<p><SPAN name="link2HCH0048" id="link2HCH0048"></SPAN></p>
<h2> CHAPTER XLVIII </h2>
<p>Clayton's first impulse was to take the cable to Natalie, to brush aside
the absurd defenses she had erected, and behind which she cowered,
terrified but obstinate. To say to her,</p>
<p>"He is living. He is going to live. But this war is not over yet. If we
want him to come through, we must stand together. We must deserve to have
him come back to us."</p>
<p>But by the time he reached the top of the stairs he knew he could not do
it. She would not understand. She would think he was using Graham to
further a reconciliation; and, after her first joy was over, he knew that
he would see again that cynical smile that always implied that he was
dramatizing himself.</p>
<p>Nothing could dim his strong inner joy, but something of its outer glow
faded. He would go to her, later. Not now. Nothing must spoil this great
thankfulness of his.</p>
<p>He gave Madeleine the cable, and went down again to the library.</p>
<p>After a time he began to go over the events of the past eighteen months.
His return from the continent, and that curious sense of unrest that had
followed it, the opening of his eyes to the futility of his life. His
failure to Natalie and her failure to him. Graham, made a man by war and
by the love of a good woman. Chris, ending his sordid life in a blaze of
glory, and forever forgiven his tawdry sins because of his one big hour.</p>
<p>War took, but it gave also. It had taken Joey, for instance, but Joey had
had his great moment. It was better to have one great moment and die than
to drag on through useless years. And it was the same way with a nation. A
nation needed its hour. It was only in a crisis that it could know its own
strength. How many of them, who had been at that dinner of Natalie's
months before, had met their crisis bravely! Nolan was in France now.
Doctor Haverford was at the front. Audrey was nursing Graham. Marion
Hayden was in a hospital training-School. Rodney Page was still building
wooden barracks in a cantonment in Indiana, and was making good. He
himself—</p>
<p>They could never go back, none of them, to the old smug, complacent,
luxurious days. They could no more go back than Joey could return to life
again. War was the irrevocable step, as final as death itself. And he
remembered something Nolan had said, just before he sailed.</p>
<p>"We have had one advantage, Clay. Or maybe it is not an advantage, after
all. Do you realize that you and I have lived through the Golden Age? We
have seen it come and seen it go. The greatest height of civilization,
since the world began, the greatest achievements, the most opulent living.
And we saw it all crash. It will be a thousand years before the world will
be ready for another."</p>
<p>And later,</p>
<p>"I suppose every life has its Golden Age. Generally we think it is youth.
I'm not so sure. Youth is looking ahead. It has its hopes and its
disappointments. The Golden Age in a man's life ought to be the age of
fulfillment. It's nearer the forties than the twenties."</p>
<p>"Have you reached it?"</p>
<p>"I'm going to, on the other side."</p>
<p>And Clayton had smiled.</p>
<p>"You are going to reach it," he said. "We are always going to find it,
Nolan. It is always just ahead."</p>
<p>And Nolan had given him one of his quick understanding glances.</p>
<p>There could be no Golden Age for him. For the Golden Age for a man meant
fulfillment. The time came to every man when he must sit at the west
window of his house of life and look toward the sunset. If he faced that
sunset alone—</p>
<p>He heard Madeleine carrying down Natalie's dinner-tray, and when she left
the pantry she came to the door of the library.</p>
<p>"Mrs. Spencer would like to see you, sir."</p>
<p>"Thank you, Madeleine. I'll go up very soon."</p>
<p>Suddenly he knew that he did not want to go up to Natalie's scented room.
She had shut him out when she was in trouble. She had not cared that he,
too, was in distress. She had done her best to invalidate that compact he
had made. She had always invalidated him.</p>
<p>To go back to the old way, to the tribute she enforced to feed her
inordinate vanity, to the old hypocrisy of their relationship, to live
again the old lie, was impossible.</p>
<p>He got up. He would not try to buy himself happiness at the cost of
turning her adrift. But he must, some way, buy his self-respect.</p>
<p>He heard her then, on the staircase, that soft rustle which, it seemed to
him, had rasped the silk of his nerves all their years together with its
insistence on her dainty helplessness, her femininity, her right to
protection. The tap of her high heels came closer. He drew a long breath
and turned, determinedly smiling, to face the door.</p>
<p>Almost at once he saw that she was frightened. She had taken pains to look
her best—but then she always did that. She was rouged to the eyes,
and the floating white chiffon of her negligee gave to her slim body the
illusion of youth, that last illusion to which she so desperately clung.
