<h2><SPAN name="b1c6">CHAPTER VI</SPAN><br/> VICTOR HUGO AND ISAAC PITMAN</h2>
<h3>I</h3>
<p>The next morning, Saturday, Hilda ran no risk in visiting Mr. Cannon.
Her mother's cold, after a fictitious improvement, had assumed an
aggravated form in order to prove that not with impunity may nature be
flouted in unheated October drawing-rooms; and Hilda had been requested to
go to market alone. She was free. And even supposing that the visit should
be observed by the curious, nobody would attach any importance to it,
because everybody would soon be aware that Mr. Cannon had assumed charge of
the Calder Street property.</p>
<p>Past the brass plates of Mr. Q. Karkeek, out of the straw-littered
hubbub of the market-place, she climbed the long flight of stairs leading
to the offices on the first floor. In one worsted-gloved hand she held a
market-basket of multi-coloured wicker, which dangled a little below the
frilled and flounced edge of her blue jacket. Secure in the pocket of her
valanced brown skirt--for at that time and in that place it had not yet
occurred to any woman that pockets were a superfluity--a private
half-sovereign lay in the inmost compartment of her purse; this coin was
destined to recompense Mr. Cannon. Her free hand went up to the heavy
chignon that hung uncertainly beneath her bonnet--a gesture of coquetry
which she told herself she despised.</p>
<p>Her face was a prim and rather forbidding mask, assuredly a mysterious
mask. She could not have explained her own feelings. She was still in the
adventure, but the end of it was immediate. She had nothing to hope from
the future. Her essential infelicity was as profound and as enigmatic as
ever. She might have said with deliberate and vehement sincerity that she
was not happy. Wise, experienced observers, studying her as she walked her
ways in the streets, might have said of her with sympathetically sad
conviction, "That girl is not happy! What a pity!" It was so. And yet, in
her unhappiness she was blest. She savoured her unhappiness. She drank it
down passionately, as though it were the very water of life--which it was.
She lived to the utmost in every moment. The recondite romance of existence
was not hidden from her. The sudden creation--her creation--of the link
with Mr. Cannon seemed to her surpassingly strange and romantic; and in so
regarding it she had no ulterior thought whatever: she looked on it with
the single-mindedness of an artist looking on his work. And was it not
indeed astounding that by a swift caprice and stroke of audacity she should
have changed and tranquillized the ominous future for her unsuspecting
mother and herself? Was it not absolutely disconcerting that she and this
Mr. Cannon, whom she had never known before and in whom she had no other
interest, should bear between them this singular secret, at once innocent
and guilty, in the midst of the whole town so deaf and blind?</p>
<h3>II</h3>
<p>A somewhat shabby-genteel, youngish man appeared at the head of the
stairs; he was wearing a silk hat and a too ample frock-coat. And
immediately, from the hidden corridor at the top, she heard the voice of
Mr. Cannon, imperious:</p>
<p>"Karkeek!"</p>
<p>The shabby-genteel man stopped. Hilda wanted to escape, but she could
not, chiefly because her pride would not allow. She had to go on. She went
on, frowning.</p>
<p>The man vanished back into the corridor. She could hear that Mr. Cannon
had joined him in conversation. She arrived at the corridor.</p>
<p>"How-d'ye-do, Miss Lessways?" Mr. Cannon greeted her with calm
politeness, turning from Mr. Karkeek, who raised his hat. "Will you come
this way? One moment, Mr. Karkeek."</p>
<p>Through a door marked "Private" Mr. Cannon introduced Hilda straight
into his own room; then shut the door on her. He held in one hand a large
calf-bound volume, from which evidently he was expounding something to Mr.
Karkeek. The contrast between the expensive informality of Mr. Cannon's new
suit and the battered ceremoniousness of Mr. Karkeek's struck her just as
much as the contrast between their demeanours; and she felt, vaguely, the
oddness of the fact that the name of the deferential Mr. Karkeek, and not
the name of the commanding Mr. Cannon, should be upon the door-plates and
the wire-blinds of the establishment. But of course she was not in a
position to estimate the full significance of this remarkable phenomenon.
