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<h2> 6. </h2>
<p>Now the group outside the window had within the last few minutes been
reinforced by new arrivals, some of them respectable shopkeepers and their
assistants, who had come out for a whiff of air after putting up the
shutters for the night; some of them of a lower class. Distinct from
either there appeared a stranger—a young man of remarkably pleasant
aspect—who carried in his hand a carpet-bag of the smart floral
pattern prevalent in such articles at that time.</p>
<p>He was ruddy and of a fair countenance, bright-eyed, and slight in build.
He might possibly have passed by without stopping at all, or at most for
half a minute to glance in at the scene, had not his advent coincided with
the discussion on corn and bread, in which event this history had never
been enacted. But the subject seemed to arrest him, and he whispered some
inquiries of the other bystanders, and remained listening.</p>
<p>When he heard Henchard's closing words, "It can't be done," he smiled
impulsively, drew out his pocketbook, and wrote down a few words by the
aid of the light in the window. He tore out the leaf, folded and directed
it, and seemed about to throw it in through the open sash upon the
dining-table; but, on second thoughts, edged himself through the
loiterers, till he reached the door of the hotel, where one of the waiters
who had been serving inside was now idly leaning against the doorpost.</p>
<p>"Give this to the Mayor at once," he said, handing in his hasty note.</p>
<p>Elizabeth-Jane had seen his movements and heard the words, which attracted
her both by their subject and by their accent—a strange one for
those parts. It was quaint and northerly.</p>
<p>The waiter took the note, while the young stranger continued—</p>
<p>"And can ye tell me of a respectable hotel that's a little more moderate
than this?"</p>
<p>The waiter glanced indifferently up and down the street.</p>
<p>"They say the Three Mariners, just below here, is a very good place," he
languidly answered; "but I have never stayed there myself."</p>
<p>The Scotchman, as he seemed to be, thanked him, and strolled on in the
direction of the Three Mariners aforesaid, apparently more concerned about
the question of an inn than about the fate of his note, now that the
momentary impulse of writing it was over. While he was disappearing slowly
down the street the waiter left the door, and Elizabeth-Jane saw with some
interest the note brought into the dining-room and handed to the Mayor.</p>
<p>Henchard looked at it carelessly, unfolded it with one hand, and glanced
it through. Thereupon it was curious to note an unexpected effect. The
nettled, clouded aspect which had held possession of his face since the
subject of his corn-dealings had been broached, changed itself into one of
arrested attention. He read the note slowly, and fell into thought, not
moody, but fitfully intense, as that of a man who has been captured by an
idea.</p>
<p>By this time toasts and speeches had given place to songs, the wheat
subject being quite forgotten. Men were putting their heads together in
twos and threes, telling good stories, with pantomimic laughter which
reached convulsive grimace. Some were beginning to look as if they did not
know how they had come there, what they had come for, or how they were
going to get home again; and provisionally sat on with a dazed smile.
Square-built men showed a tendency to become hunchbacks; men with a
dignified presence lost it in a curious obliquity of figure, in which
their features grew disarranged and one-sided, whilst the heads of a few
who had dined with extreme thoroughness were somehow sinking into their
shoulders, the corners of their mouth and eyes being bent upwards by the
subsidence. Only Henchard did not conform to these flexuous changes; he
remained stately and vertical, silently thinking.</p>
<p>The clock struck nine. Elizabeth-Jane turned to her companion. "The
evening is drawing on, mother," she said. "What do you propose to do?"</p>
<p>She was surprised to find how irresolute her mother had become. "We must
get a place to lie down in," she murmured. "I have seen—Mr.
