<h2><SPAN name="b5c2">CHAPTER II</SPAN><br/> SOME SECRET HISTORY</h2>
<h3>I</h3>
<p>Without a word, Sarah had left the bedroom. Hilda waited, sitting on the
bed, for George to come back from his haunts in the town. She both
intensely desired and intensely feared his return. A phrase or two of an
angry and vicious servant had almost destroyed her faith in her husband. It
seemed very strange, even to her, that this should be so; and she wondered
whether she had ever had a real faith in him, whether--passion apart--her
feeling for him had ever been aught but admiration of his impressive
adroitness. Was it possible that he had another wife alive? No, it was not
possible! That is to say, it was not possible that such a catastrophe
should have happened to just her, to Hilda Lessways, sitting there on the
bed with her hands pressing on the rough surface of the damask counterpane.
And yet--how could Louisa or Florrie have invented the story?... Wicked,
shocking, incredible, that Florrie, with her soft voice and timid,
affectionate manner, should have been chattering in secret so scandalously
during all these weeks! She remembered the look on Florrie's blushing face
when the child had received the letter on the morning of their departure
from the house in Lessways Street. Even then the attractively innocent and
capable Florrie must have had her naughty secrets!... An odious world. And
Hilda, married, had seriously thought that she knew all about the world!
She had to admit, bewildered: "I'm only a girl after all, and a very simple
one." She compared her own heart in its simplicity with that of Louisa.
Louisa horrified and frightened her.... Louisa and Florrie were mischievous
liars. Florrie had seized some fragment of silly gossip--Turnhill was
notorious for its silly gossip--and the two of them had embroidered it in
the nastiness of their souls. She laughed shortly, disdainfully, to wither
up silly gossip.... Preposterous!</p>
<p>And yet--when George had shown her the licence, in the name of Cannon,
and she had ventured to say apologetically and caressingly: "I always
understood your real name was Canonges,"--how queerly he had looked as he
answered: "I changed it long ago--legally!" Yes, and she had persuaded
herself that the queerness of his look was only in her fancy! But it was
not only in her fancy. Suspicions, sinister trifling souvenirs, crowded
into her mind. Had she not always doubted him? Had she not always said to
herself that she was doing wrong in her marriage and that she would thereby
suffer? Had she not abandoned the pursuit of religious truth in favour of
light enjoyments?... Foolish of course, old-fashioned of course, to put two
and two together in this way! But she could not refrain.</p>
<p>"I am ruined!" she decided, in awe.</p>
<p>And the next instant she was saying: "How absurd of me to be like this,
merely because Louisa..."</p>
<p>She thought she heard a noise below. Her heart leapt again into violent
activity. Trembling, she crept to the door, and gently unlatched it. No
slightest sound in the whole house! Dusk was coming on swiftly. Then she
could hear all the noises, accentuated beyond custom, of Louisa setting tea
in the dining-room for the Watchetts, and then the tea-bell rang. Despite
her fury, apparent in the noises, Louisa had not found courage to neglect
the sacred boarders. She made a defiant fuss, but she had to yield,
intimidated, to the force of habit and tradition. The Watchetts descended
the staircase from the drawing-room, practising as usual elaborate
small-talk among themselves. They had heard every infamous word of Louisa's
tirade; which had engendered in them a truly dreadful and still delicious
emotion; but they descended the staircase in good order, discussing the
project for a new pier.... They reached the dining-room and shut the door
on themselves.</p>
<p>Silence again! Louisa ought now to have set the tea in the basement
parlour. But Louisa did not. Louisa was hidden in the kitchen, doubtless
talking fourteen to the dozen with the cook. She had done all she meant to
do. She knew that she would be compelled to leave at once, and not another
stroke would she do of any kind! The master and the mistresses must manage
as best they could. Louisa was already wondering where she would sleep that
night, for she was alone on earth and owned one small trunk and a Post
Office Savings Bank book.... All this trouble on account of Florrie's
sheets!</p>
<p>Sarah Gailey was in her bedroom, and did not dare to came out of it even
to accuse Louisa of neglecting the basement tea. And Hilda continued to
stand for ages at the bedroom door, while the dusk grew deeper and deeper.