Further, though she perfectly remembered her mother's observations upon Mr.
Cannon's status, they did not in the slightest degree damage him in her
eyes--when once those eyes had been set on him again. They seemed to her
inessential. The essential, for her, was the incontestable natural
authority and dignity of his bearing.</p>
<p>She sat down, self-consciously, in the chair--opposite the owner's
chair--which she had occupied at her first visit, and thus surveyed, across
the large flat desk, all the ranged documents and bundles with the writing
thereon upside down. There also was his blotting-pad, and his vast
inkstand, and his pens, and his thick diary. The disposition of the things
on the desk seemed to indicate, sharply and incontrovertibly, that
orderliness, that inexorable efficiency, which more than aught else she
admired in the external conduct of life. The spectacle satisfied her,
soothed her, and seemed to explain the attractiveness of Mr. Cannon.</p>
<p>Immediately to her left was an open bookcase almost filled with heavy
volumes. The last of a uniform row of Law Reports was absent from its
place--being at that moment in the corridor, in the hands of Mr. Cannon.
The next book, a thin one, had toppled over sideways and was bridging the
vacancy at an angle; several other similar thin books filled up the
remainder of the shelf. She stared, with the factitious interest of one who
is very nervously awaiting an encounter, at the titles, and presently
deciphered the words, 'Victor Hugo,' on each of the thin volumes. Her
interest instantly became real. Characteristically abrupt and unreflecting,
she deposited her basket on the floor and, going to the bookcase, took out
the slanting volume. Its title was <i>Les Rayons et Les Ombres</i>. She
opened it by hazard at the following poem, which had no heading and which
stood, a small triptych of print, rather solitary in the lower half of a
large white page:</p>
<blockquote>
Dieu qui sourit et qui donne<br/>
Et qui vient vers qui l'attend<br/>
Pourvu que vous soyez bonne,<br/>
Sera content.<br/>
Le monde o� tout étincelle,<br/>
Mais ou rien n'est enflammé,<br/>
Pourvu que vous soyez belle,<br/>
Sera charmé.<br/>
Mon coeur, dans l'ombre amoureuse,<br/>
O� l'énivrent deux beaux yeux,<br/>
Pourvu que tu sois heureuse,<br/>
Sera joyeux.<br/>
</blockquote>
<p>That was all. But she shook as though a miracle had been enacted. Hilda,
owing partly to the fondness of an otherwise stern grandfather and partly
to the vanity of her unimportant father, had finally been sent to a school
attended by girls who on the average were a little above herself in
station--Chetwynd's, in the valley between Turnhill and Bursley. (It was
still called Chetwynd's though it had changed hands.) Among the staff was a
mistress who was known as Miss Miranda--she seemed to have no surname. One
of Miss Miranda's duties had been to teach optional French, and one of Miss
Miranda's delights had been to dictate this very poem of Victor Hugo's to
her pupils for learning by heart. It was Miss Miranda's sole French poem,
and she imposed it with unfading delight on the successive generations whom
she 'grounded' in French. Hilda had apparently forgotten most of her
French, but as she now read the poem (for the first time in print), it
re-established itself in her memory as the most lovely verse that she had
ever known, and the recitations of it in Miss Miranda's small classroom
came back to her with an effect beautiful and tragic. And also there was
the name of Victor Hugo, which Miss Miranda's insistent enthusiasm had
rendered sublime and legendary to a sensitive child! Hilda now saw the
sacred name stamped in gold on a whole set of elegant volumes! It was
marvellous that she should have turned the page containing just that poem!
