<SPAN name="chap08"></SPAN>
<h3> CHAPTER VIII </h3>
<h3> COUSIN EVERARD </h3>
<p>As Miss Barfoot's eye fell on the letters brought to her at
breakfast-time, she uttered an exclamation, doubtful in its
significance. Rhoda Nunn, who rarely had a letter from any one, looked
up inquiringly.</p>
<p>'I am greatly mistaken if that isn't my cousin Everard's writing. I
thought so. He is in London.'</p>
<p>Rhoda made no remark.</p>
<p>'Pray read it,' said the other, handing her friend the epistle after
she had gone through it.</p>
<p>The handwriting was remarkably bold, but careful. Punctuation was
strictly attended to, and in places a word had been obliterated with a
circular scrawl which left it still legible.</p>
<P CLASS="letter">
'DEAR COUSIN MARY,—I hear that you are still active in an original
way, and that civilization is more and more indebted to you. Since my
arrival in London a few weeks ago, I have several times been on the
point of calling at your house, but scruples withheld me. Our last
interview was not quite friendly on your side, you will remember, and
perhaps your failure to write to me means continued displeasure; in
that case I might be rejected at your door, which I shouldn't like, for
I am troubled with a foolish sense of personal dignity. I have taken a
flat, and mean to stay in London for at least half a year. Please let
me know whether I may see you. Indeed I should like to. Nature meant us
for good friends, but prejudice came between us. Just a line, either of
welcome or "get thee behind me!" In spite of your censures, I always
was, and still am, affectionately yours,
<br/><br/>
EVERARD BARFOOT.'</p>
<p>Rhoda perused the sheet very attentively.</p>
<p>'An impudent letter,' said Miss Barfoot. 'Just like him.'</p>
<p>'Where does he appear from?'</p>
<p>'Japan, I suppose. "But prejudice came between us." I like that! Moral
conviction is always prejudice in the eyes of these advanced young men.
Of course he must come. I am anxious to see what time has made of him.'</p>
<p>'Was it really moral censure that kept you from writing to him?'
inquired Rhoda, with a smile.</p>
<p>'Decidedly. I didn't approve of him at all, as I have frequently told
you.'</p>
<p>'But I gather that he hasn't changed much.'</p>
<p>'Not in theories,' replied Miss Barfoot. 'That isn't to be expected. He
is far too stubborn. But in mode of life he may possibly be more
tolerable.'</p>
<p>'After two or three years in Japan,' rejoined Rhoda, with a slight
raising of the eyebrows.</p>
<p>'He is about three-and-thirty, and before he left England I think he
showed possibilities of future wisdom. Of course I disapprove of him,
and, if necessary, shall let him understand that quite as plainly as
before. But there's no harm in seeing if he has learnt to behave
himself.'</p>
<p>Everard Barfoot received an invitation to dine. It was promptly
accepted, and on the evening of the appointment he arrived at half-past
seven. His cousin sat alone in the drawing-room. At his entrance she
regarded him with keen but friendly scrutiny.</p>
<p>He had a tall, muscular frame, and a head of striking outline, with
large nose, full lips, deep-set eyes, and prominent eyebrows. His hair
was the richest tone of chestnut; his moustache and beard—the latter
peaking slightly forward—inclined to redness. Excellent health
manifested itself in the warm purity of his skin, in his cheerful
aspect, and the lightness of his bearing. The lower half of his
forehead was wrinkled, and when he did not fix his look on anything in
particular, his eyelids drooped, giving him for the moment an air of
languor. On sitting down, he at once abandoned himself to a posture of
the completest ease, which his admirable proportions made graceful.
