<h3><SPAN name="linkC2HCH0112" id="linkC2HCH0112"></SPAN> Chapter 112. The Departure</h3>
<p class="pfirst">
<span class="dropcap" style="font-size: 4.00em">T</span>he recent events formed
the theme of conversation throughout all Paris. Emmanuel and his wife conversed
with natural astonishment in their little apartment in the Rue Meslay upon the
three successive, sudden, and most unexpected catastrophes of Morcerf,
Danglars, and Villefort. Maximilian, who was paying them a visit, listened to
their conversation, or rather was present at it, plunged in his accustomed
state of apathy.</p>
<p>“Indeed,” said Julie, “might we not almost fancy, Emmanuel,
that those people, so rich, so happy but yesterday, had forgotten in their
prosperity that an evil genius—like the wicked fairies in
Perrault’s stories who present themselves unbidden at a wedding or
baptism—hovered over them, and appeared all at once to revenge himself
for their fatal neglect?”</p>
<p>“What a dire misfortune!” said Emmanuel, thinking of Morcerf and
Danglars.</p>
<p>“What dreadful sufferings!” said Julie, remembering Valentine, but
whom, with a delicacy natural to women, she did not name before her brother.</p>
<p>“If the Supreme Being has directed the fatal blow,” said Emmanuel,
“it must be that he in his great goodness has perceived nothing in the
past lives of these people to merit mitigation of their awful
punishment.”</p>
<p>“Do you not form a very rash judgment, Emmanuel?” said Julie.
“When my father, with a pistol in his hand, was once on the point of
committing suicide, had anyone then said, ‘This man deserves his
misery,’ would not that person have been deceived?”</p>
<p>“Yes; but your father was not allowed to fall. A being was commissioned
to arrest the fatal hand of death about to descend on him.”</p>
<p>Emmanuel had scarcely uttered these words when the sound of the bell was heard,
the well-known signal given by the porter that a visitor had arrived. Nearly at
the same instant the door was opened and the Count of Monte Cristo appeared on
the threshold. The young people uttered a cry of joy, while Maximilian raised
his head, but let it fall again immediately.</p>
<div class="fig"> <ANTIMG src="images/50201m.jpg" style="width:100%;" alt="50201m " /><br/></div>
<p>“Maximilian,” said the count, without appearing to notice the
different impressions which his presence produced on the little circle,
“I come to seek you.”</p>
<p>“To seek me?” repeated Morrel, as if awakening from a dream.</p>
<p>“Yes,” said Monte Cristo; “has it not been agreed that I
should take you with me, and did I not tell you yesterday to prepare for
departure?”</p>
<p>“I am ready,” said Maximilian; “I came expressly to wish them
farewell.”</p>
<p>“Whither are you going, count?” asked Julie.</p>
<p>“In the first instance to Marseilles, madame.”</p>
<p>“To Marseilles!” exclaimed the young couple.</p>
<p>“Yes, and I take your brother with me.”</p>
<p>“Oh, count.” said Julie, “will you restore him to us cured of
his melancholy?” Morrel turned away to conceal the confusion of his
countenance.</p>
<p>“You perceive, then, that he is not happy?” said the count.</p>
<p>“Yes,” replied the young woman; “and fear much that he finds
our home but a dull one.”</p>
<p>“I will undertake to divert him,” replied the count.</p>
<p>“I am ready to accompany you, sir,” said Maximilian. “Adieu,
my kind friends! Emmanuel—Julie—farewell!”</p>
<p>“How farewell?” exclaimed Julie; “do you leave us thus, so
suddenly, without any preparations for your journey, without even a
passport?”</p>
<p>“Needless delays but increase the grief of parting,” said Monte
Cristo, “and Maximilian has doubtless provided himself with everything
requisite; at least, I advised him to do so.”</p>
<p>“I have a passport, and my clothes are ready packed,” said Morrel
in his tranquil but mournful manner.</p>
<p>“Good,” said Monte Cristo, smiling; “in these prompt
arrangements we recognize the order of a well-disciplined soldier.”</p>
<p>“And you leave us,” said Julie, “at a moment’s warning?
