<SPAN name="startofbook"></SPAN>
<div class="fig"> <ANTIMG src="images/cover.jpg" style="width:100%;" alt="cover " /></div>
<h1>DUBLINERS</h1>
<h2>by James Joyce</h2>
<hr />
<h2>Contents</h2>
<table summary="" style="margin-right: auto; margin-left: auto">
<tr>
<td> <SPAN href="#chap01">The Sisters</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap02">An Encounter</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap03">Araby</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap04">Eveline</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap05">After the Race</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap06">Two Gallants</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap07">The Boarding House</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap08">A Little Cloud</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap09">Counterparts</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap10">Clay</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap11">A Painful Case</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap12">Ivy Day in the Committee Room</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap13">A Mother</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap14">Grace</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap15">The Dead</SPAN></td>
</tr>
</table>
<h2><SPAN name="chap01"></SPAN>THE SISTERS</h2>
<p>There was no hope for him this time: it was the third stroke. Night after night
I had passed the house (it was vacation time) and studied the lighted square of
window: and night after night I had found it lighted in the same way, faintly
and evenly. If he was dead, I thought, I would see the reflection of candles on
the darkened blind for I knew that two candles must be set at the head of a
corpse. He had often said to me: “I am not long for this world,”
and I had thought his words idle. Now I knew they were true. Every night as I
gazed up at the window I said softly to myself the word paralysis. It had
always sounded strangely in my ears, like the word gnomon in the Euclid and the
word simony in the Catechism. But now it sounded to me like the name of some
maleficent and sinful being. It filled me with fear, and yet I longed to be
nearer to it and to look upon its deadly work.</p>
<p>Old Cotter was sitting at the fire, smoking, when I came downstairs to supper.
While my aunt was ladling out my stirabout he said, as if returning to some
former remark of his:</p>
<p>“No, I wouldn’t say he was exactly ... but there was something
queer ... there was something uncanny about him. I’ll tell you my
opinion....”</p>
<p>He began to puff at his pipe, no doubt arranging his opinion in his mind.
Tiresome old fool! When we knew him first he used to be rather interesting,
talking of faints and worms; but I soon grew tired of him and his endless
stories about the distillery.</p>
<p>“I have my own theory about it,” he said. “I think it was one
of those ... peculiar cases.... But it’s hard to say....”</p>
<p>He began to puff again at his pipe without giving us his theory. My uncle saw
me staring and said to me:</p>
<p>“Well, so your old friend is gone, you’ll be sorry to hear.”</p>
<p>“Who?” said I.</p>
<p>“Father Flynn.”</p>
<p>“Is he dead?”</p>
<p>“Mr Cotter here has just told us. He was passing by the house.”</p>
<p>I knew that I was under observation so I continued eating as if the news had
not interested me. My uncle explained to old Cotter.</p>
<p>“The youngster and he were great friends. The old chap taught him a great
deal, mind you; and they say he had a great wish for him.”</p>
<p>“God have mercy on his soul,” said my aunt piously.</p>
<p>Old Cotter looked at me for a while. I felt that his little beady black eyes
were examining me but I would not satisfy him by looking up from my plate. He
returned to his pipe and finally spat rudely into the grate.</p>
<p>“I wouldn’t like children of mine,” he said, “to have
too much to say to a man like that.”</p>
<p>“How do you mean, Mr Cotter?” asked my aunt.</p>
<p>“What I mean is,” said old Cotter, “it’s bad for
children. My idea is: let a young lad run about and play with young lads of his
own age and not be.... Am I right, Jack?”</p>
<p>“That’s my principle, too,” said my uncle. “Let him
learn to box his corner. That’s what I’m always saying to that
Rosicrucian there: take exercise. Why, when I was a nipper every morning of my
life I had a cold bath, winter and summer. And that’s what stands to me
now. Education is all very fine and large.... Mr Cotter might take a pick of
that leg mutton,” he added to my aunt.</p>
<p>“No, no, not for me,” said old Cotter.</p>
<p>My aunt brought the dish from the safe and put it on the table.</p>
<p>“But why do you think it’s not good for children, Mr Cotter?”
she asked.</p>
<p>“It’s bad for children,” said old Cotter, “because
their minds are so impressionable. When children see things like that, you
know, it has an effect....”</p>
<p>I crammed my mouth with stirabout for fear I might give utterance to my anger.
Tiresome old red-nosed imbecile!</p>
<p>It was late when I fell asleep. Though I was angry with old Cotter for alluding
to me as a child, I puzzled my head to extract meaning from his unfinished
sentences. In the dark of my room I imagined that I saw again the heavy grey
face of the paralytic. I drew the blankets over my head and tried to think of
Christmas. But the grey face still followed me. It murmured; and I understood
that it desired to confess something. I felt my soul receding into some
pleasant and vicious region; and there again I found it waiting for me. It
began to confess to me in a murmuring voice and I wondered why it smiled
continually and why the lips were so moist with spittle. But then I remembered
that it had died of paralysis and I felt that I too was smiling feebly as if to
absolve the simoniac of his sin.</p>
<p>The next morning after breakfast I went down to look at the little house in
Great Britain Street. It was an unassuming shop, registered under the vague
name of <i>Drapery</i>. The drapery consisted mainly of children’s
bootees and umbrellas; and on ordinary days a notice used to hang in the
window, saying: <i>Umbrellas Re-covered</i>. No notice was visible now for the
shutters were up. A crape bouquet was tied to the door-knocker with ribbon. Two
poor women and a telegram boy were reading the card pinned on the crape. I also
approached and read:</p>
<p class="center">
July 1st, 1895<br/>
The Rev. James Flynn (formerly of S. Catherine’s<br/>
Church, Meath Street), aged sixty-five years.<br/>
<i>R. I. P.</i></p>
<p>The reading of the card persuaded me that he was dead and I was disturbed to
find myself at check. Had he not been dead I would have gone into the little
dark room behind the shop to find him sitting in his arm-chair by the fire,
nearly smothered in his great-coat. Perhaps my aunt would have given me a
packet of High Toast for him and this present would have roused him from his
stupefied doze. It was always I who emptied the packet into his black snuff-box
for his hands trembled too much to allow him to do this without spilling half
the snuff about the floor. Even as he raised his large trembling hand to his
nose little clouds of smoke dribbled through his fingers over the front of his
coat. It may have been these constant showers of snuff which gave his ancient
priestly garments their green faded look for the red handkerchief, blackened,
as it always was, with the snuff-stains of a week, with which he tried to brush
away the fallen grains, was quite inefficacious.</p>
<p>I wished to go in and look at him but I had not the courage to knock. I walked
away slowly along the sunny side of the street, reading all the theatrical
advertisements in the shop-windows as I went. I found it strange that neither I
nor the day seemed in a mourning mood and I felt even annoyed at discovering in
myself a sensation of freedom as if I had been freed from something by his
death. I wondered at this for, as my uncle had said the night before, he had
taught me a great deal. He had studied in the Irish college in Rome and he had
taught me to pronounce Latin properly. He had told me stories about the
catacombs and about Napoleon Bonaparte, and he had explained to me the meaning
of the different ceremonies of the Mass and of the different vestments worn by
the priest. Sometimes he had amused himself by putting difficult questions to
me, asking me what one should do in certain circumstances or whether such and
such sins were mortal or venial or only imperfections. His questions showed me
how complex and mysterious were certain institutions of the Church which I had
always regarded as the simplest acts. The duties of the priest towards the
Eucharist and towards the secrecy of the confessional seemed so grave to me
that I wondered how anybody had ever found in himself the courage to undertake
them; and I was not surprised when he told me that the fathers of the Church
had written books as thick as the <i>Post Office Directory</i> and as closely
printed as the law notices in the newspaper, elucidating all these intricate
questions. Often when I thought of this I could make no answer or only a very
foolish and halting one upon which he used to smile and nod his head twice or
thrice. Sometimes he used to put me through the responses of the Mass which he
had made me learn by heart; and, as I pattered, he used to smile pensively and
nod his head, now and then pushing huge pinches of snuff up each nostril
alternately. When he smiled he used to uncover his big discoloured teeth and
let his tongue lie upon his lower lip—a habit which had made me feel
uneasy in the beginning of our acquaintance before I knew him well.</p>
<p>As I walked along in the sun I remembered old Cotter’s words and tried to
remember what had happened afterwards in the dream. I remembered that I had
noticed long velvet curtains and a swinging lamp of antique fashion. I felt
that I had been very far away, in some land where the customs were
strange—in Persia, I thought.... But I could not remember the end of the
dream.</p>
<p>In the evening my aunt took me with her to visit the house of mourning. It was
after sunset; but the window-panes of the houses that looked to the west
reflected the tawny gold of a great bank of clouds. Nannie received us in the
hall; and, as it would have been unseemly to have shouted at her, my aunt shook
hands with her for all. The old woman pointed upwards interrogatively and, on
my aunt’s nodding, proceeded to toil up the narrow staircase before us,
her bowed head being scarcely above the level of the banister-rail. At the
first landing she stopped and beckoned us forward encouragingly towards the
open door of the dead-room. My aunt went in and the old woman, seeing that I
hesitated to enter, began to beckon to me again repeatedly with her hand.</p>
<p>I went in on tiptoe. The room through the lace end of the blind was suffused
with dusky golden light amid which the candles looked like pale thin flames. He
had been coffined. Nannie gave the lead and we three knelt down at the foot of
the bed. I pretended to pray but I could not gather my thoughts because the old
woman’s mutterings distracted me. I noticed how clumsily her skirt was
hooked at the back and how the heels of her cloth boots were trodden down all
to one side. The fancy came to me that the old priest was smiling as he lay
there in his coffin.</p>
<p>But no. When we rose and went up to the head of the bed I saw that he was not
smiling. There he lay, solemn and copious, vested as for the altar, his large
hands loosely retaining a chalice. His face was very truculent, grey and
massive, with black cavernous nostrils and circled by a scanty white fur. There
was a heavy odour in the room—the flowers.</p>
<p>We blessed ourselves and came away. In the little room downstairs we found
Eliza seated in his arm-chair in state. I groped my way towards my usual chair
in the corner while Nannie went to the sideboard and brought out a decanter of
sherry and some wine-glasses. She set these on the table and invited us to take
a little glass of wine. Then, at her sister’s bidding, she filled out the
sherry into the glasses and passed them to us. She pressed me to take some
cream crackers also but I declined because I thought I would make too much
noise eating them. She seemed to be somewhat disappointed at my refusal and
went over quietly to the sofa where she sat down behind her sister. No one
spoke: we all gazed at the empty fireplace.</p>
<p>My aunt waited until Eliza sighed and then said:</p>
<p>“Ah, well, he’s gone to a better world.”</p>
<p>Eliza sighed again and bowed her head in assent. My aunt fingered the stem of
her wine-glass before sipping a little.</p>
<p>“Did he ... peacefully?” she asked.</p>
<p>“Oh, quite peacefully, ma’am,” said Eliza. “You
couldn’t tell when the breath went out of him. He had a beautiful death,
God be praised.”</p>
<p>“And everything...?”</p>
<p>“Father O’Rourke was in with him a Tuesday and anointed him and
prepared him and all.”</p>
<p>“He knew then?”</p>
<p>“He was quite resigned.”</p>
<p>“He looks quite resigned,” said my aunt.</p>
<p>“That’s what the woman we had in to wash him said. She said he just
looked as if he was asleep, he looked that peaceful and resigned. No one would
think he’d make such a beautiful corpse.”</p>
<p>“Yes, indeed,” said my aunt.</p>
<p>She sipped a little more from her glass and said:</p>
<p>“Well, Miss Flynn, at any rate it must be a great comfort for you to know
that you did all you could for him. You were both very kind to him, I must
say.”</p>
<p>Eliza smoothed her dress over her knees.</p>
<p>“Ah, poor James!” she said. “God knows we done all we could,
as poor as we are—we wouldn’t see him want anything while he was in
it.”</p>
<p>Nannie had leaned her head against the sofa-pillow and seemed about to fall
asleep.</p>
<p>“There’s poor Nannie,” said Eliza, looking at her,
“she’s wore out. All the work we had, she and me, getting in the
woman to wash him and then laying him out and then the coffin and then
arranging about the Mass in the chapel. Only for Father O’Rourke I
don’t know what we’d have done at all. It was him brought us all
them flowers and them two candlesticks out of the chapel and wrote out the
notice for the <i>Freeman’s General</i> and took charge of all the papers
for the cemetery and poor James’s insurance.”</p>
<p>“Wasn’t that good of him?” said my aunt.</p>
<p>Eliza closed her eyes and shook her head slowly.</p>
<p>“Ah, there’s no friends like the old friends,” she said,
“when all is said and done, no friends that a body can trust.”</p>
<p>“Indeed, that’s true,” said my aunt. “And I’m
sure now that he’s gone to his eternal reward he won’t forget you
and all your kindness to him.”</p>
<p>“Ah, poor James!” said Eliza. “He was no great trouble to us.
You wouldn’t hear him in the house any more than now. Still, I know
he’s gone and all to that....”</p>
<p>“It’s when it’s all over that you’ll miss him,”
said my aunt.</p>
<p>“I know that,” said Eliza. “I won’t be bringing him in
his cup of beef-tea any more, nor you, ma’am, sending him his snuff. Ah,
poor James!”</p>
<p>She stopped, as if she were communing with the past and then said shrewdly:</p>
<p>“Mind you, I noticed there was something queer coming over him latterly.
Whenever I’d bring in his soup to him there I’d find him with his
breviary fallen to the floor, lying back in the chair and his mouth
open.”</p>
<p>She laid a finger against her nose and frowned: then she continued:</p>
<p>“But still and all he kept on saying that before the summer was over
he’d go out for a drive one fine day just to see the old house again
where we were all born down in Irishtown and take me and Nannie with him. If we
could only get one of them new-fangled carriages that makes no noise that
Father O’Rourke told him about, them with the rheumatic wheels, for the
day cheap—he said, at Johnny Rush’s over the way there and drive
out the three of us together of a Sunday evening. He had his mind set on
that.... Poor James!”</p>
<p>“The Lord have mercy on his soul!” said my aunt.</p>
<p>Eliza took out her handkerchief and wiped her eyes with it. Then she put it
back again in her pocket and gazed into the empty grate for some time without
speaking.</p>
<p>“He was too scrupulous always,” she said. “The duties of the
priesthood was too much for him. And then his life was, you might say,
crossed.”</p>
<p>“Yes,” said my aunt. “He was a disappointed man. You could
see that.”</p>
<p>A silence took possession of the little room and, under cover of it, I
approached the table and tasted my sherry and then returned quietly to my chair
in the corner. Eliza seemed to have fallen into a deep revery. We waited
respectfully for her to break the silence: and after a long pause she said
slowly:</p>
<p>“It was that chalice he broke.... That was the beginning of it. Of
course, they say it was all right, that it contained nothing, I mean. But
still.... They say it was the boy’s fault. But poor James was so nervous,
God be merciful to him!”</p>
<p>“And was that it?” said my aunt. “I heard
something....”</p>
<p>Eliza nodded.</p>
<p>“That affected his mind,” she said. “After that he began to
mope by himself, talking to no one and wandering about by himself. So one night
he was wanted for to go on a call and they couldn’t find him anywhere.
They looked high up and low down; and still they couldn’t see a sight of
him anywhere. So then the clerk suggested to try the chapel. So then they got
the keys and opened the chapel and the clerk and Father O’Rourke and
another priest that was there brought in a light for to look for him.... And
what do you think but there he was, sitting up by himself in the dark in his
confession-box, wide-awake and laughing-like softly to himself?”</p>
<p>She stopped suddenly as if to listen. I too listened; but there was no sound in
the house: and I knew that the old priest was lying still in his coffin as we
had seen him, solemn and truculent in death, an idle chalice on his breast.</p>
<p>Eliza resumed:</p>
<p>“Wide-awake and laughing-like to himself.... So then, of course, when
they saw that, that made them think that there was something gone wrong with
him....”</p>
<h2><SPAN name="chap02"></SPAN>AN ENCOUNTER</h2>
<p>It was Joe Dillon who introduced the Wild West to us. He had a little library
made up of old numbers of <i>The Union Jack</i>, <i>Pluck</i> and <i>The
Halfpenny Marvel</i>. Every evening after school we met in his back garden and
arranged Indian battles. He and his fat young brother Leo, the idler, held the
loft of the stable while we tried to carry it by storm; or we fought a pitched
battle on the grass. But, however well we fought, we never won siege or battle
and all our bouts ended with Joe Dillon’s war dance of victory. His
parents went to eight-o’clock mass every morning in Gardiner Street and
the peaceful odour of Mrs Dillon was prevalent in the hall of the house. But he
played too fiercely for us who were younger and more timid. He looked like some
kind of an Indian when he capered round the garden, an old tea-cosy on his
head, beating a tin with his fist and yelling:</p>
<p>“Ya! yaka, yaka, yaka!”</p>
<p>Everyone was incredulous when it was reported that he had a vocation for the
priesthood. Nevertheless it was true.</p>
<p>A spirit of unruliness diffused itself among us and, under its influence,
differences of culture and constitution were waived. We banded ourselves
together, some boldly, some in jest and some almost in fear: and of the number
of these latter, the reluctant Indians who were afraid to seem studious or
lacking in robustness, I was one. The adventures related in the literature of
the Wild West were remote from my nature but, at least, they opened doors of
escape. I liked better some American detective stories which were traversed
from time to time by unkempt fierce and beautiful girls. Though there was
nothing wrong in these stories and though their intention was sometimes
literary they were circulated secretly at school. One day when Father Butler
was hearing the four pages of Roman History clumsy Leo Dillon was discovered
with a copy of <i>The Halfpenny Marvel</i>.</p>
<p>“This page or this page? This page? Now, Dillon, up! <i>‘Hardly had
the day’....</i> Go on! What day? <i>‘Hardly had the day
dawned’....</i> Have you studied it? What have you there in your
pocket?”</p>
<p>Everyone’s heart palpitated as Leo Dillon handed up the paper and
everyone assumed an innocent face. Father Butler turned over the pages,
frowning.</p>
<p>“What is this rubbish?” he said. “<i>The Apache Chief!</i> Is
this what you read instead of studying your Roman History? Let me not find any
more of this wretched stuff in this college. The man who wrote it, I suppose,
was some wretched fellow who writes these things for a drink. I’m
surprised at boys like you, educated, reading such stuff. I could understand it
if you were ... National School boys. Now, Dillon, I advise you strongly, get
at your work or....”</p>
<p>This rebuke during the sober hours of school paled much of the glory of the
Wild West for me and the confused puffy face of Leo Dillon awakened one of my
consciences. But when the restraining influence of the school was at a distance
I began to hunger again for wild sensations, for the escape which those
chronicles of disorder alone seemed to offer me. The mimic warfare of the
evening became at last as wearisome to me as the routine of school in the
morning because I wanted real adventures to happen to myself. But real
adventures, I reflected, do not happen to people who remain at home: they must
be sought abroad.</p>
<p>The summer holidays were near at hand when I made up my mind to break out of
the weariness of school-life for one day at least. With Leo Dillon and a boy
named Mahony I planned a day’s miching. Each of us saved up sixpence. We
were to meet at ten in the morning on the Canal Bridge. Mahony’s big
sister was to write an excuse for him and Leo Dillon was to tell his brother to
say he was sick. We arranged to go along the Wharf Road until we came to the
ships, then to cross in the ferryboat and walk out to see the Pigeon House. Leo
Dillon was afraid we might meet Father Butler or someone out of the college;
but Mahony asked, very sensibly, what would Father Butler be doing out at the
Pigeon House. We were reassured: and I brought the first stage of the plot to
an end by collecting sixpence from the other two, at the same time showing them
my own sixpence. When we were making the last arrangements on the eve we were
all vaguely excited. We shook hands, laughing, and Mahony said:</p>
<p>“Till tomorrow, mates!”</p>
<p>That night I slept badly. In the morning I was first-comer to the bridge as I
lived nearest. I hid my books in the long grass near the ashpit at the end of
the garden where nobody ever came and hurried along the canal bank. It was a
mild sunny morning in the first week of June. I sat up on the coping of the
bridge admiring my frail canvas shoes which I had diligently pipeclayed
overnight and watching the docile horses pulling a tramload of business people
up the hill. All the branches of the tall trees which lined the mall were gay
with little light green leaves and the sunlight slanted through them on to the
water. The granite stone of the bridge was beginning to be warm and I began to
pat it with my hands in time to an air in my head. I was very happy.</p>
<p>When I had been sitting there for five or ten minutes I saw Mahony’s grey
suit approaching. He came up the hill, smiling, and clambered up beside me on
the bridge. While we were waiting he brought out the catapult which bulged from
his inner pocket and explained some improvements which he had made in it. I
asked him why he had brought it and he told me he had brought it to have some
gas with the birds. Mahony used slang freely, and spoke of Father Butler as Old
Bunser. We waited on for a quarter of an hour more but still there was no sign
of Leo Dillon. Mahony, at last, jumped down and said:</p>
<p>“Come along. I knew Fatty’d funk it.”</p>
<p>“And his sixpence...?” I said.</p>
<p>“That’s forfeit,” said Mahony. “And so much the better
for us—a bob and a tanner instead of a bob.”</p>
<p>We walked along the North Strand Road till we came to the Vitriol Works and
then turned to the right along the Wharf Road. Mahony began to play the Indian
as soon as we were out of public sight. He chased a crowd of ragged girls,
brandishing his unloaded catapult and, when two ragged boys began, out of
chivalry, to fling stones at us, he proposed that we should charge them. I
objected that the boys were too small and so we walked on, the ragged troop
screaming after us: <i>“Swaddlers! Swaddlers!”</i> thinking that we
were Protestants because Mahony, who was dark-complexioned, wore the silver
badge of a cricket club in his cap. When we came to the Smoothing Iron we
arranged a siege; but it was a failure because you must have at least three. We
revenged ourselves on Leo Dillon by saying what a funk he was and guessing how
many he would get at three o’clock from Mr Ryan.</p>
<p>We came then near the river. We spent a long time walking about the noisy
streets flanked by high stone walls, watching the working of cranes and engines
and often being shouted at for our immobility by the drivers of groaning carts.
It was noon when we reached the quays and, as all the labourers seemed to be
eating their lunches, we bought two big currant buns and sat down to eat them
on some metal piping beside the river. We pleased ourselves with the spectacle
of Dublin’s commerce—the barges signalled from far away by their
curls of woolly smoke, the brown fishing fleet beyond Ringsend, the big white
sailing-vessel which was being discharged on the opposite quay. Mahony said it
would be right skit to run away to sea on one of those big ships and even I,
looking at the high masts, saw, or imagined, the geography which had been
scantily dosed to me at school gradually taking substance under my eyes. School
and home seemed to recede from us and their influences upon us seemed to wane.</p>
<p>We crossed the Liffey in the ferryboat, paying our toll to be transported in
the company of two labourers and a little Jew with a bag. We were serious to
the point of solemnity, but once during the short voyage our eyes met and we
laughed. When we landed we watched the discharging of the graceful threemaster
which we had observed from the other quay. Some bystander said that she was a
Norwegian vessel. I went to the stern and tried to decipher the legend upon it
but, failing to do so, I came back and examined the foreign sailors to see had
any of them green eyes for I had some confused notion.... The sailors’
eyes were blue and grey and even black. The only sailor whose eyes could have
been called green was a tall man who amused the crowd on the quay by calling
out cheerfully every time the planks fell:</p>
<p>“All right! All right!”</p>
<p>When we were tired of this sight we wandered slowly into Ringsend. The day had
grown sultry, and in the windows of the grocers’ shops musty biscuits lay
bleaching. We bought some biscuits and chocolate which we ate sedulously as we
wandered through the squalid streets where the families of the fishermen live.
We could find no dairy and so we went into a huckster’s shop and bought a
bottle of raspberry lemonade each. Refreshed by this, Mahony chased a cat down
a lane, but the cat escaped into a wide field. We both felt rather tired and
when we reached the field we made at once for a sloping bank over the ridge of
which we could see the Dodder.</p>
<p>It was too late and we were too tired to carry out our project of visiting the
Pigeon House. We had to be home before four o’clock lest our adventure
should be discovered. Mahony looked regretfully at his catapult and I had to
suggest going home by train before he regained any cheerfulness. The sun went
in behind some clouds and left us to our jaded thoughts and the crumbs of our
provisions.</p>
<p>There was nobody but ourselves in the field. When we had lain on the bank for
some time without speaking I saw a man approaching from the far end of the
field. I watched him lazily as I chewed one of those green stems on which girls
tell fortunes. He came along by the bank slowly. He walked with one hand upon
his hip and in the other hand he held a stick with which he tapped the turf
lightly. He was shabbily dressed in a suit of greenish-black and wore what we
used to call a jerry hat with a high crown. He seemed to be fairly old for his
moustache was ashen-grey. When he passed at our feet he glanced up at us
quickly and then continued his way. We followed him with our eyes and saw that
when he had gone on for perhaps fifty paces he turned about and began to
retrace his steps. He walked towards us very slowly, always tapping the ground
with his stick, so slowly that I thought he was looking for something in the
grass.</p>
<p>He stopped when he came level with us and bade us good-day. We answered him and
he sat down beside us on the slope slowly and with great care. He began to talk
of the weather, saying that it would be a very hot summer and adding that the
seasons had changed greatly since he was a boy—a long time ago. He said
that the happiest time of one’s life was undoubtedly one’s
schoolboy days and that he would give anything to be young again. While he
expressed these sentiments which bored us a little we kept silent. Then he
began to talk of school and of books. He asked us whether we had read the
poetry of Thomas Moore or the works of Sir Walter Scott and Lord Lytton. I
pretended that I had read every book he mentioned so that in the end he said:</p>
<p>“Ah, I can see you are a bookworm like myself. Now,” he added,
pointing to Mahony who was regarding us with open eyes, “he is different;
he goes in for games.”</p>
<p>He said he had all Sir Walter Scott’s works and all Lord Lytton’s
works at home and never tired of reading them. “Of course,” he
said, “there were some of Lord Lytton’s works which boys
couldn’t read.” Mahony asked why couldn’t boys read
them—a question which agitated and pained me because I was afraid the man
would think I was as stupid as Mahony. The man, however, only smiled. I saw
that he had great gaps in his mouth between his yellow teeth. Then he asked us
which of us had the most sweethearts. Mahony mentioned lightly that he had
three totties. The man asked me how many had I. I answered that I had none. He
did not believe me and said he was sure I must have one. I was silent.</p>
<p>“Tell us,” said Mahony pertly to the man, “how many have you
yourself?”</p>
<p>The man smiled as before and said that when he was our age he had lots of
sweethearts.</p>
<p>“Every boy,” he said, “has a little sweetheart.”</p>
<p>His attitude on this point struck me as strangely liberal in a man of his age.
In my heart I thought that what he said about boys and sweethearts was
reasonable. But I disliked the words in his mouth and I wondered why he
shivered once or twice as if he feared something or felt a sudden chill. As he
proceeded I noticed that his accent was good. He began to speak to us about
girls, saying what nice soft hair they had and how soft their hands were and
how all girls were not so good as they seemed to be if one only knew. There was
nothing he liked, he said, so much as looking at a nice young girl, at her nice
white hands and her beautiful soft hair. He gave me the impression that he was
repeating something which he had learned by heart or that, magnetised by some
words of his own speech, his mind was slowly circling round and round in the
same orbit. At times he spoke as if he were simply alluding to some fact that
everybody knew, and at times he lowered his voice and spoke mysteriously as if
he were telling us something secret which he did not wish others to overhear.
He repeated his phrases over and over again, varying them and surrounding them
with his monotonous voice. I continued to gaze towards the foot of the slope,
listening to him.</p>
<p>After a long while his monologue paused. He stood up slowly, saying that he had
to leave us for a minute or so, a few minutes, and, without changing the
direction of my gaze, I saw him walking slowly away from us towards the near
end of the field. We remained silent when he had gone. After a silence of a few
minutes I heard Mahony exclaim:</p>
<p>“I say! Look what he’s doing!”</p>
<p>As I neither answered nor raised my eyes Mahony exclaimed again:</p>
<p>“I say.... He’s a queer old josser!”</p>
<p>“In case he asks us for our names,” I said, “let you be
Murphy and I’ll be Smith.”</p>
<p>We said nothing further to each other. I was still considering whether I would
go away or not when the man came back and sat down beside us again. Hardly had
he sat down when Mahony, catching sight of the cat which had escaped him,
sprang up and pursued her across the field. The man and I watched the chase.
The cat escaped once more and Mahony began to throw stones at the wall she had
escaladed. Desisting from this, he began to wander about the far end of the
field, aimlessly.</p>
<p>After an interval the man spoke to me. He said that my friend was a very rough
boy and asked did he get whipped often at school. I was going to reply
indignantly that we were not National School boys to be whipped, as he called
it; but I remained silent. He began to speak on the subject of chastising boys.
His mind, as if magnetised again by his speech, seemed to circle slowly round
and round its new centre. He said that when boys were that kind they ought to
be whipped and well whipped. When a boy was rough and unruly there was nothing
would do him any good but a good sound whipping. A slap on the hand or a box on
the ear was no good: what he wanted was to get a nice warm whipping. I was
surprised at this sentiment and involuntarily glanced up at his face. As I did
so I met the gaze of a pair of bottle-green eyes peering at me from under a
twitching forehead. I turned my eyes away again.</p>
<p>The man continued his monologue. He seemed to have forgotten his recent
liberalism. He said that if ever he found a boy talking to girls or having a
girl for a sweetheart he would whip him and whip him; and that would teach him
not to be talking to girls. And if a boy had a girl for a sweetheart and told
lies about it then he would give him such a whipping as no boy ever got in this
world. He said that there was nothing in this world he would like so well as
that. He described to me how he would whip such a boy as if he were unfolding
some elaborate mystery. He would love that, he said, better than anything in
this world; and his voice, as he led me monotonously through the mystery, grew
almost affectionate and seemed to plead with me that I should understand him.</p>
<p>I waited till his monologue paused again. Then I stood up abruptly. Lest I
should betray my agitation I delayed a few moments pretending to fix my shoe
properly and then, saying that I was obliged to go, I bade him good-day. I went
up the slope calmly but my heart was beating quickly with fear that he would
seize me by the ankles. When I reached the top of the slope I turned round and,
without looking at him, called loudly across the field:</p>
<p>“Murphy!”</p>
<p>My voice had an accent of forced bravery in it and I was ashamed of my paltry
stratagem. I had to call the name again before Mahony saw me and hallooed in
answer. How my heart beat as he came running across the field to me! He ran as
if to bring me aid. And I was penitent; for in my heart I had always despised
him a little.</p>
<h2><SPAN name="chap03"></SPAN>ARABY</h2>
<p>North Richmond Street, being blind, was a quiet street except at the hour when
the Christian Brothers’ School set the boys free. An uninhabited house of
two storeys stood at the blind end, detached from its neighbours in a square
ground. The other houses of the street, conscious of decent lives within them,
gazed at one another with brown imperturbable faces.</p>
<p>The former tenant of our house, a priest, had died in the back drawing-room.
Air, musty from having been long enclosed, hung in all the rooms, and the waste
room behind the kitchen was littered with old useless papers. Among these I
found a few paper-covered books, the pages of which were curled and damp:
<i>The Abbot</i>, by Walter Scott, <i>The Devout Communicant</i> and <i>The
Memoirs of Vidocq</i>. I liked the last best because its leaves were yellow.
The wild garden behind the house contained a central apple-tree and a few
straggling bushes under one of which I found the late tenant’s rusty
bicycle-pump. He had been a very charitable priest; in his will he had left all
his money to institutions and the furniture of his house to his sister.</p>
<p>When the short days of winter came dusk fell before we had well eaten our
dinners. When we met in the street the houses had grown sombre. The space of
sky above us was the colour of ever-changing violet and towards it the lamps of
the street lifted their feeble lanterns. The cold air stung us and we played
till our bodies glowed. Our shouts echoed in the silent street. The career of
our play brought us through the dark muddy lanes behind the houses where we ran
the gauntlet of the rough tribes from the cottages, to the back doors of the
dark dripping gardens where odours arose from the ashpits, to the dark odorous
stables where a coachman smoothed and combed the horse or shook music from the
buckled harness. When we returned to the street light from the kitchen windows
had filled the areas. If my uncle was seen turning the corner we hid in the
shadow until we had seen him safely housed. Or if Mangan’s sister came
out on the doorstep to call her brother in to his tea we watched her from our
shadow peer up and down the street. We waited to see whether she would remain
or go in and, if she remained, we left our shadow and walked up to
Mangan’s steps resignedly. She was waiting for us, her figure defined by
the light from the half-opened door. Her brother always teased her before he
obeyed and I stood by the railings looking at her. Her dress swung as she moved
her body and the soft rope of her hair tossed from side to side.</p>
<p>Every morning I lay on the floor in the front parlour watching her door. The
blind was pulled down to within an inch of the sash so that I could not be
seen. When she came out on the doorstep my heart leaped. I ran to the hall,
seized my books and followed her. I kept her brown figure always in my eye and,
when we came near the point at which our ways diverged, I quickened my pace and
passed her. This happened morning after morning. I had never spoken to her,
except for a few casual words, and yet her name was like a summons to all my
foolish blood.</p>
<p>Her image accompanied me even in places the most hostile to romance. On
Saturday evenings when my aunt went marketing I had to go to carry some of the
parcels. We walked through the flaring streets, jostled by drunken men and
bargaining women, amid the curses of labourers, the shrill litanies of
shop-boys who stood on guard by the barrels of pigs’ cheeks, the nasal
chanting of street-singers, who sang a <i>come-all-you</i> about
O’Donovan Rossa, or a ballad about the troubles in our native land. These
noises converged in a single sensation of life for me: I imagined that I bore
my chalice safely through a throng of foes. Her name sprang to my lips at
moments in strange prayers and praises which I myself did not understand. My
eyes were often full of tears (I could not tell why) and at times a flood from
my heart seemed to pour itself out into my bosom. I thought little of the
future. I did not know whether I would ever speak to her or not or, if I spoke
to her, how I could tell her of my confused adoration. But my body was like a
harp and her words and gestures were like fingers running upon the wires.</p>
<p>One evening I went into the back drawing-room in which the priest had died. It
was a dark rainy evening and there was no sound in the house. Through one of
the broken panes I heard the rain impinge upon the earth, the fine incessant
needles of water playing in the sodden beds. Some distant lamp or lighted
window gleamed below me. I was thankful that I could see so little. All my
senses seemed to desire to veil themselves and, feeling that I was about to
slip from them, I pressed the palms of my hands together until they trembled,
murmuring: <i>“O love! O love!”</i> many times.</p>
<p>At last she spoke to me. When she addressed the first words to me I was so
confused that I did not know what to answer. She asked me was I going to
<i>Araby</i>. I forgot whether I answered yes or no. It would be a splendid
bazaar, she said; she would love to go.</p>
<p>“And why can’t you?” I asked.</p>
<p>While she spoke she turned a silver bracelet round and round her wrist. She
could not go, she said, because there would be a retreat that week in her
convent. Her brother and two other boys were fighting for their caps and I was
alone at the railings. She held one of the spikes, bowing her head towards me.
The light from the lamp opposite our door caught the white curve of her neck,
lit up her hair that rested there and, falling, lit up the hand upon the
railing. It fell over one side of her dress and caught the white border of a
petticoat, just visible as she stood at ease.</p>
<p>“It’s well for you,” she said.</p>
<p>“If I go,” I said, “I will bring you something.”</p>
<p>What innumerable follies laid waste my waking and sleeping thoughts after that
evening! I wished to annihilate the tedious intervening days. I chafed against
the work of school. At night in my bedroom and by day in the classroom her
image came between me and the page I strove to read. The syllables of the word
<i>Araby</i> were called to me through the silence in which my soul luxuriated
and cast an Eastern enchantment over me. I asked for leave to go to the bazaar
on Saturday night. My aunt was surprised and hoped it was not some Freemason
affair. I answered few questions in class. I watched my master’s face
pass from amiability to sternness; he hoped I was not beginning to idle. I
could not call my wandering thoughts together. I had hardly any patience with
the serious work of life which, now that it stood between me and my desire,
seemed to me child’s play, ugly monotonous child’s play.</p>
<p>On Saturday morning I reminded my uncle that I wished to go to the bazaar in
the evening. He was fussing at the hallstand, looking for the hat-brush, and
answered me curtly:</p>
<p>“Yes, boy, I know.”</p>
<p>As he was in the hall I could not go into the front parlour and lie at the
window. I left the house in bad humour and walked slowly towards the school.
The air was pitilessly raw and already my heart misgave me.</p>
<p>When I came home to dinner my uncle had not yet been home. Still it was early.
I sat staring at the clock for some time and, when its ticking began to
irritate me, I left the room. I mounted the staircase and gained the upper part
of the house. The high cold empty gloomy rooms liberated me and I went from
room to room singing. From the front window I saw my companions playing below
in the street. Their cries reached me weakened and indistinct and, leaning my
forehead against the cool glass, I looked over at the dark house where she
lived. I may have stood there for an hour, seeing nothing but the brown-clad
figure cast by my imagination, touched discreetly by the lamplight at the
curved neck, at the hand upon the railings and at the border below the dress.</p>
<p>When I came downstairs again I found Mrs Mercer sitting at the fire. She was an
old garrulous woman, a pawnbroker’s widow, who collected used stamps for
some pious purpose. I had to endure the gossip of the tea-table. The meal was
prolonged beyond an hour and still my uncle did not come. Mrs Mercer stood up
to go: she was sorry she couldn’t wait any longer, but it was after eight
o’clock and she did not like to be out late as the night air was bad for
her. When she had gone I began to walk up and down the room, clenching my
fists. My aunt said:</p>
<p>“I’m afraid you may put off your bazaar for this night of Our
Lord.”</p>
<p>At nine o’clock I heard my uncle’s latchkey in the halldoor. I
heard him talking to himself and heard the hallstand rocking when it had
received the weight of his overcoat. I could interpret these signs. When he was
midway through his dinner I asked him to give me the money to go to the bazaar.
He had forgotten.</p>
<p>“The people are in bed and after their first sleep now,” he said.</p>
<p>I did not smile. My aunt said to him energetically:</p>
<p>“Can’t you give him the money and let him go? You’ve kept him
late enough as it is.”</p>
<p>My uncle said he was very sorry he had forgotten. He said he believed in the
old saying: “All work and no play makes Jack a dull boy.” He asked
me where I was going and, when I had told him a second time he asked me did I
know <i>The Arab’s Farewell to his Steed</i>. When I left the kitchen he
was about to recite the opening lines of the piece to my aunt.</p>
<p>I held a florin tightly in my hand as I strode down Buckingham Street towards
the station. The sight of the streets thronged with buyers and glaring with gas
recalled to me the purpose of my journey. I took my seat in a third-class
carriage of a deserted train. After an intolerable delay the train moved out of
the station slowly. It crept onward among ruinous houses and over the twinkling
river. At Westland Row Station a crowd of people pressed to the carriage doors;
but the porters moved them back, saying that it was a special train for the
bazaar. I remained alone in the bare carriage. In a few minutes the train drew
up beside an improvised wooden platform. I passed out on to the road and saw by
the lighted dial of a clock that it was ten minutes to ten. In front of me was
a large building which displayed the magical name.</p>
<p>I could not find any sixpenny entrance and, fearing that the bazaar would be
closed, I passed in quickly through a turnstile, handing a shilling to a
weary-looking man. I found myself in a big hall girdled at half its height by a
gallery. Nearly all the stalls were closed and the greater part of the hall was
in darkness. I recognised a silence like that which pervades a church after a
service. I walked into the centre of the bazaar timidly. A few people were
gathered about the stalls which were still open. Before a curtain, over which
the words <i>Café Chantant</i> were written in coloured lamps, two men were
counting money on a salver. I listened to the fall of the coins.</p>
<p>Remembering with difficulty why I had come I went over to one of the stalls and
examined porcelain vases and flowered tea-sets. At the door of the stall a
young lady was talking and laughing with two young gentlemen. I remarked their
English accents and listened vaguely to their conversation.</p>
<p>“O, I never said such a thing!”</p>
<p>“O, but you did!”</p>
<p>“O, but I didn’t!”</p>
<p>“Didn’t she say that?”</p>
<p>“Yes. I heard her.”</p>
<p>“O, there’s a ... fib!”</p>
<p>Observing me the young lady came over and asked me did I wish to buy anything.
The tone of her voice was not encouraging; she seemed to have spoken to me out
of a sense of duty. I looked humbly at the great jars that stood like eastern
guards at either side of the dark entrance to the stall and murmured:</p>
<p>“No, thank you.”</p>
<p>The young lady changed the position of one of the vases and went back to the
two young men. They began to talk of the same subject. Once or twice the young
lady glanced at me over her shoulder.</p>
<p>I lingered before her stall, though I knew my stay was useless, to make my
interest in her wares seem the more real. Then I turned away slowly and walked
down the middle of the bazaar. I allowed the two pennies to fall against the
sixpence in my pocket. I heard a voice call from one end of the gallery that
the light was out. The upper part of the hall was now completely dark.</p>
<p>Gazing up into the darkness I saw myself as a creature driven and derided by
vanity; and my eyes burned with anguish and anger.</p>
<h2><SPAN name="chap04"></SPAN>EVELINE</h2>
<p>She sat at the window watching the evening invade the avenue. Her head was
leaned against the window curtains and in her nostrils was the odour of dusty
cretonne. She was tired.</p>
<p>Few people passed. The man out of the last house passed on his way home; she
heard his footsteps clacking along the concrete pavement and afterwards
crunching on the cinder path before the new red houses. One time there used to
be a field there in which they used to play every evening with other
people’s children. Then a man from Belfast bought the field and built
houses in it—not like their little brown houses but bright brick houses
with shining roofs. The children of the avenue used to play together in that
field—the Devines, the Waters, the Dunns, little Keogh the cripple, she
and her brothers and sisters. Ernest, however, never played: he was too grown
up. Her father used often to hunt them in out of the field with his blackthorn
stick; but usually little Keogh used to keep <i>nix</i> and call out when he
saw her father coming. Still they seemed to have been rather happy then. Her
father was not so bad then; and besides, her mother was alive. That was a long
time ago; she and her brothers and sisters were all grown up; her mother was
dead. Tizzie Dunn was dead, too, and the Waters had gone back to England.
Everything changes. Now she was going to go away like the others, to leave her
home.</p>
<p>Home! She looked round the room, reviewing all its familiar objects which she
had dusted once a week for so many years, wondering where on earth all the dust
came from. Perhaps she would never see again those familiar objects from which
she had never dreamed of being divided. And yet during all those years she had
never found out the name of the priest whose yellowing photograph hung on the
wall above the broken harmonium beside the coloured print of the promises made
to Blessed Margaret Mary Alacoque. He had been a school friend of her father.