From his appearance one would have expected him to speak in rather loud
and decided tones; but he had a soft voice, and used it with all the
discretion of good-breeding, so that at times it seemed to caress the
ear. To this mode of utterance corresponded his smile, which was
frequent, but restrained to the expression of a delicate, good-natured
irony.</p>
<p>'No one had told me of your return,' were Miss Barfoot's first words as
she shook hands with him.</p>
<p>'I fancy because no one knew. You were the first of my kinsfolk to whom
I wrote.'</p>
<p>'Much honour, Everard. You look very well.'</p>
<p>'I am glad to be able to say the same of you. And yet I hear that you
work harder than ever.'</p>
<p>'Who is the source of your information about me?'</p>
<p>'I had an account of you from Tom, in a letter that caught me at
Constantinople.'</p>
<p>'Tom? I thought he had forgotten my existence. Who told him about me I
can't imagine. So you didn't come straight home from Japan?'</p>
<p>Barfoot was nursing his knee, his head thrown back.</p>
<p>'No; I loitered a little in Egypt and Turkey. Are you living quite
alone?'</p>
<p>He drawled slightly on the last word, its second vowel making quite a
musical note, of wonderful expressiveness. The clear decision of his
cousin's reply was a sharp contrast.</p>
<p>'A lady lives with me—Miss Nunn. She will join us in a moment.'</p>
<p>'Miss Nunn?' He smiled. 'A partner in your activity?'</p>
<p>'She gives me valuable help.'</p>
<p>'I must hear all about it—if you will kindly tell me some day. It will
interest me greatly. You always were the most interesting of our
family. Brother Tom promised to be a genius, but marriage has blighted
the hope, I fear.'</p>
<p>'The marriage was a very absurd one.'</p>
<p>'Was it? I feared so; but Tom seems satisfied. I suppose they will stay
at Madeira.'</p>
<p>'Until his wife is tired of her imaginary phthisis, and amuses herself
with imagining some other ailment that requires them to go to Siberia.'</p>
<p>'Ah, that kind of person, is she?' He smiled indulgently, and played
for a moment with the lobe of his right ear. His ears were small, and
of the ideal contour; the hand, too, thus displayed, was a fine example
of blended strength and elegance.</p>
<p>Rhoda came in, so quietly that she was able to observe the guest before
he had detected her presence. The movement of Miss Barfoot's eyes first
informed him that another person was in the room. In the quietest
possible way the introduction was performed, and all seated themselves.</p>
<p>Dressed, like the hostess, in black, and without ornaments of any kind
save a silver buckle at her waist, Rhoda seemed to have endeavoured to
liken herself to the suggestion of her name by the excessive plainness
with which she had arranged her hair; its tight smoothness was nothing
like so becoming as the mode she usually adopted, and it made her look
older. Whether by accident or design, she took an upright chair, and
sat upon it in a stiff attitude. Finding it difficult to suspect Rhoda
of shyness, Miss Barfoot once or twice glanced at her with curiosity.
For settled conversation there was no time; a servant announced dinner
almost immediately.</p>
<p>'There shall be no forms, cousin Everard,' said the hostess. 'Please to
follow us.'</p>
<p>Doing so, Everard examined Miss Nunn's figure, which in its way was
strong and shapely as his own. A motion of his lips indicated amused
approval, but at once he commanded himself, and entered the dining-room
with exemplary gravity. Naturally, he sat opposite Rhoda, and his eyes
often skimmed her face; when she spoke, which was very seldom, he gazed
at her with close attention.</p>
<p>During the first part of the meal, Miss Barfoot questioned her relative
concerning his Oriental experiences. Everard spoke of them in a light,
agreeable way, avoiding the tone of instruction, and, in short, giving
evidence of good taste. Rhoda listened with a look of civil interest,
but asked no question, and smiled only when it was unavoidable.
