<SPAN name="startofbook"></SPAN>
<h1> SHE STOOPS TO CONQUER </h1>
<p><br/></p>
<h2> by Oliver Goldsmith </h2>
<p><br/></p>
<h3> She Stoops To Conquer; Or, The Mistakes Of A Night. <br/> <br/> A Comedy. </h3>
<p><br/></p>
<h4>
To Samuel Johnson, LL.D.
</h4>
<p>Dear Sir,—By inscribing this slight performance to you, I do not
mean so much to compliment you as myself. It may do me some honour to
inform the public, that I have lived many years in intimacy with you. It
may serve the interests of mankind also to inform them, that the greatest
wit may be found in a character, without impairing the most unaffected
piety.</p>
<p>I have, particularly, reason to thank you for your partiality to this
performance. The undertaking a comedy not merely sentimental was very
dangerous; and Mr. Colman, who saw this piece in its various stages,
always thought it so. However, I ventured to trust it to the public; and,
though it was necessarily delayed till late in the season, I have every
reason to be grateful.</p>
<p>I am, dear Sir, your most sincere friend and admirer,</p>
<p><i>OLIVER GOLDSMITH.</i> <br/> <br/></p>
<hr />
<p><br/></p>
<h2> Contents </h2>
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<td>
<p><SPAN href="#link2H_PROL"> PROLOGUE, </SPAN></p>
<p><SPAN href="#link2H_4_0002"> DRAMATIS PERSONAE. </SPAN></p>
<p><SPAN href="#link2H_4_0003"> ACT THE FIRST. </SPAN></p>
<p><SPAN href="#link2H_4_0004"> ACT THE SECOND. </SPAN></p>
<p><SPAN href="#link2H_4_0005"> ACT THE THIRD. </SPAN></p>
<p><SPAN href="#link2H_4_0006"> ACT THE FOURTH. </SPAN></p>
<p><SPAN href="#link2H_4_0007"> ACT THE FIFTH. </SPAN></p>
</td>
</tr>
</table>
<p><br/></p>
<hr />
<p><SPAN name="link2H_PROL" id="link2H_PROL"></SPAN></p>
<h2> PROLOGUE, </h2>
<h3> By David Garrick, Esq. </h3>
<p>Enter MR. WOODWARD, dressed in black, and holding a handkerchief to his
eyes.</p>
<p>Excuse me, sirs, I pray—I can’t yet speak—<br/>
I’m crying now—and have been all the week.<br/>
“’Tis not alone this mourning suit,” good masters:<br/>
“I’ve that within”—for which there are no plasters!<br/>
Pray, would you know the reason why I’m crying?<br/>
The Comic Muse, long sick, is now a-dying!<br/>
And if she goes, my tears will never stop;<br/>
For as a player, I can’t squeeze out one drop:<br/>
I am undone, that’s all—shall lose my bread—<br/>
I’d rather, but that’s nothing—lose my head.<br/>
When the sweet maid is laid upon the bier,<br/>
Shuter and I shall be chief mourners here.<br/>
To her a mawkish drab of spurious breed,<br/>
Who deals in sentimentals, will succeed!<br/>
Poor Ned and I are dead to all intents;<br/>
We can as soon speak Greek as sentiments!<br/>
Both nervous grown, to keep our spirits up.<br/>
We now and then take down a hearty cup.<br/>
What shall we do? If Comedy forsake us,<br/>
They’ll turn us out, and no one else will take us.<br/>
But why can’t I be moral?—Let me try—<br/>
My heart thus pressing—fixed my face and eye—<br/>
With a sententious look, that nothing means,<br/>
(Faces are blocks in sentimental scenes)<br/>
Thus I begin: “All is not gold that glitters,<br/>
“Pleasure seems sweet, but proves a glass of bitters.<br/>
“When Ignorance enters, Folly is at hand:<br/>
“Learning is better far than house and land.<br/>
“Let not your virtue trip; who trips may stumble,<br/>
“And virtue is not virtue, if she tumble.”<br/>
<br/>
I give it up—morals won’t do for me;<br/>
To make you laugh, I must play tragedy.<br/>
One hope remains—hearing the maid was ill,<br/>
A Doctor comes this night to show his skill.<br/>
To cheer her heart, and give your muscles motion,<br/>
He, in Five Draughts prepar’d, presents a potion:<br/>
A kind of magic charm—for be assur’d,<br/>
If you will swallow it, the maid is cur’d:<br/>
But desperate the Doctor, and her case is,<br/>
If you reject the dose, and make wry faces!<br/>
This truth he boasts, will boast it while he lives,<br/>
No poisonous drugs are mixed in what he gives.<br/>
Should he succeed, you’ll give him his degree;<br/>
If not, within he will receive no fee!<br/>
The College YOU, must his pretensions back,<br/>
Pronounce him Regular, or dub him Quack.<br/></p>
<p><SPAN name="link2H_4_0002" id="link2H_4_0002"></SPAN></p>
<br/>
<h2> DRAMATIS PERSONAE. </h2>
<p>MEN.<br/>
<br/>
SIR CHARLES MARLOW Mr. Gardner.<br/>
YOUNG MARLOW (His Son) Mr. Lee Lewes.<br/>
HARDCASTLE Mr. Shuter.<br/>
HASTINGS Mr. Dubellamy.<br/>
TONY LUMPKIN Mr. Quick.<br/>
DIGGORY Mr. Saunders.<br/>
<br/>
WOMEN.<br/>
<br/>
MRS. HARDCASTLE Mrs. Green.<br/>
MISS HARDCASTLE Mrs. Bulkley.<br/>
MISS NEVILLE Mrs. Kniveton.<br/>
MAID Miss Williams.<br/>
<br/>
LANDLORD, SERVANTS, Etc. Etc.<br/></p>
<p><SPAN name="link2H_4_0003" id="link2H_4_0003"></SPAN></p>
<br/>
<h2> ACT THE FIRST. </h2>
<p>SCENE—A Chamber in an old-fashioned House.</p>
<p>Enter MRS. HARDCASTLE and MR. HARDCASTLE.</p>
<p>MRS. HARDCASTLE. I vow, Mr. Hardcastle, you’re very particular. Is there a
creature in the whole country but ourselves, that does not take a trip to
town now and then, to rub off the rust a little? There’s the two Miss
Hoggs, and our neighbour Mrs. Grigsby, go to take a month’s polishing
every winter.</p>
<p>HARDCASTLE. Ay, and bring back vanity and affectation to last them the
whole year. I wonder why London cannot keep its own fools at home! In my
time, the follies of the town crept slowly among us, but now they travel
faster than a stage-coach. Its fopperies come down not only as inside
passengers, but in the very basket.</p>