But—she was frightened.</p>
<p>She stood in the doorway, one hand holding aside the heavy velvet curtain,
and looked at him with wide, penciled eyes.</p>
<p>"Clay?"</p>
<p>"Yes. Come in. Shall I have Buckham light a fire?"</p>
<p>She came in, slowly.</p>
<p>"Do you suppose that cable is reliable?"</p>
<p>"I should think so."</p>
<p>"He may have a relapse."</p>
<p>"We mustn't worry about what may come. He is better now. The chances are
that he'll stay better."</p>
<p>"Probably. I suppose, because I have been so ill—"</p>
<p>He felt the demand for sympathy, but he had none to give. And he felt
something else. Natalie was floundering, an odd word for her, always so
sure of herself. She was frightened, unsure of herself, and—floundering.
Why?</p>
<p>"Are you going to be in to-night?"</p>
<p>"Yes."</p>
<p>She gave a curious little gesture. Then she evidently made up her mind and
she faced him defiantly.</p>
<p>"Of course, if I had known he was going to be better, I'd—Clay, I
wired yesterday for Rodney Page. He arrives to-night."</p>
<p>"Rodney?"</p>
<p>"Yes."</p>
<p>"I don't think I quite understand, Natalie. Why did you wire for him?"</p>
<p>"You wouldn't understand, of course. I was in trouble. He has been my best
friend. I tried to bear it alone, but I couldn't. I—"</p>
<p>"Alone! You wouldn't see me."</p>
<p>"I couldn't, Clay."</p>
<p>"Why?"</p>
<p>"Because—if Graham had died—"</p>
<p>Her mouth trembled. She put her hand to her throat.</p>
<p>"You would have blamed me for his death?"</p>
<p>"Yes."</p>
<p>"Then, even now, if—"</p>
<p>"Yes."</p>
<p>The sheer cruelty of it sent him pale. Yet it was not so much deliberate
as unconscious. She was forcing herself to an unwonted honesty. It was her
honest conviction that he was responsible for Graham's wounding and
danger.</p>
<p>"Let me get to the bottom of this," he said quietly. "You hold me
responsible. Very well. How far does that take us? How far does that take
you? To Rodney!"</p>
<p>"You needn't be brutal. Rodney understands me. He—he cares for me,
Clay."</p>
<p>"I see. And, since you sent for him I take it you care for Rodney."</p>
<p>"I don't know. I—"</p>
<p>"Isn't it time you do know? For God's sake, Natalie, make up your mind to
some course and stick to it."</p>
<p>But accustomed as he was to the curious turns of her mind, he was still
astounded to have her turn on him and accuse him of trying to get rid of
her. It was not until later that he realized in that attitude of hers her
old instinct of shifting the responsibility from her own shoulders.</p>
<p>And then Rodney was announced.</p>
<p>The unreality of the situation persisted. Rodney's strained face and
uneasy manner, his uniform, the blank pause when he had learned that
Graham was better, and when the ordinary banalities of greeting were over.
Beside Clayton he looked small, dapper, and wretchedly uncomfortable, and
yet even Clayton had to acknowledge a sort of dignity in the man.</p>
<p>He felt sorry for him, for the disillusion that was to come. And at the
same time he felt an angry contempt for him, that he should have forced so
theatrical a situation. That the night which saw Graham's beginning
recovery should be tarnished by the wild clutch after happiness of two
people who had done so little to earn it.</p>
<p>He saw another, totally different scene, for a moment. He saw Graham in
his narrow bed that night in some dimly-lighted hospital ward, and he saw
Audrey beside him, watching and waiting and praying. A wild desire to be
over there, one of that little group, almost overcame him. And instead—</p>
<p>"Natalie has not been well, Rodney," he said. "I rather think, if you have
anything to say to me, we would better talk alone."</p>
<p>Natalie went out, her draperies trailing behind her. Clayton listened, as
she moved slowly up the stairs. For the last time he heard that soft
rustling which had been the accompaniment to so many of the most poignant
hours of his life. He listened until it had died away.</p>
<div style="break-after:column;"></div><br />