Presently the talk turned to things of home.</p>
<p>'Have you heard of your friend Mr. Poppleton?' the hostess asked.</p>
<p>'Poppleton? Nothing whatever. I should like to see him.'</p>
<p>'I'm sorry to tell you he is in a lunatic asylum.'</p>
<p>As Barfoot kept the silence of astonishment, his cousin went on to tell
him that the unhappy man seemed to have lost his wits among business
troubles.</p>
<p>'Yet I should have suggested another explanation,' remarked the young
man, in his most discreet tone, 'You never met Mrs. Poppleton?'</p>
<p>Seeing that Miss Nunn had looked up with interest, he addressed himself
to her.</p>
<p>'My friend Poppleton was one of the most delightful men—perhaps the
best and kindest I ever knew, and so overflowing with natural wit and
humour that there was no resisting his cheerful influence. To the
amazement of every one who knew him, he married perhaps the dullest
woman he could have found. Mrs. Poppleton not only never made a joke,
but couldn't understand what joking meant. Only the flattest literalism
was intelligible to her; she could follow nothing but the very macadam
of conversation—had no palate for anything but the suet-pudding of
talk.'</p>
<p>Rhoda's eyes twinkled, and Miss Barfoot laughed. Everard was allowing
himself a freedom in expression which hitherto he had sedulously
avoided.</p>
<p>'Yes,' he continued, 'she was by birth a lady—which made the
infliction harder to bear. Poor old Poppleton! Again and again I have
heard him—what do you think?—laboriously <i>explaining</i> jests to her.
That was a trial, as you may imagine. There we sat, we three, in the
unbeautiful little parlour—for they were anything but rich. Poppleton
would say something that convulsed me with laughter—in spite of my
efforts, for I always dreaded the result so much that I strove my
hardest to do no more than smile appreciation. My laugh compelled Mrs.
Poppleton to stare at me—oh, her eyes I Thereupon, her husband began
his dread performance. The patience, the heroic patience, of that dear,
good fellow! I have known him explain, and re-explain, for a quarter of
an hour, and invariably without success. It might be a mere pun; Mrs.
Poppleton no more understood the nature of a pun than of the binomial
theorem. But worse was when the jest involved some allusion. When I
heard Poppleton begin to elucidate, to expound, the perspiration
already on his forehead, I looked at him with imploring anguish. Why
<i>would</i> he attempt the impossible? But the kind fellow couldn't
disregard his wife's request. Shall I ever forget her. "Oh—yes—I
see"?—when obviously she saw nothing but the wall at which she sat
staring.'</p>
<p>'I have known her like,' said Miss Barfoot merrily.</p>
<p>'I am convinced his madness didn't come from business anxiety. It was
the necessity, ever recurring, ever before him, of expounding jokes to
his wife. Believe me, it was nothing but that.'</p>
<p>'It seems very probable,' asserted Rhoda dryly.</p>
<p>'Then there's another friend of yours whose marriage has been
unfortunate,' said the hostess. 'They tell me that Mr. Orchard has
forsaken his wife, and without intelligible reason.'</p>
<p>'There, too, I can offer an explanation,' replied Barfoot quietly,
'though you may doubt whether it justifies him. I met Orchard a few
months ago in Alexandria, met him by chance in the street, and didn't
recognize him until he spoke to me. He was worn to skin and bone. I
found that he had abandoned all his possessions to Mrs. Orchard, and
just kept himself alive on casual work for the magazines, wandering
about the shores of the Mediterranean like an uneasy spirit. He showed
me the thing he had last written, and I see it is published in this
month's <i>Macmillan</i>. Do read it. An exquisite description of a night in
Alexandria. One of these days he will starve to death. A pity; he might
have done fine work.'</p>
<p>'But we await your explanation. What business has he to desert his wife
and children?'</p>
<p>'Let me give an account of a day I spent with him at Tintern, not long
before I left England. He and his wife were having a holiday there, and
I called on them. We went to walk about the Abbey. Now, for some two
hours—I will be strictly truthful—whilst we were in the midst of that
lovely scenery, Mrs. Orchard discoursed unceasingly of one subject—the
difficulty she had with her domestic servants. Ten or twelve of these
handmaidens were marshalled before our imagination; their names, their
ages, their antecedents, the wages they received, were carefully
specified. We listened to a <i>catalogue raisonne</i> of the plates, cups,
and other utensils that they had broken. We heard of the enormities
which in each case led to their dismissal. Orchard tried repeatedly to
change the subject, but only with the effect of irritating his wife.