<p>MRS. HARDCASTLE. Ay, your times were fine times indeed; you have been
telling us of them for many a long year. Here we live in an old rumbling
mansion, that looks for all the world like an inn, but that we never see
company. Our best visitors are old Mrs. Oddfish, the curate’s wife, and
little Cripplegate, the lame dancing-master; and all our entertainment
your old stories of Prince Eugene and the Duke of Marlborough. I hate such
old-fashioned trumpery.</p>
<p>HARDCASTLE. And I love it. I love everything that’s old: old friends, old
times, old manners, old books, old wine; and I believe, Dorothy (taking
her hand), you’ll own I have been pretty fond of an old wife.</p>
<p>MRS. HARDCASTLE. Lord, Mr. Hardcastle, you’re for ever at your Dorothys
and your old wifes. You may be a Darby, but I’ll be no Joan, I promise
you. I’m not so old as you’d make me, by more than one good year. Add
twenty to twenty, and make money of that.</p>
<p>HARDCASTLE. Let me see; twenty added to twenty makes just fifty and seven.</p>
<p>MRS. HARDCASTLE. It’s false, Mr. Hardcastle; I was but twenty when I was
brought to bed of Tony, that I had by Mr. Lumpkin, my first husband; and
he’s not come to years of discretion yet.</p>
<p>HARDCASTLE. Nor ever will, I dare answer for him. Ay, you have taught him
finely.</p>
<p>MRS. HARDCASTLE. No matter. Tony Lumpkin has a good fortune. My son is not
to live by his learning. I don’t think a boy wants much learning to spend
fifteen hundred a year.</p>
<p>HARDCASTLE. Learning, quotha! a mere composition of tricks and mischief.</p>
<p>MRS. HARDCASTLE. Humour, my dear; nothing but humour. Come, Mr.
Hardcastle, you must allow the boy a little humour.</p>
<p>HARDCASTLE. I’d sooner allow him a horse-pond. If burning the footmen’s
shoes, frightening the maids, and worrying the kittens be humour, he has
it. It was but yesterday he fastened my wig to the back of my chair, and
when I went to make a bow, I popt my bald head in Mrs. Frizzle’s face.</p>
<p>MRS. HARDCASTLE. And am I to blame? The poor boy was always too sickly to
do any good. A school would be his death. When he comes to be a little
stronger, who knows what a year or two’s Latin may do for him?</p>
<p>HARDCASTLE. Latin for him! A cat and fiddle. No, no; the alehouse and the
stable are the only schools he’ll ever go to.</p>
<p>MRS. HARDCASTLE. Well, we must not snub the poor boy now, for I believe we
shan’t have him long among us. Anybody that looks in his face may see he’s
consumptive.</p>
<p>HARDCASTLE. Ay, if growing too fat be one of the symptoms.</p>
<p>MRS. HARDCASTLE. He coughs sometimes.</p>
<p>HARDCASTLE. Yes, when his liquor goes the wrong way.</p>
<p>MRS. HARDCASTLE. I’m actually afraid of his lungs.</p>
<p>HARDCASTLE. And truly so am I; for he sometimes whoops like a speaking
trumpet—(Tony hallooing behind the scenes)—O, there he goes—a
very consumptive figure, truly.</p>
<p>Enter TONY, crossing the stage.</p>
<p>MRS. HARDCASTLE. Tony, where are you going, my charmer? Won’t you give
papa and I a little of your company, lovee?</p>
<p>TONY. I’m in haste, mother; I cannot stay.</p>
<p>MRS. HARDCASTLE. You shan’t venture out this raw evening, my dear; you
look most shockingly.</p>
<p>TONY. I can’t stay, I tell you. The Three Pigeons expects me down every
moment. There’s some fun going forward.</p>
<p>HARDCASTLE. Ay; the alehouse, the old place: I thought so.</p>
<p>MRS. HARDCASTLE. A low, paltry set of fellows.</p>
<p>TONY. Not so low, neither. There’s Dick Muggins the exciseman, Jack Slang
the horse doctor, Little Aminadab that grinds the music box, and Tom Twist
that spins the pewter platter.</p>
<p>MRS. HARDCASTLE. Pray, my dear, disappoint them for one night at least.</p>
<p>TONY. As for disappointing them, I should not so much mind; but I can’t
abide to disappoint myself.</p>
<p>MRS. HARDCASTLE. (detaining him.) You shan’t go.</p>
<p>TONY. I will, I tell you.</p>
<p>MRS. HARDCASTLE. I say you shan’t.</p>
<p>TONY. We’ll see which is strongest, you or I. [Exit, hauling her out.]</p>
<p>HARDCASTLE. (solus.) Ay, there goes a pair that only spoil each other. But
is not the whole age in a combination to drive sense and discretion out of
doors? There’s my pretty darling Kate! the fashions of the times have
almost infected her too. By living a year or two in town, she is as fond
of gauze and French frippery as the best of them.</p>
<p>Enter MISS HARDCASTLE.</p>
<p>HARDCASTLE. Blessings on my pretty innocence! drest out as usual, my Kate.
Goodness! What a quantity of superfluous silk hast thou got about thee,
girl! I could never teach the fools of this age, that the indigent world
could be clothed out of the trimmings of the vain.</p>
<p>MISS HARDCASTLE. You know our agreement, sir. You allow me the morning to
receive and pay visits, and to dress in my own manner; and in the evening
I put on my housewife’s dress to please you.</p>
<p>HARDCASTLE. Well, remember, I insist on the terms of our agreement; and,
by the bye, I believe I shall have occasion to try your obedience this
very evening.</p>
<p>MISS HARDCASTLE. I protest, sir, I don’t comprehend your meaning.</p>
<p>HARDCASTLE. Then to be plain with you, Kate, I expect the young gentleman
I have chosen to be your husband from town this very day. I have his
father’s letter, in which he informs me his son is set out, and that he
intends to follow himself shortly after.</p>
<p>MISS HARDCASTLE. Indeed! I wish I had known something of this before.
