<SPAN name='CHAPTER_XXVII'></SPAN><h2><SPAN name='Page_334'></SPAN>CHAPTER XXVII</h2>
<h2>THE END OF THE CASE</h2>
<br/>
<p>To Sylvester, head of the Identification Bureau, it seemed that the
world was tottering to its fall; but the rest of us, who had not
really at the bottom of our hearts, perhaps, believed in the
infallibility of the finger-print system, took it more calmly. And
presently we went upstairs to take a look at the contents of Silva's
secret cupboard. When he had first come to the house, Miss Vaughan
explained, he had been given carte-blanche in this suite of rooms. He
had them remodelled, installed the circular divan and crystal sphere,
selected the hangings, and had at the same time, no doubt, caused the
secret cupboard to be built.</p>
<p>Its contents were most interesting. There was a box of aerial bombs,
which Godfrey turned over to Simmonds with the injunction to go and
amuse himself. For Sylvester's contemplation and further confusion
were the gloves with which Silva had managed his parlour mystification
scheme, six pairs of them; and there was also the very simple
apparatus with which the finger-print reproductions had been made—an
apparatus, as Godfrey <SPAN name='Page_335'></SPAN>had suggested, similar in every way to that
used for making rubber stamps. There, too, were the plates of zinc
upon which the impressions of the prints had been etched with acid.
And, finally, there were various odds and ends of a juggler's outfit,
as well as various bottles of perfumes, essences, and liquids whose
properties we could not guess.</p>
<p>Godfrey looked at the gloves carefully, as though in search of
something, and at last selected one of them with a little exclamation
of satisfaction.</p>
<p>"I thought so!" he said, and held it up. "Look at this glove,
Sylvester. You see it has never been used—there is no ink on it. Do
you know what it is? It's the print of Swain's left hand."</p>
<p>Sylvester took it and looked at it.</p>
<p>"It's a left hand all right," he said. "But what makes you think it is
Swain's?"</p>
<p>"Because Silva expected to use both hands, till he learned that Swain
had injured one of his. But for that, the blood needed to make the
prints would have come from the victim, and Silva would have worn this
glove, too; but Swain's injury gave Silva a happy inspiration!
Wonderful man!" he added, half to himself.</p>
<p>Goldberger and Simmonds went on into the inner room to arrange for the
disposition of the <SPAN name='Page_336'></SPAN>body of Mahbub; but Godfrey and Miss Vaughan and I
turned back together, for we did not wish to see the Thug. At her
boudoir door Godfrey paused.</p>
<p>"The case is clear," he said, "from first to last, provided you can
supply us with a final detail, Miss Vaughan."</p>
<p>"What is that?" she asked.</p>
<p>"Did you write that note to Swain in your own room?"</p>
<p>"Yes."</p>
<p>"And will you show me the table at which you wrote it?"</p>
<p>"Certainly," and she opened the door. "Come in. I wrote it at that
little desk by the window."</p>
<p>Godfrey walked to it, picked up a blotting-book which lay upon it, and
turned over the leaves.</p>
<p>"Ah!" he said, after a moment. "I was sure of it. Here is the final
link. Have you a small hand-mirror, Miss Vaughan?"</p>
<p>She brought one from her toilet-table and handed it to him in evident
astonishment.</p>
<p>"What do you see in the mirror?" he asked, and held a page of the
blotting-book at an angle in front of it.</p>
<p>Miss Vaughan uttered an exclamation of surprise, as she read the words
reflected there:</p>
<div class='poem'><div class='stanza'><SPAN name='Page_337'></SPAN>
<span>MR. FREDERIC SWAIN,<br/></span>
<span class='i2'>1010 Fifth Avenue,<br/></span>
<span class='i5'>New York City.<br/></span></div>
<div class='stanza'>
<span>If not at this address,<br/></span>
<span>please try the Calumet Club.<br/></span></div>
</div>
<p>"'Tall oaks from little acorns grow,'" quoted Godfrey, tossing the
book back upon the desk. "But for the fact that you blotted the
envelope, Miss Vaughan, young Swain would never have been accused of
murder."</p>
<p>"I do not understand," she murmured.</p>
<p>"Don't you see," he pointed out, "the one question which we have been
unable to answer up to this moment has been this: how did Silva know
you were going to meet Swain? He had to know it, and know it several
hours before the meeting, in order to have those finger-prints ready.
I concluded, at last, that there <i>must</i> be a blotting-book—and there
it is."</p>
<p>Miss Vaughan stared at him.</p>
<p>"You seem to be a very wonderful man!" she said.</p>
<p>Godfrey laughed.</p>
<p>"It is my every-day business to reconstruct mysteries," he said.
"Shall I reconstruct this one?"</p>
<p>"Please do!" she begged, and motioned us to be seated.</p>
<p><SPAN name='Page_338'></SPAN>Godfrey's face was glowing with the sort of creative fire which, I
imagine, illumines the poet's brow at the moment of inspiration.</p>
<p>"Where did you first meet Silva?" he asked.</p>
<p>"In Paris."</p>
<p>"What was he doing there?"</p>
<p>"He was practising mysticism. My father went to consult him; he was
much impressed by him, and they became very intimate."</p>
<p>"And Silva, of course, at once saw the possibilities of exploiting an
immensely rich old man, whose mind was failing. So he comes here as
his instructor in Orientalism; he does some very marvellous things; by
continued hypnosis, he gets your father completely under his control.
