<h2><SPAN name="GETTING_MARRIED" id="GETTING_MARRIED"></SPAN>GETTING MARRIED</h2>
<hr /><p><span class='pagenum'><SPAN name="Page_129" id="Page_129"></SPAN></span></p>
<h2>GETTING MARRIED</h2>
<h3 class="h3sm">I.—THE DAY</h3>
<p class="cap"><span class="dcap">Probably</span> you thought that getting married
was quite a simple business. So did I. We were
both wrong; it is the very dickens. Of course,
I am not going to draw back now. As I keep telling
Celia, her Ronald is a man of powerful fibre, and when
he says he will do a thing he does it—eventually.
She shall have her wedding all right; I have sworn
it. But I do wish that there weren't so many things
to be arranged first.</p>
<p>The fact that we had to fix a day was broken to me
one afternoon when Celia was showing me to some
relatives of hers in the Addison Road. I got entangled
with an elderly cousin on the hearth-rug; and though
I know nothing about motor-bicycles I talked about
them for several hours under the impression that they
were his subject. It turned out afterwards that he
was equally ignorant of them, but thought they were
mine. Perhaps we shall get on better at a second
meeting. However, just when we were both thoroughly
sick of each other, Celia broke off her gay chat with
an aunt to say to me:</p>
<p>"By the way, Ronald, we did settle on the eleventh,
didn't we?"</p>
<p>I looked at her blankly, my mind naturally full of
motor-bicycles.</p>
<p>"The wedding," smiled Celia.</p>
<p>"Right-o," I said with enthusiasm. I was glad to
be assured that I should not go on talking about motor-bicycles<span class='pagenum'><SPAN name="Page_130" id="Page_130"></SPAN></span>
for ever, and that on the eleventh, anyhow,
there would be a short interruption for the ceremony.
Feeling almost friendly to the cousin, I plunged into
his favourite subject again.</p>
<p>On the way home Celia returned to the matter.</p>
<p>"Or you would rather it was the twelfth?" she
asked.</p>
<p>"I've never heard a word about this before," I
said. "It all comes as a surprise to me."</p>
<p>"Why, I'm <i>always</i> asking you."</p>
<p>"Well, it's very forward of you, and I don't know
what young people are coming to nowadays. Celia,
what's the <i>good</i> of my talking to your cousin for three
hours about motor-bicycling? Surely one can get
married just as well without that?"</p>
<p>"One can't get married without settling the day,"
said Celia, coming cleverly back to the point.</p>
<p>Well, I suppose one can't. But somehow I had
expected to be spared all this bother. I think my
idea was that Celia would say to me suddenly one
evening, "By the way, Ronald, don't forget we're
being married to-morrow," and I should have said
"Where?" And on being told the time and place,
I should have turned up pretty punctually; and after
my best man had told me where to stand, and the
clergyman had told me what to say, and my solicitor
had told me where to sign my name, we should have
driven from the church a happy married couple ... and
in the carriage Celia would have told me where
we were spending the honeymoon.</p>
<p>However, it was not to be so.</p>
<p>"All right, the eleventh," I said. "Any particular
month?"</p>
<p>"No," smiled Celia, "just any month. Or, if you
like, every month."</p>
<p>"The eleventh of June," I surmised. "It is
probably the one day in the year on which my Uncle<span class='pagenum'><SPAN name="Page_131" id="Page_131"></SPAN></span>
Thomas cannot come. But no matter. The eleventh
let it be."</p>
<p>"Then that's settled. And at St. Miriam's?"</p>
<p>For some reason Celia has set her heart on St.
Miriam's. Personally I have no feeling about it.
St. Andrew's-by-the-Wardrobe or St. Bartholomew's-Without
would suit me equally well.</p>
<p>"All right," I said, "St. Miriam's."</p>
<p>There, you might suppose, the matter would have
ended; but no.</p>
<p>"Then you will see about it to-morrow?" said
Celia persuasively.</p>
<p>I was appalled at the idea.</p>
<p>"Surely," I said, "this is for you, or your father, or—or
somebody to arrange."</p>
<p>"Of <i>course</i> it's for the bridegroom," protested Celia.</p>
<p>"In theory, perhaps. But anyhow not the bridegroom
personally. His best man ... or his solicitor ... or ... I
mean, you're not suggesting that I
myself—— Oh, well, if you insist. Still, I must say
I don't see what's the good of having a best man <i>and</i>
a solicitor if—— Oh, all right, Celia, I'll go to-morrow."</p>
<p>So I went. For half an hour I padded round St.
