<h2><SPAN name="b2c5">CHAPTER V</SPAN><br/> EDWIN CLAYHANGER</h2>
<h3>I</h3>
<p>The next evening, Mr. and Mrs. Orgreave, Hilda, Janet, and Alicia were
in the dining-room of the Orgreaves awaiting the advent at the supper-table
of sundry young men whose voices could be heard through open doors in the
distance of the drawing-room.</p>
<p>Charlie Orgreave had won his bet: and Edwin Clayhanger was among those
young men who had remained behind in the drawing-room to exchange,
according to the practice of young men, ideas upon life and the world.
Hilda had been introduced to him, but owing to the performance of another
Beethoven symphony there had been almost no conversation before supper, and
she had not heard him talk. She had stationed herself behind the grand
piano, on the plea of turning over the pages for the musicians (though it
was only with great uncertainty, and in peril of missing the exact instant
for turning, that she followed the music on the page), and from this
security she had furtively glanced at Edwin when her task allowed. "Perhaps
I was quite mistaken last night," she said to herself. "Perhaps he is
perfectly ordinary." The strange thing was that she could not decide
whether he was ordinary or not. At one moment his face presented no
interest, at another she saw it just as she had seen it, framed in the
illuminated aperture of the shop-shutters, on the previous night. Or she
fancied that she saw it thus. The more she tried to distinguish between
Edwin's reality and her fancies concerning Edwin, the less she succeeded.
She would pronounce positively that her fancies were absurd and even
despicable. But this abrupt positiveness did not convince. Supposing that
he was after all marvellous among men! During the day she had taken
advantage of the mention of his name to ascertain discreetly some details
of the legendary feat by which as a boy he had saved his father's
printing-shop from destruction. The details were vague, and not very
comprehensible, but they seemed to indicate on his part an astounding
presence of mind, a heroic promptitude in action. Assuredly, the Orgreaves
regarded him as a creature out of the common run. And at the same time they
all had the air of feeling rather sorry for him.</p>
<p>Standing near the supper-table, Hilda listened intently for the sound of
his voice among the other voices in the drawing-room. But she could not
separate it from the rest. Perhaps he was keeping silence. She said to
herself: "Yet what do I care whether he is keeping silence or not?"</p>
<p>Mr. Orgreave remarked, in the suspense, glancing ironically at his
wife:</p>
<p>"I think I'll go upstairs and do an hour's planning. They aren't likely
to be more than an hour, I expect?"</p>
<p>"Hilda," said Mrs. Orgreave, quite calm, but taking her husband quite
seriously, "will you please go and tell those young men from me that supper
is waiting?"</p>
<h3>II</h3>
<p>Of course Hilda obeyed, though it appeared strange to her that Mrs.
Orgreave had not sent Alicia on such an errand. Passing out of the bright
dining-room where the gas was lit, she hesitated a moment in the dark broad
corridor that led to the drawing-room. The mission, she felt, would make
her rather prominent in front of Edwin Clayhanger, the stranger, and she
had an objection to being prominent in front of him; she had, indeed, taken
every possible precaution against such a danger. "How silly I am to loiter
here!" she thought. "I might be Alicia!"</p>
<p>The boys, she could now hear, were discussing French literature, and in
particular Victor Hugo. When she caught the name of Victor Hugo she lifted
her chin, and moved forward a little. She worshipped Victor Hugo with a
passion unreflecting and intense, simply because certain detached lines
from his poems were the most splendid occupants of her memory, dignifying
every painful or sordid souvenir. At last Charlie's clear, gay voice
said:</p>
<p>"It's all very well, and Victor Hugo <i>is</i> Victor Hugo; but you can
say what you like--there's a lot of this that'll bear skipping, your
worships."</p>
<p>Already she was at the doorway. In the dusk of the unlighted chamber the
faces of the four Orgreaves and Clayhanger showed like pale patches on the
gloom.</p>
<p>"Not a line!" she said fiercely, with her extremely clear articulation.