Bless me, how shall I behave? It’s a thousand to one I shan’t like him;
our meeting will be so formal, and so like a thing of business, that I
shall find no room for friendship or esteem.</p>
<p>HARDCASTLE. Depend upon it, child, I’ll never control your choice; but Mr.
Marlow, whom I have pitched upon, is the son of my old friend, Sir Charles
Marlow, of whom you have heard me talk so often. The young gentleman has
been bred a scholar, and is designed for an employment in the service of
his country. I am told he’s a man of an excellent understanding.</p>
<p>MISS HARDCASTLE. Is he?</p>
<p>HARDCASTLE. Very generous.</p>
<p>MISS HARDCASTLE. I believe I shall like him.</p>
<p>HARDCASTLE. Young and brave.</p>
<p>MISS HARDCASTLE. I’m sure I shall like him.</p>
<p>HARDCASTLE. And very handsome.</p>
<p>MISS HARDCASTLE. My dear papa, say no more, (kissing his hand), he’s mine;
I’ll have him.</p>
<p>HARDCASTLE. And, to crown all, Kate, he’s one of the most bashful and
reserved young fellows in all the world.</p>
<p>MISS HARDCASTLE. Eh! you have frozen me to death again. That word RESERVED
has undone all the rest of his accomplishments. A reserved lover, it is
said, always makes a suspicious husband.</p>
<p>HARDCASTLE. On the contrary, modesty seldom resides in a breast that is
not enriched with nobler virtues. It was the very feature in his character
that first struck me.</p>
<p>MISS HARDCASTLE. He must have more striking features to catch me, I
promise you. However, if he be so young, so handsome, and so everything as
you mention, I believe he’ll do still. I think I’ll have him.</p>
<p>HARDCASTLE. Ay, Kate, but there is still an obstacle. It’s more than an
even wager he may not have you.</p>
<p>MISS HARDCASTLE. My dear papa, why will you mortify one so?—Well, if
he refuses, instead of breaking my heart at his indifference, I’ll only
break my glass for its flattery, set my cap to some newer fashion, and
look out for some less difficult admirer.</p>
<p>HARDCASTLE. Bravely resolved! In the mean time I’ll go prepare the
servants for his reception: as we seldom see company, they want as much
training as a company of recruits the first day’s muster. [Exit.]</p>
<p>MISS HARDCASTLE. (Alone). Lud, this news of papa’s puts me all in a
flutter. Young, handsome: these he put last; but I put them foremost.
Sensible, good-natured; I like all that. But then reserved and sheepish;
that’s much against him. Yet can’t he be cured of his timidity, by being
taught to be proud of his wife? Yes, and can’t I—But I vow I’m
disposing of the husband before I have secured the lover.</p>
<p>Enter MISS NEVILLE.</p>
<p>MISS HARDCASTLE. I’m glad you’re come, Neville, my dear. Tell me,
Constance, how do I look this evening? Is there anything whimsical about
me? Is it one of my well-looking days, child? Am I in face to-day?</p>
<p>MISS NEVILLE. Perfectly, my dear. Yet now I look again—bless me!—sure
no accident has happened among the canary birds or the gold fishes. Has
your brother or the cat been meddling? or has the last novel been too
moving?</p>
<p>MISS HARDCASTLE. No; nothing of all this. I have been threatened—I
can scarce get it out—I have been threatened with a lover.</p>
<p>MISS NEVILLE. And his name—</p>
<p>MISS HARDCASTLE. Is Marlow.</p>
<p>MISS NEVILLE. Indeed!</p>
<p>MISS HARDCASTLE. The son of Sir Charles Marlow.</p>
<p>MISS NEVILLE. As I live, the most intimate friend of Mr. Hastings, my
admirer. They are never asunder. I believe you must have seen him when we
lived in town.</p>
<p>MISS HARDCASTLE. Never.</p>
<p>MISS NEVILLE. He’s a very singular character, I assure you. Among women of
reputation and virtue he is the modestest man alive; but his acquaintance
give him a very different character among creatures of another stamp: you
understand me.</p>
<p>MISS HARDCASTLE. An odd character indeed. I shall never be able to manage
him. What shall I do? Pshaw, think no more of him, but trust to
occurrences for success. But how goes on your own affair, my dear? has my
mother been courting you for my brother Tony as usual?</p>
<p>MISS NEVILLE. I have just come from one of our agreeable tete-a-tetes. She
has been saying a hundred tender things, and setting off her pretty
monster as the very pink of perfection.</p>
<p>MISS HARDCASTLE. And her partiality is such, that she actually thinks him
so. A fortune like yours is no small temptation. Besides, as she has the
sole management of it, I’m not surprised to see her unwilling to let it go
out of the family.</p>
<p>MISS NEVILLE. A fortune like mine, which chiefly consists in jewels, is no
such mighty temptation. But at any rate, if my dear Hastings be but
constant, I make no doubt to be too hard for her at last. However, I let
her suppose that I am in love with her son; and she never once dreams that
my affections are fixed upon another.</p>
<p>MISS HARDCASTLE. My good brother holds out stoutly. I could almost love
him for hating you so.</p>
<p>MISS NEVILLE. It is a good-natured creature at bottom, and I’m sure would
wish to see me married to anybody but himself. But my aunt’s bell rings
for our afternoon’s walk round the improvements. Allons! Courage is
necessary, as our affairs are critical.</p>
<p>MISS HARDCASTLE. “Would it were bed-time, and all were well.” [Exeunt.]</p>
<p>SCENE—An Alehouse Room. Several shabby Fellows with punch and
tobacco. TONY at the head of the table, a little higher than the rest, a
mallet in his hand.</p>
<p>OMNES. Hurrea! hurrea! hurrea! bravo!</p>
<p>FIRST FELLOW Now, gentlemen, silence for a song. The ’squire is going to
knock himself down for a song.</p>
<p>OMNES. Ay, a song, a song!</p>
<p>TONY. Then I’ll sing you, gentlemen, a song I made upon this alehouse, the
Three Pigeons.</p>
<p>SONG.</p>
<p>Let schoolmasters puzzle their brain<br/>