Whenever he showed the photograph to a visitor her father used to pass it with
a casual word:</p>
<p>“He is in Melbourne now.”</p>
<p>She had consented to go away, to leave her home. Was that wise? She tried to
weigh each side of the question. In her home anyway she had shelter and food;
she had those whom she had known all her life about her. Of course she had to
work hard, both in the house and at business. What would they say of her in the
Stores when they found out that she had run away with a fellow? Say she was a
fool, perhaps; and her place would be filled up by advertisement. Miss Gavan
would be glad. She had always had an edge on her, especially whenever there
were people listening.</p>
<p>“Miss Hill, don’t you see these ladies are waiting?”</p>
<p>“Look lively, Miss Hill, please.”</p>
<p>She would not cry many tears at leaving the Stores.</p>
<p>But in her new home, in a distant unknown country, it would not be like that.
Then she would be married—she, Eveline. People would treat her with
respect then. She would not be treated as her mother had been. Even now, though
she was over nineteen, she sometimes felt herself in danger of her
father’s violence. She knew it was that that had given her the
palpitations. When they were growing up he had never gone for her like he used
to go for Harry and Ernest, because she was a girl; but latterly he had begun
to threaten her and say what he would do to her only for her dead
mother’s sake. And now she had nobody to protect her. Ernest was dead and
Harry, who was in the church decorating business, was nearly always down
somewhere in the country. Besides, the invariable squabble for money on
Saturday nights had begun to weary her unspeakably. She always gave her entire
wages—seven shillings—and Harry always sent up what he could but
the trouble was to get any money from her father. He said she used to squander
the money, that she had no head, that he wasn’t going to give her his
hard-earned money to throw about the streets, and much more, for he was usually
fairly bad of a Saturday night. In the end he would give her the money and ask
her had she any intention of buying Sunday’s dinner. Then she had to rush
out as quickly as she could and do her marketing, holding her black leather
purse tightly in her hand as she elbowed her way through the crowds and
returning home late under her load of provisions. She had hard work to keep the
house together and to see that the two young children who had been left to her
charge went to school regularly and got their meals regularly. It was hard
work—a hard life—but now that she was about to leave it she did not
find it a wholly undesirable life.</p>
<p>She was about to explore another life with Frank. Frank was very kind, manly,
open-hearted. She was to go away with him by the night-boat to be his wife and
to live with him in Buenos Ayres where he had a home waiting for her. How well
she remembered the first time she had seen him; he was lodging in a house on
the main road where she used to visit. It seemed a few weeks ago. He was
standing at the gate, his peaked cap pushed back on his head and his hair
tumbled forward over a face of bronze. Then they had come to know each other.
He used to meet her outside the Stores every evening and see her home. He took
her to see <i>The Bohemian Girl</i> and she felt elated as she sat in an
unaccustomed part of the theatre with him. He was awfully fond of music and
sang a little. People knew that they were courting and, when he sang about the
lass that loves a sailor, she always felt pleasantly confused. He used to call
her Poppens out of fun. First of all it had been an excitement for her to have
a fellow and then she had begun to like him. He had tales of distant countries.
He had started as a deck boy at a pound a month on a ship of the Allan Line
going out to Canada. He told her the names of the ships he had been on and the
names of the different services. He had sailed through the Straits of Magellan
and he told her stories of the terrible Patagonians. He had fallen on his feet
in Buenos Ayres, he said, and had come over to the old country just for a
holiday. Of course, her father had found out the affair and had forbidden her
to have anything to say to him.</p>
<p>“I know these sailor chaps,” he said.</p>
<p>One day he had quarrelled with Frank and after that she had to meet her lover
secretly.</p>
<p>The evening deepened in the avenue. The white of two letters in her lap grew
indistinct. One was to Harry; the other was to her father. Ernest had been her
favourite but she liked Harry too. Her father was becoming old lately, she
noticed; he would miss her. Sometimes he could be very nice. Not long before,
when she had been laid up for a day, he had read her out a ghost story and made
toast for her at the fire. Another day, when their mother was alive, they had
all gone for a picnic to the Hill of Howth. She remembered her father putting
on her mother’s bonnet to make the children laugh.</p>
<p>Her time was running out but she continued to sit by the window, leaning her
head against the window curtain, inhaling the odour of dusty cretonne. Down far
in the avenue she could hear a street organ playing. She knew the air. Strange
that it should come that very night to remind her of the promise to her mother,
her promise to keep the home together as long as she could. She remembered the
last night of her mother’s illness; she was again in the close dark room
at the other side of the hall and outside she heard a melancholy air of Italy.
The organ-player had been ordered to go away and given sixpence. She remembered
her father strutting back into the sickroom saying:</p>
<p>“Damned Italians! coming over here!”</p>
<p>As she mused the pitiful vision of her mother’s life laid its spell on
the very quick of her being—that life of commonplace sacrifices closing
in final craziness. She trembled as she heard again her mother’s voice
saying constantly with foolish insistence:</p>
<p>“Derevaun Seraun! Derevaun Seraun!”</p>
<p>She stood up in a sudden impulse of terror. Escape! She must escape! Frank
would save her. He would give her life, perhaps love, too. But she wanted to
live. Why should she be unhappy? She had a right to happiness. Frank would take
her in his arms, fold her in his arms. He would save her.</p>
<hr class="small" />
<p>She stood among the swaying crowd in the station at the North Wall. He held her
hand and she knew that he was speaking to her, saying something about the
passage over and over again. The station was full of soldiers with brown
baggages. Through the wide doors of the sheds she caught a glimpse of the black
mass of the boat, lying in beside the quay wall, with illumined portholes. She
answered nothing. She felt her cheek pale and cold and, out of a maze of
distress, she prayed to God to direct her, to show her what was her duty. The
boat blew a long mournful whistle into the mist. If she went, tomorrow she
would be on the sea with Frank, steaming towards Buenos Ayres. Their passage
had been booked. Could she still draw back after all he had done for her? Her
distress awoke a nausea in her body and she kept moving her lips in silent
fervent prayer.</p>
<p>A bell clanged upon her heart. She felt him seize her hand:</p>
<p>“Come!”</p>
<p>All the seas of the world tumbled about her heart. He was drawing her into
them: he would drown her. She gripped with both hands at the iron railing.</p>
<p>“Come!”</p>
<p>No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the
seas she sent a cry of anguish!</p>
<p>“Eveline! Evvy!”</p>
<p>He rushed beyond the barrier and called to her to follow. He was shouted at to
go on but he still called to her. She set her white face to him, passive, like
a helpless animal. Her eyes gave him no sign of love or farewell or
recognition.</p>
<h2><SPAN name="chap05"></SPAN>AFTER THE RACE</h2>
<p>The cars came scudding in towards Dublin, running evenly like pellets in the
groove of the Naas Road. At the crest of the hill at Inchicore sightseers had
gathered in clumps to watch the cars careering homeward and through this
channel of poverty and inaction the Continent sped its wealth and industry. Now
and again the clumps of people raised the cheer of the gratefully oppressed.
Their sympathy, however, was for the blue cars—the cars of their friends,
the French.</p>
<p>The French, moreover, were virtual victors. Their team had finished solidly;
they had been placed second and third and the driver of the winning German car
was reported a Belgian. Each blue car, therefore, received a double measure of
welcome as it topped the crest of the hill and each cheer of welcome was
acknowledged with smiles and nods by those in the car. In one of these trimly
built cars was a party of four young men whose spirits seemed to be at present
well above the level of successful Gallicism: in fact, these four young men
were almost hilarious. They were Charles Ségouin, the owner of the car; André
Rivière, a young electrician of Canadian birth; a huge Hungarian named Villona
and a neatly groomed young man named Doyle. Ségouin was in good humour because
he had unexpectedly received some orders in advance (he was about to start a
motor establishment in Paris) and Rivière was in good humour because he was to
be appointed manager of the establishment; these two young men (who were
cousins) were also in good humour because of the success of the French cars.
Villona was in good humour because he had had a very satisfactory luncheon; and
besides he was an optimist by nature. The fourth member of the party, however,
was too excited to be genuinely happy.</p>
<p>He was about twenty-six years of age, with a soft, light brown moustache and
rather innocent-looking grey eyes. His father, who had begun life as an
advanced Nationalist, had modified his views early. He had made his money as a
butcher in Kingstown and by opening shops in Dublin and in the suburbs he had
made his money many times over. He had also been fortunate enough to secure
some of the police contracts and in the end he had become rich enough to be
alluded to in the Dublin newspapers as a merchant prince. He had sent his son
to England to be educated in a big Catholic college and had afterwards sent him
to Dublin University to study law. Jimmy did not study very earnestly and took
to bad courses for a while. He had money and he was popular; and he divided his
time curiously between musical and motoring circles. Then he had been sent for
a term to Cambridge to see a little life. His father, remonstrative, but
covertly proud of the excess, had paid his bills and brought him home. It was
at Cambridge that he had met Ségouin. They were not much more than
acquaintances as yet but Jimmy found great pleasure in the society of one who
had seen so much of the world and was reputed to own some of the biggest hotels
in France. Such a person (as his father agreed) was well worth knowing, even if
he had not been the charming companion he was. Villona was entertaining
also—a brilliant pianist—but, unfortunately, very poor.</p>
<p>The car ran on merrily with its cargo of hilarious youth. The two cousins sat
on the front seat; Jimmy and his Hungarian friend sat behind. Decidedly Villona
was in excellent spirits; he kept up a deep bass hum of melody for miles of the
road. The Frenchmen flung their laughter and light words over their shoulders
and often Jimmy had to strain forward to catch the quick phrase. This was not
altogether pleasant for him, as he had nearly always to make a deft guess at
the meaning and shout back a suitable answer in the face of a high wind.
Besides Villona’s humming would confuse anybody; the noise of the car,
too.</p>
<p>Rapid motion through space elates one; so does notoriety; so does the
possession of money. These were three good reasons for Jimmy’s
excitement. He had been seen by many of his friends that day in the company of
these Continentals. At the control Ségouin had presented him to one of the
French competitors and, in answer to his confused murmur of compliment, the
swarthy face of the driver had disclosed a line of shining white teeth. It was
pleasant after that honour to return to the profane world of spectators amid
nudges and significant looks. Then as to money—he really had a great sum
under his control. Ségouin, perhaps, would not think it a great sum but Jimmy
who, in spite of temporary errors, was at heart the inheritor of solid
instincts knew well with what difficulty it had been got together. This
knowledge had previously kept his bills within the limits of reasonable
recklessness and, if he had been so conscious of the labour latent in money
when there had been question merely of some freak of the higher intelligence,
how much more so now when he was about to stake the greater part of his
substance! It was a serious thing for him.</p>
<p>Of course, the investment was a good one and Ségouin had managed to give the
impression that it was by a favour of friendship the mite of Irish money was to
be included in the capital of the concern. Jimmy had a respect for his
father’s shrewdness in business matters and in this case it had been his
father who had first suggested the investment; money to be made in the motor
business, pots of money. Moreover Ségouin had the unmistakable air of wealth.
Jimmy set out to translate into days’ work that lordly car in which he
sat. How smoothly it ran. In what style they had come careering along the
country roads! The journey laid a magical finger on the genuine pulse of life
and gallantly the machinery of human nerves strove to answer the bounding
courses of the swift blue animal.</p>
<p>They drove down Dame Street. The street was busy with unusual traffic, loud
with the horns of motorists and the gongs of impatient tram-drivers. Near the
Bank Ségouin drew up and Jimmy and his friend alighted. A little knot of people
collected on the footpath to pay homage to the snorting motor. The party was to
dine together that evening in Ségouin’s hotel and, meanwhile, Jimmy and
his friend, who was staying with him, were to go home to dress. The car steered
out slowly for Grafton Street while the two young men pushed their way through
the knot of gazers. They walked northward with a curious feeling of
disappointment in the exercise, while the city hung its pale globes of light
above them in a haze of summer evening.</p>
<p>In Jimmy’s house this dinner had been pronounced an occasion. A certain
pride mingled with his parents’ trepidation, a certain eagerness, also,
to play fast and loose for the names of great foreign cities have at least this
virtue. Jimmy, too, looked very well when he was dressed and, as he stood in
the hall giving a last equation to the bows of his dress tie, his father may
have felt even commercially satisfied at having secured for his son qualities
often unpurchaseable. His father, therefore, was unusually friendly with
Villona and his manner expressed a real respect for foreign accomplishments;
but this subtlety of his host was probably lost upon the Hungarian, who was
beginning to have a sharp desire for his dinner.</p>
<p>The dinner was excellent, exquisite. Ségouin, Jimmy decided, had a very refined
taste. The party was increased by a young Englishman named Routh whom Jimmy had
seen with Ségouin at Cambridge. The young men supped in a snug room lit by
electric candle-lamps. They talked volubly and with little reserve. Jimmy,
whose imagination was kindling, conceived the lively youth of the Frenchmen
twined elegantly upon the firm framework of the Englishman’s manner. A
graceful image of his, he thought, and a just one. He admired the dexterity
with which their host directed the conversation. The five young men had various
tastes and their tongues had been loosened. Villona, with immense respect,
began to discover to the mildly surprised Englishman the beauties of the
English madrigal, deploring the loss of old instruments. Rivière, not wholly
ingenuously, undertook to explain to Jimmy the triumph of the French
mechanicians. The resonant voice of the Hungarian was about to prevail in
ridicule of the spurious lutes of the romantic painters when Ségouin shepherded
his party into politics. Here was congenial ground for all. Jimmy, under
generous influences, felt the buried zeal of his father wake to life within
him: he aroused the torpid Routh at last. The room grew doubly hot and
Ségouin’s task grew harder each moment: there was even danger of personal
spite. The alert host at an opportunity lifted his glass to Humanity and, when
the toast had been drunk, he threw open a window significantly.</p>
<p>That night the city wore the mask of a capital. The five young men strolled
along Stephen’s Green in a faint cloud of aromatic smoke. They talked
loudly and gaily and their cloaks dangled from their shoulders. The people made
way for them. At the corner of Grafton Street a short fat man was putting two
handsome ladies on a car in charge of another fat man. The car drove off and
the short fat man caught sight of the party.</p>
<p>“André.”</p>
<p>“It’s Farley!”</p>
<p>A torrent of talk followed. Farley was an American. No one knew very well what
the talk was about. Villona and Rivière were the noisiest, but all the men were
excited. They got up on a car, squeezing themselves together amid much
laughter. They drove by the crowd, blended now into soft colours, to a music of
merry bells. They took the train at Westland Row and in a few seconds, as it
seemed to Jimmy, they were walking out of Kingstown Station. The
ticket-collector saluted Jimmy; he was an old man:</p>
<p>“Fine night, sir!”</p>
<p>It was a serene summer night; the harbour lay like a darkened mirror at their
feet. They proceeded towards it with linked arms, singing <i>Cadet Roussel</i>
in chorus, stamping their feet at every:</p>
<p><i>“Ho! Ho! Hohé, vraiment!”</i></p>
<p>They got into a rowboat at the slip and made out for the American’s
yacht. There was to be supper, music, cards. Villona said with conviction:</p>
<p>“It is delightful!”</p>
<p>There was a yacht piano in the cabin. Villona played a waltz for Farley and
Rivière, Farley acting as cavalier and Rivière as lady. Then an impromptu
square dance, the men devising original figures. What merriment! Jimmy took his
part with a will; this was seeing life, at least. Then Farley got out of breath
and cried <i>“Stop!”</i> A man brought in a light supper, and the
young men sat down to it for form’s sake. They drank, however: it was
Bohemian. They drank Ireland, England, France, Hungary, the United States of
America. Jimmy made a speech, a long speech, Villona saying: <i>“Hear!
hear!”</i> whenever there was a pause. There was a great clapping of
hands when he sat down. It must have been a good speech. Farley clapped him on
the back and laughed loudly. What jovial fellows! What good company they were!</p>
<p>Cards! cards! The table was cleared. Villona returned quietly to his piano and
played voluntaries for them. The other men played game after game, flinging
themselves boldly into the adventure. They drank the health of the Queen of
Hearts and of the Queen of Diamonds. Jimmy felt obscurely the lack of an
audience: the wit was flashing. Play ran very high and paper began to pass.
Jimmy did not know exactly who was winning but he knew that he was losing. But
it was his own fault for he frequently mistook his cards and the other men had
to calculate his I.O.U.‘s for him. They were devils of fellows but he
wished they would stop: it was getting late. Someone gave the toast of the
yacht <i>The Belle of Newport</i> and then someone proposed one great game for
a finish.</p>
<p>The piano had stopped; Villona must have gone up on deck. It was a terrible
game. They stopped just before the end of it to drink for luck. Jimmy
understood that the game lay between Routh and Ségouin. What excitement! Jimmy
was excited too; he would lose, of course. How much had he written away? The
men rose to their feet to play the last tricks, talking and gesticulating.
Routh won. The cabin shook with the young men’s cheering and the cards
were bundled together. They began then to gather in what they had won. Farley
and Jimmy were the heaviest losers.</p>
<p>He knew that he would regret in the morning but at present he was glad of the
rest, glad of the dark stupor that would cover up his folly. He leaned his
elbows on the table and rested his head between his hands, counting the beats
of his temples. The cabin door opened and he saw the Hungarian standing in a
shaft of grey light:</p>
<p>“Daybreak, gentlemen!”</p>
<h2><SPAN name="chap06"></SPAN>TWO GALLANTS</h2>
<p>The grey warm evening of August had descended upon the city and a mild warm
air, a memory of summer, circulated in the streets. The streets, shuttered for
the repose of Sunday, swarmed with a gaily coloured crowd. Like illumined
pearls the lamps shone from the summits of their tall poles upon the living
texture below which, changing shape and hue unceasingly, sent up into the warm
grey evening air an unchanging unceasing murmur.</p>
<p>Two young men came down the hill of Rutland Square. One of them was just
bringing a long monologue to a close. The other, who walked on the verge of the
path and was at times obliged to step on to the road, owing to his
companion’s rudeness, wore an amused listening face. He was squat and
ruddy. A yachting cap was shoved far back from his forehead and the narrative
to which he listened made constant waves of expression break forth over his
face from the corners of his nose and eyes and mouth. Little jets of wheezing
laughter followed one another out of his convulsed body. His eyes, twinkling
with cunning enjoyment, glanced at every moment towards his companion’s
face. Once or twice he rearranged the light waterproof which he had slung over
one shoulder in toreador fashion. His breeches, his white rubber shoes and his
jauntily slung waterproof expressed youth. But his figure fell into rotundity
at the waist, his hair was scant and grey and his face, when the waves of
expression had passed over it, had a ravaged look.</p>
<p>When he was quite sure that the narrative had ended he laughed noiselessly for
fully half a minute. Then he said:</p>
<p>“Well!... That takes the biscuit!”</p>
<p>His voice seemed winnowed of vigour; and to enforce his words he added with
humour:</p>
<p>“That takes the solitary, unique, and, if I may so call it,
<i>recherché</i> biscuit!”</p>
<p>He became serious and silent when he had said this. His tongue was tired for he
had been talking all the afternoon in a public-house in Dorset Street. Most
people considered Lenehan a leech but, in spite of this reputation, his
adroitness and eloquence had always prevented his friends from forming any
general policy against him. He had a brave manner of coming up to a party of
them in a bar and of holding himself nimbly at the borders of the company until
he was included in a round. He was a sporting vagrant armed with a vast stock
of stories, limericks and riddles. He was insensitive to all kinds of
discourtesy. No one knew how he achieved the stern task of living, but his name
was vaguely associated with racing tissues.</p>
<p>“And where did you pick her up, Corley?” he asked.</p>
<p>Corley ran his tongue swiftly along his upper lip.</p>
<p>“One night, man,” he said, “I was going along Dame Street and
I spotted a fine tart under Waterhouse’s clock and said good-night, you
know. So we went for a walk round by the canal and she told me she was a slavey
in a house in Baggot Street. I put my arm round her and squeezed her a bit that
night. Then next Sunday, man, I met her by appointment. We went out to
Donnybrook and I brought her into a field there. She told me she used to go
with a dairyman.... It was fine, man. Cigarettes every night she’d bring
me and paying the tram out and back. And one night she brought me two bloody
fine cigars—O, the real cheese, you know, that the old fellow used to
smoke.... I was afraid, man, she’d get in the family way. But she’s
up to the dodge.”</p>
<p>“Maybe she thinks you’ll marry her,” said Lenehan.</p>
<p>“I told her I was out of a job,” said Corley. “I told her I
was in Pim’s. She doesn’t know my name. I was too hairy to tell her
that. But she thinks I’m a bit of class, you know.”</p>
<p>Lenehan laughed again, noiselessly.</p>
<p>“Of all the good ones ever I heard,” he said, “that
emphatically takes the biscuit.”</p>
<p>Corley’s stride acknowledged the compliment. The swing of his burly body
made his friend execute a few light skips from the path to the roadway and back
again. Corley was the son of an inspector of police and he had inherited his
father’s frame and gait. He walked with his hands by his sides, holding
himself erect and swaying his head from side to side. His head was large,
globular and oily; it sweated in all weathers; and his large round hat, set
upon it sideways, looked like a bulb which had grown out of another. He always
stared straight before him as if he were on parade and, when he wished to gaze
after someone in the street, it was necessary for him to move his body from the
hips. At present he was about town. Whenever any job was vacant a friend was
always ready to give him the hard word. He was often to be seen walking with
policemen in plain clothes, talking earnestly. He knew the inner side of all
affairs and was fond of delivering final judgments. He spoke without listening
to the speech of his companions. His conversation was mainly about himself:
what he had said to such a person and what such a person had said to him and
what he had said to settle the matter. When he reported these dialogues he
aspirated the first letter of his name after the manner of Florentines.</p>
<p>Lenehan offered his friend a cigarette. As the two young men walked on through
the crowd Corley occasionally turned to smile at some of the passing girls but
Lenehan’s gaze was fixed on the large faint moon circled with a double
halo. He watched earnestly the passing of the grey web of twilight across its
face. At length he said:</p>
<p>“Well ... tell me, Corley, I suppose you’ll be able to pull it off
all right, eh?”</p>
<p>Corley closed one eye expressively as an answer.</p>
<p>“Is she game for that?” asked Lenehan dubiously. “You can
never know women.”</p>
<p>“She’s all right,” said Corley. “I know the way to get
around her, man. She’s a bit gone on me.”</p>
<p>“You’re what I call a gay Lothario,” said Lenehan. “And
the proper kind of a Lothario, too!”</p>
<p>A shade of mockery relieved the servility of his manner. To save himself he had
the habit of leaving his flattery open to the interpretation of raillery. But
Corley had not a subtle mind.</p>
<p>“There’s nothing to touch a good slavey,” he affirmed.
“Take my tip for it.”</p>
<p>“By one who has tried them all,” said Lenehan.</p>
<p>“First I used to go with girls, you know,” said Corley, unbosoming;
“girls off the South Circular. I used to take them out, man, on the tram
somewhere and pay the tram or take them to a band or a play at the theatre or
buy them chocolate and sweets or something that way. I used to spend money on
them right enough,” he added, in a convincing tone, as if he was
conscious of being disbelieved.</p>
<p>But Lenehan could well believe it; he nodded gravely.</p>
<p>“I know that game,” he said, “and it’s a mug’s
game.”</p>
<p>“And damn the thing I ever got out of it,” said Corley.</p>
<p>“Ditto here,” said Lenehan.</p>
<p>“Only off of one of them,” said Corley.</p>
<p>He moistened his upper lip by running his tongue along it. The recollection
brightened his eyes. He too gazed at the pale disc of the moon, now nearly
veiled, and seemed to meditate.</p>
<p>“She was ... a bit of all right,” he said regretfully.</p>
<p>He was silent again. Then he added:</p>
<p>“She’s on the turf now. I saw her driving down Earl Street one
night with two fellows with her on a car.”</p>
<p>“I suppose that’s your doing,” said Lenehan.</p>
<p>“There was others at her before me,” said Corley philosophically.</p>
<p>This time Lenehan was inclined to disbelieve. He shook his head to and fro and
smiled.</p>
<p>“You know you can’t kid me, Corley,” he said.</p>
<p>“Honest to God!” said Corley. “Didn’t she tell me
herself?”</p>
<p>Lenehan made a tragic gesture.</p>
<p>“Base betrayer!” he said.</p>
<p>As they passed along the railings of Trinity College, Lenehan skipped out into
the road and peered up at the clock.</p>
<p>“Twenty after,” he said.</p>
<p>“Time enough,” said Corley. “She’ll be there all right.
I always let her wait a bit.”</p>
<p>Lenehan laughed quietly.</p>
<p>“Ecod! Corley, you know how to take them,” he said.</p>
<p>“I’m up to all their little tricks,” Corley confessed.</p>
<p>“But tell me,” said Lenehan again, “are you sure you can
bring it off all right? You know it’s a ticklish job. They’re damn
close on that point. Eh?... What?”</p>
<p>His bright, small eyes searched his companion’s face for reassurance.
Corley swung his head to and fro as if to toss aside an insistent insect, and
his brows gathered.</p>
<p>“I’ll pull it off,” he said. “Leave it to me,
can’t you?”</p>
<p>Lenehan said no more. He did not wish to ruffle his friend’s temper, to
be sent to the devil and told that his advice was not wanted. A little tact was
necessary. But Corley’s brow was soon smooth again. His thoughts were
running another way.</p>
<p>“She’s a fine decent tart,” he said, with appreciation;
“that’s what she is.”</p>
<p>They walked along Nassau Street and then turned into Kildare Street. Not far
from the porch of the club a harpist stood in the roadway, playing to a little
ring of listeners. He plucked at the wires heedlessly, glancing quickly from
time to time at the face of each new-comer and from time to time, wearily also,
at the sky. His harp, too, heedless that her coverings had fallen about her
knees, seemed weary alike of the eyes of strangers and of her master’s
hands. One hand played in the bass the melody of <i>Silent, O Moyle</i>, while
the other hand careered in the treble after each group of notes. The notes of
the air sounded deep and full.</p>
<p>The two young men walked up the street without speaking, the mournful music
following them. When they reached Stephen’s Green they crossed the road.
Here the noise of trams, the lights and the crowd released them from their
silence.</p>
<p>“There she is!” said Corley.</p>
<p>At the corner of Hume Street a young woman was standing. She wore a blue dress
and a white sailor hat. She stood on the curbstone, swinging a sunshade in one
hand. Lenehan grew lively.</p>
<p>“Let’s have a look at her, Corley,” he said.</p>
<p>Corley glanced sideways at his friend and an unpleasant grin appeared on his
face.</p>
<p>“Are you trying to get inside me?” he asked.</p>
<p>“Damn it!” said Lenehan boldly, “I don’t want an
introduction. All I want is to have a look at her. I’m not going to eat
her.”</p>
<p>“O.... A look at her?” said Corley, more amiably. “Well ...
I’ll tell you what. I’ll go over and talk to her and you can pass
by.”</p>
<p>“Right!” said Lenehan.</p>
<p>Corley had already thrown one leg over the chains when Lenehan called out:</p>
<p>“And after? Where will we meet?”</p>
<p>“Half ten,” answered Corley, bringing over his other leg.</p>
<p>“Where?”</p>
<p>“Corner of Merrion Street. We’ll be coming back.”</p>
<p>“Work it all right now,” said Lenehan in farewell.</p>
<p>Corley did not answer. He sauntered across the road swaying his head from side
to side. His bulk, his easy pace, and the solid sound of his boots had
something of the conqueror in them. He approached the young woman and, without
saluting, began at once to converse with her. She swung her umbrella more
quickly and executed half turns on her heels. Once or twice when he spoke to
her at close quarters she laughed and bent her head.</p>
<p>Lenehan observed them for a few minutes. Then he walked rapidly along beside
the chains at some distance and crossed the road obliquely. As he approached
Hume Street corner he found the air heavily scented and his eyes made a swift
anxious scrutiny of the young woman’s appearance. She had her Sunday
finery on. Her blue serge skirt was held at the waist by a belt of black
leather. The great silver buckle of her belt seemed to depress the centre of
her body, catching the light stuff of her white blouse like a clip. She wore a
short black jacket with mother-of-pearl buttons and a ragged black boa. The
ends of her tulle collarette had been carefully disordered and a big bunch of
red flowers was pinned in her bosom, stems upwards. Lenehan’s eyes noted
approvingly her stout short muscular body. Frank rude health glowed in her
face, on her fat red cheeks and in her unabashed blue eyes. Her features were
blunt. She had broad nostrils, a straggling mouth which lay open in a contented
leer, and two projecting front teeth. As he passed Lenehan took off his cap
and, after about ten seconds, Corley returned a salute to the air. This he did
by raising his hand vaguely and pensively changing the angle of position of his
hat.</p>
<p>Lenehan walked as far as the Shelbourne Hotel where he halted and waited. After
waiting for a little time he saw them coming towards him and, when they turned
to the right, he followed them, stepping lightly in his white shoes, down one
side of Merrion Square. As he walked on slowly, timing his pace to theirs, he
watched Corley’s head which turned at every moment towards the young
woman’s face like a big ball revolving on a pivot. He kept the pair in
view until he had seen them climbing the stairs of the Donnybrook tram; then he
turned about and went back the way he had come.</p>
<p>Now that he was alone his face looked older. His gaiety seemed to forsake him
and, as he came by the railings of the Duke’s Lawn, he allowed his hand
to run along them. The air which the harpist had played began to control his
movements. His softly padded feet played the melody while his fingers swept a
scale of variations idly along the railings after each group of notes.</p>
<p>He walked listlessly round Stephen’s Green and then down Grafton Street.
Though his eyes took note of many elements of the crowd through which he passed
they did so morosely. He found trivial all that was meant to charm him and did
not answer the glances which invited him to be bold. He knew that he would have
to speak a great deal, to invent and to amuse, and his brain and throat were
too dry for such a task. The problem of how he could pass the hours till he met
Corley again troubled him a little. He could think of no way of passing them
but to keep on walking. He turned to the left when he came to the corner of
Rutland Square and felt more at ease in the dark quiet street, the sombre look
of which suited his mood. He paused at last before the window of a poor-looking
shop over which the words <i>Refreshment Bar</i> were printed in white letters.
On the glass of the window were two flying inscriptions: <i>Ginger Beer</i> and
<i>Ginger Ale</i>. A cut ham was exposed on a great blue dish while near it on
a plate lay a segment of very light plum-pudding. He eyed this food earnestly
for some time and then, after glancing warily up and down the street, went into
the shop quickly.</p>
<p>He was hungry for, except some biscuits which he had asked two grudging curates
to bring him, he had eaten nothing since breakfast-time. He sat down at an
uncovered wooden table opposite two work-girls and a mechanic. A slatternly
girl waited on him.</p>
<p>“How much is a plate of peas?” he asked.</p>
<p>“Three halfpence, sir,” said the girl.</p>
<p>“Bring me a plate of peas,” he said, “and a bottle of ginger
beer.”</p>
<p>He spoke roughly in order to belie his air of gentility for his entry had been
followed by a pause of talk. His face was heated. To appear natural he pushed
his cap back on his head and planted his elbows on the table. The mechanic and
the two work-girls examined him point by point before resuming their
conversation in a subdued voice. The girl brought him a plate of grocer’s
hot peas, seasoned with pepper and vinegar, a fork and his ginger beer. He ate
his food greedily and found it so good that he made a note of the shop
mentally. When he had eaten all the peas he sipped his ginger beer and sat for
some time thinking of Corley’s adventure. In his imagination he beheld
the pair of lovers walking along some dark road; he heard Corley’s voice
in deep energetic gallantries and saw again the leer of the young woman’s
mouth. This vision made him feel keenly his own poverty of purse and spirit. He
was tired of knocking about, of pulling the devil by the tail, of shifts and
intrigues. He would be thirty-one in November. Would he never get a good job?
Would he never have a home of his own? He thought how pleasant it would be to
have a warm fire to sit by and a good dinner to sit down to. He had walked the
streets long enough with friends and with girls. He knew what those friends
were worth: he knew the girls too. Experience had embittered his heart against
the world. But all hope had not left him. He felt better after having eaten
than he had felt before, less weary of his life, less vanquished in spirit. He
might yet be able to settle down in some snug corner and live happily if he
could only come across some good simple-minded girl with a little of the ready.</p>
<p>He paid twopence halfpenny to the slatternly girl and went out of the shop to
begin his wandering again. He went into Capel Street and walked along towards
the City Hall. Then he turned into Dame Street. At the corner of George’s
Street he met two friends of his and stopped to converse with them. He was glad
that he could rest from all his walking. His friends asked him had he seen
Corley and what was the latest. He replied that he had spent the day with
Corley. His friends talked very little. They looked vacantly after some figures
in the crowd and sometimes made a critical remark. One said that he had seen
Mac an hour before in Westmoreland Street. At this Lenehan said that he had
been with Mac the night before in Egan’s. The young man who had seen Mac
in Westmoreland Street asked was it true that Mac had won a bit over a billiard
match. Lenehan did not know: he said that Holohan had stood them drinks in
Egan’s.</p>
<p>He left his friends at a quarter to ten and went up George’s Street. He
turned to the left at the City Markets and walked on into Grafton Street. The
crowd of girls and young men had thinned and on his way up the street he heard
many groups and couples bidding one another good-night. He went as far as the
clock of the College of Surgeons: it was on the stroke of ten. He set off
briskly along the northern side of the Green hurrying for fear Corley should
return too soon. When he reached the corner of Merrion Street he took his stand
in the shadow of a lamp and brought out one of the cigarettes which he had
reserved and lit it. He leaned against the lamp-post and kept his gaze fixed on
the part from which he expected to see Corley and the young woman return.</p>
<p>His mind became active again. He wondered had Corley managed it successfully.
He wondered if he had asked her yet or if he would leave it to the last. He
suffered all the pangs and thrills of his friend’s situation as well as
those of his own. But the memory of Corley’s slowly revolving head calmed
him somewhat: he was sure Corley would pull it off all right. All at once the
idea struck him that perhaps Corley had seen her home by another way and given
him the slip. His eyes searched the street: there was no sign of them. Yet it
was surely half-an-hour since he had seen the clock of the College of Surgeons.
Would Corley do a thing like that? He lit his last cigarette and began to smoke
it nervously. He strained his eyes as each tram stopped at the far corner of
the square. They must have gone home by another way. The paper of his cigarette
broke and he flung it into the road with a curse.</p>
<p>Suddenly he saw them coming towards him. He started with delight and, keeping
close to his lamp-post, tried to read the result in their walk. They were
walking quickly, the young woman taking quick short steps, while Corley kept
beside her with his long stride. They did not seem to be speaking. An
intimation of the result pricked him like the point of a sharp instrument. He
knew Corley would fail; he knew it was no go.</p>
<p>They turned down Baggot Street and he followed them at once, taking the other
footpath. When they stopped he stopped too. They talked for a few moments and
then the young woman went down the steps into the area of a house. Corley
remained standing at the edge of the path, a little distance from the front
steps. Some minutes passed. Then the hall-door was opened slowly and
cautiously. A woman came running down the front steps and coughed. Corley
turned and went towards her. His broad figure hid hers from view for a few
seconds and then she reappeared running up the steps. The door closed on her
and Corley began to walk swiftly towards Stephen’s Green.</p>
<p>Lenehan hurried on in the same direction. Some drops of light rain fell. He
took them as a warning and, glancing back towards the house which the young
woman had entered to see that he was not observed, he ran eagerly across the
road. Anxiety and his swift run made him pant. He called out:</p>
<p>“Hallo, Corley!”</p>
<p>Corley turned his head to see who had called him, and then continued walking as
before. Lenehan ran after him, settling the waterproof on his shoulders with
one hand.</p>
<p>“Hallo, Corley!” he cried again.</p>
<p>He came level with his friend and looked keenly in his face. He could see
nothing there.</p>
<p>“Well?” he said. “Did it come off?”</p>
<p>They had reached the corner of Ely Place. Still without answering, Corley
swerved to the left and went up the side street. His features were composed in
stern calm. Lenehan kept up with his friend, breathing uneasily. He was baffled
and a note of menace pierced through his voice.</p>
<p>“Can’t you tell us?” he said. “Did you try her?”</p>
<p>Corley halted at the first lamp and stared grimly before him. Then with a grave
gesture he extended a hand towards the light and, smiling, opened it slowly to
the gaze of his disciple. A small gold coin shone in the palm.</p>
<h2><SPAN name="chap07"></SPAN>THE BOARDING HOUSE</h2>
<p>Mrs Mooney was a butcher’s daughter. She was a woman who was quite able
to keep things to herself: a determined woman. She had married her
father’s foreman and opened a butcher’s shop near Spring Gardens.
But as soon as his father-in-law was dead Mr Mooney began to go to the devil.
He drank, plundered the till, ran headlong into debt. It was no use making him
take the pledge: he was sure to break out again a few days after. By fighting
his wife in the presence of customers and by buying bad meat he ruined his
business. One night he went for his wife with the cleaver and she had to sleep
in a neighbour’s house.</p>
<p>After that they lived apart. She went to the priest and got a separation from
him with care of the children. She would give him neither money nor food nor
house-room; and so he was obliged to enlist himself as a sheriff’s man.
He was a shabby stooped little drunkard with a white face and a white moustache
and white eyebrows, pencilled above his little eyes, which were pink-veined and
raw; and all day long he sat in the bailiff’s room, waiting to be put on
a job. Mrs Mooney, who had taken what remained of her money out of the butcher
business and set up a boarding house in Hardwicke Street, was a big imposing
woman. Her house had a floating population made up of tourists from Liverpool
and the Isle of Man and, occasionally, <i>artistes</i> from the music-halls.
Its resident population was made up of clerks from the city. She governed her
house cunningly and firmly, knew when to give credit, when to be stern and when
to let things pass. All the resident young men spoke of her as <i>The
Madam</i>.</p>
<p>Mrs Mooney’s young men paid fifteen shillings a week for board and
lodgings (beer or stout at dinner excluded). They shared in common tastes and
occupations and for this reason they were very chummy with one another. They
discussed with one another the chances of favourites and outsiders. Jack
Mooney, the Madam’s son, who was clerk to a commission agent in Fleet
Street, had the reputation of being a hard case. He was fond of using
soldiers’ obscenities: usually he came home in the small hours. When he
met his friends he had always a good one to tell them and he was always sure to
be on to a good thing—that is to say, a likely horse or a likely
<i>artiste</i>. He was also handy with the mits and sang comic songs. On Sunday
nights there would often be a reunion in Mrs Mooney’s front drawing-room.
The music-hall <i>artistes</i> would oblige; and Sheridan played waltzes and
polkas and vamped accompaniments. Polly Mooney, the Madam’s daughter,
would also sing. She sang:</p>
<p class="poem">
<i>I’m a ... naughty girl.<br/>
You needn’t sham:<br/>
You know I am.</i></p>
<p>Polly was a slim girl of nineteen; she had light soft hair and a small full
mouth. Her eyes, which were grey with a shade of green through them, had a
habit of glancing upwards when she spoke with anyone, which made her look like
a little perverse madonna. Mrs Mooney had first sent her daughter to be a
typist in a corn-factor’s office but, as a disreputable sheriff’s
man used to come every other day to the office, asking to be allowed to say a
word to his daughter, she had taken her daughter home again and set her to do
housework. As Polly was very lively the intention was to give her the run of
the young men. Besides, young men like to feel that there is a young woman not
very far away. Polly, of course, flirted with the young men but Mrs Mooney, who
was a shrewd judge, knew that the young men were only passing the time away:
none of them meant business. Things went on so for a long time and Mrs Mooney
began to think of sending Polly back to typewriting when she noticed that
something was going on between Polly and one of the young men. She watched the
pair and kept her own counsel.</p>
<p>Polly knew that she was being watched, but still her mother’s persistent
silence could not be misunderstood. There had been no open complicity between
mother and daughter, no open understanding but, though people in the house
began to talk of the affair, still Mrs Mooney did not intervene. Polly began to
grow a little strange in her manner and the young man was evidently perturbed.
At last, when she judged it to be the right moment, Mrs Mooney intervened. She
dealt with moral problems as a cleaver deals with meat: and in this case she
had made up her mind.</p>
<p>It was a bright Sunday morning of early summer, promising heat, but with a
fresh breeze blowing. All the windows of the boarding house were open and the
lace curtains ballooned gently towards the street beneath the raised sashes.
The belfry of George’s Church sent out constant peals and worshippers,
singly or in groups, traversed the little circus before the church, revealing
their purpose by their self-contained demeanour no less than by the little
volumes in their gloved hands. Breakfast was over in the boarding house and the
table of the breakfast-room was covered with plates on which lay yellow streaks
of eggs with morsels of bacon-fat and bacon-rind. Mrs Mooney sat in the straw
arm-chair and watched the servant Mary remove the breakfast things. She made
Mary collect the crusts and pieces of broken bread to help to make
Tuesday’s bread-pudding. When the table was cleared, the broken bread
collected, the sugar and butter safe under lock and key, she began to
reconstruct the interview which she had had the night before with Polly. Things
were as she had suspected: she had been frank in her questions and Polly had
been frank in her answers. Both had been somewhat awkward, of course. She had
been made awkward by her not wishing to receive the news in too cavalier a
fashion or to seem to have connived and Polly had been made awkward not merely
because allusions of that kind always made her awkward but also because she did
not wish it to be thought that in her wise innocence she had divined the
intention behind her mother’s tolerance.</p>
<p>Mrs Mooney glanced instinctively at the little gilt clock on the mantelpiece as
soon as she had become aware through her revery that the bells of
George’s Church had stopped ringing. It was seventeen minutes past
eleven: she would have lots of time to have the matter out with Mr Doran and
then catch short twelve at Marlborough Street. She was sure she would win. To
begin with she had all the weight of social opinion on her side: she was an
outraged mother. She had allowed him to live beneath her roof, assuming that he
was a man of honour, and he had simply abused her hospitality. He was
thirty-four or thirty-five years of age, so that youth could not be pleaded as
his excuse; nor could ignorance be his excuse since he was a man who had seen
something of the world. He had simply taken advantage of Polly’s youth
and inexperience: that was evident. The question was: What reparation would he
make?</p>
<p>There must be reparation made in such cases. It is all very well for the man:
he can go his ways as if nothing had happened, having had his moment of
pleasure, but the girl has to bear the brunt. Some mothers would be content to
patch up such an affair for a sum of money; she had known cases of it. But she
would not do so. For her only one reparation could make up for the loss of her
daughter’s honour: marriage.</p>
<p>She counted all her cards again before sending Mary up to Mr Doran’s room
to say that she wished to speak with him. She felt sure she would win. He was a
serious young man, not rakish or loud-voiced like the others. If it had been Mr
Sheridan or Mr Meade or Bantam Lyons her task would have been much harder. She
did not think he would face publicity. All the lodgers in the house knew
something of the affair; details had been invented by some. Besides, he had
been employed for thirteen years in a great Catholic wine-merchant’s
office and publicity would mean for him, perhaps, the loss of his job. Whereas
if he agreed all might be well. She knew he had a good screw for one thing and
she suspected he had a bit of stuff put by.</p>
<p>Nearly the half-hour! She stood up and surveyed herself in the pier-glass. The
decisive expression of her great florid face satisfied her and she thought of
some mothers she knew who could not get their daughters off their hands.</p>
<p>Mr Doran was very anxious indeed this Sunday morning. He had made two attempts
to shave but his hand had been so unsteady that he had been obliged to desist.
