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<h2> CHAPTER IX. OLD DEBTS FOR NEW </h2>
<p>Jo Portugtais was breaking the law of the river—he was running a
little raft down the stream at night, instead of tying up at sundown and
camping on the shore, or sitting snugly over cooking-pot by the little
wooden caboose on his raft. But defiance of custom and tradition was a
habit with Jo Portugais. He had lived in his own way many a year, and he
was likely to do so till the end, though he was a young man yet. He had
many professions, or rather many gifts, which he practised as it pleased
him. He was river-driver, woodsman, hunter, carpenter, guide, as whim or
opportunity came to him. On the evening when Charley Steele met with his
mishap he was a river-driver—or so it seemed. He had been up
nor'west a hundred and fifty miles, and he had come down-stream alone with
his raft-which in the usual course should take two men to guide it—through
slides, over rapids, and in strong currents. Defying the code of the
river, with only one small light at the rear of his raft, he voyaged the
swift current towards his home, which, when he arrived opposite the Cote
Dorion, was still a hundred miles below. He had watched the lights in the
river-drivers' camps, had seen the men beside the fires, and had drifted
on, with no temptation to join in the songs floating out over the dark
water, to share the contents of the jugs raised to boisterous lips, or to
thrust his hand into the greasy cooking-pot for a succulent bone.</p>
<p>He drifted on until he came opposite Charlemagne's tavern. Here the
current carried him inshore. He saw the dim light, he saw dark figures in
the bar-room, he even got a glimpse of Suzon Charlemagne. He dropped the
house behind quickly, but looked back, leaning on the oar and thinking how
swift was the rush of the current past the tavern. His eyes were on the
tavern door and the light shining through it. Suddenly the light
disappeared, and the door vanished into darkness. He heard a scuffle, and
then a heavy splash.</p>
<p>"There's trouble there," said Jo Portugais, straining his eyes through the
night, for a kind of low roar, dwindling to a loud whispering, and then a
noise of hurrying feet, came down the stream, and he could dimly see dark
figures running away into the night by different paths.</p>
<p>"Some dirty work, very sure," said Jo Portugais, and his eyes travelled
back over the dark water like a lynx's, for the splash was in his ear, and
a sort of prescience possessed him. He could not stop his raft. It must go
on down the current, or be swerved to the shore, to be fastened.</p>
<p>"God knows, it had an ugly sound," said Jo Portugais, and again strained
his eyes and ears. He shifted his position and took another oar, where the
raft-lantern might not throw a reflection upon the water. He saw a light
shine again through the tavern doorway, then a dark object block the
light, and a head thrust forward towards the river as though listening.</p>
<p>At this moment he fancied he saw something in the water nearing him. He
stretched his neck. Yes, there was something.</p>
<p>"It's a man. God save us—was it murder?" said Jo Portugais, and
shuddered. "Was it murder?"</p>
<p>The body moved more swiftly than the raft. There was a hand thrust up—two
hands.</p>
<p>"He's alive!" said Jo Portugais, and, hurriedly pulling round his waist a
rope tied to a timber, jumped into the water.</p>
<p>Three minutes later, on the raft, he was examining a wound in the head of
an insensible man.</p>
<p>As his hand wandered over the body towards the heart, it touched something
that rattled against a button. He picked it up mechanically and held it to
the light. It was an eye-glass.</p>
<p>"My God!" said Jo Portugais, and peered into the man's face. "It's him."
Then he remembered the last words the man had spoken to him—"Get out
of my sight. You're as guilty as hell!" But his heart yearned towards the
man nevertheless.</p>
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<h2> CHAPTER X. THE WAY IN AND THE WAY OUT </h2>
<p>In his own world of the parish of Chaudiere Jo Portugais was counted a
widely travelled man. He had adventured freely on the great rivers and in
the forests, and had journeyed up towards Hudson's Bay farther than any
man in seven parishes.</p>
<p>Jo's father and mother had both died in one year—when he was
twenty-five. That year had turned him from a clean-shaven cheerful boy
into a morose bearded man who looked forty, for it had been marked by his
disappearance from Chaudiere and his return at the end of it, to find his
mother dead and his father dying broken-hearted. What had driven Jo from
home only his father knew; what had happened to him during that year only
Jo himself knew, and he told no one, not even his dying father.</p>
<p>A mystery surrounded him, and no one pierced it. He was a figure apart in
Chaudiere parish. A dreadful memory that haunted him, carried him out of
the village, which clustered round the parish church, into Vadrome
Mountain, three miles away, where he lived apart from all his kind. It was
here he brought the man with the eye-glass one early dawn, after two
nights and two days on the river, pulling him up the long hill in a low
cart with his strong faithful dogs, hitching himself with them and toiling
upwards through the dark. In his three-roomed hut he laid his charge down
upon a pile of bear-skins, and tended him with a strange gentleness,
bathing the wound in the head and binding it again and again.</p>
<p>The next morning the sick man opened his eyes heavily. He then began
fumbling mechanically on his breast. At last his fingers found his
monocle. He feebly put it to his eye, and looked at Jo in a strange,
questioning, uncomprehending way.</p>
<p>"I beg—your pardon," he said haltingly, "have I ever—been
intro—" Suddenly his eyes closed, a frown gathered on his forehead.