you do not give us a day—no, not even an hour before your
departure?”</p>
<p>“My carriage is at the door, madame, and I must be in Rome in five
days.”</p>
<p>“But does Maximilian go to Rome?” exclaimed Emmanuel.</p>
<p>“I am going wherever it may please the count to take me,” said
Morrel, with a smile full of grief; “I am under his orders for the next
month.”</p>
<p>“Oh, heavens, how strangely he expresses himself, count!” said
Julie.</p>
<p>“Maximilian goes with <i>me</i>,” said the count, in his kindest
and most persuasive manner; “therefore do not make yourself uneasy on
your brother’s account.”</p>
<p>“Once more farewell, my dear sister; Emmanuel, adieu!” Morrel
repeated.</p>
<p>“His carelessness and indifference touch me to the heart,” said
Julie. “Oh, Maximilian, Maximilian, you are certainly concealing
something from us.”</p>
<p>“Pshaw!” said Monte Cristo, “you will see him return to you
gay, smiling, and joyful.”</p>
<p>Maximilian cast a look of disdain, almost of anger, on the count.</p>
<p>“We must leave you,” said Monte Cristo.</p>
<div class="fig"> <ANTIMG src="images/50203m.jpg" style="width:100%;" alt="50203m " /><br/></div>
<p>“Before you quit us, count,” said Julie, “will you permit us
to express to you all that the other day——”</p>
<p>“Madame,” interrupted the count, taking her two hands in his,
“all that you could say in words would never express what I read in your
eyes; the thoughts of your heart are fully understood by mine. Like benefactors
in romances, I should have left you without seeing you again, but that would
have been a virtue beyond my strength, because I am a weak and vain man, fond
of the tender, kind, and thankful glances of my fellow-creatures. On the eve of
departure I carry my egotism so far as to say, ‘Do not forget me, my kind
friends, for probably you will never see me again.’”</p>
<p>“Never see you again?” exclaimed Emmanuel, while two large tears
rolled down Julie’s cheeks, “never behold you again? It is not a
man, then, but some angel that leaves us, and this angel is on the point of
returning to heaven after having appeared on earth to do good.”</p>
<p>“Say not so,” quickly returned Monte Cristo—“say not
so, my friends; angels never err, celestial beings remain where they wish to
be. Fate is not more powerful than they; it is they who, on the contrary,
overcome fate. No, Emmanuel, I am but a man, and your admiration is as
unmerited as your words are sacrilegious.”</p>
<p>And pressing his lips on the hand of Julie, who rushed into his arms, he
extended his other hand to Emmanuel; then tearing himself from this abode of
peace and happiness, he made a sign to Maximilian, who followed him passively,
with the indifference which had been perceptible in him ever since the death of
Valentine had so stunned him.</p>
<p>“Restore my brother to peace and happiness,” whispered Julie to
Monte Cristo. And the count pressed her hand in reply, as he had done eleven
years before on the staircase leading to Morrel’s study.</p>
<p>“You still confide, then, in Sinbad the Sailor?” asked he, smiling.</p>
<p>“Oh, yes,” was the ready answer.</p>
<p>“Well, then, sleep in peace, and put your trust in the Lord.”</p>
<p>As we have before said, the post-chaise was waiting; four powerful horses were
already pawing the ground with impatience, while Ali, apparently just arrived
from a long walk, was standing at the foot of the steps, his face bathed in
perspiration.</p>
<p>“Well,” asked the count in Arabic, “have you been to see the
old man?” Ali made a sign in the affirmative.</p>
<p>“And have you placed the letter before him, as I ordered you to
do?”</p>
<p>The slave respectfully signalized that he had.</p>
<p>“And what did he say, or rather do?” Ali placed himself in the
light, so that his master might see him distinctly, and then imitating in his
intelligent manner the countenance of the old man, he closed his eyes, as
Noirtier was in the custom of doing when saying “Yes.”</p>
<p>“Good; he accepts,” said Monte Cristo. “Now let us go.”</p>
<div class="fig"> <ANTIMG src="images/50205m.jpg" style="width:100%;" alt="50205m " /><br/></div>
<p>These words had scarcely escaped him, when the carriage was on its way, and the
feet of the horses struck a shower of sparks from the pavement. Maximilian
settled himself in his corner without uttering a word. Half an hour had passed
when the carriage stopped suddenly; the count had just pulled the silken
check-string, which was fastened to Ali’s finger. The Nubian immediately
descended and opened the carriage door. It was a lovely starlight
night—they had just reached the top of the hill Villejuif, from whence
Paris appears like a sombre sea tossing its millions of phosphoric waves into
light—waves indeed more noisy, more passionate, more changeable, more
furious, more greedy, than those of the tempestuous ocean,—waves which
never rest as those of the sea sometimes do,—waves ever dashing, ever
foaming, ever ingulfing what falls within their grasp.</p>
<p>The count stood alone, and at a sign from his hand, the carriage went on for a
short distance. With folded arms, he gazed for some time upon the great city.
