<p><span class="pagenum"><SPAN name="Page_80" id="Page_80"></SPAN></span></p>
<h2 class="gap3"><SPAN name="CHAPTER_VIII" id="CHAPTER_VIII"></SPAN>CHAPTER VIII.</h2>
<h3>CONTAINS FURTHER EVIDENCE.</h3>
<p class="gap2">"<span class="smcap">Sir Digby Kemsley</span> was here an hour ago, sir.
He couldn't wait!" Haines exclaimed, bringing
himself to attention.</p>
<p>"Sir Digby!" I gasped, starting. "Why, in
heaven's name, didn't you ring me up at Mrs.
Shand's?" I cried.</p>
<p>"Because he wouldn't allow me, sir. He came
to see you in strictest secrecy, sir. When I opened
the door I didn't know him. He's shaved off his
beard and moustache, and was dressed like a
clergyman."</p>
<p>"A clergyman!"</p>
<p>"Yes, sir. He looked just like a parson.
I wouldn't have known him in the street."</p>
<p>"An excellent ruse!" I exclaimed. "Of course,
Haines, you know that—well—that the police are
looking for him—eh?"</p>
<p>"Perfectly well, but you can trust me, sir. I'll
say nothing. Sir Digby's a friend of yours."</p>
<p>"Yes, a great friend, and I feel that he's falsely
accused of that terrible affair which happened at his
flat," I said. "Did he promise to call again?"<span class="pagenum"><SPAN name="Page_81" id="Page_81"></SPAN></span></p>
<p>"He scribbled this note for you," Haines said,
taking up a letter from my blotting-pad.</p>
<p>With trembling fingers I tore it open, and upon
a sheet of my own notepaper read the hurriedly
written words—</p>
<div class="blockquot"><p>"Sorry you were out. Wanted to see you
most urgently. Keep your promise at Piccadilly
Circus, and know nothing concerning me. My
movements are most uncertain, as something
amazing has occurred which prevents me making
explanation. I will, however, send you my
address in secret as soon as I have one. I trust
you, Teddy, for you are my only friend.</p>
<p class="ralign smcap" style="padding-right:2em;">"Digby."</p>
</div>
<p>I read the note several times, and gathered that
he was in hourly fear of arrest. Every corner
held for him a grave danger. Yet what could have
occurred that was so amazing and which prevented
him speaking the truth.</p>
<p>That I had not been in when he called was truly
unfortunate. But by the fact that he was in clerical
attire I surmised that he was living in obscurity—perhaps
somewhere in the suburbs. London
is the safest city in the world in which to hide,
unless, of course, creditors or plaintiffs make it
necessary to seek peace "beyond the jurisdiction
of the Court."</p>
<p>Many a good man is driven to the latter course
through no fault of his own, but by the inexorable
demands of the Commissioners of Income Tax, or by
undue pressure from antagonistic creditors. Every
English colony on the Continent contains some who
have fallen victims—good, honest Englishmen—who
are dragging out the remainder of their lives<span class="pagenum"><SPAN name="Page_82" id="Page_82"></SPAN></span>
in obscurity, men whose names are perhaps household
words, but who conceal them beneath one
assumed.</p>
<p>Digby would probably join the throng of the
exiled. So I could do naught else than wait for
his promised message, even though I was frantic
in my anxiety to see and to question him regarding
the reason of the presence of my well-beloved
at his flat on that fatal night.</p>
<p>Imagine my bitter chagrin that I had not been
present to receive him! It might be many months
before I heard from him again, for his promise was
surely very vague.</p>
<p>Presently I took the glass very carefully from my
pocket, unwrapped it from its paper, and locked it
in a little cabinet in the corner of my room, until
next morning I brought it forth, and placing it upon
a newspaper powdered it well with the pale green
chalk which revealed at once a number of finger-marks—mine,
Bain's, and Phrida's.</p>
<p>I am something of a photographer, as everybody
is in these days of photo competitions. Therefore,
I brought out my Kodak with its anastigmat lens,—a
camera which I had carried for some years
up and down Europe, and after considerable arrangement
of the light, succeeded in taking a number
of pictures. It occupied me all the morning, and
even then I was not satisfied with the result. My
films might, for aught I know, be hopelessly fogged.</p>
<p>Therefore, with infinite care, I took the glass to a
professional photographer I knew in Bond Street,
and he also made a number of pictures, which were
duly developed and enlarged some hours later,
and showed the distinctive lines and curves of
each finger-print.</p>
<p>Not until the morning of the day following was<span class="pagenum"><SPAN name="Page_83" id="Page_83"></SPAN></span>
I able to take these latter to Edwards, and then
a great difficulty presented itself. How was I
to explain how I had obtained the prints?</p>
<p>I sat for an hour smoking cigarettes furiously
and thinking deeply.</p>
<p>At last a plan presented itself, and taking a taxi
I went down to Scotland Yard, where I had no
difficulty in obtaining an interview in his airy,
barely-furnished business-like room.</p>
<p>"Hulloa, Mr. Royle!" he exclaimed cheerily
as I entered. "Sit down—well, do you know
anything more of that mysterious friend of yours—eh?"</p>
<p>I did not reply. Why should I lie? Instead,
I said:</p>
<p>"I've been doing some amateur detective work.