Miriam's nervously, and then summoning up all my
courage, I knocked my pipe out and entered.</p>
<p>"I want," I said jauntily to a sexton or a sacristan
or something—"I want—er—a wedding." And I
added, "For two."</p>
<p>He didn't seem as nervous as I was. He enquired
quite calmly when I wanted it.</p>
<p>"The eleventh of June," I said. "It's probably the
one day in the year on which my Uncle Thomas—— However,
that wouldn't interest you. The point is
that it's the eleventh."</p>
<p>The clerk consulted his wedding-book. Then he
made the surprising announcement that the only day<span class='pagenum'><SPAN name="Page_132" id="Page_132"></SPAN></span>
he could offer me in June was the seventeenth. I was
amazed.</p>
<p>"I am a very old customer," I said reproachfully.
"I mean, I have often been to your church in my time.
Surely——"</p>
<p>"We've weddings fixed on all the other days."</p>
<p>"Yes, yes, but you could persuade somebody to
change his day, couldn't you? Or if he is very much
set on being married on the eleventh you might recommend
some other church to him. I daresay you know
of some good ones. You see, Celia—my—that is, we're
particularly keen, for some reason, on St. Miriam's."</p>
<p>The clerk didn't appreciate my suggestion. He insisted
that the seventeenth was the only day.</p>
<p>"Then will you have the seventeenth?" he asked.</p>
<p>"My dear fellow, I can't possibly say off-hand," I
protested. "I am not alone in this. I have a friend
with me. I will go back and tell her what you say.
She may decide to withdraw her offer altogether."</p>
<p>I went back and told Celia.</p>
<p>"Bother," she said. "What shall we do?"</p>
<p>"There are other churches. There's your own, for
example."</p>
<p>"Yes, but you know I don't like that. Why
<i>shouldn't</i> we be married on the seventeenth?"</p>
<p>"I don't know at all. It seems an excellent day;
it lets in my Uncle Thomas. Of course, it may exclude
my Uncle William, but one can't have everything."</p>
<p>"Then will you go and fix it for the seventeenth
to-morrow?"</p>
<p>"Can't I send my solicitor this time?" I asked.
"Of course, if you particularly want me to go myself,
I will. But really, dear, I seem to be living at St.
Miriam's nowadays."</p>
<p>And even that wasn't the end of the business. For,
just as I was leaving her, Celia broke it to me that St.
Miriam's was neither in her parish nor in mine, and<span class='pagenum'><SPAN name="Page_133" id="Page_133"></SPAN></span>
that, in order to qualify as a bridegroom, I should have
to hire a room somewhere near.</p>
<p>"But I am very comfortable where I am," I assured
her.</p>
<p>"You needn't live there, Ronald. You only want
to leave a hat there, you know."</p>
<p>"Oh, very well," I sighed.</p>
<p>She came to the hall with me; and, having said
good-bye to her, I repeated my lesson.</p>
<p>"The seventeenth, fix it up to-morrow, take a room
near St. Miriam's, and leave a hat there. Good-bye."</p>
<p>"Good-bye.... And oh, Ronald!" She looked
at me critically as I stood in the doorway. "You
might leave <i>that</i> one," she said.</p>
<p><span class='pagenum'><SPAN name="Page_134" id="Page_134"></SPAN></span></p>
<h3 class="h3sm">II.—FURNISHING</h3>
<p>"<span class="smcap">By</span> the way," said Celia suddenly, "what have you
done about the fixtures?"</p>
<p>"Nothing," I replied truthfully.</p>
<p>"Well, we must do <i>something</i> about them."</p>
<p>"Yes. My solicitor—he shall do something about
them. Don't let's talk about them now. I've only
got three hours more with you, and then I must dash
back to my work."</p>
<p>I must say that any mention of fixtures has always
bored me intensely. When it was a matter of getting
a house to live in I was all energy. As soon as Celia
had found it, I put my solicitor on to it; and within a
month I had signed my name in two places, and was
the owner of a highly residential flat in the best part of
the neighbourhood. But my effort so exhausted me
that I have felt utterly unable since to cope with the
question of the curtain-rod in the bathroom or whatever
it is that Celia means by fixtures. These things
will arrange themselves somehow, I feel confident.</p>
<p>Meanwhile the decorators are hard at work. A thrill
of pride inflates me when I think of the decorators at
