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<h2> CHAPTER XII </h2>
<p>The Thursday night passed, and nothing happened. With the Friday morning
came two pieces of news.</p>
<p>Item the first: the baker's man declared he had met Rosanna Spearman, on
the previous afternoon, with a thick veil on, walking towards Frizinghall
by the foot-path way over the moor. It seemed strange that anybody should
be mistaken about Rosanna, whose shoulder marked her out pretty plainly,
poor thing—but mistaken the man must have been; for Rosanna, as you
know, had been all the Thursday afternoon ill up-stairs in her room.</p>
<p>Item the second came through the postman. Worthy Mr. Candy had said one
more of his many unlucky things, when he drove off in the rain on the
birthday night, and told me that a doctor's skin was waterproof. In spite
of his skin, the wet had got through him. He had caught a chill that
night, and was now down with a fever. The last accounts, brought by the
postman, represented him to be light-headed—talking nonsense as
glibly, poor man, in his delirium as he often talked it in his sober
senses. We were all sorry for the little doctor; but Mr. Franklin appeared
to regret his illness, chiefly on Miss Rachel's account. From what he said
to my lady, while I was in the room at breakfast-time, he appeared to
think that Miss Rachel—if the suspense about the Moonstone was not
soon set at rest—might stand in urgent need of the best medical
advice at our disposal.</p>
<p>Breakfast had not been over long, when a telegram from Mr. Blake, the
elder, arrived, in answer to his son. It informed us that he had laid
hands (by help of his friend, the Commissioner) on the right man to help
us. The name of him was Sergeant Cuff; and the arrival of him from London
might be expected by the morning train.</p>
<p>At reading the name of the new police-officer, Mr. Franklin gave a start.
It seems that he had heard some curious anecdotes about Sergeant Cuff,
from his father's lawyer, during his stay in London.</p>
<p>"I begin to hope we are seeing the end of our anxieties already," he said.
"If half the stories I have heard are true, when it comes to unravelling a
mystery, there isn't the equal in England of Sergeant Cuff!"</p>
<p>We all got excited and impatient as the time drew near for the appearance
of this renowned and capable character. Superintendent Seegrave, returning
to us at his appointed time, and hearing that the Sergeant was expected,
instantly shut himself up in a room, with pen, ink, and paper, to make
notes of the Report which would be certainly expected from him. I should
have liked to have gone to the station myself, to fetch the Sergeant. But
my lady's carriage and horses were not to be thought of, even for the
celebrated Cuff; and the pony-chaise was required later for Mr. Godfrey.
He deeply regretted being obliged to leave his aunt at such an anxious
time; and he kindly put off the hour of his departure till as late as the
last train, for the purpose of hearing what the clever London
police-officer thought of the case. But on Friday night he must be in
town, having a Ladies' Charity, in difficulties, waiting to consult him on
Saturday morning.</p>
<p>When the time came for the Sergeant's arrival, I went down to the gate to
look out for him.</p>
<p>A fly from the railway drove up as I reached the lodge; and out got a
grizzled, elderly man, so miserably lean that he looked as if he had not
got an ounce of flesh on his bones in any part of him. He was dressed all
in decent black, with a white cravat round his neck. His face was as sharp
as a hatchet, and the skin of it was as yellow and dry and withered as an
autumn leaf. His eyes, of a steely light grey, had a very disconcerting
trick, when they encountered your eyes, of looking as if they expected
something more from you than you were aware of yourself. His walk was
soft; his voice was melancholy; his long lanky fingers were hooked like
claws. He might have been a parson, or an undertaker—or anything
else you like, except what he really was. A more complete opposite to
Superintendent Seegrave than Sergeant Cuff, and a less comforting officer
to look at, for a family in distress, I defy you to discover, search where
you may.</p>
<p>"Is this Lady Verinder's?" he asked.</p>
<p>"Yes, sir."</p>
<p>"I am Sergeant Cuff."</p>
<p>"This way, sir, if you please."</p>
<p>On our road to the house, I mentioned my name and position in the family,
to satisfy him that he might speak to me about the business on which my
lady was to employ him. Not a word did he say about the business, however,
for all that. He admired the grounds, and remarked that he felt the sea
air very brisk and refreshing. I privately wondered, on my side, how the
celebrated Cuff had got his reputation. We reached the house, in the
temper of two strange dogs, coupled up together for the first time in
their lives by the same chain.</p>
<p>Asking for my lady, and hearing that she was in one of the conservatories,
we went round to the gardens at the back, and sent a servant to seek her.
