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<h2>CHAPTER I</h2>
<h3>PENDLETON CALLS UPON ASHTON-KIRK</h3>
<p>Young Pendleton's car crept carefully around the corner and
wound in and out among the push-cart men and dirty children.</p>
<p>About midway in the block was a square-built house with tall,
small-paned windows and checkered with black-headed brick. It
stood slightly back from the street with ancient dignity; upon
the shining door-plate, deeply bitten in angular text, was the
name "Ashton-Kirk."</p>
<p>Here the car stopped; Pendleton got out, ascended the white
marble steps and tugged at the polished, old-fashioned
bell-handle.</p>
<p>A grave-faced German, in dark livery, opened the door.</p>
<p>"Mr. Ashton-Kirk will see you, sir," said he. "I gave him your
telephone message as soon as he came down."</p>
<p>"Thank you, Stumph," said Pendleton. And with the manner of
one perfectly acquainted with the house, he ascended a massively
balustraded staircase. The walls were darkly paneled; from the
shadowy recesses pictured faces of men and women looked down at
him.</p>
<p>Coming in from the littered street, with its high smells and
crowding, gesticulating people, the house impressed one by its
quiet, its spaciousness, and the evident means and culture of its
owner. Pendleton turned off at the first landing, proceeded along
a passage and finally knocked at a door. Without waiting for a
reply, he walked in.</p>
<p>At the far end of a long, high-ceilinged apartment a young man
was lounging in an easy-chair. At his elbow was a jar of tobacco,
a sheaf of brown cigarette papers and a scattering of books. He
lifted a keen dark face, lit up by singularly brilliant eyes.</p>
<p>"Hello, Pen," greeted he. "You've come just in time to smoke
up some of this Greek tobacco. Throw those books off that chair
and make yourself easy."</p>
<p>One by one Pendleton lifted the books and glanced at the
titles.</p>
<p>"Your morning's reading, if this is such," commented he, "is
strikingly catholic. Plutarch, Snarleyow, the Opium Eater, Martin
Chuzzlewit." Then came a host of tattered pamphlets, bound in
shrieking paper covers, which the speaker handled gingerly. "'The
Crimes of Anton Probst,'" he continued to read, "'The Deeds of
the Harper Family,' 'The Murder of ——'" here he
paused, tossed the pamphlets aside with contempt, sat down and
drew the tobacco jar toward him.</p>
<p>"Some of the results of your forays into the basements of old
booksellers, I suppose," he added, rolling a cigarette with
delicate ease. "But what value you see in such things is beyond
me."</p>
<p>Ashton-Kirk smiled good-humoredly. He took up some of the
pamphlets and fluttered their illy-printed pages.</p>
<p>"They are not beautiful," he admitted; "the paper could not be
worse and the wood cuts are horrors. But they are records of
actual things—striking things, as a matter of
fact—for a murder which so lifts itself above the thousands
of homicides that are yearly occurring, as to gain a place
outside the court records and newspapers, must have been one of
exceptional execution."</p>
<p>"There is a public which delights in being horrified," said
Pendleton with a grimace. "The things are put out to get their
nickels and dimes."</p>
<p>"No doubt," agreed the other. "And the fact that they are
willing to pay their nickels and dimes is, to my way of thinking,
a proof of the extraordinary nature of the crime chronicled." The
speaker dropped the prints upon the floor and lounged back in his
big chair. "There is Plutarch," he continued; "the account of the
assassination of Caesar is not the least interesting thing in his
biography of that statesman. Indeed, I have no doubt but that the
chronicler thought Caesar's taking off the most striking incident
in his career; that the Roman public thought so is a matter of
history.</p>
<p>"Countless writers have dwelt upon the taking of human life;
some of them were rather commercial gentlemen who always gave an
ear to the demands of their public, and their screeds were
written for the money that they would put in their pockets; but
others, and by long odds the greatest, were fascinated by their
subjects. Both Stevenson and Henley were powerfully drawn by
deeds of blood. Did you know they planned a great book which was
to contain a complete account of the world's most remarkable
homicides? I'm sorry they never carried the thing out; for I
cannot conceive of two minds more fitted to the task. They would
have dressed every event in the grimmest and most subtle horror;
why, the soul would have shuddered at each enormity as shaped and
presented by such masters."</p>
<p>Pendleton regarded his friend with candid distaste.</p>
<p>"You are appalling to-day," said he. "If you think it's the
Greek tobacco, let me know. For I have to mingle with other human
beings, and I'd scarcely care to get into your state of
mind."</p>
<p>The strong, white teeth of Ashton-Kirk showed in a quick
smile.</p>
<p>"The tobacco was recommended by old Hosko," he said, "and
you'll find nothing violent in it, no matter what you find in my
conversation."</p>
<p>"What put you into such a frame of mind, anyway? Something
happened?"</p>
<p>But Ashton-Kirk shook his head.</p>
<p>"I don't know," said he. "In fact, I have been strangely idle