When he had fixed his piercing look on this modern Babylon, which equally
engages the contemplation of the religious enthusiast, the materialist, and the
scoffer,—</p>
<p>“Great city,” murmured he, inclining his head, and joining his
hands as if in prayer, “less than six months have elapsed since first I
entered thy gates. I believe that the Spirit of God led my steps to thee and
that he also enables me to quit thee in triumph; the secret cause of my
presence within thy walls I have confided alone to him who only has had the
power to read my heart. God only knows that I retire from thee without pride or
hatred, but not without many regrets; he only knows that the power confided to
me has never been made subservient to my personal good or to any useless cause.
Oh, great city, it is in thy palpitating bosom that I have found that which I
sought; like a patient miner, I have dug deep into thy very entrails to root
out evil thence. Now my work is accomplished, my mission is terminated, now
thou canst neither afford me pain nor pleasure. Adieu, Paris, adieu!”</p>
<p>His look wandered over the vast plain like that of some genius of the night; he
passed his hand over his brow, got into the carriage, the door was closed on
him, and the vehicle quickly disappeared down the other side of the hill in a
whirlwind of dust and noise.</p>
<p>Ten leagues were passed and not a single word was uttered. Morrel was dreaming,
and Monte Cristo was looking at the dreamer.</p>
<p>“Morrel,” said the count to him at length, “do you repent
having followed me?”</p>
<p>“No, count; but to leave Paris——”</p>
<p>“If I thought happiness might await you in Paris, Morrel, I would have
left you there.”</p>
<p>“Valentine reposes within the walls of Paris, and to leave Paris is like
losing her a second time.”</p>
<p>“Maximilian,” said the count, “the friends that we have lost
do not repose in the bosom of the earth, but are buried deep in our hearts, and
it has been thus ordained that we may always be accompanied by them. I have two
friends, who in this way never depart from me; the one who gave me being, and
the other who conferred knowledge and intelligence on me. Their spirits live in
me. I consult them when doubtful, and if I ever do any good, it is due to their
beneficent counsels. Listen to the voice of your heart, Morrel, and ask it
whether you ought to preserve this melancholy exterior towards me.”</p>
<p>“My friend,” said Maximilian, “the voice of my heart is very
sorrowful, and promises me nothing but misfortune.”</p>
<p>“It is the way of weakened minds to see everything through a black cloud.
