<SPAN name="6"></SPAN><h2>6</h2>
<br/>
<p>Even the old woman, whose eyes were sharpened by her habit of looking
constantly for the weaknesses and vices of men, could not guess what was
going on behind the thin, rather ugly face of Donnegan; the girl,
perhaps, may have seen more. For she caught the glitter of his active
eyes even at that distance. The hag began to explain with vicious
gestures that set the light flaring up and down.</p>
<p>"He ain't come from nowhere, Lou," she said. "He ain't going nowhere; he
wants to stay here for the night."</p>
<p>The foot which had been suspended to take the next step was now
withdrawn. Donnegan, remembered at last, whipped off his cap, and at
once the light flared and burned upon his hair. It was a wonderful red;
it shone, and it had a terrible blood tinge so that his face seemed pale
beneath it. There were three things that made up the peculiar dominance
of Donnegan's countenance. The three things were the hair, the uneasy,
bright eyes, and the rather thin, compressed lips. When Donnegan slept
he seemed about to waken from a vigorous dream; when he sat down he
seemed about to leap to his feet; and when he was standing he gave that
impression of a poise which is ready for anything. It was no wonder that
the girl, seeing that face and that alert, aggressive body, shrank a
little on the stairs. Donnegan, that instant, knew that these two women
were really alone in the house as far as fighting men were concerned.</p>
<p>And the fact disturbed him more than a leveled gun would have done. He
went to the foot of the stairs, even past the old woman, and, raising
his head, he spoke to the girl.</p>
<p>"My name's Donnegan. I came over from the railroad—walked. I don't want
to walk that other eight miles unless there's a real need for it. I—"
Why did he pause? "I'll pay for anything I get here."</p>
<p>His voice was not too certain; behind his teeth there was knocking a
desire to cry out to her the truth. "I am Donnegan. Donnegan the tramp.
Donnegan the shiftless. Donnegan the fighter. Donnegan the killer.
Donnegan the penniless, worthless. But for heaven's sake let me stay
until morning and let me look at you—from a distance!"</p>
<p>But, after all, perhaps he did not need to say all these things. His
clothes were rags, upon his face there was a stubble of unshaven red,
which made the pallor about his eyes more pronounced. If the girl had
been half blind she must have felt that here was a man of fire. He saw
her gather the wrap a little closer about her shoulders, and that sign
of fear made him sick at heart.</p>
<p>"Mr. Donnegan," said the girl. "I am sorry. We cannot take you into the
house. Eight miles—"</p>
<p>Did she expect to turn a sinner from the gates of heaven with a mere
phrase? He cast out his hand, and she winced as though he had shaken his
fist at her.</p>
<p>"Are you afraid?" cried Donnegan.</p>
<p>"I don't control the house."</p>
<p>He paused, not that her reply had baffled him, but the mere pleasure of
hearing her speak accounted for it. It was one of those low, light
voices which are apt to have very little range or volume, and which
break and tremble absurdly under any stress of emotion; and often they
become shrill in a higher register; but inside conversational limits, if
such a term may be used, there is no fiber so delightful, so purely
musical. Suppose the word "velvet" applied to a sound. That voice came
soothingly and delightfully upon the ear of Donnegan, from which the
roar and rattle of the empty freight train had not quite departed. He
smiled at her.</p>
<p>"But," he protested, "this is west of the Rockies—and I don't see any
other way out."</p>
<p>The girl, all this time, was studying him intently, a little sadly, he
thought. Now she shook her head, but there was more warmth in her voice.</p>
<p>"I'm sorry. I can't ask you to stay without first consulting my father."</p>
<p>"Go ahead. Ask him."</p>
<p>She raised her hand a little; the thought seemed to bring her to the
verge of trembling, as though he were asking a sacrilege.</p>
<p>"Why not?" he urged.</p>
<p>She did not answer, but, instead, her eyes sought the old, woman, as if
to gain her interposition; she burst instantly into speech.</p>
<p>"Which there's no good talking any more," declared the ancient vixen.
"Are you wanting to make trouble for her with the colonel? Be off, young
man. It ain't the first time I've told you you'd get nowhere in this
house!"</p>
<p>There was no possible answer left to Donnegan, and he did as usual the
surprising thing. He broke into laughter of such clear and ringing
tone—such infectious laughter—that the old woman blinked in the midst
of her wrath as though she were seeing a new man, and he saw the lips of
the girl parted in wonder.</p>
<p>"My father is an invalid," said the girl. "And he lives by strict rules.