for the last fortnight. The most exciting things that have
appeared above my personal horizon have been a queer little
edition of Albertus-Magnus, struck off in an obscure printing
shop in Florence in the early part of the sixteenth century, and
a splendid, large paper Poe, to which I fortunately happened to
be a subscriber."</p>
<p>A volume of the Poe and the Albertus-Magnus were lying at
hand; Pendleton ignored the dumpy, stained little Latin volume;
its strong-smelling leather binding and faded text had no
attractions for him. But he took up the Poe and began idly
turning its leaves.</p>
<p>"It is a mistake to suppose that some specific thing must be
the cause of an action, or a train of thought," resumed the
other, from the comfortable depths of his chair. "Sometimes
thousands of things go to the making of a single thought,
countless others to the doing of a single deed. And yet again, a
thing entirely unassociated with a result may be the beginning of
the result, so to speak. For example, a volume of Henry James
which I was reading last night might be the cause of my turning
to the literature of assassination this morning; your friendly
visit may result in my coming in contact with a murder that will
make any of these," with a nod toward the scattered volumes,
"seem tame."</p>
<p>Pendleton threw away his cigarette and proceeded to roll
another.</p>
<p>"It is my earnest desire to remain upon friendly terms with
you, Kirk," stated he, with a smile. "Therefore, I will make no
comment except to say that your last reflection was entirely
uncalled for."</p>
<p>Lighting the cigarette, he turned the tall leaves of the
beautiful volume upon his knee.</p>
<p>"This edition is quite perfection," he remarked admiringly.
"And I'm sorry that I was not asked to subscribe. However," and
Pendleton glanced humorously at his friend, "I don't suppose its
beauty is what attracts you to-day. It is because certain pages
are spread with the records of crime. I notice that this volume
holds both 'The Murders in the Rue Morgue' and the 'Mystery of
Marie Roget.'"</p>
<p>"Right," smiled Ashton-Kirk. "I admit I was browsing among the
details of those two masterpieces when you came in. A great
fellow, Poe. His peculiar imagination gave him a marvelous grasp
of criminal possibilities."</p>
<p>Ashton-Kirk took up the "Confessions of an English
Opium-Eater" and turned the leaves until he came to "Murder
Considered as One of the Fine Arts."</p>
<p>"In some things I have detected an odd similarity in the work
of De Quincey and Poe. Mind you, I say in some things. As to what
entered into the structure of an admirably conceived murder they
were as far apart as the poles. The ideals of the 'Society of
Connoisseurs in Murder' must have excited in Poe nothing but
contempt. A coarse butchery—a wholesale slaughter was
received by this association with raptures; a pale-eyed,
orange-haired blunderer, with a ship carpenter's mallet hidden
under his coat, was hailed as an artist.</p>
<p>"You don't find Poe wasting time on uncouth monsters who roar
like tigers, bang doors and smear whole rooms with blood. His
assassins had a joy in planning their exploits as well as in the
execution of them. They were intelligent, secret, sure. And in
every case they accomplished their work and escaped
detection."</p>
<p>"You must not forget, however," complained Pendleton, "that De
Quincey's assassin, John Williams, was a real person, and his
killings actual occurrences. Poe's workmen were creatures of his
imagination, their crimes, with the possible exception of 'Marie
Roget,' were purely fanciful. The creator of the doer and the
deed had a clear field; and in that, perhaps, lies the
superiority of Poe."</p>
<p>Ashton-Kirk sighed humorously.</p>
<p>"Perhaps," said he. "At any rate the select crimes are usually
the conceptions of men who have no idea of putting them into
execution. And that, upon consideration, is a fortunate thing for
society. But, at the same time, it is most irritating to a man of
a speculative turn of mind. Fiction teems with most splendid
murders. Captain Marryat, in Snarleyow, created an almost perfect
horror in the attempted slaughter of the boy Smallbones by the
hag mother of Vanslyperken; the lad's reversal of the situation
and his plunging a bayonet into the wrinkled throat, makes the
chapter an accomplishment difficult to displace. Remember
it?"</p>
<p>Pendleton arose and opened one of the windows.</p>
<p>"Even the noise and smell of this street of yours are grateful
after what I have been listening to," said he. Then, after a
moment spent in examining the adjacent outdoors, he added in a
tone of wonderment. "I say, Kirk, this is really a hole of a
place to live! Why don't you move?"</p>
<p>The other arose and joined him at the window. Old-fashioned
streets alter wonderfully after the generations of the elect have
passed; but when Eastern Europe takes to dumping its furtive
hordes into one, the change is marked indeed. In this one
peddler's wagons replaced the shining carriages of a former
day—wagons drawn by large-jointed horses and driven by
bearded men who cried their wares in strange, throaty voices.</p>
<p>Everything exhaled a thick, semi-oriental smell. Dully painted
fire-escapes clung hideously to the fronts of the buildings;
