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<h2>CHAPTER XV</h2>
<h3>MISS VALE DEPARTS SUDDENLY</h3>
<p>For a moment there was a silence between the two men; then
Ashton-Kirk said, dryly:</p>
<p>"Miss Vale has, apparently, not been altogether frank with us
in this matter."</p>
<p>"You think then—" began Pendleton in a voice of terror.
But Ashton-Kirk stopped him.</p>
<p>"I think many things," said he. "But they are neither here nor
there. Facts are what count. Put the circumstances together for
yourself and see where they lead you. Miss Vale has been from the
first mixed up more or less in this crime. She explained. As far
as I knew the explanation was made in good faith. Now we find her
here in this lonely place, quietly engaged with a man whom I have
convinced myself is one of Hume's murderers."</p>
<p>There was another pause; this time it was Pendleton who broke
the silence.</p>
<p>"As you say," spoke he, in a strange, throaty sort of tone,
"she has not been quite frank. Take all the circumstances
together and they seem to point—"</p>
<p>He paused as though quite unable to finish. Ashton-Kirk laid a
hand upon his shoulder.</p>
<p>"Imagination is a thing that is vitally necessary in this sort
of work," said he. "But it must be held in check by reason. The
great trouble with an amateur is that he reasons up to a certain
point; then he allows his imagination to take a long leap toward
a result. The upshot is that his results have seldom anything to
support them. The correct method, I think, is to allow the
imagination to scurry ahead in the way that is natural to it; but
reason must follow close behind, proving each step of the way. To
be sure, you may have theories, hypotheses, ideas without end,
but you must never take them for granted. Select each in its
turn, place it in a tube as the chemist does, add a few drops of
reason, and you may produce a fact. It is the only way to go
about it. Once a man becomes fixed in a belief, be there ever so
little foundation for it, his mind stops revolving the subject;
further procedure is hopeless."</p>
<p>"I understand all that well enough," said Pendleton. "But,"
and he waved his hand toward the house, "what does <i>this</i>
mean?"</p>
<p>"I don't know," said Ashton-Kirk. "And neither do you.
So—that being the case—there is but one thing to
do—find out."</p>
<p>They gazed toward the window once more, Miss Vale had
apparently mastered the contents of the paper, and was now
engaged in writing rapidly. As the young men watched, she
stopped, read carefully what she had written, and then handed it
to Locke. The mute carried the paper to the light, and holding it
very near to his eyes read it with much attention; then he tore
it into strips, placed it upon the red coals of a stove which
stood near him and watched it burn. Facing Miss Vale, his fingers
began to fly rapidly in intricate signs. This only lasted a
moment, however; for he stopped, gestured passionately, seized a
pad of paper and began to write.</p>
<p>While he was thus engaged, Ashton-Kirk said to Pendleton in a
low tone:</p>
<p>"Remain here for a moment."</p>
<p>Then slowly, carefully, the investigator made his way toward
the window through which Miss Vale and Locke were to be seen.</p>
<p>Heavy beams of light shot across the ground from the windows;
but here and there were trails of shadow. He clung to these until
he had reached the shelter of the walls; then to Pendleton's
amazement he stepped directly in front of the window through
which the two were to be seen, rapped smartly upon the glass, and
remained standing in full view, of the two in the room.</p>
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<center><ANTIMG src="images/a-k03.jpg" width-obs="272" height-obs="450" alt=
"He Rapped Smartly on the Window"></center>
<p>Pendleton saw the pad drop from Locke's hands; he saw the mute
wheel as he felt the vibrations and stare at the window, his eyes
puckered and straining. He also saw Miss Vale rise, saw her hands
thrown out in a gesture much like despair; and also he heard the
cry that she uttered, muffled by the confines of the room, but
full of fear. Then the room was plunged into darkness; an instant
later a door was heard to open; the sound of quick-moving feet
came to him; there followed the pulsations of a motor and the
racing of a car away into the night.</p>
<p>"She's off," breathed the young man, and there was undoubted
relief in the knowledge. "She's off, and I really believe that's
what Kirk was after."</p>
<p>He walked toward the house and found his friend standing in
the shadows.</p>
<p>"Well," chuckled the investigator, "it did not take her long
to make up her mind, eh?"</p>
<p>"You had some motive in doing that," accused Pendleton. "What
was it?"</p>
<p>Ashton-Kirk was about to reply; but just then the small figure
of Locke made its appearance. He carried a lantern and was
