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<h2> CHAPTER 1. Loomings. </h2>
<p>Call me Ishmael. Some years ago—never mind how long precisely—having
little or no money in my purse, and nothing particular to interest me on
shore, I thought I would sail about a little and see the watery part of
the world. It is a way I have of driving off the spleen and regulating the
circulation. Whenever I find myself growing grim about the mouth; whenever
it is a damp, drizzly November in my soul; whenever I find myself
involuntarily pausing before coffin warehouses, and bringing up the rear
of every funeral I meet; and especially whenever my hypos get such an
upper hand of me, that it requires a strong moral principle to prevent me
from deliberately stepping into the street, and methodically knocking
people's hats off—then, I account it high time to get to sea as soon
as I can. This is my substitute for pistol and ball. With a philosophical
flourish Cato throws himself upon his sword; I quietly take to the ship.
There is nothing surprising in this. If they but knew it, almost all men
in their degree, some time or other, cherish very nearly the same feelings
towards the ocean with me.</p>
<p>There now is your insular city of the Manhattoes, belted round by wharves
as Indian isles by coral reefs—commerce surrounds it with her surf.
Right and left, the streets take you waterward. Its extreme downtown is
the battery, where that noble mole is washed by waves, and cooled by
breezes, which a few hours previous were out of sight of land. Look at the
crowds of water-gazers there.</p>
<p>Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears
Hook to Coenties Slip, and from thence, by Whitehall, northward. What do
you see?—Posted like silent sentinels all around the town, stand
thousands upon thousands of mortal men fixed in ocean reveries. Some
leaning against the spiles; some seated upon the pier-heads; some looking
over the bulwarks of ships from China; some high aloft in the rigging, as
if striving to get a still better seaward peep. But these are all
landsmen; of week days pent up in lath and plaster—tied to counters,
nailed to benches, clinched to desks. How then is this? Are the green
fields gone? What do they here?</p>
<p>But look! here come more crowds, pacing straight for the water, and
seemingly bound for a dive. Strange! Nothing will content them but the
extremest limit of the land; loitering under the shady lee of yonder
warehouses will not suffice. No. They must get just as nigh the water as
they possibly can without falling in. And there they stand—miles of
them—leagues. Inlanders all, they come from lanes and alleys,
streets and avenues—north, east, south, and west. Yet here they all
unite. Tell me, does the magnetic virtue of the needles of the compasses
of all those ships attract them thither?</p>
<p>Once more. Say you are in the country; in some high land of lakes. Take
almost any path you please, and ten to one it carries you down in a dale,
and leaves you there by a pool in the stream. There is magic in it. Let
the most absent-minded of men be plunged in his deepest reveries—stand
that man on his legs, set his feet a-going, and he will infallibly lead
you to water, if water there be in all that region. Should you ever be
athirst in the great American desert, try this experiment, if your caravan
happen to be supplied with a metaphysical professor. Yes, as every one
knows, meditation and water are wedded for ever.</p>
<p>But here is an artist. He desires to paint you the dreamiest, shadiest,
quietest, most enchanting bit of romantic landscape in all the valley of
the Saco. What is the chief element he employs? There stand his trees,
each with a hollow trunk, as if a hermit and a crucifix were within; and
here sleeps his meadow, and there sleep his cattle; and up from yonder
cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way,
reaching to overlapping spurs of mountains bathed in their hill-side blue.
