<SPAN name="chap17"></SPAN>
<h3> CHAPTER XVII </h3>
<h3> THE AFTERNOON OF TUESDAY </h3>
<p>Mme. Dauvray and Celia found Adele Rossignol, to give Adele Tace the
name which she assumed, waiting for them impatiently in the garden of
an hotel at Annecy, on the Promenade du Paquier. She was a tall, lithe
woman, and she was dressed, by the purse and wish of Helene Vauquier,
in a robe and a long coat of sapphire velvet, which toned down the
coarseness of her good looks and lent something of elegance to her
figure.</p>
<p>"So it is mademoiselle," Adele began, with a smile of raillery, "who is
so remarkably clever."</p>
<p>"Clever?" answered Celia, looking straight at Adele, as though through
her she saw mysteries beyond. She took up her part at once. Since for
the last time it had got to be played, there must be no fault in the
playing. For her own sake, for the sake of Mme. Dauvray's happiness,
she must carry it off to-night with success. The suspicions of Adele
Rossignol must obtain no verification. She spoke in a quiet and most
serious voice. "Under spirit-control no one is clever. One does the
bidding of the spirit which controls."</p>
<p>"Perfectly," said Adele in a malicious tone. "I only hope you will see
to it, mademoiselle, that some amusing spirits control you this evening
and appear before us."</p>
<p>"I am only the living gate by which the spirit forms pass from the
realm of mind into the world of matter," Celia replied.</p>
<p>"Quite so," said Adele comfortably. "Now let us be sensible and dine.
We can amuse ourselves with mademoiselle's rigmaroles afterwards."</p>
<p>Mme. Dauvray was indignant. Celia, for her part, felt humiliated and
small. They sat down to their dinner in the garden, but the rain began
to fall and drove them indoors. There were a few people dining at the
same hour, but none near enough to overhear them. Alike in the garden
and the dining-room, Adele Tace kept up the same note of ridicule and
disbelief. She had been carefully tutored for her work. She was able to
cite the stock cases of exposure—"les freres Davenport," as she called
them, Eusapia Palladino and Dr. Slade. She knew the precautions which
had been taken to prevent trickery and where those precautions had
failed. Her whole conversation was carefully planned to one end, and to
one end alone. She wished to produce in the minds of her companions so
complete an impression of her scepticism that it would seem the most
natural thing in the world to both of them that she should insist upon
subjecting Celia to the severest tests. The rain ceased, and they took
their coffee on the terrace of the hotel. Mme. Dauvray had been really
pained by the conversation of Adele Tace. She had all the missionary
zeal of a fanatic.</p>
<p>"I do hope, Adele, that we shall make you believe. But we shall. Oh, I
am confident we shall." And her voice was feverish.</p>
<p>Adele dropped for the moment her tone of raillery.</p>
<p>"I am not unwilling to believe," she said, "but I cannot. I am
interested—yes. You see how much I have studied the subject. But I
cannot believe. I have heard stories of how these manifestations are
produced—stories which make me laugh. I cannot help it. The tricks are
so easy. A young girl wearing a black frock which does not rustle—it
is always a black frock, is it not, because a black frock cannot be
seen in the dark?—carrying a scarf or veil, with which she can make
any sort of headdress if only she is a little clever, and shod in a
pair of felt-soled slippers, is shut up in a cabinet or placed behind a
screen, and the lights are turned down or out—" Adele broke off with a
comic shrug of the shoulders. "Bah! It ought not to deceive a child."</p>
<p>Celia sat with a face which WOULD grow red. She did not look, but none
the less she was aware that Mme. Dauvray was gazing at her with a
perplexed frown and some return of her suspicion showing in her eyes.