It was equally marvellous that she should have discovered the works of
Victor Hugo in the matter-of-fact office of Mr. Cannon! But was it? Was he
not half-French, and were not these books precisely a corroboration of what
her mother had told her? Mr. Cannon's origin at once assumed for her the
strange seductive hues of romance; he shared the glory of Victor Hugo. Then
the voices in the corridor ceased, and with a decisive movement he
unlatched the door. She relinquished the book and calmly sat down as he
entered.</p>
<h3>III</h3>
<p>"Of course, your mother's told you?"</p>
<p>"Yes."</p>
<p>"I had no difficulty at all. I just asked her what she was going to do
about the rent-collecting."</p>
<p>Standing up in front of Hilda, but on his own side of the desk, Mr.
Cannon smiled as a conqueror who can recount a triumph with pride, but
without conceit. She looked at him with naïve admiration. To admire
him was agreeable to her; and she liked also to feel unimportant in his
presence. But she fought, unsuccessfully, against the humiliating idea that
his personal smartness convicted her of being shabby--of being even
inefficient in one department of her existence; and she could have wished
to be magnificently dressed.</p>
<p>"Mrs. Lessways is a very shrewd lady--very shrewd indeed!" said Mr.
Cannon, with a smile, this time, to indicate humorously that Mrs. Lessways
was not so easy to handle as might be imagined, and that even the cleverest
must mind their p's and q's with such a lady.</p>
<p>"Oh yes, she <i>is</i>!" Hilda agreed, with an exaggerated emphasis that
showed a lack of conviction. Indeed, she had never thought of her mother as
a <i>very</i> shrewd lady.</p>
<p>Mr. Cannon continued to smile in silence upon the shrewdness of Mrs.
Lessways, giving little appreciative movements of the diaphragm, drawing in
his lips and by consequence pushing out his cheeks like a child's; and his
eyes were all the time saying lightly: "Still, I managed her!" And while
this pleasant intimate silence persisted, the noises of the market-place
made themselves prominent, quite agreeably--in particular the hard metallic
stamping and slipping, on the bricked pavement under the window, of a team
of cart-horses that were being turned in a space too small for their grand,
free movements, and the good-humoured cracking of a whip. Again Hilda was
impressed, mystically, by the strangeness of the secret relation between
herself and this splendid effective man. There they were, safe within the
room, almost on a footing of familiar friendship! The atmosphere was
different from that of the first interview. And none knew! And she alone
had brought it all about by a simple caprice!</p>
<p>"I was fine and startled when I saw you at our door, Mr. Cannon!" she
said.</p>
<p>He might have said, "Were you? You didn't show it." She was half
expecting him to say some such thing. But he became reflective, and began:
"Well, you see--" and then hesitated.</p>
<p>"You didn't tell me you thought of calling."</p>
<p>"Well," he proceeded at last--and she could not be sure whether he was
replying to her or not--"I was pretty nearly ready to buy that Calder
Street property. And I thought I'd talk <i>that</i> over with your mother
first! It just happened to make a good beginning, you see." He spoke with
all the flattering charm of the confidential.</p>
<p>Hilda flushed. Under her mother's suggestion, she had been misjudging
him. He had not been guilty of mere scheming. She was profoundly glad. The
act of apology to him, performed in her own mind, gave her a curious
delight.</p>
<p>"I wish she would sell," said Hilda, to whom the ownership of a slum was
obnoxious.</p>
<p>"Very soon your consent would be necessary to any sale."</p>
<p>"Really!" she exclaimed, agreeably flattered, but scarcely surprised by
this information. "I should consent quick enough! I can't bear to walk down
the street!"</p>
<p>He laughed condescendingly. "Well, I don't think your mother
<i>would</i> care to sell, if you ask me." He sat down.</p>
<p>Hilda frowned, regretting her confession and resenting his laughter.</p>
<p>"What will your charges be, please, Mr. Cannon?" she demanded abruptly,
and yet girlishly timid. And at the same moment she drew forth her purse,
which she had been holding ready in her hand.</p>
<p>For a second he thought she was referring to the price of
rent-collecting, but the appearance of the purse explained her meaning.