work. I don't know how they got there; I suppose
I must have ordered them. Celia says that <i>she</i> ordered
them and chose all the papers herself, and that all I
did was to say that the papers she had chosen were
very pretty; but this doesn't sound like me in the
least. I am convinced that I was the man of action
when it came to ordering decorators.</p>
<p>"And now," said Celia one day, "we can go and
choose the electric-light fittings."<span class='pagenum'><SPAN name="Page_135" id="Page_135"></SPAN></span></p>
<p>"Celia," I said in admiration, "you're a wonderful
person. I should have forgotten all about them."</p>
<p>"Why, they're about the most important thing in
the flat."</p>
<p>"Somehow I never regarded anybody as choosing
them. I thought they just grew in the wall. From
bulbs."</p>
<p>When we got into the shop Celia became businesslike
at once.</p>
<p>"We'd better start with the hall," she told the man.</p>
<p>"Everybody else will have to," I said, "so we may
as well."</p>
<p>"What sort of a light did you want there?" he
asked.</p>
<p>"A strong one," I said; "so as to be able to watch
our guests carefully when they pass the umbrella-stand."</p>
<p>Celia waved me away and explained that we wanted
a hanging lantern. It appeared that this shop made
a speciality not so much of the voltage as of the lamps
enclosing it.</p>
<p>"How do you like that?" asked the man, pointing
to a magnificent affair in brass. He wandered off to a
switch, and turned it on.</p>
<p>"Dare you ask him the price?" I asked Celia. "It
looks to me about a thousand pounds. If it is, say
that you don't like the style. Don't let him think we
can't afford it."</p>
<p>"Yes," said Celia, in a careless sort of way. "I'm
not sure that I care about that. How much is it?"</p>
<p>"Two pounds."</p>
<p>I was not going to show my relief. "Without the
light, of course?" I said disparagingly.</p>
<p>"How do you think it would look in the hall?"
said Celia to me.</p>
<p>"I think our guests would be encouraged to proceed.
They'd see that we were pretty good people."<span class='pagenum'><SPAN name="Page_136" id="Page_136"></SPAN></span></p>
<p>"I don't like it. It's too ornate."</p>
<p>"Then show us something less ornate," I told the
man sternly.</p>
<p>He showed us things less ornate. At the end of an
hour Celia said she thought we'd better get on to
another room, and come back to the hall afterwards.
We decided to proceed to the drawing-room.</p>
<p>"We must go all out over these," said Celia; "I
want these to be really beautiful."</p>
<p>At the end of another hour Celia said she thought
we'd better get on to my workroom. My workroom,
as the name implies, is the room to which I am to
retire when I want complete quiet. Sometimes I shall
go there after lunch ... and have it.</p>
<p>"We can come back to the drawing-room afterwards,"
she said. "It's really very important that we
should get the right ones for that. Your room won't
be so difficult, but, of course, you must have awfully
nice ones."</p>
<p>I looked at my watch.</p>
<p>"It's a quarter to one," I said. "At 2.15 on the
seventeenth of June we are due at St. Miriam's. If you
think we shall have bought anything by then, let's go
on. If, as seems to me, there is no hope at all, then
let's have lunch to-day anyhow. After lunch we may
be able to find some way out of the <i>impasse</i>."</p>
<p>After lunch I had an idea.</p>
<p>"This afternoon," I said, "we will begin to get some
furniture together."</p>
<p>"But what about the electric fittings? We must
finish off those."</p>
<p>"This is an experiment. I want to see if we can
buy a chest of drawers. It may just be our day
for it."</p>
<p>"And we settle the fittings to-morrow. Yes?"</p>
<p>"I don't know. We may not want them. It all
depends on whether we can buy a chest of drawers<span class='pagenum'><SPAN name="Page_137" id="Page_137"></SPAN></span>
this afternoon. If we can't, then I don't see how we
can ever be married on the seventeenth of June. Somebody's
got to be, because I've engaged the church. The
question is whether it's going to be us. Let's go and buy
a chest of drawers this afternoon, and see."</p>
<p>The old gentleman in the little shop Celia knew of
was delighted to see us.</p>
<p>"Chestesses? Ah, you <i>'ave</i> come to the right place."