Three days’ reddish beard fringed his jaws and every two or three minutes
a mist gathered on his glasses so that he had to take them off and polish them
with his pocket-handkerchief. The recollection of his confession of the night
before was a cause of acute pain to him; the priest had drawn out every
ridiculous detail of the affair and in the end had so magnified his sin that he
was almost thankful at being afforded a loophole of reparation. The harm was
done. What could he do now but marry her or run away? He could not brazen it
out. The affair would be sure to be talked of and his employer would be certain
to hear of it. Dublin is such a small city: everyone knows everyone
else’s business. He felt his heart leap warmly in his throat as he heard
in his excited imagination old Mr Leonard calling out in his rasping voice:
“Send Mr Doran here, please.”</p>
<p>All his long years of service gone for nothing! All his industry and diligence
thrown away! As a young man he had sown his wild oats, of course; he had
boasted of his free-thinking and denied the existence of God to his companions
in public-houses. But that was all passed and done with ... nearly. He still
bought a copy of <i>Reynolds’s Newspaper</i> every week but he attended
to his religious duties and for nine-tenths of the year lived a regular life.
He had money enough to settle down on; it was not that. But the family would
look down on her. First of all there was her disreputable father and then her
mother’s boarding house was beginning to get a certain fame. He had a
notion that he was being had. He could imagine his friends talking of the
affair and laughing. She <i>was</i> a little vulgar; sometimes she said
“I seen” and “If I had’ve known.” But what would
grammar matter if he really loved her? He could not make up his mind whether to
like her or despise her for what she had done. Of course he had done it too.
His instinct urged him to remain free, not to marry. Once you are married you
are done for, it said.</p>
<p>While he was sitting helplessly on the side of the bed in shirt and trousers
she tapped lightly at his door and entered. She told him all, that she had made
a clean breast of it to her mother and that her mother would speak with him
that morning. She cried and threw her arms round his neck, saying:</p>
<p>“O Bob! Bob! What am I to do? What am I to do at all?”</p>
<p>She would put an end to herself, she said.</p>
<p>He comforted her feebly, telling her not to cry, that it would be all right,
never fear. He felt against his shirt the agitation of her bosom.</p>
<p>It was not altogether his fault that it had happened. He remembered well, with
the curious patient memory of the celibate, the first casual caresses her
dress, her breath, her fingers had given him. Then late one night as he was
undressing for bed she had tapped at his door, timidly. She wanted to relight
her candle at his for hers had been blown out by a gust. It was her bath night.
She wore a loose open combing-jacket of printed flannel. Her white instep shone
in the opening of her furry slippers and the blood glowed warmly behind her
perfumed skin. From her hands and wrists too as she lit and steadied her candle
a faint perfume arose.</p>
<p>On nights when he came in very late it was she who warmed up his dinner. He
scarcely knew what he was eating, feeling her beside him alone, at night, in
the sleeping house. And her thoughtfulness! If the night was anyway cold or wet
or windy there was sure to be a little tumbler of punch ready for him. Perhaps
they could be happy together....</p>
<p>They used to go upstairs together on tiptoe, each with a candle, and on the
third landing exchange reluctant good-nights. They used to kiss. He remembered
well her eyes, the touch of her hand and his delirium....</p>
<p>But delirium passes. He echoed her phrase, applying it to himself:
<i>“What am I to do?”</i> The instinct of the celibate warned him
to hold back. But the sin was there; even his sense of honour told him that
reparation must be made for such a sin.</p>
<p>While he was sitting with her on the side of the bed Mary came to the door and
said that the missus wanted to see him in the parlour. He stood up to put on
his coat and waistcoat, more helpless than ever. When he was dressed he went
over to her to comfort her. It would be all right, never fear. He left her
crying on the bed and moaning softly: <i>“O my God!”</i></p>
<p>Going down the stairs his glasses became so dimmed with moisture that he had to
take them off and polish them. He longed to ascend through the roof and fly
away to another country where he would never hear again of his trouble, and yet
a force pushed him downstairs step by step. The implacable faces of his
employer and of the Madam stared upon his discomfiture. On the last flight of
stairs he passed Jack Mooney who was coming up from the pantry nursing two
bottles of <i>Bass</i>. They saluted coldly; and the lover’s eyes rested
for a second or two on a thick bulldog face and a pair of thick short arms.
When he reached the foot of the staircase he glanced up and saw Jack regarding
him from the door of the return-room.</p>
<p>Suddenly he remembered the night when one of the music-hall <i>artistes</i>, a
little blond Londoner, had made a rather free allusion to Polly. The reunion
had been almost broken up on account of Jack’s violence. Everyone tried
to quiet him. The music-hall <i>artiste</i>, a little paler than usual, kept
smiling and saying that there was no harm meant: but Jack kept shouting at him
that if any fellow tried that sort of a game on with <i>his</i> sister
he’d bloody well put his teeth down his throat, so he would.</p>
<hr class="small" />
<p>Polly sat for a little time on the side of the bed, crying. Then she dried her
eyes and went over to the looking-glass. She dipped the end of the towel in the
water-jug and refreshed her eyes with the cool water. She looked at herself in
profile and readjusted a hairpin above her ear. Then she went back to the bed
again and sat at the foot. She regarded the pillows for a long time and the
sight of them awakened in her mind secret amiable memories. She rested the nape
of her neck against the cool iron bed-rail and fell into a revery. There was no
longer any perturbation visible on her face.</p>
<p>She waited on patiently, almost cheerfully, without alarm, her memories
gradually giving place to hopes and visions of the future. Her hopes and
visions were so intricate that she no longer saw the white pillows on which her
gaze was fixed or remembered that she was waiting for anything.</p>
<p>At last she heard her mother calling. She started to her feet and ran to the
banisters.</p>
<p>“Polly! Polly!”</p>
<p>“Yes, mamma?”</p>
<p>“Come down, dear. Mr Doran wants to speak to you.”</p>
<p>Then she remembered what she had been waiting for.</p>
<h2><SPAN name="chap08"></SPAN>A LITTLE CLOUD</h2>
<p>Eight years before he had seen his friend off at the North Wall and wished him
godspeed. Gallaher had got on. You could tell that at once by his travelled
air, his well-cut tweed suit, and fearless accent. Few fellows had talents like
his and fewer still could remain unspoiled by such success. Gallaher’s
heart was in the right place and he had deserved to win. It was something to
have a friend like that.</p>
<p>Little Chandler’s thoughts ever since lunch-time had been of his meeting
with Gallaher, of Gallaher’s invitation and of the great city London
where Gallaher lived. He was called Little Chandler because, though he was but
slightly under the average stature, he gave one the idea of being a little man.
His hands were white and small, his frame was fragile, his voice was quiet and
his manners were refined. He took the greatest care of his fair silken hair and
moustache and used perfume discreetly on his handkerchief. The half-moons of
his nails were perfect and when he smiled you caught a glimpse of a row of
childish white teeth.</p>
<p>As he sat at his desk in the King’s Inns he thought what changes those
eight years had brought. The friend whom he had known under a shabby and
necessitous guise had become a brilliant figure on the London Press. He turned
often from his tiresome writing to gaze out of the office window. The glow of a
late autumn sunset covered the grass plots and walks. It cast a shower of
kindly golden dust on the untidy nurses and decrepit old men who drowsed on the
benches; it flickered upon all the moving figures—on the children who ran
screaming along the gravel paths and on everyone who passed through the
gardens. He watched the scene and thought of life; and (as always happened when
he thought of life) he became sad. A gentle melancholy took possession of him.
He felt how useless it was to struggle against fortune, this being the burden
of wisdom which the ages had bequeathed to him.</p>
<p>He remembered the books of poetry upon his shelves at home. He had bought them
in his bachelor days and many an evening, as he sat in the little room off the
hall, he had been tempted to take one down from the bookshelf and read out
something to his wife. But shyness had always held him back; and so the books
had remained on their shelves. At times he repeated lines to himself and this
consoled him.</p>
<p>When his hour had struck he stood up and took leave of his desk and of his
fellow-clerks punctiliously. He emerged from under the feudal arch of the
King’s Inns, a neat modest figure, and walked swiftly down Henrietta
Street. The golden sunset was waning and the air had grown sharp. A horde of
grimy children populated the street. They stood or ran in the roadway or
crawled up the steps before the gaping doors or squatted like mice upon the
thresholds. Little Chandler gave them no thought. He picked his way deftly
through all that minute vermin-like life and under the shadow of the gaunt
spectral mansions in which the old nobility of Dublin had roystered. No memory
of the past touched him, for his mind was full of a present joy.</p>
<p>He had never been in Corless’s but he knew the value of the name. He knew
that people went there after the theatre to eat oysters and drink liqueurs; and
he had heard that the waiters there spoke French and German. Walking swiftly by
at night he had seen cabs drawn up before the door and richly dressed ladies,
escorted by cavaliers, alight and enter quickly. They wore noisy dresses and
many wraps. Their faces were powdered and they caught up their dresses, when
they touched earth, like alarmed Atalantas. He had always passed without
turning his head to look. It was his habit to walk swiftly in the street even
by day and whenever he found himself in the city late at night he hurried on
his way apprehensively and excitedly. Sometimes, however, he courted the causes
of his fear. He chose the darkest and narrowest streets and, as he walked
boldly forward, the silence that was spread about his footsteps troubled him,
the wandering silent figures troubled him; and at times a sound of low fugitive
laughter made him tremble like a leaf.</p>
<p>He turned to the right towards Capel Street. Ignatius Gallaher on the London
Press! Who would have thought it possible eight years before? Still, now that
he reviewed the past, Little Chandler could remember many signs of future
greatness in his friend. People used to say that Ignatius Gallaher was wild. Of
course, he did mix with a rakish set of fellows at that time, drank freely and
borrowed money on all sides. In the end he had got mixed up in some shady
affair, some money transaction: at least, that was one version of his flight.
But nobody denied him talent. There was always a certain ... something in
Ignatius Gallaher that impressed you in spite of yourself. Even when he was out
at elbows and at his wits’ end for money he kept up a bold face. Little
Chandler remembered (and the remembrance brought a slight flush of pride to his
cheek) one of Ignatius Gallaher’s sayings when he was in a tight corner:</p>
<p>“Half time now, boys,” he used to say light-heartedly.
“Where’s my considering cap?”</p>
<p>That was Ignatius Gallaher all out; and, damn it, you couldn’t but admire
him for it.</p>
<p>Little Chandler quickened his pace. For the first time in his life he felt
himself superior to the people he passed. For the first time his soul revolted
against the dull inelegance of Capel Street. There was no doubt about it: if
you wanted to succeed you had to go away. You could do nothing in Dublin. As he
crossed Grattan Bridge he looked down the river towards the lower quays and
pitied the poor stunted houses. They seemed to him a band of tramps, huddled
together along the riverbanks, their old coats covered with dust and soot,
stupefied by the panorama of sunset and waiting for the first chill of night
bid them arise, shake themselves and begone. He wondered whether he could write
a poem to express his idea. Perhaps Gallaher might be able to get it into some
London paper for him. Could he write something original? He was not sure what
idea he wished to express but the thought that a poetic moment had touched him
took life within him like an infant hope. He stepped onward bravely.</p>
<p>Every step brought him nearer to London, farther from his own sober inartistic
life. A light began to tremble on the horizon of his mind. He was not so
old—thirty-two. His temperament might be said to be just at the point of
maturity. There were so many different moods and impressions that he wished to
express in verse. He felt them within him. He tried to weigh his soul to see if
it was a poet’s soul. Melancholy was the dominant note of his
temperament, he thought, but it was a melancholy tempered by recurrences of
faith and resignation and simple joy. If he could give expression to it in a
book of poems perhaps men would listen. He would never be popular: he saw that.
He could not sway the crowd but he might appeal to a little circle of kindred
minds. The English critics, perhaps, would recognise him as one of the Celtic
school by reason of the melancholy tone of his poems; besides that, he would
put in allusions. He began to invent sentences and phrases from the notice
which his book would get. <i>“Mr Chandler has the gift of easy and
graceful verse.” ... “A wistful sadness pervades these
poems.” ... “The Celtic note.”</i> It was a pity his name was
not more Irish-looking. Perhaps it would be better to insert his mother’s
name before the surname: Thomas Malone Chandler, or better still: T. Malone
Chandler. He would speak to Gallaher about it.</p>
<p>He pursued his revery so ardently that he passed his street and had to turn
back. As he came near Corless’s his former agitation began to overmaster
him and he halted before the door in indecision. Finally he opened the door and
entered.</p>
<p>The light and noise of the bar held him at the doorways for a few moments. He
looked about him, but his sight was confused by the shining of many red and
green wine-glasses. The bar seemed to him to be full of people and he felt that
the people were observing him curiously. He glanced quickly to right and left
(frowning slightly to make his errand appear serious), but when his sight
cleared a little he saw that nobody had turned to look at him: and there, sure
enough, was Ignatius Gallaher leaning with his back against the counter and his
feet planted far apart.</p>
<p>“Hallo, Tommy, old hero, here you are! What is it to be? What will you
have? I’m taking whisky: better stuff than we get across the water. Soda?
Lithia? No mineral? I’m the same. Spoils the flavour.... Here,
<i>garçon</i>, bring us two halves of malt whisky, like a good fellow.... Well,
and how have you been pulling along since I saw you last? Dear God, how old
we’re getting! Do you see any signs of aging in me—eh, what? A
little grey and thin on the top—what?”</p>
<p>Ignatius Gallaher took off his hat and displayed a large closely cropped head.
His face was heavy, pale and clean-shaven. His eyes, which were of bluish
slate-colour, relieved his unhealthy pallor and shone out plainly above the
vivid orange tie he wore. Between these rival features the lips appeared very
long and shapeless and colourless. He bent his head and felt with two
sympathetic fingers the thin hair at the crown. Little Chandler shook his head
as a denial. Ignatius Galaher put on his hat again.</p>
<p>“It pulls you down,” he said. “Press life. Always hurry and
scurry, looking for copy and sometimes not finding it: and then, always to have
something new in your stuff. Damn proofs and printers, I say, for a few days.
I’m deuced glad, I can tell you, to get back to the old country. Does a
fellow good, a bit of a holiday. I feel a ton better since I landed again in
dear dirty Dublin.... Here you are, Tommy. Water? Say when.”</p>
<p>Little Chandler allowed his whisky to be very much diluted.</p>
<p>“You don’t know what’s good for you, my boy,” said
Ignatius Gallaher. “I drink mine neat.”</p>
<p>“I drink very little as a rule,” said Little Chandler modestly.
“An odd half-one or so when I meet any of the old crowd: that’s
all.”</p>
<p>“Ah, well,” said Ignatius Gallaher, cheerfully, “here’s
to us and to old times and old acquaintance.”</p>
<p>They clinked glasses and drank the toast.</p>
<p>“I met some of the old gang today,” said Ignatius Gallaher.
“O’Hara seems to be in a bad way. What’s he doing?”</p>
<p>“Nothing,” said Little Chandler. “He’s gone to the
dogs.”</p>
<p>“But Hogan has a good sit, hasn’t he?”</p>
<p>“Yes; he’s in the Land Commission.”</p>
<p>“I met him one night in London and he seemed to be very flush.... Poor
O’Hara! Boose, I suppose?”</p>
<p>“Other things, too,” said Little Chandler shortly.</p>
<p>Ignatius Gallaher laughed.</p>
<p>“Tommy,” he said, “I see you haven’t changed an atom.
You’re the very same serious person that used to lecture me on Sunday
mornings when I had a sore head and a fur on my tongue. You’d want to
knock about a bit in the world. Have you never been anywhere even for a
trip?”</p>
<p>“I’ve been to the Isle of Man,” said Little Chandler.</p>
<p>Ignatius Gallaher laughed.</p>
<p>“The Isle of Man!” he said. “Go to London or Paris: Paris,
for choice. That’d do you good.”</p>
<p>“Have you seen Paris?”</p>
<p>“I should think I have! I’ve knocked about there a little.”</p>
<p>“And is it really so beautiful as they say?” asked Little Chandler.</p>
<p>He sipped a little of his drink while Ignatius Gallaher finished his boldly.</p>
<p>“Beautiful?” said Ignatius Gallaher, pausing on the word and on the
flavour of his drink. “It’s not so beautiful, you know. Of course,
it is beautiful.... But it’s the life of Paris; that’s the thing.
Ah, there’s no city like Paris for gaiety, movement,
excitement....”</p>
<p>Little Chandler finished his whisky and, after some trouble, succeeded in
catching the barman’s eye. He ordered the same again.</p>
<p>“I’ve been to the Moulin Rouge,” Ignatius Gallaher continued
when the barman had removed their glasses, “and I’ve been to all
the Bohemian cafés. Hot stuff! Not for a pious chap like you, Tommy.”</p>
<p>Little Chandler said nothing until the barman returned with two glasses: then
he touched his friend’s glass lightly and reciprocated the former toast.
He was beginning to feel somewhat disillusioned. Gallaher’s accent and
way of expressing himself did not please him. There was something vulgar in his
friend which he had not observed before. But perhaps it was only the result of
living in London amid the bustle and competition of the Press. The old personal
charm was still there under this new gaudy manner. And, after all, Gallaher had
lived, he had seen the world. Little Chandler looked at his friend enviously.</p>
<p>“Everything in Paris is gay,” said Ignatius Gallaher. “They
believe in enjoying life—and don’t you think they’re right?
If you want to enjoy yourself properly you must go to Paris. And, mind you,
they’ve a great feeling for the Irish there. When they heard I was from
Ireland they were ready to eat me, man.”</p>
<p>Little Chandler took four or five sips from his glass.</p>
<p>“Tell me,” he said, “is it true that Paris is so ... immoral
as they say?”</p>
<p>Ignatius Gallaher made a catholic gesture with his right arm.</p>
<p>“Every place is immoral,” he said. “Of course you do find
spicy bits in Paris. Go to one of the students’ balls, for instance.
That’s lively, if you like, when the <i>cocottes</i> begin to let
themselves loose. You know what they are, I suppose?”</p>
<p>“I’ve heard of them,” said Little Chandler.</p>
<p>Ignatius Gallaher drank off his whisky and shook his head.</p>
<p>“Ah,” he said, “you may say what you like. There’s no
woman like the Parisienne—for style, for go.”</p>
<p>“Then it is an immoral city,” said Little Chandler, with timid
insistence—“I mean, compared with London or Dublin?”</p>
<p>“London!” said Ignatius Gallaher. “It’s six of one and
half-a-dozen of the other. You ask Hogan, my boy. I showed him a bit about
London when he was over there. He’d open your eye.... I say, Tommy,
don’t make punch of that whisky: liquor up.”</p>
<p>“No, really....”</p>
<p>“O, come on, another one won’t do you any harm. What is it? The
same again, I suppose?”</p>
<p>“Well ... all right.”</p>
<p>“<i>François</i>, the same again.... Will you smoke, Tommy?”</p>
<p>Ignatius Gallaher produced his cigar-case. The two friends lit their cigars and
puffed at them in silence until their drinks were served.</p>
<p>“I’ll tell you my opinion,” said Ignatius Gallaher, emerging
after some time from the clouds of smoke in which he had taken refuge,
“it’s a rum world. Talk of immorality! I’ve heard of
cases—what am I saying?—I’ve known them: cases of ...
immorality....”</p>
<p>Ignatius Gallaher puffed thoughtfully at his cigar and then, in a calm
historian’s tone, he proceeded to sketch for his friend some pictures of
the corruption which was rife abroad. He summarised the vices of many capitals
and seemed inclined to award the palm to Berlin. Some things he could not vouch
for (his friends had told him), but of others he had had personal experience.
He spared neither rank nor caste. He revealed many of the secrets of religious
houses on the Continent and described some of the practices which were
fashionable in high society and ended by telling, with details, a story about
an English duchess—a story which he knew to be true. Little Chandler was
astonished.</p>
<p>“Ah, well,” said Ignatius Gallaher, “here we are in old
jog-along Dublin where nothing is known of such things.”</p>
<p>“How dull you must find it,” said Little Chandler, “after all
the other places you’ve seen!”</p>
<p>“Well,” said Ignatius Gallaher, “it’s a relaxation to
come over here, you know. And, after all, it’s the old country, as they
say, isn’t it? You can’t help having a certain feeling for it.
That’s human nature.... But tell me something about yourself. Hogan told
me you had ... tasted the joys of connubial bliss. Two years ago, wasn’t
it?”</p>
<p>Little Chandler blushed and smiled.</p>
<p>“Yes,” he said. “I was married last May twelve months.”</p>
<p>“I hope it’s not too late in the day to offer my best
wishes,” said Ignatius Gallaher. “I didn’t know your address
or I’d have done so at the time.”</p>
<p>He extended his hand, which Little Chandler took.</p>
<p>“Well, Tommy,” he said, “I wish you and yours every joy in
life, old chap, and tons of money, and may you never die till I shoot you. And
that’s the wish of a sincere friend, an old friend. You know that?”</p>
<p>“I know that,” said Little Chandler.</p>
<p>“Any youngsters?” said Ignatius Gallaher.</p>
<p>Little Chandler blushed again.</p>
<p>“We have one child,” he said.</p>
<p>“Son or daughter?”</p>
<p>“A little boy.”</p>
<p>Ignatius Gallaher slapped his friend sonorously on the back.</p>
<p>“Bravo,” he said, “I wouldn’t doubt you, Tommy.”</p>
<p>Little Chandler smiled, looked confusedly at his glass and bit his lower lip
with three childishly white front teeth.</p>
<p>“I hope you’ll spend an evening with us,” he said,
“before you go back. My wife will be delighted to meet you. We can have a
little music and——”</p>
<p>“Thanks awfully, old chap,” said Ignatius Gallaher,
“I’m sorry we didn’t meet earlier. But I must leave tomorrow
night.”</p>
<p>“Tonight, perhaps...?”</p>
<p>“I’m awfully sorry, old man. You see I’m over here with
another fellow, clever young chap he is too, and we arranged to go to a little
card-party. Only for that....”</p>
<p>“O, in that case....”</p>
<p>“But who knows?” said Ignatius Gallaher considerately. “Next
year I may take a little skip over here now that I’ve broken the ice.
It’s only a pleasure deferred.”</p>
<p>“Very well,” said Little Chandler, “the next time you come we
must have an evening together. That’s agreed now, isn’t it?”</p>
<p>“Yes, that’s agreed,” said Ignatius Gallaher. “Next
year if I come, <i>parole d’honneur</i>.”</p>
<p>“And to clinch the bargain,” said Little Chandler,
“we’ll just have one more now.”</p>
<p>Ignatius Gallaher took out a large gold watch and looked at it.</p>
<p>“Is it to be the last?” he said. “Because you know, I have an
a.p.”</p>
<p>“O, yes, positively,” said Little Chandler.</p>
<p>“Very well, then,” said Ignatius Gallaher, “let us have
another one as a <i>deoc an doruis</i>—that’s good vernacular for a
small whisky, I believe.”</p>
<p>Little Chandler ordered the drinks. The blush which had risen to his face a few
moments before was establishing itself. A trifle made him blush at any time:
and now he felt warm and excited. Three small whiskies had gone to his head and
Gallaher’s strong cigar had confused his mind, for he was a delicate and
abstinent person. The adventure of meeting Gallaher after eight years, of
finding himself with Gallaher in Corless’s surrounded by lights and
noise, of listening to Gallaher’s stories and of sharing for a brief
space Gallaher’s vagrant and triumphant life, upset the equipoise of his
sensitive nature. He felt acutely the contrast between his own life and his
friend’s and it seemed to him unjust. Gallaher was his inferior in birth
and education. He was sure that he could do something better than his friend
had ever done, or could ever do, something higher than mere tawdry journalism
if he only got the chance. What was it that stood in his way? His unfortunate
timidity! He wished to vindicate himself in some way, to assert his manhood. He
saw behind Gallaher’s refusal of his invitation. Gallaher was only
patronising him by his friendliness just as he was patronising Ireland by his
visit.</p>
<p>The barman brought their drinks. Little Chandler pushed one glass towards his
friend and took up the other boldly.</p>
<p>“Who knows?” he said, as they lifted their glasses. “When you
come next year I may have the pleasure of wishing long life and happiness to Mr
and Mrs Ignatius Gallaher.”</p>
<p>Ignatius Gallaher in the act of drinking closed one eye expressively over the
rim of his glass. When he had drunk he smacked his lips decisively, set down
his glass and said:</p>
<p>“No blooming fear of that, my boy. I’m going to have my fling first
and see a bit of life and the world before I put my head in the sack—if I
ever do.”</p>
<p>“Some day you will,” said Little Chandler calmly.</p>
<p>Ignatius Gallaher turned his orange tie and slate-blue eyes full upon his
friend.</p>
<p>“You think so?” he said.</p>
<p>“You’ll put your head in the sack,” repeated Little Chandler
stoutly, “like everyone else if you can find the girl.”</p>
<p>He had slightly emphasised his tone and he was aware that he had betrayed
himself; but, though the colour had heightened in his cheek, he did not flinch
from his friend’s gaze. Ignatius Gallaher watched him for a few moments
and then said:</p>
<p>“If ever it occurs, you may bet your bottom dollar there’ll be no
mooning and spooning about it. I mean to marry money. She’ll have a good
fat account at the bank or she won’t do for me.”</p>
<p>Little Chandler shook his head.</p>
<p>“Why, man alive,” said Ignatius Gallaher, vehemently, “do you
know what it is? I’ve only to say the word and tomorrow I can have the
woman and the cash. You don’t believe it? Well, I know it. There are
hundreds—what am I saying?—thousands of rich Germans and Jews,
rotten with money, that’d only be too glad.... You wait a while my boy.
See if I don’t play my cards properly. When I go about a thing I mean
business, I tell you. You just wait.”</p>
<p>He tossed his glass to his mouth, finished his drink and laughed loudly. Then
he looked thoughtfully before him and said in a calmer tone:</p>
<p>“But I’m in no hurry. They can wait. I don’t fancy tying
myself up to one woman, you know.”</p>
<p>He imitated with his mouth the act of tasting and made a wry face.</p>
<p>“Must get a bit stale, I should think,” he said.</p>
<hr class="small" />
<p>Little Chandler sat in the room off the hall, holding a child in his arms. To
save money they kept no servant but Annie’s young sister Monica came for
an hour or so in the morning and an hour or so in the evening to help. But
Monica had gone home long ago. It was a quarter to nine. Little Chandler had
come home late for tea and, moreover, he had forgotten to bring Annie home the
parcel of coffee from Bewley’s. Of course she was in a bad humour and
gave him short answers. She said she would do without any tea but when it came
near the time at which the shop at the corner closed she decided to go out
herself for a quarter of a pound of tea and two pounds of sugar. She put the
sleeping child deftly in his arms and said:</p>
<p>“Here. Don’t waken him.”</p>
<p>A little lamp with a white china shade stood upon the table and its light fell
over a photograph which was enclosed in a frame of crumpled horn. It was
Annie’s photograph. Little Chandler looked at it, pausing at the thin
tight lips. She wore the pale blue summer blouse which he had brought her home
as a present one Saturday. It had cost him ten and elevenpence; but what an
agony of nervousness it had cost him! How he had suffered that day, waiting at
the shop door until the shop was empty, standing at the counter and trying to
appear at his ease while the girl piled ladies’ blouses before him,
paying at the desk and forgetting to take up the odd penny of his change, being
called back by the cashier, and finally, striving to hide his blushes as he
left the shop by examining the parcel to see if it was securely tied. When he
brought the blouse home Annie kissed him and said it was very pretty and
stylish; but when she heard the price she threw the blouse on the table and
said it was a regular swindle to charge ten and elevenpence for it. At first
she wanted to take it back but when she tried it on she was delighted with it,
especially with the make of the sleeves, and kissed him and said he was very
good to think of her.</p>
<p>Hm!...</p>
<p>He looked coldly into the eyes of the photograph and they answered coldly.
Certainly they were pretty and the face itself was pretty. But he found
something mean in it. Why was it so unconscious and ladylike? The composure of
the eyes irritated him. They repelled him and defied him: there was no passion
in them, no rapture. He thought of what Gallaher had said about rich Jewesses.
Those dark Oriental eyes, he thought, how full they are of passion, of
voluptuous longing!... Why had he married the eyes in the photograph?</p>
<p>He caught himself up at the question and glanced nervously round the room. He
found something mean in the pretty furniture which he had bought for his house
on the hire system. Annie had chosen it herself and it reminded him of her. It
too was prim and pretty. A dull resentment against his life awoke within him.
Could he not escape from his little house? Was it too late for him to try to
live bravely like Gallaher? Could he go to London? There was the furniture
still to be paid for. If he could only write a book and get it published, that
might open the way for him.</p>
<p>A volume of Byron’s poems lay before him on the table. He opened it
cautiously with his left hand lest he should waken the child and began to read
the first poem in the book:</p>
<p class="poem">
<i>Hushed are the winds and still the evening gloom,<br/>
Not e’en a Zephyr wanders through the grove,<br/>
Whilst I return to view my Margaret’s tomb<br/>
And scatter flowers on the dust I love.</i></p>
<p>He paused. He felt the rhythm of the verse about him in the room. How
melancholy it was! Could he, too, write like that, express the melancholy of
his soul in verse? There were so many things he wanted to describe: his
sensation of a few hours before on Grattan Bridge, for example. If he could get
back again into that mood....</p>
<p>The child awoke and began to cry. He turned from the page and tried to hush it:
but it would not be hushed. He began to rock it to and fro in his arms but its
wailing cry grew keener. He rocked it faster while his eyes began to read the
second stanza:</p>
<p class="poem">
<i>Within this narrow cell reclines her clay,<br/>
That clay where once....</i></p>
<p>It was useless. He couldn’t read. He couldn’t do anything. The
wailing of the child pierced the drum of his ear. It was useless, useless! He
was a prisoner for life. His arms trembled with anger and suddenly bending to
the child’s face he shouted:</p>
<p>“Stop!”</p>
<p>The child stopped for an instant, had a spasm of fright and began to scream. He
jumped up from his chair and walked hastily up and down the room with the child
in his arms. It began to sob piteously, losing its breath for four or five
seconds, and then bursting out anew. The thin walls of the room echoed the
sound. He tried to soothe it but it sobbed more convulsively. He looked at the
contracted and quivering face of the child and began to be alarmed. He counted
seven sobs without a break between them and caught the child to his breast in
fright. If it died!...</p>
<p>The door was burst open and a young woman ran in, panting.</p>
<p>“What is it? What is it?” she cried.</p>
<p>The child, hearing its mother’s voice, broke out into a paroxysm of
sobbing.</p>
<p>“It’s nothing, Annie ... it’s nothing.... He began to
cry....”</p>
<p>She flung her parcels on the floor and snatched the child from him.</p>
<p>“What have you done to him?” she cried, glaring into his face.</p>
<p>Little Chandler sustained for one moment the gaze of her eyes and his heart
closed together as he met the hatred in them. He began to stammer:</p>
<p>“It’s nothing.... He ... he began to cry.... I couldn’t ... I
didn’t do anything.... What?”</p>
<p>Giving no heed to him she began to walk up and down the room, clasping the
child tightly in her arms and murmuring:</p>
<p>“My little man! My little mannie! Was ’ou frightened, love?...
There now, love! There now!... Lambabaun! Mamma’s little lamb of the
world!... There now!”</p>
<p>Little Chandler felt his cheeks suffused with shame and he stood back out of
the lamplight. He listened while the paroxysm of the child’s sobbing grew
less and less; and tears of remorse started to his eyes.</p>
<h2><SPAN name="chap09"></SPAN>COUNTERPARTS</h2>
<p>The bell rang furiously and, when Miss Parker went to the tube, a furious voice
called out in a piercing North of Ireland accent:</p>
<p>“Send Farrington here!”</p>
<p>Miss Parker returned to her machine, saying to a man who was writing at a desk:</p>
<p>“Mr Alleyne wants you upstairs.”</p>
<p>The man muttered “<i>Blast</i> him!” under his breath and pushed
back his chair to stand up. When he stood up he was tall and of great bulk. He
had a hanging face, dark wine-coloured, with fair eyebrows and moustache: his
eyes bulged forward slightly and the whites of them were dirty. He lifted up
the counter and, passing by the clients, went out of the office with a heavy
step.</p>
<p>He went heavily upstairs until he came to the second landing, where a door bore
a brass plate with the inscription <i>Mr Alleyne</i>. Here he halted, puffing
with labour and vexation, and knocked. The shrill voice cried:</p>
<p>“Come in!”</p>
<p>The man entered Mr Alleyne’s room. Simultaneously Mr Alleyne, a little
man wearing gold-rimmed glasses on a clean-shaven face, shot his head up over a
pile of documents. The head itself was so pink and hairless it seemed like a
large egg reposing on the papers. Mr Alleyne did not lose a moment:</p>
<p>“Farrington? What is the meaning of this? Why have I always to complain
of you? May I ask you why you haven’t made a copy of that contract
between Bodley and Kirwan? I told you it must be ready by four
o’clock.”</p>
<p>“But Mr Shelley said, sir——”</p>
<p>“<i>Mr Shelley said, sir....</i> Kindly attend to what I say and not to
what <i>Mr Shelley says, sir</i>. You have always some excuse or another for
shirking work. Let me tell you that if the contract is not copied before this
evening I’ll lay the matter before Mr Crosbie.... Do you hear me
now?”</p>
<p>“Yes, sir.”</p>
<p>“Do you hear me now?... Ay and another little matter! I might as well be
talking to the wall as talking to you. Understand once for all that you get a
half an hour for your lunch and not an hour and a half. How many courses do you
want, I’d like to know.... Do you mind me, now?”</p>
<p>“Yes, sir.”</p>
<p>Mr Alleyne bent his head again upon his pile of papers. The man stared fixedly
at the polished skull which directed the affairs of Crosbie & Alleyne,
gauging its fragility. A spasm of rage gripped his throat for a few moments and
then passed, leaving after it a sharp sensation of thirst. The man recognised
the sensation and felt that he must have a good night’s drinking. The
middle of the month was passed and, if he could get the copy done in time, Mr
Alleyne might give him an order on the cashier. He stood still, gazing fixedly
at the head upon the pile of papers. Suddenly Mr Alleyne began to upset all the
papers, searching for something. Then, as if he had been unaware of the
man’s presence till that moment, he shot up his head again, saying:</p>
<p>“Eh? Are you going to stand there all day? Upon my word, Farrington, you
take things easy!”</p>
<p>“I was waiting to see....”</p>
<p>“Very good, you needn’t wait to see. Go downstairs and do your
work.”</p>
<p>The man walked heavily towards the door and, as he went out of the room, he
heard Mr Alleyne cry after him that if the contract was not copied by evening
Mr Crosbie would hear of the matter.</p>
<p>He returned to his desk in the lower office and counted the sheets which
remained to be copied. He took up his pen and dipped it in the ink but he
continued to stare stupidly at the last words he had written: <i>In no case
shall the said Bernard Bodley be....</i> The evening was falling and in a few
minutes they would be lighting the gas: then he could write. He felt that he
must slake the thirst in his throat. He stood up from his desk and, lifting the
counter as before, passed out of the office. As he was passing out the chief
clerk looked at him inquiringly.</p>
<p>“It’s all right, Mr Shelley,” said the man, pointing with his
finger to indicate the objective of his journey.</p>
<p>The chief clerk glanced at the hat-rack but, seeing the row complete, offered
no remark. As soon as he was on the landing the man pulled a shepherd’s
plaid cap out of his pocket, put it on his head and ran quickly down the
rickety stairs. From the street door he walked on furtively on the inner side
of the path towards the corner and all at once dived into a doorway. He was now
safe in the dark snug of O’Neill’s shop, and filling up the little
window that looked into the bar with his inflamed face, the colour of dark wine
or dark meat, he called out:</p>
<p>“Here, Pat, give us a g.p., like a good fellow.”</p>
<p>The curate brought him a glass of plain porter. The man drank it at a gulp and
asked for a caraway seed. He put his penny on the counter and, leaving the
curate to grope for it in the gloom, retreated out of the snug as furtively as
he had entered it.</p>
<p>Darkness, accompanied by a thick fog, was gaining upon the dusk of February and
the lamps in Eustace Street had been lit. The man went up by the houses until
he reached the door of the office, wondering whether he could finish his copy
in time. On the stairs a moist pungent odour of perfumes saluted his nose:
evidently Miss Delacour had come while he was out in O’Neill’s. He
crammed his cap back again into his pocket and re-entered the office, assuming
an air of absent-mindedness.</p>
<p>“Mr Alleyne has been calling for you,” said the chief clerk
severely. “Where were you?”</p>
<p>The man glanced at the two clients who were standing at the counter as if to
intimate that their presence prevented him from answering. As the clients were
both male the chief clerk allowed himself a laugh.</p>
<p>“I know that game,” he said. “Five times in one day is a
little bit.... Well, you better look sharp and get a copy of our correspondence
in the Delacour case for Mr Alleyne.”</p>
<p>This address in the presence of the public, his run upstairs and the porter he
had gulped down so hastily confused the man and, as he sat down at his desk to
get what was required, he realised how hopeless was the task of finishing his
copy of the contract before half past five. The dark damp night was coming and
he longed to spend it in the bars, drinking with his friends amid the glare of
gas and the clatter of glasses. He got out the Delacour correspondence and
passed out of the office. He hoped Mr Alleyne would not discover that the last
two letters were missing.</p>
<p>The moist pungent perfume lay all the way up to Mr Alleyne’s room. Miss
Delacour was a middle-aged woman of Jewish appearance. Mr Alleyne was said to
be sweet on her or on her money. She came to the office often and stayed a long
time when she came. She was sitting beside his desk now in an aroma of
perfumes, smoothing the handle of her umbrella and nodding the great black
feather in her hat. Mr Alleyne had swivelled his chair round to face her and
thrown his right foot jauntily upon his left knee. The man put the
correspondence on the desk and bowed respectfully but neither Mr Alleyne nor
Miss Delacour took any notice of his bow. Mr Alleyne tapped a finger on the
correspondence and then flicked it towards him as if to say:
<i>“That’s all right: you can go.”</i></p>
<p>The man returned to the lower office and sat down again at his desk. He stared
intently at the incomplete phrase: <i>In no case shall the said Bernard Bodley
be</i> ... and thought how strange it was that the last three words began with
the same letter. The chief clerk began to hurry Miss Parker, saying she would
never have the letters typed in time for post. The man listened to the clicking
of the machine for a few minutes and then set to work to finish his copy. But
his head was not clear and his mind wandered away to the glare and rattle of
the public-house. It was a night for hot punches. He struggled on with his
copy, but when the clock struck five he had still fourteen pages to write.
Blast it! He couldn’t finish it in time. He longed to execrate aloud, to
bring his fist down on something violently. He was so enraged that he wrote
<i>Bernard Bernard</i> instead of <i>Bernard Bodley</i> and had to begin again
on a clean sheet.</p>
<p>He felt strong enough to clear out the whole office singlehanded. His body
ached to do something, to rush out and revel in violence. All the indignities
of his life enraged him.... Could he ask the cashier privately for an advance?
No, the cashier was no good, no damn good: he wouldn’t give an
advance.... He knew where he would meet the boys: Leonard and O’Halloran
and Nosey Flynn. The barometer of his emotional nature was set for a spell of
riot.</p>
<p>His imagination had so abstracted him that his name was called twice before he
answered. Mr Alleyne and Miss Delacour were standing outside the counter and
all the clerks had turned round in anticipation of something. The man got up from
his desk. Mr Alleyne began a tirade of abuse, saying that two letters were
missing. The man answered that he knew nothing about them, that he had made a
faithful copy. The tirade continued: it was so bitter and violent that the man
could hardly restrain his fist from descending upon the head of the manikin
before him:</p>
<p>“I know nothing about any other two letters,” he said stupidly.</p>
<p>“<i>You—know—nothing</i>. Of course you know nothing,”
said Mr Alleyne. “Tell me,” he added, glancing first for approval
to the lady beside him, “do you take me for a fool? Do you think me an
utter fool?”</p>
<p>The man glanced from the lady’s face to the little egg-shaped head and
back again; and, almost before he was aware of it, his tongue had found a
felicitous moment:</p>
<p>“I don’t think, sir,” he said, “that that’s a
fair question to put to me.”</p>
<p>There was a pause in the very breathing of the clerks. Everyone was astounded
(the author of the witticism no less than his neighbours) and Miss Delacour,
who was a stout amiable person, began to smile broadly. Mr Alleyne flushed to
the hue of a wild rose and his mouth twitched with a dwarf’s passion. He
shook his fist in the man’s face till it seemed to vibrate like the knob
of some electric machine:</p>
<p>“You impertinent ruffian! You impertinent ruffian! I’ll make short
work of you! Wait till you see! You’ll apologise to me for your
impertinence or you’ll quit the office instanter! You’ll quit this,
I’m telling you, or you’ll apologise to me!”</p>
<hr class="small" />
<p>He stood in a doorway opposite the office watching to see if the cashier would
come out alone. All the clerks passed out and finally the cashier came out with
the chief clerk. It was no use trying to say a word to him when he was with the
chief clerk. The man felt that his position was bad enough. He had been obliged
to offer an abject apology to Mr Alleyne for his impertinence but he knew what
a hornet’s nest the office would be for him. He could remember the way in
which Mr Alleyne had hounded little Peake out of the office in order to make
room for his own nephew. He felt savage and thirsty and revengeful, annoyed
with himself and with everyone else. Mr Alleyne would never give him an
hour’s rest; his life would be a hell to him. He had made a proper fool
of himself this time. Could he not keep his tongue in his cheek? But they had
never pulled together from the first, he and Mr Alleyne, ever since the day Mr
Alleyne had overheard him mimicking his North of Ireland accent to amuse
Higgins and Miss Parker: that had been the beginning of it. He might have tried
Higgins for the money, but sure Higgins never had anything for himself. A man
with two establishments to keep up, of course he couldn’t....</p>
<p>He felt his great body again aching for the comfort of the public-house. The
fog had begun to chill him and he wondered could he touch Pat in
O’Neill’s. He could not touch him for more than a bob—and a
bob was no use. Yet he must get money somewhere or other: he had spent his last
penny for the g.p. and soon it would be too late for getting money anywhere.
Suddenly, as he was fingering his watch-chain, he thought of Terry
Kelly’s pawn-office in Fleet Street. That was the dart! Why didn’t
he think of it sooner?</p>
<p>He went through the narrow alley of Temple Bar quickly, muttering to himself
that they could all go to hell because he was going to have a good night of it.
The clerk in Terry Kelly’s said <i>A crown!</i> but the consignor held
out for six shillings; and in the end the six shillings was allowed him
literally. He came out of the pawn-office joyfully, making a little cylinder,
of the coins between his thumb and fingers. In Westmoreland Street the
footpaths were crowded with young men and women returning from business and
ragged urchins ran here and there yelling out the names of the evening
editions. The man passed through the crowd, looking on the spectacle generally
with proud satisfaction and staring masterfully at the office-girls. His head
was full of the noises of tram-gongs and swishing trolleys and his nose already
sniffed the curling fumes of punch. As he walked on he preconsidered the terms
in which he would narrate the incident to the boys:</p>
<p>“So, I just looked at him—coolly, you know, and looked at her. Then
I looked back at him again—taking my time, you know. ‘I don’t
think that that’s a fair question to put to me,’ says I.”</p>
<p>Nosey Flynn was sitting up in his usual corner of Davy Byrne’s and, when
he heard the story, he stood Farrington a half-one, saying it was as smart a
thing as ever he heard. Farrington stood a drink in his turn. After a while
O’Halloran and Paddy Leonard came in and the story was repeated to them.