What could he or I do but patiently give ear? Our walk was ruined, but
there was no help for it. Now, be good enough to extend this kind of
thing over a number of years. Picture Orchard sitting down in his home
to literary work, and liable at any moment to an invasion from Mrs.
Orchard, who comes to tell him, at great length, that the butcher has
charged for a joint they have not consumed—or something of that kind.
He assured me that his choice lay between flight and suicide, and I
firmly believed him.'</p>
<p>As he concluded, his eyes met those of Miss Nunn, and the latter
suddenly spoke.</p>
<p>'Why will men marry fools?'</p>
<p>Barfoot was startled. He looked down into his plate, smiling.</p>
<p>'A most sensible question,' said the hostess, with a laugh. 'Why,
indeed?'</p>
<p>'But a difficult one to answer,' remarked Everard, with his most
restrained smile. 'Possibly, Miss Nunn, narrow social opportunity has
something to do with it. They must marry some one, and in the case of
most men choice is seriously restricted.'</p>
<p>'I should have thought,' replied Rhoda, elevating her eyebrows, 'that
to live alone was the less of two evils.'</p>
<p>'Undoubtedly. But men like these two we have been speaking of haven't a
very logical mind.'</p>
<p>Miss Barfoot changed the topic.</p>
<p>When, not long after, the ladies left him to meditate over his glass of
wine, Everard curiously surveyed the room. Then his eyelids drooped, he
smiled absently, and a calm sigh seemed to relieve his chest. The
claret had no particular quality to recommend it, and in any case he
would have drunk very little, for as regards the bottle his nature was
abstemious.</p>
<p>'It is as I expected,' Miss Barfoot was saying to her friend in the
drawing-room. 'He has changed very noticeably.'</p>
<p>'Mr. Barfoot isn't quite the man your remarks had suggested to me,'
Rhoda replied.</p>
<p>'I fancy he is no longer the man I knew. His manners are wonderfully
improved. He used to assert himself in rather alarming ways. His
letter, to be sure, had the old tone, or something of it.'</p>
<p>'I will go to the library for an hour,' said Rhoda, who had not seated
herself. 'Mr. Barfoot won't leave before ten, I suppose?'</p>
<p>'I don't think there will be any private talk.'</p>
<p>'Still, if you will let me—'</p>
<p>So, when Everard appeared, he found his cousin alone.</p>
<p>'What are you going to do?' she asked of him good-naturedly.</p>
<p>'To do? You mean, how do I propose to employ myself? I have nothing
whatever in view, beyond enjoying life.'</p>
<p>'At your age?'</p>
<p>'So young? Or so old? Which?'</p>
<p>'So young, of course. You deliberately intend to waste your life?'</p>
<p>'To enjoy it, I said. I am not prompted to any business or profession;
that's all over for me; I have learnt all I care to of the active
world.'</p>
<p>'But what do you understand by enjoyment?' asked Miss Barfoot, with
knitted brows.</p>
<p>'Isn't the spectacle of existence quite enough to occupy one through a
lifetime? If a man merely travelled, could he possibly exhaust all the
beauties and magnificences that are offered to him in every country?