While we were waiting, Sergeant Cuff looked through the evergreen arch on
our left, spied out our rosery, and walked straight in, with the first
appearance of anything like interest that he had shown yet. To the
gardener's astonishment, and to my disgust, this celebrated policeman
proved to be quite a mine of learning on the trumpery subject of
rose-gardens.</p>
<p>"Ah, you've got the right exposure here to the south and sou'-west," says
the Sergeant, with a wag of his grizzled head, and a streak of pleasure in
his melancholy voice. "This is the shape for a rosery—nothing like a
circle set in a square. Yes, yes; with walks between all the beds. But
they oughtn't to be gravel walks like these. Grass, Mr. Gardener—grass
walks between your roses; gravel's too hard for them. That's a sweet
pretty bed of white roses and blush roses. They always mix well together,
don't they? Here's the white musk rose, Mr. Betteredge—our old
English rose holding up its head along with the best and the newest of
them. Pretty dear!" says the Sergeant, fondling the Musk Rose with his
lanky fingers, and speaking to it as if he was speaking to a child.</p>
<p>This was a nice sort of man to recover Miss Rachel's Diamond, and to find
out the thief who stole it!</p>
<p>"You seem to be fond of roses, Sergeant?" I remarked.</p>
<p>"I haven't much time to be fond of anything," says Sergeant Cuff. "But
when I <i>have</i> a moment's fondness to bestow, most times, Mr.
Betteredge, the roses get it. I began my life among them in my father's
nursery garden, and I shall end my life among them, if I can. Yes. One of
these days (please God) I shall retire from catching thieves, and try my
hand at growing roses. There will be grass walks, Mr. Gardener, between my
beds," says the Sergeant, on whose mind the gravel paths of our rosery
seemed to dwell unpleasantly.</p>
<p>"It seems an odd taste, sir," I ventured to say, "for a man in your line
of life."</p>
<p>"If you will look about you (which most people won't do)," says Sergeant
Cuff, "you will see that the nature of a man's tastes is, most times, as
opposite as possible to the nature of a man's business. Show me any two
things more opposite one from the other than a rose and a thief; and I'll
correct my tastes accordingly—if it isn't too late at my time of
life. You find the damask rose a goodish stock for most of the tender
sorts, don't you, Mr. Gardener? Ah! I thought so. Here's a lady coming. Is
it Lady Verinder?"</p>
<p>He had seen her before either I or the gardener had seen her, though we
knew which way to look, and he didn't. I began to think him rather a
quicker man than he appeared to be at first sight.</p>
<p>The Sergeant's appearance, or the Sergeant's errand—one or both—seemed
to cause my lady some little embarrassment. She was, for the first time in
all my experience of her, at a loss what to say at an interview with a
stranger. Sergeant Cuff put her at her ease directly. He asked if any
other person had been employed about the robbery before we sent for him;
and hearing that another person had been called in, and was now in the
house, begged leave to speak to him before anything else was done.</p>
<p>My lady led the way back. Before he followed her, the Sergeant relieved
his mind on the subject of the gravel walks by a parting word to the
gardener. "Get her ladyship to try grass," he said, with a sour look at
the paths. "No gravel! no gravel!"</p>
<p>Why Superintendent Seegrave should have appeared to be several sizes
smaller than life, on being presented to Sergeant Cuff, I can't undertake
to explain. I can only state the fact. They retired together; and remained
a weary long time shut up from all mortal intrusion. When they came out,
Mr. Superintendent was excited, and Mr. Sergeant was yawning.</p>
<p>"The Sergeant wishes to see Miss Verinder's sitting-room," says Mr.