O’Halloran stood tailors of malt, hot, all round and told the story of
the retort he had made to the chief clerk when he was in Callan’s of
Fownes’s Street; but, as the retort was after the manner of the liberal
shepherds in the eclogues, he had to admit that it was not as clever as
Farrington’s retort. At this Farrington told the boys to polish off that
and have another.</p>
<p>Just as they were naming their poisons who should come in but Higgins! Of
course he had to join in with the others. The men asked him to give his version
of it, and he did so with great vivacity for the sight of five small hot
whiskies was very exhilarating. Everyone roared laughing when he showed the way
in which Mr Alleyne shook his fist in Farrington’s face. Then he imitated
Farrington, saying, <i>“And here was my nabs, as cool as you
please,”</i> while Farrington looked at the company out of his heavy
dirty eyes, smiling and at times drawing forth stray drops of liquor from his
moustache with the aid of his lower lip.</p>
<p>When that round was over there was a pause. O’Halloran had money but
neither of the other two seemed to have any; so the whole party left the shop
somewhat regretfully. At the corner of Duke Street Higgins and Nosey Flynn
bevelled off to the left while the other three turned back towards the city.
Rain was drizzling down on the cold streets and, when they reached the Ballast
Office, Farrington suggested the Scotch House. The bar was full of men and loud
with the noise of tongues and glasses. The three men pushed past the whining
match-sellers at the door and formed a little party at the corner of the
counter. They began to exchange stories. Leonard introduced them to a young
fellow named Weathers who was performing at the Tivoli as an acrobat and
knockabout <i>artiste</i>. Farrington stood a drink all round. Weathers said he
would take a small Irish and Apollinaris. Farrington, who had definite notions
of what was what, asked the boys would they have an Apollinaris too; but the
boys told Tim to make theirs hot. The talk became theatrical. O’Halloran
stood a round and then Farrington stood another round, Weathers protesting that
the hospitality was too Irish. He promised to get them in behind the scenes and
introduce them to some nice girls. O’Halloran said that he and Leonard
would go, but that Farrington wouldn’t go because he was a married man;
and Farrington’s heavy dirty eyes leered at the company in token that he
understood he was being chaffed. Weathers made them all have just one little
tincture at his expense and promised to meet them later on at Mulligan’s
in Poolbeg Street.</p>
<p>When the Scotch House closed they went round to Mulligan’s. They went
into the parlour at the back and O’Halloran ordered small hot specials
all round. They were all beginning to feel mellow. Farrington was just standing
another round when Weathers came back. Much to Farrington’s relief he
drank a glass of bitter this time. Funds were getting low but they had enough
to keep them going. Presently two young women with big hats and a young man in
a check suit came in and sat at a table close by. Weathers saluted them and
told the company that they were out of the Tivoli. Farrington’s eyes
wandered at every moment in the direction of one of the young women. There was
something striking in her appearance. An immense scarf of peacock-blue muslin
was wound round her hat and knotted in a great bow under her chin; and she wore
bright yellow gloves, reaching to the elbow. Farrington gazed admiringly at the
plump arm which she moved very often and with much grace; and when, after a
little time, she answered his gaze he admired still more her large dark brown
eyes. The oblique staring expression in them fascinated him. She glanced at him
once or twice and, when the party was leaving the room, she brushed against his
chair and said <i>“O, pardon!”</i> in a London accent. He watched
her leave the room in the hope that she would look back at him, but he was
disappointed. He cursed his want of money and cursed all the rounds he had
stood, particularly all the whiskies and Apollinaris which he had stood to
Weathers. If there was one thing that he hated it was a sponge. He was so angry
that he lost count of the conversation of his friends.</p>
<p>When Paddy Leonard called him he found that they were talking about feats of
strength. Weathers was showing his biceps muscle to the company and boasting so
much that the other two had called on Farrington to uphold the national honour.
Farrington pulled up his sleeve accordingly and showed his biceps muscle to the
company. The two arms were examined and compared and finally it was agreed to
have a trial of strength. The table was cleared and the two men rested their
elbows on it, clasping hands. When Paddy Leonard said <i>“Go!”</i>
each was to try to bring down the other’s hand on to the table.
Farrington looked very serious and determined.</p>
<p>The trial began. After about thirty seconds Weathers brought his
opponent’s hand slowly down on to the table. Farrington’s dark
wine-coloured face flushed darker still with anger and humiliation at having
been defeated by such a stripling.</p>
<p>“You’re not to put the weight of your body behind it. Play
fair,” he said.</p>
<p>“Who’s not playing fair?” said the other.</p>
<p>“Come on again. The two best out of three.”</p>
<p>The trial began again. The veins stood out on Farrington’s forehead, and
the pallor of Weathers’ complexion changed to peony. Their hands and arms
trembled under the stress. After a long struggle Weathers again brought his
opponent’s hand slowly on to the table. There was a murmur of applause
from the spectators. The curate, who was standing beside the table, nodded his
red head towards the victor and said with stupid familiarity:</p>
<p>“Ah! that’s the knack!”</p>
<p>“What the hell do you know about it?” said Farrington fiercely,
turning on the man. “What do you put in your gab for?”</p>
<p>“Sh, sh!” said O’Halloran, observing the violent expression
of Farrington’s face. “Pony up, boys. We’ll have just one
little smahan more and then we’ll be off.”</p>
<p><br/></p>
<p>A very sullen-faced man stood at the corner of O’Connell Bridge waiting
for the little Sandymount tram to take him home. He was full of smouldering
anger and revengefulness. He felt humiliated and discontented; he did not even
feel drunk; and he had only twopence in his pocket. He cursed everything. He
had done for himself in the office, pawned his watch, spent all his money; and
he had not even got drunk. He began to feel thirsty again and he longed to be
back again in the hot reeking public-house. He had lost his reputation as a
strong man, having been defeated twice by a mere boy. His heart swelled with
fury and, when he thought of the woman in the big hat who had brushed against
him and said <i>Pardon!</i> his fury nearly choked him.</p>
<p>His tram let him down at Shelbourne Road and he steered his great body along in
the shadow of the wall of the barracks. He loathed returning to his home. When
he went in by the side-door he found the kitchen empty and the kitchen fire
nearly out. He bawled upstairs:</p>
<p>“Ada! Ada!”</p>
<p>His wife was a little sharp-faced woman who bullied her husband when he was
sober and was bullied by him when he was drunk. They had five children. A
little boy came running down the stairs.</p>
<p>“Who is that?” said the man, peering through the darkness.</p>
<p>“Me, pa.”</p>
<p>“Who are you? Charlie?”</p>
<p>“No, pa. Tom.”</p>
<p>“Where’s your mother?”</p>
<p>“She’s out at the chapel.”</p>
<p>“That’s right.... Did she think of leaving any dinner for
me?”</p>
<p>“Yes, pa. I——”</p>
<p>“Light the lamp. What do you mean by having the place in darkness? Are
the other children in bed?”</p>
<p>The man sat down heavily on one of the chairs while the little boy lit the
lamp. He began to mimic his son’s flat accent, saying half to himself:
<i>“At the chapel. At the chapel, if you please!”</i> When the lamp
was lit he banged his fist on the table and shouted:</p>
<p>“What’s for my dinner?”</p>
<p>“I’m going ... to cook it, pa,” said the little boy.</p>
<p>The man jumped up furiously and pointed to the fire.</p>
<p>“On that fire! You let the fire out! By God, I’ll teach you to do
that again!”</p>
<p>He took a step to the door and seized the walking-stick which was standing
behind it.</p>
<p>“I’ll teach you to let the fire out!” he said, rolling up his
sleeve in order to give his arm free play.</p>
<p>The little boy cried <i>“O, pa!”</i> and ran whimpering round the
table, but the man followed him and caught him by the coat. The little boy
looked about him wildly but, seeing no way of escape, fell upon his knees.</p>
<p>“Now, you’ll let the fire out the next time!” said the man
striking at him vigorously with the stick. “Take that, you little
whelp!”</p>
<p>The boy uttered a squeal of pain as the stick cut his thigh. He clasped his
hands together in the air and his voice shook with fright.</p>
<p>“O, pa!” he cried. “Don’t beat me, pa! And I’ll
... I’ll say a <i>Hail Mary</i> for you.... I’ll say a <i>Hail
Mary</i> for you, pa, if you don’t beat me.... I’ll say a <i>Hail
Mary</i>....”</p>
<h2><SPAN name="chap10"></SPAN>CLAY</h2>
<p>The matron had given her leave to go out as soon as the women’s tea was
over and Maria looked forward to her evening out. The kitchen was spick and
span: the cook said you could see yourself in the big copper boilers. The fire
was nice and bright and on one of the side-tables were four very big
barmbracks. These barmbracks seemed uncut; but if you went closer you would see
that they had been cut into long thick even slices and were ready to be handed
round at tea. Maria had cut them herself.</p>
<p>Maria was a very, very small person indeed but she had a very long nose and a
very long chin. She talked a little through her nose, always soothingly:
<i>“Yes, my dear,”</i> and <i>“No, my dear.”</i> She
was always sent for when the women quarrelled over their tubs and always
succeeded in making peace. One day the matron had said to her:</p>
<p>“Maria, you are a veritable peace-maker!”</p>
<p>And the sub-matron and two of the Board ladies had heard the compliment. And
Ginger Mooney was always saying what she wouldn’t do to the dummy who had
charge of the irons if it wasn’t for Maria. Everyone was so fond of
Maria.</p>
<p>The women would have their tea at six o’clock and she would be able to
get away before seven. From Ballsbridge to the Pillar, twenty minutes; from the
Pillar to Drumcondra, twenty minutes; and twenty minutes to buy the things. She
would be there before eight. She took out her purse with the silver clasps and
read again the words <i>A Present from Belfast</i>. She was very fond of that
purse because Joe had brought it to her five years before when he and Alphy had
gone to Belfast on a Whit-Monday trip. In the purse were two half-crowns and
some coppers. She would have five shillings clear after paying tram fare. What
a nice evening they would have, all the children singing! Only she hoped that
Joe wouldn’t come in drunk. He was so different when he took any drink.</p>
<p>Often he had wanted her to go and live with them; but she would have felt
herself in the way (though Joe’s wife was ever so nice with her) and she
had become accustomed to the life of the laundry. Joe was a good fellow. She
had nursed him and Alphy too; and Joe used often say:</p>
<p>“Mamma is mamma but Maria is my proper mother.”</p>
<p>After the break-up at home the boys had got her that position in the <i>Dublin
by Lamplight</i> laundry, and she liked it. She used to have such a bad opinion
of Protestants but now she thought they were very nice people, a little quiet
and serious, but still very nice people to live with. Then she had her plants
in the conservatory and she liked looking after them. She had lovely ferns and
wax-plants and, whenever anyone came to visit her, she always gave the visitor
one or two slips from her conservatory. There was one thing she didn’t
like and that was the tracts on the walks; but the matron was such a nice
person to deal with, so genteel.</p>
<p>When the cook told her everything was ready she went into the women’s
room and began to pull the big bell. In a few minutes the women began to come
in by twos and threes, wiping their steaming hands in their petticoats and
pulling down the sleeves of their blouses over their red steaming arms. They
settled down before their huge mugs which the cook and the dummy filled up with
hot tea, already mixed with milk and sugar in huge tin cans. Maria
superintended the distribution of the barmbrack and saw that every woman got
her four slices. There was a great deal of laughing and joking during the meal.
Lizzie Fleming said Maria was sure to get the ring and, though Fleming had said
that for so many Hallow Eves, Maria had to laugh and say she didn’t want
any ring or man either; and when she laughed her grey-green eyes sparkled with
disappointed shyness and the tip of her nose nearly met the tip of her chin.
Then Ginger Mooney lifted up her mug of tea and proposed Maria’s health
while all the other women clattered with their mugs on the table, and said she
was sorry she hadn’t a sup of porter to drink it in. And Maria laughed
again till the tip of her nose nearly met the tip of her chin and till her
minute body nearly shook itself asunder because she knew that Mooney meant well
though, of course, she had the notions of a common woman.</p>
<p>But wasn’t Maria glad when the women had finished their tea and the cook
and the dummy had begun to clear away the tea-things! She went into her little
bedroom and, remembering that the next morning was a mass morning, changed the
hand of the alarm from seven to six. Then she took off her working skirt and
her house-boots and laid her best skirt out on the bed and her tiny dress-boots
beside the foot of the bed. She changed her blouse too and, as she stood before
the mirror, she thought of how she used to dress for mass on Sunday morning
when she was a young girl; and she looked with quaint affection at the
diminutive body which she had so often adorned. In spite of its years she found
it a nice tidy little body.</p>
<p>When she got outside the streets were shining with rain and she was glad of her
old brown waterproof. The tram was full and she had to sit on the little stool
at the end of the car, facing all the people, with her toes barely touching the
floor. She arranged in her mind all she was going to do and thought how much
better it was to be independent and to have your own money in your pocket. She
hoped they would have a nice evening. She was sure they would but she could not
help thinking what a pity it was Alphy and Joe were not speaking. They were
always falling out now but when they were boys together they used to be the
best of friends: but such was life.</p>
<p>She got out of her tram at the Pillar and ferreted her way quickly among the
crowds. She went into Downes’s cake-shop but the shop was so full of
people that it was a long time before she could get herself attended to. She
bought a dozen of mixed penny cakes, and at last came out of the shop laden
with a big bag. Then she thought what else would she buy: she wanted to buy
something really nice. They would be sure to have plenty of apples and nuts. It
was hard to know what to buy and all she could think of was cake. She decided
to buy some plumcake but Downes’s plumcake had not enough almond icing on
top of it so she went over to a shop in Henry Street. Here she was a long time
in suiting herself and the stylish young lady behind the counter, who was
evidently a little annoyed by her, asked her was it wedding-cake she wanted to
buy. That made Maria blush and smile at the young lady; but the young lady took
it all very seriously and finally cut a thick slice of plumcake, parcelled it
up and said:</p>
<p>“Two-and-four, please.”</p>
<p>She thought she would have to stand in the Drumcondra tram because none of the
young men seemed to notice her but an elderly gentleman made room for her. He
was a stout gentleman and he wore a brown hard hat; he had a square red face
and a greyish moustache. Maria thought he was a colonel-looking gentleman and
she reflected how much more polite he was than the young men who simply stared
straight before them. The gentleman began to chat with her about Hallow Eve and
the rainy weather. He supposed the bag was full of good things for the little
ones and said it was only right that the youngsters should enjoy themselves
while they were young. Maria agreed with him and favoured him with demure nods
and hems. He was very nice with her, and when she was getting out at the Canal
Bridge she thanked him and bowed, and he bowed to her and raised his hat and
smiled agreeably, and while she was going up along the terrace, bending her
tiny head under the rain, she thought how easy it was to know a gentleman even
when he has a drop taken.</p>
<p>Everybody said: <i>“O, here’s Maria!”</i> when she came to
Joe’s house. Joe was there, having come home from business, and all the
children had their Sunday dresses on. There were two big girls in from next
door and games were going on. Maria gave the bag of cakes to the eldest boy,
Alphy, to divide and Mrs Donnelly said it was too good of her to bring such a
big bag of cakes and made all the children say:</p>
<p>“Thanks, Maria.”</p>
<p>But Maria said she had brought something special for papa and mamma, something
they would be sure to like, and she began to look for her plumcake. She tried
in Downes’s bag and then in the pockets of her waterproof and then on the
hallstand but nowhere could she find it. Then she asked all the children had
any of them eaten it—by mistake, of course—but the children all
said no and looked as if they did not like to eat cakes if they were to be
accused of stealing. Everybody had a solution for the mystery and Mrs Donnelly
said it was plain that Maria had left it behind her in the tram. Maria,
remembering how confused the gentleman with the greyish moustache had made her,
coloured with shame and vexation and disappointment. At the thought of the
failure of her little surprise and of the two and fourpence she had thrown away
for nothing she nearly cried outright.</p>
<p>But Joe said it didn’t matter and made her sit down by the fire. He was
very nice with her. He told her all that went on in his office, repeating for
her a smart answer which he had made to the manager. Maria did not understand
why Joe laughed so much over the answer he had made but she said that the
manager must have been a very overbearing person to deal with. Joe said he
wasn’t so bad when you knew how to take him, that he was a decent sort so
long as you didn’t rub him the wrong way. Mrs Donnelly played the piano
for the children and they danced and sang. Then the two next-door girls handed
round the nuts. Nobody could find the nutcrackers and Joe was nearly getting
cross over it and asked how did they expect Maria to crack nuts without a
nutcracker. But Maria said she didn’t like nuts and that they
weren’t to bother about her. Then Joe asked would she take a bottle of
stout and Mrs Donnelly said there was port wine too in the house if she would
prefer that. Maria said she would rather they didn’t ask her to take
anything: but Joe insisted.</p>
<p>So Maria let him have his way and they sat by the fire talking over old times
and Maria thought she would put in a good word for Alphy. But Joe cried that
God might strike him stone dead if ever he spoke a word to his brother again
and Maria said she was sorry she had mentioned the matter. Mrs Donnelly told
her husband it was a great shame for him to speak that way of his own flesh and
blood but Joe said that Alphy was no brother of his and there was nearly being
a row on the head of it. But Joe said he would not lose his temper on account
of the night it was and asked his wife to open some more stout. The two
next-door girls had arranged some Hallow Eve games and soon everything was
merry again. Maria was delighted to see the children so merry and Joe and his
wife in such good spirits. The next-door girls put some saucers on the table
and then led the children up to the table, blindfold. One got the prayer-book
and the other three got the water; and when one of the next-door girls got the
ring Mrs Donnelly shook her finger at the blushing girl as much as to say:
<i>O, I know all about it!</i> They insisted then on blindfolding Maria and
leading her up to the table to see what she would get; and, while they were
putting on the bandage, Maria laughed and laughed again till the tip of her
nose nearly met the tip of her chin.</p>
<p>They led her up to the table amid laughing and joking and she put her hand out
in the air as she was told to do. She moved her hand about here and there in
the air and descended on one of the saucers. She felt a soft wet substance with
her fingers and was surprised that nobody spoke or took off her bandage. There
was a pause for a few seconds; and then a great deal of scuffling and
whispering. Somebody said something about the garden, and at last Mrs Donnelly
said something very cross to one of the next-door girls and told her to throw
it out at once: that was no play. Maria understood that it was wrong that time
and so she had to do it over again: and this time she got the prayer-book.</p>
<p>After that Mrs Donnelly played Miss McCloud’s Reel for the children and
Joe made Maria take a glass of wine. Soon they were all quite merry again and
Mrs Donnelly said Maria would enter a convent before the year was out because
she had got the prayer-book. Maria had never seen Joe so nice to her as he was
that night, so full of pleasant talk and reminiscences. She said they were all
very good to her.</p>
<p>At last the children grew tired and sleepy and Joe asked Maria would she not
sing some little song before she went, one of the old songs. Mrs Donnelly said
<i>“Do, please, Maria!”</i> and so Maria had to get up and stand
beside the piano. Mrs Donnelly bade the children be quiet and listen to
Maria’s song. Then she played the prelude and said <i>“Now,
Maria!”</i> and Maria, blushing very much began to sing in a tiny
quavering voice. She sang <i>I Dreamt that I Dwelt</i>, and when she came to
the second verse she sang again:</p>
<p class="poem">
<i>I dreamt that I dwelt in marble halls<br/>
With vassals and serfs at my side<br/>
And of all who assembled within those walls<br/>
That I was the hope and the pride.<br/>
I had riches too great to count, could boast<br/>
Of a high ancestral name,<br/>
But I also dreamt, which pleased me most,<br/>
That you loved me still the same.</i></p>
<p>But no one tried to show her her mistake; and when she had ended her song Joe
was very much moved. He said that there was no time like the long ago and no
music for him like poor old Balfe, whatever other people might say; and his
eyes filled up so much with tears that he could not find what he was looking
for and in the end he had to ask his wife to tell him where the corkscrew was.</p>
<h2><SPAN name="chap11"></SPAN>A PAINFUL CASE</h2>
<p>Mr James Duffy lived in Chapelizod because he wished to live as far as possible
from the city of which he was a citizen and because he found all the other
suburbs of Dublin mean, modern and pretentious. He lived in an old sombre house
and from his windows he could look into the disused distillery or upwards along
the shallow river on which Dublin is built. The lofty walls of his uncarpeted
room were free from pictures. He had himself bought every article of furniture
in the room: a black iron bedstead, an iron washstand, four cane chairs, a
clothes-rack, a coal-scuttle, a fender and irons and a square table on which
lay a double desk. A bookcase had been made in an alcove by means of shelves of
white wood. The bed was clothed with white bedclothes and a black and scarlet
rug covered the foot. A little hand-mirror hung above the washstand and during
the day a white-shaded lamp stood as the sole ornament of the mantelpiece. The
books on the white wooden shelves were arranged from below upwards according to
bulk. A complete Wordsworth stood at one end of the lowest shelf and a copy of
the <i>Maynooth Catechism</i>, sewn into the cloth cover of a notebook, stood
at one end of the top shelf. Writing materials were always on the desk. In the
desk lay a manuscript translation of Hauptmann’s <i>Michael Kramer</i>,
the stage directions of which were written in purple ink, and a little sheaf of
papers held together by a brass pin. In these sheets a sentence was inscribed
from time to time and, in an ironical moment, the headline of an advertisement
for <i>Bile Beans</i> had been pasted on to the first sheet. On lifting the lid
of the desk a faint fragrance escaped—the fragrance of new cedarwood
pencils or of a bottle of gum or of an overripe apple which might have been
left there and forgotten.</p>
<p>Mr Duffy abhorred anything which betokened physical or mental disorder. A
mediæval doctor would have called him saturnine. His face, which carried the
entire tale of his years, was of the brown tint of Dublin streets. On his long
and rather large head grew dry black hair and a tawny moustache did not quite
cover an unamiable mouth. His cheekbones also gave his face a harsh character;
but there was no harshness in the eyes which, looking at the world from under
their tawny eyebrows, gave the impression of a man ever alert to greet a
redeeming instinct in others but often disappointed. He lived at a little
distance from his body, regarding his own acts with doubtful side-glances. He
had an odd autobiographical habit which led him to compose in his mind from
time to time a short sentence about himself containing a subject in the third
person and a predicate in the past tense. He never gave alms to beggars and
walked firmly, carrying a stout hazel.</p>
<p>He had been for many years cashier of a private bank in Baggot Street. Every
morning he came in from Chapelizod by tram. At midday he went to Dan
Burke’s and took his lunch—a bottle of lager beer and a small
trayful of arrowroot biscuits. At four o’clock he was set free. He dined
in an eating-house in George’s Street where he felt himself safe from the
society of Dublin’s gilded youth and where there was a certain plain
honesty in the bill of fare. His evenings were spent either before his
landlady’s piano or roaming about the outskirts of the city. His liking
for Mozart’s music brought him sometimes to an opera or a concert: these
were the only dissipations of his life.</p>
<p>He had neither companions nor friends, church nor creed. He lived his spiritual
life without any communion with others, visiting his relatives at Christmas and
escorting them to the cemetery when they died. He performed these two social
duties for old dignity’s sake but conceded nothing further to the
conventions which regulate the civic life. He allowed himself to think that in
certain circumstances he would rob his bank but, as these circumstances never
arose, his life rolled out evenly—an adventureless tale.</p>
<p>One evening he found himself sitting beside two ladies in the Rotunda. The
house, thinly peopled and silent, gave distressing prophecy of failure. The
lady who sat next him looked round at the deserted house once or twice and then
said:</p>
<p>“What a pity there is such a poor house tonight! It’s so hard on
people to have to sing to empty benches.”</p>
<p>He took the remark as an invitation to talk. He was surprised that she seemed
so little awkward. While they talked he tried to fix her permanently in his
memory. When he learned that the young girl beside her was her daughter he
judged her to be a year or so younger than himself. Her face, which must have
been handsome, had remained intelligent. It was an oval face with strongly
marked features. The eyes were very dark blue and steady. Their gaze began with
a defiant note but was confused by what seemed a deliberate swoon of the pupil
into the iris, revealing for an instant a temperament of great sensibility. The
pupil reasserted itself quickly, this half-disclosed nature fell again under
the reign of prudence, and her astrakhan jacket, moulding a bosom of a certain
fullness, struck the note of defiance more definitely.</p>
<p>He met her again a few weeks afterwards at a concert in Earlsfort Terrace and
seized the moments when her daughter’s attention was diverted to become
intimate. She alluded once or twice to her husband but her tone was not such as
to make the allusion a warning. Her name was Mrs Sinico. Her husband’s
great-great-grandfather had come from Leghorn. Her husband was captain of a
mercantile boat plying between Dublin and Holland; and they had one child.</p>
<p>Meeting her a third time by accident he found courage to make an appointment.
She came. This was the first of many meetings; they met always in the evening
and chose the most quiet quarters for their walks together. Mr Duffy, however,
had a distaste for underhand ways and, finding that they were compelled to meet
stealthily, he forced her to ask him to her house. Captain Sinico encouraged
his visits, thinking that his daughter’s hand was in question. He had
dismissed his wife so sincerely from his gallery of pleasures that he did not
suspect that anyone else would take an interest in her. As the husband was
often away and the daughter out giving music lessons Mr Duffy had many
opportunities of enjoying the lady’s society. Neither he nor she had had
any such adventure before and neither was conscious of any incongruity. Little
by little he entangled his thoughts with hers. He lent her books, provided her
with ideas, shared his intellectual life with her. She listened to all.</p>
<p>Sometimes in return for his theories she gave out some fact of her own life.
With almost maternal solicitude she urged him to let his nature open to the
full: she became his confessor. He told her that for some time he had assisted
at the meetings of an Irish Socialist Party where he had felt himself a unique
figure amidst a score of sober workmen in a garret lit by an inefficient
oil-lamp. When the party had divided into three sections, each under its own
leader and in its own garret, he had discontinued his attendances. The
workmen’s discussions, he said, were too timorous; the interest they took
in the question of wages was inordinate. He felt that they were hard-featured
realists and that they resented an exactitude which was the produce of a
leisure not within their reach. No social revolution, he told her, would be
likely to strike Dublin for some centuries.</p>
<p>She asked him why did he not write out his thoughts. For what, he asked her,
with careful scorn. To compete with phrasemongers, incapable of thinking
consecutively for sixty seconds? To submit himself to the criticisms of an
obtuse middle class which entrusted its morality to policemen and its fine arts
to impresarios?</p>
<p>He went often to her little cottage outside Dublin; often they spent their
evenings alone. Little by little, as their thoughts entangled, they spoke of
subjects less remote. Her companionship was like a warm soil about an exotic.
Many times she allowed the dark to fall upon them, refraining from lighting the
lamp. The dark discreet room, their isolation, the music that still vibrated in
their ears united them. This union exalted him, wore away the rough edges of
his character, emotionalised his mental life. Sometimes he caught himself
listening to the sound of his own voice. He thought that in her eyes he would
ascend to an angelical stature; and, as he attached the fervent nature of his
companion more and more closely to him, he heard the strange impersonal voice
which he recognised as his own, insisting on the soul’s incurable
loneliness. We cannot give ourselves, it said: we are our own. The end of these
discourses was that one night during which she had shown every sign of unusual
excitement, Mrs Sinico caught up his hand passionately and pressed it to her
cheek.</p>
<p>Mr Duffy was very much surprised. Her interpretation of his words disillusioned
him. He did not visit her for a week, then he wrote to her asking her to meet
him. As he did not wish their last interview to be troubled by the influence of
their ruined confessional they met in a little cakeshop near the Parkgate. It
was cold autumn weather but in spite of the cold they wandered up and down the
roads of the Park for nearly three hours. They agreed to break off their
intercourse: every bond, he said, is a bond to sorrow. When they came out of
the Park they walked in silence towards the tram; but here she began to tremble
so violently that, fearing another collapse on her part, he bade her good-bye
quickly and left her. A few days later he received a parcel containing his
books and music.</p>
<p>Four years passed. Mr Duffy returned to his even way of life. His room still
bore witness of the orderliness of his mind. Some new pieces of music
encumbered the music-stand in the lower room and on his shelves stood two
volumes by Nietzsche: <i>Thus Spake Zarathustra</i> and <i>The Gay Science</i>.
He wrote seldom in the sheaf of papers which lay in his desk. One of his
sentences, written two months after his last interview with Mrs Sinico, read:
Love between man and man is impossible because there must not be sexual
intercourse and friendship between man and woman is impossible because there
must be sexual intercourse. He kept away from concerts lest he should meet her.
His father died; the junior partner of the bank retired. And still every
morning he went into the city by tram and every evening walked home from the
city after having dined moderately in George’s Street and read the
evening paper for dessert.</p>
<p>One evening as he was about to put a morsel of corned beef and cabbage into his
mouth his hand stopped. His eyes fixed themselves on a paragraph in the evening
paper which he had propped against the water-carafe. He replaced the morsel of
food on his plate and read the paragraph attentively. Then he drank a glass of
water, pushed his plate to one side, doubled the paper down before him between
his elbows and read the paragraph over and over again. The cabbage began to
deposit a cold white grease on his plate. The girl came over to him to ask was
his dinner not properly cooked. He said it was very good and ate a few
mouthfuls of it with difficulty. Then he paid his bill and went out.</p>
<p>He walked along quickly through the November twilight, his stout hazel stick
striking the ground regularly, the fringe of the buff <i>Mail</i> peeping out
of a side-pocket of his tight reefer overcoat. On the lonely road which leads
from the Parkgate to Chapelizod he slackened his pace. His stick struck the
ground less emphatically and his breath, issuing irregularly, almost with a
sighing sound, condensed in the wintry air. When he reached his house he went
up at once to his bedroom and, taking the paper from his pocket, read the
paragraph again by the failing light of the window. He read it not aloud, but
moving his lips as a priest does when he reads the prayers <i>Secreto</i>. This
was the paragraph:</p>
<p class="letter">
DEATH OF A LADY AT SYDNEY PARADE</p>
<p class="center">
A PAINFUL CASE</p>
<p>Today at the City of Dublin Hospital the Deputy Coroner (in the absence of Mr
Leverett) held an inquest on the body of Mrs Emily Sinico, aged forty-three
years, who was killed at Sydney Parade Station yesterday evening. The evidence
showed that the deceased lady, while attempting to cross the line, was knocked
down by the engine of the ten o’clock slow train from Kingstown, thereby
sustaining injuries of the head and right side which led to her death.</p>
<p>James Lennon, driver of the engine, stated that he had been in the employment
of the railway company for fifteen years. On hearing the guard’s whistle
he set the train in motion and a second or two afterwards brought it to rest in
response to loud cries. The train was going slowly.</p>
<p>P. Dunne, railway porter, stated that as the train was about to start he
observed a woman attempting to cross the lines. He ran towards her and shouted,
but, before he could reach her, she was caught by the buffer of the engine and
fell to the ground.</p>
<p><i>A juror</i>. “You saw the lady fall?”</p>
<p><i>Witness</i>. “Yes.”</p>
<p>Police Sergeant Croly deposed that when he arrived he found the deceased lying
on the platform apparently dead. He had the body taken to the waiting-room
pending the arrival of the ambulance.</p>
<p>Constable 57E corroborated.</p>
<p>Dr Halpin, assistant house surgeon of the City of Dublin Hospital, stated that
the deceased had two lower ribs fractured and had sustained severe contusions
of the right shoulder. The right side of the head had been injured in the fall.
The injuries were not sufficient to have caused death in a normal person.
Death, in his opinion, had been probably due to shock and sudden failure of the
heart’s action.</p>
<p>Mr H. B. Patterson Finlay, on behalf of the railway company, expressed his deep
regret at the accident. The company had always taken every precaution to
prevent people crossing the lines except by the bridges, both by placing
notices in every station and by the use of patent spring gates at level
crossings. The deceased had been in the habit of crossing the lines late at
night from platform to platform and, in view of certain other circumstances of
the case, he did not think the railway officials were to blame.</p>
<p>Captain Sinico, of Leoville, Sydney Parade, husband of the deceased, also gave
evidence. He stated that the deceased was his wife. He was not in Dublin at the
time of the accident as he had arrived only that morning from Rotterdam. They
had been married for twenty-two years and had lived happily until about two
years ago when his wife began to be rather intemperate in her habits.</p>
<p>Miss Mary Sinico said that of late her mother had been in the habit of going
out at night to buy spirits. She, witness, had often tried to reason with her
mother and had induced her to join a league. She was not at home until an hour
after the accident. The jury returned a verdict in accordance with the medical
evidence and exonerated Lennon from all blame.</p>
<p>The Deputy Coroner said it was a most painful case, and expressed great
sympathy with Captain Sinico and his daughter. He urged on the railway company
to take strong measures to prevent the possibility of similar accidents in the
future. No blame attached to anyone.</p>
<p><br/></p>
<p>Mr Duffy raised his eyes from the paper and gazed out of his window on the
cheerless evening landscape. The river lay quiet beside the empty distillery
and from time to time a light appeared in some house on the Lucan road. What an
end! The whole narrative of her death revolted him and it revolted him to think
that he had ever spoken to her of what he held sacred. The threadbare phrases,
the inane expressions of sympathy, the cautious words of a reporter won over to
conceal the details of a commonplace vulgar death attacked his stomach. Not
merely had she degraded herself; she had degraded him. He saw the squalid tract
of her vice, miserable and malodorous. His soul’s companion! He thought
of the hobbling wretches whom he had seen carrying cans and bottles to be
filled by the barman. Just God, what an end! Evidently she had been unfit to
live, without any strength of purpose, an easy prey to habits, one of the
wrecks on which civilisation has been reared. But that she could have sunk so
low! Was it possible he had deceived himself so utterly about her? He
remembered her outburst of that night and interpreted it in a harsher sense
than he had ever done. He had no difficulty now in approving of the course he
had taken.</p>
<p>As the light failed and his memory began to wander he thought her hand touched
his. The shock which had first attacked his stomach was now attacking his
nerves. He put on his overcoat and hat quickly and went out. The cold air met
him on the threshold; it crept into the sleeves of his coat. When he came to
the public-house at Chapelizod Bridge he went in and ordered a hot punch.</p>
<p>The proprietor served him obsequiously but did not venture to talk. There were
five or six workingmen in the shop discussing the value of a gentleman’s
estate in County Kildare. They drank at intervals from their huge pint tumblers
and smoked, spitting often on the floor and sometimes dragging the sawdust over
their spits with their heavy boots. Mr Duffy sat on his stool and gazed at
them, without seeing or hearing them. After a while they went out and he called
for another punch. He sat a long time over it. The shop was very quiet. The
proprietor sprawled on the counter reading the <i>Herald</i> and yawning. Now
and again a tram was heard swishing along the lonely road outside.</p>
<p>As he sat there, living over his life with her and evoking alternately the two
images in which he now conceived her, he realised that she was dead, that she
had ceased to exist, that she had become a memory. He began to feel ill at
ease. He asked himself what else could he have done. He could not have carried
on a comedy of deception with her; he could not have lived with her openly. He
had done what seemed to him best. How was he to blame? Now that she was gone he
understood how lonely her life must have been, sitting night after night alone
in that room. His life would be lonely too until he, too, died, ceased to
exist, became a memory—if anyone remembered him.</p>
<p>It was after nine o’clock when he left the shop. The night was cold and
gloomy. He entered the Park by the first gate and walked along under the gaunt
trees. He walked through the bleak alleys where they had walked four years
before. She seemed to be near him in the darkness. At moments he seemed to feel
her voice touch his ear, her hand touch his. He stood still to listen. Why had
he withheld life from her? Why had he sentenced her to death? He felt his moral
nature falling to pieces.</p>
<p>When he gained the crest of the Magazine Hill he halted and looked along the
river towards Dublin, the lights of which burned redly and hospitably in the
cold night. He looked down the slope and, at the base, in the shadow of the
wall of the Park, he saw some human figures lying. Those venal and furtive
loves filled him with despair. He gnawed the rectitude of his life; he felt
that he had been outcast from life’s feast. One human being had seemed to
love him and he had denied her life and happiness: he had sentenced her to
ignominy, a death of shame. He knew that the prostrate creatures down by the
wall were watching him and wished him gone. No one wanted him; he was outcast
from life’s feast. He turned his eyes to the grey gleaming river, winding
along towards Dublin. Beyond the river he saw a goods train winding out of
Kingsbridge Station, like a worm with a fiery head winding through the
darkness, obstinately and laboriously. It passed slowly out of sight; but still
he heard in his ears the laborious drone of the engine reiterating the
syllables of her name.</p>
<p>He turned back the way he had come, the rhythm of the engine pounding in his
ears. He began to doubt the reality of what memory told him. He halted under a
tree and allowed the rhythm to die away. He could not feel her near him in the
darkness nor her voice touch his ear. He waited for some minutes listening. He
could hear nothing: the night was perfectly silent. He listened again:
perfectly silent. He felt that he was alone.</p>
<h2><SPAN name="chap12"></SPAN>IVY DAY IN THE COMMITTEE ROOM</h2>
<p>Old Jack raked the cinders together with a piece of cardboard and spread them
judiciously over the whitening dome of coals. When the dome was thinly covered
his face lapsed into darkness but, as he set himself to fan the fire again, his
crouching shadow ascended the opposite wall and his face slowly re-emerged into
light. It was an old man’s face, very bony and hairy. The moist blue eyes
blinked at the fire and the moist mouth fell open at times, munching once or
twice mechanically when it closed. When the cinders had caught he laid the
piece of cardboard against the wall, sighed and said:</p>
<p>“That’s better now, Mr O’Connor.”</p>
<p>Mr O’Connor, a grey-haired young man, whose face was disfigured by many
blotches and pimples, had just brought the tobacco for a cigarette into a
shapely cylinder but when spoken to he undid his handiwork meditatively. Then
he began to roll the tobacco again meditatively and after a moment’s
thought decided to lick the paper.</p>
<p>“Did Mr Tierney say when he’d be back?” he asked in a husky
falsetto.</p>
<p>“He didn’t say.”</p>
<p>Mr O’Connor put his cigarette into his mouth and began to search his
pockets. He took out a pack of thin pasteboard cards.</p>
<p>“I’ll get you a match,” said the old man.</p>
<p>“Never mind, this’ll do,” said Mr O’Connor.</p>
<p>He selected one of the cards and read what was printed on it:</p>
<p class="letter">
MUNICIPAL ELECTIONS</p>
<hr class="small1" />
<p class="center">
ROYAL EXCHANGE WARD<br/></p>
<hr class="small1" />
<p>Mr Richard J. Tierney, P.L.G., respectfully solicits the favour of your vote
and influence at the coming election in the Royal Exchange Ward.</p>
<hr class="small1" />
<p>Mr O’Connor had been engaged by Tierney’s agent to canvass one part
of the ward but, as the weather was inclement and his boots let in the wet, he
spent a great part of the day sitting by the fire in the Committee Room in
Wicklow Street with Jack, the old caretaker. They had been sitting thus since
the short day had grown dark. It was the sixth of October, dismal and cold out
of doors.</p>
<p>Mr O’Connor tore a strip off the card and, lighting it, lit his
cigarette. As he did so the flame lit up a leaf of dark glossy ivy in the lapel
of his coat. The old man watched him attentively and then, taking up the piece
of cardboard again, began to fan the fire slowly while his companion smoked.</p>
<p>“Ah, yes,” he said, continuing, “it’s hard to know what
way to bring up children. Now who’d think he’d turn out like that!
I sent him to the Christian Brothers and I done what I could for him, and there
he goes boosing about. I tried to make him someway decent.”</p>
<p>He replaced the cardboard wearily.</p>
<p>“Only I’m an old man now I’d change his tune for him.
I’d take the stick to his back and beat him while I could stand over
him—as I done many a time before. The mother, you know, she cocks him up
with this and that....”</p>
<p>“That’s what ruins children,” said Mr O’Connor.</p>
<p>“To be sure it is,” said the old man. “And little thanks you
get for it, only impudence. He takes th’upper hand of me whenever he sees
I’ve a sup taken. What’s the world coming to when sons speaks that
way to their father?”</p>
<p>“What age is he?” said Mr O’Connor.</p>
<p>“Nineteen,” said the old man.</p>
<p>“Why don’t you put him to something?”</p>
<p>“Sure, amn’t I never done at the drunken bowsy ever since he left
school? ‘I won’t keep you,’ I says. ‘You must get a job
for yourself.’ But, sure, it’s worse whenever he gets a job; he
drinks it all.”</p>
<p>Mr O’Connor shook his head in sympathy, and the old man fell silent,
gazing into the fire. Someone opened the door of the room and called out:</p>
<p>“Hello! Is this a Freemasons’ meeting?”</p>
<p>“Who’s that?” said the old man.</p>
<p>“What are you doing in the dark?” asked a voice.</p>
<p>“Is that you, Hynes?” asked Mr O’Connor.</p>
<p>“Yes. What are you doing in the dark?” said Mr Hynes advancing
into the light of the fire.</p>
<p>He was a tall, slender young man with a light brown moustache. Imminent little
drops of rain hung at the brim of his hat and the collar of his jacket-coat was
turned up.</p>
<p>“Well, Mat,” he said to Mr O’Connor, “how goes
it?”</p>
<p>Mr O’Connor shook his head. The old man left the hearth and, after
stumbling about the room returned with two candlesticks which he thrust one
after the other into the fire and carried to the table. A denuded room came
into view and the fire lost all its cheerful colour. The walls of the room were
bare except for a copy of an election address. In the middle of the room was a
small table on which papers were heaped.</p>
<p>Mr Hynes leaned against the mantelpiece and asked:</p>
<p>“Has he paid you yet?”</p>
<p>“Not yet,” said Mr O’Connor. “I hope to God he’ll
not leave us in the lurch tonight.”</p>
<p>Mr Hynes laughed.</p>
<p>“O, he’ll pay you. Never fear,” he said.</p>
<p>“I hope he’ll look smart about it if he means business,” said
Mr O’Connor.</p>
<p>“What do you think, Jack?” said Mr Hynes satirically to the old
man.</p>
<p>The old man returned to his seat by the fire, saying:</p>
<p>“It isn’t but he has it, anyway. Not like the other tinker.”</p>
<p>“What other tinker?” said Mr Hynes.</p>
<p>“Colgan,” said the old man scornfully.</p>
<p>“It is because Colgan’s a working-man you say that? What’s
the difference between a good honest bricklayer and a publican—eh?
Hasn’t the working-man as good a right to be in the Corporation as anyone
else—ay, and a better right than those shoneens that are always hat in
hand before any fellow with a handle to his name? Isn’t that so,
Mat?” said Mr Hynes, addressing Mr O’Connor.</p>
<p>“I think you’re right,” said Mr O’Connor.</p>
<p>“One man is a plain honest man with no hunker-sliding about him. He goes
in to represent the labour classes. This fellow you’re working for only
wants to get some job or other.”</p>
<p>“Of course, the working-classes should be represented,” said the
old man.</p>
<p>“The working-man,” said Mr Hynes, “gets all kicks and no
halfpence. But it’s labour produces everything. The working-man is not
looking for fat jobs for his sons and nephews and cousins. The working-man is
not going to drag the honour of Dublin in the mud to please a German
monarch.”</p>
<p>“How’s that?” said the old man.</p>
<p>“Don’t you know they want to present an address of welcome to
Edward Rex if he comes here next year? What do we want kowtowing to a foreign
king?”</p>
<p>“Our man won’t vote for the address,” said Mr O’Connor.