After a minute his eyes opened again, and he gazed with painful, pathetic
seriousness at Jo. This grew to a kind of childish terror; then slowly, as
a shadow passes, the perplexity, anxiety and terror cleared away, and left
his forehead calm, his eyes unvexed and peaceful. The monocle dropped, and
he did not heed it. At length he said wearily, and with an incredibly
simple dependence:</p>
<p>"I am thirsty now."</p>
<p>Jo lifted a wooden bowl to his lips, and he drank, drank, drank to
repletion. When he had finished he patted Jo's shoulder.</p>
<p>"I am always thirsty," he said. "I shall be hungry too. I always am."</p>
<p>Jo brought him some milk and bread in a bowl. When the sick man had eaten
and drunk the bowlful to the last drop and crumb, he lay back with a sigh
of content, but trembling from weakness and the strain, though Jo's hand
had been under his head, and he had been fed like a little child.</p>
<p>All day he lay and watched Jo as he worked, as he came and went. Sometimes
he put his hand to his head and said to Jo: "It hurts." Then Jo would cool
the wound with fresh water from the mountain spring, and he would drag
down the bowl to drink from it greedily.</p>
<p>It was as though he could never get enough water to drink. So the first
day in the hut at Vadrome Mountain passed without questioning on the part
of either Charley Steele or his host.</p>
<p>With good reason. Jo Portugais saw that memory was gone; that the past was
blotted out. He had watched that first terrible struggle of memory to
reassert itself, as the eyes mechanically looked out upon new and strange
surroundings, but it was only the automatic habit of the sight, the
fumbling of the blind soul in its cell-fumbling for the latch which it
could not find, for the door which would not open. The first day on the
raft, as Charley had opened his eyes upon the world again after that awful
night at the Cote Dorion, Jo. had seen that same blank uncomprehending
look—as it were, the first look of a mind upon the world. This time
he saw, and understood what he saw, and spoke as men speak, but with no
knowledge or memory behind it—only the involuntary action of muscle
and mind repeated from the vanished past.</p>
<p>Charley Steele was as a little child, and having no past, and
comprehending in the present only its limited physical needs and motions,
he had no hope, no future, no understanding. In three days he was upon his
feet, and in four he walked out of doors and followed Jo into the woods,
and watched him fell a tree and do a woodsman's work. Indoors he regarded
all Jo did with eager interest and a pleased, complacent look, and readily
did as he was told. He seldom spoke—not above three or four times a
day, and then simply and directly, and only concerning his wants. From
first to last he never asked a question, and there was never any inquiry
by look or word. A hundred and twenty miles lay between him and his old
home, between him and Kathleen and Billy and Jean Jolicoeur's saloon, but
between him and his past life the unending miles of eternity intervened.
He was removed from it as completely as though he were dead and buried.</p>
<p>A month went by. Sometimes Jo went down to the village below, and then, at
first, he locked the door of the house behind him upon Charley. Against
this Charley made no motion and said no word, but patiently awaited Jo's
return. So it was that, at last, Jo made no attempt to lock the door, but
with a nod or a good-bye left him alone. When Charley saw him returning he
would go to meet him, and shake hands with him, and say "Good-day," and
then would come in with him and help him get supper or do the work of the
house.</p>
<p>Since Charley came no one had visited the house, for there were no paths
beyond it, and no one came to the Vadrome Mountain, save by chance. But
after two months had gone the Cure came. Twice a year the Cure made it a
point to visit Jo in the interests of his soul, though the visits came to
little, for Jo never went to confession, and seldom to mass. On this
occasion the Cure arrived when Jo was out in the woods. He discovered
Charley. Charley made no answer to his astonished and friendly greeting,
but watched him with a wide-eyed anxiety till the Cure seated himself at
the door to await Jo's coming. Presently, as he sat there, Charley, who
had studied his face as a child studies the unfamiliar face of a stranger,
brought him a bowl of bread and milk and put it in his hands. The Cure
smiled and thanked him, and Charley smiled in return and said: "It is very
good."</p>
<p>As the Cure ate, Charley watched him with satisfaction, and nodded at him
kindly.</p>
<p>When Jo came he lied to the Cure. He said he had found Charley wandering
in the woods, with a wound in his head, and had brought him home with him
and cared for him. Forty miles away he had found him.</p>
<p>The Cure was perplexed. What was there to do? He believed what Jo said. So
far as he knew, Jo had never lied to him before, and he thought he
understood Jo's interest in this man with the look of a child and no
memory: Jo's life was terribly lonely; he had no one to care for, and no
one cared for him; here was what might comfort him! Through this helpless
man might come a way to Jo's own good. So he argued with himself.</p>
<p>What to do? Tell the story to the world by writing to the newspaper at
Quebec? Jo pooh-poohed this. Wait till the man's memory came back? Would
it come back—what chance was there of its ever coming back? Jo said
that they ought to wait and see—wait awhile, and then, if his memory
did not return, they would try to find his friends, by publishing his
story abroad.</p>
<p>Chaudiere was far from anywhere: it knew little of the world, and the
world knew naught of it, and this was a large problem for the Cure.
