<p><SPAN name="link2HCH0044" id="link2HCH0044"></SPAN></p>
<h2> CHAPTER X </h2>
<p>How the interval of suspense in which I was now condemned might have
affected other men in my position, I cannot pretend to say. The influence
of the two hours' probation upon my temperament was simply this. I felt
physically incapable of remaining still in any one place, and morally
incapable of speaking to any one human being, until I had first heard all
that Ezra Jennings had to say to me.</p>
<p>In this frame of mind, I not only abandoned my contemplated visit to Mrs.
Ablewhite—I even shrank from encountering Gabriel Betteredge
himself.</p>
<p>Returning to Frizinghall, I left a note for Betteredge, telling him that I
had been unexpectedly called away for a few hours, but that he might
certainly expect me to return towards three o'clock in the afternoon. I
requested him, in the interval, to order his dinner at the usual hour, and
to amuse himself as he pleased. He had, as I well knew, hosts of friends
in Frizinghall; and he would be at no loss how to fill up his time until I
returned to the hotel.</p>
<p>This done, I made the best of my way out of the town again, and roamed the
lonely moorland country which surrounds Frizinghall, until my watch told
me that it was time, at last, to return to Mr. Candy's house.</p>
<p>I found Ezra Jennings ready and waiting for me.</p>
<p>He was sitting alone in a bare little room, which communicated by a glazed
door with a surgery. Hideous coloured diagrams of the ravages of hideous
diseases decorated the barren buff-coloured walls. A book-case filled with
dingy medical works, and ornamented at the top with a skull, in place of
the customary bust; a large deal table copiously splashed with ink; wooden
chairs of the sort that are seen in kitchens and cottages; a threadbare
drugget in the middle of the floor; a sink of water, with a basin and
waste-pipe roughly let into the wall, horribly suggestive of its
connection with surgical operations—comprised the entire furniture
of the room. The bees were humming among a few flowers placed in pots
outside the window; the birds were singing in the garden, and the faint
intermittent jingle of a tuneless piano in some neighbouring house forced
itself now and again on the ear. In any other place, these everyday sounds
might have spoken pleasantly of the everyday world outside. Here, they
came in as intruders on a silence which nothing but human suffering had
the privilege to disturb. I looked at the mahogany instrument case, and at
the huge roll of lint, occupying places of their own on the book-shelves,
and shuddered inwardly as I thought of the sounds, familiar and
appropriate to the everyday use of Ezra Jennings' room.</p>
<p>"I make no apology, Mr. Blake, for the place in which I am receiving you,"
he said. "It is the only room in the house, at this hour of the day, in
which we can feel quite sure of being left undisturbed. Here are my papers
ready for you; and here are two books to which we may have occasion to
refer, before we have done. Bring your chair to the table, and we shall be
able to consult them together."</p>
<p>I drew up to the table; and Ezra Jennings handed me his manuscript notes.
They consisted of two large folio leaves of paper. One leaf contained
writing which only covered the surface at intervals. The other presented
writing, in red and black ink, which completely filled the page from top
to bottom. In the irritated state of my curiosity, at that moment, I laid
aside the second sheet of paper in despair.</p>
<p>"Have some mercy on me!" I said. "Tell me what I am to expect, before I
attempt to read this."</p>
<p>"Willingly, Mr. Blake! Do you mind my asking you one or two more
questions?"</p>
<p>"Ask me anything you like!"</p>
<p>He looked at me with the sad smile on his lips, and the kindly interest in
his soft brown eyes.</p>
<p>"You have already told me," he said, "that you have never—to your
knowledge—tasted opium in your life."</p>
<p>"To my knowledge," I repeated.</p>
<p>"You will understand directly why I speak with that reservation. Let us go
on. You are not aware of ever having taken opium. At this time, last year,
you were suffering from nervous irritation, and you slept wretchedly at
night. On the night of the birthday, however, there was an exception to
the rule—you slept soundly. Am I right, so far?"</p>
<p>"Quite right!"</p>
<p>"Can you assign any cause for the nervous suffering, and your want of
sleep?"</p>
<p>"I can assign no cause. Old Betteredge made a guess at the cause, I
remember. But that is hardly worth mentioning."</p>
<p>"Pardon me. Anything is worth mentioning in such a case as this.