Have you the photographs of those finger-prints
found on the specimen-table in Sir Digby's
room?"</p>
<p>"Yes, of course," was his prompt reply, and going
over to a cupboard he brought out a pile of papers
concerning the case, and from it produced a number
of photographic prints.</p>
<p>My heart stood still when I saw them. Were
either of them exactly similar to any of those
I carried with me? I almost feared to allow
comparison to be made.</p>
<p>Edwards, noticing my hesitation, asked in what
quarter my efforts had been directed.</p>
<p>"I've been getting some finger-prints, that's
all," I blurted forth, and from my pocket drew the
large envelope containing the prints.</p>
<p>The detective took them across to the window
and regarded them very closely for some time, while
I looked eagerly over his shoulder.</p>
<p>The curves and lines were extremely puzzling to<span class="pagenum"><SPAN name="Page_84" id="Page_84"></SPAN></span>
me, unaccustomed as I was to them. Edwards,
too, remained in silent indecision.</p>
<p>"We'll send them along to Inspector Tirrell
in the Finger-print Department," my friend said
at last. "He's an expert, and will tell at a glance if
any marks are the same as ours."</p>
<p>Then he rang a bell, and a constable, at his instructions,
carried all the prints to the department
in question.</p>
<p>"Well, Mr. Royle," exclaimed the inspector
when the door had closed; "how did you obtain
those prints?"</p>
<p>I was ready for his question, and a lie was at
once glibly upon my lips.</p>
<p>"Sir Digby, on the night of his disappearance,
returned to me a small steel despatch box which he
had borrowed some weeks before; therefore, after
the affair, I examined it for finger-prints, with the
result I have shown you," I said.</p>
<p>"Ah! but whatever prints were upon it were
there before the entrance of the victim to your
friend's rooms," he exclaimed. "He gave it to
you when you bade him good-night, I suppose?"</p>
<p>"Yes."</p>
<p>"And you carried the box home with you?"</p>
<p>"Yes," I repeated; in fear nevertheless, that
my lie might in some way incriminate me. Yet how
could I tell him of my suspicion of Phrida. That
secret was mine—and mine alone, and, if necessary,
I would carry it with me to the grave.</p>
<p>Edwards was again silent for some minutes.</p>
<p>"No, Mr. Royle, I can't see that your evidence
helps us in the least. If there should be the same
prints on your despatch box as we found upon
the specimen-table, then what do they prove?—why,
nothing. If the box had been in the room<span class="pagenum"><SPAN name="Page_85" id="Page_85"></SPAN></span>
at the time of the tragedy, then it might have given
us an important clue, because such an object would
probably be touched by any malefactor or assassin.
But——"</p>
<p>"Ah!" I cried, interrupting. "Then you do
not suspect Sir Digby, after all—eh?"</p>
<p>"Pardon me, Mr. Royle, but I did not say that
I held no suspicion," was his quiet answer. "Yet,
if you wish to know the actual truth, I, at present,
am without suspicion of anyone—except of that
second woman, the mysterious woman whose finger-prints
we have, and who was apparently in the
room at the same time as the unidentified victim."</p>
<p>"You suspect her, then?" I asked breathlessly.</p>
<p>"Not without further proof," he replied, with a
calm, irritating smile. "I never suspect unless I
have good grounds for doing so. At present we
have three clear finger-prints of a woman whom
nobody saw enter or leave, just as nobody saw the
victim enter. Your friend Sir Digby seems to
have held a midnight reception of persons of
mysterious character, and with tragic result."</p>
<p>"I feel sure he is no assassin," I cried.</p>
<p>"It may have been a drama of jealousy—who
knows?" said Edwards, standing erect near the
window and gazing across at me. "Your friend,
in any case, did not care to remain and explain
what happened. A girl—an unknown girl—was
struck down and killed."</p>
<p>"By whom, do you think?"</p>
<p>"Ah! Mr. Royle, the identity of the assassin
is what we are endeavouring to discover," he replied
gravely. "We must first find this man who has
so successfully posed as Sir Digby Kemsley. He is
a clever and elusive scoundrel, without a doubt.