Adele Tace was not content to leave the subject there.</p>
<p>"Perhaps," she said, with a smile, "Mlle. Celie dresses in that way for
a seance?"</p>
<p>"Madame shall see tonight," Celia stammered, and Camille Dauvray rather
sternly repeated her words.</p>
<p>"Yes, Adele shall see tonight. I myself will decide what you shall
wear, Celie."</p>
<p>Adele Tace casually suggested the kind of dress which she would prefer.</p>
<p>"Something light in colour with a train, something which will hiss and
whisper if mademoiselle moves about the room—yes, and I think one of
mademoiselle's big hats," she said. "We will have mademoiselle as
modern as possible, so that, when the great ladies of the past appear
in the coiffure of their day, we may be sure it is not Mlle. Celie who
represents them."</p>
<p>"I will speak to Helene," said Mme. Dauvray, and Adele Tace was content.</p>
<p>There was a particular new dress of which she knew, and it was very
desirable that Mlle. Celie should wear it tonight. For one thing, if
Celia wore it, it would help the theory that she had put it on because
she expected that night a lover; for another, with that dress there
went a pair of satin slippers which had just come home from a shoemaker
at Aix, and which would leave upon soft mould precisely the same
imprints as the grey suede shoes which the girl was wearing now.</p>
<p>Celia was not greatly disconcerted by Mme. Rossignol's precautions. She
would have to be a little more careful, and Mme. de Montespan would be
a little longer in responding to the call of Mme. Dauvray than most of
the other dead ladies of the past had been. But that was all. She was,
however, really troubled in another way. All through dinner, at every
word of the conversation, she had felt her reluctance towards this
seance swelling into a positive disgust. More than once she had felt
driven by some uncontrollable power to rise up at the table and cry out
to Adele:</p>
<p>"You are right! It IS trickery. There is no truth in it."</p>
<p>But she had mastered herself. For opposite to her sat her patroness,
her good friend, the woman who had saved her. The flush upon Mme.
Dauvray's cheeks and the agitation of her manner warned Celia how much
hung upon the success of this last seance. How much for both of them!</p>
<p>And in the fullness of that knowledge a great fear assailed her. She
began to be afraid, so strong was her reluctance, that she would not
bring her heart into the task. "Suppose I failed tonight because I
could not force myself to wish not to fail!" she thought, and she
steeled herself against the thought. Tonight she must not fail. For
apart altogether from Mme. Dauvray's happiness, her own, it seemed, was
at stake too.</p>
<p>"It must be from my lips that Harry learns what I have been," she said
to herself, and with the resolve she strengthened herself.</p>
<p>"I will wear what you please," she said, with a smile. "I only wish
Mme. Rossignol to be satisfied."</p>
<p>"And I shall be," said Adele, "if—" She leaned forward in anxiety. She
had come to the real necessity of Helene Vauquier's plan. "If we
abandon as quite laughable the cupboard door and the string across it;
if, in a word, mademoiselle consents that we tie her hand and foot and
fasten her securely in a chair. Such restraints are usual in the
experiments of which I have read. Was there not a medium called Mlle.
Cook who was secured in this way, and then remarkable things, which I
could not believe, were supposed to have happened?"</p>
<p>"Certainly I permit it," said Celia, with indifference; and Mme.
Dauvray cried enthusiastically:</p>
<p>"Ah, you shall believe tonight in those wonderful things!"</p>
<p>Adele Tace leaned back. She drew a breath. It was a breath of relief.</p>
<p>"Then we will buy the cord in Aix," she said.</p>
<p>"We have some, no doubt, in the house," said Mme. Dauvray.</p>
<p>Adele shook her head and smiled.</p>
<p>"My dear madame, you are dealing with a sceptic. I should not be
content."</p>
<p>Celia shrugged her shoulders.</p>
<p>"Let us satisfy Mme. Rossignol," she said.</p>
<p>Celia, indeed, was not alarmed by this last precaution. For her it was
a test less difficult than the light-coloured rustling robe. She had
appeared upon so many platforms, had experienced too often the bungling
efforts of spectators called up from the audience, to be in any fear.