Betteredge attributed your sleeplessness to something. To what?"</p>
<p>"To my leaving off smoking."</p>
<p>"Had you been an habitual smoker?"</p>
<p>"Yes."</p>
<p>"Did you leave off the habit suddenly?"</p>
<p>"Yes."</p>
<p>"Betteredge was perfectly right, Mr. Blake. When smoking is a habit a man
must have no common constitution who can leave it off suddenly without
some temporary damage to his nervous system. Your sleepless nights are
accounted for, to my mind. My next question refers to Mr. Candy. Do you
remember having entered into anything like a dispute with him—at the
birthday dinner, or afterwards—on the subject of his profession?"</p>
<p>The question instantly awakened one of my dormant remembrances in
connection with the birthday festival. The foolish wrangle which took
place, on that occasion, between Mr. Candy and myself, will be found
described at much greater length than it deserves in the tenth chapter of
Betteredge's Narrative. The details there presented of the dispute—so
little had I thought of it afterwards—entirely failed to recur to my
memory. All that I could now recall, and all that I could tell Ezra
Jennings was, that I had attacked the art of medicine at the dinner-table
with sufficient rashness and sufficient pertinacity to put even Mr. Candy
out of temper for the moment. I also remembered that Lady Verinder had
interfered to stop the dispute, and that the little doctor and I had "made
it up again," as the children say, and had become as good friends as ever,
before we shook hands that night.</p>
<p>"There is one thing more," said Ezra Jennings, "which it is very important
I should know. Had you any reason for feeling any special anxiety about
the Diamond, at this time last year?"</p>
<p>"I had the strongest reasons for feeling anxiety about the Diamond. I knew
it to be the object of a conspiracy; and I was warned to take measures for
Miss Verinder's protection, as the possessor of the stone."</p>
<p>"Was the safety of the Diamond the subject of conversation between you and
any other person, immediately before you retired to rest on the birthday
night?"</p>
<p>"It was the subject of a conversation between Lady Verinder and her
daughter——"</p>
<p>"Which took place in your hearing?"</p>
<p>"Yes."</p>
<p>Ezra Jennings took up his notes from the table, and placed them in my
hands.</p>
<p>"Mr. Blake," he said, "if you read those notes now, by the light which my
questions and your answers have thrown on them, you will make two
astounding discoveries concerning yourself. You will find—First,
that you entered Miss Verinder's sitting-room and took the Diamond, in a
state of trance, produced by opium. Secondly, that the opium was given to
you by Mr. Candy—without your own knowledge—as a practical
refutation of the opinions which you had expressed to him at the birthday
dinner."</p>
<p>I sat with the papers in my hand completely stupefied.</p>
<p>"Try and forgive poor Mr. Candy," said the assistant gently. "He has done
dreadful mischief, I own; but he has done it innocently. If you will look
at the notes, you will see that—but for his illness—he would
have returned to Lady Verinder's the morning after the party, and would
have acknowledged the trick that he had played you. Miss Verinder would
have heard of it, and Miss Verinder would have questioned him—and
the truth which has laid hidden for a year would have been discovered in a
day."</p>
<p>I began to regain my self-possession. "Mr. Candy is beyond the reach of my
resentment," I said angrily. "But the trick that he played me is not the
less an act of treachery, for all that. I may forgive, but I shall not
forget it."</p>
<p>"Every medical man commits that act of treachery, Mr. Blake, in the course
of his practice. The ignorant distrust of opium (in England) is by no
means confined to the lower and less cultivated classes. Every doctor in
large practice finds himself, every now and then, obliged to deceive his
patients, as Mr. Candy deceived you. I don't defend the folly of playing
you a trick under the circumstances. I only plead with you for a more
accurate and more merciful construction of motives."</p>
<p>"How was it done?" I asked. "Who gave me the laudanum, without my knowing
it myself?"</p>
<p>"I am not able to tell you. Nothing relating to that part of the matter
dropped from Mr. Candy's lips, all through his illness. Perhaps your own
memory may point to the person to be suspected."</p>
<p>"No."</p>
<p>"It is useless, in that case, to pursue the inquiry. The laudanum was
secretly given to you in some way. Let us leave it there, and go on to
matters of more immediate importance. Read my notes, if you can.