With grammar, and nonsense, and learning,<br/>
Good liquor, I stoutly maintain,<br/>
Gives GENUS a better discerning.<br/>
Let them brag of their heathenish gods,<br/>
Their Lethes, their Styxes, and Stygians,<br/>
Their Quis, and their Quaes, and their Quods,<br/>
They’re all but a parcel of Pigeons.<br/>
Toroddle, toroddle, toroll.<br/>
<br/>
When methodist preachers come down,<br/>
A-preaching that drinking is sinful,<br/>
I’ll wager the rascals a crown,<br/>
They always preach best with a skinful.<br/>
But when you come down with your pence,<br/>
For a slice of their scurvy religion,<br/>
I’ll leave it to all men of sense,<br/>
But you, my good friend, are the Pigeon.<br/>
Toroddle, toroddle, toroll.<br/>
<br/>
Then come, put the jorum about,<br/>
And let us be merry and clever,<br/>
Our hearts and our liquors are stout,<br/>
Here’s the Three Jolly Pigeons for ever.<br/>
Let some cry up woodcock or hare,<br/>
Your bustards, your ducks, and your widgeons;<br/>
But of all the GAY birds in the air,<br/>
Here’s a health to the Three Jolly Pigeons.<br/>
Toroddle, toroddle, toroll.<br/></p>
<p>OMNES. Bravo, bravo!</p>
<p>FIRST FELLOW. The ’squire has got spunk in him.</p>
<p>SECOND FELLOW. I loves to hear him sing, bekeays he never gives us nothing
that’s low.</p>
<p>THIRD FELLOW. O damn anything that’s low, I cannot bear it.</p>
<p>FOURTH FELLOW. The genteel thing is the genteel thing any time: if so be
that a gentleman bees in a concatenation accordingly.</p>
<p>THIRD FELLOW. I likes the maxum of it, Master Muggins. What, though I am
obligated to dance a bear, a man may be a gentleman for all that. May this
be my poison, if my bear ever dances but to the very genteelest of tunes;
“Water Parted,” or “The minuet in Ariadne.”</p>
<p>SECOND FELLOW. What a pity it is the ’squire is not come to his own. It
would be well for all the publicans within ten miles round of him.</p>
<p>TONY. Ecod, and so it would, Master Slang. I’d then show what it was to
keep choice of company.</p>
<p>SECOND FELLOW. O he takes after his own father for that. To be sure old
’Squire Lumpkin was the finest gentleman I ever set my eyes on. For
winding the straight horn, or beating a thicket for a hare, or a wench, he
never had his fellow. It was a saying in the place, that he kept the best
horses, dogs, and girls, in the whole county.</p>
<p>TONY. Ecod, and when I’m of age, I’ll be no bastard, I promise you. I have
been thinking of Bet Bouncer and the miller’s grey mare to begin with. But
come, my boys, drink about and be merry, for you pay no reckoning. Well,
Stingo, what’s the matter?</p>
<p>Enter Landlord.</p>
<p>LANDLORD. There be two gentlemen in a post-chaise at the door. They have
lost their way upo’ the forest; and they are talking something about Mr.
Hardcastle.</p>
<p>TONY. As sure as can be, one of them must be the gentleman that’s coming
down to court my sister. Do they seem to be Londoners?</p>
<p>LANDLORD. I believe they may. They look woundily like Frenchmen.</p>
<p>TONY. Then desire them to step this way, and I’ll set them right in a
twinkling. (Exit Landlord.) Gentlemen, as they mayn’t be good enough
company for you, step down for a moment, and I’ll be with you in the
squeezing of a lemon. [Exeunt mob.]</p>
<p>TONY. (solus). Father-in-law has been calling me whelp and hound this half
year. Now, if I pleased, I could be so revenged upon the old
grumbletonian. But then I’m afraid—afraid of what? I shall soon be
worth fifteen hundred a year, and let him frighten me out of THAT if he
can.</p>
<p>Enter Landlord, conducting MARLOW and HASTINGS.</p>
<p>MARLOW. What a tedious uncomfortable day have we had of it! We were told
it was but forty miles across the country, and we have come above
threescore.</p>
<p>HASTINGS. And all, Marlow, from that unaccountable reserve of yours, that
would not let us inquire more frequently on the way.</p>
<p>MARLOW. I own, Hastings, I am unwilling to lay myself under an obligation
to every one I meet, and often stand the chance of an unmannerly answer.</p>
<p>HASTINGS. At present, however, we are not likely to receive any answer.</p>
<p>TONY. No offence, gentlemen. But I’m told you have been inquiring for one
Mr. Hardcastle in these parts. Do you know what part of the country you
are in?</p>
<p>HASTINGS. Not in the least, sir, but should thank you for information.</p>
<p>TONY. Nor the way you came?</p>
<p>HASTINGS. No, sir: but if you can inform us——</p>
<p>TONY. Why, gentlemen, if you know neither the road you are going, nor
where you are, nor the road you came, the first thing I have to inform you
is, that—you have lost your way.</p>
<p>MARLOW. We wanted no ghost to tell us that.</p>
<p>TONY. Pray, gentlemen, may I be so bold so as to ask the place from whence
you came?</p>
<p>MARLOW. That’s not necessary towards directing us where we are to go.</p>
<p>TONY. No offence; but question for question is all fair, you know. Pray,
gentlemen, is not this same Hardcastle a cross-grained, old-fashioned,
whimsical fellow, with an ugly face, a daughter, and a pretty son?</p>
<p>HASTINGS. We have not seen the gentleman; but he has the family you
mention.</p>
<p>TONY. The daughter, a tall, trapesing, trolloping, talkative maypole; the
son, a pretty, well-bred, agreeable youth, that everybody is fond of.</p>
<p>MARLOW. Our information differs in this. The daughter is said to be
well-bred and beautiful; the son an awkward booby, reared up and spoiled
at his mother’s apron-string.</p>
<p>TONY. He-he-hem!—Then, gentlemen, all I have to tell you is, that
you won’t reach Mr. Hardcastle’s house this night, I believe.</p>
<p>HASTINGS. Unfortunate!</p>
<p>TONY. It’s a damn’d long, dark, boggy, dirty, dangerous way. Stingo, tell
the gentlemen the way to Mr. Hardcastle’s! (Winking upon the Landlord.)