There were very few knots from which her small hands and supple fingers
had not learnt long since to extricate themselves. She was aware how
much in all these matters the personal equation counted. Men who might,
perhaps, have been able to tie knots from which she could not get free
were always too uncomfortable and self-conscious, or too afraid of
hurting her white arms and wrists, to do it. Women, on the other hand,
who had no compunctions of that kind, did not know how.</p>
<p>It was now nearly eight o'clock; the rain still held off.</p>
<p>"We must go," said Mme. Dauvray, who for the last half-hour had been
continually looking at her watch.</p>
<p>They drove to the station and took the train. Once more the rain came
down, but it had stopped again before the train steamed into Aix at
nine o'clock.</p>
<p>"We will take a cab," said Mme. Dauvray: "it will save time."</p>
<p>"It will do us good to walk, madame," pleaded Adele. The train was
full. Adele passed quickly out from the lights of the station in the
throng of passengers and waited in the dark square for the others to
join her. "It is barely nine. A friend has promised to call at the
Villa Rose for me after eleven and drive me back in a motor-car to
Geneva, so we have plenty of time."</p>
<p>They walked accordingly up the hill, Mme. Dauvray slowly, since she was
stout, and Celia keeping pace with her. Thus it seemed natural that
Adele Tace should walk ahead, though a passer-by would not have thought
she was of their company. At the corner of the Rue du Casino Adele
waited for them and said quickly:</p>
<p>"Mademoiselle, you can get some cord, I think, at the shop there," and
she pointed to the shop of M. Corval. "Madame and I will go slowly on;
you, who are the youngest, will easily catch us up." Celia went into
the shop, bought the cord, and caught Mme. Dauvray up before she
reached the villa.</p>
<p>"Where is Mme. Rossignol?" she asked.</p>
<p>"She went on," said Camille Dauvray. "She walks faster than I do."</p>
<p>They passed no one whom they knew, although they did pass one who
recognised them, as Perrichet had discovered. They came upon Adele,
waiting for them at the corner of the road, where it turns down toward
the villa.</p>
<p>"It is near here—the Villa Rose?" she asked.</p>
<p>"A minute more and we are there."</p>
<p>They turned in at the drive, closed the gate behind them, and walked up
to the villa.</p>
<p>The windows and the glass doors were closed, the latticed shutters
fastened. A light burned in the hall.</p>
<p>"Helene is expecting us," said Mme. Dauvray, for as they approached she
saw the front door open to admit them, and Helene Vauquier in the
doorway. The three women went straight into the little salon, which was
ready with the lights up and a small fire burning. Celia noticed the
fire with a trifle of dismay. She moved a fire-screen in front of it.</p>
<p>"I can understand why you do that, mademoiselle," said Adele Rossignol,
with a satirical smile. But Mme. Dauvray came to the girl's help.</p>
<p>"She is right, Adele. Light is the great barrier between us and the
spirit-world," she said solemnly.</p>
<p>Meanwhile, in the hall Helene Vauquier locked and bolted the front
door. Then she stood motionless, with a smile upon her face and a heart
beating high. All through that afternoon she had been afraid that some
accident at the last moment would spoil her plan, that Adele Tace had
not learned her lesson, that Celie would take fright, that she would
not return. Now all those fears were over. She had her victims safe
within the villa. The charwoman had been sent home. She had them to
herself. She was still standing in the hall when Mme. Dauvray called
aloud impatiently:</p>
<p>"Helene! Helene!"</p>
<p>And when she entered the salon there was still, as Celia was able to
recall, some trace of her smile lingering upon her face.</p>
<p>Adele Rossignol had removed her hat and was taking off her gloves. Mme.