He led the way into the depths. "There now. There's
a chest—real old, that is." He gave it a hearty smack.
"You don't see a chest like that nowadays. They
can't <i>make</i> 'em. Three pound ten. You couldn't have
got that to-morrer. I'd have sold it for four pound
to-morrer."</p>
<p>"I knew it was our day," I said.</p>
<p>"Real old, that is. Spanish me'ogany, all oak lined.
That's right, sir, pull the drawers out and see for yourself.
Let the lady see. There's no imitation there,
lady. A real old chest, that is. Come in 'ere in a week
and you'd have to pay five pounds for it. Me'ogany's
going up, you see, that's how."</p>
<p>"Well?" I said to Celia.</p>
<p>"It's perfectly sweet. Hadn't we better see some
more?"</p>
<p>We saw two more. Both of them Spanish me'ogany,
oak lined, pull-the-drawers-out-and-see-for-yourself-lady.
Half an hour passed rapidly.</p>
<p>"Well?" I said.</p>
<p>"I really don't know which I like best. Which do
you?"</p>
<p>"The first; it's nearer the door."</p>
<p>"There's another shop just over the way. We'd
better just look there too, and then we can come back
to decide to-morrow."</p>
<p>We went out. I glanced at my watch. It was 3.30,
and we were being married at 2.15 on the seventeenth
of June.<span class='pagenum'><SPAN name="Page_138" id="Page_138"></SPAN></span></p>
<p>"Wait a moment," I said, "I've forgotten my
gloves."</p>
<p>I may be a slow starter, but I am very firm when
roused. I went into the shop, wrote a cheque for the
three chests of drawers, and told the man where to send
them. When I returned, Celia was at the shop opposite,
pulling the drawers out of a real old mahogany chest
which was standing on the pavement outside.</p>
<p>"This is even better," she said. "It's perfectly
adorable. I wonder if it's more expensive."</p>
<p>"I'll just ask," I said.</p>
<p>I went in and, without an unnecessary word, bought
that chest too. Then I came back to Celia. It was
3.45, and on the seventeenth of June at 2.15—— Well,
we had four chests of drawers towards it.</p>
<p>"Celia," I said, "we may just do it yet."</p>
<p><span class='pagenum'><SPAN name="Page_139" id="Page_139"></SPAN></span></p>
<h3 class="h3sm">III.—THE HONEYMOON</h3>
<p>"<span class="smcap">I know</span> I oughtn't to be dallying here," I said; "I
ought to be doing something strenuous in preparation
for the wedding. Counting the bells at St. Miriam's,
or varnishing the floors in the flat, or—— Tell me
what I ought to be doing, Celia, and I'll go on not
doing it for a bit."</p>
<p>"There's the honeymoon," said Celia.</p>
<p>"I knew there was something."</p>
<p>"Do tell me what you're doing about it?"</p>
<p>"Thinking about it."</p>
<p>"You haven't written to any one about rooms yet?"</p>
<p>"Celia," I said reproachfully, "you seem to have
forgotten why I am marrying you."</p>
<p>When Celia was browbeaten into her present engagement,
she said frankly that she was only consenting
to marry me because of my pianola, which she had
always coveted. In return I pointed out that I was
only asking her to marry me because I wanted somebody
to write my letters. There opened before me, in
that glad moment, a vista of invitations and accounts-rendered
all answered promptly by Celia, instead of
put off till next month by me. It was a wonderful
vision to one who (very properly) detests letter-writing.
And yet, here she was, even before the ceremony,
expecting me to enter into a deliberate correspondence
with all sorts of strange people who as yet had not
come into my life at all. It was too much.</p>
<p>"We will get," I said, "your father to write some
letters for us."</p>
<p>"But what's he got to do with it?"<span class='pagenum'><SPAN name="Page_140" id="Page_140"></SPAN></span></p>
<p>"I don't want to complain of your father, Celia, but
it seems to me that he is not doing his fair share. There
ought to be a certain give-and-take in the matter. <i>I</i>
find you a nice church to be married in—good. <i>He</i>
finds you a nice place to honeymoon in—excellent.