Mr. Hardcastle’s, of Quagmire Marsh, you understand me.</p>
<p>LANDLORD. Master Hardcastle’s! Lock-a-daisy, my masters, you’re come a
deadly deal wrong! When you came to the bottom of the hill, you should
have crossed down Squash Lane.</p>
<p>MARLOW. Cross down Squash Lane!</p>
<p>LANDLORD. Then you were to keep straight forward, till you came to four
roads.</p>
<p>MARLOW. Come to where four roads meet?</p>
<p>TONY. Ay; but you must be sure to take only one of them.</p>
<p>MARLOW. O, sir, you’re facetious.</p>
<p>TONY. Then keeping to the right, you are to go sideways till you come upon
Crackskull Common: there you must look sharp for the track of the wheel,
and go forward till you come to farmer Murrain’s barn. Coming to the
farmer’s barn, you are to turn to the right, and then to the left, and
then to the right about again, till you find out the old mill—</p>
<p>MARLOW. Zounds, man! we could as soon find out the longitude!</p>
<p>HASTINGS. What’s to be done, Marlow?</p>
<p>MARLOW. This house promises but a poor reception; though perhaps the
landlord can accommodate us.</p>
<p>LANDLORD. Alack, master, we have but one spare bed in the whole house.</p>
<p>TONY. And to my knowledge, that’s taken up by three lodgers already.
(After a pause, in which the rest seem disconcerted.) I have hit it. Don’t
you think, Stingo, our landlady could accommodate the gentlemen by the
fire-side, with——three chairs and a bolster?</p>
<p>HASTINGS. I hate sleeping by the fire-side.</p>
<p>MARLOW. And I detest your three chairs and a bolster.</p>
<p>TONY. You do, do you? then, let me see—what if you go on a mile
further, to the Buck’s Head; the old Buck’s Head on the hill, one of the
best inns in the whole county?</p>
<p>HASTINGS. O ho! so we have escaped an adventure for this night, however.</p>
<p>LANDLORD. (apart to TONY). Sure, you ben’t sending them to your father’s
as an inn, be you?</p>
<p>TONY. Mum, you fool you. Let THEM find that out. (To them.) You have only
to keep on straight forward, till you come to a large old house by the
road side. You’ll see a pair of large horns over the door. That’s the
sign. Drive up the yard, and call stoutly about you.</p>
<p>HASTINGS. Sir, we are obliged to you. The servants can’t miss the way?</p>
<p>TONY. No, no: but I tell you, though, the landlord is rich, and going to
leave off business; so he wants to be thought a gentleman, saving your
presence, he! he! he! He’ll be for giving you his company; and, ecod, if
you mind him, he’ll persuade you that his mother was an alderman, and his
aunt a justice of peace.</p>
<p>LANDLORD. A troublesome old blade, to be sure; but a keeps as good wines
and beds as any in the whole country.</p>
<p>MARLOW. Well, if he supplies us with these, we shall want no farther
connexion. We are to turn to the right, did you say?</p>
<p>TONY. No, no; straight forward. I’ll just step myself, and show you a
piece of the way. (To the Landlord.) Mum!</p>
<p>LANDLORD. Ah, bless your heart, for a sweet, pleasant—damn’d
mischievous son of a whore. [Exeunt.]</p>
<p><SPAN name="link2H_4_0004" id="link2H_4_0004"></SPAN></p>
<br/>
<h2> ACT THE SECOND. </h2>
<p>SCENE—An old-fashioned House.</p>
<p>Enter HARDCASTLE, followed by three or four awkward Servants.</p>
<p>HARDCASTLE. Well, I hope you are perfect in the table exercise I have been
teaching you these three days. You all know your posts and your places,
and can show that you have been used to good company, without ever
stirring from home.</p>
<p>OMNES. Ay, ay.</p>
<p>HARDCASTLE. When company comes you are not to pop out and stare, and then
run in again, like frightened rabbits in a warren.</p>
<p>OMNES. No, no.</p>
<p>HARDCASTLE. You, Diggory, whom I have taken from the barn, are to make a
show at the side-table; and you, Roger, whom I have advanced from the
plough, are to place yourself behind my chair. But you’re not to stand so,
with your hands in your pockets. Take your hands from your pockets, Roger;
and from your head, you blockhead you. See how Diggory carries his hands.
They’re a little too stiff, indeed, but that’s no great matter.</p>
<p>DIGGORY. Ay, mind how I hold them. I learned to hold my hands this way
when I was upon drill for the militia. And so being upon drill——</p>
<p>HARDCASTLE. You must not be so talkative, Diggory. You must be all
attention to the guests. You must hear us talk, and not think of talking;
you must see us drink, and not think of drinking; you must see us eat, and
not think of eating.</p>
<p>DIGGORY. By the laws, your worship, that’s parfectly unpossible. Whenever
Diggory sees yeating going forward, ecod, he’s always wishing for a
mouthful himself.</p>
<p>HARDCASTLE. Blockhead! Is not a belly-full in the kitchen as good as a
belly-full in the parlour? Stay your stomach with that reflection.</p>
<p>DIGGORY. Ecod, I thank your worship, I’ll make a shift to stay my stomach
with a slice of cold beef in the pantry.</p>
<p>HARDCASTLE. Diggory, you are too talkative.—Then, if I happen to say
a good thing, or tell a good story at table, you must not all burst out
a-laughing, as if you made part of the company.</p>
<p>DIGGORY. Then ecod your worship must not tell the story of Ould Grouse in
the gun-room: I can’t help laughing at that—he! he! he!—for
the soul of me. We have laughed at that these twenty years—ha! ha!