For ten years and more I worked as hard as any man; I shall never
regret it, for it has given me a feeling of liberty and opportunity
such as I should not have known if I had always lived at my ease. It
taught me a great deal, too; supplemented my so-called education as
nothing else could have done. But to work for ever is to lose half of
life. I can't understand those people who reconcile themselves to
quitting the world without having seen a millionth part of it.'</p>
<p>'I am quite reconciled to that. An infinite picture gallery isn't my
idea of enjoyment.'</p>
<p>'Nor mine. But an infinite series of modes of living. A ceaseless
exercise of all one's faculties of pleasure. That sounds shameless to
you? I can't understand why it should. Why is the man who toils more
meritorious than he who enjoys? What is the sanction for this judgment?'</p>
<p>'Social usefulness, Everard.'</p>
<p>'I admit the demand for social usefulness, up to a certain point. But,
really, I have done my share. The mass of men don't toil with any such
ideal, but merely to keep themselves alive, or to get wealth. I think
there is a vast amount of unnecessary labour.'</p>
<p>'There is an old proverb about Satan and idle hands. Pardon me; you
alluded to that personage in your letter.'</p>
<p>'The proverb is a very true one, but, like other proverbs, it applies
to the multitude. If I get into mischief, it will not be because I
don't perspire for so many hours every day, but simply because it is
human to err. I have no intention whatever of getting into mischief.'</p>
<p>The speaker stroked his beard, and smiled with a distant look.</p>
<p>'Your purpose is intensely selfish, and all indulged selfishness reacts
on the character,' replied Miss Barfoot, still in a tone of the
friendliest criticism.</p>
<p>'My dear cousin, for anything to be selfish, it must be a deliberate
refusal of what one believes to be duty. I don't admit that I am
neglecting any duty to others, and the duty to myself seems very clear
indeed.'</p>
<p>'Of <i>that</i> I have no doubt,' exclaimed the other, laughing. 'I see that
you have refined your arguments.'</p>
<p>'Not my arguments only, I hope,' said Everard modestly. 'My time has
been very ill spent if I haven't in some degree, refined my nature.'</p>
<p>'That sounds very well, Everard. But when it comes to degrees of
self-indulgence—'</p>
<p>She paused and made a gesture of dissatisfaction.</p>
<p>'It comes to that, surely, with every man. But we certainly shall not
agree on this subject. You stand at the social point of view; I am an
individualist. You have the advantage of a tolerably consistent theory;
whilst I have no theory at all, and am full of contradictions. The only
thing clear to me is that I have a right to make the most of my life.'</p>
<p>'No matter at whose expense?'</p>
<p>'You are quite mistaken. My conscience is a tender one. I dread to do
any one an injury. That has always been true of me, in spite of your
sceptical look; and the tendency increases as I grow older. Let us have
done with so unimportant a matter. Isn't Miss Nunn able to rejoin us?'</p>
<p>'She will come presently, I think.'</p>
<p>'How did you make this lady's acquaintance?'</p>
<p>Miss Barfoot explained the circumstances.</p>
<p>'She makes an impression,' resumed Everard. 'A strong character, of
course. More decidedly one of the new women than you yourself—isn't
she?'</p>
<p>'Oh, <i>I</i> am a very old-fashioned woman. Women have thought as I do at
any time in history. Miss Nunn has much more zeal for womanhood
militant.'</p>
<p>'I should delight to talk with her. Really, you know, I am very
strongly on your side.'</p>
<p>Miss Barfoot laughed.</p>
<p>'Oh, sophist! You despise women.'</p>
<p>'Why, yes, the great majority of women—the typical woman. All the more
reason for my admiring the exceptions, and wishing to see them become
more common. You, undoubtedly, despise the average woman.'</p>
<p>'I despise no human being, Everard.'</p>
<p>'Oh, in a sense! But Miss Nunn, I feel sure, would agree with me.'</p>
<p>'I am very sure Miss Nunn wouldn't. She doesn't admire the feebler
female, but that is very far from being at one with <i>your</i> point of
view, my cousin.'</p>
<p>Everard mused with a smile.</p>
<p>'I must get to understand her line of thought. You permit me to call
upon you now and then?'</p>
<p>'Oh, whenever you like, in the evening. Except,' Miss Barfoot added,
'Wednesday evening. Then we are always engaged.'</p>
<p>'Summer holidays are unknown to you, I suppose?'</p>
