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<h2> 3. VIII. 'ALAS FOR THIS GREY SHADOW, ONCE A MAN!' </h2>
<p>In the month of November which followed Pierston was lying dangerously ill
of a fever at his house in London.</p>
<p>The funeral of the second Avice had happened to be on one of those
drenching afternoons of the autumn, when the raw rain flies level as the
missiles of the ancient inhabitants across the beaked promontory which has
formed the scene of this narrative, scarcely alighting except against the
upright sides of things sturdy enough to stand erect. One person only
followed the corpse into the church as chief mourner, Jocelyn Pierston—fickle
lover in the brief, faithful friend in the long run. No means had been
found of communicating with Avice before the interment, though the death
had been advertised in the local and other papers in the hope that it
might catch her eye.</p>
<p>So, when the pathetic procession came out of the church and moved round
into the graveyard, a hired vehicle from Budmouth was seen coming at great
speed along the open road from Top-o'-Hill. It stopped at the churchyard
gate, and a young man and woman alighted and entered, the vehicle waiting.
They glided along the path and reached Pierston's side just as the body
was deposited by the grave.</p>
<p>He did not turn his head. He knew it was Avice, with Henri Leverre—by
this time, he supposed, her husband. Her remorseful grief, though silent,
seemed to impregnate the atmosphere with its heaviness. Perceiving that
they had not expected him to be there Pierston edged back; and when the
service was over he kept still further aloof, an act of considerateness
which she seemed to appreciate.</p>
<p>Thus, by his own contrivance, neither Avice nor the young man held
communication with Jocelyn by word or by sign. After the burial they
returned as they had come.</p>
<p>It was supposed that his exposure that day in the bleakest churchyard in
Wessex, telling upon a distracted mental and bodily condition, had thrown
Pierston into the chill and fever which held him swaying for weeks between
life and death shortly after his return to town. When he had passed the
crisis, and began to know again that there was such a state as mental
equilibrium and physical calm, he heard a whispered conversation going on
around him, and the touch of footsteps on the carpet. The light in the
chamber was so subdued that nothing around him could be seen with any
distinctness. Two living figures were present, a nurse moving about
softly, and a visitor. He discerned that the latter was feminine, and for
the time this was all.</p>
<p>He was recalled to his surroundings by a voice murmuring the inquiry:
'Does the light try your eyes?'</p>
<p>The tones seemed familiar: they were spoken by the woman who was visiting
him. He recollected them to be Marcia's, and everything that had happened
before he fell ill came back to his mind.</p>
<p>'Are you helping to nurse me, Marcia?' he asked.</p>
<p>'Yes. I have come up to stay here till you are better, as you seem to have
no other woman friend who cares whether you are dead or alive. I am living
quite near. I am glad you have got round the corner. We have been very
anxious.'</p>
<p>'How good you are!... And—have you heard of the others?'</p>
<p>'They are married. They have been here to see you, and are very sorry. She
sat by you, but you did not know her. She was broken down when she
discovered her mother's death, which had never once occurred to her as
being imminent. They have gone away again. I thought it best she should
leave, now that you are out of danger. Now you must be quiet till I come
and talk again.'</p>
<p>Pierston was conscious of a singular change in himself, which had been
revealed by this slight discourse. He was no longer the same man that he
had hitherto been. The malignant fever, or his experiences, or both, had
taken away something from him, and put something else in its place.</p>
<p>During the next days, with further intellectual expansion, he became
clearly aware of what this was. The artistic sense had left him, and he
could no longer attach a definite sentiment to images of beauty recalled
from the past. His appreciativeness was capable of exercising itself only
on utilitarian matters, and recollection of Avice's good qualities alone
had any effect on his mind; of her appearance none at all.</p>
<p>At first he was appalled; and then he said, 'Thank God!'</p>
<p>Marcia, who, with something of her old absolutism, came to his house
continually to inquire and give orders, and to his room to see him every
afternoon, found out for herself in the course of his convalescence this
strange death of the sensuous side of Jocelyn's nature. She had said that
Avice was getting extraordinarily handsome, and that she did not wonder
her stepson lost his heart to her—an inadvertent remark which she
immediately regretted, in fear lest it should agitate him. He merely
answered, however, 'Yes; I suppose she is handsome. She's more—a
wise girl who will make a good housewife in time.... I wish you were not
handsome, Marcia.'</p>
<p>'Why?'</p>
<p>'I don't quite know why. Well—it seems a stupid quality to me. I
can't understand what it is good for any more.'</p>
<p>'O—I as a woman think there's good in it.'</p>
<p>'Is there? Then I have lost all conception of it. I don't know what has
happened to me. I only know I don't regret it. Robinson Crusoe lost a day
in his illness: I have lost a faculty, for which loss Heaven be praised!'</p>
<p>There was something pathetic in this announcement, and Marcia sighed as
she said, 'Perhaps when you get strong it will come back to you.'</p>
<p>Pierston shook his head. It then occurred to him that never since the
reappearance of Marcia had he seen her in full daylight, or without a
bonnet and thick veil, which she always retained on these frequent visits,
and that he had been unconsciously regarding her as the Marcia of their
early time, a fancy which the small change in her voice well sustained.
