made happy
with a little gossip or a little praise, that the great soul cannot choose
but laugh at such earnest nonsense. "Indeed, these humble considerations
make me out of love with greatness. What a disgrace is it to me to take
note how many pairs of silk stockings thou hast, namely, these and those
that were the peach-colored ones; or to bear the inventory of thy shirts,
as one for superfluity, and one other for use!"</p>
<p>Citizens, thinking after the laws of arithmetic, consider the
inconvenience of receiving strangers at their fireside, reckon narrowly
the loss of time and the unusual display; the soul of a better quality
thrusts back the unseasonable economy into the vaults of life, and says, I
will obey the God, and the sacrifice and the fire he will provide. Ibn
Hankal, the Arabian geographer, describes a heroic extreme in the
hospitality of Sogd, in Bukharia. "When I was in Sogd I saw a great
building, like a palace, the gates of which were open and fixed back to
the wall with large nails. I asked the reason, and was told that the house
had not been shut, night or day, for a hundred years. Strangers may
present themselves at any hour and in whatever number; the master has
amply provided for the reception of the men and their animals, and is
never happier than when they tarry for some time. Nothing of the kind have
I seen in any other country." The magnanimous know very well that they who
give time, or money, or shelter, to the stranger,—so it be done for
love and not for ostentation,—do, as it were, put God under
obligation to them, so perfect are the compensations of the universe. In
some way the time they seem to lose is redeemed and the pains they seem to
take remunerate themselves. These men fan the flame of human love and
raise the standard of civil virtue among mankind. But hospitality must be
for service and not for show, or it pulls down the host. The brave soul
rates itself too high to value itself by the splendor of its table and
draperies. It gives what it hath, and all it hath, but its own majesty can
lend a better grace to bannocks and fair water than belong to city feasts.</p>
<p>The temperance of the hero proceeds from the same wish to do no dishonor
to the worthiness he has. But he loves it for its elegancy, not for its
austerity. It seems not worth his while to be solemn and denounce with
bitterness flesh-eating or wine-drinking, the use of tobacco, or opium, or
tea, or silk, or gold. A great man scarcely knows how he dines, how he
dresses; but without railing or precision his living is natural and
poetic. John Eliot, the Indian Apostle, drank water, and said of wine,—"It
is a noble, generous liquor and we should be humbly thankful for it, but,
as I remember, water was made before it." Better still is the temperance
of King David, who poured out on the ground unto the Lord the water which
three of his warriors had brought him to drink, at the peril of their
lives.</p>
<p>It is told of Brutus, that when he fell on his sword after the battle of
Philippi, he quoted a line of Euripides,—"O Virtue! I have followed
thee through life, and I find thee at last but a shade." I doubt not the
hero is slandered by this report. The heroic soul does not sell its
justice and its nobleness. It does not ask to dine nicely and to sleep
warm. The essence of greatness is the perception that virtue is enough.
Poverty is its ornament. It does not need plenty, and can very well abide
its loss.</p>
<p>But that which takes my fancy most in the heroic class, is the good-humor
and hilarity they exhibit. It is a height to which common duty can very
well attain, to suffer and to dare with solemnity. But these rare souls
set opinion, success, and life at so cheap a rate that they will not
soothe their enemies by petitions, or the show of sorrow, but wear their
own habitual greatness. Scipio, charged with peculation, refuses to do
himself so great a disgrace as to wait for justification, though he had
the scroll of his accounts in his hands, but tears it to pieces before the
tribunes. Socrates's condemnation of himself to be maintained in all honor
in the Prytaneum, during his life, and Sir Thomas More's playfulness at
the scaffold, are of the same strain. In Beaumont and Fletcher's "Sea
Voyage," Juletta tells the stout captain and his company,—</p>
<p>Jul. Why, slaves, 'tis in our power to hang ye.<br/>
Master. Very likely,<br/>
'Tis in our powers, then, to be hanged, and scorn ye.<br/></p>
<p>These replies are sound and whole. Sport is the bloom and glow of a
perfect health. The great will not condescend to take any thing seriously;
all must be as gay as the song of a canary, though it were the building of
cities or the eradication of old and foolish churches and nations which
have cumbered the earth long thousands of years. Simple hearts put all the
history and customs of this world behind them, and play their own game in
innocent defiance of the Blue-Laws of the world; and such would appear,
