<h3>FELICIA HEMANS.</h3>
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<p class="heading">[BORN 1794. DIED 1835.]<br/>
JEFFREY.</p>
<p><ANTIMG src="images/it.jpg" alt="T" width-obs="78" height-obs="72" class="floatl" />HE
business of women being with actual or social life, and the colours
it receives from the conduct and dispositions of individuals, they
unconsciously acquire, at a very early age, the finest perception of
characters and manners, and are almost as soon instinctively schooled in
the deep and dangerous learning of feeling and emotion; while the very
minuteness with which they make and meditate on these interesting
observations, and the finer shades and variations of sentiment which are
thus treasured and recorded, trains their whole faculties to a nicety
and precision of operation which often discloses itself to advantage in
their application to studies of a different character. When women
accordingly have turned their minds, as they have done but too seldom,
to the exposition or arrangement of any branch of knowledge, they have
commonly exhibited, we think, a more beautiful accuracy, and a more
uniform and complete justness of thinking, than their less
discriminating brethren. There is a finish and completeness, in short,
about everything they put out of their hands, which indicates not only
an inherent taste for elegance and neatness, but a habit of nice
observation, and singular exactness of judgment.
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<p>We have not as yet much female poetry. That of Mrs Hemans is a fine
exemplification. It may not be the best imaginable poetry, and may not
indicate the very highest or most commanding genius; but it embraces a
great deal of that which gives the very best poetry its chief power of
pleasing, and would strike us perhaps as more impassioned and exalted,
if it were not regulated and harmonised by the most beautiful taste. It
is singularly sweet, elegant, and tender; touching, perhaps, and
contemplative, rather than vehement and overpowering; and not only
finished throughout with an exquisite delicacy and even severity of
execution, but informed with a purity and loftiness of feeling, and a
certain sober and humble tone of indulgence and piety, which must
satisfy all judgments, and allay the apprehensions of those who are most
afraid of the passionate exaggerations of poetry. Almost all her poems
are rich with fine descriptions, and studded over with images of visible
beauty. But these are never idle ornaments; all her pomps have a
meaning, and her flowers and her gems are arranged, as they are said to
be among Eastern lovers, so as to speak the language of truth or of
passion. This is peculiarly remarkable in some little pieces, which seem
at first sight to be purely descriptive, but are soon found to tell upon
the heart with a deep, moral, and pathetic impression. But it is in
truth nearly as conspicuous in the greater part of her productions,
where we scarcely meet with any striking sentiment that is not ushered
in by some such symphony of external nature, and scarcely a lovely
picture that does not serve as an appropriate foreground to some deep or
lofty emotion.</p>
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