The stately figure, the good colour, the classical profile, the rather
large handsome nose and somewhat prominent, regular teeth, the full dark
eye, formed still the Marcia of his imagination; the queenly creature who
had infatuated him when the first Avice was despised and her successors
unknown. It was this old idea which, in his revolt from beauty, had led to
his regret at her assumed handsomeness. He began wondering now how much
remained of that presentation after forty years.</p>
<p>'Why don't you ever let me see you, Marcia?' he asked.</p>
<p>'O, I don't know. You mean without my bonnet? You have never asked me to,
and I am obliged to wrap up my face with this wool veil because I suffer
so from aches in these cold winter winds, though a thick veil is awkward
for any one whose sight is not so good as it was.'</p>
<p>The impregnable Marcia's sight not so good as it was, and her face in the
aching stage of life: these simple things came as sermons to Jocelyn.</p>
<p>'But certainly I will gratify your curiosity,' she resumed good-naturedly.
'It is really a compliment that you should still take that sort of
interest in me.'</p>
<p>She had moved round from the dark side of the room to the lamp—for
the daylight had gone—and she now suddenly took off the bonnet, veil
and all. She stood revealed to his eyes as remarkably good-looking,
considering the lapse of years.</p>
<p>'I am—vexed!' he said, turning his head aside impatiently. 'You are
fair and five-and-thirty—not a day more. You still suggest beauty.
YOU won't do as a chastisement, Marcia!'</p>
<p>'Ah, but I may! To think that you know woman no better after all this
time!'</p>
<p>'How?'</p>
<p>'To be so easily deceived. Think: it is lamplight; and your sight is weak
at present; and... Well, I have no reason for being anything but candid
now, God knows! So I will tell you.... My husband was younger than myself;
and he had an absurd wish to make people think he had married a young and
fresh-looking woman. To fall in with his vanity I tried to look it. We
were often in Paris, and I became as skilled in beautifying artifices as
any passee wife of the Faubourg St. Germain. Since his death I have kept
up the practice, partly because the vice is almost ineradicable, and
partly because I found that it helped me with men in bringing up his boy
on small means. At this moment I am frightfully made up. But I can cure
that. I'll come in to-morrow morning, if it is bright, just as I really
am; you'll find that Time has not disappointed you. Remember I am as old
as yourself; and I look it.'</p>
<p>The morrow came, and with it Marcia, quite early, as she had promised. It
happened to be sunny, and shutting the bedroom door she went round to the
window, where she uncovered immediately, in his full view, and said, 'See
if I am satisfactory now—to you who think beauty vain. The rest of
me—and it is a good deal—lies on my dressing-table at home. I
shall never put it on again—never!'</p>
<p>But she was a woman; and her lips quivered, and there was a tear in her
eye, as she exposed the ruthless treatment to which she had subjected
herself. The cruel morning rays—as with Jocelyn under Avice's
scrutiny—showed in their full bareness, unenriched by addition,
undisguised by the arts of colour and shade, the thin remains of what had
once been Marcia's majestic bloom. She stood the image and superscription
of Age—an old woman, pale and shrivelled, her forehead ploughed, her
cheek hollow, her hair white as snow. To this the face he once kissed had
been brought by the raspings, chisellings, scourgings, bakings, freezings
of forty invidious years—by the thinkings of more than half a
lifetime.</p>
<p>'I am sorry if I shock you,' she went on huskily but firmly, as he did not
speak. 'But the moth frets the garment somewhat in such an interval.'</p>
<p>'Yes—yes!... Marcia, you are a brave woman. You have the courage of
the great women of history. I can no longer love; but I admire you from my
soul!'</p>
<p>'Don't say I am great. Say I have begun to be passably honest. It is more
than enough.'</p>
<p>'Well—I'll say nothing then, more than how wonderful it is that a
woman should have been able to put back the clock of Time thirty years!'</p>
<p>'It shames me now, Jocelyn. I shall never do it any more!'</p>
<p>* * *<br/></p>
<p>As soon as he was strong enough he got her to take him round to his studio
in a carriage. The place had been kept aired, but the shutters were shut,
and they opened them themselves. He looked round upon the familiar objects—some
complete and matured, the main of them seedlings, grafts, and scions of
beauty, waiting for a mind to grow to perfection in.</p>
<p>'No—I don't like them!' he said, turning away. 'They are as ugliness
to me! I don't feel a single touch of kin with or interest in any one of