Familiarise your mind with what has happened in the past. I have something
very bold and very startling to propose to you, which relates to the
future."</p>
<p>Those last words roused me.</p>
<p>I looked at the papers, in the order in which Ezra Jennings had placed
them in my hands. The paper which contained the smaller quantity of
writing was the uppermost of the two. On this, the disconnected words, and
fragments of sentences, which had dropped from Mr. Candy in his delirium,
appeared as follows:</p>
<p>"... Mr. Franklin Blake ... and agreeable ... down a peg ... medicine ...
confesses ... sleep at night ... tell him ... out of order ... medicine
... he tells me ... and groping in the dark mean one and the same thing
... all the company at the dinner-table ... I say ... groping after sleep
... nothing but medicine ... he says ... leading the blind ... know what
it means ... witty ... a night's rest in spite of his teeth ... wants
sleep ... Lady Verinder's medicine chest ... five-and-twenty minims ...
without his knowing it ... to-morrow morning ... Well, Mr. Blake ...
medicine to-day ... never ... without it ... out, Mr. Candy ... excellent
... without it ... down on him ... truth ... something besides ...
excellent ... dose of laudanum, sir ... bed ... what ... medicine now."</p>
<p>There, the first of the two sheets of paper came to an end. I handed it
back to Ezra Jennings.</p>
<p>"That is what you heard at his bedside?" I said.</p>
<p>"Literally and exactly what I heard," he answered—"except that the
repetitions are not transferred here from my short-hand notes. He
reiterated certain words and phrases a dozen times over, fifty times over,
just as he attached more or less importance to the idea which they
represented. The repetitions, in this sense, were of some assistance to me
in putting together those fragments. Don't suppose," he added, pointing to
the second sheet of paper, "that I claim to have reproduced the
expressions which Mr. Candy himself would have used if he had been capable
of speaking connectedly. I only say that I have penetrated through the
obstacle of the disconnected expression, to the thought which was
underlying it connectedly all the time. Judge for yourself."</p>
<p>I turned to the second sheet of paper, which I now knew to be the key to
the first.</p>
<p>Once more, Mr. Candy's wanderings appeared, copied in black ink; the
intervals between the phrases being filled up by Ezra Jennings in red ink.
I reproduce the result here, in one plain form; the original language and
the interpretation of it coming close enough together in these pages to be
easily compared and verified.</p>
<p>"... Mr. Franklin Blake is clever and agreeable, but he wants taking down
a peg when he talks of medicine. He confesses that he has been suffering
from want of sleep at night. I tell him that his nerves are out of order,
and that he ought to take medicine. He tells me that taking medicine and
groping in the dark mean one and the same thing. This before all the
company at the dinner-table. I say to him, you are groping after sleep,
and nothing but medicine can help you to find it. He says to me, I have
heard of the blind leading the blind, and now I know what it means. Witty—but
I can give him a night's rest in spite of his teeth. He really wants
sleep; and Lady Verinder's medicine chest is at my disposal. Give him
five-and-twenty minims of laudanum to-night, without his knowing it; and
then call to-morrow morning. 'Well, Mr. Blake, will you try a little
medicine to-day? You will never sleep without it.'—'There you are
out, Mr. Candy: I have had an excellent night's rest without it.' Then,
come down on him with the truth! 'You have had something besides an
excellent night's rest; you had a dose of laudanum, sir, before you went
to bed. What do you say to the art of medicine, now?'"</p>
<p>Admiration of the ingenuity which had woven this smooth and finished
texture out of the ravelled skein was naturally the first impression that
I felt, on handing the manuscript back to Ezra Jennings. He modestly
interrupted the first few words in which my sense of surprise expressed
itself, by asking me if the conclusion which he had drawn from his notes
was also the conclusion at which my own mind had arrived.</p>
<p>"Do you believe as I believe," he said, "that you were acting under the
influence of the laudanum in doing all that you did, on the night of Miss
Verinder's birthday, in Lady Verinder's house?"</p>
<p>"I am too ignorant of the influence of laudanum to have an opinion of my
own," I answered. "I can only follow your opinion, and feel convinced that
you are right."</p>
<p>"Very well. The next question is this. You are convinced; and I am
convinced—how are we to carry our conviction to the minds of other
people?"</p>
<p>I pointed to the two manuscripts, lying on the table between us. Ezra
Jennings shook his head.</p>
<p>"Useless, Mr. Blake! Quite useless, as they stand now for three
unanswerable reasons. In the first place, those notes have been taken
under circumstances entirely out of the experience of the mass of mankind.