At last the front door opened, and George's step was in the hall. Hilda
recognized it with a thrill of terror, turning pale. George ran down into
the basement and stumbled. "Hello!" she heard him call out, "what about
tea? Where are you all? Sarah!" No answer, no sound in response! He ran up
the basement steps. Would he call in at the dining-room, or would he come
to the bedroom in search of her? He did not stop at the dining-room. Hilda
wanted to shut the bedroom door, but dared not because she could not do it
noiselessly. Now he was on the first floor! She rushed to the bed, and sat
on it, as she had been sitting previously, and waited in the most painful
and irrational agony. She was astonished at the darkness of the room.
Turning her head, she saw only a whitish blur instead of a face in the
dressing-table mirror.</p>
<h3>II</h3>
<p>"What's up?" he demanded, bursting somewhat urgently into the bedroom
with his hat on. "What price the husband coming home to his tea? No tea! No
light! I nearly broke my neck down the basement stairs."</p>
<p>He put his hands against her elbows and kissed her, rather clumsily,
owing to the gloom, between her nose and her mouth. She did not shrink
back, but accepted the embrace quite insensibly. The contact of his
moustache and of his lips, and his slight, pleasant masculine odour,
produced no effect on her whatever.</p>
<p>"Why are you sitting here? Look here, I've signed the transfer of those
Continental shares, and paid the cheque! So it's domino, now!"</p>
<p>Between the engagement and the marriage there had been an opportunity of
purchasing three thousand pounds' worth of preference shares in the
Brighton Hotel Continental Limited, which hotel was the latest and largest
in the King's Road, a vast affair of eight storeys and bathrooms on every
floor. The chance of such an investment had fascinated George. It helped
his dreams and pointed to the time when he would be manager and part
proprietor of a palace like the Continental. Hilda being very willing, he
had sold her railways shares and purchased the hotel shares, and he knew
that he had done a good thing. Now he possessed an interest in three
different establishments, he who had scarcely been in Brighton a year. The
rapid progress, he felt, was characteristic of him.</p>
<p>Hilda kept silence, for the sole reason that she could think of no words
to say. As for the matter of the investment, it appeared to her to be
inexpressibly uninteresting. From under the lashes of lowered eyes she saw
his form shadowily in front of her.</p>
<p>"You don't mean to say Sarah's been making herself disagreeable
already!" he said. And his tone was affectionate and diplomatic, yet
faintly ironical. He had perceived that something unusual had occurred,
perhaps something serious, and he was anxious to soothe and to justify his
wife. Hilda perfectly understood his mood and intention, and she was
reassured.</p>
<p>"Hasn't Sarah told you?" she asked in a harsh, uncontrolled voice,
though she knew that he had not seen Sarah.</p>
<p>"No; where is she?" he inquired patiently.</p>
<p>"It's Louisa," Hilda went on, with the sick fright of a child compelled
by intimidation to affront a danger. Her mouth was very dry.</p>
<p>"Oh!"</p>
<p>"She lost her temper and made a fearful scene with Sarah, on the stairs;
she said the most awful things."</p>
<p>George laughed low, and lightly. He guessed Louisa's gift for foul
insolence and invective.</p>
<p>"For instance?" George encouraged. He was divining from Hilda's singular
tone that tact would be needed.</p>
<p>"Well, she said you'd got a wife living in Devonshire."</p>
<p>There was a pause.</p>
<p>"And who'd told her that?"</p>
<p>"Florrie."</p>
<p>"<i>In</i>deed!" muttered George. Hilda could not decide whether his
voice was natural or forced.</p>
<p>Then he stepped across to the door, and opened it.</p>
<p>"What are you going to do to her?" Hilda questioned, as it were
despairingly.</p>
<p>He left the room and banged the door.</p>
<p>"It's not true," Hilda was beginning to say to herself, but she seemed
to derive no pleasure from the dawning hope of George's innocence.</p>
<p>Then George came into the room again, hesitated, and shut the door
carefully.</p>
<p>"I suppose it's no good shilly-shallying about," he said, in such a tone
as he might have used had he been vexed and disgusted with Hilda. "I have