Dauvray was speaking impatiently to Celia.</p>
<p>"We will arrange the room, dear, while Helene helps you to dress. It
will be quite easy. We shall use the recess."</p>
<p>And Celia, as she ran up the stairs, heard Mme. Dauvray discussing with
her maid what frock she should wear. She was hot, and she took a
hurried bath. When she came from her bathroom she saw with dismay that
it was her new pale-green evening gown which had been laid out. It was
the last which she would have chosen. But she dared not refuse it. She
must still any suspicion. She must succeed. She gave herself into
Helene's hands. Celia remembered afterwards one or two points which
passed barely heeded at the time. Once while Helene was dressing her
hair she looked up at the maid in the mirror and noticed a strange and
rather horrible grin upon her face, which disappeared the moment their
eyes met. Then again, Helene was extraordinarily slow and
extraordinarily fastidious that evening. Nothing satisfied her, neither
the hang of the girl's skirt, the folds of her sash, nor the
arrangement of her hair.</p>
<p>"Come, Helene, be quick," said Celia. "You know how madame hates to be
kept waiting at these times. You might be dressing me to go to meet my
lover," she added, with a blush and a smile at her own pretty
reflection in the glass; and a queer look came upon Helene Vauquier's
face. For it was at creating just this very impression that she aimed.</p>
<p>"Very well, mademoiselle," said Helene. And even as she spoke Mme.
Dauvray's voice rang shrill and irritable up the stairs.</p>
<p>"Celie! Celie!"</p>
<p>"Quick, Helene," said Celia. For she herself was now anxious to have
the seance over and done with.</p>
<p>But Helene did not hurry. The more irritable Mme. Dauvray became, the
more impatient with Mlle. Celie, the less would Mlle. Celie dare to
refuse the tests Adele wished to impose upon her. But that was not all.
She took a subtle and ironic pleasure to-night in decking out her
victim's natural loveliness. Her face, her slender throat, her white
shoulders, should look their prettiest, her grace of limb and figure
should be more alluring than ever before. The same words, indeed, were
running through both women's minds.</p>
<p>"For the last time," said Celia to herself, thinking of these horrible
seances, of which to-night should see the end.</p>
<p>"For the last time," said Helene Vauquier too. For the last time she
laced the girl's dress. There would be no more patient and careful
service for Mlle. Celie after to-night. But she should have it and to
spare to-night. She should be conscious that her beauty had never made
so strong an appeal; that she was never so fit for life as at the
moment when the end had come. One thing Helene regretted. She would
have liked Celia—Celia, smiling at herself in the glass—to know
suddenly what was in store for her! She saw in imagination the colour
die from the cheeks, the eyes stare wide with terror.</p>
<p>"Celie! Celie!"</p>
<p>Again the impatient voice rang up the stairs, as Helene pinned the
girl's hat upon her fair head. Celie sprang up, took a quick step or
two towards the door, and stopped in dismay. The swish of her long
satin train must betray her. She caught up the dress and tried again.
Even so, the rustle of it was heard.</p>
<p>"I shall have to be very careful. You will help me, Helene?"</p>
<p>"Of course, mademoiselle. I will sit underneath the switch of the light
in the salon. If madame, your visitor, makes the experiment too
difficult, I will find a way to help you," said Helene Vauquier, and as
she spoke she handed Celia a long pair of white gloves.</p>
<p>"I shall not want them," said Celia.</p>
<p>"Mme. Dauvray ordered me to give them to you," replied Helene.</p>
<p>Celia took them hurriedly, picked up a white scarf of tulle, and ran
down the stairs. Helene Vauquier listened at the door and heard
madame's voice in feverish anger.</p>
<p>"We have been waiting for you, Celie. You have been an age."</p>
<p>Helene Vauquier laughed softly to herself, took out Celia's white frock
from the wardrobe, turned off the lights, and followed her down to the
hall. She placed the cloak just outside the door of the salon. Then she
carefully turned out all the lights in the hall and in the kitchen and
went into the salon. The rest of the house was in darkness. This room
was brightly lit; and it had been made ready.</p>
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