Against them, to begin with! In the second place, those notes represent a
medical and metaphysical theory. Against them, once more! In the third
place, those notes are of my making; there is nothing but my assertion to
the contrary, to guarantee that they are not fabrications. Remember what I
told you on the moor—and ask yourself what my assertion is worth.
No! my notes have but one value, looking to the verdict of the world
outside. Your innocence is to be vindicated; and they show how it can be
done. We must put our conviction to the proof—and You are the man to
prove it!"</p>
<p>"How?" I asked.</p>
<p>He leaned eagerly nearer to me across the table that divided us.</p>
<p>"Are you willing to try a bold experiment?"</p>
<p>"I will do anything to clear myself of the suspicion that rests on me
now."</p>
<p>"Will you submit to some personal inconvenience for a time?"</p>
<p>"To any inconvenience, no matter what it may be."</p>
<p>"Will you be guided implicitly by my advice? It may expose you to the
ridicule of fools; it may subject you to the remonstrances of friends
whose opinions you are bound to respect."</p>
<p>"Tell me what to do!" I broke out impatiently. "And, come what may, I'll
do it."</p>
<p>"You shall do this, Mr. Blake," he answered. "You shall steal the Diamond,
unconsciously, for the second time, in the presence of witnesses whose
testimony is beyond dispute."</p>
<p>I started to my feet. I tried to speak. I could only look at him.</p>
<p>"I believe it CAN be done," he went on. "And it shall be done—if you
will only help me. Try to compose yourself—sit down, and hear what I
have to say to you. You have resumed the habit of smoking; I have seen
that for myself. How long have you resumed it."</p>
<p>"For nearly a year."</p>
<p>"Do you smoke more or less than you did?"</p>
<p>"More."</p>
<p>"Will you give up the habit again? Suddenly, mind!—as you gave it up
before."</p>
<p>I began dimly to see his drift. "I will give it up, from this moment," I
answered.</p>
<p>"If the same consequences follow, which followed last June," said Ezra
Jennings—"if you suffer once more as you suffered then, from
sleepless nights, we shall have gained our first step. We shall have put
you back again into something assimilating to your nervous condition on
the birthday night. If we can next revive, or nearly revive, the domestic
circumstances which surrounded you; and if we can occupy your mind again
with the various questions concerning the Diamond which formerly agitated
it, we shall have replaced you, as nearly as possible in the same
position, physically and morally, in which the opium found you last year.