Perhaps Jo was right, he thought. The man was being well cared for, and
what more could be wished at the moment? The Cure was a simple man, and
when Jo urged that if the sick man could get well anywhere in the world it
would be at Vadrome Mountain in Chaudiere, the Cure's parochial pride was
roused, and he was ready to believe all Jo said. He also saw reason in
Jo's request that the village should not be told of the sick man's
presence. Before he left, the Cure knelt down and prayed, "for the good of
this poor mortal's soul and body."</p>
<p>As he prayed, Charley knelt down also, and kept his eyes-calm unwondering
eyes-full fixed on the good M. Loisel, whose grey hair, thin peaceful
face, and dark brown eyes made a noble picture of patience and devotion.</p>
<p>When the Cure shook him by the hand, murmuring in good-bye, "God be
gracious to thee, my son," Charley nodded in a friendly way. He watched
the departing figure till it disappeared over the crest of the hill.</p>
<p>This day marked an epoch in the solitude of the hut on Vadrome Mountain.
Jo had an inspiration. He got a second set of carpenter's tools, and
straightway began to build a new room to the house. He gave the extra set
of tools to Charley with an encouraging word. For the first time since he
had been brought here, Charley's face took on a look of interest. In
half-an-hour he was at work, smiling and perspiring, and quickly learning
the craft. He seldom spoke, but he sometimes laughed a mirthful, natural
boy's laugh of good spirits and contentment. From that day his interest in
things increased, and before two months went round, while yet it was late
autumn, he looked in perfect health. He ate moderately, drank a great deal
of water, and slept half the circle of the clock each day. His skin was
like silk; the colour of his face was as that of an apple; he was more
than ever Beauty Steele. The Cure came two or three times, and Charley
spoke to him but never held conversation, and no word concerning the past
ever passed his tongue, nor did he have memory of what was said to him
from one day to the next. A hundred ways Jo had tried to rouse his memory.
But the words Cote Dorion had no meaning to him, and he listened blankly
to all names and phrases once so familiar. Yet he spoke French and English
in a slow, passive, involuntary way. All was automatic, mechanical.</p>
<p>The weeks again wore on, and autumn became winter, and then at last one
day the Cure came, bringing his brother, a great Parisian surgeon lately
arrived from France on a short visit. The Cure had told his brother the
story, and had been met by a keen, astonished interest in the unknown man
on Vadrome Mountain. A slight pressure on the brain from accident had
before now produced loss of memory—the great man's professional
curiosity was aroused: he saw a nice piece of surgical work ready to his
hand; he asked to be taken to Vadrome Mountain.</p>
<p>Now the Cure had lived long out of the world, and was not in touch with
the swift-minded action and adventuring intellects of such men as his
brother, Marcel Loisel. Was it not tempting Providence, a surgical
operation? He was so used to people getting ill and getting well without a
doctor—the nearest was twenty miles distant—or getting ill and
dying in what seemed a natural and preordained way, that to cut open a
man's head and look into his brain, and do this or that to his skull,
seemed almost sinful. Was it not better to wait and see if the poor man
would not recover in God's appointed time?</p>
<p>In answer to his sensitively eager and diverse questions, Marcel Loisel
replied that his dear Cure was merely mediaeval, and that he had
sacrificed his mental powers on the altar of a simple faith, which might
remove mountains but was of no value in a case like this, where, clearly,
surgery was the only providence.</p>
<p>At this the Cure got to his feet, came over, laid his hand on his
brother's shoulder, and said, with tears in his eyes:</p>
<p>"Marcel, you shock me. Indeed you shock me!"</p>
<p>Then he twisted a knot in his cassock cords, and added "Come then, Marcel.
We will go to him. And may God guide us aright!"</p>
<p>That afternoon the two grey-haired men visited Vadrome Mountain, and there
they found Charley at work in the little room that the two men had built.
Charley nodded pleasantly when the Cure introduced his brother, but showed
no further interest at first. He went on working at the cupboard under his
hand. His cap was off and his hair was a little rumpled where the wound
had been, for he had a habit of rubbing the place now and then—an
abstracted, sensitive motion—although he seemed to suffer no pain.