Henchard; and that's all I wanted to do."</p>
<p>"That's enough for to-night, at any rate," Elizabeth-Jane replied
soothingly. "We can think to-morrow what is best to do about him. The
question now is—is it not?—how shall we find a lodging?"</p>
<p>As her mother did not reply Elizabeth-Jane's mind reverted to the words of
the waiter, that the Three Mariners was an inn of moderate charges. A
recommendation good for one person was probably good for another. "Let's
go where the young man has gone to," she said. "He is respectable. What do
you say?"</p>
<p>Her mother assented, and down the street they went.</p>
<p>In the meantime the Mayor's thoughtfulness, engendered by the note as
stated, continued to hold him in abstraction; till, whispering to his
neighbour to take his place, he found opportunity to leave the chair. This
was just after the departure of his wife and Elizabeth.</p>
<p>Outside the door of the assembly-room he saw the waiter, and beckoning to
him asked who had brought the note which had been handed in a quarter of
an hour before.</p>
<p>"A young man, sir—a sort of traveller. He was a Scotchman
seemingly."</p>
<p>"Did he say how he had got it?"</p>
<p>"He wrote it himself, sir, as he stood outside the window."</p>
<p>"Oh—wrote it himself....Is the young man in the hotel?"</p>
<p>"No, sir. He went to the Three Mariners, I believe."</p>
<p>The mayor walked up and down the vestibule of the hotel with his hands
under his coat tails, as if he were merely seeking a cooler atmosphere
than that of the room he had quitted. But there could be no doubt that he
was in reality still possessed to the full by the new idea, whatever that
might be. At length he went back to the door of the dining-room, paused,
and found that the songs, toasts, and conversation were proceeding quite
satisfactorily without his presence. The Corporation, private residents,
and major and minor tradesmen had, in fact, gone in for comforting
beverages to such an extent that they had quite forgotten, not only the
Mayor, but all those vast, political, religious, and social differences
which they felt necessary to maintain in the daytime, and which separated
them like iron grills. Seeing this the Mayor took his hat, and when the
waiter had helped him on with a thin holland overcoat, went out and stood
under the portico.</p>
<p>Very few persons were now in the street; and his eyes, by a sort of
attraction, turned and dwelt upon a spot about a hundred yards further
down. It was the house to which the writer of the note had gone—the
Three Mariners—whose two prominent Elizabethan gables, bow-window,
and passage-light could be seen from where he stood. Having kept his eyes
on it for a while he strolled in that direction.</p>
<p>This ancient house of accommodation for man and beast, now, unfortunately,
pulled down, was built of mellow sandstone, with mullioned windows of the
same material, markedly out of perpendicular from the settlement of
foundations. The bay window projecting into the street, whose interior was
so popular among the frequenters of the inn, was closed with shutters, in
each of which appeared a heart-shaped aperture, somewhat more attenuated
in the right and left ventricles than is seen in Nature. Inside these
illuminated holes, at a distance of about three inches, were ranged at
this hour, as every passer knew, the ruddy polls of Billy Wills the
glazier, Smart the shoemaker, Buzzford the general dealer, and others of a
secondary set of worthies, of a grade somewhat below that of the diners at
the King's Arms, each with his yard of clay.</p>
<p>A four-centred Tudor arch was over the entrance, and over the arch the
signboard, now visible in the rays of an opposite lamp. Hereon the
Mariners, who had been represented by the artist as persons of two
dimensions only—in other words, flat as a shadow—were standing
in a row in paralyzed attitudes. Being on the sunny side of the street the
three comrades had suffered largely from warping, splitting, fading, and
shrinkage, so that they were but a half-invisible film upon the reality of
the grain, and knots, and nails, which composed the signboard. As a matter
of fact, this state of things was not so much owing to Stannidge the
landlord's neglect, as from the lack of a painter in Casterbridge who
would undertake to reproduce the features of men so traditional.</p>
<p>A long, narrow, dimly-lit passage gave access to the inn, within which
passage the horses going to their stalls at the back, and the coming and
departing human guests, rubbed shoulders indiscriminately, the latter
running no slight risk of having their toes trodden upon by the animals.
The good stabling and the good ale of the Mariners, though somewhat
difficult to reach on account of there being but this narrow way to both,
were nevertheless perseveringly sought out by the sagacious old heads who
knew what was what in Casterbridge.</p>
<p>Henchard stood without the inn for a few instants; then lowering the
dignity of his presence as much as possible by buttoning the brown holland
coat over his shirt-front, and in other ways toning himself down to his
ordinary everyday appearance, he entered the inn door.</p>
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