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<h3>CHARLOTTE CORDAY.</h3> [BORN 1768. DIED 1793.] CARLYLE. AMID which dim ferment of Caen and the world, history specially notices one thing. In the lobby of the Mansion de l'Intendance, where busy deputies are coming and going, a young lady, with an aged valet, taking grave, graceful leave of Deputy Barbaroux. She is of stately Norman figure, in her twenty-fifth year, of beautiful still countenance; her name is Charlotte Corday, heretofore styled D'Armans, while nobility still was. Barbaroux has given her a note to Deputy Duperret, him who once drew his sword in the effervescence. Apparently, she will to Paris on some errand. "She was a republican before the Revolution, and never wanted energy." A completeness, a decision is in this fair figure: "by energy she means the spirit that will prompt one to sacrifice himself for his country." What if she, this fair young Charlotte, had emerged from her secluded stillness suddenly like a star; to gleam for a moment, and in a moment to be extinguished; to be held in memory, so bright complete was she, through long centuries! Quitting Cimmerian coalitions without, and the dim-simmering twenty-five millions within, history will look fixedly at this one fair apparition of a Charlotte Corday; will note whither Charlotte moves, how the little life burns forth so radiant, then vanishes, swallowed of the night. With Barbaroux's note of introduction, and slight stock of luggage, we see Charlotte on Tuesday, the 9th of July, seated in the Caen diligence, with a place for Paris. None takes farewell of her, wishes her good journey; her father will find a line left, signifying that she is gone to England, that he must pardon her and forget her. The drowsy diligence lumbers along, amid drowsy talk of politics and praise of the Mountain, in which she mingles not; all night, all day, and again all night. On Thursday, not long before noon, we are at the bridge of Neuilly. Here is Paris, with her thousand black domes—the goal and purpose of thy journey! Arrived at the Inn de la Providence, in the Rue des Vieux Augustins, Charlotte demands a room, hastens to bed, sleeps all afternoon and night, till the morrow morning. On the morrow morning she delivers her note to Duperret. It relates to certain family papers which are in the Minister of the Interior's hands, which a nun at Caen, an old convent-friend of Charlotte's, has need of, which Duperret shall assist her in getting: this, then, was Charlotte's errand to Paris? She has finished this in the course of Friday, yet says nothing of returning. She has seen and silently investigated several things. The Convention, in bodily reality, she has seen; what the Mountain is like. The living physiognomy of Marat she could not see; he is sick at present, and confined to home. About eight o'clock on the Saturday morning she purchases a large sheath-knife in the Palais-Royal; then straightway, in the Place de Victoires, takes a hackney-coach. "To the Rue de l'Ecole de M�dicine, No. 44." It is the residence of the Citoyen Marat! The Citoyen Marat is ill, and cannot be seen, which seems to disappoint her much. Her business is with Marat, then? Hapless, beautiful Charlotte—hapless, squalid Marat! From Caen in the utmost west, from Neuch�tel in the utmost east, they two are drawing nigh each other; they two have, very strangely, business together. Charlotte returning to her inn, despatches a short note to Marat, signifying that she is from Caen; that she desires earnestly to see him, and "will put it in his power to do France a great service." No answer. Charlotte writes another note, still more pressing; sets out with it by coach, about seven in the evening, herself. It is yellow July evening, we say, the 13th of the month. Marat sits, about half-past seven of the clock, stewing in slipper-bath, sore, afflicted, ill of Revolution fever—of what other malady this history had rather not name. Excessively sick and worn, poor man; with precisely elevenpence-half-penny in paper; with slipper-bath, strong three-footed stool for writing on the while, and a squalid—washerwoman, one may call her; that is his civic establishment in Medical-School Street; thither and not elsewhither has his road led him. Not to the reign of brotherhood and perfect felicity; yet surely on the way towards that. Hark! a rap again! A musical woman's voice, refusing to be rejected: it is the citoyenne who would do France a service. Marat, recognising from within, cries—Admit her. Charlotte Corday is admitted. "Citoyen Marat, I am from Caen, the seat of rebellion, and wished to speak with you." "Be seated, mon enfant. Now what are the traitors doing at Caen—what deputies are at Caen?" Charlotte names some deputies. "Their heads shall fall within a fortnight," croaks the eager people's friend, clutching his tablets to write: Barbaroux, P�tion, writes he, with bare, shrunk arm, turning aside in the bath; P�tion and Louvet, and—Charlotte has drawn her knife from the sheath; plunges it, with one sure stroke, into the writer's heart. "A moi, ch�re amie—Help, dear!" no more could the death-choked say or shriek. The helpful washerwoman running in—there is no friend of the people or friend of the washerwoman left; but his life with a groan gushes out, indignant, to the shades below. On Wednesday evening, about half-past seven o'clock, from the gate of the Conciergerie, to a city all on tiptoe, the fatal cart issues; seated on it a fair young creature, sheeted in red smock of murderess; so beautiful, serene, so full of life; journeying towards death—alone amid the world. The executioners proceed to bind her feet; she resists, thinking it meant as an insult; on a word of explanation, she submits with cheerful apology. As the last act, all being now ready, they take the neckerchief from her neck; a blush of maidenly shame overspreads that fair face and neck; the cheeks were still tinged with it when the executioner lifted the severed head, to show it to the people. "It is most true," says Forster, "that he struck the cheek insultingly, for I saw it with my eyes." <div class="figcenter p4"> <ANTIMG src="images/i153.jpg" width-obs="47" height-obs="119" alt="Decoration" /></div> <div style="break-after:column;"></div>

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