The surgeon's eyes fastened on the place, and as Charley worked and his
brother talked, he studied the man, the scar, the contour of the head. At
last he came up to Charley and softly placed his fingers on the scar,
feeling the skull. Charley turned quickly.</p>
<p>There was something in the long, piercing look of the surgeon which seemed
to come through limitless space to the sleeping and imprisoned memory of
Charley's sick mind. A confused, anxious, half-fearful look crept into the
wide blue eyes. It was like a troubled ghost, flitting along the
boundaries of sight and sense, and leaving a chill and a horrified wonder
behind. The surgeon gazed on, and the trouble in Charley's eye passed to
his face, stayed an instant. Then he turned away to Jo Portugais. "I am
thirsty now," he said, and he touched his lips in the way he was wont to
do in those countless ages ago, when, millions upon millions of miles
away, people said: "There goes Charley Steele!"</p>
<p>"I am thirsty now," and that touch of the lip with the tongue, were a
revelation to the surgeon.</p>
<p>A half-hour later he was walking homeward with the Cure. Jo accompanied
them for a distance. As they emerged into the wider road-paths that began
half-way down the mountain, the Cure, who had watched his brother's face
for a long time in silence, said:</p>
<p>"What is in your mind, Marcel?" The surgeon turned with a half-smile.</p>
<p>"He is happy now. No memory, no conscience, no pain, no responsibility, no
trouble—nothing behind or before. Is it good to bring him back?"</p>
<p>The Cure had thought it all over, and he had wholly changed his mind since
that first talk with his brother. "To save a mind, Marcel!" he said.</p>
<p>"Then to save a soul?" suggested the surgeon. "Would he thank me?"</p>
<p>"It is our duty to save him."</p>
<p>"Body and mind and soul, eh? And if I look after the body and the mind?"</p>
<p>"His soul is in God's hands, Marcel."</p>
<p>"But will he thank me? How can you tell what sorrows, what troubles, he
has had? What struggles, temptations, sins? He has none now, of any sort;
not a stain, physical or moral."</p>
<p>"That is not life, Marcel."</p>
<p>"Well, well, you have changed. This morning it was I who would, and you
hesitated."</p>
<p>"I see differently now, Marcel."</p>
<p>The surgeon put a hand playfully on his brother's shoulder.</p>
<p>"Did you think, my dear Prosper, that I should hesitate? Am I a
sentimentalist? But what will he say?</p>
<p>"We need not think of that, Marcel."</p>
<p>"But yet suppose that with memory come again sin and shame—even
crime?"</p>
<p>"We will pray for him."</p>
<p>"But if he isn't a Catholic?"</p>
<p>"One must pray for sinners," said the Curb, after a silence.</p>
<p>This time the surgeon laid a hand on the shoulder of his brother
affectionately. "Upon my soul, dear Prosper, you almost persuade me to be
reactionary and mediaeval."</p>
<p>The Curb turned half uneasily towards Jo, who was following at a little
distance. This seemed hardly the sort of thing for him to hear.</p>
<p>"You had better return now, Jo," he said.</p>
<p>"As you wish, M'sieu'," Jo answered, then looked inquiringly at the
surgeon.</p>
<p>"In about five days, Portugais. Have you a steady hand and a quick eye?"</p>
<p>Jo spread out his hands in deprecation, and turned to the Curb, as though
for him to answer.</p>
<p>"Jo is something of a physician and surgeon too, Marcel. He has a gift. He
has cured many in the parish with his herbs and tinctures, and he has set
legs and arms successfully."</p>
<p>The surgeon eyed Jo humorously, but kindly. "He is probably as good a
doctor as some of us. Medicine is a gift, surgery is a gift and an art.
You shall hear from me, Portugais." He looked again keenly at Jo. "You
have not given him 'herbs and tinctures'?"</p>
<p>"Nothing, M'sieu'."</p>
<p>"Very sensible. Good-day, Portugais."</p>
<p>"Good-day, my son," said the priest, and raised his fingers in
benediction, as Jo turned and quickly retraced his steps.</p>
<p>"Why did you ask him if he had given the poor man any herbs or tinctures,
Marcel?" said the priest.</p>
<p>"Because those quack tinctures have whiskey in them."</p>
<p>"What do you mean?"</p>
<p>"Whiskey in any form would be bad for him," the surgeon answered
evasively.</p>
<p>But to himself he kept saying: "The man was a drunkard—he was a
drunkard."</p>
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<h2> CHAPTER XI. THE RAISING OF THE CURTAIN </h2>
<p>M. Marcel Loisel did his work with a masterly precision, with the aid of
his brother and Portugais. The man under the instruments, not wholly
insensible, groaned once or twice. Once or twice, too, his eyes opened
with a dumb hunted look, then closed as with an irresistible weariness.