In that case we may fairly hope that a repetition of the dose will lead,
in a greater or lesser degree, to a repetition of the result. There is my
proposal, expressed in a few hasty words. You shall now see what reasons I
have to justify me in making it."</p>
<p>He turned to one of the books at his side, and opened it at a place marked
by a small slip of paper.</p>
<p>"Don't suppose that I am going to weary you with a lecture on physiology,"
he said. "I think myself bound to prove, in justice to both of us, that I
am not asking you to try this experiment in deference to any theory of my
own devising. Admitted principles, and recognised authorities, justify me
in the view that I take. Give me five minutes of your attention; and I
will undertake to show you that Science sanctions my proposal, fanciful as
it may seem. Here, in the first place, is the physiological principle on
which I am acting, stated by no less a person than Dr. Carpenter. Read it
for yourself."</p>
<p>He handed me the slip of paper which had marked the place in the book. It
contained a few lines of writing, as follows:—</p>
<p>"There seems much ground for the belief, that every sensory impression
which has once been recognised by the perceptive consciousness, is
registered (so to speak) in the brain, and may be reproduced at some
subsequent time, although there may be no consciousness of its existence
in the mind during the whole intermediate period." "Is that plain, so
far?" asked Ezra Jennings.</p>
<p>"Perfectly plain."</p>
<p>He pushed the open book across the table to me, and pointed to a passage,
marked by pencil lines.</p>
<p>"Now," he said, "read that account of a case, which has—as I believe—a
direct bearing on your own position, and on the experiment which I am
tempting you to try. Observe, Mr. Blake, before you begin, that I am now
referring you to one of the greatest of English physiologists. The book in
your hand is Doctor Elliotson's HUMAN PHYSIOLOGY; and the case which the
doctor cites rests on the well-known authority of Mr. Combe."</p>
<p>The passage pointed out to me was expressed in these terms:—</p>
<p>"Dr. Abel informed me," says Mr. Combe, "of an Irish porter to a
warehouse, who forgot, when sober, what he had done when drunk; but, being
drunk, again recollected the transactions of his former state of
intoxication. On one occasion, being drunk, he had lost a parcel of some
value, and in his sober moments could give no account of it. Next time he
was intoxicated, he recollected that he had left the parcel at a certain
house, and there being no address on it, it had remained there safely, and
was got on his calling for it."</p>
<p>"Plain again?" asked Ezra Jennings.</p>
<p>"As plain as need be."</p>
<p>He put back the slip of paper in its place, and closed the book.</p>
<p>"Are you satisfied that I have not spoken without good authority to
support me?" he asked. "If not, I have only to go to those bookshelves,
and you have only to read the passages which I can point out to you."</p>
<p>"I am quite satisfied," I said, "without reading a word more."</p>
<p>"In that case, we may return to your own personal interest in this matter.
I am bound to tell you that there is something to be said against the
experiment as well as for it. If we could, this year, exactly reproduce,
in your case, the conditions as they existed last year, it is
physiologically certain that we should arrive at exactly the same result.
But this—there is no denying it—is simply impossible. We can
only hope to approximate to the conditions; and if we don't succeed in
getting you nearly enough back to what you were, this venture of ours will
fail. If we do succeed—and I am myself hopeful of success—you
may at least so far repeat your proceedings on the birthday night, as to
satisfy any reasonable person that you are guiltless, morally speaking, of
the theft of the Diamond. I believe, Mr. Blake, I have now stated the
question, on both sides of it, as fairly as I can, within the limits that
I have imposed on myself. If there is anything that I have not made clear
to you, tell me what it is—and if I can enlighten you, I will."</p>
<p>"All that you have explained to me," I said, "I understand perfectly. But
I own I am puzzled on one point, which you have not made clear to me yet."</p>
<p>"What is the point?"</p>
<p>"I don't understand the effect of the laudanum on me. I don't understand
my walking down-stairs, and along corridors, and my opening and shutting
the drawers of a cabinet, and my going back again to my own room. All
these are active proceedings. I thought the influence of opium was first
to stupefy you, and then to send you to sleep."</p>
<p>"The common error about opium, Mr. Blake! I am, at this moment, exerting
my intelligence (such as it is) in your service, under the influence of a
dose of laudanum, some ten times larger than the dose Mr. Candy
administered to you. But don't trust to my authority—even on a
question which comes within my own personal experience. I anticipated the
objection you have just made: and I have again provided myself with
independent testimony which will carry its due weight with it in your own
mind, and in the minds of your friends."</p>
<p>He handed me the second of the two books which he had by him on the table.</p>
<p>"There," he said, "are the far-famed CONFESSIONS OF AN ENGLISH OPIUM
EATER! Take the book away with you, and read it. At the passage which I
have marked, you will find that when De Quincey had committed what he
calls 'a debauch of opium,' he either went to the gallery at the Opera to
enjoy the music, or he wandered about the London markets on Saturday
night, and interested himself in observing all the little shifts and
bargainings of the poor in providing their Sunday's dinner. So much for
the capacity of a man to occupy himself actively, and to move about from
place to place under the influence of opium."</p>
<p>"I am answered so far," I said; "but I am not answered yet as to the
effect produced by the opium on myself."</p>
<p>"I will try to answer you in a few words," said Ezra Jennings. "The action
of opium is comprised, in the majority of cases, in two influences—a
stimulating influence first, and a sedative influence afterwards. Under
the stimulating influence, the latest and most vivid impressions left on
your mind—namely, the impressions relating to the Diamond—would
be likely, in your morbidly sensitive nervous condition, to become
intensified in your brain, and would subordinate to themselves your
judgment and your will exactly as an ordinary dream subordinates to itself
your judgment and your will. Little by little, under this action, any
apprehensions about the safety of the Diamond which you might have felt
during the day would be liable to develop themselves from the state of
doubt to the state of certainty—would impel you into practical
action to preserve the jewel—would direct your steps, with that
motive in view, into the room which you entered—and would guide your
hand to the drawers of the cabinet, until you had found the drawer which
held the stone. In the spiritualised intoxication of opium, you would do
all that. Later, as the sedative action began to gain on the stimulant
action, you would slowly become inert and stupefied. Later still you would
fall into a deep sleep. When the morning came, and the effect of the opium
had been all slept off, you would wake as absolutely ignorant of what you
had done in the night as if you had been living at the Antipodes. Have I
made it tolerably clear to you so far?"</p>
<p>"You have made it so clear," I said, "that I want you to go farther. You
have shown me how I entered the room, and how I came to take the Diamond.
