<h3>MRS GRANT.</h3>
<p><span class="pagenum"><SPAN name="Page_256" id="Page_256"></SPAN></span></p>
<p class="heading">[BORN 1755. DIED 1838.]<br/>
PROFESSOR CRAIK.</p>
<p><ANTIMG src="images/it.jpg" alt="T" width-obs="78" height-obs="72" class="floatl" />HE
late excellent Mrs Grant of Laggan, as she used to be designated to
the end of her long life, from the parish of Inverness-shire, of which
her husband had been clergyman, and with which her first publications
were connected, affords another remarkable example both of the
successful cultivation of literature by a woman in trying or unusual
circumstances, and of the attainment thereby of many worldly in addition
to higher advantages. She has herself told us the story of her early
life and her first struggles, in an unfinished Memoir which has been
published since her death. In the mere acquisition of knowledge she had
no peculiar difficulties to encounter either from circumstances or any
deficiency in herself. On the contrary, her faculties were quick and
early developed, and her opportunities, though not affording her a
regular education, were well suited to nourish and strengthen those
tendencies and powers which chiefly gave her mind its distinctive
character.</p>
<p>"I began to live," she observes, "to the purposes of feeling,
observation, and recollection much earlier than children usually do. I
was not acute, I was not sagacious, but I had an active imagination and
uncommon powers of memory. I had no companion; no one fondled or
<span class="pagenum"><SPAN name="Page_257" id="Page_257"></SPAN></span>
caressed me, far less did any one take the trouble of amusing me. I did
not, till I was six years of age, possess a single toy. A child with
less activity of mind would have become torpid under the same
circumstances. Yet, whatever of purity of thought, originality of
character, and premature thirst for knowledge, distinguished me from
other children of my age, was, I am persuaded, very much owing to these
privations. Never was a human being less improved in the sense in which
that expression is generally understood, but never was one less spoilt
by indulgence, or more carefully preserved from every species of mental
contagion. The result of the peculiar circumstances in which I was
placed had the effect of making me a kind of anomaly very different from
other people, and very little influenced by the motives, as well as very
ignorant of the modes of thinking and acting prevalent in the world at
large."</p>
<p>It was this anomalous character in her case, happily free from any kind
of grotesqueness or absurdity, and allied to everything virtuous and
noble, that both directed her to literature and authorship in the first
instance, and gave much of its interest to what she wrote.</p>
<p>[Annie Macvicar, Mrs Grant's maiden name, the daughter of Duncan
Macvicar, "a plain, brave, pious man," having been taken by her parents
to America, returned to Scotland, and married in 1779 Mr Grant, a
chaplain at Fort-Augustus in Inverness-shire. She acquired a taste for
farming, led a life of fervid activity, and had a large family of
children, all promising, and the greater number of them beautiful. It
would have been strange indeed if her literary aspirations had sprung
out of the domestic habits of the mother of a large family, and the
manager of a farm; but we are told by herself that she had begun to
<span class="pagenum"><SPAN name="Page_258" id="Page_258"></SPAN></span>
scrawl a kind of Miltonic verse when she was little more than nine years
old. She had early written off many scraps of poetry, and distributed
them among her friends, who had taken care to preserve them, while Mrs
Grant had retained no copies. It was by a kind of amicable conspiracy
that these friends set about the good work of collecting and publishing
these pieces in such a way as would secure pecuniary relief to the
author. The subscriptions amounted to three thousand names, and the
"Original Poems, with some Translations from the Gaelic," appeared in
1803. Some years afterwards came her "Letters from the Mountains," which
not only claimed the attention of the reading world, but inspired so
much love and respect for the quiet virtues and literary abilities of
the author, that many who knew her, and some who did not, contributed to
help her in her hard struggle with the world. But Mrs Grant's life was
destined to be a passage through storm and sunshine. Her husband died,
and her children, inheriting his tendency to decline, fell off one by
one, so that every year brought her fresh trouble, yet still with a
noble spirit that enabled her to surmount her afflictions by something
like philosophy. In 1811 she published her "Essays on the Superstitions
of the Highlands of Scotland, with Translations from the Gaelic," in two
volumes, and subsequently a poem, entitled "Eighteen Hundred and
Thirteen," which excited little attention.]</p>
<p>Mrs Grant's life for some years after she gave up writing for the public
had been in part devoted to an intellectual employment of another kind,
the superintendence of the education of a succession of young persons of
her own sex who were sent to reside with her. From the year 1826 also,
her means had been further increased by a pension of �100, which was
<span class="pagenum"><SPAN name="Page_259" id="Page_259"></SPAN></span>
granted to her by George IV., on a representation drawn up by Sir Walter
Scott, and supported by Henry Mackenzie, Lord Jeffrey, and other
distinguished persons among her friends in Edinburgh. During the period
of nearly thirty years that she resided there, she was a principal
figure in the best and most intellectual society of the Scottish
metropolis, and to the last her literary celebrity made her an object of
curiosity and attraction to strangers from all parts of the world. Even
after the loss of the last of her daughters, her correspondence
testifies that she still took a lively interest in everything that went
on around her. "With all its increasing infirmities," she says, "and
even with the accumulated sorrows of my peculiar lot, I do not find age
so dark and unlovely as the Celtic bard seems to consider it. However
imperfectly my labour has been performed, we may consider it nearly
concluded; and even though my cup of sorrow has been brimful, the bitter
ingredient of shame has not mingled with it. On all those who were near
and dear to me, I can look back with approbation, and may tenderly
cherish unspotted memories, fond recollections, and the hopes that
terminate not here. I feel myself certainly not landed, but in a harbour
from whence I am not likely to be blown out by new tempests." Even after
this, she was destined to receive another severe shock from the death,
in April 1837, in her twenty-eighth year, of her daughter-in-law, who
had been married only three years, and to whom she was strongly
attached. Still her courageous heart bore her up, and the zest with
which she enjoyed intellectual pleasures continued almost as keen as
ever.</p>
<div style="break-after:column;"></div><br />