The soul forms its own horizons; your soul is darkened, and consequently the
sky of the future appears stormy and unpromising.”</p>
<p>“That may possibly be true,” said Maximilian, and he again subsided
into his thoughtful mood.</p>
<p>The journey was performed with that marvellous rapidity which the unlimited
power of the count ever commanded. Towns fled from them like shadows on their
path, and trees shaken by the first winds of autumn seemed like giants madly
rushing on to meet them, and retreating as rapidly when once reached. The
following morning they arrived at Châlons, where the count’s steamboat
waited for them. Without the loss of an instant, the carriage was placed on
board and the two travellers embarked without delay. The boat was built for
speed; her two paddle-wheels were like two wings with which she skimmed the
water like a bird.</p>
<p>Morrel was not insensible to that sensation of delight which is generally
experienced in passing rapidly through the air, and the wind which occasionally
raised the hair from his forehead seemed on the point of dispelling momentarily
the clouds collected there.</p>
<p>As the distance increased between the travellers and Paris, almost superhuman
serenity appeared to surround the count; he might have been taken for an exile
about to revisit his native land.</p>
<p>Ere long Marseilles presented herself to view,—Marseilles, white, fervid,
full of life and energy,—Marseilles, the younger sister of Tyre and
Carthage, the successor to them in the empire of the
Mediterranean,—Marseilles, old, yet always young. Powerful memories were
stirred within them by the sight of the round tower, Fort Saint-Nicolas, the
City Hall designed by Puget,<SPAN href="#fn-28" name="fnref-28" id="fnref-28"><sup>[28]</sup></SPAN>
the port with its brick quays, where they had both played in childhood, and it
was with one accord that they stopped on the Canebière.</p>
<p>A vessel was setting sail for Algiers, on board of which the bustle usually
attending departure prevailed. The passengers and their relations crowded on
the deck, friends taking a tender but sorrowful leave of each other, some
weeping, others noisy in their grief, the whole forming a spectacle that might
be exciting even to those who witnessed similar sights daily, but which had no
power to disturb the current of thought that had taken possession of the mind
of Maximilian from the moment he had set foot on the broad pavement of the
quay.</p>
<p>“Here,” said he, leaning heavily on the arm of Monte
Cristo,—“here is the spot where my father stopped, when the
<i>Pharaon</i> entered the port; it was here that the good old man, whom you
saved from death and dishonor, threw himself into my arms. I yet feel his warm
tears on my face, and his were not the only tears shed, for many who witnessed
our meeting wept also.”</p>
<p>Monte Cristo gently smiled and said,—“I was there;” at the
same time pointing to the corner of a street. As he spoke, and in the very
direction he indicated, a groan, expressive of bitter grief, was heard, and a
woman was seen waving her hand to a passenger on board the vessel about to
sail. Monte Cristo looked at her with an emotion that must have been remarked
by Morrel had not his eyes been fixed on the vessel.</p>
<p>“Oh, heavens!” exclaimed Morrel, “I do not deceive
myself—that young man who is waving his hat, that youth in the uniform of
a lieutenant, is Albert de Morcerf!”</p>
<p>“Yes,” said Monte Cristo, “I recognized him.”</p>
<p>“How so?—you were looking the other way.”</p>
<div class="fig"> <ANTIMG src="images/50209m.jpg" style="width:100%;" alt="50209m " /><br/></div>
<p>The count smiled, as he was in the habit of doing when he did not want to make
any reply, and he again turned towards the veiled woman, who soon disappeared
at the corner of the street. Turning to his friend:</p>
<p>“Dear Maximilian,” said the count, “have you nothing to do in
this land?”</p>
<p>“I have to weep over the grave of my father,” replied Morrel in a
broken voice.</p>
<p>“Well, then, go,—wait for me there, and I will soon join
you.”</p>
<p>“You leave me, then?”</p>
<p>“Yes; I also have a pious visit to pay.”</p>
<p>Morrel allowed his hand to fall into that which the count extended to him; then
with an inexpressibly sorrowful inclination of the head he quitted the count
and bent his steps to the east of the city. Monte Cristo remained on the same
spot until Maximilian was out of sight; he then walked slowly towards the
Allées de Meilhan to seek out a small house with which our readers were made
familiar at the beginning of this story.</p>
<p>It yet stood, under the shade of the fine avenue of lime-trees, which forms one
of the most frequent walks of the idlers of Marseilles, covered by an immense