But Miss Verinder saw me leave the room again, with the jewel in my hand.
Can you trace my proceedings from that moment? Can you guess what I did
next?"</p>
<p>"That is the very point I was coming to," he rejoined. "It is a question
with me whether the experiment which I propose as a means of vindicating
your innocence, may not also be made a means of recovering the lost
Diamond as well. When you left Miss Verinder's sitting-room, with the
jewel in your hand, you went back in all probability to your own room——"</p>
<p>"Yes? and what then?"</p>
<p>"It is possible, Mr. Blake—I dare not say more—that your idea
of preserving the Diamond led, by a natural sequence, to the idea of
hiding the Diamond, and that the place in which you hid it was somewhere
in your bedroom. In that event, the case of the Irish porter may be your
case. You may remember, under the influence of the second dose of opium,
the place in which you hid the Diamond under the influence of the first."</p>
<p>It was my turn, now, to enlighten Ezra Jennings. I stopped him, before he
could say any more.</p>
<p>"You are speculating," I said, "on a result which cannot possibly take
place. The Diamond is, at this moment, in London."</p>
<p>He started, and looked at me in great surprise.</p>
<p>"In London?" he repeated. "How did it get to London from Lady Verinder's
house?"</p>
<p>"Nobody knows."</p>
<p>"You removed it with your own hand from Miss Verinder's room. How was it
taken out of your keeping?"</p>
<p>"I have no idea how it was taken out of my keeping."</p>
<p>"Did you see it, when you woke in the morning?"</p>
<p>"No."</p>
<p>"Has Miss Verinder recovered possession of it?"</p>
<p>"No."</p>
<p>"Mr. Blake! there seems to be something here which wants clearing up. May
I ask how you know that the Diamond is, at this moment, in London?"</p>
<p>I had put precisely the same question to Mr. Bruff when I made my first
inquiries about the Moonstone, on my return to England. In answering Ezra
Jennings, I accordingly repeated what I had myself heard from the lawyer's
own lips—and what is already familiar to the readers of these pages.</p>
<p>He showed plainly that he was not satisfied with my reply.</p>
<p>"With all deference to you," he said, "and with all deference to your
legal adviser, I maintain the opinion which I expressed just now. It
rests, I am well aware, on a mere assumption. Pardon me for reminding you,
that your opinion also rests on a mere assumption as well."</p>
<p>The view he took of the matter was entirely new to me. I waited anxiously
to hear how he would defend it.</p>
<p>"I assume," pursued Ezra Jennings, "that the influence of the opium—after
impelling you to possess yourself of the Diamond, with the purpose of
securing its safety—might also impel you, acting under the same
influence and the same motive, to hide it somewhere in your own room. YOU
assume that the Hindoo conspirators could by no possibility commit a
mistake. The Indians went to Mr. Luker's house after the Diamond—and,
therefore, in Mr. Luker's possession the Diamond must be! Have you any
evidence to prove that the Moonstone was taken to London at all? You can't
even guess how, or by whom, it was removed from Lady Verinder's house!