"Oh! There's no charge!" he said, in a low voice, seizing a penholder.</p>
<p>"But I must pay you something! I can't--"</p>
<p>"No, you mustn't!"</p>
<p>Their glances met in conflict across the table. She had known that he
would say exactly that. And she had been determined to insist on paying a
fee--utterly determined! But she could not, now, withstand the force of his
will. Her glance failed her. She was disconcerted by the sudden
demonstration of her inferiority. She was distressed. And then a feeling of
faintness, and the gathering of a mist in the air, positively frightened
her. The mist cleared. His glance seemed to say, with kindness: "You see
how much stronger I am than you! But you can trust me!" The sense of
adventure grew even more acute in her. She marvelled at what life was, and
hid the purse like a shame.</p>
<p>"It's very kind of you," she murmured.</p>
<p>"Not a bit!" he said. "I've got a job through this. Don't forget that.
We don't collect rents for nothing, you know--especially Calder Street sort
of rents!"</p>
<p>She picked up her basket and rose. He also rose.</p>
<p>"So you've been looking at my Victor Hugo," he remarked, putting his
right hand negligently into his pocket instead of holding it forth in
adieu.</p>
<h3>IV</h3>
<p>So overset was she by the dramatic surprise of his challenging remark,
and so enlightened by the sudden perception of it being perfectly
characteristic of him, that her manner changed in an instant to a delicate,
startled timidity. All the complex sensitiveness of her nature was
expressed simultaneously in the changing tints of her face, the confusion
of her eyes and her gestures, and the exquisite hesitations of her voice as
she told him about the coincidence which had brought back to her in his
office the poem of her schooldays.</p>
<p>He came to the bookcase and, taking out the volume, handled it
carelessly.</p>
<p>"I only brought these things here because they're nicely bound and fill
up the shelf," he said. "Not much use in a lawyer's office, you know!" He
glanced from the volume to her, and from her to the volume. "Ah! Miss
Miranda! Yes! Well! It isn't so wonderful as all that. My father used to
give her lessons in French. This Hugo was his. He thought a great deal of
it." Mr. Cannon's pose exhibited pride, but it was obvious that he did not
share his father's taste. His tone rather patronized his father, and Hugo
too. As he let the pages of the book slip by under his thumb, he stopped,
and with a very good French accent, quite different from Hilda's memory of
Miss Miranda's, murmured in a sort of chanting--"<i>Dieu qui sourit et qui
donne</i>."</p>
<p>"That's the very one!" cried Hilda.</p>
<p>"Ah! There you are then! You see--the bookmark was at that page." Hilda
had not noticed the thin ribbon almost concealed in the jointure of the
pages. "I wouldn't be a bit astonished if my father had lent her this very
book! Curious, isn't it?"</p>
<p>It was. Nevertheless, Hilda felt that his sense of the miraculousness of
life was not so keen as her own; and she was disappointed.</p>
<p>"I suppose you're very fond of reading?" he said.</p>
<p>"No, I'm not," she replied. Her spirit lifted a little courageously, to
meet his with defiance, like a ship lifting its prow above the threatening
billow. Her eyes wavered, but did not fall before his.</p>
<p>"Really! Now, I should have said you were a great reader. What do you do
with yourself?" He now spoke like a brother, confident of a trustful
response.</p>
<p>"I just waste my time," she answered coldly. She saw that he was
puzzled, interested, and piqued, and that he was examining her quite
afresh.</p>
<p>"Well," he said shortly, after a pause, adopting the benevolent tone of
an uncle or even a great-uncle, "you'll be getting married one of these
days."</p>
<p>"I don't want to get married," she retorted obstinately, and with a
harder glance.</p>
<p>"Then what do you want?"</p>
<p>"I don't know." She discovered great relief, even pleasure, in thus
callously exposing her mind to a stranger.</p>
<p>Tapping his teeth with one thumb, he gazed at her, apparently in
meditation upon her peculiar case. At last he said:</p>
<p>"I tell you what you ought to do. You ought to go in for
phonography."</p>
<p>"Phonography?" She was at a loss.</p>
<p>"Yes; Pitman's shorthand, you know."</p>
<p>"Oh! shorthand--yes. I've heard of it. But why?"</p>
<p>"Why? It's going to be the great thing of the future. There never was
anything like it!" His voice grew warm and his glance scintillated. And now
Hilda understood her mother's account of his persuasiveness; she felt the
truth of that odd remark that he could talk the hind leg off a horse.</p>
<p>"But does it lead to anything?" she inquired, with her strong sense of
intrinsic values.</p>
<p>"I should say it did!" he answered. "It leads to everything! There's
nothing it won't lead to! It's the key of the future. You'll see. Look at
Dayson. He's taken it up, and now he's giving lessons in it. He's got a
room over his aunt's. I can tell you he staggered me. He wrote in shorthand
as fast as ever I could read to him, and then he read out what he'd
written, without a single slip. I'm having one of my chaps taught. I'm
paying for the lessons. I thought of learning myself--yes, really! Oh! It's
a thing that'll revolutionize all business and secretarial work and so
on--revolutionize it! And it's spreading. It'll be the Open Sesame to
everything. Anybody that can write a hundred and twenty words a minute'll
be able to walk into any situation he wants--straight <i>into</i> it!
