<h3>ANNE KILLIGREW.</h3>
<p><span class="pagenum"><SPAN name="Page_169" id="Page_169"></SPAN></span></p>
<p class="heading">[BORN 1660. DIED 1685.]<br/>
BALLARD.</p>
<p><ANTIMG src="images/it.jpg" alt="T" width-obs="78" height-obs="72" class="floatl" />HE
daughter of Dr Henry Killigrew, prebendary of Westminster, became
eminent in the arts of poetry and painting; and had it pleased
Providence to protract her life, she might probably have excelled most
of the professors in both. She was the Orinda of Mr Dryden, who seems
quite lavish in her commendation; but as we are assured by a writer of
great probity [Wood's "Athen�"] that she was equal to, if not superior
to that praise, let him be my voucher for her skill in poetry.</p>
<div class="poem">
<p class="o1">"Art she had none, yet wanted none,</p>
<p class="i1">For Nature did that want supply;</p>
<p>So rich in treasures of her own,</p>
<p class="i1">She might our boasted stores defy;</p>
<p>Such noble vigour did her verse adorn,</p>
<p>That it seemed borrowed where 'twas only born."</p>
</div>
<p>The great poet is pleased to attribute to her every excellence in that
science; but if she has failed of some of its excellences, still should
we have great reason to commend her for having avoided those faults by
which some have derived a reflection on the science itself, as well as
on themselves. Speaking of the purity and charity of her compositions,
he bestows on them this commendation,—
<span class="pagenum"><SPAN name="Page_170" id="Page_170"></SPAN></span></p>
<div class="poem">
<p class="o1">"Her Arethusian stream remains unsoiled,</p>
<p>Unmixed with foreign filth, and undefiled;</p>
<p>Her wit was more than man, her innocence a child."</p>
</div>
<p>She was also a great proficient in the art of painting, and drew King
James II. and his queen, which pieces are highly applauded by Mr Dryden.
These engaging and polite accomplishments were the least of her
perfections, for she crowned all with an exemplary piety towards God in
a due observance of the duties of religion, which she began to practise
in the early part of her life. But as her uncommon virtues are
enumerated on her monument-inscription, I shall only observe that she
was one of the maids of honour to the Duchess of York, and that she died
of the small-pox in the flower of her age, to the unspeakable grief of
her relations and all others who were acquainted with her excellences,
in her father's lodgings, within the cloister of Westminster Abbey, on
the 16th day of June 1685, in her twenty-fifth year.</p>
<p>Mr Dryden's muse put on the mourning habit on this sad occasion, and
lamented the death of our ingenious poetess in very moving strains, in a
long ode, from whence I shall take the liberty of transcribing the
eighth stanza; and the rather as it does honour to another female
character.<span class="pagenum"><SPAN name="Page_171" id="Page_171"></SPAN></span></p>
<div class="poem">
<p class="o1">"Now all those charms that blooming grace</p>
<p>The well-proportioned shape and beauteous face,</p>
<p>Shall never more be seen by mortal eyes;</p>
<p>In earth the much-lamented virgin lies!</p>
<p>Not wit nor poetry could fate prevent,</p>
<p>Nor was the cruel destiny content</p>
<p>To finish all the murder at a blow,</p>
<p>To sweep at once her life and beauty too;</p>
<p>But, like a hardened felon, took a pride,</p>
<p>To work more mischievously slow,</p>
<p>And plundered first, and then destroyed.</p>
<p>O, double sacrifice, as things divine,</p>
<p>To rob the relique and deface the shrine!</p>
<p>But thus Orinda died:</p>
<p>Heaven by the same disease did both translate;</p>
<p>As equal were their souls, so equal was their fate."</p>
</div>
<div class="figcenter p4">
<ANTIMG src="images/i020.jpg" width-obs="191" height-obs="163" alt="Decoration" /></div>
<div class="figcenter p6">
<ANTIMG src="images/i180.jpg" width-obs="441" height-obs="683" alt="Queen Anne" />
<p class="caption">Painted by Gole</p>
</div>
<div style="break-after:column;"></div><br />