got a wife living, and she's in Devonshire! I expect she's been inquiring
in Turnhill if I'm still in the land of the living. Probably wants to get
married again herself."</p>
<p>Hilda glanced at his form, and suddenly it was the form of a stranger,
but a stranger who had loved her. And she thought: "Why did I let this
stranger love me?" It was scarce believable that she had ever seriously
regarded him as a husband. And she found that tears were running down her
cheeks; and she felt all her girlishness and fragility. "Didn't I always
know," she asked herself with weak resignation, "that it was unreal? What
am I to do now?" The catastrophe had indeed happened to her, and she could
not deal with it! She did not even feel tragic. She did not feel
particularly resentful against George. She had read of such catastrophes in
the newspapers, but the reality of experience nonplussed her. "I ought to
do something," she reflected. "But what?"</p>
<p>"What's the use of me saying I'm sorry?" he asked savagely. "I acted for
the best. The chances were ten thousand to one against me being spotted.
But there you are! You never know your luck." He spoke meditatively, in a
rather hoarse, indistinct voice. "All owing to Florrie, of course! When it
was suggested we should have that girl, I knew there was a danger. But I
pooh-poohed it! I said nothing could possibly happen.... And just look at
it now!... I wanted to cut myself clear of the Five Towns,
absolutely--absolutely! And then like a damnation fool I let Florrie come
here! If she hadn't come, that woman might have inquired about me in
Turnhill till all was blue, without you hearing about her! But there it
is!" He snapped his fingers. "It's my fault for being found out! That's the
only thing I'm guilty of.... And look at it! Look at it!"</p>
<p>Hilda could tell from the movements of the vague form in the corner by
the door, and by the quality of his voice, that George Cannon was in a
state of extreme emotion. She had never known him half so moved. His
emotion excited her and flattered her. She thought how wonderful it was
that she, the shaking little girl who yesterday had run off with fourpence
to buy a meal at a tripe-shop, should be the cause of this emotion in such
a man. She thought: "My life is marvellous." She was dizzied by the
conception of the capacity of her own body and soul for experience. No
factors save her own body and soul and his had been necessary to the
bringing about of the situation. It was essential only that the man and the
woman should be together, and their companionship would produce miracles of
experience! She ceased crying. Astounding that she had never, in George's
eyes, suspected his past! It was as if he had swiftly opened a concealed
door in the house of their passion and disclosed a vista of which she had
not dreamed.</p>
<p>"But surely that must have been a long time ago!" she said in an
ordinary tone.</p>
<p>"Considering that I was twenty-two--yes!"</p>
<p>"Why did you leave her?"</p>
<p>"Why did I leave her? Because I had to! I'd gone as a clerk in a
solicitor's office in Torquay, and she was a client. She went mad about me.
I'm only telling you. She was a spinster. Had one of those big houses high
up on the hill behind the town!" He stopped; and then his voice began to
come again out of the deep shadow in the corner. "She wanted me, and she
got me. And she didn't care who knew! The wedding was in the <i>Torquay
Directory</i>. I told her I'd got no relations, and she was jolly
glad."</p>
<p>"But how old was she? Young?"</p>
<p>George sneered. "She'd never see thirty-six again, the day she was
married. Good-looking. Well-dressed. Very stylish and all that! Carried me
off my feet. Of course there was the money.... I may as well out with it
all while I'm about it! She made me an absolute present of four thousand
pounds. Insisted on doing it. I never asked. Of course I know I married for
money. It happens to youths sometimes just as it does to girls. It may be
disgusting, but not more disgusting for one than for the other. Besides, I
didn't realize it was a sale and purchase, at the time!... Oh! And it
lasted about ten days. I couldn't stand it, so I told her so and chucked
it. She began an action for restitution of conjugal rights, but she soon
tired of that. She wouldn't have her four thousand back. Simply wouldn't!