them whatever.'</p>
<p>'Jocelyn—this is sad.'</p>
<p>'No—not at all.' He went again towards the door. 'Now let me look
round.' He looked back, Marcia remaining silent. 'The Aphrodites—how
I insulted her fair form by those failures!—the Freyjas, the Nymphs
and Fauns, Eves, Avices, and other innumerable Well-Beloveds—I want
to see them never any more!... "Instead of sweet smell there shall be
stink, and there shall be burning instead of beauty," said the prophet.'</p>
<p>And they came away. On another afternoon they went to the National
Gallery, to test his taste in paintings, which had formerly been good. As
she had expected, it was just the same with him there. He saw no more to
move him, he declared, in the time-defying presentations of Perugino,
Titian, Sebastiano, and other statuesque creators than in the work of the
pavement artist they had passed on their way.</p>
<p>'It is strange!' said she.</p>
<p>'I don't regret it. That fever has killed a faculty which has, after all,
brought me my greatest sorrows, if a few little pleasures. Let us be
gone.'</p>
<p>He was now so well advanced in convalescence that it was deemed a most
desirable thing to take him down into his native air. Marcia agreed to
accompany him. 'I don't see why I shouldn't,' said she. 'An old friendless
woman like me, and you an old friendless man.'</p>
<p>'Yes. Thank Heaven I am old at last. The curse is removed.'</p>
<p>It may be shortly stated here that after his departure for the isle
Pierston never again saw his studio or its contents. He had been down
there but a brief while when, finding his sense of beauty in art and
nature absolutely extinct, he directed his agent in town to disperse the
whole collection; which was done. His lease of the building was sold, and
in the course of time another sculptor won admiration there from those who
knew not Joseph. The next year his name figured on the retired list of
Academicians.</p>
<p>* * *<br/></p>
<p>As time went on he grew as well as one of his age could expect to be after
such a blasting illness, but remained on the isle, in the only house he
now possessed, a comparatively small one at the top of the Street of
Wells. A growing sense of friendship which it would be foolish to
interrupt led him to take a somewhat similar house for Marcia quite near,
and remove her furniture thither from Sandbourne. Whenever the afternoon
was fine he would call for her and they would take a stroll together
towards the Beal, or the ancient Castle, seldom going the whole way, his
sciatica and her rheumatism effectually preventing them, except in the
driest atmospheres. He had now changed his style of dress entirely,
appearing always in a homely suit of local make, and of the fashion of
thirty years before, the achievement of a tailoress at East Quarriers. He
also let his iron-grey beard grow as it would, and what little hair he had
left from the baldness which had followed the fever. And thus, numbering
in years but two-and-sixty, he might have passed for seventy-five.</p>
<p>Though their early adventure as lovers had happened so long ago, its
history had become known in the isle with mysterious rapidity and fulness
of detail. The gossip to which its bearing on their present friendship
gave rise was the subject of their conversation on one of these walks
along the cliffs.</p>
<p>'It is extraordinary what an interest our neighbours take in our affairs,'
he observed. 'They say "those old folk ought to marry; better late than
never." That's how people are—wanting to round off other people's
histories in the best machine-made conventional manner.'</p>
<p>'Yes. They keep on about it to me, too, indirectly.'</p>
<p>'Do they! I believe a deputation will wait upon us some morning,
requesting in the interests of matchmaking that we will please to get
married as soon as possible.... How near we were to doing it forty years
ago, only you were so independent! I thought you would have come back and
was much surprised that you didn't.'</p>
<p>'My independent ideas were not blameworthy in me, as an islander, though
as a kimberlin young lady perhaps they would have been. There was simply
no reason from an islander's point of view why I should come back, since
no result threatened from our union; and I didn't. My father kept that
view before me, and I bowed to his judgment.'</p>
<p>'And so the island ruled our destinies, though we were not on it. Yes—we
are in hands not our own.... Did you ever tell your husband?'</p>
<p>'No.'</p>
<p>'Did he ever hear anything?'</p>
<p>'Not that I am aware.'</p>
<p>Calling upon her one day, he found her in a state of great discomfort. In
certain gusty winds the chimneys of the little house she had taken here
smoked intolerably, and one of these winds was blowing then. Her