approaching with stumbling steps, his eyes peering and blinking
in their efforts to pierce the gloom. Not until he was well upon
the two did he make them out; then he halted, lifted the light
above his head and surveyed them intently.</p>
<p>In the rays of the lantern Ashton-Kirk smiled urbanely, and
bowed. The supple fingers of the mute writhed inquiringly.</p>
<p>"Each of them forms itself into a wild note of interrogation,"
said Pendleton. "They are fairly screaming questions at you."</p>
<p>Ashton-Kirk smiled even more agreeably at Locke and shook his
head. Then he went through the pantomime of one writing, and
finished by pointing to the house.</p>
<p>Carefully, eagerly, fearfully, the mute examined them; his
near-sighted eyes and the wavering light must have made it all
but impossible for him to make them out. However, he at length
motioned for them to follow him, and started back by the way
which he had come. But after a few steps he halted. He indicated
that they were to remain where they were; then he went to the
shed-like building, closed the door and locked it, placing the
key in his pocket.</p>
<p>"It would seem," observed Ashton-Kirk, "that we are not to be
trusted implicitly."</p>
<p>"Also," replied Pendleton, "that there is something of value
in the shed."</p>
<p>Returning, Locke led the way to a door upon the other side of
the house. Showing them into a small room furnished with books
and scientific apparatus and evidently a study, he set down the
lantern and with a sign bade them be seated. Upon their doing so
he produced a small pad of paper and a pencil; handing these to
Ashton-Kirk he stood peering at them expectantly. With the swift,
accurate touch of an expert, the investigator wrote in the Pitman
shorthand:</p>
<p>"We ask pardon if we have startled you."</p>
<p>Then he tore off the sheet and handed it to Professor Locke.
The man seemed surprised at the medium selected by his visitor;
nevertheless he quickly traced the following in the same
characters.</p>
<p>"Who are you? What is your errand?"</p>
<p>"We were sent to you by Dr. Mercer," replied Ashton-Kirk with
flying pencil. "Our business is to secure the admission of a new
pupil."</p>
<p>Locke read this and regarded them for a moment,
doubtfully.</p>
<p>"Why did you not press the button at the door?" he demanded in
writing.</p>
<p>"I hardly expected you to have such a thing as a bell,"
answered Ashton-Kirk, on the pad. "And so, seeing you, I
attracted your attention as best I could."</p>
<p>Professor Locke read this and stood with his pencil poised,
when the buzzer sounded harshly; he went at once into the hall;
they heard him open the door; and in a few moments he returned,
followed by Haines.</p>
<p>The fingers of the two flashed their signals back and forth;
then a look of relief came into Locke's face; he even smiled, and
nodded understandingly at the two young men.</p>
<p>"I beg pardon, gentlemen," said Haines. "But when I got back
to the hall, Dr. Mercer made me return and make sure that you had
got to see the Professor."</p>
<p>"Thanks," replied the investigator. "We had not the slightest
difficulty."</p>
<p>"I'm glad to hear it, sir," said the man. "Good-night to
you."</p>
<p>He flashed the same wish to the mute, who answered readily;
then he went out and through the window they saw his light again
go bobbing away in the darkness. Then the professor began to
write once more.</p>
<p>"I beg your pardon," was his message in long-hand. "The man
tells me that it was quite as you say. But I must confess I was a
trifle startled."</p>
<p>"The lady," wrote Ashton-Kirk, "seemed startled, too."</p>
<p>For the fraction of a moment the mute halted in his reply.
Then the pencil with much assurance formed the following:</p>
<p>"It was my niece. She was about to go just as you came; so do
not reproach yourself for having driven her away."</p>
<p>For some time the penciled conversation continued between the
two; but as it was all based upon the fanciful pupil whom the
investigator stated he desired to place in Dr. Mercer's care,
Pendleton paid little heed to it. At last, however, they bid the
Professor good-by, and left him upon the threshold, his massive
head nodding his adieus, his frail little body sharply outlined
by the glow from the hall.</p>
<p>The two had reached their own car around on the other road
before Pendleton spoke. Then he inquired:</p>
<p>"Well, have you learned anything from him?"</p>
<p>"I think I can say 'yes' to that," answered the other. "But
I'm not yet sure. I'll have to put it to the proof first,
according to the formula which I gave you a half hour ago. If it
succeeds, I'll tell you what it is; if it does not, I'll say
nothing, and it will go upon the scrap heap devoted to broken
fancies. And now, Dixon," to the chauffeur, "we'll go home."</p>
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