She was a terror, but I'll say that for her. Well, I kept it. Four thousand
pounds is a lot of brass. That's how I started business in Turnhill, if you
want to know!" He spoke defiantly. "You may depend I never let on in the
Five Towns about my beautiful marriage.... That's the tale. You've got to
remember I was twenty-two!"</p>
<p>She thought of Edwin Clayhanger and Charlie Orgreave as being about
twenty-two, and tried in her imagination to endow the mature George Cannon
with their youth and their simplicity and their freshness. She was saddened
and overawed; not wrathful, not obsessed by a sense of injury.</p>
<p>Then she heard a sob in the corner, and then another. The moment was
terrible for her. She could only distinguish in the room the blur of a
man's shape against the light-coloured wall-paper, and the whiteness of the
counterpane, and the dark square of the window broken by the black
silhouette of the mirror. She slipped off the bed, and going in the
direction of the dressing-table groped for a match-box and lit the gas.
Dazzled by the glare of the gas, she turned to look at the corner where
stood George Cannon.</p>
<h3>III</h3>
<p>The whole aspect of the room was now altered. The window was blacker
than anything else; light shone on the carved frame of the mirror and on
the vessels of the washstand; the trunks each threw a sharply defined
shadow; the bed was half in the shadow of its mahogany foot, and half a
glittering white; all the array of requisites on the dressing-table lay
stark under the close scrutiny of the gas; and high above the bed, partly
on the wall and partly on the ceiling, was a bright oblong reflection from
the upturned mirror.</p>
<p>Hilda turned to George with a straightening of the shoulders, as if to
say: "It is I who have the courage to light the gas and face the
situation!" But when she saw him her challenging pride seemed to die slowly
away. Though there was no sign of a tear on his features, and though it was
difficult to believe that it was he who had just sobbed, nevertheless, his
figure was dismayingly tragic. Every feature was distorted by agitation. He
was absorbed in himself, shameless and careless of appearances. He was no
more concerned about appearances and manly shame than a sufferer dying in
torment. He was beyond all that--in truth a new George Cannon! He left the
corner, and sat down on the bed in the hollow made by Hilda, and stared at
the wall, his hands in the pockets of his gay suit. His gestures as he
moved, and his posture as he sat, made their unconscious appeal to her in
their abandonment. He was caught; he was vanquished; he was despairing; but
he instinctively, and without any wish to do so, kept his dignity. He was
still, in his complete overthrow, the mature man of the world, the man to
whom it was impossible to be ridiculous.</p>
<p>Hilda in a curious way grew proud of him. With an extraordinary
inconsequence she dwelt upon the fact that, always grand--even as a
caterer, he had caused to be printed at the foot of the menu forms which he
had instituted, the words: "A second helping of all or any of the above
dishes will willingly be served if so desired." And in the general havoc of
the shock she began to be proud also of herself, because it was the
mysterious power of her individuality that had originated the disaster. The
sense of their intimate withdrawn seclusion in the room, disordered and
littered by arrival, utterly alone save for the living flame of the gas,
the sense of the tragedy, and of the responsibility for it, and especially
her responsibility, the sense of an imposed burden to be grimly borne and
of an unknown destiny to be worked out, the sense of pity, the sense of
youth and force,--these things gradually exalted her and ennobled her
desolation.</p>
<p>"Why did you keep it from me?" she asked in a very clear and precise
tone, not aggrieved, but fatalistic and melancholy.</p>
<p>"Keep what from you?" At length he met her eyes, darkly.</p>
<p>"All this about your being married."</p>
<p>"Why did I keep it from you?" he repeated harshly, and then his tone
changed from defiance to a softened regret: "I'll tell you why I kept it
from you! Because I knew if I told you I should have no chance with a girl
like you. I knew it'd be all up--if I so much as breathed a hint of it! I
don't suppose you've the slightest idea how stand-offish you are!"</p>
<p>"Me stand-offish!" she protested.</p>
<p>"Look here!" he said persuasively. "Supposing I'd told you I wanted you,
and then that I'd got a wife living--what would you have said?"</p>
<p>"I don't know."</p>
<p>"No! But <i>I</i> know! And suppose I'd told you I'd got a wife living
and then told you I wanted you--what then? No, Hilda! Nobody could fool
about with you!"</p>
<p>She was flattered, but she thought secretly: "He could have won me on
any terms he liked!... I wonder whether he <i>could</i> have won me on any
terms!... That first night in this house, when we were in the front
attic--suppose he'd told me then--I wonder! What should I have said?" But
the severity of her countenance was a perfect mask for such weak and
uncertain ideas, and confirmed him deeply in his estimate of her.</p>
<p>He continued:</p>
<p>"Now that first night in this house, upstairs!" He jerked his head
towards the ceiling. She blushed, not from any shame, but because his
thought had surprised hers. "I was as near as dammit to letting out the
whole thing and chancing it with you. But I didn't--I saw it'd be no use.