Seegrave, addressing me with great pomp and eagerness. "The Sergeant may
have some questions to ask. Attend the Sergeant, if you please!"</p>
<p>While I was being ordered about in this way, I looked at the great Cuff.
The great Cuff, on his side, looked at Superintendent Seegrave in that
quietly expecting way which I have already noticed. I can't affirm that he
was on the watch for his brother officer's speedy appearance in the
character of an Ass—I can only say that I strongly suspected it.</p>
<p>I led the way up-stairs. The Sergeant went softly all over the Indian
cabinet and all round the "boudoir;" asking questions (occasionally only
of Mr. Superintendent, and continually of me), the drift of which I
believe to have been equally unintelligible to both of us. In due time,
his course brought him to the door, and put him face to face with the
decorative painting that you know of. He laid one lean inquiring finger on
the small smear, just under the lock, which Superintendent Seegrave had
already noticed, when he reproved the women-servants for all crowding
together into the room.</p>
<p>"That's a pity," says Sergeant Cuff. "How did it happen?"</p>
<p>He put the question to me. I answered that the women-servants had crowded
into the room on the previous morning, and that some of their petticoats
had done the mischief, "Superintendent Seegrave ordered them out, sir," I
added, "before they did any more harm."</p>
<p>"Right!" says Mr. Superintendent in his military way. "I ordered them out.
The petticoats did it, Sergeant—the petticoats did it."</p>
<p>"Did you notice which petticoat did it?" asked Sergeant Cuff, still
addressing himself, not to his brother-officer, but to me.</p>
<p>"No, sir."</p>
<p>He turned to Superintendent Seegrave upon that, and said, "You noticed, I
suppose?"</p>
<p>Mr. Superintendent looked a little taken aback; but he made the best of
it. "I can't charge my memory, Sergeant," he said, "a mere trifle—a
mere trifle."</p>
<p>Sergeant Cuff looked at Mr. Seegrave, as he had looked at the gravel walks
in the rosery, and gave us, in his melancholy way, the first taste of his
quality which we had had yet.</p>
<p>"I made a private inquiry last week, Mr. Superintendent," he said. "At one
end of the inquiry there was a murder, and at the other end there was a
spot of ink on a table cloth that nobody could account for. In all my
experience along the dirtiest ways of this dirty little world, I have
never met with such a thing as a trifle yet. Before we go a step further
in this business we must see the petticoat that made the smear, and we
must know for certain when that paint was wet."</p>
<p>Mr. Superintendent—taking his set-down rather sulkily—asked if
he should summon the women. Sergeant Cuff, after considering a minute,
sighed, and shook his head.</p>
<p>"No," he said, "we'll take the matter of the paint first. It's a question
of Yes or No with the paint—which is short. It's a question of
petticoats with the women—which is long. What o'clock was it when
the servants were in this room yesterday morning? Eleven o'clock—eh?