I could not break in on him at this time of the evening."</p>
<p>"If that's all"—Donnegan actually began to mount the steps—"I'll go in
and talk to your father myself."</p>
<p>She had retired one pace as he began advancing, but as the import of
what he said became clear to her she was rooted to one position by
astonishment.</p>
<p>"Colonel Macon—my father—" she began. Then: "Do you really wish to see
him?"</p>
<p>The hushed voice made Donnegan smile—it was such a voice as one boy
uses when he asks the other if he really dares enter the pasture of the
red bull. He chuckled again, and this time she smiled, and her eyes were
widened, partly by fear of his purpose and partly from his nearness.
They seemed to be suddenly closer together. As though they were on one
side against a common enemy, and that enemy was her father. The old
woman was cackling sharply from the bottom of the stairs, and then
bobbing in pursuit and calling on Donnegan to come back. At length the
girl raised her hand and silenced her with a gesture.</p>
<p>Donnegan was now hardly a pace away; and he saw that she lived up to all
the promise of that first glance. Yet still she seemed unreal. There is
a quality of the unearthly about a girl's beauty; it is, after all, only
a gay moment between the formlessness of childhood and the hardness of
middle age. This girl was pale, Donnegan saw, and yet she had color. She
had the luster, say, of a white rose, and the same bloom. Lou, the old
woman had called her, and Macon was her father's name. Lou Macon—the
name fitted her, Donnegan thought. For that matter, if her name had been
Sally Smith, Donnegan would probably have thought it beautiful. The
keener a man's mind is and the more he knows about men and women and the
ways of the world, the more apt he is to be intoxicated by a touch of
grace and thoughtfulness; and all these age-long seconds the perfume of
girlhood had been striking up to Donnegan's brain.</p>
<p>She brushed her timidity away and with the same gesture accepted
Donnegan as something more than a dangerous vagrant. She took the lamp
from the hands of the crone and sent her about her business,
disregarding the mutterings and the warnings which trailed behind the
departing form. Now she faced Donnegan, screening the light from her
eyes with a cupped hand and by the same device focusing it upon the face
of Donnegan. He mutely noted the small maneuver and gave her credit; but
for the pleasure of seeing the white of her fingers and the way they
tapered to a pink transparency at the tips, he forgot the poor figure he
must make with his soiled, ragged shirt, his unshaven face, his gaunt
cheeks.</p>
<p>Indeed, he looked so straight at her that in spite of her advantage with
the light she had to avoid his glance.</p>
<p>"I am sorry," said Lou Macon, "and ashamed because we can't take you in.
The only house on the range where you wouldn't be welcome, I know. But
my father leads a very close life; he has set ways. The ways of an
invalid, Mr. Donnegan."</p>
<p>"And you're bothered about speaking to him of me?"</p>
<p>"I'm almost afraid of letting you go in yourself."</p>
<p>"Let me take the risk."</p>
<p>She considered him again for a moment, and then turned with a nod and he
followed her up the stairs into the upper hall. The moment they stepped
into it he heard her clothes flutter and a small gale poured on them. It
was criminal to allow such a building to fall into this ruinous
condition. And a gloomy picture rose in Donnegan's mind of the invalid,
thin-faced, sallow-eyed, white-haired, lying in his bed listening to the
storm and silently gathering bitterness out of the pain of living. Lou
Macon paused again in the hall, close to a door on the right.</p>
<p>"I'm going to send you in to speak to my father," she said gravely.
"First I have to tell you that he's different."</p>
<p>Donnegan replied by looking straight at her, and this time she did not
wince from the glance. Indeed, she seemed to be probing him, searching
with a peculiar hope. What could she expect to find in him? What that
was useful to her? Not once in all his life had such a sense of
impotence descended upon Donnegan. Her father? Bah! Invalid or no
invalid he would handle that fellow, and if the old man had an acrid
temper, Donnegan at will could file his own speech to a point. But the
girl! In the meager hand which held the lamp there was a power which all
the muscles of Donnegan could not compass; and in his weakness he looked
wistfully at her.</p>
<p>"I hope your talk will be pleasant. I hope so." She laid her hand on the
knob of the door and withdrew it hastily; then, summoning great
resolution, she opened the door and showed Donnegan in.</p>
<p>"Father," she said, "this is Mr. Donnegan. He wishes to speak to you."</p>
<p>The door closed behind Donnegan, and hearing that whishing sound which
the door of a heavy safe will make, he looked down at this, and saw that
it was actually inches thick! Once more the sense of being in a trap
descended upon him.</p>
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