vine, which spreads its aged and blackened branches over the stone front, burnt
yellow by the ardent sun of the south. Two stone steps worn away by the
friction of many feet led to the door, which was made of three planks; the door
had never been painted or varnished, so great cracks yawned in it during the
dry season to close again when the rains came on. The house, with all its
crumbling antiquity and apparent misery, was yet cheerful and picturesque, and
was the same that old Dantès formerly inhabited—the only difference being
that the old man occupied merely the garret, while the whole house was now
placed at the command of Mercédès by the count.</p>
<p>The woman whom the count had seen leave the ship with so much regret entered
this house; she had scarcely closed the door after her when Monte Cristo
appeared at the corner of a street, so that he found and lost her again almost
at the same instant. The worn out steps were old acquaintances of his; he knew
better than anyone else how to open that weather-beaten door with the large
headed nail which served to raise the latch within. He entered without
knocking, or giving any other intimation of his presence, as if he had been a
friend or the master of the place. At the end of a passage paved with bricks,
was a little garden, bathed in sunshine, and rich in warmth and light. In this
garden Mercédès had found, at the place indicated by the count, the sum of
money which he, through a sense of delicacy, had described as having been
placed there twenty-four years previously. The trees of the garden were easily
seen from the steps of the street-door.</p>
<p>Monte Cristo, on stepping into the house, heard a sigh that was almost a deep
sob; he looked in the direction whence it came, and there under an arbor of
Virginia jessamine,<SPAN href="#fn-29" name="fnref-29" id="fnref-29"><sup>[29]</sup></SPAN>
with its thick foliage and beautiful long purple flowers, he saw Mercédès
seated, with her head bowed, and weeping bitterly. She had raised her veil, and
with her face hidden by her hands was giving free scope to the sighs and tears
which had been so long restrained by the presence of her son.</p>
<p>Monte Cristo advanced a few steps, which were heard on the gravel. Mercédès
raised her head, and uttered a cry of terror on beholding a man before her.</p>
<div class="fig"> <ANTIMG src="images/50211m.jpg" style="width:100%;" alt="50211m " /><br/></div>
<p>“Madame,” said the count, “it is no longer in my power to
restore you to happiness, but I offer you consolation; will you deign to accept
it as coming from a friend?”</p>
<p>“I am, indeed, most wretched,” replied Mercédès. “Alone in
the world, I had but my son, and he has left me!”</p>
<p>“He possesses a noble heart, madame,” replied the count, “and
he has acted rightly. He feels that every man owes a tribute to his country;
some contribute their talents, others their industry; these devote their blood,
those their nightly labors, to the same cause. Had he remained with you, his
life must have become a hateful burden, nor would he have participated in your
griefs. He will increase in strength and honor by struggling with adversity,
which he will convert into prosperity. Leave him to build up the future for
you, and I venture to say you will confide it to safe hands.”</p>
<p>“Oh,” replied the wretched woman, mournfully shaking her head,
“the prosperity of which you speak, and which, from the bottom of my
heart, I pray God in his mercy to grant him, I can never enjoy. The bitter cup
of adversity has been drained by me to the very dregs, and I feel that the
grave is not far distant. You have acted kindly, count, in bringing me back to
the place where I have enjoyed so much bliss. I ought to meet death on the same
spot where happiness was once all my own.”</p>
<p>“Alas,” said Monte Cristo, “your words sear and embitter my
heart, the more so as you have every reason to hate me. I have been the cause
of all your misfortunes; but why do you pity, instead of blaming me? You render
me still more unhappy——”</p>
<p>“Hate you, blame you—<i>you</i>, Edmond! Hate, reproach, the man
that has spared my son’s life! For was it not your fatal and sanguinary
intention to destroy that son of whom M. de Morcerf was so proud? Oh, look at
me closely, and discover, if you can, even the semblance of a reproach in
me.”</p>
<p>The count looked up and fixed his eyes on Mercédès, who arose partly from her
seat and extended both her hands towards him.</p>
<p>“Oh, look at me,” continued she, with a feeling of profound
melancholy, “my eyes no longer dazzle by their brilliancy, for the time
has long fled since I used to smile on Edmond Dantès, who anxiously looked out
for me from the window of yonder garret, then inhabited by his old father.