And that's not the only time either!"</p>
<p>She stood silent by the dressing-table, calmly looking at him, and she
asked herself, eagerly curious: "When were the other times?"</p>
<p>"Of course it's all my fault!" he said.</p>
<p>"What is?"</p>
<p>"This!... All my fault! I don't want to excuse myself. I've nothing to
say for myself."</p>
<p>In her mind she secretly interrupted him: "Yes, you have. You couldn't
do without me--isn't that enough?"</p>
<p>"I'm ashamed!" he said, without reserve, abasing himself. "I'm utterly
ashamed. I'd give anything to be able to undo it."</p>
<p>She was startled and offended. She had not expected that he would kiss
the dust. She hated to see him thus. She thought: "It isn't all your fault.
It's just as much mine as yours. But even if I was ashamed I'd never
confess it. Never would I grovel! And never would I want to undo anything!
After all you took the chances. You did what you thought best. Why be
ashamed when things go wrong? You wouldn't have been ashamed if things had
gone right."</p>
<p>"Of course," he said, after a pause, "I'm completely done for!"</p>
<p>He spoke so solemnly, and with such intense conviction, that she was
awed and appalled. She felt as one who, having alone escaped destruction in
an earthquake, stands afar off and contemplates the silent, corpse-strewn
ruin of a vast city.</p>
<p>And the thought ran through her mind like a squirrel through a tree:
"How <i>could</i> he refuse her four thousand pounds? And if she wouldn't
have it back,--well, what was he to do? She must be a horrible woman!"</p>
<h3>IV</h3>
<p>Both of them heard a heavy step pass up the staircase. It was Louisa's;
she paused to strike a match and light the gas on the landing; and went on.
But Sarah Gailey had given no sign, and the Watchetts were still shut in
the dining-room. All these middle-aged women were preoccupied by the affair
of George Cannon. All of them guessed now that Louisa's charge was not
unfounded--otherwise, why the mysterious and interminable interview between
George Cannon and Hilda in the bedroom? Hilda pictured them all. And she
thought: "But it is <i>I</i> who am in the bedroom with him! It is I who am
living through it and facing it out! They are all far older than me, but
they are outsiders. They don't know what life is!"</p>
<p>George rose, picked up a portmanteau, and threw it open on the bed.</p>
<p>"And what is to be done?" Hilda asked, trembling.</p>
<p>He turned and looked at her.</p>
<p>"I suppose I mustn't stay here?"</p>
<p>She shook her head, with lips pressed tight.</p>
<p>His voice was thick and obscure when he asked: "You won't come with
me?"</p>
<p>She shook her head again. She could not have spoken. She was in acute
torture.</p>
<p>"Well," he said, "I suppose I can count on you not to give me up to the
police?"</p>
<p>"The police?" she exclaimed. "Why?"</p>
<p>"Well, you know,--it's a three years' job--at least. Ever heard the word
'bigamy'?" His voice was slightly ironical.</p>
<p>"Oh dear!" she breathed, already disconcerted. It had positively not
occurred to her to consider the legal aspect of George's conduct.</p>
<p>"But what can you do?" she asked, with the innocent, ignorant
helplessness of a girl.</p>
<p>"I can disappear," he replied. "That's all I can do! I don't see myself
in prison. I went over Stafford Prison once. The Governor showed several of
us over. And I don't see myself in prison."</p>
<p>He began to cast things into the portmanteau, and as he did so he
proceeded, without a single glance at Hilda:</p>
<p>"You'll be all right for money and so on. But I should advise you to