<p>'Not altogether. I had mine a few weeks ago. Miss Nunn will be going
away in a fortnight, I think.'</p>
<p>Just before ten o'clock, when Barfoot was talking of some acquaintances
he had left in Japan, Rhoda entered the room. She seemed little
disposed for conversation, and Everard did not care to assail her
taciturnity this evening. He talked on a little longer, observing her
as she listened, and presently took an opportunity to rise for
departure.</p>
<p>'Wednesday is the forbidden evening, is it not?' he said to his cousin.</p>
<p>'Yes, that is devoted to business.'</p>
<p>As soon as he had gone, the friends exchanged a look. Each understood
the other as referring to this point of Wednesday evening, but neither
made a remark. They were silent for some time. When Rhoda at length
spoke it was in a tone of half-indifferent curiosity.</p>
<p>'You are sure you haven't exaggerated Mr. Barfoot's failings?'</p>
<p>The reply was delayed for a moment.</p>
<p>'I was a little indiscreet to speak of him at all. But no, I didn't
exaggerate.'</p>
<p>'Curious,' mused the other dispassionately, as she stood with one foot
on the fender. 'He hardly strikes one as that kind of man.</p>
<p>'Oh, he has certainly changed a great deal.'</p>
<p>Miss Barfoot went on to speak of her cousin's resolve to pursue no
calling.</p>
<p>'His means are very modest. I feel rather guilty before him; his father
bequeathed to me much of the money that would in the natural course
have been Everard's. But he is quite superior to any feeling of grudge
on that score.'</p>
<p>'Practically, his father disinherited him?'</p>
<p>'It amounted to that. From quite a child, Everard was at odds with his
father. A strange thing, for in so many respects they resembled each
other very closely. Physically, Everard is his father walking the earth
again. In character, too, I think they must be very much alike. They
couldn't talk about the simplest thing without disagreeing. My uncle
had risen from the ranks but he disliked to be reminded of it. He
disliked the commerce by which he made his fortune. His desire was to
win social position; if baronetcies could be purchased in our time, he
would have given a huge sum to acquire one. But he never distinguished
himself, and one of the reasons was, no doubt, that he married too
soon. I have heard him speak bitterly, and very indiscreetly, of early
marriages; his wife was dead then, but every one knew what he meant.
Rhoda, when one thinks how often a woman is a clog upon a man's
ambition, no wonder they regard us as they do.'</p>
<p>'Of course, women are always retarding one thing or another. But men
are intensely stupid not to have remedied that long ago.'</p>
<p>'He determined that his boys should be gentlemen. Tom, the elder,
followed his wishes exactly; he was remarkably clever, but idleness
spoilt him, and now he has made that ridiculous marriage—the end of
poor Tom. Everard went to Eton, and the school had a remarkable effect
upon him; it made him a furious Radical. Instead of imitating the young
aristocrats he hated and scorned them. There must have been great force
of originality in the boy. Of course I don't know whether any Etonians
of his time preached Radicalism, but it seems unlikely. I think it was
sheer vigour of character, and the strange desire to oppose his father
in everything. From Eton he was of course to pass to Oxford, but at
that stage came practical rebellion. No, said the boy; he wouldn't go
to a university, to fill his head with useless learning; he had made up
his mind to be an engineer. This was an astonishment to every one;
engineering didn't seem at all the thing for him; he had very little
ability in mathematics, and his bent had always been to liberal
studies. But nothing could shake his idea. He had got it into his head
that only some such work as engineering—something of a practical kind,
that called for strength and craftsmanship—was worthy of a man with
his opinions. He would rank with the classes that keep the world going
with their sturdy toil: that was how he spoke. And, after a great
fight, he had his way. He left Eton to study civil engineering.'</p>
<p>Rhoda was listening with an amused smile.</p>
<p>'Then,' pursued her friend, 'came another display of firmness or
obstinacy, whichever you like to call it. He soon found out that he had
made a complete mistake. The studies didn't suit him at all, as others
had foreseen. But he would have worked himself to death rather than
confess his error; none of us knew how he was feeling till long after.