ha!</p>
<p>HARDCASTLE. Ha! ha! ha! The story is a good one. Well, honest Diggory, you
may laugh at that—but still remember to be attentive. Suppose one of
the company should call for a glass of wine, how will you behave? A glass
of wine, sir, if you please (to DIGGORY).—Eh, why don’t you move?</p>
<p>DIGGORY. Ecod, your worship, I never have courage till I see the eatables
and drinkables brought upo’ the table, and then I’m as bauld as a lion.</p>
<p>HARDCASTLE. What, will nobody move?</p>
<p>FIRST SERVANT. I’m not to leave this pleace.</p>
<p>SECOND SERVANT. I’m sure it’s no pleace of mine.</p>
<p>THIRD SERVANT. Nor mine, for sartain.</p>
<p>DIGGORY. Wauns, and I’m sure it canna be mine.</p>
<p>HARDCASTLE. You numskulls! and so while, like your betters, you are
quarrelling for places, the guests must be starved. O you dunces! I find I
must begin all over again——But don’t I hear a coach drive into
the yard? To your posts, you blockheads. I’ll go in the mean time and give
my old friend’s son a hearty reception at the gate. [Exit HARDCASTLE.]</p>
<p>DIGGORY. By the elevens, my pleace is gone quite out of my head.</p>
<p>ROGER. I know that my pleace is to be everywhere.</p>
<p>FIRST SERVANT. Where the devil is mine?</p>
<p>SECOND SERVANT. My pleace is to be nowhere at all; and so I’ze go about my
business. [Exeunt Servants, running about as if frightened, different
ways.]</p>
<p>Enter Servant with candles, showing in MARLOW and HASTINGS.</p>
<p>SERVANT. Welcome, gentlemen, very welcome! This way.</p>
<p>HASTINGS. After the disappointments of the day, welcome once more,
Charles, to the comforts of a clean room and a good fire. Upon my word, a
very well-looking house; antique but creditable.</p>
<p>MARLOW. The usual fate of a large mansion. Having first ruined the master
by good housekeeping, it at last comes to levy contributions as an inn.</p>
<p>HASTINGS. As you say, we passengers are to be taxed to pay all these
fineries. I have often seen a good sideboard, or a marble chimney-piece,
though not actually put in the bill, inflame a reckoning confoundedly.</p>
<p>MARLOW. Travellers, George, must pay in all places: the only difference
is, that in good inns you pay dearly for luxuries; in bad inns you are
fleeced and starved.</p>
<p>HASTINGS. You have lived very much among them. In truth, I have been often
surprised, that you who have seen so much of the world, with your natural
good sense, and your many opportunities, could never yet acquire a
requisite share of assurance.</p>
<p>MARLOW. The Englishman’s malady. But tell me, George, where could I have
learned that assurance you talk of? My life has been chiefly spent in a
college or an inn, in seclusion from that lovely part of the creation that
chiefly teach men confidence. I don’t know that I was ever familiarly
acquainted with a single modest woman—except my mother—But
among females of another class, you know——</p>
<p>HASTINGS. Ay, among them you are impudent enough of all conscience.</p>
<p>MARLOW. They are of US, you know.</p>
<p>HASTINGS. But in the company of women of reputation I never saw such an
idiot, such a trembler; you look for all the world as if you wanted an
opportunity of stealing out of the room.</p>
<p>MARLOW. Why, man, that’s because I do want to steal out of the room.
Faith, I have often formed a resolution to break the ice, and rattle away
at any rate. But I don’t know how, a single glance from a pair of fine
eyes has totally overset my resolution. An impudent fellow may counterfeit
modesty; but I’ll be hanged if a modest man can ever counterfeit
impudence.</p>
<p>HASTINGS. If you could but say half the fine things to them that I have
heard you lavish upon the bar-maid of an inn, or even a college bed-maker——</p>
<p>MARLOW. Why, George, I can’t say fine things to them; they freeze, they
petrify me. They may talk of a comet, or a burning mountain, or some such
bagatelle; but, to me, a modest woman, drest out in all her finery, is the
most tremendous object of the whole creation.</p>
<p>HASTINGS. Ha! ha! ha! At this rate, man, how can you ever expect to marry?</p>
<p>MARLOW. Never; unless, as among kings and princes, my bride were to be
courted by proxy. If, indeed, like an Eastern bridegroom, one were to be
introduced to a wife he never saw before, it might be endured. But to go
through all the terrors of a formal courtship, together with the episode
of aunts, grandmothers, and cousins, and at last to blurt out the broad
staring question of, Madam, will you marry me? No, no, that’s a strain
much above me, I assure you.</p>
<p>HASTINGS. I pity you. But how do you intend behaving to the lady you are
come down to visit at the request of your father?</p>
<p>MARLOW. As I behave to all other ladies. Bow very low, answer yes or no to
all her demands—But for the rest, I don’t think I shall venture to
look in her face till I see my father’s again.</p>
<p>HASTINGS. I’m surprised that one who is so warm a friend can be so cool a
lover.</p>
<p>MARLOW. To be explicit, my dear Hastings, my chief inducement down was to
be instrumental in forwarding your happiness, not my own. Miss Neville
loves you, the family don’t know you; as my friend you are sure of a
reception, and let honour do the rest.</p>
<p>HASTINGS. My dear Marlow! But I’ll suppress the emotion. Were I a wretch,
meanly seeking to carry off a fortune, you should be the last man in the
world I would apply to for assistance. But Miss Neville’s person is all I
ask, and that is mine, both from her deceased father’s consent, and her
own inclination.</p>
<p>MARLOW. Happy man! You have talents and art to captivate any woman. I’m
doom’d to adore the sex, and yet to converse with the only part of it I
despise. This stammer in my address, and this awkward prepossessing visage
of mine, can never permit me to soar above the reach of a milliner’s
’prentice, or one of the duchesses of Drury-lane. Pshaw! this fellow here
to interrupt us.</p>
<p>Enter HARDCASTLE.</p>
<p>HARDCASTLE. Gentlemen, once more you are heartily welcome. Which is Mr.
Marlow? Sir, you are heartily welcome. It’s not my way, you see, to
receive my friends with my back to the fire. I like give them a hearty
reception in the old style at my gate. I like to see their horses and
trunks taken care of.</p>
<p>MARLOW. (Aside.) He has got our names from the servants already. (To him.)