“He goes in on the Nationalist ticket.”</p>
<p>“Won’t he?” said Mr Hynes. “Wait till you see whether
he will or not. I know him. Is it Tricky Dicky Tierney?”</p>
<p>“By God! perhaps you’re right, Joe,” said Mr O’Connor.
“Anyway, I wish he’d turn up with the spondulics.”</p>
<p>The three men fell silent. The old man began to rake more cinders together. Mr
Hynes took off his hat, shook it and then turned down the collar of his coat,
displaying, as he did so, an ivy leaf in the lapel.</p>
<p>“If this man was alive,” he said, pointing to the leaf,
“we’d have no talk of an address of welcome.”</p>
<p>“That’s true,” said Mr O’Connor.</p>
<p>“Musha, God be with them times!” said the old man. “There was
some life in it then.”</p>
<p>The room was silent again. Then a bustling little man with a snuffling nose and
very cold ears pushed in the door. He walked over quickly to the fire, rubbing
his hands as if he intended to produce a spark from them.</p>
<p>“No money, boys,” he said.</p>
<p>“Sit down here, Mr Henchy,” said the old man, offering him his
chair.</p>
<p>“O, don’t stir, Jack, don’t stir,” said Mr Henchy.</p>
<p>He nodded curtly to Mr Hynes and sat down on the chair which the old man
vacated.</p>
<p>“Did you serve Aungier Street?” he asked Mr O’Connor.</p>
<p>“Yes,” said Mr O’Connor, beginning to search his pockets for
memoranda.</p>
<p>“Did you call on Grimes?”</p>
<p>“I did.”</p>
<p>“Well? How does he stand?”</p>
<p>“He wouldn’t promise. He said: ‘I won’t tell anyone
what way I’m going to vote.’ But I think he’ll be all
right.”</p>
<p>“Why so?”</p>
<p>“He asked me who the nominators were; and I told him. I mentioned Father
Burke’s name. I think it’ll be all right.”</p>
<p>Mr Henchy began to snuffle and to rub his hands over the fire at a terrific
speed. Then he said:</p>
<p>“For the love of God, Jack, bring us a bit of coal. There must be some
left.”</p>
<p>The old man went out of the room.</p>
<p>“It’s no go,” said Mr Henchy, shaking his head. “I
asked the little shoeboy, but he said: ‘Oh, now, Mr Henchy, when I see
the work going on properly I won’t forget you, you may be sure.’ Mean little tinker! ’Usha, how could he be anything else?”</p>
<p>“What did I tell you, Mat?” said Mr Hynes. “Tricky Dicky
Tierney.”</p>
<p>“O, he’s as tricky as they make ’em,” said Mr Henchy.
“He hasn’t got those little pigs’ eyes for nothing. Blast his
soul! Couldn’t he pay up like a man instead of: ‘O, now, Mr Henchy,
I must speak to Mr Fanning.... I’ve spent a lot of money’? Mean
little shoeboy of hell! I suppose he forgets the time his little old father
kept the hand-me-down shop in Mary’s Lane.”</p>
<p>“But is that a fact?” asked Mr O’Connor.</p>
<p>“God, yes,” said Mr Henchy. “Did you never hear that? And the
men used to go in on Sunday morning before the houses were open to buy a
waistcoat or a trousers—moya! But Tricky Dicky’s little old father
always had a tricky little black bottle up in a corner. Do you mind now?
That’s that. That’s where he first saw the light.”</p>
<p>The old man returned with a few lumps of coal which he placed here and there on
the fire.</p>
<p>“That’s a nice how-do-you-do,” said Mr O’Connor.
“How does he expect us to work for him if he won’t stump up?”</p>
<p>“I can’t help it,” said Mr Henchy. “I expect to find
the bailiffs in the hall when I go home.”</p>
<p>Mr Hynes laughed and, shoving himself away from the mantelpiece with the aid of
his shoulders, made ready to leave.</p>
<p>“It’ll be all right when King Eddie comes,” he said.
“Well boys, I’m off for the present. See you later. ’Bye,
’bye.”</p>
<p>He went out of the room slowly. Neither Mr Henchy nor the old man said anything
but, just as the door was closing, Mr O’Connor, who had been staring
moodily into the fire, called out suddenly:</p>
<p>“’Bye, Joe.”</p>
<p>Mr Henchy waited a few moments and then nodded in the direction of the door.</p>
<p>“Tell me,” he said across the fire, “what brings our friend
in here? What does he want?”</p>
<p>“’Usha, poor Joe!” said Mr O’Connor, throwing the end
of his cigarette into the fire, “he’s hard up, like the rest of
us.”</p>
<p>Mr Henchy snuffled vigorously and spat so copiously that he nearly put out the
fire, which uttered a hissing protest.</p>
<p>“To tell you my private and candid opinion,” he said, “I
think he’s a man from the other camp. He’s a spy of Colgan’s,
if you ask me. Just go round and try and find out how they’re getting on.
They won’t suspect you. Do you twig?”</p>
<p>“Ah, poor Joe is a decent skin,” said Mr O’Connor.</p>
<p>“His father was a decent respectable man,” Mr Henchy admitted.
“Poor old Larry Hynes! Many a good turn he did in his day! But I’m
greatly afraid our friend is not nineteen carat. Damn it, I can understand a
fellow being hard up, but what I can’t understand is a fellow sponging.
Couldn’t he have some spark of manhood about him?”</p>
<p>“He doesn’t get a warm welcome from me when he comes,” said
the old man. “Let him work for his own side and not come spying around
here.”</p>
<p>“I don’t know,” said Mr O’Connor dubiously, as he took
out cigarette-papers and tobacco. “I think Joe Hynes is a straight man.
He’s a clever chap, too, with the pen. Do you remember that thing he
wrote...?”</p>
<p>“Some of these hillsiders and fenians are a bit too clever if you ask
me,” said Mr Henchy. “Do you know what my private and candid
opinion is about some of those little jokers? I believe half of them are in the
pay of the Castle.”</p>
<p>“There’s no knowing,” said the old man.</p>
<p>“O, but I know it for a fact,” said Mr Henchy. “They’re
Castle hacks.... I don’t say Hynes.... No, damn it, I think he’s a
stroke above that.... But there’s a certain little nobleman with a
cock-eye—you know the patriot I’m alluding to?”</p>
<p>Mr O’Connor nodded.</p>
<p>“There’s a lineal descendant of Major Sirr for you if you like! O,
the heart’s blood of a patriot! That’s a fellow now that’d
sell his country for fourpence—ay—and go down on his bended knees
and thank the Almighty Christ he had a country to sell.”</p>
<p>There was a knock at the door.</p>
<p>“Come in!” said Mr Henchy.</p>
<p>A person resembling a poor clergyman or a poor actor appeared in the doorway.
His black clothes were tightly buttoned on his short body and it was impossible
to say whether he wore a clergyman’s collar or a layman’s, because
the collar of his shabby frock-coat, the uncovered buttons of which reflected
the candlelight, was turned up about his neck. He wore a round hat of hard
black felt. His face, shining with raindrops, had the appearance of damp yellow
cheese save where two rosy spots indicated the cheekbones. He opened his very
long mouth suddenly to express disappointment and at the same time opened wide
his very bright blue eyes to express pleasure and surprise.</p>
<p>“O Father Keon!” said Mr Henchy, jumping up from his chair.
“Is that you? Come in!”</p>
<p>“O, no, no, no!” said Father Keon quickly, pursing his lips as if
he were addressing a child.</p>
<p>“Won’t you come in and sit down?”</p>
<p>“No, no, no!” said Father Keon, speaking in a discreet indulgent
velvety voice. “Don’t let me disturb you now! I’m just
looking for Mr Fanning....”</p>
<p>“He’s round at the <i>Black Eagle</i>,” said Mr Henchy.
“But won’t you come in and sit down a minute?”</p>
<p>“No, no, thank you. It was just a little business matter,” said
Father Keon. “Thank you, indeed.”</p>
<p>He retreated from the doorway and Mr Henchy, seizing one of the candlesticks,
went to the door to light him downstairs.</p>
<p>“O, don’t trouble, I beg!”</p>
<p>“No, but the stairs is so dark.”</p>
<p>“No, no, I can see.... Thank you, indeed.”</p>
<p>“Are you right now?”</p>
<p>“All right, thanks.... Thanks.”</p>
<p>Mr Henchy returned with the candlestick and put it on the table. He sat down
again at the fire. There was silence for a few moments.</p>
<p>“Tell me, John,” said Mr O’Connor, lighting his cigarette
with another pasteboard card.</p>
<p>“Hm?”</p>
<p>“What he is exactly?”</p>
<p>“Ask me an easier one,” said Mr Henchy.</p>
<p>“Fanning and himself seem to me very thick. They’re often in
Kavanagh’s together. Is he a priest at all?”</p>
<p>“Mmmyes, I believe so.... I think he’s what you call a black sheep.
We haven’t many of them, thank God! but we have a few.... He’s an
unfortunate man of some kind....”</p>
<p>“And how does he knock it out?” asked Mr O’Connor.</p>
<p>“That’s another mystery.”</p>
<p>“Is he attached to any chapel or church or institution
or——”</p>
<p>“No,” said Mr Henchy, “I think he’s travelling on his
own account.... God forgive me,” he added, “I thought he was the
dozen of stout.”</p>
<p>“Is there any chance of a drink itself?” asked Mr O’Connor.</p>
<p>“I’m dry too,” said the old man.</p>
<p>“I asked that little shoeboy three times,” said Mr Henchy,
“would he send up a dozen of stout. I asked him again now, but he was
leaning on the counter in his shirt-sleeves having a deep goster with Alderman
Cowley.”</p>
<p>“Why didn’t you remind him?” said Mr O’Connor.</p>
<p>“Well, I couldn’t go over while he was talking to Alderman Cowley.
I just waited till I caught his eye, and said: ‘About that little matter
I was speaking to you about....’ ‘That’ll be all right, Mr
H.,’ he said. Yerra, sure the little hop-o’-my-thumb has forgotten
all about it.”</p>
<p>“There’s some deal on in that quarter,” said Mr
O’Connor thoughtfully. “I saw the three of them hard at it
yesterday at Suffolk Street corner.”</p>
<p>“I think I know the little game they’re at,” said Mr Henchy.
“You must owe the City Fathers money nowadays if you want to be made Lord
Mayor. Then they’ll make you Lord Mayor. By God! I’m thinking
seriously of becoming a City Father myself. What do you think? Would I do for
the job?”</p>
<p>Mr O’Connor laughed.</p>
<p>“So far as owing money goes....”</p>
<p>“Driving out of the Mansion House,” said Mr Henchy, “in all
my vermin, with Jack here standing up behind me in a powdered
wig—eh?”</p>
<p>“And make me your private secretary, John.”</p>
<p>“Yes. And I’ll make Father Keon my private chaplain. We’ll
have a family party.”</p>
<p>“Faith, Mr Henchy,” said the old man, “you’d keep up
better style than some of them. I was talking one day to old Keegan, the
porter. ‘And how do you like your new master, Pat?’ says I to him.
‘You haven’t much entertaining now,’ says I.
‘Entertaining!’ says he. ‘He’d live on the smell of an
oil-rag.’ And do you know what he told me? Now, I declare to God I
didn’t believe him.”</p>
<p>“What?” said Mr Henchy and Mr O’Connor.</p>
<p>“He told me: ‘What do you think of a Lord Mayor of Dublin sending
out for a pound of chops for his dinner? How’s that for high
living?’ says he. ‘Wisha! wisha,’ says I. ‘A pound of
chops,’ says he, ‘coming into the Mansion House.’
‘Wisha!’ says I, ‘what kind of people is going at all
now?’”</p>
<p>At this point there was a knock at the door, and a boy put in his head.</p>
<p>“What is it?” said the old man.</p>
<p>“From the <i>Black Eagle</i>,” said the boy, walking in sideways
and depositing a basket on the floor with a noise of shaken bottles.</p>
<p>The old man helped the boy to transfer the bottles from the basket to the table
and counted the full tally. After the transfer the boy put his basket on his
arm and asked:</p>
<p>“Any bottles?”</p>
<p>“What bottles?” said the old man.</p>
<p>“Won’t you let us drink them first?” said Mr Henchy.</p>
<p>“I was told to ask for the bottles.”</p>
<p>“Come back tomorrow,” said the old man.</p>
<p>“Here, boy!” said Mr Henchy, “will you run over to
O’Farrell’s and ask him to lend us a corkscrew—for Mr Henchy,
say. Tell him we won’t keep it a minute. Leave the basket there.”</p>
<p>The boy went out and Mr Henchy began to rub his hands cheerfully, saying:</p>
<p>“Ah, well, he’s not so bad after all. He’s as good as his
word, anyhow.”</p>
<p>“There’s no tumblers,” said the old man.</p>
<p>“O, don’t let that trouble you, Jack,” said Mr Henchy.
“Many’s the good man before now drank out of the bottle.”</p>
<p>“Anyway, it’s better than nothing,” said Mr O’Connor.</p>
<p>“He’s not a bad sort,” said Mr Henchy, “only Fanning
has such a loan of him. He means well, you know, in his own tinpot way.”</p>
<p>The boy came back with the corkscrew. The old man opened three bottles and was
handing back the corkscrew when Mr Henchy said to the boy:</p>
<p>“Would you like a drink, boy?”</p>
<p>“If you please, sir,” said the boy.</p>
<p>The old man opened another bottle grudgingly, and handed it to the boy.</p>
<p>“What age are you?” he asked.</p>
<p>“Seventeen,” said the boy.</p>
<p>As the old man said nothing further, the boy took the bottle and said:
“Here’s my best respects, sir,” to Mr Henchy, drank the
contents, put the bottle back on the table and wiped his mouth with his sleeve.
Then he took up the corkscrew and went out of the door sideways, muttering some
form of salutation.</p>
<p>“That’s the way it begins,” said the old man.</p>
<p>“The thin edge of the wedge,” said Mr Henchy.</p>
<p>The old man distributed the three bottles which he had opened and the men drank
from them simultaneously. After having drunk each placed his bottle on the
mantelpiece within hand’s reach and drew in a long breath of
satisfaction.</p>
<p>“Well, I did a good day’s work today,” said Mr Henchy, after
a pause.</p>
<p>“That so, John?”</p>
<p>“Yes. I got him one or two sure things in Dawson Street, Crofton and
myself. Between ourselves, you know, Crofton (he’s a decent chap, of
course), but he’s not worth a damn as a canvasser. He hasn’t a word
to throw to a dog. He stands and looks at the people while I do the
talking.”</p>
<p>Here two men entered the room. One of them was a very fat man whose blue serge
clothes seemed to be in danger of falling from his sloping figure. He had a big
face which resembled a young ox’s face in expression, staring blue eyes
and a grizzled moustache. The other man, who was much younger and frailer, had
a thin, clean-shaven face. He wore a very high double collar and a wide-brimmed
bowler hat.</p>
<p>“Hello, Crofton!” said Mr Henchy to the fat man. “Talk of the
devil....”</p>
<p>“Where did the boose come from?” asked the young man. “Did
the cow calve?”</p>
<p>“O, of course, Lyons spots the drink first thing!” said Mr
O’Connor, laughing.</p>
<p>“Is that the way you chaps canvass,” said Mr Lyons, “and
Crofton and I out in the cold and rain looking for votes?”</p>
<p>“Why, blast your soul,” said Mr Henchy, “I’d get more
votes in five minutes than you two’d get in a week.”</p>
<p>“Open two bottles of stout, Jack,” said Mr O’Connor.</p>
<p>“How can I?” said the old man, “when there’s no
corkscrew?”</p>
<p>“Wait now, wait now!” said Mr Henchy, getting up quickly.
“Did you ever see this little trick?”</p>
<p>He took two bottles from the table and, carrying them to the fire, put them on
the hob. Then he sat down again by the fire and took another drink from his
bottle. Mr Lyons sat on the edge of the table, pushed his hat towards the nape
of his neck and began to swing his legs.</p>
<p>“Which is my bottle?” he asked.</p>
<p>“This lad,” said Mr Henchy.</p>
<p>Mr Crofton sat down on a box and looked fixedly at the other bottle on the hob.
He was silent for two reasons. The first reason, sufficient in itself, was that
he had nothing to say; the second reason was that he considered his companions
beneath him. He had been a canvasser for Wilkins, the Conservative, but when
the Conservatives had withdrawn their man and, choosing the lesser of two
evils, given their support to the Nationalist candidate, he had been engaged to
work for Mr Tierney.</p>
<p>In a few minutes an apologetic “Pok!” was heard as the cork flew
out of Mr Lyons’ bottle. Mr Lyons jumped off the table, went to the fire,
took his bottle and carried it back to the table.</p>
<p>“I was just telling them, Crofton,” said Mr Henchy, “that we
got a good few votes today.”</p>
<p>“Who did you get?” asked Mr Lyons.</p>
<p>“Well, I got Parkes for one, and I got Atkinson for two, and got Ward of
Dawson Street. Fine old chap he is, too—regular old toff, old
Conservative! ‘But isn’t your candidate a Nationalist?’ said
he. ‘He’s a respectable man,’ said I. ‘He’s in
favour of whatever will benefit this country. He’s a big
ratepayer,’ I said. ‘He has extensive house property in the city
and three places of business and isn’t it to his own advantage to keep
down the rates? He’s a prominent and respected citizen,’ said I,
‘and a Poor Law Guardian, and he doesn’t belong to any party, good,
bad, or indifferent.’ That’s the way to talk to ’em.”</p>
<p>“And what about the address to the King?” said Mr Lyons, after
drinking and smacking his lips.</p>
<p>“Listen to me,” said Mr Henchy. “What we want in this
country, as I said to old Ward, is capital. The King’s coming here will
mean an influx of money into this country. The citizens of Dublin will benefit
by it. Look at all the factories down by the quays there, idle! Look at all the
money there is in the country if we only worked the old industries, the mills,
the ship-building yards and factories. It’s capital we want.”</p>
<p>“But look here, John,” said Mr O’Connor. “Why should we
welcome the King of England? Didn’t Parnell himself....”</p>
<p>“Parnell,” said Mr Henchy, “is dead. Now, here’s the
way I look at it. Here’s this chap come to the throne after his old
mother keeping him out of it till the man was grey. He’s a man of the
world, and he means well by us. He’s a jolly fine decent fellow, if you
ask me, and no damn nonsense about him. He just says to himself: ‘The old
one never went to see these wild Irish. By Christ, I’ll go myself and see
what they’re like.’ And are we going to insult the man when he
comes over here on a friendly visit? Eh? Isn’t that right,
Crofton?”</p>
<p>Mr Crofton nodded his head.</p>
<p>“But after all now,” said Mr Lyons argumentatively, “King
Edward’s life, you know, is not the very....”</p>
<p>“Let bygones be bygones,” said Mr Henchy. “I admire the man
personally. He’s just an ordinary knockabout like you and me. He’s
fond of his glass of grog and he’s a bit of a rake, perhaps, and
he’s a good sportsman. Damn it, can’t we Irish play fair?”</p>
<p>“That’s all very fine,” said Mr Lyons. “But look at the
case of Parnell now.”</p>
<p>“In the name of God,” said Mr Henchy, “where’s the
analogy between the two cases?”</p>
<p>“What I mean,” said Mr Lyons, “is we have our ideals. Why,
now, would we welcome a man like that? Do you think now after what he did
Parnell was a fit man to lead us? And why, then, would we do it for Edward the
Seventh?”</p>
<p>“This is Parnell’s anniversary,” said Mr O’Connor,
“and don’t let us stir up any bad blood. We all respect him now
that he’s dead and gone—even the Conservatives,” he added,
turning to Mr Crofton.</p>
<p>Pok! The tardy cork flew out of Mr Crofton’s bottle. Mr Crofton got up
from his box and went to the fire. As he returned with his capture he said in a
deep voice:</p>
<p>“Our side of the house respects him, because he was a gentleman.”</p>
<p>“Right you are, Crofton!” said Mr Henchy fiercely. “He was
the only man that could keep that bag of cats in order. ‘Down, ye dogs!
Lie down, ye curs!’ That’s the way he treated them. Come in, Joe!
Come in!” he called out, catching sight of Mr Hynes in the doorway.</p>
<p>Mr Hynes came in slowly.</p>
<p>“Open another bottle of stout, Jack,” said Mr Henchy. “O, I
forgot there’s no corkscrew! Here, show me one here and I’ll put it
at the fire.”</p>
<p>The old man handed him another bottle and he placed it on the hob.</p>
<p>“Sit down, Joe,” said Mr O’Connor, “we’re just
talking about the Chief.”</p>
<p>“Ay, ay!” said Mr Henchy.</p>
<p>Mr Hynes sat on the side of the table near Mr Lyons but said nothing.</p>
<p>“There’s one of them, anyhow,” said Mr Henchy, “that
didn’t renege him. By God, I’ll say for you, Joe! No, by God, you
stuck to him like a man!”</p>
<p>“O, Joe,” said Mr O’Connor suddenly. “Give us that
thing you wrote—do you remember? Have you got it on you?”</p>
<p>“O, ay!” said Mr Henchy. “Give us that. Did you ever hear
that, Crofton? Listen to this now: splendid thing.”</p>
<p>“Go on,” said Mr O’Connor. “Fire away, Joe.”</p>
<p>Mr Hynes did not seem to remember at once the piece to which they were alluding
but, after reflecting a while, he said:</p>
<p>“O, that thing is it.... Sure, that’s old now.”</p>
<p>“Out with it, man!” said Mr O’Connor.</p>
<p>“’Sh, ’sh,” said Mr Henchy. “Now, Joe!”</p>
<p>Mr Hynes hesitated a little longer. Then amid the silence he took off his hat,
laid it on the table and stood up. He seemed to be rehearsing the piece in his
mind. After a rather long pause he announced:</p>
<p class="poem">
THE DEATH OF PARNELL<br/>
6<i>th October</i> 1891</p>
<p>He cleared his throat once or twice and then began to recite:</p>
<p class="poem">
He is dead. Our Uncrowned King is dead.<br/>
O, Erin, mourn with grief and woe<br/>
For he lies dead whom the fell gang<br/>
Of modern hypocrites laid low.<br/><br/>
He lies slain by the coward hounds<br/>
He raised to glory from the mire;<br/>
And Erin’s hopes and Erin’s dreams<br/>
Perish upon her monarch’s pyre.<br/><br/>
In palace, cabin or in cot<br/>
The Irish heart where’er it be<br/>
Is bowed with woe—for he is gone<br/>
Who would have wrought her destiny.<br/><br/>
He would have had his Erin famed,<br/>
The green flag gloriously unfurled,<br/>
Her statesmen, bards and warriors raised<br/>
Before the nations of the World.<br/><br/>
He dreamed (alas, ’twas but a dream!)<br/>
Of Liberty: but as he strove<br/>
To clutch that idol, treachery<br/>
Sundered him from the thing he loved.<br/><br/>
Shame on the coward, caitiff hands<br/>
That smote their Lord or with a kiss<br/>
Betrayed him to the rabble-rout<br/>
Of fawning priests—no friends of his.<br/><br/>
May everlasting shame consume<br/>
The memory of those who tried<br/>
To befoul and smear the exalted name<br/>
Of one who spurned them in his pride.<br/><br/>
He fell as fall the mighty ones,<br/>
Nobly undaunted to the last,<br/>
And death has now united him<br/>
With Erin’s heroes of the past.<br/><br/>
No sound of strife disturb his sleep!<br/>
Calmly he rests: no human pain<br/>
Or high ambition spurs him now<br/>
The peaks of glory to attain.<br/><br/>
They had their way: they laid him low.<br/>
But Erin, list, his spirit may<br/>
Rise, like the Phœnix from the flames,<br/>
When breaks the dawning of the day,<br/><br/>
The day that brings us Freedom’s reign.<br/>
And on that day may Erin well<br/>
Pledge in the cup she lifts to Joy<br/>
One grief—the memory of Parnell.</p>
<p>Mr Hynes sat down again on the table. When he had finished his recitation there
was a silence and then a burst of clapping: even Mr Lyons clapped. The applause
continued for a little time. When it had ceased all the auditors drank from
their bottles in silence.</p>
<p>Pok! The cork flew out of Mr Hynes’ bottle, but Mr Hynes remained sitting
flushed and bareheaded on the table. He did not seem to have heard the
invitation.</p>
<p>“Good man, Joe!” said Mr O’Connor, taking out his cigarette
papers and pouch the better to hide his emotion.</p>
<p>“What do you think of that, Crofton?” cried Mr Henchy.
“Isn’t that fine? What?”</p>
<p>Mr Crofton said that it was a very fine piece of writing.</p>
<h2><SPAN name="chap13"></SPAN>A MOTHER</h2>
<p>Mr Holohan, assistant secretary of the <i>Eire Abu</i> Society, had been
walking up and down Dublin for nearly a month, with his hands and pockets full
of dirty pieces of paper, arranging about the series of concerts. He had a game
leg and for this his friends called him Hoppy Holohan. He walked up and down
constantly, stood by the hour at street corners arguing the point and made
notes; but in the end it was Mrs Kearney who arranged everything.</p>
<p>Miss Devlin had become Mrs Kearney out of spite. She had been educated in a
high-class convent, where she had learned French and music. As she was
naturally pale and unbending in manner she made few friends at school. When she
came to the age of marriage she was sent out to many houses where her playing
and ivory manners were much admired. She sat amid the chilly circle of her
accomplishments, waiting for some suitor to brave it and offer her a brilliant
life. But the young men whom she met were ordinary and she gave them no
encouragement, trying to console her romantic desires by eating a great deal of
Turkish Delight in secret. However, when she drew near the limit and her
friends began to loosen their tongues about her, she silenced them by marrying
Mr Kearney, who was a bootmaker on Ormond Quay.</p>
<p>He was much older than she. His conversation, which was serious, took place at
intervals in his great brown beard. After the first year of married life, Mrs
Kearney perceived that such a man would wear better than a romantic person, but
she never put her own romantic ideas away. He was sober, thrifty and pious; he
went to the altar every first Friday, sometimes with her, oftener by himself.
But she never weakened in her religion and was a good wife to him. At some
party in a strange house when she lifted her eyebrow ever so slightly he stood
up to take his leave and, when his cough troubled him, she put the eider-down
quilt over his feet and made a strong rum punch. For his part, he was a model
father. By paying a small sum every week into a society, he ensured for both
his daughters a dowry of one hundred pounds each when they came to the age of
twenty-four. He sent the elder daughter, Kathleen, to a good convent, where she
learned French and music, and afterward paid her fees at the Academy. Every
year in the month of July Mrs Kearney found occasion to say to some friend:</p>
<p>“My good man is packing us off to Skerries for a few weeks.”</p>
<p>If it was not Skerries it was Howth or Greystones.</p>
<p>When the Irish Revival began to be appreciable Mrs Kearney determined to take
advantage of her daughter’s name and brought an Irish teacher to the
house. Kathleen and her sister sent Irish picture postcards to their friends
and these friends sent back other Irish picture postcards. On special Sundays,
when Mr Kearney went with his family to the pro-cathedral, a little crowd of
people would assemble after mass at the corner of Cathedral Street. They were
all friends of the Kearneys—musical friends or Nationalist friends; and,
when they had played every little counter of gossip, they shook hands with one
another all together, laughing at the crossing of so many hands, and said
good-bye to one another in Irish. Soon the name of Miss Kathleen Kearney began
to be heard often on people’s lips. People said that she was very clever
at music and a very nice girl and, moreover, that she was a believer in the
language movement. Mrs Kearney was well content at this. Therefore she was not
surprised when one day Mr Holohan came to her and proposed that her daughter
should be the accompanist at a series of four grand concerts which his Society
was going to give in the Antient Concert Rooms. She brought him into the
drawing-room, made him sit down and brought out the decanter and the silver
biscuit-barrel. She entered heart and soul into the details of the enterprise,
advised and dissuaded; and finally a contract was drawn up by which Kathleen
was to receive eight guineas for her services as accompanist at the four grand
concerts.</p>
<p>As Mr Holohan was a novice in such delicate matters as the wording of bills and
the disposing of items for a programme, Mrs Kearney helped him. She had tact.
She knew what <i>artistes</i> should go into capitals and what <i>artistes</i>
should go into small type. She knew that the first tenor would not like to come
on after Mr Meade’s comic turn. To keep the audience continually diverted
she slipped the doubtful items in between the old favourites. Mr Holohan called
to see her every day to have her advice on some point. She was invariably
friendly and advising—homely, in fact. She pushed the decanter towards
him, saying:</p>
<p>“Now, help yourself, Mr Holohan!”</p>
<p>And while he was helping himself she said:</p>
<p>“Don’t be afraid! Don’t be afraid of it!”</p>
<p>Everything went on smoothly. Mrs Kearney bought some lovely blush-pink
charmeuse in Brown Thomas’s to let into the front of Kathleen’s
dress. It cost a pretty penny; but there are occasions when a little expense is
justifiable. She took a dozen of two-shilling tickets for the final concert and
sent them to those friends who could not be trusted to come otherwise. She
forgot nothing and, thanks to her, everything that was to be done was done.</p>
<p>The concerts were to be on Wednesday, Thursday, Friday and Saturday. When Mrs
Kearney arrived with her daughter at the Antient Concert Rooms on Wednesday
night she did not like the look of things. A few young men, wearing bright blue
badges in their coats, stood idle in the vestibule; none of them wore evening
dress. She passed by with her daughter and a quick glance through the open door
of the hall showed her the cause of the stewards’ idleness. At first she
wondered had she mistaken the hour. No, it was twenty minutes to eight.</p>
<p>In the dressing-room behind the stage she was introduced to the secretary of
the Society, Mr Fitzpatrick. She smiled and shook his hand. He was a little
man, with a white vacant face. She noticed that he wore his soft brown hat
carelessly on the side of his head and that his accent was flat. He held a
programme in his hand and, while he was talking to her, he chewed one end of it
into a moist pulp. He seemed to bear disappointments lightly. Mr Holohan came
into the dressing-room every few minutes with reports from the box-office. The
<i>artistes</i> talked among themselves nervously, glanced from time to time at
the mirror and rolled and unrolled their music. When it was nearly half-past
eight, the few people in the hall began to express their desire to be
entertained. Mr Fitzpatrick came in, smiled vacantly at the room, and said:</p>
<p>“Well now, ladies and gentlemen. I suppose we’d better open the
ball.”</p>
<p>Mrs Kearney rewarded his very flat final syllable with a quick stare of
contempt, and then said to her daughter encouragingly:</p>
<p>“Are you ready, dear?”</p>
<p>When she had an opportunity, she called Mr Holohan aside and asked him to tell
her what it meant. Mr Holohan did not know what it meant. He said that the
Committee had made a mistake in arranging for four concerts: four was too many.</p>
<p>“And the <i>artistes</i>!” said Mrs Kearney. “Of course they
are doing their best, but really they are not good.”</p>
<p>Mr Holohan admitted that the <i>artistes</i> were no good but the Committee, he
said, had decided to let the first three concerts go as they pleased and
reserve all the talent for Saturday night. Mrs Kearney said nothing, but, as
the mediocre items followed one another on the platform and the few people in
the hall grew fewer and fewer, she began to regret that she had put herself to
any expense for such a concert. There was something she didn’t like in
the look of things and Mr Fitzpatrick’s vacant smile irritated her very
much. However, she said nothing and waited to see how it would end. The concert
expired shortly before ten, and everyone went home quickly.</p>
<p>The concert on Thursday night was better attended, but Mrs Kearney saw at once
that the house was filled with paper. The audience behaved indecorously, as if
the concert were an informal dress rehearsal. Mr Fitzpatrick seemed to enjoy
himself; he was quite unconscious that Mrs Kearney was taking angry note of his
conduct. He stood at the edge of the screen, from time to time jutting out his
head and exchanging a laugh with two friends in the corner of the balcony. In
the course of the evening, Mrs Kearney learned that the Friday concert was to
be abandoned and that the Committee was going to move heaven and earth to
secure a bumper house on Saturday night. When she heard this, she sought out Mr
Holohan. She buttonholed him as he was limping out quickly with a glass of
lemonade for a young lady and asked him was it true. Yes, it was true.</p>
<p>“But, of course, that doesn’t alter the contract,” she said.
“The contract was for four concerts.”</p>
<p>Mr Holohan seemed to be in a hurry; he advised her to speak to Mr Fitzpatrick.
Mrs Kearney was now beginning to be alarmed. She called Mr Fitzpatrick away
from his screen and told him that her daughter had signed for four concerts and
that, of course, according to the terms of the contract, she should receive the
sum originally stipulated for, whether the society gave the four concerts or
not. Mr Fitzpatrick, who did not catch the point at issue very quickly, seemed
unable to resolve the difficulty and said that he would bring the matter before
the Committee. Mrs Kearney’s anger began to flutter in her cheek and she
had all she could do to keep from asking:</p>
<p>“And who is the <i>Cometty</i> pray?”</p>
<p>But she knew that it would not be ladylike to do that: so she was silent.</p>
<p>Little boys were sent out into the principal streets of Dublin early on Friday
morning with bundles of handbills. Special puffs appeared in all the evening
papers, reminding the music-loving public of the treat which was in store for
it on the following evening. Mrs Kearney was somewhat reassured, but she
thought well to tell her husband part of her suspicions. He listened carefully
and said that perhaps it would be better if he went with her on Saturday night.
She agreed. She respected her husband in the same way as she respected the
General Post Office, as something large, secure and fixed; and though she knew
the small number of his talents she appreciated his abstract value as a male.
She was glad that he had suggested coming with her. She thought her plans over.</p>
<p>The night of the grand concert came. Mrs Kearney, with her husband and
daughter, arrived at the Antient Concert Rooms three-quarters of an hour before
the time at which the concert was to begin. By ill luck it was a rainy evening.
Mrs Kearney placed her daughter’s clothes and music in charge of her
husband and went all over the building looking for Mr Holohan or Mr
Fitzpatrick. She could find neither. She asked the stewards was any member of
the Committee in the hall and, after a great deal of trouble, a steward brought
out a little woman named Miss Beirne to whom Mrs Kearney explained that she
wanted to see one of the secretaries. Miss Beirne expected them any minute and
asked could she do anything. Mrs Kearney looked searchingly at the oldish face
which was screwed into an expression of trustfulness and enthusiasm and
answered:</p>
<p>“No, thank you!”</p>
<p>The little woman hoped they would have a good house. She looked out at the rain
until the melancholy of the wet street effaced all the trustfulness and
enthusiasm from her twisted features. Then she gave a little sigh and said:</p>
<p>“Ah, well! We did our best, the dear knows.”</p>
<p>Mrs Kearney had to go back to the dressing-room.</p>
<p>The <i>artistes</i> were arriving. The bass and the second tenor had already
come. The bass, Mr Duggan, was a slender young man with a scattered black
moustache. He was the son of a hall porter in an office in the city and, as a
boy, he had sung prolonged bass notes in the resounding hall. From this humble
state he had raised himself until he had become a first-rate <i>artiste</i>. He
had appeared in grand opera. One night, when an operatic <i>artiste</i> had
fallen ill, he had undertaken the part of the king in the opera of
<i>Maritana</i> at the Queen’s Theatre. He sang his music with great
feeling and volume and was warmly welcomed by the gallery; but, unfortunately,
he marred the good impression by wiping his nose in his gloved hand once or
twice out of thoughtlessness. He was unassuming and spoke little. He said
<i>yous</i> so softly that it passed unnoticed and he never drank anything
stronger than milk for his voice’s sake. Mr Bell, the second tenor, was a
fair-haired little man who competed every year for prizes at the Feis Ceoil. On
his fourth trial he had been awarded a bronze medal. He was extremely nervous
and extremely jealous of other tenors and he covered his nervous jealousy with
an ebullient friendliness. It was his humour to have people know what an ordeal
a concert was to him. Therefore when he saw Mr Duggan he went over to him and
asked:</p>
<p>“Are you in it too?”</p>
<p>“Yes,” said Mr Duggan.</p>
<p>Mr Bell laughed at his fellow-sufferer, held out his hand and said:</p>
<p>“Shake!”</p>
<p>Mrs Kearney passed by these two young men and went to the edge of the screen to
view the house. The seats were being filled up rapidly and a pleasant noise
circulated in the auditorium. She came back and spoke to her husband privately.
Their conversation was evidently about Kathleen for they both glanced at her
often as she stood chatting to one of her Nationalist friends, Miss Healy, the
contralto. An unknown solitary woman with a pale face walked through the room.
The women followed with keen eyes the faded blue dress which was stretched upon
a meagre body. Someone said that she was Madam Glynn, the soprano.</p>
<p>“I wonder where did they dig her up,” said Kathleen to Miss Healy.
“I’m sure I never heard of her.”</p>
<p>Miss Healy had to smile. Mr Holohan limped into the dressing-room at that
moment and the two young ladies asked him who was the unknown woman. Mr Holohan
said that she was Madam Glynn from London. Madam Glynn took her stand in a
corner of the room, holding a roll of music stiffly before her and from time to
time changing the direction of her startled gaze. The shadow took her faded
dress into shelter but fell revengefully into the little cup behind her
collar-bone. The noise of the hall became more audible. The first tenor and the
baritone arrived together. They were both well dressed, stout and complacent
and they brought a breath of opulence among the company.</p>
<p>Mrs Kearney brought her daughter over to them, and talked to them amiably. She
wanted to be on good terms with them but, while she strove to be polite, her
eyes followed Mr Holohan in his limping and devious courses. As soon as she
could she excused herself and went out after him.</p>
<p>“Mr Holohan, I want to speak to you for a moment,” she said.</p>
<p>They went down to a discreet part of the corridor. Mrs Kearney asked him when
was her daughter going to be paid. Mr Holohan said that Mr Fitzpatrick had
charge of that. Mrs Kearney said that she didn’t know anything about Mr
Fitzpatrick. Her daughter had signed a contract for eight guineas and she would
have to be paid. Mr Holohan said that it wasn’t his business.</p>
<p>“Why isn’t it your business?” asked Mrs Kearney.
“Didn’t you yourself bring her the contract? Anyway, if it’s
not your business it’s my business and I mean to see to it.”</p>
<p>“You’d better speak to Mr Fitzpatrick,” said Mr Holohan
distantly.</p>
<p>“I don’t know anything about Mr Fitzpatrick,” repeated Mrs
Kearney. “I have my contract, and I intend to see that it is carried
out.”</p>
<p>When she came back to the dressing-room her cheeks were slightly suffused. The
room was lively. Two men in outdoor dress had taken possession of the fireplace
and were chatting familiarly with Miss Healy and the baritone. They were the
<i>Freeman</i> man and Mr O’Madden Burke. The <i>Freeman</i> man had come
in to say that he could not wait for the concert as he had to report the
lecture which an American priest was giving in the Mansion House. He said they
were to leave the report for him at the <i>Freeman</i> office and he would see
that it went in. He was a grey-haired man, with a plausible voice and careful
manners. He held an extinguished cigar in his hand and the aroma of cigar smoke
floated near him. He had not intended to stay a moment because concerts and
<i>artistes</i> bored him considerably but he remained leaning against the
mantelpiece. Miss Healy stood in front of him, talking and laughing. He was old
enough to suspect one reason for her politeness but young enough in spirit to
turn the moment to account. The warmth, fragrance and colour of her body
appealed to his senses. He was pleasantly conscious that the bosom which he saw
rise and fall slowly beneath him rose and fell at that moment for him, that the
laughter and fragrance and wilful glances were his tribute. When he could stay
no longer he took leave of her regretfully.</p>
<p>“O’Madden Burke will write the notice,” he explained to Mr
Holohan, “and I’ll see it in.”</p>
<p>“Thank you very much, Mr Hendrick,” said Mr Holohan,
“you’ll see it in, I know. Now, won’t you have a little
something before you go?”</p>
<p>“I don’t mind,” said Mr Hendrick.</p>
<p>The two men went along some tortuous passages and up a dark staircase and came
to a secluded room where one of the stewards was uncorking bottles for a few
gentlemen. One of these gentlemen was Mr O’Madden Burke, who had found
out the room by instinct. He was a suave, elderly man who balanced his imposing
body, when at rest, upon a large silk umbrella. His magniloquent western name
was the moral umbrella upon which he balanced the fine problem of his finances.
He was widely respected.</p>
<p>While Mr Holohan was entertaining the <i>Freeman</i> man Mrs Kearney was
speaking so animatedly to her husband that he had to ask her to lower her
voice. The conversation of the others in the dressing-room had become strained.
Mr Bell, the first item, stood ready with his music but the accompanist made no
sign. Evidently something was wrong. Mr Kearney looked straight before him,
stroking his beard, while Mrs Kearney spoke into Kathleen’s ear with
subdued emphasis. From the hall came sounds of encouragement, clapping and
stamping of feet. The first tenor and the baritone and Miss Healy stood
together, waiting tranquilly, but Mr Bell’s nerves were greatly agitated
because he was afraid the audience would think that he had come late.</p>
<p>Mr Holohan and Mr O’Madden Burke came into the room. In a moment Mr
Holohan perceived the hush. He went over to Mrs Kearney and spoke with her
earnestly. While they were speaking the noise in the hall grew louder. Mr
Holohan became very red and excited. He spoke volubly, but Mrs Kearney said
curtly at intervals:</p>
<p>“She won’t go on. She must get her eight guineas.”</p>
<p>Mr Holohan pointed desperately towards the hall where the audience was clapping
and stamping. He appealed to Mr Kearney and to Kathleen. But Mr Kearney
continued to stroke his beard and Kathleen looked down, moving the point of her
new shoe: it was not her fault. Mrs Kearney repeated:</p>
<p>“She won’t go on without her money.”</p>
<p>After a swift struggle of tongues Mr Holohan hobbled out in haste. The room was
silent. When the strain of the silence had become somewhat painful Miss Healy
said to the baritone:</p>
<p>“Have you seen Mrs Pat Campbell this week?”</p>
<p>The baritone had not seen her but he had been told that she was very fine. The
conversation went no further. The first tenor bent his head and began to count
the links of the gold chain which was extended across his waist, smiling and
humming random notes to observe the effect on the frontal sinus. From time to
time everyone glanced at Mrs Kearney.</p>
<p>The noise in the auditorium had risen to a clamour when Mr Fitzpatrick burst
into the room, followed by Mr Holohan, who was panting. The clapping and
stamping in the hall were punctuated by whistling. Mr Fitzpatrick held a few
banknotes in his hand. He counted out four into Mrs Kearney’s hand and
said she would get the other half at the interval. Mrs Kearney said:</p>
<p>“This is four shillings short.”</p>
<p>But Kathleen gathered in her skirt and said: <i>“Now, Mr Bell,”</i>
to the first item, who was shaking like an aspen. The singer and the
accompanist went out together. The noise in hall died away. There was a pause
of a few seconds: and then the piano was heard.</p>
<p>The first part of the concert was very successful except for Madam
Glynn’s item. The poor lady sang <i>Killarney</i> in a bodiless gasping
voice, with all the old-fashioned mannerisms of intonation and pronunciation
which she believed lent elegance to her singing. She looked as if she had been
resurrected from an old stage-wardrobe and the cheaper parts of the hall made
fun of her high wailing notes. The first tenor and the contralto, however,
brought down the house. Kathleen played a selection of Irish airs which was
generously applauded. The first part closed with a stirring patriotic
recitation delivered by a young lady who arranged amateur theatricals. It was
deservedly applauded; and, when it was ended, the men went out for the
interval, content.</p>
<p>All this time the dressing-room was a hive of excitement. In one corner were Mr
Holohan, Mr Fitzpatrick, Miss Beirne, two of the stewards, the baritone, the
bass, and Mr O’Madden Burke. Mr O’Madden Burke said it was the most
scandalous exhibition he had ever witnessed. Miss Kathleen Kearney’s
musical career was ended in Dublin after that, he said. The baritone was asked
what did he think of Mrs Kearney’s conduct. He did not like to say
anything. He had been paid his money and wished to be at peace with men.