When the work was over, and every stain or sign of surgery removed, sleep
came down on the bed—a deep and saturating sleep, which seemed to
fill the room with peace. For hours the surgeon sat beside the couch, now
and again feeling the pulse, wetting the hot lips, touching the forehead
with his palm. At last, with a look of satisfaction, he came forward to
where Jo and the Cure sat beside the fire.</p>
<p>"It is all right," he said. "Let him sleep as long as he will." He turned
again to the bed. "I wish I could stay to see the end of it. Is there no
chance, Prosper?" he added to the priest.</p>
<p>"Impossible, Marcel. You must have sleep. You have a seventy-mile drive
before you to-morrow, and sixty the next day. You can only reach the port
now by starting at daylight to-morrow."</p>
<p>So it was that Marcel Loisel, the great surgeon, was compelled to leave
Chaudiere before he knew that the memory of the man who had been under his
knife had actually returned to him. He had, however, no doubt in his own
mind, and he was confident that there could be no physical harm from the
operation. Sleep was the all-important thing. In it lay the strength for
the shock of the awakening—if awakening of memory there was to be.</p>
<p>Before he left he stooped over Charley and said musingly: "I wonder what
you will wake up to, my friend?" Then he touched the wound with a light
caressing finger. "It was well done, well done," he murmured proudly.</p>
<p>A moment afterwards he was hurrying down the hill to the open road, where
a cariole awaited the Cure and himself.</p>
<p>For a day and a half Charley slept, and Jo watched him with an
affectionate solicitude. Once or twice, becoming anxious, because of the
heavy breathing and the motionless sleep, he had forced open the teeth,
and poured a little broth between.</p>
<p>Just before dawn on the second morning, worn out and heavy with slumber,
Jo lay down by the piled-up fire and dropped into a sleep that wrapped him
like a blanket, folding him away into a drenching darkness.</p>
<p>For a time there was a deep silence, troubled only by Jo's deep breathing,
which seemed itself like the pulse of the silence. Charley appeared not to
be breathing at all. He was lying on his back, seemingly lifeless.
Suddenly on the snug silence there was a sharp sound. A tree outside
snapped with the frost.</p>
<p>Charley awoke. The body seemed not to awake, for it did not stir, but the
eyes opened wide and full, looking straight before them—straight up
to the brown smoke-stained rafters, along which were ranged guns and
fishing-tackle, axes and bear-traps. Full clear blue eyes, healthy and
untired as a child's fresh from an all-night's drowse, they looked and
looked. Yet, at first, the body did not stir; only the mind seemed to be
awakening, the soul creeping out from slumber into the day. Presently,
however, as the eyes gazed, there stole into them a wonder, a trouble, an
anxiety. For a moment they strained at the rafters and the crude weapons
and implements there, then the body moved, quickly, eagerly, and turned to
see the flickering shadows made by the fire and the simple order of the
room.</p>
<p>A minute more, and Charley was sitting on the side of his couch, dazed and
staring. This hut, this fire, the figure by the hearth in a sound
sleep-his hand went to his head: it felt the bandage there!</p>
<p>He remembered now! Last night at the Cote Dorion! Last night he had talked
with Suzon Charlemagne at the Cote Dorion; last night he had drunk harder
than he had ever drunk in his life, he had defied, chaffed, insulted the
river-drivers. The whole scene came back: the faces of Suzon and her
father; Suzon's fingers on his for an instant; the glass of brandy beside
him; the lanterns on the walls; the hymn he sang; the sermon he preached—he
shuddered a little; the rumble of angry noises round him; the tumbler
thrown; the crash of the lantern, and only one light left in the place!
Then Jake Hough and his heavy hand, the flying monocle, and his
disdainful, insulting reply; the sight of the pistol in the hand of
Suzon's father; then a rush, a darkness, and his own fierce plunge towards
the door, beyond which were the stars and the cool night and the dark
river. Curses, hands that battered and tore at him, the doorway reached,
and then a blow on the head and—falling, falling, falling, and
distant noises growing more distant, and suddenly and sweetly—absolute
silence.</p>
<p>Again he shuddered. Why? He remembered that scene in his office yesterday
with Kathleen, and the one later with Billy. A sensitive chill swept all
over him, making his flesh creep, and a flush sped over his face from chin
to brow. To-day he must pick up all these threads again, must make things
right for Billy, must replace the money he had stolen, must face Kathleen
again he shuddered. Was he at the Cote Dorion still? He looked round him.
No, this was not the sort of house to be found at the Cote Dorion. Clearly
this was the hut of a hunter. Probably he had been fished out of the river
by this woodsman and brought here. He felt his head. The wound was fresh
and very sore. He had played for death, with an insulting disdain, yet
here he was alive.</p>
<p>Certainly he was not intended to be drowned or knifed—he remembered
the knives he saw unsheathed—or kicked or pummelled into the
hereafter. It was about ten o'clock when he had had his "accident"—he
affected a smile, yet somehow he did not smile easily—it must be now
about five, for here was the morning creeping in behind the deer-skin
blind at the window.</p>
<p>Strange that he felt none the worse for his mishap, and his tongue was as
clean and fresh as if he had been drinking milk last night, and not very
doubtful brandy at the Cote Dorion. No fever in his hands, no headache,
only the sore skull, so well and tightly bandaged but a wonderful thirst,
and an intolerable hunger. He smiled. When had he ever been hungry for
breakfast before? Here he was with a fine appetite: it was like coals of
fire heaped on his head by Nature for last night's business at the Cote
Dorion. How true it was that penalties did not always come with—indiscretions.