She had no right to make such a statement, for she had not read the
twentieth part of Victor Hugo's work; she did not even know what book they
were discussing--Charlie held the volume lightly in his hand--but she was
incensed against the mere levity of Charlie's tone.</p>
<p>She saw Edwin Clayhanger jump at the startling interruption. And all
five looked round. She could feel her face burning.</p>
<p>Charlie quizzed her with a word, and then turned to Edwin Clayhanger for
support. "Don't <i>you</i> think that some of it's dullish, Teddy?"</p>
<p>Edwin Clayhanger, shamefaced, looked at Hilda wistfully, as if in
apology, as if appealing to her clemency against her fierceness; and said
slowly:</p>
<p>"Well--yes."</p>
<p>He had agreed with Charlie; but while disagreeing with Hilda he had
mysteriously proved to her that she had been right in saying to herself on
the previous evening: "<i>I like him</i>."</p>
<p>The incident appeared to her to be enormous and dramatic. She moved
away, as it were breathless under emotion, and then, remembering her
errand, threw over her shoulder:</p>
<p>"Mrs. Orgreave wants to know when you're coming to supper."</p>
<h3>III</h3>
<p>The supper-table was noisy and joyous--more than usually so on account
of the presence of Charlie, the gayest member of the family. At either end
of the long, white-spread board sat Mr. and Mrs. Orgreave; Alicia stood by
Mr. Orgreave, who accepted her caresses with the negligence of a handsome
father. Along one side sat Hilda, next to Janet, and these two were flanked
by Jimmie and Johnnie, tall, unbending, apparently determined to prove by a
politely supercilious demeanor that to pass a whole evening thus in the
home circle was considered by them to be a concession on their part rather
than a privilege. Edwin Clayhanger sat exactly opposite to Hilda, with
Charlie for sponsor; and Tom's spectacles gleamed close by.</p>
<p>Hilda, while still constrained, was conscious of pleasure in the scene,
and of a certain pride in forming part of it. These prodigal and splendid
persons respected and liked her, even loved her. Her recitation on the
previous evening had been a triumph. She was glad that she had shown them
that she could at any rate do one thing rather well; but she was equally
glad that she had obtained Janet's promise to avoid any discussion of her
qualities or her situation. After all, with her self-conscious restraint
and her pitiful assured income of three pounds a week, she was a poor
little creature compared with the easy, luxurious beings of this household,
whose upkeep could not cost less than three pounds a day. Janet, in rich
and complicated white, and glistening with jewels at hand and neck, was a
princess beside her. She hated her spare black frock, and for the second
time in her life desired expensive clothes markedly feminine. She felt that
she was at a grave disadvantage, and that to remedy this disadvantage would
be necessary, not only dresses and precious stones, but an instinctive
faculty of soft allurement which she had not. Each gesture of Janet's
showed seductive grace, while her own rare gestures were stiffened by a
kind of masculine harshness. Every time that the sad-eyed and modest Edwin
Clayhanger glanced at Janet, and included herself in the glance, she
fancied that he was unjustly but inevitably misprising herself. And at
length she thought: "Why did I make Janet promise that I shouldn't be
talked about? Why shouldn't he know all about my mourning, and that I'm the
only girl in the Five Towns that can write shorthand. Why should I be
afraid to recite again? However much I might have suffered through
nervousness if I'd recited, I should have shown I'm not such a poor little
thing as all that! Why am I such a baby?" She wilted under her own
disdain.</p>
<p>It was strange to think that Edwin Clayhanger, scarcely older than the
irresponsible Charlie, was the heir to an important business, was
potentially a rich and influential man. Had not Mr. Orgreave said that old
Mr. Clayhanger could buy up all the Orgreaves if he chose? It was strange
to think that this wistful and apparently timid young man, this nice boy,
would one day be the head of a household, and of a table such as this! Yes,
it would assuredly arrive! Everything happened. And the mother of that
household? Would it be she? Her imagination leaped far into the future, as
she exchanged a quiet, furtive smile with Mrs. Orgreave, and she tried to
see herself as another Mrs. Orgreave, a strenuous and passionate past
behind her, honoured, beloved, teased, adored. But she could not quite see
herself thus. Impossible that she, with her temperament so feverish,
restive, and peculiar, should ever reach such a haven! It was fantastically
too much to expect! And yet, if not with Edwin Clayhanger, then with
another, with some mysterious being whom she had never seen!... Did not
everything happen?... But then, equally, strange and terrible misfortunes
might be lying in wait for her!... The indescribable sharp savour of life
was in her nostrils.</p>
<h3>IV</h3>
<p>The conversation had turned upon Bradlaugh, the shameless free-thinker,
the man who had known how to make himself the centre of discussion in every
house in England. This was the Bradlaugh year, the apogee of his notoriety.