However, he said that Mrs Kearney might have taken the <i>artistes</i> into
consideration. The stewards and the secretaries debated hotly as to what should
be done when the interval came.</p>
<p>“I agree with Miss Beirne,” said Mr O’Madden Burke.
“Pay her nothing.”</p>
<p>In another corner of the room were Mrs Kearney and her husband, Mr Bell, Miss
Healy and the young lady who had to recite the patriotic piece. Mrs Kearney
said that the Committee had treated her scandalously. She had spared neither
trouble nor expense and this was how she was repaid.</p>
<p>They thought they had only a girl to deal with and that, therefore, they could
ride roughshod over her. But she would show them their mistake. They
wouldn’t have dared to have treated her like that if she had been a man.
But she would see that her daughter got her rights: she wouldn’t be
fooled. If they didn’t pay her to the last farthing she would make Dublin
ring. Of course she was sorry for the sake of the <i>artistes</i>. But what
else could she do? She appealed to the second tenor who said he thought she had
not been well treated. Then she appealed to Miss Healy. Miss Healy wanted to
join the other group but she did not like to do so because she was a great
friend of Kathleen’s and the Kearneys had often invited her to their
house.</p>
<p>As soon as the first part was ended Mr Fitzpatrick and Mr Holohan went over to
Mrs Kearney and told her that the other four guineas would be paid after the
Committee meeting on the following Tuesday and that, in case her daughter did
not play for the second part, the Committee would consider the contract broken
and would pay nothing.</p>
<p>“I haven’t seen any Committee,” said Mrs Kearney angrily.
“My daughter has her contract. She will get four pounds eight into her
hand or a foot she won’t put on that platform.”</p>
<p>“I’m surprised at you, Mrs Kearney,” said Mr Holohan.
“I never thought you would treat us this way.”</p>
<p>“And what way did you treat me?” asked Mrs Kearney.</p>
<p>Her face was inundated with an angry colour and she looked as if she would
attack someone with her hands.</p>
<p>“I’m asking for my rights,” she said.</p>
<p>“You might have some sense of decency,” said Mr Holohan.</p>
<p>“Might I, indeed?... And when I ask when my daughter is going to be paid
I can’t get a civil answer.”</p>
<p>She tossed her head and assumed a haughty voice:</p>
<p>“You must speak to the secretary. It’s not my business. I’m a
great fellow fol-the-diddle-I-do.”</p>
<p>“I thought you were a lady,” said Mr Holohan, walking away from her
abruptly.</p>
<p>After that Mrs Kearney’s conduct was condemned on all hands: everyone
approved of what the Committee had done. She stood at the door, haggard with
rage, arguing with her husband and daughter, gesticulating with them. She
waited until it was time for the second part to begin in the hope that the
secretaries would approach her. But Miss Healy had kindly consented to play one
or two accompaniments. Mrs Kearney had to stand aside to allow the baritone and
his accompanist to pass up to the platform. She stood still for an instant like
an angry stone image and, when the first notes of the song struck her ear, she
caught up her daughter’s cloak and said to her husband:</p>
<p>“Get a cab!”</p>
<p>He went out at once. Mrs Kearney wrapped the cloak round her daughter and
followed him. As she passed through the doorway she stopped and glared into Mr
Holohan’s face.</p>
<p>“I’m not done with you yet,” she said.</p>
<p>“But I’m done with you,” said Mr Holohan.</p>
<p>Kathleen followed her mother meekly. Mr Holohan began to pace up and down the
room, in order to cool himself for he felt his skin on fire.</p>
<p>“That’s a nice lady!” he said. “O, she’s a nice
lady!”</p>
<p>“You did the proper thing, Holohan,” said Mr O’Madden Burke,
poised upon his umbrella in approval.</p>
<h2><SPAN name="chap14"></SPAN>GRACE</h2>
<p>Two gentlemen who were in the lavatory at the time tried to lift him up: but he
was quite helpless. He lay curled up at the foot of the stairs down which he
had fallen. They succeeded in turning him over. His hat had rolled a few yards
away and his clothes were smeared with the filth and ooze of the floor on which
he had lain, face downwards. His eyes were closed and he breathed with a
grunting noise. A thin stream of blood trickled from the corner of his mouth.</p>
<p>These two gentlemen and one of the curates carried him up the stairs and laid
him down again on the floor of the bar. In two minutes he was surrounded by a
ring of men. The manager of the bar asked everyone who he was and who was with
him. No one knew who he was but one of the curates said he had served the
gentleman with a small rum.</p>
<p>“Was he by himself?” asked the manager.</p>
<p>“No, sir. There was two gentlemen with him.”</p>
<p>“And where are they?”</p>
<p>No one knew; a voice said:</p>
<p>“Give him air. He’s fainted.”</p>
<p>The ring of onlookers distended and closed again elastically. A dark medal of
blood had formed itself near the man’s head on the tessellated floor. The
manager, alarmed by the grey pallor of the man’s face, sent for a
policeman.</p>
<p>His collar was unfastened and his necktie undone. He opened his eyes for an
instant, sighed and closed them again. One of gentlemen who had carried him
upstairs held a dinged silk hat in his hand. The manager asked repeatedly did
no one know who the injured man was or where had his friends gone. The door of
the bar opened and an immense constable entered. A crowd which had followed him
down the laneway collected outside the door, struggling to look in through the
glass panels.</p>
<p>The manager at once began to narrate what he knew. The constable, a young man
with thick immobile features, listened. He moved his head slowly to right and
left and from the manager to the person on the floor, as if he feared to be the
victim of some delusion. Then he drew off his glove, produced a small book from
his waist, licked the lead of his pencil and made ready to indite. He asked in
a suspicious provincial accent:</p>
<p>“Who is the man? What’s his name and address?”</p>
<p>A young man in a cycling-suit cleared his way through the ring of bystanders.
He knelt down promptly beside the injured man and called for water. The
constable knelt down also to help. The young man washed the blood from the
injured man’s mouth and then called for some brandy. The constable
repeated the order in an authoritative voice until a curate came running with
the glass. The brandy was forced down the man’s throat. In a few seconds
he opened his eyes and looked about him. He looked at the circle of faces and
then, understanding, strove to rise to his feet.</p>
<p>“You’re all right now?” asked the young man in the
cycling-suit.</p>
<p>“Sha, ’s nothing,” said the injured man, trying to stand up.</p>
<p>He was helped to his feet. The manager said something about a hospital and some
of the bystanders gave advice. The battered silk hat was placed on the
man’s head. The constable asked:</p>
<p>“Where do you live?”</p>
<p>The man, without answering, began to twirl the ends of his moustache. He made
light of his accident. It was nothing, he said: only a little accident. He
spoke very thickly.</p>
<p>“Where do you live?” repeated the constable.</p>
<p>The man said they were to get a cab for him. While the point was being debated
a tall agile gentleman of fair complexion, wearing a long yellow ulster, came
from the far end of the bar. Seeing the spectacle, he called out:</p>
<p>“Hallo, Tom, old man! What’s the trouble?”</p>
<p>“Sha, ’s nothing,” said the man.</p>
<p>The new-comer surveyed the deplorable figure before him and then turned to the
constable, saying:</p>
<p>“It’s all right, constable. I’ll see him home.”</p>
<p>The constable touched his helmet and answered:</p>
<p>“All right, Mr Power!”</p>
<p>“Come now, Tom,” said Mr Power, taking his friend by the arm.
“No bones broken. What? Can you walk?”</p>
<p>The young man in the cycling-suit took the man by the other arm and the crowd
divided.</p>
<p>“How did you get yourself into this mess?” asked Mr Power.</p>
<p>“The gentleman fell down the stairs,” said the young man.</p>
<p>“I’ ’ery ’uch o’liged to you, sir,” said
the injured man.</p>
<p>“Not at all.”</p>
<p>“’ant we have a little...?”</p>
<p>“Not now. Not now.”</p>
<p>The three men left the bar and the crowd sifted through the doors into the
laneway. The manager brought the constable to the stairs to inspect the scene
of the accident. They agreed that the gentleman must have missed his footing.
The customers returned to the counter and a curate set about removing the
traces of blood from the floor.</p>
<p>When they came out into Grafton Street, Mr Power whistled for an outsider. The
injured man said again as well as he could:</p>
<p>“I’ ’ery ’uch o’liged to you, sir. I hope
we’ll ’eet again. ’y na’e is Kernan.”</p>
<p>The shock and the incipient pain had partly sobered him.</p>
<p>“Don’t mention it,” said the young man.</p>
<p>They shook hands. Mr Kernan was hoisted on to the car and, while Mr Power was
giving directions to the carman, he expressed his gratitude to the young man
and regretted that they could not have a little drink together.</p>
<p>“Another time,” said the young man.</p>
<p>The car drove off towards Westmoreland Street. As it passed Ballast Office the
clock showed half-past nine. A keen east wind hit them, blowing from the mouth
of the river. Mr Kernan was huddled together with cold. His friend asked him to
tell how the accident had happened.</p>
<p>“I ’an’t, ’an,” he answered, “’y
’ongue is hurt.”</p>
<p>“Show.”</p>
<p>The other leaned over the well of the car and peered into Mr Kernan’s
mouth but he could not see. He struck a match and, sheltering it in the shell
of his hands, peered again into the mouth which Mr Kernan opened obediently.
The swaying movement of the car brought the match to and from the opened mouth.
The lower teeth and gums were covered with clotted blood and a minute piece of
the tongue seemed to have been bitten off. The match was blown out.</p>
<p>“That’s ugly,” said Mr Power.</p>
<p>“Sha, ’s nothing,” said Mr Kernan, closing his mouth and
pulling the collar of his filthy coat across his neck.</p>
<p>Mr Kernan was a commercial traveller of the old school which believed in the
dignity of its calling. He had never been seen in the city without a silk hat
of some decency and a pair of gaiters. By grace of these two articles of
clothing, he said, a man could always pass muster. He carried on the tradition
of his Napoleon, the great Blackwhite, whose memory he evoked at times by
legend and mimicry. Modern business methods had spared him only so far as to
allow him a little office in Crowe Street on the window blind of which was
written the name of his firm with the address—London, E.C. On the
mantelpiece of this little office a little leaden battalion of canisters was
drawn up and on the table before the window stood four or five china bowls
which were usually half full of a black liquid. From these bowls Mr Kernan
tasted tea. He took a mouthful, drew it up, saturated his palate with it and
then spat it forth into the grate. Then he paused to judge.</p>
<p>Mr Power, a much younger man, was employed in the Royal Irish Constabulary
Office in Dublin Castle. The arc of his social rise intersected the arc of his
friend’s decline, but Mr Kernan’s decline was mitigated by the fact
that certain of those friends who had known him at his highest point of success
still esteemed him as a character. Mr Power was one of these friends. His
inexplicable debts were a byword in his circle; he was a debonair young man.</p>
<p>The car halted before a small house on the Glasnevin road and Mr Kernan was
helped into the house. His wife put him to bed while Mr Power sat downstairs in
the kitchen asking the children where they went to school and what book they
were in. The children—two girls and a boy, conscious of their
father’s helplessness and of their mother’s absence, began some
horseplay with him. He was surprised at their manners and at their accents, and
his brow grew thoughtful. After a while Mrs Kernan entered the kitchen,
exclaiming:</p>
<p>“Such a sight! O, he’ll do for himself one day and that’s the
holy alls of it. He’s been drinking since Friday.”</p>
<p>Mr Power was careful to explain to her that he was not responsible, that he had
come on the scene by the merest accident. Mrs Kernan, remembering Mr
Power’s good offices during domestic quarrels, as well as many small, but
opportune loans, said:</p>
<p>“O, you needn’t tell me that, Mr Power. I know you’re a
friend of his, not like some of the others he does be with. They’re all
right so long as he has money in his pocket to keep him out from his wife and
family. Nice friends! Who was he with tonight, I’d like to know?”</p>
<p>Mr Power shook his head but said nothing.</p>
<p>“I’m so sorry,” she continued, “that I’ve nothing
in the house to offer you. But if you wait a minute I’ll send round to
Fogarty’s at the corner.”</p>
<p>Mr Power stood up.</p>
<p>“We were waiting for him to come home with the money. He never seems to
think he has a home at all.”</p>
<p>“O, now, Mrs Kernan,” said Mr Power, “we’ll make him
turn over a new leaf. I’ll talk to Martin. He’s the man.
We’ll come here one of these nights and talk it over.”</p>
<p>She saw him to the door. The carman was stamping up and down the footpath, and
swinging his arms to warm himself.</p>
<p>“It’s very kind of you to bring him home,” she said.</p>
<p>“Not at all,” said Mr Power.</p>
<p>He got up on the car. As it drove off he raised his hat to her gaily.</p>
<p>“We’ll make a new man of him,” he said. “Good-night,
Mrs Kernan.”</p>
<hr class="small" />
<p>Mrs Kernan’s puzzled eyes watched the car till it was out of sight. Then
she withdrew them, went into the house and emptied her husband’s pockets.</p>
<p>She was an active, practical woman of middle age. Not long before she had
celebrated her silver wedding and renewed her intimacy with her husband by
waltzing with him to Mr Power’s accompaniment. In her days of courtship
Mr Kernan had seemed to her a not ungallant figure: and she still hurried to
the chapel door whenever a wedding was reported and, seeing the bridal pair,
recalled with vivid pleasure how she had passed out of the Star of the Sea
Church in Sandymount, leaning on the arm of a jovial well-fed man, who was
dressed smartly in a frock-coat and lavender trousers and carried a silk hat
gracefully balanced upon his other arm. After three weeks she had found a
wife’s life irksome and, later on, when she was beginning to find it
unbearable, she had become a mother. The part of mother presented to her no
insuperable difficulties and for twenty-five years she had kept house shrewdly
for her husband. Her two eldest sons were launched. One was in a draper’s
shop in Glasgow and the other was clerk to a tea-merchant in Belfast. They were
good sons, wrote regularly and sometimes sent home money. The other children
were still at school.</p>
<p>Mr Kernan sent a letter to his office next day and remained in bed. She made
beef-tea for him and scolded him roundly. She accepted his frequent
intemperance as part of the climate, healed him dutifully whenever he was sick
and always tried to make him eat a breakfast. There were worse husbands. He had
never been violent since the boys had grown up and she knew that he would walk
to the end of Thomas Street and back again to book even a small order.</p>
<p>Two nights after his friends came to see him. She brought them up to his
bedroom, the air of which was impregnated with a personal odour, and gave them
chairs at the fire. Mr Kernan’s tongue, the occasional stinging pain of
which had made him somewhat irritable during the day, became more polite. He
sat propped up in the bed by pillows and the little colour in his puffy cheeks
made them resemble warm cinders. He apologised to his guests for the disorder
of the room, but at the same time looked at them a little proudly, with a
veteran’s pride.</p>
<p>He was quite unconscious that he was the victim of a plot which his friends, Mr
Cunningham, Mr M’Coy and Mr Power had disclosed to Mrs Kernan in the
parlour. The idea had been Mr Power’s but its development was entrusted
to Mr Cunningham. Mr Kernan came of Protestant stock and, though he had been
converted to the Catholic faith at the time of his marriage, he had not been in
the pale of the Church for twenty years. He was fond, moreover, of giving
side-thrusts at Catholicism.</p>
<p>Mr Cunningham was the very man for such a case. He was an elder colleague of Mr
Power. His own domestic life was not very happy. People had great sympathy with
him for it was known that he had married an unpresentable woman who was an
incurable drunkard. He had set up house for her six times; and each time she
had pawned the furniture on him.</p>
<p>Everyone had respect for poor Martin Cunningham. He was a thoroughly sensible
man, influential and intelligent. His blade of human knowledge, natural
astuteness particularised by long association with cases in the police courts,
had been tempered by brief immersions in the waters of general philosophy. He
was well informed. His friends bowed to his opinions and considered that his
face was like Shakespeare’s.</p>
<p>When the plot had been disclosed to her, Mrs Kernan had said:</p>
<p>“I leave it all in your hands, Mr Cunningham.”</p>
<p>After a quarter of a century of married life, she had very few illusions left.
Religion for her was a habit and she suspected that a man of her
husband’s age would not change greatly before death. She was tempted to
see a curious appropriateness in his accident and, but that she did not wish to
seem bloody-minded, she would have told the gentlemen that Mr Kernan’s
tongue would not suffer by being shortened. However, Mr Cunningham was a
capable man; and religion was religion. The scheme might do good and, at least,
it could do no harm. Her beliefs were not extravagant. She believed steadily in
the Sacred Heart as the most generally useful of all Catholic devotions and
approved of the sacraments. Her faith was bounded by her kitchen but, if she
was put to it, she could believe also in the banshee and in the Holy Ghost.</p>
<p>The gentlemen began to talk of the accident. Mr Cunningham said that he had
once known a similar case. A man of seventy had bitten off a piece of his
tongue during an epileptic fit and the tongue had filled in again so that no
one could see a trace of the bite.</p>
<p>“Well, I’m not seventy,” said the invalid.</p>
<p>“God forbid,” said Mr Cunningham.</p>
<p>“It doesn’t pain you now?” asked Mr M’Coy.</p>
<p>Mr M’Coy had been at one time a tenor of some reputation. His wife, who
had been a soprano, still taught young children to play the piano at low terms.
His line of life had not been the shortest distance between two points and for
short periods he had been driven to live by his wits. He had been a clerk in
the Midland Railway, a canvasser for advertisements for <i>The Irish Times</i>
and for <i>The Freeman’s Journal</i>, a town traveller for a coal firm on
commission, a private inquiry agent, a clerk in the office of the Sub-Sheriff
and he had recently become secretary to the City Coroner. His new office made
him professionally interested in Mr Kernan’s case.</p>
<p>“Pain? Not much,” answered Mr Kernan. “But it’s so
sickening. I feel as if I wanted to retch off.”</p>
<p>“That’s the boose,” said Mr Cunningham firmly.</p>
<p>“No,” said Mr Kernan. “I think I caught a cold on the car.
There’s something keeps coming into my throat, phlegm
or——”</p>
<p>“Mucus.” said Mr M’Coy.</p>
<p>“It keeps coming like from down in my throat; sickening thing.”</p>
<p>“Yes, yes,” said Mr M’Coy, “that’s the
thorax.”</p>
<p>He looked at Mr Cunningham and Mr Power at the same time with an air of
challenge. Mr Cunningham nodded his head rapidly and Mr Power said:</p>
<p>“Ah, well, all’s well that ends well.”</p>
<p>“I’m very much obliged to you, old man,” said the invalid.</p>
<p>Mr Power waved his hand.</p>
<p>“Those other two fellows I was with——”</p>
<p>“Who were you with?” asked Mr Cunningham.</p>
<p>“A chap. I don’t know his name. Damn it now, what’s his name?
Little chap with sandy hair....”</p>
<p>“And who else?”</p>
<p>“Harford.”</p>
<p>“Hm,” said Mr Cunningham.</p>
<p>When Mr Cunningham made that remark, people were silent. It was known that the
speaker had secret sources of information. In this case the monosyllable had a
moral intention. Mr Harford sometimes formed one of a little detachment which
left the city shortly after noon on Sunday with the purpose of arriving as soon
as possible at some public-house on the outskirts of the city where its members
duly qualified themselves as <i>bona fide</i> travellers. But his
fellow-travellers had never consented to overlook his origin. He had begun life
as an obscure financier by lending small sums of money to workmen at usurious
interest. Later on he had become the partner of a very fat short gentleman, Mr
Goldberg, in the Liffey Loan Bank. Though he had never embraced more than the
Jewish ethical code his fellow-Catholics, whenever they had smarted in person
or by proxy under his exactions, spoke of him bitterly as an Irish Jew and an
illiterate and saw divine disapproval of usury made manifest through the person
of his idiot son. At other times they remembered his good points.</p>
<p>“I wonder where did he go to,” said Mr Kernan.</p>
<p>He wished the details of the incident to remain vague. He wished his friends to
think there had been some mistake, that Mr Harford and he had missed each
other. His friends, who knew quite well Mr Harford’s manners in drinking,
were silent. Mr Power said again:</p>
<p>“All’s well that ends well.”</p>
<p>Mr Kernan changed the subject at once.</p>
<p>“That was a decent young chap, that medical fellow,” he said.
“Only for him——”</p>
<p>“O, only for him,” said Mr Power, “it might have been a case
of seven days, without the option of a fine.”</p>
<p>“Yes, yes,” said Mr Kernan, trying to remember. “I remember
now there was a policeman. Decent young fellow, he seemed. How did it happen at
all?”</p>
<p>“It happened that you were peloothered, Tom,” said Mr Cunningham
gravely.</p>
<p>“True bill,” said Mr Kernan, equally gravely.</p>
<p>“I suppose you squared the constable, Jack,” said Mr M’Coy.</p>
<p>Mr Power did not relish the use of his Christian name. He was not
straight-laced, but he could not forget that Mr M’Coy had recently made a
crusade in search of valises and portmanteaus to enable Mrs M’Coy to
fulfil imaginary engagements in the country. More than he resented the fact
that he had been victimised he resented such low playing of the game. He
answered the question, therefore, as if Mr Kernan had asked it.</p>
<p>The narrative made Mr Kernan indignant. He was keenly conscious of his
citizenship, wished to live with his city on terms mutually honourable and
resented any affront put upon him by those whom he called country bumpkins.</p>
<p>“Is this what we pay rates for?” he asked. “To feed and
clothe these ignorant bostooms ... and they’re nothing else.”</p>
<p>Mr Cunningham laughed. He was a Castle official only during office hours.</p>
<p>“How could they be anything else, Tom?” he said.</p>
<p>He assumed a thick provincial accent and said in a tone of command:</p>
<p>“65, catch your cabbage!”</p>
<p>Everyone laughed. Mr M’Coy, who wanted to enter the conversation by any
door, pretended that he had never heard the story. Mr Cunningham said:</p>
<p>“It is supposed—they say, you know—to take place in the depot
where they get these thundering big country fellows, omadhauns, you know, to
drill. The sergeant makes them stand in a row against the wall and hold up
their plates.”</p>
<p>He illustrated the story by grotesque gestures.</p>
<p>“At dinner, you know. Then he has a bloody big bowl of cabbage before him
on the table and a bloody big spoon like a shovel. He takes up a wad of cabbage
on the spoon and pegs it across the room and the poor devils have to try and
catch it on their plates: 65, <i>catch your cabbage</i>.”</p>
<p>Everyone laughed again: but Mr Kernan was somewhat indignant still. He talked
of writing a letter to the papers.</p>
<p>“These yahoos coming up here,” he said, “think they can boss
the people. I needn’t tell you, Martin, what kind of men they are.”</p>
<p>Mr Cunningham gave a qualified assent.</p>
<p>“It’s like everything else in this world,” he said.
“You get some bad ones and you get some good ones.”</p>
<p>“O yes, you get some good ones, I admit,” said Mr Kernan,
satisfied.</p>
<p>“It’s better to have nothing to say to them,” said Mr
M’Coy. “That’s my opinion!”</p>
<p>Mrs Kernan entered the room and, placing a tray on the table, said:</p>
<p>“Help yourselves, gentlemen.”</p>
<p>Mr Power stood up to officiate, offering her his chair. She declined it, saying
she was ironing downstairs, and, after having exchanged a nod with Mr
Cunningham behind Mr Power’s back, prepared to leave the room. Her
husband called out to her:</p>
<p>“And have you nothing for me, duckie?”</p>
<p>“O, you! The back of my hand to you!” said Mrs Kernan tartly.</p>
<p>Her husband called after her:</p>
<p>“Nothing for poor little hubby!”</p>
<p>He assumed such a comical face and voice that the distribution of the bottles
of stout took place amid general merriment.</p>
<p>The gentlemen drank from their glasses, set the glasses again on the table and
paused. Then Mr Cunningham turned towards Mr Power and said casually:</p>
<p>“On Thursday night, you said, Jack.”</p>
<p>“Thursday, yes,” said Mr Power.</p>
<p>“Righto!” said Mr Cunningham promptly.</p>
<p>“We can meet in M’Auley’s,” said Mr M’Coy.
“That’ll be the most convenient place.”</p>
<p>“But we mustn’t be late,” said Mr Power earnestly,
“because it is sure to be crammed to the doors.”</p>
<p>“We can meet at half-seven,” said Mr M’Coy.</p>
<p>“Righto!” said Mr Cunningham.</p>
<p>“Half-seven at M’Auley’s be it!”</p>
<p>There was a short silence. Mr Kernan waited to see whether he would be taken
into his friends’ confidence. Then he asked:</p>
<p>“What’s in the wind?”</p>
<p>“O, it’s nothing,” said Mr Cunningham. “It’s only
a little matter that we’re arranging about for Thursday.”</p>
<p>“The opera, is it?” said Mr Kernan.</p>
<p>“No, no,” said Mr Cunningham in an evasive tone, “it’s
just a little ... spiritual matter.”</p>
<p>“O,” said Mr Kernan.</p>
<p>There was silence again. Then Mr Power said, point blank:</p>
<p>“To tell you the truth, Tom, we’re going to make a retreat.”</p>
<p>“Yes, that’s it,” said Mr Cunningham, “Jack and I and
M’Coy here—we’re all going to wash the pot.”</p>
<p>He uttered the metaphor with a certain homely energy and, encouraged by his own
voice, proceeded:</p>
<p>“You see, we may as well all admit we’re a nice collection of
scoundrels, one and all. I say, one and all,” he added with gruff charity
and turning to Mr Power. “Own up now!”</p>
<p>“I own up,” said Mr Power.</p>
<p>“And I own up,” said Mr M’Coy.</p>
<p>“So we’re going to wash the pot together,” said Mr
Cunningham.</p>
<p>A thought seemed to strike him. He turned suddenly to the invalid and said:</p>
<p>“D’ye know what, Tom, has just occurred to me? You might join in
and we’d have a four-handed reel.”</p>
<p>“Good idea,” said Mr Power. “The four of us together.”</p>
<p>Mr Kernan was silent. The proposal conveyed very little meaning to his mind
but, understanding that some spiritual agencies were about to concern
themselves on his behalf, he thought he owed it to his dignity to show a stiff
neck. He took no part in the conversation for a long while but listened, with
an air of calm enmity, while his friends discussed the Jesuits.</p>
<p>“I haven’t such a bad opinion of the Jesuits,” he said,
intervening at length. “They’re an educated order. I believe they
mean well too.”</p>
<p>“They’re the grandest order in the Church, Tom,” said Mr
Cunningham, with enthusiasm. “The General of the Jesuits stands next to
the Pope.”</p>
<p>“There’s no mistake about it,” said Mr M’Coy, “if
you want a thing well done and no flies about it you go to a Jesuit.
They’re the boyos have influence. I’ll tell you a case in
point....”</p>
<p>“The Jesuits are a fine body of men,” said Mr Power.</p>
<p>“It’s a curious thing,” said Mr Cunningham, “about the
Jesuit Order. Every other order of the Church had to be reformed at some time
or other but the Jesuit Order was never once reformed. It never fell
away.”</p>
<p>“Is that so?” asked Mr M’Coy.</p>
<p>“That’s a fact,” said Mr Cunningham. “That’s
history.”</p>
<p>“Look at their church, too,” said Mr Power. “Look at the
congregation they have.”</p>
<p>“The Jesuits cater for the upper classes,” said Mr M’Coy.</p>
<p>“Of course,” said Mr Power.</p>
<p>“Yes,” said Mr Kernan. “That’s why I have a feeling for
them. It’s some of those secular priests, ignorant,
bumptious——”</p>
<p>“They’re all good men,” said Mr Cunningham, “each in
his own way. The Irish priesthood is honoured all the world over.”</p>
<p>“O yes,” said Mr Power.</p>
<p>“Not like some of the other priesthoods on the continent,” said Mr
M’Coy, “unworthy of the name.”</p>
<p>“Perhaps you’re right,” said Mr Kernan, relenting.</p>
<p>“Of course I’m right,” said Mr Cunningham. “I
haven’t been in the world all this time and seen most sides of it without
being a judge of character.”</p>
<p>The gentlemen drank again, one following another’s example. Mr Kernan
seemed to be weighing something in his mind. He was impressed. He had a high
opinion of Mr Cunningham as a judge of character and as a reader of faces. He
asked for particulars.</p>
<p>“O, it’s just a retreat, you know,” said Mr Cunningham.
“Father Purdon is giving it. It’s for business men, you
know.”</p>
<p>“He won’t be too hard on us, Tom,” said Mr Power
persuasively.</p>
<p>“Father Purdon? Father Purdon?” said the invalid.</p>
<p>“O, you must know him, Tom,” said Mr Cunningham stoutly.
“Fine jolly fellow! He’s a man of the world like ourselves.”</p>
<p>“Ah, ... yes. I think I know him. Rather red face; tall.”</p>
<p>“That’s the man.”</p>
<p>“And tell me, Martin.... Is he a good preacher?”</p>
<p>“Munno.... It’s not exactly a sermon, you know. It’s just
kind of a friendly talk, you know, in a common-sense way.”</p>
<p>Mr Kernan deliberated. Mr M’Coy said:</p>
<p>“Father Tom Burke, that was the boy!”</p>
<p>“O, Father Tom Burke,” said Mr Cunningham, “that was a born
orator. Did you ever hear him, Tom?”</p>
<p>“Did I ever hear him!” said the invalid, nettled. “Rather! I
heard him....”</p>
<p>“And yet they say he wasn’t much of a theologian,” said Mr
Cunningham.</p>
<p>“Is that so?” said Mr M’Coy.</p>
<p>“O, of course, nothing wrong, you know. Only sometimes, they say, he
didn’t preach what was quite orthodox.”</p>
<p>“Ah! ... he was a splendid man,” said Mr M’Coy.</p>
<p>“I heard him once,” Mr Kernan continued. “I forget the
subject of his discourse now. Crofton and I were in the back of the ... pit,
you know ... the——”</p>
<p>“The body,” said Mr Cunningham.</p>
<p>“Yes, in the back near the door. I forget now what.... O yes, it was on
the Pope, the late Pope. I remember it well. Upon my word it was magnificent,
the style of the oratory. And his voice! God! hadn’t he a voice! <i>The
Prisoner of the Vatican</i>, he called him. I remember Crofton saying to me
when we came out——”</p>
<p>“But he’s an Orangeman, Crofton, isn’t he?” said Mr
Power.</p>
<p>“‘Course he is,” said Mr Kernan, “and a damned decent
Orangeman too. We went into Butler’s in Moore Street—faith, I was
genuinely moved, tell you the God’s truth—and I remember well his
very words. <i>Kernan</i>, he said, <i>we worship at different altars</i>, he
said, <i>but our belief is the same</i>. Struck me as very well put.”</p>
<p>“There’s a good deal in that,” said Mr Power. “There
used always to be crowds of Protestants in the chapel where Father Tom was
preaching.”</p>
<p>“There’s not much difference between us,” said Mr
M’Coy.</p>
<p>“We both believe in——”</p>
<p>He hesitated for a moment.</p>
<p>“... in the Redeemer. Only they don’t believe in the Pope and in
the mother of God.”</p>
<p>“But, of course,” said Mr Cunningham quietly and effectively,
“our religion is <i>the</i> religion, the old, original faith.”</p>
<p>“Not a doubt of it,” said Mr Kernan warmly.</p>
<p>Mrs Kernan came to the door of the bedroom and announced:</p>
<p>“Here’s a visitor for you!”</p>
<p>“Who is it?”</p>
<p>“Mr Fogarty.”</p>
<p>“O, come in! come in!”</p>
<p>A pale oval face came forward into the light. The arch of its fair trailing
moustache was repeated in the fair eyebrows looped above pleasantly astonished
eyes. Mr Fogarty was a modest grocer. He had failed in business in a licensed
house in the city because his financial condition had constrained him to tie
himself to second-class distillers and brewers. He had opened a small shop on
Glasnevin Road where, he flattered himself, his manners would ingratiate him
with the housewives of the district. He bore himself with a certain grace,
complimented little children and spoke with a neat enunciation. He was not
without culture.</p>
<p>Mr Fogarty brought a gift with him, a half-pint of special whisky. He inquired
politely for Mr Kernan, placed his gift on the table and sat down with the
company on equal terms. Mr Kernan appreciated the gift all the more since he
was aware that there was a small account for groceries unsettled between him
and Mr Fogarty. He said:</p>
<p>“I wouldn’t doubt you, old man. Open that, Jack, will you?”</p>
<p>Mr Power again officiated. Glasses were rinsed and five small measures of
whisky were poured out. This new influence enlivened the conversation. Mr
Fogarty, sitting on a small area of the chair, was specially interested.</p>
<p>“Pope Leo XIII.,” said Mr Cunningham, “was one of the lights
of the age. His great idea, you know, was the union of the Latin and Greek
Churches. That was the aim of his life.”</p>
<p>“I often heard he was one of the most intellectual men in Europe,”
said Mr Power. “I mean, apart from his being Pope.”</p>
<p>“So he was,” said Mr Cunningham, “if not <i>the</i> most so.
His motto, you know, as Pope, was <i>Lux upon Lux—Light upon
Light</i>.”</p>
<p>“No, no,” said Mr Fogarty eagerly. “I think you’re
wrong there. It was <i>Lux in Tenebris</i>, I think—<i>Light in
Darkness</i>.”</p>
<p>“O yes,” said Mr M’Coy, “<i>Tenebrae</i>.”</p>
<p>“Allow me,” said Mr Cunningham positively, “it was <i>Lux
upon Lux</i>. And Pius IX. his predecessor’s motto was <i>Crux upon
Crux</i>—that is, <i>Cross upon Cross</i>—to show the difference
between their two pontificates.”</p>
<p>The inference was allowed. Mr Cunningham continued.</p>
<p>“Pope Leo, you know, was a great scholar and a poet.”</p>
<p>“He had a strong face,” said Mr Kernan.</p>
<p>“Yes,” said Mr Cunningham. “He wrote Latin poetry.”</p>
<p>“Is that so?” said Mr Fogarty.</p>
<p>Mr M’Coy tasted his whisky contentedly and shook his head with a double
intention, saying:</p>
<p>“That’s no joke, I can tell you.”</p>
<p>“We didn’t learn that, Tom,” said Mr Power, following Mr
M’Coy’s example, “when we went to the penny-a-week
school.”</p>
<p>“There was many a good man went to the penny-a-week school with a sod of
turf under his oxter,” said Mr Kernan sententiously. “The old
system was the best: plain honest education. None of your modern
trumpery....”</p>
<p>“Quite right,” said Mr Power.</p>
<p>“No superfluities,” said Mr Fogarty.</p>
<p>He enunciated the word and then drank gravely.</p>
<p>“I remember reading,” said Mr Cunningham, “that one of Pope
Leo’s poems was on the invention of the photograph—in Latin, of
course.”</p>
<p>“On the photograph!” exclaimed Mr Kernan.</p>
<p>“Yes,” said Mr Cunningham.</p>
<p>He also drank from his glass.</p>
<p>“Well, you know,” said Mr M’Coy, “isn’t the
photograph wonderful when you come to think of it?”</p>
<p>“O, of course,” said Mr Power, “great minds can see
things.”</p>
<p>“As the poet says: <i>Great minds are very near to madness</i>,”
said Mr Fogarty.</p>
<p>Mr Kernan seemed to be troubled in mind. He made an effort to recall the
Protestant theology on some thorny points and in the end addressed Mr
Cunningham.</p>
<p>“Tell me, Martin,” he said. “Weren’t some of the
popes—of course, not our present man, or his predecessor, but some of the
old popes—not exactly ... you know ... up to the knocker?”</p>
<p>There was a silence. Mr Cunningham said:</p>
<p>“O, of course, there were some bad lots.... But the astonishing thing is
this. Not one of them, not the biggest drunkard, not the most ... out-and-out
ruffian, not one of them ever preached <i>ex cathedra</i> a word of false
doctrine. Now isn’t that an astonishing thing?”</p>
<p>“That is,” said Mr Kernan.</p>
<p>“Yes, because when the Pope speaks <i>ex cathedra</i>,” Mr Fogarty
explained, “he is infallible.”</p>
<p>“Yes,” said Mr Cunningham.</p>
<p>“O, I know about the infallibility of the Pope. I remember I was younger
then.... Or was it that——?”</p>
<p>Mr Fogarty interrupted. He took up the bottle and helped the others to a little
more. Mr M’Coy, seeing that there was not enough to go round, pleaded
that he had not finished his first measure. The others accepted under protest.
The light music of whisky falling into glasses made an agreeable interlude.</p>
<p>“What’s that you were saying, Tom?” asked Mr M’Coy.</p>
<p>“Papal infallibility,” said Mr Cunningham, “that was the
greatest scene in the whole history of the Church.”</p>
<p>“How was that, Martin?” asked Mr Power.</p>
<p>Mr Cunningham held up two thick fingers.</p>
<p>“In the sacred college, you know, of cardinals and archbishops and
bishops there were two men who held out against it while the others were all
for it. The whole conclave except these two was unanimous. No! They
wouldn’t have it!”</p>
<p>“Ha!” said Mr M’Coy.</p>
<p>“And they were a German cardinal by the name of Dolling ... or Dowling
... or——”</p>
<p>“Dowling was no German, and that’s a sure five,” said Mr
Power, laughing.</p>
<p>“Well, this great German cardinal, whatever his name was, was one; and
the other was John MacHale.”</p>
<p>“What?” cried Mr Kernan. “Is it John of Tuam?”</p>
<p>“Are you sure of that now?” asked Mr Fogarty dubiously. “I
thought it was some Italian or American.”</p>
<p>“John of Tuam,” repeated Mr Cunningham, “was the man.”</p>
<p>He drank and the other gentlemen followed his lead. Then he resumed:</p>
<p>“There they were at it, all the cardinals and bishops and archbishops
from all the ends of the earth and these two fighting dog and devil until at
last the Pope himself stood up and declared infallibility a dogma of the Church
<i>ex cathedra</i>. On the very moment John MacHale, who had been arguing and
arguing against it, stood up and shouted out with the voice of a lion:
‘<i>Credo!</i>’”</p>
<p>“<i>I believe!</i>” said Mr Fogarty.</p>
<p>“<i>Credo!</i>” said Mr Cunningham. “That showed the faith he
had. He submitted the moment the Pope spoke.”</p>
<p>“And what about Dowling?” asked Mr M’Coy.</p>
<p>“The German cardinal wouldn’t submit. He left the church.”</p>
<p>Mr Cunningham’s words had built up the vast image of the church in the
minds of his hearers. His deep raucous voice had thrilled them as it uttered
the word of belief and submission. When Mrs Kernan came into the room drying
her hands she came into a solemn company. She did not disturb the silence, but
leaned over the rail at the foot of the bed.</p>
<p>“I once saw John MacHale,” said Mr Kernan, “and I’ll
never forget it as long as I live.”</p>
<p>He turned towards his wife to be confirmed.</p>
<p>“I often told you that?”</p>
<p>Mrs Kernan nodded.</p>
<p>“It was at the unveiling of Sir John Gray’s statue. Edmund Dwyer
Gray was speaking, blathering away, and here was this old fellow,
crabbed-looking old chap, looking at him from under his bushy eyebrows.”</p>
<p>Mr Kernan knitted his brows and, lowering his head like an angry bull, glared
at his wife.</p>
<p>“God!” he exclaimed, resuming his natural face, “I never saw
such an eye in a man’s head. It was as much as to say: <i>I have you
properly taped, my lad</i>. He had an eye like a hawk.”</p>
<p>“None of the Grays was any good,” said Mr Power.</p>
<p>There was a pause again. Mr Power turned to Mrs Kernan and said with abrupt
joviality:</p>
<p>“Well, Mrs Kernan, we’re going to make your man here a good holy
pious and God-fearing Roman Catholic.”</p>
<p>He swept his arm round the company inclusively.</p>
<p>“We’re all going to make a retreat together and confess our
sins—and God knows we want it badly.”</p>
<p>“I don’t mind,” said Mr Kernan, smiling a little nervously.</p>
<p>Mrs Kernan thought it would be wiser to conceal her satisfaction. So she said:</p>
<p>“I pity the poor priest that has to listen to your tale.”</p>
<p>Mr Kernan’s expression changed.</p>
<p>“If he doesn’t like it,” he said bluntly, “he can ...
do the other thing. I’ll just tell him my little tale of woe. I’m
not such a bad fellow——”</p>
<p>Mr Cunningham intervened promptly.</p>
<p>“We’ll all renounce the devil,” he said, “together, not
forgetting his works and pomps.”</p>
<p>“Get behind me, Satan!” said Mr Fogarty, laughing and looking at
the others.</p>
<p>Mr Power said nothing. He felt completely out-generalled. But a pleased
expression flickered across his face.</p>
<p>“All we have to do,” said Mr Cunningham, “is to stand up with
lighted candles in our hands and renew our baptismal vows.”</p>
<p>“O, don’t forget the candle, Tom,” said Mr M’Coy,
“whatever you do.”</p>
<p>“What?” said Mr Kernan. “Must I have a candle?”</p>
<p>“O yes,” said Mr Cunningham.</p>
<p>“No, damn it all,” said Mr Kernan sensibly, “I draw the line
there. I’ll do the job right enough. I’ll do the retreat business
and confession, and ... all that business. But ... no candles! No, damn it all,
I bar the candles!”</p>
<p>He shook his head with farcical gravity.</p>
<p>“Listen to that!” said his wife.</p>
<p>“I bar the candles,” said Mr Kernan, conscious of having created an
effect on his audience and continuing to shake his head to and fro. “I
bar the magic-lantern business.”</p>
<p>Everyone laughed heartily.</p>
<p>“There’s a nice Catholic for you!” said his wife.</p>
<p>“No candles!” repeated Mr Kernan obdurately. “That’s
off!”</p>
<hr class="small" />
<p>The transept of the Jesuit Church in Gardiner Street was almost full; and still
at every moment gentlemen entered from the side door and, directed by the
lay-brother, walked on tiptoe along the aisles until they found seating
accommodation. The gentlemen were all well dressed and orderly. The light of
the lamps of the church fell upon an assembly of black clothes and white
collars, relieved here and there by tweeds, on dark mottled pillars of green
marble and on lugubrious canvases. The gentlemen sat in the benches, having
hitched their trousers slightly above their knees and laid their hats in
security. They sat well back and gazed formally at the distant speck of red
light which was suspended before the high altar.</p>
<p>In one of the benches near the pulpit sat Mr Cunningham and Mr Kernan. In the
bench behind sat Mr M’Coy alone: and in the bench behind him sat Mr Power
and Mr Fogarty. Mr M’Coy had tried unsuccessfully to find a place in the
bench with the others and, when the party had settled down in the form of a
quincunx, he had tried unsuccessfully to make comic remarks. As these had not
been well received he had desisted. Even he was sensible of the decorous
atmosphere and even he began to respond to the religious stimulus. In a whisper
Mr Cunningham drew Mr Kernan’s attention to Mr Harford, the moneylender,
who sat some distance off, and to Mr Fanning, the registration agent and mayor
maker of the city, who was sitting immediately under the pulpit beside one of
the newly elected councillors of the ward. To the right sat old Michael Grimes,
the owner of three pawnbroker’s shops, and Dan Hogan’s nephew, who
was up for the job in the Town Clerk’s office. Farther in front sat Mr
Hendrick, the chief reporter of <i>The Freeman’s Journal</i>, and poor
O’Carroll, an old friend of Mr Kernan’s, who had been at one time a
considerable commercial figure. Gradually, as he recognised familiar faces, Mr
Kernan began to feel more at home. His hat, which had been rehabilitated by his
wife, rested upon his knees. Once or twice he pulled down his cuffs with one
hand while he held the brim of his hat lightly, but firmly, with the other
hand.</p>
<p>A powerful-looking figure, the upper part of which was draped with a white
surplice, was observed to be struggling up into the pulpit. Simultaneously the
congregation unsettled, produced handkerchiefs and knelt upon them with care.