Yet, all at once, he flushed again to the forehead, for a curious sense of
shame flashed through his whole being, and one Charley Steele—the
Charley Steele of this morning, an unknown, unadventuring, onlooking
Charley Steele—was viewing with abashed eyes the Charley Steele who
had ended a doubtful career in the coarse and desperate proceedings of
last night. With a nervous confusion he sought refuge in his eye-glass.
His fingers fumbled over his waistcoat, but did not find it. The weapon of
defence and attack, the symbol of interrogation and incomprehensibility,
was gone. Beauty Steele was under the eyes of another self, and neither
disdain, nor contempt, nor the passive stare, were available. He got
suddenly to his feet, and started forward, as though to find refuge from
himself.</p>
<p>The abrupt action sent the blood to his head, and feeling a blindness come
over him, he put both hands up to his temples, and sank back on the couch,
dizzy and faint.</p>
<p>His motions waked Jo Portugais, who scrambled from the floor, and came
towards him.</p>
<p>"M'sieu'," he said, "you must not. You are faint." He dropped his hands
supportingly to Charley's shoulders.</p>
<p>Charley nodded, but did not yet look up. His head throbbed sorely. "Water—please!"
he said.</p>
<p>In an instant Jo was beside him again, with a bowl of fresh water at his
lips. He drank, drank, drank, until the great bowl was drained to the last
drop.</p>
<p>"Whew! That was good!" he said, and looked up at Jo with a smile. "Thank
you, my friend; I haven't the honour of your acquaintance, but—"</p>
<p>He stopped suddenly and stared at Jo. Inquiry, mystification, were in his
look.</p>
<p>"Have I ever seen you before?" he said. "Who knows, M'sieu'!"</p>
<p>Since Jo had stood before Charley in the dock near six years ago he had
greatly changed. The marks of smallpox, a heavy beard, grey hair, and
solitary life had altered him beyond Charley's recognition.</p>
<p>Jo could hardly speak. His legs were trembling under him, for now he knew
that Charley Steele was himself again. He was no longer the simple, quiet
man-child of three days ago, and of these months past, but the man who had
saved him from hanging, to whom he owed a debt he dare not acknowledge.
Jo's brain was in a muddle. Now that the great crisis was over, now that
the expected thing had come, and face to face with the cure, he had
neither tongue, nor strength, nor wit. His words stuck in his throat where
his heart was, and for a minute his eyes had a kind of mist before them.</p>
<p>Meanwhile Charley's eyes were upon him, curious, fixed, abstracted.</p>
<p>"Is this your house?"</p>
<p>"It is, M'sieu'."</p>
<p>"You fished me out of the river by the Cote Dorion?" He still held his
head with his hands, for it throbbed so, but his eyes were intent on his
companion.</p>
<p>"Yes, M'sieu'."</p>
<p>Charley's hand mechanically fumbled for his monocle. Jo turned quickly to
the wall, and taking it by its cord from the nail where it had been for
these long months, handed it over. Charley took it and mechanically put it
in his eye. "Thank you, my friend," he said. "Have I been conscious at all
since you rescued me last night?" he asked.</p>
<p>"In a way, M'sieu'."</p>
<p>"Ah, well, I can't remember, but it was very kind of you—I do thank
you very much. Do you think you could find me something to eat? I beg your
pardon—it isn't breakfast-time, of course, but I was never so hungry
in my life!"</p>
<p>"In a minute, M'sieu'—in one minute. But lie down, you must lie down
a little. You got up too quick, and it makes your head throb. You have had
nothing to eat."</p>
<p>"Nothing, since yesterday noon, and very little then. I didn't eat
anything at the Cote Dorion, I remember." He lay back on the couch and
closed his eyes. The throbbing in his head presently stopped, and he felt
that if he ate something he could go to sleep again, it was so restful in
this place—a whole day's sleep and rest, how good it would be after
last night's racketing! Here was primitive and material comfort, the
secret of content, if you liked! Here was this poor hunter-fellow, with
enough to eat and to drink, earning it every day by every day's labour,
and, like Robinson Crusoe no doubt, living in a serene self-sufficiency
and an elysian retirement. Probably he had no responsibilities in the
world, with no one to say him nay, himself only to consider in all the
universe: a divine conception of adequate life. Yet himself, Charley
Steele, an idler, a waster, with no purpose in life, with scarcely the