He secures a promise of this estate and a great endowment; he causes
your father to make a will in which these bequests are specifically
stated. Then he hesitates, for during his residence in this house, a
new desire has been added to the old ones. It had not often been his
fortune to be thrown in daily contact with an innocent and beautiful
girl, and he ends by falling in love with you. He knows of your love
for Swain. He has caused Swain to be forbidden the house; but he finds
you still indifferent. At last, by means of his own entreaties and
your father's, he secures your consent to become his disciple. He
knows that, if once you <SPAN name='Page_339'></SPAN>consent to sit with him, he will, in the end,
dominate your will, also.</p>
<p>"But you ask for three days' delay, and this he grants. During every
moment of those three days, he will keep you under surveillance.
Almost at once, he guesses at your plan, for you return to the house,
you write a letter, and, the moment you leave your room, he enters it
and sees the impression on the blotter. He follows you into the
grounds, he sees you throw the letter over the wall, and suspects that
you are calling Swain to your aid. More than that, Lester," he added,
turning to me, "he saw you in the tree, and so kept up his midnight
fire-works, on the off-chance that you might be watching!"</p>
<p>"Yes; that explains that, too," I agreed thoughtfully.</p>
<p>"When he realises that you are asking your lover's aid," Godfrey
continued to Miss Vaughan, "a fiendish idea springs into his mind. If
Swain answers the call, if he enters the grounds, he will separate him
from you once for all by causing him to be found guilty of killing
your father. He hastens back to the house, tears the leaf from the
album of finger-prints and prepares the rubber gloves. That night, he
follows you when you leave the house; he overhears your talk in the
arbour; and he finds that there is another reason than that <SPAN name='Page_340'></SPAN>of
jealousy why he must act at once. If your father is found to be
insane, the will drawn up only three days before will be invalid.
Silva will lose everything—not only you, but the fortune already
within his grasp.</p>
<p>"He hurries to the house and tells your father of the rendezvous. Your
father rushes out and brings you back, after a bitter quarrel with
Swain, which Silva has, of course, foreseen. You come up to your room;
your father flings himself into his chair again. It is Silva who has
followed you—who has purposely made a noise in order that you might
think it was Swain. And he carries in his hand the blood-soaked
handkerchief which Swain dropped when he fled from the arbour.</p>
<p>"Up to this point," Godfrey went on, more slowly, "everything is
clear—every detail fits every other detail perfectly. But, in the
next step of the tragedy, one detail is uncertain—whose hand was it
drew the cord around your father's throat? I am inclined to think it
was Mahbub's. If Silva had done the deed, he would probably have
chosen a method less Oriental; but Mahbub, even under hypnotic
suggestion, would kill only in the way to which he was accustomed—with
a noose. Pardon me," he added, quickly, as she shrank into her chair,
"I have forgotten <SPAN name='Page_341'></SPAN>how repellent this must be to you. I have
spoken brutally."</p>
<p>"Please go on," she murmured. "It is right that I should hear it. I
can bear it."</p>
<p>"There is not much more to tell," said Godfrey, gently. "Whoever it
was that drew the cord, it was Silva who moistened the glove from the
blood-soaked handkerchief, made the marks upon your father's robe, and
then dropped the handkerchief beside his chair. Then he returned
softly to his room, closed the door, put away the glove, cleansed his
hands, made sure that Mahbub was in his closet, took his place upon
the divan, and waited. I think we know the rest. And now, Lester," he
added, turning to me, "we would better be getting to town. Remember,
Swain is still in the Tombs."</p>
<p>"You are right," I said, and rose to take my leave, but Miss Vaughan,
her eyes shining, stopped me with a hand upon the sleeve.</p>
<p>"I should like to go with you, Mr. Lester," she said. "May I?"</p>
<p>The colour deepened in her cheeks as she met my gaze, and I understood
what was in her heart. So did Godfrey.</p>
<p>"I'll have my car around in ten minutes," he said, and hastened away.</p>
<p>"I have only to put on my hat," said Miss<SPAN name='Page_342'></SPAN> Vaughan; and I found her
waiting for me in the library, when I entered it after arranging with
Simmonds and Goldberger to appear with me in the Tombs court and join
me in asking for Swain's release.</p>
<p>Godfrey's car came up the drive a moment later, and we were off.</p>
<p>The hour that followed was a silent one. Godfrey was soon sufficiently
occupied in guiding the car through the tangle of traffic. Miss
Vaughan leaned back in a corner of the tonneau lost in thought. It was
just six days since I had seen her first; but those six days had left
their mark upon her. Perhaps, in time, happiness would banish that
shadow from her eyes, and that tremulousness from her lips. Every
battle leaves its mark, even on the victor; and the battle she had
fought had been a desperate one. But, as I looked at her, she seemed
more complete, more desirable than she had ever been; I could only
hope that Swain would measure up to her.</p>
<p>At last, we drew up before the grey stone building, whose barred
windows and high wall marked the prison.</p>
<p>"Here we are," I said, and helped her to alight.</p>
<p>Godfrey greeted the door-keeper as an old friend, and, after a
whispered word, we were al<SPAN name='Page_343'></SPAN>lowed to pass. A guard showed us into a
bare waiting-room, and Godfrey hastened away to explain our errand to
the warden.</p>
<p>"Won't you sit down?" I asked, but my companion shook her head, with a
frightened little smile, and paced nervously up and down, her hands
against her heart. How riotously it was beating I could guess—with
what hope, what fear....</p>
<p>There was a quick step in the corridor, and she stood as if turned to
stone.</p>
<p>Then the door was flung open, and, with radiant face, she walked
straight into the outstretched arms of the man who stood there. I
heard her muffled sob, as the arms closed about her and she hid her
face against his shoulder; then a hand was laid upon my sleeve.</p>
<p>"Come along, Lester," said Godfrey softly. "This case is ended!"</p>
<p>THE END</p>
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