After all, you are still his daughter."</p>
<p>"All right," said Celia, "I'll ask father to do it.
'Dear Mrs. Bunn, my little boy wants to spend his
holidays with you in June. I am writing to ask you
if you will take care of him and see that he doesn't
do anything dangerous. He has a nice disposition,
but wants watching.'" She patted my head gently.
"Something like that."</p>
<p>I got up and went to the writing-desk.</p>
<p>"I can see I shall have to do it myself," I sighed.
"Give me the address and I'll begin."</p>
<p>"But we haven't quite settled where we're going
yet, have we?"</p>
<p>I put the pen down thankfully and went back to
the sofa.</p>
<p>"Good! Then I needn't write to-day, anyhow. It
is wonderful, dear, how difficulties roll away when you
face them. Almost at once we arrive at the conclusion
that I needn't write to-day. Splendid! Well, where
shall we go? This will want a lot of thought. Perhaps,"
I added, "I needn't write to-morrow."</p>
<p>"We had almost fixed on England, hadn't we?"</p>
<p>"Somebody was telling me that Lynton was very
beautiful. I should like to go to Lynton."</p>
<p>"But <i>every one</i> goes to Lynton for their honeymoon."</p>
<p>"Then let's be original and go to Birmingham.
'The happy couple left for Birmingham, where the
honeymoon will be spent.' Sensation."</p>
<p>"'The bride left the train at Ealing.' More sensation."</p>
<p>"I think the great thing," I said, trying to be<span class='pagenum'><SPAN name="Page_141" id="Page_141"></SPAN></span>
businesslike, "is to fix the county first. If we fixed on
Rutland, then the rest would probably be easy."</p>
<p>"The great thing," said Celia, "is to decide what
we want. Sea, or river, or mountains, or—or golf."</p>
<p>At the word golf I coughed and looked out of the
window.</p>
<p>Now I am very fond of Celia—I mean of golf, and—what
I really mean, of course, is that I am very fond
of both of them. But I do think that on a honeymoon
Celia should come first. After all, I shall have plenty
of other holidays for golf ... although, of course,
three weeks in the summer without any golf at all—— Still,
I think Celia should come first.</p>
<p>"Our trouble," I said to her, "is that neither of us
has ever been on a honeymoon before, and so we've
no idea what it will be like. After all, why should we
get bored with each other? Surely we don't depend
on golf to amuse us?"</p>
<p>"All the same, I think your golf <i>would</i> amuse me,"
said Celia. "Besides, I want you to be as happy as
you possibly can be."</p>
<p>"Yes, but supposing I was slicing my drives all the
time, I should be miserable. I should be torn between
the desire to go back to London and have a lesson with
the professional and the desire to stay on honeymooning
with you. One can't be happy in a quandary like
that."</p>
<p>"Very well then, no golf. Settled?"</p>
<p>"Quite. Now then, let's decide about the scenery.
What sort of soil do you prefer?"</p>
<p>When I left Celia that day we had agreed on this
much: that we wouldn't bother about golf, and that
the mountains, rivers, valleys, and so on should be left
entirely to nature. All we were to enquire for was (in
the words of an advertisement Celia had seen) "a
perfect spot for a honeymoon."</p>
<p>In the course of the next day I heard of seven spots;<span class='pagenum'><SPAN name="Page_142" id="Page_142"></SPAN></span>
varying from a spot in Surrey "dotted with firs," to a
dot in the Pacific spotted with—I forget what, natives
probably. Taken together they were the seven only
possible spots for a honeymoon.</p>
<p>"We shall have to have seven honeymoons," I said
to Celia when I had told her my news. "One honeymoon,
one spot."</p>
<p>"Wait," she said. "I have heard of an ideal
spot."</p>
<p>"Speaking as a spot expert, I don't think that's
necessarily better than an only possible spot," I
objected. "Still, tell me about it."</p>
<p>"Well, to begin with, it's close to the sea."</p>
<p>"So we can bathe when we're bored. Good."</p>
<p>"And it's got a river, if you want to fish——"</p>
<p>"I don't. I should hate to catch a fish who was
perhaps on his honeymoon too. Still, I like the idea
of a river."</p>
<p>"And quite a good mountain, and lovely walks,
and, in fact, everything. Except a picture-palace,
luckily."</p>
<p>"It sounds all right," I said doubtfully. "We
might just spend the next day or two thinking about
my seven spots, and then I might ... possibly ...
feel strong enough to write."</p>
<p>"Oh, I nearly forgot. I <i>have</i> written, Ronald."</p>
<p>"You have?" I cried. "Then, my dear, what else
matters? It's a perfect spot." I lay back in relief.