could we see the human race assembled in vision, like little children
frolicking together, though to the eyes of mankind at large they wear a
stately and solemn garb of works and influences.</p>
<p>The interest these fine stories have for us, the power of a romance over
the boy who grasps the forbidden book under his bench at school, our
delight in the hero, is the main fact to our purpose. All these great and
transcendent properties are ours. If we dilate in beholding the Greek
energy, the Roman pride, it is that we are already domesticating the same
sentiment. Let us find room for this great guest in our small houses. The
first step of worthiness will be to disabuse us of our superstitious
associations with places and times, with number and size. Why should these
words, Athenian, Roman, Asia and England, so tingle in the ear? Where the
heart is, there the muses, there the gods sojourn, and not in any
geography of fame. Massachusetts, Connecticut River and Boston Bay you
think paltry places, and the ear loves names of foreign and classic
topography. But here we are; and, if we will tarry a little, we may come
to learn that here is best. See to it only that thyself is here, and art
and nature, hope and fate, friends, angels and the Supreme Being shall not
be absent from the chamber where thou sittest. Epaminondas, brave and
affectionate, does not seem to us to need Olympus to die upon, nor the
Syrian sunshine. He lies very well where he is. The Jerseys were handsome
ground enough for Washington to tread, and London streets for the feet of
Milton. A great man makes his climate genial in the imagination of men,
and its air the beloved element of all delicate spirits. That country is
the fairest which is inhabited by the noblest minds. The pictures which
fill the imagination in reading the actions of Pericles, Xenophon,
Columbus, Bayard, Sidney, Hampden, teach us how needlessly mean our life
is; that we, by the depth of our living, should deck it with more than
regal or national splendor, and act on principles that should interest man
and nature in the length of our days.</p>
<p>We have seen or heard of many extraordinary young men who never ripened,
or whose performance in actual life was not extraordinary. When we see
their air and mien, when we hear them speak of society, of books, of
religion, we admire their superiority; they seem to throw contempt on our
entire polity and social state; theirs is the tone of a youthful giant who
is sent to work revolutions. But they enter an active profession and the
forming Colossus shrinks to the common size of man. The magic they used
was the ideal tendencies, which always make the Actual ridiculous; but the
tough world had its revenge the moment they put their horses of the sun to
plough in its furrow. They found no example and no companion, and their
heart fainted. What then? The lesson they gave in their first aspirations
is yet true; and a better valor and a purer truth shall one day organize
their belief. Or why should a woman liken herself to any historical woman,
and think, because Sappho, or Sevigne, or De Stael, or the cloistered
souls who have had genius and cultivation do not satisfy the imagination
and the serene Themis, none can,—certainly not she? Why not? She has
a new and unattempted problem to solve, perchance that of the happiest
nature that ever bloomed. Let the maiden, with erect soul, walk serenely
on her way, accept the hint of each new experience, search in turn all the
objects that solicit her eye, that she may learn the power and the charm
of her new-born being, which is the kindling of a new dawn in the recesses
of space. The fair girl who repels interference by a decided and proud
choice of influences, so careless of pleasing, so wilful and lofty,
inspires every beholder with somewhat of her own nobleness. The silent
heart encourages her; O friend, never strike sail to a fear! Come into
port greatly, or sail with God the seas. Not in vain you live, for every
passing eye is cheered and refined by the vision.</p>
<p>The characteristic of heroism is its persistency. All men have wandering
impulses, fits and starts of generosity. But when you have chosen your
part, abide by it, and do not weakly try to reconcile yourself with the
world. The heroic cannot be the common, nor the common the heroic. Yet we
have the weakness to expect the sympathy of people in those actions whose
excellence is that they outrun sympathy and appeal to a tardy justice. If
you would serve your brother, because it is fit for you to serve him, do
not take back your words when you find that prudent people do not commend
you. Adhere to your own act, and congratulate yourself if you have done
something strange and extravagant and broken the monotony of a decorous
age. It was a high counsel that I once heard given to a young person,—"Always
do what you are afraid to do." A simple manly character need never make an