But though the picture lies thus tranced, and though this pine-tree shakes
down its sighs like leaves upon this shepherd's head, yet all were vain,
unless the shepherd's eye were fixed upon the magic stream before him. Go
visit the Prairies in June, when for scores on scores of miles you wade
knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there
is not a drop of water there! Were Niagara but a cataract of sand, would
you travel your thousand miles to see it? Why did the poor poet of
Tennessee, upon suddenly receiving two handfuls of silver, deliberate
whether to buy him a coat, which he sadly needed, or invest his money in a
pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy
with a robust healthy soul in him, at some time or other crazy to go to
sea? Why upon your first voyage as a passenger, did you yourself feel such
a mystical vibration, when first told that you and your ship were now out
of sight of land? Why did the old Persians hold the sea holy? Why did the
Greeks give it a separate deity, and own brother of Jove? Surely all this
is not without meaning. And still deeper the meaning of that story of
Narcissus, who because he could not grasp the tormenting, mild image he
saw in the fountain, plunged into it and was drowned. But that same image,
we ourselves see in all rivers and oceans. It is the image of the
ungraspable phantom of life; and this is the key to it all.</p>
<p>Now, when I say that I am in the habit of going to sea whenever I begin to
grow hazy about the eyes, and begin to be over conscious of my lungs, I do
not mean to have it inferred that I ever go to sea as a passenger. For to
go as a passenger you must needs have a purse, and a purse is but a rag
unless you have something in it. Besides, passengers get sea-sick—grow
quarrelsome—don't sleep of nights—do not enjoy themselves
much, as a general thing;—no, I never go as a passenger; nor, though
I am something of a salt, do I ever go to sea as a Commodore, or a
Captain, or a Cook. I abandon the glory and distinction of such offices to
those who like them. For my part, I abominate all honourable respectable
toils, trials, and tribulations of every kind whatsoever. It is quite as
much as I can do to take care of myself, without taking care of ships,
barques, brigs, schooners, and what not. And as for going as cook,—though
I confess there is considerable glory in that, a cook being a sort of
officer on ship-board—yet, somehow, I never fancied broiling fowls;—though
once broiled, judiciously buttered, and judgmatically salted and peppered,
there is no one who will speak more respectfully, not to say
reverentially, of a broiled fowl than I will. It is out of the idolatrous
dotings of the old Egyptians upon broiled ibis and roasted river horse,
that you see the mummies of those creatures in their huge bake-houses the
pyramids.</p>
<p>No, when I go to sea, I go as a simple sailor, right before the mast,
plumb down into the forecastle, aloft there to the royal mast-head. True,
they rather order me about some, and make me jump from spar to spar, like
a grasshopper in a May meadow. And at first, this sort of thing is
unpleasant enough. It touches one's sense of honour, particularly if you
come of an old established family in the land, the Van Rensselaers, or
Randolphs, or Hardicanutes. And more than all, if just previous to putting
your hand into the tar-pot, you have been lording it as a country
schoolmaster, making the tallest boys stand in awe of you. The transition
is a keen one, I assure you, from a schoolmaster to a sailor, and requires
a strong decoction of Seneca and the Stoics to enable you to grin and bear
it. But even this wears off in time.</p>
<p>What of it, if some old hunks of a sea-captain orders me to get a broom
and sweep down the decks? What does that indignity amount to, weighed, I
mean, in the scales of the New Testament? Do you think the archangel
Gabriel thinks anything the less of me, because I promptly and
respectfully obey that old hunks in that particular instance? Who ain't a
slave? Tell me that. Well, then, however the old sea-captains may order me
about—however they may thump and punch me about, I have the
satisfaction of knowing that it is all right; that everybody else is one
way or other served in much the same way—either in a physical or
metaphysical point of view, that is; and so the universal thump is passed
round, and all hands should rub each other's shoulder-blades, and be
content.</p>
<p>Again, I always go to sea as a sailor, because they make a point of paying
me for my trouble, whereas they never pay passengers a single penny that I
ever heard of. On the contrary, passengers themselves must pay. And there
is all the difference in the world between paying and being paid. The act
of paying is perhaps the most uncomfortable infliction that the two
orchard thieves entailed upon us. But BEING PAID,—what will compare
with it? The urbane activity with which a man receives money is really
marvellous, considering that we so earnestly believe money to be the root
of all earthly ills, and that on no account can a monied man enter heaven.
Ah! how cheerfully we consign ourselves to perdition!</p>
<p>Finally, I always go to sea as a sailor, because of the wholesome exercise
and pure air of the fore-castle deck. For as in this world, head winds are
far more prevalent than winds from astern (that is, if you never violate
the Pythagorean maxim), so for the most part the Commodore on the
quarter-deck gets his atmosphere at second hand from the sailors on the
forecastle. He thinks he breathes it first; but not so. In much the same
way do the commonalty lead their leaders in many other things, at the same
time that the leaders little suspect it. But wherefore it was that after
having repeatedly smelt the sea as a merchant sailor, I should now take it
into my head to go on a whaling voyage; this the invisible police officer
of the Fates, who has the constant surveillance of me, and secretly dogs
me, and influences me in some unaccountable way—he can better answer
than any one else. And, doubtless, my going on this whaling voyage, formed
part of the grand programme of Providence that was drawn up a long time
ago. It came in as a sort of brief interlude and solo between more
extensive performances. I take it that this part of the bill must have run
something like this:</p>
<p>"GRAND CONTESTED ELECTION FOR THE PRESIDENCY OF THE UNITED STATES.