"And there, thank 'evings, is another thing settled.
Bless you."</p>
<p>"Yes. And, by the way, there <i>is</i> golf quite close too.
But that," she smiled, "needn't prevent us going
there."</p>
<p>"Of course not. We shall just ignore the course."</p>
<p>"Perhaps, so as to be on the safe side, you'd better
leave your clubs behind."</p>
<p>"Perhaps I'd better," I said carelessly.<span class='pagenum'><SPAN name="Page_143" id="Page_143"></SPAN></span></p>
<p>All the same I don't think I will. One never knows
what may happen ... and at the outset of one's
matrimonial career to have to go to the expense of an
entirely new set of clubs would be a most regrettable
business.</p>
<p><span class='pagenum'><SPAN name="Page_144" id="Page_144"></SPAN></span></p>
<h3 class="h3sm">IV.—SEASONABLE PRESENTS</h3>
<p>"<span class="smcap">I suppose</span>," I said, "it's too late to cancel this
wedding now?"</p>
<p>"Well," said Celia, "the invitations are out, and
the presents are pouring in, and mother's just ordered
the most melting dress for herself that you ever saw.
Besides, who's to live in the flat if we don't?"</p>
<p>"There's a good deal in what you say. Still, I am
alarmed, seriously alarmed. Look here." I drew out
a printed slip and flourished it before her.</p>
<p>"Not a writ? My poor Ronald!"</p>
<p>"Worse than that. This is the St. Miriam's bill of
fare for weddings. Celia, I had no idea marriage was
so expensive. I thought one rolled-gold ring would
practically see it."</p>
<p>It was a formidable document. Starting with "full
choir and organ" which came to a million pounds, and
working down through "boys' voices only," and "red
carpet" to "policemen for controlling traffic—per
policeman, 5s.," it included altogether some two dozen
ways of disposing of my savings.</p>
<p>"If we have the whole <i>menu</i>," I said, "I shall be
ruined. You wouldn't like to have a ruined
husband."</p>
<p>Celia took the list and went through it carefully.</p>
<p>"I might say 'Season,'" I suggested, "or 'Press.'"</p>
<p>"Well, to begin with," said Celia, "we needn't have
a full choir."</p>
<p>"Need we have an organ or a choir at all? In
thanking people for their kind presents you might add,
'By the way, do you sing?' Then we could arrange<span class='pagenum'><SPAN name="Page_145" id="Page_145"></SPAN></span>
to have all the warblers in the front. My best man or
my solicitor could give the note."</p>
<p>"Boys' voices only," decided Celia. "Then what
about bells?"</p>
<p>"I should like some nice bells. If the price is 'per
bell' we might give an order for five good ones."</p>
<p>"Let's do without bells. You see, they don't begin
to ring till we've left the church, so they won't be any
good to <i>us</i>."</p>
<p>This seemed to me an extraordinary line to take.</p>
<p>"My dear child," I remonstrated, "the whole thing
is being got up not for ourselves, but for our guests.
We shall be much too preoccupied to appreciate any
of the good things we provide—the texture of the red
carpet or the quality of the singing. I dreamt last
night that I quite forgot about the wedding-ring till
1.30 on the actual day, and the only cab I could find
to take me to a jeweller's was drawn by a camel. Of
course, it may not turn out to be as bad as that, but it
will certainly be an anxious afternoon for both of us.
And so we must consider the entertainment entirely
from the point of view of our guests. Whether their
craving is for champagne or bells, it must be satisfied."</p>
<p>"I'm sure they'll be better without bells. Because
when the policemen call out 'Mr. Spifkins' carriage,'
Mr. Spifkins mightn't hear if there were a lot of bells
clashing about."</p>
<p>"Very well, no bells. But, mind you," I said sternly,
"I shall insist on a clergyman."</p>
<p>We went through the rest of the <i>menu</i>, course by course.</p>
<p>"I know what I shall do," I said at last. "I shall
call on my friend the Clerk again, and I shall speak to
him quite frankly. I shall say, 'Here is a cheque for a
thousand pounds. It is all I can afford—and, by the
way, you'd better pay it in quickly or it will be dishonoured.