Is there anybody in the house who knows whether that paint was wet or dry,
at eleven yesterday morning?"</p>
<p>"Her ladyship's nephew, Mr. Franklin Blake, knows," I said.</p>
<p>"Is the gentleman in the house?"</p>
<p>Mr. Franklin was as close at hand as could be—waiting for his first
chance of being introduced to the great Cuff. In half a minute he was in
the room, and was giving his evidence as follows:</p>
<p>"That door, Sergeant," he said, "has been painted by Miss Verinder, under
my inspection, with my help, and in a vehicle of my own composition. The
vehicle dries whatever colours may be used with it, in twelve hours."</p>
<p>"Do you remember when the smeared bit was done, sir?" asked the Sergeant.</p>
<p>"Perfectly," answered Mr. Franklin. "That was the last morsel of the door
to be finished. We wanted to get it done, on Wednesday last—and I
myself completed it by three in the afternoon, or soon after."</p>
<p>"To-day is Friday," said Sergeant Cuff, addressing himself to
Superintendent Seegrave. "Let us reckon back, sir. At three on the
Wednesday afternoon, that bit of the painting was completed. The vehicle
dried it in twelve hours—that is to say, dried it by three o'clock
on Thursday morning. At eleven on Thursday morning you held your inquiry
here. Take three from eleven, and eight remains. That paint had been EIGHT
HOURS DRY, Mr. Superintendent, when you supposed that the women-servants'
petticoats smeared it."</p>
<p>First knock-down blow for Mr. Seegrave! If he had not suspected poor
Penelope, I should have pitied him.</p>
<p>Having settled the question of the paint, Sergeant Cuff, from that moment,
gave his brother-officer up as a bad job—and addressed himself to
Mr. Franklin, as the more promising assistant of the two.</p>
<p>"It's quite on the cards, sir," he said, "that you have put the clue into
our hands."</p>
<p>As the words passed his lips, the bedroom door opened, and Miss Rachel
came out among us suddenly.</p>
<p>She addressed herself to the Sergeant, without appearing to notice (or to
heed) that he was a perfect stranger to her.</p>
<p>"Did you say," she asked, pointing to Mr. Franklin, "that HE had put the
clue into your hands?"</p>
<p>("This is Miss Verinder," I whispered, behind the Sergeant.)</p>
<p>"That gentleman, miss," says the Sergeant—with his steely-grey eyes
carefully studying my young lady's face—"has possibly put the clue
into our hands."</p>
<p>She turned for one moment, and tried to look at Mr. Franklin. I say,
tried, for she suddenly looked away again before their eyes met. There
seemed to be some strange disturbance in her mind. She coloured up, and
then she turned pale again. With the paleness, there came a new look into
her face—a look which it startled me to see.</p>
<p>"Having answered your question, miss," says the Sergeant, "I beg leave to
make an inquiry in my turn. There is a smear on the painting of your door,
here. Do you happen to know when it was done? or who did it?"</p>
<p>Instead of making any reply, Miss Rachel went on with her questions, as if
he had not spoken, or as if she had not heard him.</p>
<p>"Are you another police-officer?" she asked.</p>
<p>"I am Sergeant Cuff, miss, of the Detective Police."</p>
<p>"Do you think a young lady's advice worth having?"</p>
<p>"I shall be glad to hear it, miss."</p>
<p>"Do your duty by yourself—and don't allow Mr Franklin Blake to help
you!"</p>
<p>She said those words so spitefully, so savagely, with such an
extraordinary outbreak of ill-will towards Mr. Franklin, in her voice and
in her look, that—though I had known her from a baby, though I loved
and honoured her next to my lady herself—I was ashamed of Miss
Rachel for the first time in my life.</p>
<p>Sergeant Cuff's immovable eyes never stirred from off her face. "Thank
you, miss," he said. "Do you happen to know anything about the smear?
Might you have done it by accident yourself?"</p>
<p>"I know nothing about the smear."</p>
<p>With that answer, she turned away, and shut herself up again in her
bed-room. This time, I heard her—as Penelope had heard her before—burst
out crying as soon as she was alone again.</p>
<p>I couldn't bring myself to look at the Sergeant—I looked at Mr.
Franklin, who stood nearest to me. He seemed to be even more sorely
distressed at what had passed than I was.</p>
<p>"I told you I was uneasy about her," he said. "And now you see why."</p>
<p>"Miss Verinder appears to be a little out of temper about the loss of her
Diamond," remarked the Sergeant. "It's a valuable jewel. Natural enough!