Engineering he had chosen, and an engineer he would be, cost him what
effort it might. His father shouldn't triumph over him. And from the
age of eighteen till nearly thirty he stuck to a profession which I am
sure he loathed. By force of resolve he even got on to it, and reached
a good position with the firm he worked for. Of course his father
wouldn't assist him with money after he came of age; he had to make his
way just like any young man who has no influence.'</p>
<p>'All this puts him in quite another light,' remarked Rhoda.</p>
<p>'Yes, it would be all very well, if there were no vices to add to the
picture. I never experienced such a revulsion of feeling as the day
when I learnt shameful things about Everard. You know, I always
regarded him as a boy, and very much as if he had been my younger
brother; then came the shock—a shock that had a great part in shaping
my life thenceforward. Since, I have thought of him as I have spoken of
him to you—as an illustration of evils we have to combat. A man of the
world would tell you that I grossly magnified trifles; it is very
likely that Everard was on a higher moral level than most men. But I
shall never forgive him for destroying my faith in his honour and
nobility of feeling.'</p>
<p>Rhoda had a puzzled look.</p>
<p>'Perhaps even now you are unintentionally misleading me,' she said. 'I
have supposed him an outrageous profligate.'</p>
<p>'He was vicious and cowardly—I can't say any more.'</p>
<p>'And that was the immediate cause of his father's leaving him poorly
provided for?'</p>
<p>'It had much to do with it, I have no doubt.'</p>
<p>'I see. I imagined that he was cast out of all decent society.'</p>
<p>'If society were really decent, he would have been. It's strange how
completely his Radicalism has disappeared. I believe he never had a
genuine sympathy with the labouring classes. And what's more, I fancy
he had a great deal of his father's desire for command and social
distinction. If he had seen his way to become a great engineer, a
director of vast enterprises, he wouldn't have abandoned his work. An
incredible stubbornness has possibly spoilt his whole life. In a
congenial pursuit he might by this time have attained to something
noteworthy. It's too late now, I fear.'</p>
<p>Rhoda meditated.</p>
<p>'Does he aim at nothing whatever?'</p>
<p>'He won't admit any ambition. He has no society. His friends are nearly
all obscure people, like those you heard him speak of this evening.'</p>
<p>'After all, what ambition should he have?' said Rhoda, with a laugh.
'There's one advantage in being a woman. A woman with brains and will
may hope to distinguish herself in the greatest movement of our
time—that of emancipating her sex. But what can a man do, unless he
has genius?'</p>
<p>'There's the emancipation of the working classes. That is the great
sphere for men; and Everard cares no more for the working classes than
I do.'</p>
<p>'Isn't it enough to be free oneself?'</p>
<p>'You mean that he has task enough in striving to be an honourable man?'</p>
<p>'Perhaps. I hardly know what I meant.'</p>
<p>Miss Barfoot mused, and her face lighted up with a glad thought.</p>
<p>'You are right. It's better to be a woman, in our day. With us is all
the joy of advance, the glory of conquering. Men have only material
progress to think about. But we—we are winning souls, propagating a
new religion, purifying the earth!'</p>
<p>Rhoda nodded thrice.</p>
<p>'My cousin is a fine specimen of a man, after all, in body and mind.
But what a poor, ineffectual creature compared with <i>you</i>, Rhoda! I
don't flatter you, dear. I tell you bluntly of your faults and
extravagances. But I am proud of your magnificent independence, proud
of your pride, dear, and of your stainless heart. Thank Heaven we are
women!'</p>
<p>It was rare indeed for Miss Barfoot to be moved to rhapsody. Again
Rhoda nodded, and then they laughed together, with joyous confidence in
themselves and in their cause.</p>
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