<h3>TARQUINIA MOLZA.</h3>
<p><span class="pagenum"><SPAN name="Page_114" id="Page_114"></SPAN></span></p>
<p class="heading">[1600.]<br/>
HILARION DE COSTE.</p>
<p><ANTIMG src="images/ic.jpg" alt="C" width-obs="69" height-obs="66" class="floatl" />AMILLAS
Molza, Knight of the Order of St James in Spain, who was son of
the great Frances Maria Molza of Modena, orator and excellent poet,
having remarked from her early years the bounty and excellence of her
spirit, sent her with her brothers to learn the principles of grammar.
John Politian, a native of Modena, very learned in all the sciences,
very virtuous, and of holy life, became her master. She apprehended also
the humane letters, learned to write well, and to compose correctly,
under the care of Lazarus Labadini, a celebrated grammarian of the time,
reducing his instruction to practice in elegant compositions in prose
and verse. She became well versed in the rhetoric of Aristotle under
Camillus Corcapini. The mathematician Antonio Guarini taught her the
knowledge of the sphere. She became intimately acquainted with poetry
under the famous philosopher Patricio, with logic and general philosophy
under P. Latoni, and also attained to an entire and perfect knowledge of
the Greek tongue. Rabi Abraham taught her the principles of the Hebrew
language, as her uncle had taught her before; the consequence of all
which was that, with her inclination to study so well observed by these
great men, she made such notable progress, that it became easy for her
<span class="pagenum"><SPAN name="Page_115" id="Page_115"></SPAN></span>
to solve the most subtle questions in theology.</p>
<p>Nor did she stop here. John Maria Barbier, a man of great knowledge and
judgment, introduced her to the refinements of the Tuscan language, in
which she not only composed many elegant verses, but also many letters
and other works, much esteemed by the most accomplished and learned men
of Italy. With her more peculiar inventions, she mixed up a quantity of
translations of Greek and Latin works, in which she expressed so happily
and properly the thoughts of the authors, that she reduced the reader to
doubt whether she had not a better knowledge of these languages than of
her own. She afterwards applied herself to music, to entertain her and
divert her from more serious studies, and soon surpassed all the dames
who had been in use to sing with great applause, and to ravish the ears
with admiration. She acquired the conduct of her voice by the true rules
of books of the best authors, of whom many had the ambition to show her
something rare; and, while playing on instruments, she could join her
voice with such address and science as could not be equalled. And so
much did she excel in this, that Alfonso, the second Duke of Ferrara, a
judicious prince, and who had an extreme passion for all fair and good
things, was ravished with admiration, having found more of the
marvellous in this dame than he had looked for. A little afterwards she
instituted the celebrated concert of dames, who did her so much honour,
that they always called her into their company, that, by her presence,
she might perfect the choir she had formed.</p>
<p>[Having lost her husband, says Bayle, this admirable woman, though left
without children and still young, wished to remain unmarried; while her
grief was so remarkable, that she might have been compared to
<span class="pagenum"><SPAN name="Page_116" id="Page_116"></SPAN></span>
Artemisia. She was by the senate and Roman people honoured with the
title of Incomparable, and invested by patent with the right of a Roman
citizen,—a privilege extended to the whole house of Molza.]</p>
<div class="figcenter p4">
<ANTIMG src="images/i020.jpg" width-obs="191" height-obs="163" alt="Decoration" /></div>
<div class="figcenter p6">
<ANTIMG src="images/i119.jpg" width-obs="400" height-obs="631" alt="Queen Mary" />
<p class="caption">From a Painting at S<sup>t</sup>. James's. 1580.</p>
</div>
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