drawing-room fire could not be kept burning, and rather than let a woman
who suffered from rheumatism shiver fireless he asked her to come round
and lunch with him as she had often done before. As they went he thought,
not for the first time, how needless it was that she should be put to this
inconvenience by their occupying two houses, when one would better suit
their now constant companionship, and disembarrass her of the
objectionable chimneys. Moreover, by marrying Marcia, and establishing a
parental relation with the young people, the rather delicate business of
his making them a regular allowance would become a natural proceeding.</p>
<p>And so the zealous wishes of the neighbours to give a geometrical shape to
their story were fulfilled almost in spite of the chief parties
themselves. When he put the question to her distinctly, Marcia admitted
that she had always regretted the imperious decision of her youth; and she
made no ado about accepting him.</p>
<p>'I have no love to give, you know, Marcia,' he said. 'But such friendship
as I am capable of is yours till the end.'</p>
<p>'It is nearly the same with me—perhaps not quite. But, like the
other people, I have somehow felt, and you will understand why, that I
ought to be your wife before I die.'</p>
<p>It chanced that a day or two before the ceremony, which was fixed to take
place very shortly after the foregoing conversation, Marcia's rheumatism
suddenly became acute. The attack promised, however, to be only temporary,
owing to some accidental exposure of herself in making preparations for
removal, and as they thought it undesirable to postpone their union for
such a reason, Marcia, after being well wrapped up, was wheeled into the
church in a chair.</p>
<p>* * *<br/></p>
<p>A month thereafter, when they were sitting at breakfast one morning,
Marcia exclaimed 'Well—good heavens!' while reading a letter she had
just received from Avice, who was living with her husband in a house
Pierston had bought for them at Sandbourne.</p>
<p>Jocelyn looked up.</p>
<p>'Why—Avice says she wants to be separated from Henri! Did you ever
hear of such a thing! She's coming here about it to-day.'</p>
<p>'Separated? What does the child mean!' Pierston read the letter.
'Ridiculous nonsense!' he continued. 'She doesn't know what she wants. I
say she sha'n't be separated! Tell her so, and there's an end of it. Why—how
long have they been married? Not twelve months. What will she say when
they have been married twenty years!'</p>
<p>Marcia remained reflecting. 'I think that remorseful feeling she unluckily
has at times, of having disobeyed her mother, and caused her death, makes
her irritable,' she murmured. 'Poor child!'</p>
<p>Lunch-time had hardly come when Avice arrived, looking very tearful and
excited. Marcia took her into an inner room, had a conversation with her,
and they came out together.</p>
<p>'O it's nothing,' said Marcia. 'I tell her she must go back directly she
has had some luncheon.'</p>
<p>'Ah, that's all very well!' sobbed Avice. 'B-b-but if you had been
m-married so long as I have, y-you wouldn't say go back like that!'</p>
<p>'What is it all about?' inquired Pierston.</p>
<p>'He said that if he were to die I—I—should be looking out for
somebody with fair hair and grey eyes, just—just to spite him in his
grave, because he's dark, and he's quite sure I don't like dark people!
And then he said—But I won't be so treacherous as to tell any more
about him! I wish—'</p>
<p>'Avice, your mother did this very thing. And she went back to her husband.
Now you are to do the same. Let me see; there is a train—'</p>
<p>'She must have something to eat first. Sit down, dear.'</p>
<p>The question was settled by the arrival of Henri himself at the end of
luncheon, with a very anxious and pale face. Pierston went off to a
business meeting, and left the young couple to adjust their differences in
their own way.</p>
<p>His business was, among kindred undertakings which followed the extinction
of the Well-Beloved and other ideals, to advance a scheme for the closing
of the old natural fountains in the Street of Wells, because of their
possible contamination, and supplying the townlet with water from pipes, a
scheme that was carried out at his expense, as is well known. He was also
engaged in acquiring some old moss-grown, mullioned Elizabethan cottages,
for the purpose of pulling them down because they were damp; which he
afterwards did, and built new ones with hollow walls, and full of
ventilators.</p>
<p>At present he is sometimes mentioned as 'the late Mr. Pierston' by
gourd-like young art-critics and journalists; and his productions are
alluded to as those of a man not without genius, whose powers were
insufficiently recognized in his lifetime.</p>
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