Can you do us up a nice wedding for a
thousand inclusive?'"<span class='pagenum'><SPAN name="Page_146" id="Page_146"></SPAN></span></p>
<p>"Like the Christmas hampers at the stores."</p>
<p>"Exactly. A dozen boys' voices, a half-dozen of
bells, ten yards of awning, and twenty-four oranges,
or vergers, or whatever it is. We ought to get a nice
parcel for a thousand pounds."</p>
<p>"Or," said Celia, "we might send the list round to
our friends as suggestions for wedding presents. I'm
sure Jane would love to give us a couple of policemen."</p>
<p>"We'd much better leave the whole thing to your
father. I incline more and more to the opinion that
it is <i>his</i> business to provide the wedding. I must ask
my solicitor about it."</p>
<p>"He's providing the bride."</p>
<p>"Yes, but I think he might go further. I can't help
feeling that the bells would come very well from him.
'Bride's father to bridegroom—A peal of bells.'
People would think it was something in silver for the
hall. It would do him a lot of good in business circles."</p>
<p>"And that reminds me," smiled Celia, "there's been
some talk about a present from Miss Popley."</p>
<p>I have come to the conclusion that it is impossible
to get married decently unless one's life is ordered on
some sort of system. Mine never has been; and the
result is that I make terrible mistakes—particularly in
the case of Miss Popley. At the beginning of the business,
when the news got round to Miss Popley, I received
from her a sweet letter of congratulation.
Knowing that she was rather particular in these
matters I braced myself up and thanked her heartily
by return of post. Three days later, when looking for
a cheque I had lost, I accidentally came across her
letter. "Help, help!" I cried. "This came days ago,
and I haven't answered yet." I sat down at once and
thanked her enthusiastically. Another week passed
and I began to feel that I must really make an effort
to catch my correspondence up; so I got out all my
letters of congratulation of the last ten days and<span class='pagenum'><SPAN name="Page_147" id="Page_147"></SPAN></span>
devoted an afternoon to answering them. I used much
the same form of thanks in all of them ... with the
exception of Miss Popley's, which was phrased particularly
warmly.</p>
<p>So much for that. But Miss Popley is Celia's dear
friend also. When I made out my list of guests I included
Miss Popley; so, in her list, did Celia. The
result was that Miss Popley received two invitations
to the wedding.... Sometimes I fear she must think
we are pursuing her.</p>
<p>"What does she say about a present?" I asked.</p>
<p>"She wants us to tell her what we want."</p>
<p>"What <i>are</i> we to say? If we said an elephant——"</p>
<p>"With a small card tied on to his ear, and 'Best
wishes from Miss Popley' on it. It would look heavenly
among the other presents."</p>
<p>"You see what I mean, Celia. Are we to suggest
something worth a thousand pounds, or something
worth ninepence? It's awfully kind of her, but it
makes it jolly difficult for us."</p>
<p>"Something that might cost anything from ninepence
to a thousand pounds," suggested Celia.</p>
<p>"Then that washes out the elephant."</p>
<p>"Can't you get the ninepenny ones now?"</p>
<p>"I suppose," I said, reverting to the subject which
most weighed on me, "she wouldn't like to give the
men's voices for the choir?"</p>
<p>"No, I think a clock," said Celia. "A clock can
cost anything you like—or don't like."</p>
<p>"Right-o. And perhaps we'd better settle now.
When it comes, how many times shall we write and
thank her for it?"</p>
<p>Celia considered. "Four times, I think," she said.</p>
<hr class="min" />
<p>Well, as Celia says, it's too late to draw back now.
But I shall be glad when it's all over. As I began by<span class='pagenum'><SPAN name="Page_148" id="Page_148"></SPAN></span>
saying, there's too much "arranging" and "settling"
and "fixing" about the thing for me. In the necessary
negotiations and preparations I fear I have not shone.
And so I shall be truly glad when we have settled down
in our flat ... and Celia can restore my confidence
in myself once more by talking loudly to her domestic
staff about "The Master."</p>
<hr /><p><span class='pagenum'><SPAN name="Page_149" id="Page_149"></SPAN></span></p>
<div style="break-after:column;"></div><br />