natural enough!"</p>
<p>Here was the excuse that I had made for her (when she forgot herself
before Superintendent Seegrave, on the previous day) being made for her
over again, by a man who couldn't have had MY interest in making it—for
he was a perfect stranger! A kind of cold shudder ran through me, which I
couldn't account for at the time. I know, now, that I must have got my
first suspicion, at that moment, of a new light (and horrid light) having
suddenly fallen on the case, in the mind of Sergeant Cuff—purely and
entirely in consequence of what he had seen in Miss Rachel, and heard from
Miss Rachel, at that first interview between them.</p>
<p>"A young lady's tongue is a privileged member, sir," says the Sergeant to
Mr. Franklin. "Let us forget what has passed, and go straight on with this
business. Thanks to you, we know when the paint was dry. The next thing to
discover is when the paint was last seen without that smear. YOU have got
a head on your shoulders—and you understand what I mean."</p>
<p>Mr. Franklin composed himself, and came back with an effort from Miss
Rachel to the matter in hand.</p>
<p>"I think I do understand," he said. "The more we narrow the question of
time, the more we also narrow the field of inquiry."</p>
<p>"That's it, sir," said the Sergeant. "Did you notice your work here, on
the Wednesday afternoon, after you had done it?"</p>
<p>Mr. Franklin shook his head, and answered, "I can't say I did."</p>
<p>"Did you?" inquired Sergeant Cuff, turning to me.</p>
<p>"I can't say I did either, sir."</p>
<p>"Who was the last person in the room, the last thing on Wednesday night?"</p>
<p>"Miss Rachel, I suppose, sir."</p>
<p>Mr. Franklin struck in there, "Or possibly your daughter, Betteredge." He
turned to Sergeant Cuff, and explained that my daughter was Miss
Verinder's maid.</p>
<p>"Mr. Betteredge, ask your daughter to step up. Stop!" says the Sergeant,
taking me away to the window, out of earshot, "Your Superintendent here,"
he went on, in a whisper, "has made a pretty full report to me of the
manner in which he has managed this case. Among other things, he has, by
his own confession, set the servants' backs up. It's very important to
smooth them down again. Tell your daughter, and tell the rest of them,
these two things, with my compliments: First, that I have no evidence
before me, yet, that the Diamond has been stolen; I only know that the
Diamond has been lost. Second, that my business here with the servants is
simply to ask them to lay their heads together and help me to find it."</p>
<p>My experience of the women-servants, when Superintendent Seegrave laid his
embargo on their rooms, came in handy here.</p>
<p>"May I make so bold, Sergeant, as to tell the women a third thing?" I
asked. "Are they free (with your compliments) to fidget up and downstairs,
and whisk in and out of their bed-rooms, if the fit takes them?"</p>
<p>"Perfectly free," said the Sergeant.</p>
<p>"THAT will smooth them down, sir," I remarked, "from the cook to the
scullion."</p>
<p>"Go, and do it at once, Mr. Betteredge."</p>
<p>I did it in less than five minutes. There was only one difficulty when I
came to the bit about the bed-rooms. It took a pretty stiff exertion of my
authority, as chief, to prevent the whole of the female household from
following me and Penelope up-stairs, in the character of volunteer
witnesses in a burning fever of anxiety to help Sergeant Cuff.</p>
<p>The Sergeant seemed to approve of Penelope. He became a trifle less
dreary; and he looked much as he had looked when he noticed the white musk
rose in the flower-garden. Here is my daughter's evidence, as drawn off
from her by the Sergeant. She gave it, I think, very prettily—but,
there! she is my child all over: nothing of her mother in her; Lord bless
you, nothing of her mother in her!</p>
<p>Penelope examined: Took a lively interest in the painting on the door,
having helped to mix the colours. Noticed the bit of work under the lock,
because it was the last bit done. Had seen it, some hours afterwards,
without a smear. Had left it, as late as twelve at night, without a smear.