There's never been anything like it. Look! Here it is!"</p>
<p>He snatched up a pale-green booklet from the desk and opened it before
her. She saw the cryptic characters for the first time. And she saw them
with his glowing eyes. In their mysterious strokes and curves and dots she
saw romance, and the key of the future; she saw the philosopher's stone.
She saw a new religion that had already begun to work like leaven in the
town. The revelation was deliciously intoxicating. She was converted, as by
lightning. She yielded to the ecstasy of discipleship. Here--somehow,
inexplicably, incomprehensively--here was the answer to the enigma of her
long desire. And it was an answer original, strange, distinguished,
unexpected, unique; yes, and divine! How lovely, how beatific, to be the
master of this enchanted key!</p>
<p>"It must be very interesting!" she said, low, with the venturesome
shyness of a deer that is reassured.</p>
<p>"I don't mind telling you this," Mr. Cannon went on, with the fire of
the prophet. "I've got something coming along pretty soon"--he repeated
more slowly--"I've got something coming along pretty soon, where there'll
be scope for a young lady that can write shorthand <i>well</i>. I can't
tell you what it is, but it's something different from anything there's
ever been in this town; <i>and</i> better."</p>
<p>His eyes masterfully held hers, seeming to say: "I'm vague. But I was
vague when I told you I'd see what could be done about your mother--and
look at what I did, and how quickly and easily I did it! When I'm vague, it
means a lot." And she entirely understood that his vagueness was
calculated--out of pride.</p>
<p>They talked about Mr. Dayson a little.</p>
<p>"I must go now," said Hilda awkwardly.</p>
<p>"I'd like you to take that Hugo," he said. "I dare say it would interest
you.... Remind you of old times."</p>
<p>"Oh no!"</p>
<p>"You can return it, when you like."</p>
<p>Her features became apologetic. She had too hastily assumed that he
wished to force a gift on her.</p>
<p>"Please!" he ejaculated. No abuse this time of moral authority! But an
appeal, boyish, wistful, supplicating. It was irresistible, completely
irresistible. It gave her an extraordinary sense of personal power.</p>
<p>He wrapped up the book for her in a sheet of blue "draft" paper that
noisily crackled. While he was doing so, a tiny part of her brain was, as
it were, automatically exploring a box of old books in the attic at home
and searching therein for a Gasc's French-English Dictionary which she had
used at school and never thought of since.</p>
<p>"My compliments to your mother," he said at parting.</p>
<p>She gazed at him questioningly.</p>
<p>"Oh! I was forgetting," he corrected himself, with an avuncular, ironic
smile. "You're not supposed to have seen me, are you?"</p>
<p>Then she was outside in the din; and from thrilling altitudes she had to
bring her mind to marketing. She hid under apples the flat blue parcel in
the basket.</p>
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