necessity to earn his bread-never, at any rate, until lately—was the
slave of the civilisation to which he belonged. Was civilisation worth the
game?</p>
<p>His hand involuntarily went to his head. It changed the course of his
thoughts. He must go back to-day to put Billy's crime right, to replace
the trust-moneys Billy had taken by forging his brother-in-law's name. Not
a moment must be lost. No doubt he was within driving distance of his
office, and, bandaged head or no bandaged head, last night's disgraceful
doings notwithstanding, it was his duty to face the wondering eyes—what
did he care for wondering eyes? hadn't he been making eyes wonder all his
life?—face the wondering eyes in the little city, and set a crooked
business straight. Fool and scoundrel certainly Billy was, but there was
Kathleen!</p>
<p>His lips tightened; he had a strange anxious flutter of the heart. When
had his heart fluttered like this? When had he ever before considered
Kathleen's feelings as to his personal conduct so delicately? Well, since
yesterday he did feel it, and a sudden sense of pity sprang up in him—vague,
shamefaced pity, which belied the sudden egotistical flourish with which
he put his monocle to his eye and tried futilely to smile in the old way.</p>
<p>He had lain with his eyes closed. They opened now, and he saw his host
spreading a newspaper as a kind of cloth on a small rough table, and
putting some food upon it-bread, meat, and a bowl of soup. It was
thoughtful of this man to make his soup overnight-he saw Jo lift it from
beside the fire where it had been kept hot. A good fellow-an excellent
fellow, this woodsman.</p>
<p>His head did not throb now, and he drew himself up slowly on his
elbow-then, after a moment, lifted himself to a sitting posture.</p>
<p>"What is your name, my friend?" he said.</p>
<p>"Jo Portugais, M'sieu'," Jo answered, and brought a candle and put it on
the table, then lifted the tin-plate from over the bowl of savoury soup.</p>
<p>Never before had Charley Steele sat down to such a breakfast. A roll and a
cup of coffee had been enough, and often too much, for him. Yet now he
could not wait to eat the soup with a spoon, but lifted the bowl and took
a long draught of it, and set it down with a sigh of content. Then he
broke bread into the soup—large pieces of black oat bread—until
the bowl was a mass of luscious pulp. This he ate almost ravenously, his
eye wandering avidly the while to the small piece of meat beside the bowl.
What meat was it? It looked like venison, yet summer was not the time for
venison. What did it matter! Jo sat on a bench beside the fire, his face
turned towards his guest, dreading the moment when the man he had nursed
and cared for, with whom he had eaten and drunk for so long, should know
the truth about himself. He could not tell him all there was to tell, he
was taking another means of letting him know.</p>
<p>Charley did not speak. Hunger was a new sensation, a delicious thing, too
good to be broken by talking. He ate till he had cleared away the last
crumbs of bread and meat and drunk the last drop of soup. He looked at the
woodsman as though wondering if he would bring more. Jo evidently thought
he had had enough, for he did not move. Charley's glance withdrew from Jo,
and busied itself with the few crumbs remaining upon the table. He saw a
little piece of bread on the floor. He picked it up and ate it with
relish, laughing to himself.</p>
<p>"How long will it take us to get to town? Can we do it this morning?"</p>
<p>"Not this morning, M'sieu'," said Jo, in a sort of hoarse whisper.</p>
<p>"How many hours would it take?"</p>
<p>He was gathering the last crumbs of his feast with his hand, and looking
casually down at the newspaper spread as a table-cloth.</p>
<p>All at once his hand stopped, his eyes became fixed on a spot in the
paper. He gave a hoarse, guttural cry, like an animal in agony. His lips
became dry, his hand wiped a blinding mist from his eyes.</p>
<p>Jo watched him with an intense alarm and a horrified curiosity. He felt a
base coward for not having told Charley what this paper contained. Never
had he seen such a look as this. He felt his beads, and told them over and
over again, as Charley Steele, in a dry, croaking sort of whisper, read,
in letters that seemed monstrous symbols of fire, a record of himself:</p>
<p>"To-day, by special license from the civil and ecclesiastical courts [the
paragraph in the paper began], was married, at St. Theobald's Church, Mrs.