Mr Kernan followed the general example. The priest’s figure now stood
upright in the pulpit, two-thirds of its bulk, crowned by a massive red face,
appearing above the balustrade.</p>
<p>Father Purdon knelt down, turned towards the red speck of light and, covering
his face with his hands, prayed. After an interval, he uncovered his face and
rose. The congregation rose also and settled again on its benches. Mr Kernan
restored his hat to its original position on his knee and presented an
attentive face to the preacher. The preacher turned back each wide sleeve of
his surplice with an elaborate large gesture and slowly surveyed the array of
faces. Then he said:</p>
<p><br/></p>
<p><i>“For the children of this world are wiser in their generation than the
children of light. Wherefore make unto yourselves friends out of the mammon of
iniquity so that when you die they may receive you into everlasting
dwellings.”</i></p>
<p><br/></p>
<p>Father Purdon developed the text with resonant assurance. It was one of the
most difficult texts in all the Scriptures, he said, to interpret properly. It
was a text which might seem to the casual observer at variance with the lofty
morality elsewhere preached by Jesus Christ. But, he told his hearers, the text
had seemed to him specially adapted for the guidance of those whose lot it was
to lead the life of the world and who yet wished to lead that life not in the
manner of worldlings. It was a text for business men and professional men.
Jesus Christ, with His divine understanding of every cranny of our human
nature, understood that all men were not called to the religious life, that by
far the vast majority were forced to live in the world and, to a certain
extent, for the world: and in this sentence He designed to give them a word of
counsel, setting before them as exemplars in the religious life those very
worshippers of Mammon who were of all men the least solicitous in matters
religious.</p>
<p>He told his hearers that he was there that evening for no terrifying, no
extravagant purpose; but as a man of the world speaking to his fellow-men. He
came to speak to business men and he would speak to them in a businesslike way.
If he might use the metaphor, he said, he was their spiritual accountant; and
he wished each and every one of his hearers to open his books, the books of his
spiritual life, and see if they tallied accurately with conscience.</p>
<p>Jesus Christ was not a hard taskmaster. He understood our little failings,
understood the weakness of our poor fallen nature, understood the temptations
of this life. We might have had, we all had from time to time, our temptations:
we might have, we all had, our failings. But one thing only, he said, he would
ask of his hearers. And that was: to be straight and manly with God. If their
accounts tallied in every point to say:</p>
<p>“Well, I have verified my accounts. I find all well.”</p>
<p>But if, as might happen, there were some discrepancies, to admit the truth, to
be frank and say like a man:</p>
<p>“Well, I have looked into my accounts. I find this wrong and this wrong.
But, with God’s grace, I will rectify this and this. I will set right my
accounts.”</p>
<h2><SPAN name="chap15"></SPAN>THE DEAD</h2>
<p>Lily, the caretaker’s daughter, was literally run off her feet. Hardly
had she brought one gentleman into the little pantry behind the office on the
ground floor and helped him off with his overcoat than the wheezy hall-door
bell clanged again and she had to scamper along the bare hallway to let in
another guest. It was well for her she had not to attend to the ladies also.
But Miss Kate and Miss Julia had thought of that and had converted the bathroom
upstairs into a ladies’ dressing-room. Miss Kate and Miss Julia were
there, gossiping and laughing and fussing, walking after each other to the head
of the stairs, peering down over the banisters and calling down to Lily to ask
her who had come.</p>
<p>It was always a great affair, the Misses Morkan’s annual dance. Everybody
who knew them came to it, members of the family, old friends of the family, the
members of Julia’s choir, any of Kate’s pupils that were grown up
enough, and even some of Mary Jane’s pupils too. Never once had it fallen
flat. For years and years it had gone off in splendid style as long as anyone
could remember; ever since Kate and Julia, after the death of their brother
Pat, had left the house in Stoney Batter and taken Mary Jane, their only niece,
to live with them in the dark gaunt house on Usher’s Island, the upper
part of which they had rented from Mr Fulham, the corn-factor on the ground
floor. That was a good thirty years ago if it was a day. Mary Jane, who was
then a little girl in short clothes, was now the main prop of the household,
for she had the organ in Haddington Road. She had been through the Academy and
gave a pupils’ concert every year in the upper room of the Antient
Concert Rooms. Many of her pupils belonged to the better-class families on the
Kingstown and Dalkey line. Old as they were, her aunts also did their share.
Julia, though she was quite grey, was still the leading soprano in Adam and
Eve’s, and Kate, being too feeble to go about much, gave music lessons to
beginners on the old square piano in the back room. Lily, the caretaker’s
daughter, did housemaid’s work for them. Though their life was modest
they believed in eating well; the best of everything: diamond-bone sirloins,
three-shilling tea and the best bottled stout. But Lily seldom made a mistake
in the orders so that she got on well with her three mistresses. They were
fussy, that was all. But the only thing they would not stand was back answers.</p>
<p>Of course they had good reason to be fussy on such a night. And then it was
long after ten o’clock and yet there was no sign of Gabriel and his wife.
Besides they were dreadfully afraid that Freddy Malins might turn up screwed.
They would not wish for worlds that any of Mary Jane’s pupils should see
him under the influence; and when he was like that it was sometimes very hard
to manage him. Freddy Malins always came late but they wondered what could be
keeping Gabriel: and that was what brought them every two minutes to the
banisters to ask Lily had Gabriel or Freddy come.</p>
<p>“O, Mr Conroy,” said Lily to Gabriel when she opened the door for
him, “Miss Kate and Miss Julia thought you were never coming. Good-night,
Mrs Conroy.”</p>
<p>“I’ll engage they did,” said Gabriel, “but they forget
that my wife here takes three mortal hours to dress herself.”</p>
<p>He stood on the mat, scraping the snow from his goloshes, while Lily led his
wife to the foot of the stairs and called out:</p>
<p>“Miss Kate, here’s Mrs Conroy.”</p>
<p>Kate and Julia came toddling down the dark stairs at once. Both of them kissed
Gabriel’s wife, said she must be perished alive and asked was Gabriel
with her.</p>
<p>“Here I am as right as the mail, Aunt Kate! Go on up. I’ll
follow,” called out Gabriel from the dark.</p>
<p>He continued scraping his feet vigorously while the three women went upstairs,
laughing, to the ladies’ dressing-room. A light fringe of snow lay like a
cape on the shoulders of his overcoat and like toecaps on the toes of his
goloshes; and, as the buttons of his overcoat slipped with a squeaking noise
through the snow-stiffened frieze, a cold, fragrant air from out-of-doors
escaped from crevices and folds.</p>
<p>“Is it snowing again, Mr Conroy?” asked Lily.</p>
<p>She had preceded him into the pantry to help him off with his overcoat. Gabriel
smiled at the three syllables she had given his surname and glanced at her. She
was a slim, growing girl, pale in complexion and with hay-coloured hair. The
gas in the pantry made her look still paler. Gabriel had known her when she was
a child and used to sit on the lowest step nursing a rag doll.</p>
<p>“Yes, Lily,” he answered, “and I think we’re in for a
night of it.”</p>
<p>He looked up at the pantry ceiling, which was shaking with the stamping and
shuffling of feet on the floor above, listened for a moment to the piano and
then glanced at the girl, who was folding his overcoat carefully at the end of
a shelf.</p>
<p>“Tell me, Lily,” he said in a friendly tone, “do you still go
to school?”</p>
<p>“O no, sir,” she answered. “I’m done schooling this
year and more.”</p>
<p>“O, then,” said Gabriel gaily, “I suppose we’ll be
going to your wedding one of these fine days with your young man, eh?”</p>
<p>The girl glanced back at him over her shoulder and said with great bitterness:</p>
<p>“The men that is now is only all palaver and what they can get out of
you.”</p>
<p>Gabriel coloured as if he felt he had made a mistake and, without looking at
her, kicked off his goloshes and flicked actively with his muffler at his
patent-leather shoes.</p>
<p>He was a stout tallish young man. The high colour of his cheeks pushed upwards
even to his forehead where it scattered itself in a few formless patches of
pale red; and on his hairless face there scintillated restlessly the polished
lenses and the bright gilt rims of the glasses which screened his delicate and
restless eyes. His glossy black hair was parted in the middle and brushed in a
long curve behind his ears where it curled slightly beneath the groove left by
his hat.</p>
<p>When he had flicked lustre into his shoes he stood up and pulled his waistcoat
down more tightly on his plump body. Then he took a coin rapidly from his
pocket.</p>
<p>“O Lily,” he said, thrusting it into her hands, “it’s
Christmas-time, isn’t it? Just ... here’s a little....”</p>
<p>He walked rapidly towards the door.</p>
<p>“O no, sir!” cried the girl, following him. “Really, sir, I
wouldn’t take it.”</p>
<p>“Christmas-time! Christmas-time!” said Gabriel, almost trotting to
the stairs and waving his hand to her in deprecation.</p>
<p>The girl, seeing that he had gained the stairs, called out after him:</p>
<p>“Well, thank you, sir.”</p>
<p>He waited outside the drawing-room door until the waltz should finish,
listening to the skirts that swept against it and to the shuffling of feet. He
was still discomposed by the girl’s bitter and sudden retort. It had cast
a gloom over him which he tried to dispel by arranging his cuffs and the bows
of his tie. He then took from his waistcoat pocket a little paper and glanced
at the headings he had made for his speech. He was undecided about the lines
from Robert Browning for he feared they would be above the heads of his
hearers. Some quotation that they would recognise from Shakespeare or from the
Melodies would be better. The indelicate clacking of the men’s heels and
the shuffling of their soles reminded him that their grade of culture differed
from his. He would only make himself ridiculous by quoting poetry to them which
they could not understand. They would think that he was airing his superior
education. He would fail with them just as he had failed with the girl in the
pantry. He had taken up a wrong tone. His whole speech was a mistake from first
to last, an utter failure.</p>
<p>Just then his aunts and his wife came out of the ladies’ dressing-room.
His aunts were two small plainly dressed old women. Aunt Julia was an inch or
so the taller. Her hair, drawn low over the tops of her ears, was grey; and
grey also, with darker shadows, was her large flaccid face. Though she was
stout in build and stood erect her slow eyes and parted lips gave her the
appearance of a woman who did not know where she was or where she was going.
Aunt Kate was more vivacious. Her face, healthier than her sister’s, was
all puckers and creases, like a shrivelled red apple, and her hair, braided in
the same old-fashioned way, had not lost its ripe nut colour.</p>
<p>They both kissed Gabriel frankly. He was their favourite nephew, the son of
their dead elder sister, Ellen, who had married T. J. Conroy of the Port and
Docks.</p>
<p>“Gretta tells me you’re not going to take a cab back to Monkstown
tonight, Gabriel,” said Aunt Kate.</p>
<p>“No,” said Gabriel, turning to his wife, “we had quite enough
of that last year, hadn’t we? Don’t you remember, Aunt Kate, what a
cold Gretta got out of it? Cab windows rattling all the way, and the east wind
blowing in after we passed Merrion. Very jolly it was. Gretta caught a dreadful
cold.”</p>
<p>Aunt Kate frowned severely and nodded her head at every word.</p>
<p>“Quite right, Gabriel, quite right,” she said. “You
can’t be too careful.”</p>
<p>“But as for Gretta there,” said Gabriel, “she’d walk
home in the snow if she were let.”</p>
<p>Mrs Conroy laughed.</p>
<p>“Don’t mind him, Aunt Kate,” she said. “He’s
really an awful bother, what with green shades for Tom’s eyes at night
and making him do the dumb-bells, and forcing Eva to eat the stirabout. The
poor child! And she simply hates the sight of it!... O, but you’ll never
guess what he makes me wear now!”</p>
<p>She broke out into a peal of laughter and glanced at her husband, whose
admiring and happy eyes had been wandering from her dress to her face and hair.
The two aunts laughed heartily too, for Gabriel’s solicitude was a
standing joke with them.</p>
<p>“Goloshes!” said Mrs Conroy. “That’s the latest.
Whenever it’s wet underfoot I must put on my goloshes. Tonight even he
wanted me to put them on, but I wouldn’t. The next thing he’ll buy
me will be a diving suit.”</p>
<p>Gabriel laughed nervously and patted his tie reassuringly while Aunt Kate
nearly doubled herself, so heartily did she enjoy the joke. The smile soon
faded from Aunt Julia’s face and her mirthless eyes were directed towards
her nephew’s face. After a pause she asked:</p>
<p>“And what are goloshes, Gabriel?”</p>
<p>“Goloshes, Julia!” exclaimed her sister. “Goodness me,
don’t you know what goloshes are? You wear them over your ... over your
boots, Gretta, isn’t it?”</p>
<p>“Yes,” said Mrs Conroy. “Guttapercha things. We both have a
pair now. Gabriel says everyone wears them on the continent.”</p>
<p>“O, on the continent,” murmured Aunt Julia, nodding her head
slowly.</p>
<p>Gabriel knitted his brows and said, as if he were slightly angered:</p>
<p>“It’s nothing very wonderful but Gretta thinks it very funny
because she says the word reminds her of Christy Minstrels.”</p>
<p>“But tell me, Gabriel,” said Aunt Kate, with brisk tact. “Of
course, you’ve seen about the room. Gretta was saying....”</p>
<p>“O, the room is all right,” replied Gabriel. “I’ve
taken one in the Gresham.”</p>
<p>“To be sure,” said Aunt Kate, “by far the best thing to do.
And the children, Gretta, you’re not anxious about them?”</p>
<p>“O, for one night,” said Mrs Conroy. “Besides, Bessie will
look after them.”</p>
<p>“To be sure,” said Aunt Kate again. “What a comfort it is to
have a girl like that, one you can depend on! There’s that Lily,
I’m sure I don’t know what has come over her lately. She’s
not the girl she was at all.”</p>
<p>Gabriel was about to ask his aunt some questions on this point but she broke
off suddenly to gaze after her sister who had wandered down the stairs and was
craning her neck over the banisters.</p>
<p>“Now, I ask you,” she said almost testily, “where is Julia
going? Julia! Julia! Where are you going?”</p>
<p>Julia, who had gone half way down one flight, came back and announced blandly:</p>
<p>“Here’s Freddy.”</p>
<p>At the same moment a clapping of hands and a final flourish of the pianist told
that the waltz had ended. The drawing-room door was opened from within and some
couples came out. Aunt Kate drew Gabriel aside hurriedly and whispered into his
ear:</p>
<p>“Slip down, Gabriel, like a good fellow and see if he’s all right,
and don’t let him up if he’s screwed. I’m sure he’s
screwed. I’m sure he is.”</p>
<p>Gabriel went to the stairs and listened over the banisters. He could hear two
persons talking in the pantry. Then he recognised Freddy Malins’ laugh.
He went down the stairs noisily.</p>
<p>“It’s such a relief,” said Aunt Kate to Mrs Conroy,
“that Gabriel is here. I always feel easier in my mind when he’s
here.... Julia, there’s Miss Daly and Miss Power will take some
refreshment. Thanks for your beautiful waltz, Miss Daly. It made lovely
time.”</p>
<p>A tall wizen-faced man, with a stiff grizzled moustache and swarthy skin, who
was passing out with his partner said:</p>
<p>“And may we have some refreshment, too, Miss Morkan?”</p>
<p>“Julia,” said Aunt Kate summarily, “and here’s Mr
Browne and Miss Furlong. Take them in, Julia, with Miss Daly and Miss
Power.”</p>
<p>“I’m the man for the ladies,” said Mr Browne, pursing his
lips until his moustache bristled and smiling in all his wrinkles. “You
know, Miss Morkan, the reason they are so fond of me is——”</p>
<p>He did not finish his sentence, but, seeing that Aunt Kate was out of earshot,
at once led the three young ladies into the back room. The middle of the room
was occupied by two square tables placed end to end, and on these Aunt Julia
and the caretaker were straightening and smoothing a large cloth. On the
sideboard were arrayed dishes and plates, and glasses and bundles of knives and
forks and spoons. The top of the closed square piano served also as a sideboard
for viands and sweets. At a smaller sideboard in one corner two young men were
standing, drinking hop-bitters.</p>
<p>Mr Browne led his charges thither and invited them all, in jest, to some
ladies’ punch, hot, strong and sweet. As they said they never took
anything strong he opened three bottles of lemonade for them. Then he asked one
of the young men to move aside, and, taking hold of the decanter, filled out
for himself a goodly measure of whisky. The young men eyed him respectfully
while he took a trial sip.</p>
<p>“God help me,” he said, smiling, “it’s the
doctor’s orders.”</p>
<p>His wizened face broke into a broader smile, and the three young ladies laughed
in musical echo to his pleasantry, swaying their bodies to and fro, with
nervous jerks of their shoulders. The boldest said:</p>
<p>“O, now, Mr Browne, I’m sure the doctor never ordered anything of
the kind.”</p>
<p>Mr Browne took another sip of his whisky and said, with sidling mimicry:</p>
<p>“Well, you see, I’m like the famous Mrs Cassidy, who is reported to
have said: ‘Now, Mary Grimes, if I don’t take it, make me take it,
for I feel I want it.’”</p>
<p>His hot face had leaned forward a little too confidentially and he had assumed
a very low Dublin accent so that the young ladies, with one instinct, received
his speech in silence. Miss Furlong, who was one of Mary Jane’s pupils,
asked Miss Daly what was the name of the pretty waltz she had played; and Mr
Browne, seeing that he was ignored, turned promptly to the two young men who
were more appreciative.</p>
<p>A red-faced young woman, dressed in pansy, came into the room, excitedly
clapping her hands and crying:</p>
<p>“Quadrilles! Quadrilles!”</p>
<p>Close on her heels came Aunt Kate, crying:</p>
<p>“Two gentlemen and three ladies, Mary Jane!”</p>
<p>“O, here’s Mr Bergin and Mr Kerrigan,” said Mary Jane.
“Mr Kerrigan, will you take Miss Power? Miss Furlong, may I get you a
partner, Mr Bergin. O, that’ll just do now.”</p>
<p>“Three ladies, Mary Jane,” said Aunt Kate.</p>
<p>The two young gentlemen asked the ladies if they might have the pleasure, and
Mary Jane turned to Miss Daly.</p>
<p>“O, Miss Daly, you’re really awfully good, after playing for the
last two dances, but really we’re so short of ladies tonight.”</p>
<p>“I don’t mind in the least, Miss Morkan.”</p>
<p>“But I’ve a nice partner for you, Mr Bartell D’Arcy, the
tenor. I’ll get him to sing later on. All Dublin is raving about
him.”</p>
<p>“Lovely voice, lovely voice!” said Aunt Kate.</p>
<p>As the piano had twice begun the prelude to the first figure Mary Jane led her
recruits quickly from the room. They had hardly gone when Aunt Julia wandered
slowly into the room, looking behind her at something.</p>
<p>“What is the matter, Julia?” asked Aunt Kate anxiously. “Who
is it?”</p>
<p>Julia, who was carrying in a column of table-napkins, turned to her sister and
said, simply, as if the question had surprised her:</p>
<p>“It’s only Freddy, Kate, and Gabriel with him.”</p>
<p>In fact right behind her Gabriel could be seen piloting Freddy Malins across
the landing. The latter, a young man of about forty, was of Gabriel’s
size and build, with very round shoulders. His face was fleshy and pallid,
touched with colour only at the thick hanging lobes of his ears and at the wide
wings of his nose. He had coarse features, a blunt nose, a convex and receding
brow, tumid and protruded lips. His heavy-lidded eyes and the disorder of his
scanty hair made him look sleepy. He was laughing heartily in a high key at a
story which he had been telling Gabriel on the stairs and at the same time
rubbing the knuckles of his left fist backwards and forwards into his left eye.</p>
<p>“Good-evening, Freddy,” said Aunt Julia.</p>
<p>Freddy Malins bade the Misses Morkan good-evening in what seemed an offhand
fashion by reason of the habitual catch in his voice and then, seeing that Mr
Browne was grinning at him from the sideboard, crossed the room on rather shaky
legs and began to repeat in an undertone the story he had just told to Gabriel.</p>
<p>“He’s not so bad, is he?” said Aunt Kate to Gabriel.</p>
<p>Gabriel’s brows were dark but he raised them quickly and answered:</p>
<p>“O, no, hardly noticeable.”</p>
<p>“Now, isn’t he a terrible fellow!” she said. “And his
poor mother made him take the pledge on New Year’s Eve. But come on,
Gabriel, into the drawing-room.”</p>
<p>Before leaving the room with Gabriel she signalled to Mr Browne by frowning and
shaking her forefinger in warning to and fro. Mr Browne nodded in answer and,
when she had gone, said to Freddy Malins:</p>
<p>“Now, then, Teddy, I’m going to fill you out a good glass of
lemonade just to buck you up.”</p>
<p>Freddy Malins, who was nearing the climax of his story, waved the offer aside
impatiently but Mr Browne, having first called Freddy Malins’ attention
to a disarray in his dress, filled out and handed him a full glass of lemonade.
Freddy Malins’ left hand accepted the glass mechanically, his right hand
being engaged in the mechanical readjustment of his dress. Mr Browne, whose
face was once more wrinkling with mirth, poured out for himself a glass of
whisky while Freddy Malins exploded, before he had well reached the climax of
his story, in a kink of high-pitched bronchitic laughter and, setting down his
untasted and overflowing glass, began to rub the knuckles of his left fist
backwards and forwards into his left eye, repeating words of his last phrase as
well as his fit of laughter would allow him.</p>
<hr class="small" />
<p>Gabriel could not listen while Mary Jane was playing her Academy piece, full of
runs and difficult passages, to the hushed drawing-room. He liked music but the
piece she was playing had no melody for him and he doubted whether it had any
melody for the other listeners, though they had begged Mary Jane to play
something. Four young men, who had come from the refreshment-room to stand in
the doorway at the sound of the piano, had gone away quietly in couples after a
few minutes. The only persons who seemed to follow the music were Mary Jane
herself, her hands racing along the keyboard or lifted from it at the pauses
like those of a priestess in momentary imprecation, and Aunt Kate standing at
her elbow to turn the page.</p>
<p>Gabriel’s eyes, irritated by the floor, which glittered with beeswax
under the heavy chandelier, wandered to the wall above the piano. A picture of
the balcony scene in <i>Romeo and Juliet</i> hung there and beside it was a
picture of the two murdered princes in the Tower which Aunt Julia had worked in
red, blue and brown wools when she was a girl. Probably in the school they had
gone to as girls that kind of work had been taught for one year. His mother had
worked for him as a birthday present a waistcoat of purple tabinet, with little
foxes’ heads upon it, lined with brown satin and having round mulberry
buttons. It was strange that his mother had had no musical talent though Aunt
Kate used to call her the brains carrier of the Morkan family. Both she and
Julia had always seemed a little proud of their serious and matronly sister.
Her photograph stood before the pierglass. She held an open book on her knees
and was pointing out something in it to Constantine who, dressed in a
man-o’-war suit, lay at her feet. It was she who had chosen the name of
her sons for she was very sensible of the dignity of family life. Thanks to
her, Constantine was now senior curate in Balbrigan and, thanks to her, Gabriel
himself had taken his degree in the Royal University. A shadow passed over his
face as he remembered her sullen opposition to his marriage. Some slighting
phrases she had used still rankled in his memory; she had once spoken of Gretta
as being country cute and that was not true of Gretta at all. It was Gretta who
had nursed her during all her last long illness in their house at Monkstown.</p>
<p>He knew that Mary Jane must be near the end of her piece for she was playing
again the opening melody with runs of scales after every bar and while he
waited for the end the resentment died down in his heart. The piece ended with
a trill of octaves in the treble and a final deep octave in the bass. Great
applause greeted Mary Jane as, blushing and rolling up her music nervously, she
escaped from the room. The most vigorous clapping came from the four young men
in the doorway who had gone away to the refreshment-room at the beginning of
the piece but had come back when the piano had stopped.</p>
<p>Lancers were arranged. Gabriel found himself partnered with Miss Ivors. She was
a frank-mannered talkative young lady, with a freckled face and prominent brown
eyes. She did not wear a low-cut bodice and the large brooch which was fixed in
the front of her collar bore on it an Irish device and motto.</p>
<p>When they had taken their places she said abruptly:</p>
<p>“I have a crow to pluck with you.”</p>
<p>“With me?” said Gabriel.</p>
<p>She nodded her head gravely.</p>
<p>“What is it?” asked Gabriel, smiling at her solemn manner.</p>
<p>“Who is G. C.?” answered Miss Ivors, turning her eyes upon him.</p>
<p>Gabriel coloured and was about to knit his brows, as if he did not understand,
when she said bluntly:</p>
<p>“O, innocent Amy! I have found out that you write for <i>The Daily
Express</i>. Now, aren’t you ashamed of yourself?”</p>
<p>“Why should I be ashamed of myself?” asked Gabriel, blinking his
eyes and trying to smile.</p>
<p>“Well, I’m ashamed of you,” said Miss Ivors frankly.
“To say you’d write for a paper like that. I didn’t think you
were a West Briton.”</p>
<p>A look of perplexity appeared on Gabriel’s face. It was true that he
wrote a literary column every Wednesday in <i>The Daily Express</i>, for which
he was paid fifteen shillings. But that did not make him a West Briton surely.
The books he received for review were almost more welcome than the paltry
cheque. He loved to feel the covers and turn over the pages of newly printed
books. Nearly every day when his teaching in the college was ended he used to
wander down the quays to the second-hand booksellers, to Hickey’s on
Bachelor’s Walk, to Webb’s or Massey’s on Aston’s Quay,
or to O’Clohissey’s in the by-street. He did not know how to meet
her charge. He wanted to say that literature was above politics. But they were
friends of many years’ standing and their careers had been parallel,
first at the university and then as teachers: he could not risk a grandiose
phrase with her. He continued blinking his eyes and trying to smile and
murmured lamely that he saw nothing political in writing reviews of books.</p>
<p>When their turn to cross had come he was still perplexed and inattentive. Miss
Ivors promptly took his hand in a warm grasp and said in a soft friendly tone:</p>
<p>“Of course, I was only joking. Come, we cross now.”</p>
<p>When they were together again she spoke of the University question and Gabriel
felt more at ease. A friend of hers had shown her his review of
Browning’s poems. That was how she had found out the secret: but she
liked the review immensely. Then she said suddenly:</p>
<p>“O, Mr Conroy, will you come for an excursion to the Aran Isles this
summer? We’re going to stay there a whole month. It will be splendid out
in the Atlantic. You ought to come. Mr Clancy is coming, and Mr Kilkelly and
Kathleen Kearney. It would be splendid for Gretta too if she’d come.
She’s from Connacht, isn’t she?”</p>
<p>“Her people are,” said Gabriel shortly.</p>
<p>“But you will come, won’t you?” said Miss Ivors, laying her
warm hand eagerly on his arm.</p>
<p>“The fact is,” said Gabriel, “I have just arranged to
go——”</p>
<p>“Go where?” asked Miss Ivors.</p>
<p>“Well, you know, every year I go for a cycling tour with some fellows and
so——”</p>
<p>“But where?” asked Miss Ivors.</p>
<p>“Well, we usually go to France or Belgium or perhaps Germany,” said
Gabriel awkwardly.</p>
<p>“And why do you go to France and Belgium,” said Miss Ivors,
“instead of visiting your own land?”</p>
<p>“Well,” said Gabriel, “it’s partly to keep in touch
with the languages and partly for a change.”</p>
<p>“And haven’t you your own language to keep in touch
with—Irish?” asked Miss Ivors.</p>
<p>“Well,” said Gabriel, “if it comes to that, you know, Irish
is not my language.”</p>
<p>Their neighbours had turned to listen to the cross-examination. Gabriel glanced
right and left nervously and tried to keep his good humour under the ordeal
which was making a blush invade his forehead.</p>
<p>“And haven’t you your own land to visit,” continued Miss
Ivors, “that you know nothing of, your own people, and your own
country?”</p>
<p>“O, to tell you the truth,” retorted Gabriel suddenly,
“I’m sick of my own country, sick of it!”</p>
<p>“Why?” asked Miss Ivors.</p>
<p>Gabriel did not answer for his retort had heated him.</p>
<p>“Why?” repeated Miss Ivors.</p>
<p>They had to go visiting together and, as he had not answered her, Miss Ivors
said warmly:</p>
<p>“Of course, you’ve no answer.”</p>
<p>Gabriel tried to cover his agitation by taking part in the dance with great
energy. He avoided her eyes for he had seen a sour expression on her face. But
when they met in the long chain he was surprised to feel his hand firmly
pressed. She looked at him from under her brows for a moment quizzically until
he smiled. Then, just as the chain was about to start again, she stood on
tiptoe and whispered into his ear:</p>
<p>“West Briton!”</p>
<p>When the lancers were over Gabriel went away to a remote corner of the room
where Freddy Malins’ mother was sitting. She was a stout feeble old woman
with white hair. Her voice had a catch in it like her son’s and she
stuttered slightly. She had been told that Freddy had come and that he was
nearly all right. Gabriel asked her whether she had had a good crossing. She
lived with her married daughter in Glasgow and came to Dublin on a visit once a
year. She answered placidly that she had had a beautiful crossing and that the
captain had been most attentive to her. She spoke also of the beautiful house
her daughter kept in Glasgow, and of all the friends they had there. While her
tongue rambled on Gabriel tried to banish from his mind all memory of the
unpleasant incident with Miss Ivors. Of course the girl or woman, or whatever
she was, was an enthusiast but there was a time for all things. Perhaps he
ought not to have answered her like that. But she had no right to call him a
West Briton before people, even in joke. She had tried to make him ridiculous
before people, heckling him and staring at him with her rabbit’s eyes.</p>
<p>He saw his wife making her way towards him through the waltzing couples. When
she reached him she said into his ear:</p>
<p>“Gabriel, Aunt Kate wants to know won’t you carve the goose as
usual. Miss Daly will carve the ham and I’ll do the pudding.”</p>
<p>“All right,” said Gabriel.</p>
<p>“She’s sending in the younger ones first as soon as this waltz is
over so that we’ll have the table to ourselves.”</p>
<p>“Were you dancing?” asked Gabriel.</p>
<p>“Of course I was. Didn’t you see me? What row had you with Molly
Ivors?”</p>
<p>“No row. Why? Did she say so?”</p>
<p>“Something like that. I’m trying to get that Mr D’Arcy to
sing. He’s full of conceit, I think.”</p>
<p>“There was no row,” said Gabriel moodily, “only she wanted me
to go for a trip to the west of Ireland and I said I wouldn’t.”</p>
<p>His wife clasped her hands excitedly and gave a little jump.</p>
<p>“O, do go, Gabriel,” she cried. “I’d love to see Galway
again.”</p>
<p>“You can go if you like,” said Gabriel coldly.</p>
<p>She looked at him for a moment, then turned to Mrs Malins and said:</p>
<p>“There’s a nice husband for you, Mrs Malins.”</p>
<p>While she was threading her way back across the room Mrs Malins, without
adverting to the interruption, went on to tell Gabriel what beautiful places
there were in Scotland and beautiful scenery. Her son-in-law brought them every
year to the lakes and they used to go fishing. Her son-in-law was a splendid
fisher. One day he caught a beautiful big fish and the man in the hotel cooked
it for their dinner.</p>
<p>Gabriel hardly heard what she said. Now that supper was coming near he began to
think again about his speech and about the quotation. When he saw Freddy Malins
coming across the room to visit his mother Gabriel left the chair free for him
and retired into the embrasure of the window. The room had already cleared and
from the back room came the clatter of plates and knives. Those who still
remained in the drawing-room seemed tired of dancing and were conversing
quietly in little groups. Gabriel’s warm trembling fingers tapped the
cold pane of the window. How cool it must be outside! How pleasant it would be
to walk out alone, first along by the river and then through the park! The snow
would be lying on the branches of the trees and forming a bright cap on the top
of the Wellington Monument. How much more pleasant it would be there than at
the supper-table!</p>
<p>He ran over the headings of his speech: Irish hospitality, sad memories, the
Three Graces, Paris, the quotation from Browning. He repeated to himself a
phrase he had written in his review: “One feels that one is listening to
a thought-tormented music.” Miss Ivors had praised the review. Was she
sincere? Had she really any life of her own behind all her propagandism? There
had never been any ill-feeling between them until that night. It unnerved him
to think that she would be at the supper-table, looking up at him while he
spoke with her critical quizzing eyes. Perhaps she would not be sorry to see
him fail in his speech. An idea came into his mind and gave him courage. He
would say, alluding to Aunt Kate and Aunt Julia: “Ladies and Gentlemen,
the generation which is now on the wane among us may have had its faults but
for my part I think it had certain qualities of hospitality, of humour, of
humanity, which the new and very serious and hypereducated generation that is
growing up around us seems to me to lack.” Very good: that was one for
Miss Ivors. What did he care that his aunts were only two ignorant old women?</p>
<p>A murmur in the room attracted his attention. Mr Browne was advancing from the
door, gallantly escorting Aunt Julia, who leaned upon his arm, smiling and
hanging her head. An irregular musketry of applause escorted her also as far as
the piano and then, as Mary Jane seated herself on the stool, and Aunt Julia,
no longer smiling, half turned so as to pitch her voice fairly into the room,
gradually ceased. Gabriel recognised the prelude. It was that of an old song of
Aunt Julia’s—<i>Arrayed for the Bridal</i>. Her voice, strong and
clear in tone, attacked with great spirit the runs which embellish the air and
though she sang very rapidly she did not miss even the smallest of the grace
notes. To follow the voice, without looking at the singer’s face, was to
feel and share the excitement of swift and secure flight. Gabriel applauded
loudly with all the others at the close of the song and loud applause was borne
in from the invisible supper-table. It sounded so genuine that a little colour
struggled into Aunt Julia’s face as she bent to replace in the
music-stand the old leather-bound songbook that had her initials on the cover.
Freddy Malins, who had listened with his head perched sideways to hear her
better, was still applauding when everyone else had ceased and talking
animatedly to his mother who nodded her head gravely and slowly in
acquiescence. At last, when he could clap no more, he stood up suddenly and
hurried across the room to Aunt Julia whose hand he seized and held in both his
hands, shaking it when words failed him or the catch in his voice proved too
much for him.</p>
<p>“I was just telling my mother,” he said, “I never heard you
sing so well, never. No, I never heard your voice so good as it is tonight.
Now! Would you believe that now? That’s the truth. Upon my word and
honour that’s the truth. I never heard your voice sound so fresh and so
... so clear and fresh, never.”</p>
<p>Aunt Julia smiled broadly and murmured something about compliments as she
released her hand from his grasp. Mr Browne extended his open hand towards her
and said to those who were near him in the manner of a showman introducing a
prodigy to an audience:</p>
<p>“Miss Julia Morkan, my latest discovery!”</p>
<p>He was laughing very heartily at this himself when Freddy Malins turned to him
and said:</p>
<p>“Well, Browne, if you’re serious you might make a worse discovery.
All I can say is I never heard her sing half so well as long as I am coming
here. And that’s the honest truth.”</p>
<p>“Neither did I,” said Mr Browne. “I think her voice has
greatly improved.”</p>
<p>Aunt Julia shrugged her shoulders and said with meek pride:</p>
<p>“Thirty years ago I hadn’t a bad voice as voices go.”</p>
<p>“I often told Julia,” said Aunt Kate emphatically, “that she
was simply thrown away in that choir. But she never would be said by me.”</p>
<p>She turned as if to appeal to the good sense of the others against a refractory
child while Aunt Julia gazed in front of her, a vague smile of reminiscence
playing on her face.</p>
<p>“No,” continued Aunt Kate, “she wouldn’t be said or led
by anyone, slaving there in that choir night and day, night and day. Six
o’clock on Christmas morning! And all for what?”</p>
<p>“Well, isn’t it for the honour of God, Aunt Kate?” asked Mary
Jane, twisting round on the piano-stool and smiling.</p>
<p>Aunt Kate turned fiercely on her niece and said:</p>
<p>“I know all about the honour of God, Mary Jane, but I think it’s
not at all honourable for the pope to turn out the women out of the choirs that
have slaved there all their lives and put little whipper-snappers of boys over
their heads. I suppose it is for the good of the Church if the pope does it.
But it’s not just, Mary Jane, and it’s not right.”</p>
<p>She had worked herself into a passion and would have continued in defence of
her sister for it was a sore subject with her but Mary Jane, seeing that all
the dancers had come back, intervened pacifically:</p>
<p>“Now, Aunt Kate, you’re giving scandal to Mr Browne who is of the
other persuasion.”</p>
<p>Aunt Kate turned to Mr Browne, who was grinning at this allusion to his
religion, and said hastily:</p>
<p>“O, I don’t question the pope’s being right. I’m only a
stupid old woman and I wouldn’t presume to do such a thing. But
there’s such a thing as common everyday politeness and gratitude. And if
I were in Julia’s place I’d tell that Father Healey straight up to
his face....”</p>
<p>“And besides, Aunt Kate,” said Mary Jane, “we really are all
hungry and when we are hungry we are all very quarrelsome.”</p>
<p>“And when we are thirsty we are also quarrelsome,” added Mr Browne.</p>
<p>“So that we had better go to supper,” said Mary Jane, “and
finish the discussion afterwards.”</p>
<p>On the landing outside the drawing-room Gabriel found his wife and Mary Jane
trying to persuade Miss Ivors to stay for supper. But Miss Ivors, who had put
on her hat and was buttoning her cloak, would not stay. She did not feel in the
least hungry and she had already overstayed her time.</p>
<p>“But only for ten minutes, Molly,” said Mrs Conroy. “That
won’t delay you.”</p>
<p>“To take a pick itself,” said Mary Jane, “after all your
dancing.”</p>
<p>“I really couldn’t,” said Miss Ivors.</p>
<p>“I am afraid you didn’t enjoy yourself at all,” said Mary
Jane hopelessly.</p>
<p>“Ever so much, I assure you,” said Miss Ivors, “but you
really must let me run off now.”</p>
<p>“But how can you get home?” asked Mrs Conroy.</p>
<p>“O, it’s only two steps up the quay.”</p>
<p>Gabriel hesitated a moment and said:</p>
<p>“If you will allow me, Miss Ivors, I’ll see you home if you are
really obliged to go.”</p>
<p>But Miss Ivors broke away from them.</p>
<p>“I won’t hear of it,” she cried. “For goodness’
sake go in to your suppers and don’t mind me. I’m quite well able
to take care of myself.”</p>
<p>“Well, you’re the comical girl, Molly,” said Mrs Conroy
frankly.</p>
<p>“<i>Beannacht libh</i>,” cried Miss Ivors, with a laugh, as she ran
down the staircase.</p>
<p>Mary Jane gazed after her, a moody puzzled expression on her face, while Mrs
Conroy leaned over the banisters to listen for the hall-door. Gabriel asked
himself was he the cause of her abrupt departure. But she did not seem to be in
ill humour: she had gone away laughing. He stared blankly down the staircase.</p>
<p>At the moment Aunt Kate came toddling out of the supper-room, almost wringing
her hands in despair.</p>
<p>“Where is Gabriel?” she cried. “Where on earth is Gabriel?