Years of grief have created an abyss between those days and the present. I
neither reproach you nor hate you, my friend. Oh, no, Edmond, it is myself that
I blame, myself that I hate! Oh, miserable creature that I am!” cried
she, clasping her hands, and raising her eyes to heaven. “I once
possessed piety, innocence, and love, the three ingredients of the happiness of
angels, and now what am I?”</p>
<p>Monte Cristo approached her, and silently took her hand.</p>
<p>“No,” said she, withdrawing it gently—“no, my friend,
touch me not. You have spared me, yet of all those who have fallen under your
vengeance I was the most guilty. They were influenced by hatred, by avarice,
and by self-love; but I was base, and for want of courage acted against my
judgment. Nay, do not press my hand, Edmond; you are thinking, I am sure, of
some kind speech to console me, but do not utter it to me, reserve it for
others more worthy of your kindness. See” (and she exposed her face
completely to view)—“see, misfortune has silvered my hair, my eyes
have shed so many tears that they are encircled by a rim of purple, and my brow
is wrinkled. You, Edmond, on the contrary,—you are still young, handsome,
dignified; it is because you have had faith; because you have had strength,
because you have had trust in God, and God has sustained you. But as for me, I
have been a coward; I have denied God and he has abandoned me.”</p>
<div class="fig"> <ANTIMG src="images/50213m.jpg" style="width:100%;" alt="50213m " /><br/></div>
<p>Mercédès burst into tears; her woman’s heart was breaking under its load
of memories. Monte Cristo took her hand and imprinted a kiss on it; but she
herself felt that it was a kiss of no greater warmth than he would have
bestowed on the hand of some marble statue of a saint.</p>
<p>“It often happens,” continued she, “that a first fault
destroys the prospects of a whole life. I believed you dead; why did I survive
you? What good has it done me to mourn for you eternally in the secret recesses
of my heart?—only to make a woman of thirty-nine look like a woman of
fifty. Why, having recognized you, and I the only one to do so—why was I
able to save my son alone? Ought I not also to have rescued the man that I had
accepted for a husband, guilty though he were? Yet I let him die! What do I
say? Oh, merciful heavens, was I not accessory to his death by my supine
insensibility, by my contempt for him, not remembering, or not willing to
remember, that it was for my sake he had become a traitor and a perjurer? In
what am I benefited by accompanying my son so far, since I now abandon him, and
allow him to depart alone to the baneful climate of Africa? Oh, I have been
base, cowardly, I tell you; I have abjured my affections, and like all
renegades I am of evil omen to those who surround me!”</p>
<p>“No, Mercédès,” said Monte Cristo, “no; you judge yourself
with too much severity. You are a noble-minded woman, and it was your grief
that disarmed me. Still I was but an agent, led on by an invisible and offended
Deity, who chose not to withhold the fatal blow that I was destined to hurl. I
take that God to witness, at whose feet I have prostrated myself daily for the
last ten years, that I would have sacrificed my life to you, and with my life
the projects that were indissolubly linked with it. But—and I say it with
some pride, Mercédès—God needed me, and I lived. Examine the past and the
present, and endeavor to dive into futurity, and then say whether I am not a
divine instrument. The most dreadful misfortunes, the most frightful
sufferings, the abandonment of all those who loved me, the persecution of those
who did not know me, formed the trials of my youth; when suddenly, from
captivity, solitude, misery, I was restored to light and liberty, and became
the possessor of a fortune so brilliant, so unbounded, so unheard-of, that I
must have been blind not to be conscious that God had endowed me with it to
work out his own great designs. From that time I looked upon this fortune as
something confided to me for a particular purpose. Not a thought was given to a
life which you once, Mercédès, had the power to render blissful; not one hour
of peaceful calm was mine; but I felt myself driven on like an exterminating
angel. Like adventurous captains about to embark on some enterprise full of
danger, I laid in my provisions, I loaded my weapons, I collected every means
of attack and defence; I inured my body to the most violent exercises, my soul
to the bitterest trials; I taught my arm to slay, my eyes to behold
excruciating sufferings, and my mouth to smile at the most horrid spectacles.