Have you any evidence that the jewel was pledged to Mr. Luker? He declares
that he never heard of the Moonstone; and his bankers' receipt
acknowledges nothing but the deposit of a valuable of great price. The
Indians assume that Mr. Luker is lying—and you assume again that the
Indians are right. All I say, in differing with you, is—that my view
is possible. What more, Mr. Blake, either logically, or legally, can be
said for yours?"</p>
<p>It was put strongly; but there was no denying that it was put truly as
well.</p>
<p>"I confess you stagger me," I replied. "Do you object to my writing to Mr.
Bruff, and telling him what you have said?"</p>
<p>"On the contrary, I shall be glad if you will write to Mr. Bruff. If we
consult his experience, we may see the matter under a new light. For the
present, let us return to our experiment with the opium. We have decided
that you leave off the habit of smoking from this moment."</p>
<p>"From this moment?"</p>
<p>"That is the first step. The next step is to reproduce, as nearly as we
can, the domestic circumstances which surrounded you last year."</p>
<p>How was this to be done? Lady Verinder was dead. Rachel and I, so long as
the suspicion of theft rested on me, were parted irrevocably. Godfrey
Ablewhite was away travelling on the Continent. It was simply impossible
to reassemble the people who had inhabited the house, when I had slept in
it last. The statement of this objection did not appear to embarrass Ezra
Jennings. He attached very little importance, he said, to reassembling the
same people—seeing that it would be vain to expect them to reassume
the various positions which they had occupied towards me in the past
times. On the other hand, he considered it essential to the success of the
experiment, that I should see the same objects about me which had
surrounded me when I was last in the house.</p>
<p>"Above all things," he said, "you must sleep in the room which you slept
in, on the birthday night, and it must be furnished in the same way. The
stairs, the corridors, and Miss Verinder's sitting-room, must also be
restored to what they were when you saw them last. It is absolutely
necessary, Mr. Blake, to replace every article of furniture in that part
of the house which may now be put away. The sacrifice of your cigars will
be useless, unless we can get Miss Verinder's permission to do that."</p>
<p>"Who is to apply to her for permission?" I asked.</p>
<p>"Is it not possible for you to apply?"</p>
<p>"Quite out of the question. After what has passed between us on the
subject of the lost Diamond, I can neither see her, nor write to her, as
things are now."</p>
<p>Ezra Jennings paused, and considered for a moment.</p>
<p>"May I ask you a delicate question?" he said.</p>
<p>I signed to him to go on.</p>
<p>"Am I right, Mr. Blake, in fancying (from one or two things which have
dropped from you) that you felt no common interest in Miss Verinder, in
former times?"</p>
<p>"Quite right."</p>
<p>"Was the feeling returned?"</p>
<p>"It was."</p>
<p>"Do you think Miss Verinder would be likely to feel a strong interest in
the attempt to prove your innocence?"</p>
<p>"I am certain of it."</p>
<p>"In that case, I will write to Miss Verinder—if you will give me
leave."</p>
<p>"Telling her of the proposal that you have made to me?"</p>
<p>"Telling her of everything that has passed between us to-day."</p>
<p>It is needless to say that I eagerly accepted the service which he had
offered to me.</p>
<p>"I shall have time to write by to-day's post," he said, looking at his
watch. "Don't forget to lock up your cigars, when you get back to the
hotel! I will call to-morrow morning and hear how you have passed the
night."</p>
<p>I rose to take leave of him; and attempted to express the grateful sense
of his kindness which I really felt.</p>
<p>He pressed my hand gently. "Remember what I told you on the moor," he
answered. "If I can do you this little service, Mr. Blake, I shall feel it
like a last gleam of sunshine, falling on the evening of a long and
clouded day."</p>
<p>We parted. It was then the fifteenth of June. The events of the next ten
days—every one of them more or less directly connected with the
experiment of which I was the passive object—are all placed on
record, exactly as they happened, in the Journal habitually kept by Mr.
Candy's assistant. In the pages of Ezra Jennings nothing is concealed, and
nothing is forgotten. Let Ezra Jennings tell how the venture with the
opium was tried, and how it ended.</p>
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