"WHALING VOYAGE BY ONE ISHMAEL. "BLOODY BATTLE IN AFFGHANISTAN."</p>
<p>Though I cannot tell why it was exactly that those stage managers, the
Fates, put me down for this shabby part of a whaling voyage, when others
were set down for magnificent parts in high tragedies, and short and easy
parts in genteel comedies, and jolly parts in farces—though I cannot
tell why this was exactly; yet, now that I recall all the circumstances, I
think I can see a little into the springs and motives which being
cunningly presented to me under various disguises, induced me to set about
performing the part I did, besides cajoling me into the delusion that it
was a choice resulting from my own unbiased freewill and discriminating
judgment.</p>
<p>Chief among these motives was the overwhelming idea of the great whale
himself. Such a portentous and mysterious monster roused all my curiosity.
Then the wild and distant seas where he rolled his island bulk; the
undeliverable, nameless perils of the whale; these, with all the attending
marvels of a thousand Patagonian sights and sounds, helped to sway me to
my wish. With other men, perhaps, such things would not have been
inducements; but as for me, I am tormented with an everlasting itch for
things remote. I love to sail forbidden seas, and land on barbarous
coasts. Not ignoring what is good, I am quick to perceive a horror, and
could still be social with it—would they let me—since it is
but well to be on friendly terms with all the inmates of the place one
lodges in.</p>
<p>By reason of these things, then, the whaling voyage was welcome; the great
flood-gates of the wonder-world swung open, and in the wild conceits that
swayed me to my purpose, two and two there floated into my inmost soul,
endless processions of the whale, and, mid most of them all, one grand
hooded phantom, like a snow hill in the air.</p>
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<h2> CHAPTER 2. The Carpet-Bag. </h2>
<p>I stuffed a shirt or two into my old carpet-bag, tucked it under my arm,
and started for Cape Horn and the Pacific. Quitting the good city of old
Manhatto, I duly arrived in New Bedford. It was a Saturday night in
December. Much was I disappointed upon learning that the little packet for
Nantucket had already sailed, and that no way of reaching that place would
offer, till the following Monday.</p>
<p>As most young candidates for the pains and penalties of whaling stop at
this same New Bedford, thence to embark on their voyage, it may as well be
related that I, for one, had no idea of so doing. For my mind was made up
to sail in no other than a Nantucket craft, because there was a fine,
boisterous something about everything connected with that famous old
island, which amazingly pleased me. Besides though New Bedford has of late
been gradually monopolising the business of whaling, and though in this
matter poor old Nantucket is now much behind her, yet Nantucket was her
great original—the Tyre of this Carthage;—the place where the
first dead American whale was stranded. Where else but from Nantucket did
those aboriginal whalemen, the Red-Men, first sally out in canoes to give
chase to the Leviathan? And where but from Nantucket, too, did that first
adventurous little sloop put forth, partly laden with imported
cobblestones—so goes the story—to throw at the whales, in
order to discover when they were nigh enough to risk a harpoon from the
bowsprit?</p>
<p>Now having a night, a day, and still another night following before me in
New Bedford, ere I could embark for my destined port, it became a matter
of concernment where I was to eat and sleep meanwhile. It was a very
dubious-looking, nay, a very dark and dismal night, bitingly cold and
cheerless. I knew no one in the place. With anxious grapnels I had sounded
my pocket, and only brought up a few pieces of silver,—So, wherever
you go, Ishmael, said I to myself, as I stood in the middle of a dreary
street shouldering my bag, and comparing the gloom towards the north with
the darkness towards the south—wherever in your wisdom you may
conclude to lodge for the night, my dear Ishmael, be sure to inquire the
price, and don't be too particular.</p>
<p>With halting steps I paced the streets, and passed the sign of "The
Crossed Harpoons"—but it looked too expensive and jolly there.
Further on, from the bright red windows of the "Sword-Fish Inn," there
came such fervent rays, that it seemed to have melted the packed snow and
ice from before the house, for everywhere else the congealed frost lay ten
inches thick in a hard, asphaltic pavement,—rather weary for me,
when I struck my foot against the flinty projections, because from hard,
remorseless service the soles of my boots were in a most miserable plight.