leave here and not to come back any sooner than you can help. That's the
best thing you can do. And be Hilda Lessways again!... Sarah will have to
manage this place as best she can. Fortunately, her health's improved. She
can make it pay very well if she likes. It's a handsome living for her. My
deposit on the Chichester and so on will have to be forfeited."</p>
<p>"And you?" she murmured.</p>
<p>His back was towards her. He turned his head, looked at her
enigmatically for an instant, and resumed his packing.</p>
<p>She desired to help him with the packing, she desired to show him some
tenderness; her heart was cleft in two with pity; but she could not move;
some harshness of pride or vanity prevented her from moving.</p>
<p>When he had carelessly finished the portmanteau, he strode to the door,
opened it wide, and called out in a loud, firm voice:</p>
<p>"Louisa!"</p>
<p>A reply came weakly from the top floor:</p>
<p>"Yes, sir."</p>
<p>"I want you." He had a short way with Louisa.</p>
<p>After a brief delay, she came to the bedroom door.</p>
<p>"Run down to the King's Road and get me a cab," he said to her at the
door, as it were confidentially.</p>
<p>"Yes, sir." The woman was like a Christian slave.</p>
<p>"Here! Take the portmanteau down with you to the front door." He gave
her the portmanteau.</p>
<p>"Yes, sir."</p>
<p>She disappeared; and then there was the noise of the front door
opening.</p>
<p>George picked up his hat and abruptly left the room. Hilda moved to and
fro nervously, stiff with having stood still so long. She wondered how he,
and how she, would comport themselves in the ordeal of adieu. In a few
moments a cab drove up--Louisa had probably encountered it on the way.
Hilda waited, tense. Then she heard the cab driving off again. She rushed
aghast to the window. She saw the roof of the disappearing cab, and the
unwieldy portmanteau on it.... He had gone! He had gone without saying
good-bye! That was his device for simplifying the situation. It was
drastic, but it was magnificent. He had gone out of the house and out of
her life. As she gazed at the dim swaying roof of the cab, magically the
roof was taken off, and she could see the ravaged and stricken figure
within, sitting grimly in the dark between the wheels that rolled him away
from her. The vision was intolerable. She moved aside and wept
passionately. How could he help doing all he had done? She had possessed
him--the memories of his embrace told her how utterly! All that he had said
was true; and this being so, who could blame his conduct? He had only
risked and lost.</p>
<p>Sarah Gailey suddenly appeared in the room, and shut the door like a
conspirator.</p>
<p>"Then--" she began, terror-struck.</p>
<p>And Hilda nodded, ceasing to cry.</p>
<p>"Oh! My poor dear!" Sarah Gailey moaned feebly, her head bobbing with
its unconscious nervous movements. The sight of her worn, saddened features
sharpened Hilda's appreciation of her own girlishness and inexperience.</p>
<p>But despite the shock, despite her extreme misery, despite the anguish
and fear in her heart and the immense difficulty of the new situation into
which she was thus violently thrust, Hilda was not without consolation. She
felt none of the shame conventionally proper to a girl deceived. On the
contrary, deep within herself, she knew that the catastrophe was a
deliverance. She knew that fate had favoured her by absolving her from the
consequences of a tragic weakness and error. These thoughts inflamed and
rendered more beautiful the apprehensive pity for the real victim--now
affronted by a new danger, the menace of the law.</p>
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