stagnant-looking men, wearing their hats, leaned from bedroom
windows. The once decent hallways were smutted with grimy hands;
the wide marble steps were huddled with alien, unclean
people.</p>
<p>A splendidly spired church stood almost shoulder to shoulder
with the Ashton-Kirk house. Once it had been a place of dignified
Episcopal worship; but years of neglect had made it unwholesome
and cavern-like; and finally it was given over to a tribe of
stolid Lithuanians who stuck a cheaply gilded Greek cross over
the door and thronged the street with their wedding and
christening processions.</p>
<p>"Perhaps," said Ashton-Kirk, after a moment's study of the
prospect, "yes, perhaps it <i>is</i> a hole of a place in which
to live. But you see we've had this house since shortly after the
Revolution; four generations have been born here. As I have no
fashionable wife and I live alone, I am content to stay. Then,
the house suits me; everything is arranged to my taste. The
environment may not be the most desirable; but, my visitors are
seldom of the sort that object to externals."</p>
<p>"Well, you have one just now who is not what you might call
partial to such neighborhoods," said Pendleton. "And," looking at
his watch, "you will shortly have another who will be, perhaps,
still less favorably impressed."</p>
<p>"Ah!" said Ashton-Kirk.</p>
<p>He curled himself up upon the deep window sill while Pendleton
went back to his chair and the tobacco.</p>
<p>"It's a lady," resumed Pendleton, the brown paper crackling
between his fingers, "a lady of condition, quality and
beauty."</p>
<p>"It sounds pleasant enough," smiled the other. "But why is she
coming?"</p>
<p>"To consult you—ah—I suppose we might call
it—professionally. No, I don't know what it is about; but
judging from her manner, it is something of no little
consequence."</p>
<p>"She sent you to prepare the way for her, then?"</p>
<p>"Yes. It is Miss Edyth Vale, daughter of James Vale, the
'Structural Steel King,' you remember they used to call him
before he died a few years ago. She was an only child, and except
for the four millions which he left to found a technical school,
she inherited everything. And when you say everything in a case
like this, it means considerable."</p>
<p>Ashton-Kirk nodded.</p>
<p>"She is a distant relative of mine," resumed Pendleton; "her
mother was connected in some vague way with my mother; and
because of this indefinite link, we've always been"—here he
hesitated for an instant—"well, rather friendly. Last night
we happened to meet at Upton's, and I took her in to dinner.
Edyth is a nice girl, but I've noticed of late that she's not had
a great deal to say. Sort of quiet and big-eyed and all that, you
know. Seems healthy enough, but does a great deal of thinking and
looking away at nothing. I've talked to her for ten minutes
straight, only to find that she hadn't heard a word I'd said.</p>
<p>"So, as you will understand, I did not expect a great deal of
her at dinner. But directly across from us was young
Cartwright—"</p>
<p>"Employed in the Treasury Department?"</p>
<p>"That's the man. Well, he began to talk departmental affairs
with some one well down the table—you know how some of
these serious kids are—and as there seemed to be nothing
else to do, I gave my whole attention to the interesting
performance of Mrs. Upton's cook. I must have been falling into a
dreamy rapture; but at any rate I suddenly awoke, so to speak. To
my surprise Edyth was talking—quite animatedly—with
Cartwright, and about you."</p>
<p>"Ah!" said Ashton-Kirk. "That's very pleasant. It is not given
to every man that the mention of him should stir a melancholy
young lady into animation."</p>
<p>"Have you done anything in your line for the Treasury
Department lately?" asked Pendleton.</p>
<p>"Oh, a small matter of some duplicate plates," said
Ashton-Kirk. "It had some interest, but there was nothing
extraordinary in it."</p>
<p>"Well, Cartwright didn't think that. I did not come to in time
to catch the nature of your feat, but he seemed lost in
admiration of your cleverness. He was quite delighted, too, at
securing Edyth's attention. You see, it was a thing he had
scarcely hoped for. So he proceeded to relate all he had ever
heard about you. That queer little matter of the Lincoln
death-mask, you know, and the case of the Belgian Consul and the
spurious Van Dyke. And he had even heard some of the things you
did in the university during your senior year. His recital of
your recovery of the silver figure of the Greek runner which went
as the Marathon prize in 1902 made a great hit, I assure you.</p>
<p>"But when he answered 'No' to Edyth's earnest question as to
whether he were acquainted with you, she lost interest; and when
I promptly furnished the information that I was, he was
forgotten. During the remainder of the dinner I had time for
little else but Edyth's questions. When she learned that you had
taken up investigation as a sort of profession, she was quite
delighted, and before we parted I was asked to arrange a
consultation."</p>
<p>"She will be here this morning, then?" asked Ashton-Kirk.</p>
<p>Pendleton once more looked at his watch.</p>
<p>"Within a very few minutes," said he.</p>
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