But his portrait is already circulated both here and<span class="pagenum"><SPAN name="Page_86" id="Page_86"></SPAN></span>
on the Continent. The ports are all being watched,
while I have five of the best men I can get engaged
on persistent inquiry. He'll try to get abroad,
no doubt. No doubt, also, he has a banking account
somewhere, and through that we shall eventually
trace him. Every man entrusts his banker with
his address. He has to, in order to obtain money."</p>
<p>"Unless he draws his money out in cash and then
goes to a tourist agency and gets a letter of credit."</p>
<p>"Ah, yes, that's often done," my friend admitted.
"The tourist agencies are of greatest use to thieves
and forgers. They take stolen notes, change them
into foreign money, and before the numbers can
be circulated are off across the Channel with their
booty. If we look for stolen notes we are nearly
certain to find them in the hands of a tourist agency
or a money-changer."</p>
<p>"Then you anticipate that you may find my
friend Digby through his bankers?"</p>
<p>"Perhaps," was his vague answer. "But as he
is your friend, Mr. Royle, I perhaps ought not to
tell you of the channels of information we are
trying," he added, with a dry laugh.</p>
<p>"Oh, I assure you I'm entirely ignorant of his
whereabouts," I said. "If I knew, I should
certainly advise him to come and see you."</p>
<p>"Ah! you believe in his innocence, I see?"</p>
<p>"I most certainly do!"</p>
<p>"Well,—we shall see—we shall see," he said in
that pessimistic tone which he so often adopted.</p>
<p>"What are you doing about those letters—that
letter which mentions the fountain?" I asked.</p>
<p>"Nothing. I've dismissed those as private
correspondence regarding some love episode of
the long ago," he replied. "They form no clue,
and are not worth following."<span class="pagenum"><SPAN name="Page_87" id="Page_87"></SPAN></span></p>
<p>At that moment the constable re-entered bearing
the photographs.</p>
<p>"Well, what does Inspector Tirrell say?"
Edwards asked quickly of the man.</p>
<p>"He has examined them under the glass, sir, and
says that they are the same prints in both sets
of photographs—the thumb and index-finger of a
woman—probably a young and refined woman.
He's written a memo there, sir."</p>
<p>Edwards took it quickly, and after glancing at
it, handed it to me to read.</p>
<p>It was a mere scribbled line signed with the
initials "W. H. T.," to the effect that the same
prints appeared in both photographs, and concluded
with the words "No record of this person is known
in this department."</p>
<p>I know I stood pale and breathless at the revelation—at
the incontestable proof that my well-beloved
had actually been present in Digby's room
after my departure on that fatal night.</p>
<p>Why?</p>
<p>By dint of a great effort I succeeded in suppressing
the flood of emotions which so nearly overcame me,
and listened to Edwards as he remarked:</p>
<p>"Well, after all, Mr. Royle, it doesn't carry us
any further. Our one object is to discover the
identity of the woman in question, and I think we
can only do that from your absconding friend himself.
If the marks are upon your despatch-box as
you state, then the evidence it furnishes rather
disproves the theory that the unknown woman
was actually present at the time of the tragedy."</p>
<p>I hardly know what words I uttered.</p>
<p>I had successfully misled the great detective of
crime, but as I rode along in the taxi back to my
rooms, I was in a frenzy of despair, for I had proved<span class="pagenum"><SPAN name="Page_88" id="Page_88"></SPAN></span>
beyond a shadow of doubt that Phrida was aware
of what had occurred—that a black shadow of guilt
lay upon her.</p>
<p>The woman I had loved and trusted, she who was
all the world to me, had deceived me, though she
smiled upon me so sweetly. She, alas! held within
her breast a guilty secret.</p>
<p>Ah! in that hour of my bitterness and distress
the sun of my life became eclipsed. Only before
me was outspread a limitless grey sea of dark
despair.</p>
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