Dozens of times at the Cedar's meal-table had she heard the shocking name
of Bradlaugh on outraged tongues, but never once had a word been uttered in
his favour. The public opinion of the boarding-house was absolutely
unanimous in reckoning him a scoundrel. In the dining-room of the Orgreaves
the attitude towards him was different. His free-thought was not precisely
defended, but champions of his right to sit in the House of Commons were
numerous. Hilda grew excited, and even more self-conscious. It was as if
she were in momentary expectation of being challenged by these hardy
debaters: "Are not <i>you</i> a free-thinker?" Her interest was personal;
the interest of one in peril. Compared to the discussions at the Cedars,
this discussion was as the open, tossing, windy sea to a weed-choked canal.
The talk veered into mere profane politics, and Mr. Orgreave, entrenching
himself behind an assumption of careless disdain, was severely attacked by
all his sons except Jimmie, who, above Hilda's left shoulder, pretended to
share the paternal scorn. The indifference of Hilda to politics was
complete. She began to feel less disturbed; she began to dream. Then she
suddenly heard, through her dream, the name of Bradlaugh again; and Edwin
Clayhanger, in response to a direct question from Mr. Orgreave, was
saying:</p>
<p>"You can't help what you believe. You can't make yourself believe
anything. And I don't see why you should, either. There's no virtue in
believing."</p>
<p>And Tom was crying "Hooray!"</p>
<p>Hilda was thunderstruck. She was blinded as though by a mystic
revelation. She wanted to exult, and to exult with all the ardour of her
soul. This truth which Edwin Clayhanger had enunciated she had indeed
always been vaguely aware of; but now in a flash she felt it, she faced it,
she throbbed to its authenticity, and was free. It solved every difficulty,
and loosed the load that for months past had wearied her back. "There's no
virtue in believing." It was fundamental. It was the gift of life and of
peace. Her soul shouted, as she realized that just there, in that instant,
at that table, a new epoch had dawned for her. Never would she forget the
instant and the scene--scene of her re-birth!</p>
<p>Mrs. Orgreave remonstrated with mild sadness:</p>
<p>"No virtue in believing! Eh, Mr. Edwin!" And Hilda, under the ageing
lady's grieved glance, tried to quench the exultation on her face, somewhat
like a child trapped. But she could not. Tom again cried "Hooray!" His
tone, however, grated on her sensibility. It lacked emotion. It was the
tone of a pugilist's backer. And Janet permitted herself some pleasantry.
And Charlie became frankly facetious. Was it conceivable that Charlie could
be interested in religion? She liked him very much, partly because he and
she had learnt to understand each other at the dancing-classes, and partly
because his curly hair and his candid smile compelled sympathy. But her
esteem for him had limits. It was astonishing that a family otherwise
simply perfect should be content with jocosity when jocosity was so
obviously out of place. Were they, then, afraid of being serious?... Edwin
Clayhanger was not laughing; he had blushed. Her eyes were fixed on him
with the extremest intensity, studying him, careless of the danger that his
gaze might catch hers. She was lost in him. And then, he caught her; and,
burning with honest shame, she looked downwards.</p>
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