There’s everyone waiting in there, stage to let, and nobody to carve the
goose!”</p>
<p>“Here I am, Aunt Kate!” cried Gabriel, with sudden animation,
“ready to carve a flock of geese, if necessary.”</p>
<p>A fat brown goose lay at one end of the table and at the other end, on a bed of
creased paper strewn with sprigs of parsley, lay a great ham, stripped of its
outer skin and peppered over with crust crumbs, a neat paper frill round its
shin and beside this was a round of spiced beef. Between these rival ends ran
parallel lines of side-dishes: two little minsters of jelly, red and yellow; a
shallow dish full of blocks of blancmange and red jam, a large green
leaf-shaped dish with a stalk-shaped handle, on which lay bunches of purple
raisins and peeled almonds, a companion dish on which lay a solid rectangle of
Smyrna figs, a dish of custard topped with grated nutmeg, a small bowl full of
chocolates and sweets wrapped in gold and silver papers and a glass vase in
which stood some tall celery stalks. In the centre of the table there stood, as
sentries to a fruit-stand which upheld a pyramid of oranges and American
apples, two squat old-fashioned decanters of cut glass, one containing port and
the other dark sherry. On the closed square piano a pudding in a huge yellow
dish lay in waiting and behind it were three squads of bottles of stout and ale
and minerals, drawn up according to the colours of their uniforms, the first
two black, with brown and red labels, the third and smallest squad white, with
transverse green sashes.</p>
<p>Gabriel took his seat boldly at the head of the table and, having looked to the
edge of the carver, plunged his fork firmly into the goose. He felt quite at
ease now for he was an expert carver and liked nothing better than to find
himself at the head of a well-laden table.</p>
<p>“Miss Furlong, what shall I send you?” he asked. “A wing or a
slice of the breast?”</p>
<p>“Just a small slice of the breast.”</p>
<p>“Miss Higgins, what for you?”</p>
<p>“O, anything at all, Mr Conroy.”</p>
<p>While Gabriel and Miss Daly exchanged plates of goose and plates of ham and
spiced beef Lily went from guest to guest with a dish of hot floury potatoes
wrapped in a white napkin. This was Mary Jane’s idea and she had also
suggested apple sauce for the goose but Aunt Kate had said that plain roast
goose without any apple sauce had always been good enough for her and she hoped
she might never eat worse. Mary Jane waited on her pupils and saw that they got
the best slices and Aunt Kate and Aunt Julia opened and carried across from the
piano bottles of stout and ale for the gentlemen and bottles of minerals for
the ladies. There was a great deal of confusion and laughter and noise, the
noise of orders and counter-orders, of knives and forks, of corks and
glass-stoppers. Gabriel began to carve second helpings as soon as he had
finished the first round without serving himself. Everyone protested loudly so
that he compromised by taking a long draught of stout for he had found the
carving hot work. Mary Jane settled down quietly to her supper but Aunt Kate
and Aunt Julia were still toddling round the table, walking on each
other’s heels, getting in each other’s way and giving each other
unheeded orders. Mr Browne begged of them to sit down and eat their suppers and
so did Gabriel but they said they were time enough so that, at last, Freddy
Malins stood up and, capturing Aunt Kate, plumped her down on her chair amid
general laughter.</p>
<p>When everyone had been well served Gabriel said, smiling:</p>
<p>“Now, if anyone wants a little more of what vulgar people call stuffing
let him or her speak.”</p>
<p>A chorus of voices invited him to begin his own supper and Lily came forward
with three potatoes which she had reserved for him.</p>
<p>“Very well,” said Gabriel amiably, as he took another preparatory
draught, “kindly forget my existence, ladies and gentlemen, for a few
minutes.”</p>
<p>He set to his supper and took no part in the conversation with which the table
covered Lily’s removal of the plates. The subject of talk was the opera
company which was then at the Theatre Royal. Mr Bartell D’Arcy, the
tenor, a dark-complexioned young man with a smart moustache, praised very
highly the leading contralto of the company but Miss Furlong thought she had a
rather vulgar style of production. Freddy Malins said there was a negro
chieftain singing in the second part of the Gaiety pantomime who had one of the
finest tenor voices he had ever heard.</p>
<p>“Have you heard him?” he asked Mr Bartell D’Arcy across the
table.</p>
<p>“No,” answered Mr Bartell D’Arcy carelessly.</p>
<p>“Because,” Freddy Malins explained, “now I’d be curious
to hear your opinion of him. I think he has a grand voice.”</p>
<p>“It takes Teddy to find out the really good things,” said Mr Browne
familiarly to the table.</p>
<p>“And why couldn’t he have a voice too?” asked Freddy Malins
sharply. “Is it because he’s only a black?”</p>
<p>Nobody answered this question and Mary Jane led the table back to the
legitimate opera. One of her pupils had given her a pass for <i>Mignon</i>. Of
course it was very fine, she said, but it made her think of poor Georgina
Burns. Mr Browne could go back farther still, to the old Italian companies that
used to come to Dublin—Tietjens, Ilma de Murzka, Campanini, the great
Trebelli, Giuglini, Ravelli, Aramburo. Those were the days, he said, when there
was something like singing to be heard in Dublin. He told too of how the top
gallery of the old Royal used to be packed night after night, of how one night
an Italian tenor had sung five encores to <i>Let me like a Soldier fall</i>,
introducing a high C every time, and of how the gallery boys would sometimes in
their enthusiasm unyoke the horses from the carriage of some great <i>prima
donna</i> and pull her themselves through the streets to her hotel. Why did
they never play the grand old operas now, he asked, <i>Dinorah, Lucrezia
Borgia?</i> Because they could not get the voices to sing them: that was why.</p>
<p>“Oh, well,” said Mr Bartell D’Arcy, “I presume there
are as good singers today as there were then.”</p>
<p>“Where are they?” asked Mr Browne defiantly.</p>
<p>“In London, Paris, Milan,” said Mr Bartell D’Arcy warmly.
“I suppose Caruso, for example, is quite as good, if not better than any
of the men you have mentioned.”</p>
<p>“Maybe so,” said Mr Browne. “But I may tell you I doubt it
strongly.”</p>
<p>“O, I’d give anything to hear Caruso sing,” said Mary Jane.</p>
<p>“For me,” said Aunt Kate, who had been picking a bone, “there
was only one tenor. To please me, I mean. But I suppose none of you ever heard
of him.”</p>
<p>“Who was he, Miss Morkan?” asked Mr Bartell D’Arcy politely.</p>
<p>“His name,” said Aunt Kate, “was Parkinson. I heard him when
he was in his prime and I think he had then the purest tenor voice that was
ever put into a man’s throat.”</p>
<p>“Strange,” said Mr Bartell D’Arcy. “I never even heard
of him.”</p>
<p>“Yes, yes, Miss Morkan is right,” said Mr Browne. “I remember
hearing of old Parkinson but he’s too far back for me.”</p>
<p>“A beautiful pure sweet mellow English tenor,” said Aunt Kate with
enthusiasm.</p>
<p>Gabriel having finished, the huge pudding was transferred to the table. The
clatter of forks and spoons began again. Gabriel’s wife served out
spoonfuls of the pudding and passed the plates down the table. Midway down they
were held up by Mary Jane, who replenished them with raspberry or orange jelly
or with blancmange and jam. The pudding was of Aunt Julia’s making and
she received praises for it from all quarters. She herself said that it was not
quite brown enough.</p>
<p>“Well, I hope, Miss Morkan,” said Mr Browne, “that I’m
brown enough for you because, you know, I’m all brown.”</p>
<p>All the gentlemen, except Gabriel, ate some of the pudding out of compliment to
Aunt Julia. As Gabriel never ate sweets the celery had been left for him.
Freddy Malins also took a stalk of celery and ate it with his pudding. He had
been told that celery was a capital thing for the blood and he was just then
under doctor’s care. Mrs Malins, who had been silent all through the
supper, said that her son was going down to Mount Melleray in a week or so. The
table then spoke of Mount Melleray, how bracing the air was down there, how
hospitable the monks were and how they never asked for a penny-piece from their
guests.</p>
<p>“And do you mean to say,” asked Mr Browne incredulously,
“that a chap can go down there and put up there as if it were a hotel and
live on the fat of the land and then come away without paying anything?”</p>
<p>“O, most people give some donation to the monastery when they
leave.” said Mary Jane.</p>
<p>“I wish we had an institution like that in our Church,” said Mr
Browne candidly.</p>
<p>He was astonished to hear that the monks never spoke, got up at two in the
morning and slept in their coffins. He asked what they did it for.</p>
<p>“That’s the rule of the order,” said Aunt Kate firmly.</p>
<p>“Yes, but why?” asked Mr Browne.</p>
<p>Aunt Kate repeated that it was the rule, that was all. Mr Browne still seemed
not to understand. Freddy Malins explained to him, as best he could, that the
monks were trying to make up for the sins committed by all the sinners in the
outside world. The explanation was not very clear for Mr Browne grinned and
said:</p>
<p>“I like that idea very much but wouldn’t a comfortable spring bed
do them as well as a coffin?”</p>
<p>“The coffin,” said Mary Jane, “is to remind them of their
last end.”</p>
<p>As the subject had grown lugubrious it was buried in a silence of the table
during which Mrs Malins could be heard saying to her neighbour in an indistinct
undertone:</p>
<p>“They are very good men, the monks, very pious men.”</p>
<p>The raisins and almonds and figs and apples and oranges and chocolates and
sweets were now passed about the table and Aunt Julia invited all the guests to
have either port or sherry. At first Mr Bartell D’Arcy refused to take
either but one of his neighbours nudged him and whispered something to him upon
which he allowed his glass to be filled. Gradually as the last glasses were
being filled the conversation ceased. A pause followed, broken only by the
noise of the wine and by unsettlings of chairs. The Misses Morkan, all three,
looked down at the tablecloth. Someone coughed once or twice and then a few
gentlemen patted the table gently as a signal for silence. The silence came and
Gabriel pushed back his chair.</p>
<p>The patting at once grew louder in encouragement and then ceased altogether.
Gabriel leaned his ten trembling fingers on the tablecloth and smiled nervously
at the company. Meeting a row of upturned faces he raised his eyes to the
chandelier. The piano was playing a waltz tune and he could hear the skirts
sweeping against the drawing-room door. People, perhaps, were standing in the
snow on the quay outside, gazing up at the lighted windows and listening to the
waltz music. The air was pure there. In the distance lay the park where the
trees were weighted with snow. The Wellington Monument wore a gleaming cap of
snow that flashed westward over the white field of Fifteen Acres.</p>
<p>He began:</p>
<p>“Ladies and Gentlemen,</p>
<p>“It has fallen to my lot this evening, as in years past, to perform a
very pleasing task but a task for which I am afraid my poor powers as a speaker
are all too inadequate.”</p>
<p>“No, no!” said Mr Browne.</p>
<p>“But, however that may be, I can only ask you tonight to take the will
for the deed and to lend me your attention for a few moments while I endeavour
to express to you in words what my feelings are on this occasion.</p>
<p>“Ladies and Gentlemen, it is not the first time that we have gathered
together under this hospitable roof, around this hospitable board. It is not
the first time that we have been the recipients—or perhaps, I had better
say, the victims—of the hospitality of certain good ladies.”</p>
<p>He made a circle in the air with his arm and paused. Everyone laughed or smiled
at Aunt Kate and Aunt Julia and Mary Jane who all turned crimson with pleasure.
Gabriel went on more boldly:</p>
<p>“I feel more strongly with every recurring year that our country has no
tradition which does it so much honour and which it should guard so jealously
as that of its hospitality. It is a tradition that is unique as far as my
experience goes (and I have visited not a few places abroad) among the modern
nations. Some would say, perhaps, that with us it is rather a failing than
anything to be boasted of. But granted even that, it is, to my mind, a princely
failing, and one that I trust will long be cultivated among us. Of one thing,
at least, I am sure. As long as this one roof shelters the good ladies
aforesaid—and I wish from my heart it may do so for many and many a long
year to come—the tradition of genuine warm-hearted courteous Irish
hospitality, which our forefathers have handed down to us and which we in turn
must hand down to our descendants, is still alive among us.”</p>
<p>A hearty murmur of assent ran round the table. It shot through Gabriel’s
mind that Miss Ivors was not there and that she had gone away discourteously:
and he said with confidence in himself:</p>
<p>“Ladies and Gentlemen,</p>
<p>“A new generation is growing up in our midst, a generation actuated by
new ideas and new principles. It is serious and enthusiastic for these new
ideas and its enthusiasm, even when it is misdirected, is, I believe, in the
main sincere. But we are living in a sceptical and, if I may use the phrase, a
thought-tormented age: and sometimes I fear that this new generation, educated
or hypereducated as it is, will lack those qualities of humanity, of
hospitality, of kindly humour which belonged to an older day. Listening tonight
to the names of all those great singers of the past it seemed to me, I must
confess, that we were living in a less spacious age. Those days might, without
exaggeration, be called spacious days: and if they are gone beyond recall let
us hope, at least, that in gatherings such as this we shall still speak of them
with pride and affection, still cherish in our hearts the memory of those dead
and gone great ones whose fame the world will not willingly let die.”</p>
<p>“Hear, hear!” said Mr Browne loudly.</p>
<p>“But yet,” continued Gabriel, his voice falling into a softer
inflection, “there are always in gatherings such as this sadder thoughts
that will recur to our minds: thoughts of the past, of youth, of changes, of
absent faces that we miss here tonight. Our path through life is strewn with
many such sad memories: and were we to brood upon them always we could not find
the heart to go on bravely with our work among the living. We have all of us
living duties and living affections which claim, and rightly claim, our
strenuous endeavours.</p>
<p>“Therefore, I will not linger on the past. I will not let any gloomy
moralising intrude upon us here tonight. Here we are gathered together for a
brief moment from the bustle and rush of our everyday routine. We are met here
as friends, in the spirit of good-fellowship, as colleagues, also to a certain
extent, in the true spirit of <i>camaraderie</i>, and as the guests
of—what shall I call them?—the Three Graces of the Dublin musical
world.”</p>
<p>The table burst into applause and laughter at this allusion. Aunt Julia vainly
asked each of her neighbours in turn to tell her what Gabriel had said.</p>
<p>“He says we are the Three Graces, Aunt Julia,” said Mary Jane.</p>
<p>Aunt Julia did not understand but she looked up, smiling, at Gabriel, who
continued in the same vein:</p>
<p>“Ladies and Gentlemen,</p>
<p>“I will not attempt to play tonight the part that Paris played on another
occasion. I will not attempt to choose between them. The task would be an
invidious one and one beyond my poor powers. For when I view them in turn,
whether it be our chief hostess herself, whose good heart, whose too good
heart, has become a byword with all who know her, or her sister, who seems to
be gifted with perennial youth and whose singing must have been a surprise and
a revelation to us all tonight, or, last but not least, when I consider our
youngest hostess, talented, cheerful, hard-working and the best of nieces, I
confess, Ladies and Gentlemen, that I do not know to which of them I should
award the prize.”</p>
<p>Gabriel glanced down at his aunts and, seeing the large smile on Aunt
Julia’s face and the tears which had risen to Aunt Kate’s eyes,
hastened to his close. He raised his glass of port gallantly, while every
member of the company fingered a glass expectantly, and said loudly:</p>
<p>“Let us toast them all three together. Let us drink to their health,
wealth, long life, happiness and prosperity and may they long continue to hold
the proud and self-won position which they hold in their profession and the
position of honour and affection which they hold in our hearts.”</p>
<p>All the guests stood up, glass in hand, and turning towards the three seated
ladies, sang in unison, with Mr Browne as leader:</p>
<p class="poem">
For they are jolly gay fellows,<br/>
For they are jolly gay fellows,<br/>
For they are jolly gay fellows,<br/>
Which nobody can deny.</p>
<p>Aunt Kate was making frank use of her handkerchief and even Aunt Julia seemed
moved. Freddy Malins beat time with his pudding-fork and the singers turned
towards one another, as if in melodious conference, while they sang with
emphasis:</p>
<p class="poem">
Unless he tells a lie,<br/>
Unless he tells a lie.</p>
<p>Then, turning once more towards their hostesses, they sang:</p>
<p class="poem">
For they are jolly gay fellows,<br/>
For they are jolly gay fellows,<br/>
For they are jolly gay fellows,<br/>
Which nobody can deny.</p>
<p>The acclamation which followed was taken up beyond the door of the supper-room
by many of the other guests and renewed time after time, Freddy Malins acting
as officer with his fork on high.</p>
<hr class="small" />
<p>The piercing morning air came into the hall where they were standing so that
Aunt Kate said:</p>
<p>“Close the door, somebody. Mrs Malins will get her death of cold.”</p>
<p>“Browne is out there, Aunt Kate,” said Mary Jane.</p>
<p>“Browne is everywhere,” said Aunt Kate, lowering her voice.</p>
<p>Mary Jane laughed at her tone.</p>
<p>“Really,” she said archly, “he is very attentive.”</p>
<p>“He has been laid on here like the gas,” said Aunt Kate in the same
tone, “all during the Christmas.”</p>
<p>She laughed herself this time good-humouredly and then added quickly:</p>
<p>“But tell him to come in, Mary Jane, and close the door. I hope to
goodness he didn’t hear me.”</p>
<p>At that moment the hall-door was opened and Mr Browne came in from the
doorstep, laughing as if his heart would break. He was dressed in a long green
overcoat with mock astrakhan cuffs and collar and wore on his head an oval fur
cap. He pointed down the snow-covered quay from where the sound of shrill
prolonged whistling was borne in.</p>
<p>“Teddy will have all the cabs in Dublin out,” he said.</p>
<p>Gabriel advanced from the little pantry behind the office, struggling into his
overcoat and, looking round the hall, said:</p>
<p>“Gretta not down yet?”</p>
<p>“She’s getting on her things, Gabriel,” said Aunt Kate.</p>
<p>“Who’s playing up there?” asked Gabriel.</p>
<p>“Nobody. They’re all gone.”</p>
<p>“O no, Aunt Kate,” said Mary Jane. “Bartell D’Arcy and
Miss O’Callaghan aren’t gone yet.”</p>
<p>“Someone is fooling at the piano anyhow,” said Gabriel.</p>
<p>Mary Jane glanced at Gabriel and Mr Browne and said with a shiver:</p>
<p>“It makes me feel cold to look at you two gentlemen muffled up like that.
I wouldn’t like to face your journey home at this hour.”</p>
<p>“I’d like nothing better this minute,” said Mr Browne
stoutly, “than a rattling fine walk in the country or a fast drive with a
good spanking goer between the shafts.”</p>
<p>“We used to have a very good horse and trap at home,” said Aunt
Julia sadly.</p>
<p>“The never-to-be-forgotten Johnny,” said Mary Jane, laughing.</p>
<p>Aunt Kate and Gabriel laughed too.</p>
<p>“Why, what was wonderful about Johnny?” asked Mr Browne.</p>
<p>“The late lamented Patrick Morkan, our grandfather, that is,”
explained Gabriel, “commonly known in his later years as the old
gentleman, was a glue-boiler.”</p>
<p>“O now, Gabriel,” said Aunt Kate, laughing, “he had a starch
mill.”</p>
<p>“Well, glue or starch,” said Gabriel, “the old gentleman had
a horse by the name of Johnny. And Johnny used to work in the old
gentleman’s mill, walking round and round in order to drive the mill.
That was all very well; but now comes the tragic part about Johnny. One fine
day the old gentleman thought he’d like to drive out with the quality to
a military review in the park.”</p>
<p>“The Lord have mercy on his soul,” said Aunt Kate compassionately.</p>
<p>“Amen,” said Gabriel. “So the old gentleman, as I said,
harnessed Johnny and put on his very best tall hat and his very best stock
collar and drove out in grand style from his ancestral mansion somewhere near
Back Lane, I think.”</p>
<p>Everyone laughed, even Mrs Malins, at Gabriel’s manner and Aunt Kate
said:</p>
<p>“O now, Gabriel, he didn’t live in Back Lane, really. Only the mill
was there.”</p>
<p>“Out from the mansion of his forefathers,” continued Gabriel,
“he drove with Johnny. And everything went on beautifully until Johnny
came in sight of King Billy’s statue: and whether he fell in love with
the horse King Billy sits on or whether he thought he was back again in the
mill, anyhow he began to walk round the statue.”</p>
<p>Gabriel paced in a circle round the hall in his goloshes amid the laughter of
the others.</p>
<p>“Round and round he went,” said Gabriel, “and the old
gentleman, who was a very pompous old gentleman, was highly indignant.
‘Go on, sir! What do you mean, sir? Johnny! Johnny! Most extraordinary
conduct! Can’t understand the horse!’”</p>
<p>The peal of laughter which followed Gabriel’s imitation of the incident
was interrupted by a resounding knock at the hall door. Mary Jane ran to open
it and let in Freddy Malins. Freddy Malins, with his hat well back on his head
and his shoulders humped with cold, was puffing and steaming after his
exertions.</p>
<p>“I could only get one cab,” he said.</p>
<p>“O, we’ll find another along the quay,” said Gabriel.</p>
<p>“Yes,” said Aunt Kate. “Better not keep Mrs Malins standing
in the draught.”</p>
<p>Mrs Malins was helped down the front steps by her son and Mr Browne and, after
many manœuvres, hoisted into the cab. Freddy Malins clambered in after her and
spent a long time settling her on the seat, Mr Browne helping him with advice.
At last she was settled comfortably and Freddy Malins invited Mr Browne into
the cab. There was a good deal of confused talk, and then Mr Browne got into
the cab. The cabman settled his rug over his knees, and bent down for the
address. The confusion grew greater and the cabman was directed differently by
Freddy Malins and Mr Browne, each of whom had his head out through a window of
the cab. The difficulty was to know where to drop Mr Browne along the route,
and Aunt Kate, Aunt Julia and Mary Jane helped the discussion from the doorstep
with cross-directions and contradictions and abundance of laughter. As for
Freddy Malins he was speechless with laughter. He popped his head in and out of
the window every moment to the great danger of his hat, and told his mother how
the discussion was progressing, till at last Mr Browne shouted to the
bewildered cabman above the din of everybody’s laughter:</p>
<p>“Do you know Trinity College?”</p>
<p>“Yes, sir,” said the cabman.</p>
<p>“Well, drive bang up against Trinity College gates,” said Mr
Browne, “and then we’ll tell you where to go. You understand
now?”</p>
<p>“Yes, sir,” said the cabman.</p>
<p>“Make like a bird for Trinity College.”</p>
<p>“Right, sir,” said the cabman.</p>
<p>The horse was whipped up and the cab rattled off along the quay amid a chorus
of laughter and adieus.</p>
<p>Gabriel had not gone to the door with the others. He was in a dark part of the
hall gazing up the staircase. A woman was standing near the top of the first
flight, in the shadow also. He could not see her face but he could see the
terracotta and salmon-pink panels of her skirt which the shadow made appear
black and white. It was his wife. She was leaning on the banisters, listening
to something. Gabriel was surprised at her stillness and strained his ear to
listen also. But he could hear little save the noise of laughter and dispute on
the front steps, a few chords struck on the piano and a few notes of a
man’s voice singing.</p>
<p>He stood still in the gloom of the hall, trying to catch the air that the voice
was singing and gazing up at his wife. There was grace and mystery in her
attitude as if she were a symbol of something. He asked himself what is a woman
standing on the stairs in the shadow, listening to distant music, a symbol of.
If he were a painter he would paint her in that attitude. Her blue felt hat
would show off the bronze of her hair against the darkness and the dark panels
of her skirt would show off the light ones. <i>Distant Music</i> he would call
the picture if he were a painter.</p>
<p>The hall-door was closed; and Aunt Kate, Aunt Julia and Mary Jane came down the
hall, still laughing.</p>
<p>“Well, isn’t Freddy terrible?” said Mary Jane.
“He’s really terrible.”</p>
<p>Gabriel said nothing but pointed up the stairs towards where his wife was
standing. Now that the hall-door was closed the voice and the piano could be
heard more clearly. Gabriel held up his hand for them to be silent. The song
seemed to be in the old Irish tonality and the singer seemed uncertain both of
his words and of his voice. The voice, made plaintive by distance and by the
singer’s hoarseness, faintly illuminated the cadence of the air with
words expressing grief:</p>
<p class="poem">
O, the rain falls on my heavy locks<br/>
And the dew wets my skin,<br/>
My babe lies cold....</p>
<p>“O,” exclaimed Mary Jane. “It’s Bartell D’Arcy
singing and he wouldn’t sing all the night. O, I’ll get him to sing
a song before he goes.”</p>
<p>“O do, Mary Jane,” said Aunt Kate.</p>
<p>Mary Jane brushed past the others and ran to the staircase, but before she
reached it the singing stopped and the piano was closed abruptly.</p>
<p>“O, what a pity!” she cried. “Is he coming down,
Gretta?”</p>
<p>Gabriel heard his wife answer yes and saw her come down towards them. A few
steps behind her were Mr Bartell D’Arcy and Miss O’Callaghan.</p>
<p>“O, Mr D’Arcy,” cried Mary Jane, “it’s downright
mean of you to break off like that when we were all in raptures listening to
you.”</p>
<p>“I have been at him all the evening,” said Miss O’Callaghan,
“and Mrs Conroy too and he told us he had a dreadful cold and
couldn’t sing.”</p>
<p>“O, Mr D’Arcy,” said Aunt Kate, “now that was a great
fib to tell.”</p>
<p>“Can’t you see that I’m as hoarse as a crow?” said Mr
D’Arcy roughly.</p>
<p>He went into the pantry hastily and put on his overcoat. The others, taken
aback by his rude speech, could find nothing to say. Aunt Kate wrinkled her
brows and made signs to the others to drop the subject. Mr D’Arcy stood
swathing his neck carefully and frowning.</p>
<p>“It’s the weather,” said Aunt Julia, after a pause.</p>
<p>“Yes, everybody has colds,” said Aunt Kate readily,
“everybody.”</p>
<p>“They say,” said Mary Jane, “we haven’t had snow like
it for thirty years; and I read this morning in the newspapers that the snow is
general all over Ireland.”</p>
<p>“I love the look of snow,” said Aunt Julia sadly.</p>
<p>“So do I,” said Miss O’Callaghan. “I think Christmas is
never really Christmas unless we have the snow on the ground.”</p>
<p>“But poor Mr D’Arcy doesn’t like the snow,” said Aunt
Kate, smiling.</p>
<p>Mr D’Arcy came from the pantry, fully swathed and buttoned, and in a
repentant tone told them the history of his cold. Everyone gave him advice and
said it was a great pity and urged him to be very careful of his throat in the
night air. Gabriel watched his wife, who did not join in the conversation. She
was standing right under the dusty fanlight and the flame of the gas lit up the
rich bronze of her hair, which he had seen her drying at the fire a few days
before. She was in the same attitude and seemed unaware of the talk about her.
At last she turned towards them and Gabriel saw that there was colour on her
cheeks and that her eyes were shining. A sudden tide of joy went leaping out of
his heart.</p>
<p>“Mr D’Arcy,” she said, “what is the name of that song
you were singing?”</p>
<p>“It’s called <i>The Lass of Aughrim</i>,” said Mr
D’Arcy, “but I couldn’t remember it properly. Why? Do you
know it?”</p>
<p>“<i>The Lass of Aughrim</i>,” she repeated. “I couldn’t
think of the name.”</p>
<p>“It’s a very nice air,” said Mary Jane. “I’m
sorry you were not in voice tonight.”</p>
<p>“Now, Mary Jane,” said Aunt Kate, “don’t annoy Mr
D’Arcy. I won’t have him annoyed.”</p>
<p>Seeing that all were ready to start she shepherded them to the door, where
good-night was said:</p>
<p>“Well, good-night, Aunt Kate, and thanks for the pleasant evening.”</p>
<p>“Good-night, Gabriel. Good-night, Gretta!”</p>
<p>“Good-night, Aunt Kate, and thanks ever so much. Good-night, Aunt
Julia.”</p>
<p>“O, good-night, Gretta, I didn’t see you.”</p>
<p>“Good-night, Mr D’Arcy. Good-night, Miss O’Callaghan.”</p>
<p>“Good-night, Miss Morkan.”</p>
<p>“Good-night, again.”</p>
<p>“Good-night, all. Safe home.”</p>
<p>“Good-night. Good-night.”</p>
<p>The morning was still dark. A dull yellow light brooded over the houses and the
river; and the sky seemed to be descending. It was slushy underfoot; and only
streaks and patches of snow lay on the roofs, on the parapets of the quay and
on the area railings. The lamps were still burning redly in the murky air and,
across the river, the palace of the Four Courts stood out menacingly against
the heavy sky.</p>
<p>She was walking on before him with Mr Bartell D’Arcy, her shoes in a
brown parcel tucked under one arm and her hands holding her skirt up from the
slush. She had no longer any grace of attitude but Gabriel’s eyes were
still bright with happiness. The blood went bounding along his veins; and the
thoughts went rioting through his brain, proud, joyful, tender, valorous.</p>
<p>She was walking on before him so lightly and so erect that he longed to run
after her noiselessly, catch her by the shoulders and say something foolish and
affectionate into her ear. She seemed to him so frail that he longed to defend
her against something and then to be alone with her. Moments of their secret
life together burst like stars upon his memory. A heliotrope envelope was lying
beside his breakfast-cup and he was caressing it with his hand. Birds were
twittering in the ivy and the sunny web of the curtain was shimmering along the
floor: he could not eat for happiness. They were standing on the crowded
platform and he was placing a ticket inside the warm palm of her glove. He was
standing with her in the cold, looking in through a grated window at a man
making bottles in a roaring furnace. It was very cold. Her face, fragrant in
the cold air, was quite close to his; and suddenly he called out to the man at
the furnace:</p>
<p>“Is the fire hot, sir?”</p>
<p>But the man could not hear with the noise of the furnace. It was just as well.
He might have answered rudely.</p>
<p>A wave of yet more tender joy escaped from his heart and went coursing in warm
flood along his arteries. Like the tender fire of stars moments of their life
together, that no one knew of or would ever know of, broke upon and illumined
his memory. He longed to recall to her those moments, to make her forget the
years of their dull existence together and remember only their moments of
ecstasy. For the years, he felt, had not quenched his soul or hers. Their
children, his writing, her household cares had not quenched all their
souls’ tender fire. In one letter that he had written to her then he had
said: “Why is it that words like these seem to me so dull and cold? Is it
because there is no word tender enough to be your name?”</p>
<p>Like distant music these words that he had written years before were borne
towards him from the past. He longed to be alone with her. When the others had
gone away, when he and she were in their room in the hotel, then they would be
alone together. He would call her softly:</p>
<p>“Gretta!”</p>
<p>Perhaps she would not hear at once: she would be undressing. Then something in
his voice would strike her. She would turn and look at him....</p>
<p>At the corner of Winetavern Street they met a cab. He was glad of its rattling
noise as it saved him from conversation. She was looking out of the window and
seemed tired. The others spoke only a few words, pointing out some building or
street. The horse galloped along wearily under the murky morning sky, dragging
his old rattling box after his heels, and Gabriel was again in a cab with her,
galloping to catch the boat, galloping to their honeymoon.</p>
<p>As the cab drove across O’Connell Bridge Miss O’Callaghan said:</p>
<p>“They say you never cross O’Connell Bridge without seeing a white
horse.”</p>
<p>“I see a white man this time,” said Gabriel.</p>
<p>“Where?” asked Mr Bartell D’Arcy.</p>
<p>Gabriel pointed to the statue, on which lay patches of snow. Then he nodded
familiarly to it and waved his hand.</p>
<p>“Good-night, Dan,” he said gaily.</p>
<p>When the cab drew up before the hotel, Gabriel jumped out and, in spite of Mr
Bartell D’Arcy’s protest, paid the driver. He gave the man a
shilling over his fare. The man saluted and said:</p>
<p>“A prosperous New Year to you, sir.”</p>
<p>“The same to you,” said Gabriel cordially.</p>
<p>She leaned for a moment on his arm in getting out of the cab and while standing
at the curbstone, bidding the others good-night. She leaned lightly on his arm,
as lightly as when she had danced with him a few hours before. He had felt
proud and happy then, happy that she was his, proud of her grace and wifely
carriage. But now, after the kindling again of so many memories, the first
touch of her body, musical and strange and perfumed, sent through him a keen
pang of lust. Under cover of her silence he pressed her arm closely to his
side; and, as they stood at the hotel door, he felt that they had escaped from
their lives and duties, escaped from home and friends and run away together
with wild and radiant hearts to a new adventure.</p>
<p>An old man was dozing in a great hooded chair in the hall. He lit a candle in
the office and went before them to the stairs. They followed him in silence,
their feet falling in soft thuds on the thickly carpeted stairs. She mounted
the stairs behind the porter, her head bowed in the ascent, her frail shoulders
curved as with a burden, her skirt girt tightly about her. He could have flung
his arms about her hips and held her still, for his arms were trembling with
desire to seize her and only the stress of his nails against the palms of his
hands held the wild impulse of his body in check. The porter halted on the
stairs to settle his guttering candle. They halted too on the steps below him.
In the silence Gabriel could hear the falling of the molten wax into the tray
and the thumping of his own heart against his ribs.</p>
<p>The porter led them along a corridor and opened a door. Then he set his
unstable candle down on a toilet-table and asked at what hour they were to be
called in the morning.</p>
<p>“Eight,” said Gabriel.</p>
<p>The porter pointed to the tap of the electric-light and began a muttered
apology but Gabriel cut him short.</p>
<p>“We don’t want any light. We have light enough from the street. And
I say,” he added, pointing to the candle, “you might remove that
handsome article, like a good man.”</p>
<p>The porter took up his candle again, but slowly for he was surprised by such a
novel idea. Then he mumbled good-night and went out. Gabriel shot the lock to.</p>
<p>A ghostly light from the street lamp lay in a long shaft from one window to the
door. Gabriel threw his overcoat and hat on a couch and crossed the room
towards the window. He looked down into the street in order that his emotion
might calm a little. Then he turned and leaned against a chest of drawers with
his back to the light. She had taken off her hat and cloak and was standing
before a large swinging mirror, unhooking her waist. Gabriel paused for a few
moments, watching her, and then said:</p>
<p>“Gretta!”</p>
<p>She turned away from the mirror slowly and walked along the shaft of light
towards him. Her face looked so serious and weary that the words would not pass
Gabriel’s lips. No, it was not the moment yet.</p>
<p>“You looked tired,” he said.</p>
<p>“I am a little,” she answered.</p>
<p>“You don’t feel ill or weak?”</p>
<p>“No, tired: that’s all.”</p>
<p>She went on to the window and stood there, looking out. Gabriel waited again
and then, fearing that diffidence was about to conquer him, he said abruptly:</p>
<p>“By the way, Gretta!”</p>
<p>“What is it?”</p>
<p>“You know that poor fellow Malins?” he said quickly.</p>
<p>“Yes. What about him?”</p>
<p>“Well, poor fellow, he’s a decent sort of chap after all,”
continued Gabriel in a false voice. “He gave me back that sovereign I
lent him, and I didn’t expect it, really. It’s a pity he
wouldn’t keep away from that Browne, because he’s not a bad fellow,
really.”</p>
<p>He was trembling now with annoyance. Why did she seem so abstracted? He did not
know how he could begin. Was she annoyed, too, about something? If she would
only turn to him or come to him of her own accord! To take her as she was would
be brutal. No, he must see some ardour in her eyes first. He longed to be
master of her strange mood.</p>
<p>“When did you lend him the pound?” she asked, after a pause.</p>
<p>Gabriel strove to restrain himself from breaking out into brutal language about
the sottish Malins and his pound. He longed to cry to her from his soul, to
crush her body against his, to overmaster her. But he said:</p>
<p>“O, at Christmas, when he opened that little Christmas-card shop in Henry
Street.”</p>
<p>He was in such a fever of rage and desire that he did not hear her come from
the window. She stood before him for an instant, looking at him strangely.
Then, suddenly raising herself on tiptoe and resting her hands lightly on his
shoulders, she kissed him.</p>
<p>“You are a very generous person, Gabriel,” she said.</p>
<p>Gabriel, trembling with delight at her sudden kiss and at the quaintness of her
phrase, put his hands on her hair and began smoothing it back, scarcely
touching it with his fingers. The washing had made it fine and brilliant. His
heart was brimming over with happiness. Just when he was wishing for it she had
come to him of her own accord. Perhaps her thoughts had been running with his.
Perhaps she had felt the impetuous desire that was in him, and then the
yielding mood had come upon her. Now that she had fallen to him so easily, he
wondered why he had been so diffident.</p>
<p>He stood, holding her head between his hands. Then, slipping one arm swiftly
about her body and drawing her towards him, he said softly:</p>
<p>“Gretta, dear, what are you thinking about?”</p>
<p>She did not answer nor yield wholly to his arm. He said again, softly:</p>
<p>“Tell me what it is, Gretta. I think I know what is the matter. Do I
know?”</p>
<p>She did not answer at once. Then she said in an outburst of tears:</p>
<p>“O, I am thinking about that song, <i>The Lass of Aughrim</i>.”</p>
<p>She broke loose from him and ran to the bed and, throwing her arms across the
bed-rail, hid her face. Gabriel stood stock-still for a moment in astonishment
and then followed her. As he passed in the way of the cheval-glass he caught
sight of himself in full length, his broad, well-filled shirt-front, the face
whose expression always puzzled him when he saw it in a mirror and his
glimmering gilt-rimmed eyeglasses. He halted a few paces from her and said:</p>
<p>“What about the song? Why does that make you cry?”</p>
<p>She raised her head from her arms and dried her eyes with the back of her hand
like a child. A kinder note than he had intended went into his voice.</p>
<p>“Why, Gretta?” he asked.</p>
<p>“I am thinking about a person long ago who used to sing that song.”</p>
<p>“And who was the person long ago?” asked Gabriel, smiling.</p>
<p>“It was a person I used to know in Galway when I was living with my
grandmother,” she said.</p>
<p>The smile passed away from Gabriel’s face. A dull anger began to gather
again at the back of his mind and the dull fires of his lust began to glow
angrily in his veins.</p>
<p>“Someone you were in love with?” he asked ironically.</p>
<p>“It was a young boy I used to know,” she answered, “named
Michael Furey. He used to sing that song, <i>The Lass of Aughrim</i>. He was
very delicate.”</p>
<p>Gabriel was silent. He did not wish her to think that he was interested in this
delicate boy.</p>
<p>“I can see him so plainly,” she said after a moment. “Such
eyes as he had: big, dark eyes! And such an expression in them—an
expression!”</p>
<p>“O then, you were in love with him?” said Gabriel.</p>
<p>“I used to go out walking with him,” she said, “when I was in
Galway.”</p>
<p>A thought flew across Gabriel’s mind.</p>
<p>“Perhaps that was why you wanted to go to Galway with that Ivors
girl?” he said coldly.</p>
<p>She looked at him and asked in surprise:</p>
<p>“What for?”</p>
<p>Her eyes made Gabriel feel awkward. He shrugged his shoulders and said:</p>
<p>“How do I know? To see him, perhaps.”</p>
<p>She looked away from him along the shaft of light towards the window in
silence.</p>
<p>“He is dead,” she said at length. “He died when he was only
seventeen. Isn’t it a terrible thing to die so young as that?”</p>
<p>“What was he?” asked Gabriel, still ironically.</p>
<p>“He was in the gasworks,” she said.</p>
<p>Gabriel felt humiliated by the failure of his irony and by the evocation of
this figure from the dead, a boy in the gasworks. While he had been full of
memories of their secret life together, full of tenderness and joy and desire,
she had been comparing him in her mind with another. A shameful consciousness
of his own person assailed him. He saw himself as a ludicrous figure, acting as
a pennyboy for his aunts, a nervous, well-meaning sentimentalist, orating to
vulgarians and idealising his own clownish lusts, the pitiable fatuous fellow
he had caught a glimpse of in the mirror. Instinctively he turned his back more
to the light lest she might see the shame that burned upon his forehead.</p>
<p>He tried to keep up his tone of cold interrogation, but his voice when he spoke
was humble and indifferent.</p>
<p>“I suppose you were in love with this Michael Furey, Gretta,” he
said.</p>
<p>“I was great with him at that time,” she said.</p>
<p>Her voice was veiled and sad. Gabriel, feeling now how vain it would be to try
to lead her whither he had purposed, caressed one of her hands and said, also
sadly:</p>
<p>“And what did he die of so young, Gretta? Consumption, was it?”</p>
<p>“I think he died for me,” she answered.</p>
<p>A vague terror seized Gabriel at this answer as if, at that hour when he had
hoped to triumph, some impalpable and vindictive being was coming against him,
gathering forces against him in its vague world. But he shook himself free of
it with an effort of reason and continued to caress her hand. He did not
question her again for he felt that she would tell him of herself. Her hand was
warm and moist: it did not respond to his touch but he continued to caress it
just as he had caressed her first letter to him that spring morning.</p>
<p>“It was in the winter,” she said, “about the beginning of the
winter when I was going to leave my grandmother’s and come up here to the
convent. And he was ill at the time in his lodgings in Galway and
wouldn’t be let out and his people in Oughterard were written to. He was
in decline, they said, or something like that. I never knew rightly.”</p>
<p>She paused for a moment and sighed.</p>
<p>“Poor fellow,” she said. “He was very fond of me and he was
such a gentle boy. We used to go out together, walking, you know, Gabriel, like
the way they do in the country. He was going to study singing only for his
health. He had a very good voice, poor Michael Furey.”</p>
<p>“Well; and then?” asked Gabriel.</p>
<p>“And then when it came to the time for me to leave Galway and come up to
the convent he was much worse and I wouldn’t be let see him so I wrote
him a letter saying I was going up to Dublin and would be back in the summer
and hoping he would be better then.”</p>
<p>She paused for a moment to get her voice under control and then went on:</p>
<p>“Then the night before I left I was in my grandmother’s house in
Nuns’ Island, packing up, and I heard gravel thrown up against the
window. The window was so wet I couldn’t see so I ran downstairs as I was
and slipped out the back into the garden and there was the poor fellow at the
end of the garden, shivering.”</p>
<p>“And did you not tell him to go back?” asked Gabriel.</p>
<p>“I implored of him to go home at once and told him he would get his death
in the rain. But he said he did not want to live. I can see his eyes as well as
well! He was standing at the end of the wall where there was a tree.”</p>
<p>“And did he go home?” asked Gabriel.</p>
<p>“Yes, he went home. And when I was only a week in the convent he died and
he was buried in Oughterard where his people came from. O, the day I heard
that, that he was dead!”</p>
<p>She stopped, choking with sobs and, overcome by emotion, flung herself face
downward on the bed, sobbing in the quilt. Gabriel held her hand for a moment
longer, irresolutely, and then, shy of intruding on her grief, let it fall
gently and walked quietly to the window.<br/><br/></p>
<p>She was fast asleep.</p>
<p>Gabriel, leaning on his elbow, looked for a few moments unresentfully on her
tangled hair and half-open mouth, listening to her deep-drawn breath. So she
had had that romance in her life: a man had died for her sake. It hardly pained
him now to think how poor a part he, her husband, had played in her life. He
watched her while she slept as though he and she had never lived together as
man and wife. His curious eyes rested long upon her face and on her hair: and,
as he thought of what she must have been then, in that time of her first
girlish beauty, a strange, friendly pity for her entered his soul. He did not
like to say even to himself that her face was no longer beautiful but he knew
that it was no longer the face for which Michael Furey had braved death.</p>
<p>Perhaps she had not told him all the story. His eyes moved to the chair over
which she had thrown some of her clothes. A petticoat string dangled to the
floor. One boot stood upright, its limp upper fallen down: the fellow of it lay
upon its side. He wondered at his riot of emotions of an hour before. From what
had it proceeded? From his aunt’s supper, from his own foolish speech,
from the wine and dancing, the merry-making when saying good-night in the hall,
the pleasure of the walk along the river in the snow. Poor Aunt Julia! She,
too, would soon be a shade with the shade of Patrick Morkan and his horse. He
had caught that haggard look upon her face for a moment when she was singing
<i>Arrayed for the Bridal</i>. Soon, perhaps, he would be sitting in that same
drawing-room, dressed in black, his silk hat on his knees. The blinds would be
drawn down and Aunt Kate would be sitting beside him, crying and blowing her
nose and telling him how Julia had died. He would cast about in his mind for
some words that might console her, and would find only lame and useless ones.
Yes, yes: that would happen very soon.</p>
<p>The air of the room chilled his shoulders. He stretched himself cautiously
along under the sheets and lay down beside his wife. One by one they were all
becoming shades. Better pass boldly into that other world, in the full glory of
some passion, than fade and wither dismally with age. He thought of how she who
lay beside him had locked in her heart for so many years that image of her
lover’s eyes when he had told her that he did not wish to live.</p>
<p>Generous tears filled Gabriel’s eyes. He had never felt like that himself
towards any woman but he knew that such a feeling must be love. The tears
gathered more thickly in his eyes and in the partial darkness he imagined he
saw the form of a young man standing under a dripping tree. Other forms were
near. His soul had approached that region where dwell the vast hosts of the
dead. He was conscious of, but could not apprehend, their wayward and
flickering existence. His own identity was fading out into a grey impalpable
world: the solid world itself which these dead had one time reared and lived in
was dissolving and dwindling.</p>
<p>A few light taps upon the pane made him turn to the window. It had begun to
snow again. He watched sleepily the flakes, silver and dark, falling obliquely
against the lamplight. The time had come for him to set out on his journey
westward. Yes, the newspapers were right: snow was general all over Ireland. It
was falling on every part of the dark central plain, on the treeless hills,
falling softly upon the Bog of Allen and, farther westward, softly falling into
the dark mutinous Shannon waves. It was falling, too, upon every part of the
lonely churchyard on the hill where Michael Furey lay buried. It lay thickly
drifted on the crooked crosses and headstones, on the spears of the little
gate, on the barren thorns. His soul swooned slowly as he heard the snow
falling faintly through the universe and faintly falling, like the descent of
their last end, upon all the living and the dead.</p>
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