apology, but should regard its past action with the calmness of Phocion,
when he admitted that the event of the battle was happy, yet did not
regret his dissuasion from the battle.</p>
<p>There is no weakness or exposure for which we cannot find consolation in
the thought—this is a part of my constitution, part of my relation
and office to my fellow-creature. Has nature covenanted with me that I
should never appear to disadvantage, never make a ridiculous figure? Let
us be generous of our dignity as well as of our money. Greatness once and
for ever has done with opinion. We tell our charities, not because we wish
to be praised for them, not because we think they have great merit, but
for our justification. It is a capital blunder; as you discover when
another man recites his charities.</p>
<p>To speak the truth, even with some austerity, to live with some rigor of
temperance, or some extremes of generosity, seems to be an asceticism
which common good-nature would appoint to those who are at ease and in
plenty, in sign that they feel a brotherhood with the great multitude of
suffering men. And not only need we breathe and exercise the soul by
assuming the penalties of abstinence, of debt, of solitude, of
unpopularity,—but it behooves the wise man to look with a bold eye
into those rarer dangers which sometimes invade men, and to familiarize
himself with disgusting forms of disease, with sounds of execration, and
the vision of violent death.</p>
<p>Times of heroism are generally times of terror, but the day never shines
in which this element may not work. The circumstances of man, we say, are
historically somewhat better in this country and at this hour than perhaps
ever before. More freedom exists for culture. It will not now run against
an axe at the first step out of the beaten track of opinion. But whoso is
heroic will always find crises to try his edge. Human virtue demands her
champions and martyrs, and the trial of persecution always proceeds. It is
but the other day that the brave Lovejoy gave his breast to the bullets of
a mob, for the rights of free speech and opinion, and died when it was
better not to live.</p>
<p>I see not any road of perfect peace which a man can walk, but after the
counsel of his own bosom. Let him quit too much association, let him go
home much, and stablish himself in those courses he approves. The
unremitting retention of simple and high sentiments in obscure duties is
hardening the character to that temper which will work with honor, if need
be in the tumult, or on the scaffold. Whatever outrages have happened to
men may befall a man again; and very easily in a republic, if there appear
any signs of a decay of religion. Coarse slander, fire, tar and feathers
and the gibbet, the youth may freely bring home to his mind and with what
sweetness of temper he can, and inquire how fast he can fix his sense of
duty, braving such penalties, whenever it may please the next newspaper
and a sufficient number of his neighbors to pronounce his opinions
incendiary.</p>
<p>It may calm the apprehension of calamity in the most susceptible heart to
see how quick a bound Nature has set to the utmost infliction of malice.
We rapidly approach a brink over which no enemy can follow us:—</p>
<p>"Let them rave:<br/>
Thou art quiet in thy grave."<br/></p>
<p>In the gloom of our ignorance of what shall be, in the hour when we are
deaf to the higher voices, who does not envy those who have seen safely to
an end their manful endeavor? Who that sees the meanness of our politics
but inly congratulates Washington that he is long already wrapped in his
shroud, and for ever safe; that he was laid sweet in his grave, the hope
of humanity not yet subjugated in him? Who does not sometimes envy the
good and brave who are no more to suffer from the tumults of the natural
world, and await with curious complacency the speedy term of his own
conversation with finite nature? And yet the love that will be annihilated
sooner than treacherous has already made death impossible, and affirms
itself no mortal but a native of the deeps of absolute and
inextinguishable being.</p>
<p><br/></p>
<hr />
<p><br/><br/><br/></p>
<p>THE OVER-SOUL.<br/>
<br/>
"BUT souls that of his own good life partake,<br/>
He loves as his own self; dear as his eye<br/>
They are to Him: He'll never them forsake:<br/>
When they shall die, then God himself shall die:<br/>
They live, they live in blest eternity."<br/>
Henry More.<br/>
<br/>
Space is ample, east and west,<br/>
But two cannot go abreast,<br/>
Cannot travel in it two:<br/>
Yonder masterful cuckoo<br/>
Crowds every egg out of the nest,<br/>
Quick or dead, except its own;<br/>
A spell is laid on sod and stone,<br/>
Night and Day 've been tampered with,<br/>
Every quality and pith<br/>
Surcharged and sultry with a power<br/>
That works its will on age and hour.<br/></p>
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