Had, at that hour, wished her young lady good night in the bedroom; had
heard the clock strike in the "boudoir"; had her hand at the time on the
handle of the painted door; knew the paint was wet (having helped to mix
the colours, as aforesaid); took particular pains not to touch it; could
swear that she held up the skirts of her dress, and that there was no
smear on the paint then; could not swear that her dress mightn't have
touched it accidentally in going out; remembered the dress she had on,
because it was new, a present from Miss Rachel; her father remembered, and
could speak to it, too; could, and would, and did fetch it; dress
recognised by her father as the dress she wore that night; skirts
examined, a long job from the size of them; not the ghost of a paint-stain
discovered anywhere. End of Penelope's evidence—and very pretty and
convincing, too. Signed, Gabriel Betteredge.</p>
<p>The Sergeant's next proceeding was to question me about any large dogs in
the house who might have got into the room, and done the mischief with a
whisk of their tails. Hearing that this was impossible, he next sent for a
magnifying-glass, and tried how the smear looked, seen that way. No
skin-mark (as of a human hand) printed off on the paint. All the signs
visible—signs which told that the paint had been smeared by some
loose article of somebody's dress touching it in going by. That somebody
(putting together Penelope's evidence and Mr. Franklin's evidence) must
have been in the room, and done the mischief, between midnight and three
o'clock on the Thursday morning.</p>
<p>Having brought his investigation to this point, Sergeant Cuff discovered
that such a person as Superintendent Seegrave was still left in the room,
upon which he summed up the proceedings for his brother-officer's benefit,
as follows:</p>
<p>"This trifle of yours, Mr. Superintendent," says the Sergeant, pointing to
the place on the door, "has grown a little in importance since you noticed
it last. At the present stage of the inquiry there are, as I take it,
three discoveries to make, starting from that smear. Find out (first)
whether there is any article of dress in this house with the smear of the
paint on it. Find out (second) who that dress belongs to. Find out (third)
how the person can account for having been in this room, and smeared the
paint, between midnight and three in the morning. If the person can't
satisfy you, you haven't far to look for the hand that has got the
Diamond. I'll work this by myself, if you please, and detain you no
longer-from your regular business in the town. You have got one of your
men here, I see. Leave him here at my disposal, in case I want him—and
allow me to wish you good morning."</p>
<p>Superintendent Seegrave's respect for the Sergeant was great; but his
respect for himself was greater still. Hit hard by the celebrated Cuff, he
hit back smartly, to the best of his ability, on leaving the room.</p>
<p>"I have abstained from expressing any opinion, so far," says Mr.
Superintendent, with his military voice still in good working order. "I
have now only one remark to offer on leaving this case in your hands.
There IS such a thing, Sergeant, as making a mountain out of a molehill.
Good morning."</p>
<p>"There is also such a thing as making nothing out of a molehill, in
consequence of your head being too high to see it." Having returned his
brother-officer's compliments in those terms, Sergeant Cuff wheeled about,
and walked away to the window by himself.</p>
<p>Mr. Franklin and I waited to see what was coming next. The Sergeant stood
at the window with his hands in his pockets, looking out, and whistling
the tune of "The Last Rose of Summer" softly to himself. Later in the
proceedings, I discovered that he only forgot his manners so far as to
whistle, when his mind was hard at work, seeing its way inch by inch to
its own private ends, on which occasions "The Last Rose of Summer"
evidently helped and encouraged him. I suppose it fitted in somehow with
his character. It reminded him, you see, of his favourite roses, and, as
HE whistled it, it was the most melancholy tune going.</p>
<p>Turning from the window, after a minute or two, the Sergeant walked into
the middle of the room, and stopped there, deep in thought, with his eyes
on Miss Rachel's bed-room door. After a little he roused himself, nodded
his head, as much as to say, "That will do," and, addressing me, asked for
ten minutes' conversation with my mistress, at her ladyship's earliest
convenience.</p>
<p>Leaving the room with this message, I heard Mr. Franklin ask the Sergeant
a question, and stopped to hear the answer also at the threshold of the
door.</p>
<p>"Can you guess yet," inquired Mr. Franklin, "who has stolen the Diamond?"</p>
<p>"NOBODY HAS STOLEN THE DIAMOND," answered Sergeant Cuff.</p>
<p>We both started at that extraordinary view of the case, and both earnestly
begged him to tell us what he meant.</p>
<p>"Wait a little," said the Sergeant. "The pieces of the puzzle are not all
put together yet."</p>
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