Charles Steele, daughter of the late Hon. Julien Wantage, and niece of the
late Eustace Wantage, Esq., to Captain Thomas Fairing, of the Royal
Fusileers—"</p>
<p>Charley snatched at the top of the paper and read the date "Tenth of
February, 18-!" It was August when he was at the Cote Dorion, the 5th
August, 18-, and this paper was February 10th, 18-. He read on, in the
month-old paper, with every nerve in his body throbbing now: a fierce
beating that seemed as if it must burst the heart and the veins:</p>
<p>"—Captain Thomas Fairing, of the Royal Fusileers, whose career in
our midst has been marked by an honourable sense of public and private
duty. Our fellow-citizens will unite with us in congratulating the bride,
whose previous misfortunes have only increased the respect in which she is
held. If all remember the obscure death of her first husband (though the
body was not found, there has never been a doubt of his death), and the
subsequent discovery that he had embezzled trust-moneys to the extent of
twenty-five thousand dollars, thereby setting the final seal of shame upon
a misspent life, destined for brilliant and powerful uses, all have
conspired to forget the association of our beautiful and admired
townswoman with his career. It is painful to refer to these circumstances,
but it is only within the past few days that the estate of the misguided
man has been wound up, and the money he embezzled restored to its rightful
owners; and it is better to make these remarks now than repeat them in the
future, only to arouse painful memories in quarters where we should least
desire to wound.</p>
<p>"In her new life, blessed by a romantic devotion known and admired by all,
Mrs. Fairing and her husband will be followed by the affectionate good
wishes of the whole community."</p>
<p>The man on the hearth-stone shrank back at the sight of the still, white
face, in which the eyes were like sparks of fire. His impulse had been to
go over and offer the hand of sympathy to the stricken man, but his simple
mind grasped the fact that no one might, with impunity, invade this awful
quiet. Charley was frozen in body, but his brain was awake with the heat
of "a burning fiery furnace."</p>
<p>Seven months of unconscious life-seven months of silence—no sight,
no seeing, no knowing; seven months of oblivion, in which the world had
buried him out of ken in an unknown grave of infamy! Seven months—and
Kathleen was married again to the man she had always loved. To the world
he himself was a rogue and thief. Billy had remained silent—Billy,
whom he had so befriended, had let decent men heap scorn and reproaches on
his memory. Here was what the world thought of him—he read the lines
over again, his eyes scorching, but his finger steady, as it traced the
lines slowly: "the obscure death..." "embezzled trustmoneys..." "the final
seal of shame upon a misspent life!"</p>
<p>These were the epitaphs on the tombstone of Charley Steele; dead and
buried, out of sight, out of repute, soon to be out of mind and out of
memory, save as a warning to others—an old example raked out of the
dust-bin of time by the scavengers of morality, to toss at all who trod
the paths of dalliance.</p>
<p>What was there to do? Go back? Go back and knock at Kathleen's door,
another Enoch Arden, and say: "I have come to my own again?" Return and
tell Tom Fairing to go his way and show his face no more? Break up this
union, this marriage of love in which these two rejoiced? Summon Kathleen
out of her illegal intercourse with the man who had been true to her all
these years?</p>
<p>To what end? What had he ever done for her that he might destroy her now?
What sort of Spartan tragedy was this, that the woman who had been the
victim of circumstances, who had been the slave to a tie he never felt,
yet which had been as iron-bound to her, should now be brought out to be
mangled body and soul for no fault of her own? What had she done? What had
she ever done to give him right to touch so much as a hair of her head?</p>
<p>Go back, and bring Billy to justice, and clear his own name? Go back, and
send Kathleen's brother, the forger, to jail? What an achievement in
justice! Would not the world have a right to say that the only decent
thing he could do was to eliminate himself from the equation? What profit
for him in the great summing-up, that he was technically innocent of this
one thing, and that to establish his innocence he broke a woman's heart
and destroyed a boy's life? To what end! It was the murderer coming back
as a ghost to avenge himself for being hanged. Suppose he went back—the
death's-head at the feast—what would there be for himself
afterwards; for any one for whom he was responsible? Living at that price?</p>
<p>To die and end it all, to disappear from this petty life where he had done
so little, and that little ill? To die?</p>
<p>No. There was in him some deep, if obscure, fatalism after all. If he had
been meant to die now, why had he not gone to the bottom of the river that
yesterday at the Cote Dorion? Why had he been saved by this yokel at the
fire, and brought here to lie in oblivion in this mountain hut, wrapped in
silence and lost to the world? Why had his brain and senses lain fallow
all these months, a vacuous vegetation, an empty consciousness? Was it
fate? Did it not seem probable that the Great Machine had, in its
automatic movement, tossed him up again on the shores of Time because he
had not fallen on the trap-door predestined for his eternal exit?</p>
<p>It was clear to him that death by his own hand was futile, and that if
there were trap-doors set for him alone, it were well to wait until he
trod upon them and fell through in his appointed hour in the movement of
the Great Machine.</p>
<p>What to do—where to live—how to live?</p>
<p>He got slowly to his feet and took a step forward half blindly. The man on
the bench stirred. Crossing the room he dropped a hand on the man's
shoulder. "Open the blind, my friend."</p>
<p>Jo Portugais got to his feet quickly, eyes averted—he did not dare
look into Charley's face—and went over and drew back the deer-skin
blind. The clear, crisp sunlight of a frosty morning broke gladly into the
room. Charley turned and blew out the candle on the table where he had
eaten, then walked feebly to the window. Standing on the crest of the
mountain the hut looked down through a clearing, flanked by forest trees.</p>
<p>It was a goodly scene. The green and frosted foliage of the pines and
cedars; the flowery tracery of frost hanging like cobwebs everywhere; the
poudre sparkle in the air; the hills of silver and emerald sloping down to
the valley miles away, where the village clustered about the great old
parish church; the smoke from a hundred chimneys, in purple spirals,
rising straight up in the windless air; over all peace and a perfect
silence.</p>
<p>Charley mechanically fixed his eye-glass and stood with hands resting on
the window-sill, looking, looking out upon a new world.</p>
<p>At length he turned.</p>
<p>"Is there anything I can do for you, M'sieu'?" said Jo huskily.</p>
<p>Charley held out his hand and clasped Jo's. "Tell me about all these
months," he said.</p>
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