We approve your caution and hospitality, sir. (To HASTINGS.) I have been
thinking, George, of changing our travelling dresses in the morning. I am
grown confoundedly ashamed of mine.</p>
<p>HARDCASTLE. I beg, Mr. Marlow, you’ll use no ceremony in this house.</p>
<p>HASTINGS. I fancy, Charles, you’re right: the first blow is half the
battle. I intend opening the campaign with the white and gold.</p>
<p>HARDCASTLE. Mr. Marlow—Mr. Hastings—gentlemen—pray be
under no constraint in this house. This is Liberty-hall, gentlemen. You
may do just as you please here.</p>
<p>MARLOW. Yet, George, if we open the campaign too fiercely at first, we may
want ammunition before it is over. I think to reserve the embroidery to
secure a retreat.</p>
<p>HARDCASTLE. Your talking of a retreat, Mr. Marlow, puts me in mind of the
Duke of Marlborough, when we went to besiege Denain. He first summoned the
garrison——</p>
<p>MARLOW. Don’t you think the ventre d’or waistcoat will do with the plain
brown?</p>
<p>HARDCASTLE. He first summoned the garrison, which might consist of about
five thousand men——</p>
<p>HASTINGS. I think not: brown and yellow mix but very poorly.</p>
<p>HARDCASTLE. I say, gentlemen, as I was telling you, be summoned the
garrison, which might consist of about five thousand men——</p>
<p>MARLOW. The girls like finery.</p>
<p>HARDCASTLE. Which might consist of about five thousand men, well appointed
with stores, ammunition, and other implements of war. Now, says the Duke
of Marlborough to George Brooks, that stood next to him—you must
have heard of George Brooks—I’ll pawn my dukedom, says he, but I
take that garrison without spilling a drop of blood. So——</p>
<p>MARLOW. What, my good friend, if you gave us a glass of punch in the mean
time; it would help us to carry on the siege with vigour.</p>
<p>HARDCASTLE. Punch, sir! (Aside.) This is the most unaccountable kind of
modesty I ever met with.</p>
<p>MARLOW. Yes, sir, punch. A glass of warm punch, after our journey, will be
comfortable. This is Liberty-hall, you know.</p>
<p>HARDCASTLE. Here’s a cup, sir.</p>
<p>MARLOW. (Aside.) So this fellow, in his Liberty-hall, will only let us
have just what he pleases.</p>
<p>HARDCASTLE. (Taking the cup.) I hope you’ll find it to your mind. I have
prepared it with my own hands, and I believe you’ll own the ingredients
are tolerable. Will you be so good as to pledge me, sir? Here, Mr. Marlow,
here is to our better acquaintance. [Drinks.]</p>
<p>MARLOW. (Aside.) A very impudent fellow this! but he’s a character, and
I’ll humour him a little. Sir, my service to you. [Drinks.]</p>
<p>HASTINGS. (Aside.) I see this fellow wants to give us his company, and
forgets that he’s an innkeeper, before he has learned to be a gentleman.</p>
<p>MARLOW. From the excellence of your cup, my old friend, I suppose you have
a good deal of business in this part of the country. Warm work, now and
then, at elections, I suppose.</p>
<p>HARDCASTLE. No, sir, I have long given that work over. Since our betters
have hit upon the expedient of electing each other, there is no business
“for us that sell ale.”</p>
<p>HASTINGS. So, then, you have no turn for politics, I find.</p>
<p>HARDCASTLE. Not in the least. There was a time, indeed, I fretted myself
about the mistakes of government, like other people; but finding myself
every day grow more angry, and the government growing no better, I left it
to mend itself. Since that, I no more trouble my head about Hyder Ally, or
Ally Cawn, than about Ally Croker. Sir, my service to you.</p>
<p>HASTINGS. So that with eating above stairs, and drinking below, with
receiving your friends within, and amusing them without, you lead a good
pleasant bustling life of it.</p>
<p>HARDCASTLE. I do stir about a great deal, that’s certain. Half the
differences of the parish are adjusted in this very parlour.</p>
<p>MARLOW. (After drinking.) And you have an argument in your cup, old
gentleman, better than any in Westminster-hall.</p>
<p>HARDCASTLE. Ay, young gentleman, that, and a little philosophy.</p>
<p>MARLOW. (Aside.) Well, this is the first time I ever heard of an
innkeeper’s philosophy.</p>
<p>HASTINGS. So then, like an experienced general, you attack them on every
quarter. If you find their reason manageable, you attack it with your
philosophy; if you find they have no reason, you attack them with this.
Here’s your health, my philosopher. [Drinks.]</p>
<p>HARDCASTLE. Good, very good, thank you; ha! ha! Your generalship puts me
in mind of Prince Eugene, when he fought the Turks at the battle of
Belgrade. You shall hear.</p>
<p>MARLOW. Instead of the battle of Belgrade, I believe it’s almost time to
talk about supper. What has your philosophy got in the house for supper?</p>
<p>HARDCASTLE. For supper, sir! (Aside.) Was ever such a request to a man in
his own house?</p>
<p>MARLOW. Yes, sir, supper, sir; I begin to feel an appetite. I shall make
devilish work to-night in the larder, I promise you.</p>
<p>HARDCASTLE. (Aside.) Such a brazen dog sure never my eyes beheld. (To
him.) Why, really, sir, as for supper I can’t well tell. My Dorothy and
the cook-maid settle these things between them. I leave these kind of
things entirely to them.</p>
<p>MARLOW. You do, do you?</p>
<p>HARDCASTLE. Entirely. By the bye, I believe they are in actual
consultation upon what’s for supper this moment in the kitchen.</p>
<p>MARLOW. Then I beg they’ll admit me as one of their privy council. It’s a
way I have got. When I travel, I always chose to regulate my own supper.
Let the cook be called. No offence I hope, sir.</p>
<p>HARDCASTLE. O no, sir, none in the least; yet I don’t know how; our
Bridget, the cook-maid, is not very communicative upon these occasions.