Good-natured, confiding, and forgiving as I had been, I became revengeful,
cunning, and wicked, or rather, immovable as fate. Then I launched out into the
path that was opened to me. I overcame every obstacle, and reached the goal;
but woe to those who stood in my pathway!”</p>
<div class="fig"> <ANTIMG src="images/50215m.jpg" style="width:100%;" alt="50215m " /><br/></div>
<p>“Enough,” said Mercédès; “enough, Edmond! Believe me, that
she who alone recognized you has been the only one to comprehend you; and had
she crossed your path, and you had crushed her like glass, still, Edmond, still
she must have admired you! Like the gulf between me and the past, there is an
abyss between you, Edmond, and the rest of mankind; and I tell you freely that
the comparison I draw between you and other men will ever be one of my greatest
tortures. No, there is nothing in the world to resemble you in worth and
goodness! But we must say farewell, Edmond, and let us part.”</p>
<p>“Before I leave you, Mercédès, have you no request to make?” said
the count.</p>
<p>“I desire but one thing in this world, Edmond,—the happiness of my
son.”</p>
<p>“Pray to the Almighty to spare his life, and I will take upon myself to
promote his happiness.”</p>
<p>“Thank you, Edmond.”</p>
<p>“But have you no request to make for yourself, Mercédès?”</p>
<p>“For myself I want nothing. I live, as it were, between two graves. One
is that of Edmond Dantès, lost to me long, long since. He had my love! That
word ill becomes my faded lip now, but it is a memory dear to my heart, and one
that I would not lose for all that the world contains. The other grave is that
of the man who met his death from the hand of Edmond Dantès. I approve of the
deed, but I must pray for the dead.”</p>
<p>“Your son shall be happy, Mercédès,” repeated the count.</p>
<p>“Then I shall enjoy as much happiness as this world can possibly
confer.”</p>
<p>“But what are your intentions?”</p>
<p>Mercédès smiled sadly.</p>
<p>“To say that I shall live here, like the Mercédès of other times, gaining
my bread by labor, would not be true, nor would you believe me. I have no
longer the strength to do anything but to spend my days in prayer. However, I
shall have no occasion to work, for the little sum of money buried by you, and
which I found in the place you mentioned, will be sufficient to maintain me.
Rumor will probably be busy respecting me, my occupations, my manner of
living—that will signify but little, that concerns God, you, and
myself.”</p>
<p>“Mercédès,” said the count, “I do not say it to blame you,
but you made an unnecessary sacrifice in relinquishing the whole of the fortune
amassed by M. de Morcerf; half of it at least by right belonged to you, in
virtue of your vigilance and economy.”</p>
<p>“I perceive what you are intending to propose to me; but I cannot accept
it, Edmond—my son would not permit it.”</p>
<p>“Nothing shall be done without the full approbation of Albert de Morcerf.
I will make myself acquainted with his intentions and will submit to them. But
if he be willing to accept my offers, will you oppose them?”</p>
<p>“You well know, Edmond, that I am no longer a reasoning creature; I have
no will, unless it be the will never to decide. I have been so overwhelmed by
the many storms that have broken over my head, that I am become passive in the
hands of the Almighty, like a sparrow in the talons of an eagle. I live,
because it is not ordained for me to die. If succor be sent to me, I will
accept it.”</p>
<p>“Ah, madame,” said Monte Cristo, “you should not talk thus!
It is not so we should evince our resignation to the will of heaven; on the
contrary, we are all free agents.”</p>
<p>“Alas!” exclaimed Mercédès, “if it were so, if I possessed
free-will, but without the power to render that will efficacious, it would
drive me to despair.”</p>
<p>Monte Cristo dropped his head and shrank from the vehemence of her grief.</p>
<p>“Will you not even say you will see me again?” he asked.</p>
<p>“On the contrary, we shall meet again,” said Mercédès, pointing to
heaven with solemnity. “I tell you so to prove to you that I still
hope.”</p>
<p>And after pressing her own trembling hand upon that of the count, Mercédès
rushed up the stairs and disappeared. Monte Cristo slowly left the house and
turned towards the quay. But Mercédès did not witness his departure, although
she was seated at the little window of the room which had been occupied by old
Dantès. Her eyes were straining to see the ship which was carrying her son over
the vast sea; but still her voice involuntarily murmured softly:</p>
<p>“Edmond, Edmond, Edmond!”</p>
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