Too expensive and jolly, again thought I, pausing one moment to watch the
broad glare in the street, and hear the sounds of the tinkling glasses
within. But go on, Ishmael, said I at last; don't you hear? get away from
before the door; your patched boots are stopping the way. So on I went. I
now by instinct followed the streets that took me waterward, for there,
doubtless, were the cheapest, if not the cheeriest inns.</p>
<p>Such dreary streets! blocks of blackness, not houses, on either hand, and
here and there a candle, like a candle moving about in a tomb. At this
hour of the night, of the last day of the week, that quarter of the town
proved all but deserted. But presently I came to a smoky light proceeding
from a low, wide building, the door of which stood invitingly open. It had
a careless look, as if it were meant for the uses of the public; so,
entering, the first thing I did was to stumble over an ash-box in the
porch. Ha! thought I, ha, as the flying particles almost choked me, are
these ashes from that destroyed city, Gomorrah? But "The Crossed
Harpoons," and "The Sword-Fish?"—this, then must needs be the sign
of "The Trap." However, I picked myself up and hearing a loud voice
within, pushed on and opened a second, interior door.</p>
<p>It seemed the great Black Parliament sitting in Tophet. A hundred black
faces turned round in their rows to peer; and beyond, a black Angel of
Doom was beating a book in a pulpit. It was a negro church; and the
preacher's text was about the blackness of darkness, and the weeping and
wailing and teeth-gnashing there. Ha, Ishmael, muttered I, backing out,
Wretched entertainment at the sign of 'The Trap!'</p>
<p>Moving on, I at last came to a dim sort of light not far from the docks,
and heard a forlorn creaking in the air; and looking up, saw a swinging
sign over the door with a white painting upon it, faintly representing a
tall straight jet of misty spray, and these words underneath—"The
Spouter Inn:—Peter Coffin."</p>
<p>Coffin?—Spouter?—Rather ominous in that particular connexion,
thought I. But it is a common name in Nantucket, they say, and I suppose
this Peter here is an emigrant from there. As the light looked so dim, and
the place, for the time, looked quiet enough, and the dilapidated little
wooden house itself looked as if it might have been carted here from the
ruins of some burnt district, and as the swinging sign had a
poverty-stricken sort of creak to it, I thought that here was the very
spot for cheap lodgings, and the best of pea coffee.</p>
<p>It was a queer sort of place—a gable-ended old house, one side
palsied as it were, and leaning over sadly. It stood on a sharp bleak
corner, where that tempestuous wind Euroclydon kept up a worse howling
than ever it did about poor Paul's tossed craft. Euroclydon, nevertheless,
is a mighty pleasant zephyr to any one in-doors, with his feet on the hob
quietly toasting for bed. "In judging of that tempestuous wind called
Euroclydon," says an old writer—of whose works I possess the only
copy extant—"it maketh a marvellous difference, whether thou lookest
out at it from a glass window where the frost is all on the outside, or
whether thou observest it from that sashless window, where the frost is on
both sides, and of which the wight Death is the only glazier." True
enough, thought I, as this passage occurred to my mind—old
black-letter, thou reasonest well. Yes, these eyes are windows, and this
body of mine is the house. What a pity they didn't stop up the chinks and
the crannies though, and thrust in a little lint here and there. But it's
too late to make any improvements now. The universe is finished; the
copestone is on, and the chips were carted off a million years ago. Poor
Lazarus there, chattering his teeth against the curbstone for his pillow,
and shaking off his tatters with his shiverings, he might plug up both
ears with rags, and put a corn-cob into his mouth, and yet that would not
keep out the tempestuous Euroclydon. Euroclydon! says old Dives, in his
red silken wrapper—(he had a redder one afterwards) pooh, pooh! What
a fine frosty night; how Orion glitters; what northern lights! Let them
talk of their oriental summer climes of everlasting conservatories; give
me the privilege of making my own summer with my own coals.</p>
<p>But what thinks Lazarus? Can he warm his blue hands by holding them up to
the grand northern lights? Would not Lazarus rather be in Sumatra than
here? Would he not far rather lay him down lengthwise along the line of
the equator; yea, ye gods! go down to the fiery pit itself, in order to
keep out this frost?</p>
<p>Now, that Lazarus should lie stranded there on the curbstone before the
door of Dives, this is more wonderful than that an iceberg should be
moored to one of the Moluccas. Yet Dives himself, he too lives like a Czar
in an ice palace made of frozen sighs, and being a president of a
temperance society, he only drinks the tepid tears of orphans.</p>
<p>But no more of this blubbering now, we are going a-whaling, and there is
plenty of that yet to come. Let us scrape the ice from our frosted feet,
and see what sort of a place this "Spouter" may be.</p>
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