Should we send for her, she might scold us all out of the house.</p>
<p>HASTINGS. Let’s see your list of the larder then. I ask it as a favour. I
always match my appetite to my bill of fare.</p>
<p>MARLOW. (To HARDCASTLE, who looks at them with surprise.) Sir, he’s very
right, and it’s my way too.</p>
<p>HARDCASTLE. Sir, you have a right to command here. Here, Roger, bring us
the bill of fare for to-night’s supper: I believe it’s drawn out—Your
manner, Mr. Hastings, puts me in mind of my uncle, Colonel Wallop. It was
a saying of his, that no man was sure of his supper till he had eaten it.</p>
<p>HASTINGS. (Aside.) All upon the high rope! His uncle a colonel! we shall
soon hear of his mother being a justice of the peace. But let’s hear the
bill of fare.</p>
<p>MARLOW. (Perusing.) What’s here? For the first course; for the second
course; for the dessert. The devil, sir, do you think we have brought down
a whole Joiners’ Company, or the corporation of Bedford, to eat up such a
supper? Two or three little things, clean and comfortable, will do.</p>
<p>HASTINGS. But let’s hear it.</p>
<p>MARLOW. (Reading.) For the first course, at the top, a pig and prune
sauce.</p>
<p>HASTINGS. Damn your pig, I say.</p>
<p>MARLOW. And damn your prune sauce, say I.</p>
<p>HARDCASTLE. And yet, gentlemen, to men that are hungry, pig with prune
sauce is very good eating.</p>
<p>MARLOW. At the bottom, a calf’s tongue and brains.</p>
<p>HASTINGS. Let your brains be knocked out, my good sir, I don’t like them.</p>
<p>MARLOW. Or you may clap them on a plate by themselves. I do.</p>
<p>HARDCASTLE. (Aside.) Their impudence confounds me. (To them.) Gentlemen,
you are my guests, make what alterations you please. Is there anything
else you wish to retrench or alter, gentlemen?</p>
<p>MARLOW. Item, a pork pie, a boiled rabbit and sausages, a Florentine, a
shaking pudding, and a dish of tiff—taff—taffety cream.</p>
<p>HASTINGS. Confound your made dishes; I shall be as much at a loss in this
house as at a green and yellow dinner at the French ambassador’s table.
I’m for plain eating.</p>
<p>HARDCASTLE. I’m sorry, gentlemen, that I have nothing you like, but if
there be anything you have a particular fancy to——</p>
<p>MARLOW. Why, really, sir, your bill of fare is so exquisite, that any one
part of it is full as good as another. Send us what you please. So much
for supper. And now to see that our beds are aired, and properly taken
care of.</p>
<p>HARDCASTLE. I entreat you’ll leave that to me. You shall not stir a step.</p>
<p>MARLOW. Leave that to you! I protest, sir, you must excuse me, I always
look to these things myself.</p>
<p>HARDCASTLE. I must insist, sir, you’ll make yourself easy on that head.</p>
<p>MARLOW. You see I’m resolved on it. (Aside.) A very troublesome fellow
this, as I ever met with.</p>
<p>HARDCASTLE. Well, sir, I’m resolved at least to attend you. (Aside.) This
may be modern modesty, but I never saw anything look so like old-fashioned
impudence. [Exeunt MARLOW and HARDCASTLE.]</p>
<p>HASTINGS. (Alone.) So I find this fellow’s civilities begin to grow
troublesome. But who can be angry at those assiduities which are meant to
please him? Ha! what do I see? Miss Neville, by all that’s happy!</p>
<p>Enter MISS NEVILLE.</p>
<p>MISS NEVILLE. My dear Hastings! To what unexpected good fortune, to what
accident, am I to ascribe this happy meeting?</p>
<p>HASTINGS. Rather let me ask the same question, as I could never have hoped
to meet my dearest Constance at an inn.</p>
<p>MISS NEVILLE. An inn! sure you mistake: my aunt, my guardian, lives here.
What could induce you to think this house an inn?</p>
<p>HASTINGS. My friend, Mr. Marlow, with whom I came down, and I, have been
sent here as to an inn, I assure you. A young fellow, whom we accidentally
met at a house hard by, directed us hither.</p>
<p>MISS NEVILLE. Certainly it must be one of my hopeful cousin’s tricks, of
whom you have heard me talk so often; ha! ha! ha!</p>
<p>HASTINGS. He whom your aunt intends for you? he of whom I have such just
apprehensions?</p>
<p>MISS NEVILLE. You have nothing to fear from him, I assure you. You’d adore
him, if you knew how heartily he despises me. My aunt knows it too, and
has undertaken to court me for him, and actually begins to think she has
made a conquest.</p>
<p>HASTINGS. Thou dear dissembler! You must know, my Constance, I have just
seized this happy opportunity of my friend’s visit here to get admittance
into the family. The horses that carried us down are now fatigued with
their journey, but they’ll soon be refreshed; and then, if my dearest girl
will trust in her faithful Hastings, we shall soon be landed in France,
where even among slaves the laws of marriage are respected.</p>
<p>MISS NEVILLE. I have often told you, that though ready to obey you, I yet
should leave my little fortune behind with reluctance. The greatest part
of it was left me by my uncle, the India director, and chiefly consists in
jewels. I have been for some time persuading my aunt to let me wear them.
I fancy I’m very near succeeding. The instant they are put into my
possession, you shall find me ready to make them and myself yours.</p>
<p>HASTINGS. Perish the baubles! Your person is all I desire. In the mean
time, my friend Marlow must not be let into his mistake. I know the
strange reserve of his temper is such, that if abruptly informed of it, he
would instantly quit the house before our plan was ripe for execution.</p>
<p>MISS NEVILLE. But how shall we keep him in the deception? Miss Hardcastle
is just returned from walking; what if we still continue to deceive him?——This,
this way——[They confer.]</p>
<p>Enter MARLOW.</p>
<p>MARLOW. The assiduities of these good people teaze me beyond bearing. My
host seems to think it ill manners to leave me alone, and so he claps not
only himself, but his old-fashioned wife, on my back. They talk of coming
to sup with us too; and then, I suppose, we are to run the gantlet through
all the rest of the family.—What have we got here?</p>
<p>HASTINGS. My dear Charles! Let me congratulate you!—The most
fortunate accident!—Who do you think is just alighted?</p>
<p>MARLOW. Cannot guess.</p>
<p>HASTINGS. Our mistresses, boy, Miss Hardcastle and Miss Neville. Give me
leave to introduce Miss Constance Neville to your acquaintance. Happening
to dine in the neighbourhood, they called on their return to take fresh
horses here. Miss Hardcastle has just stept into the next room, and will
be back in an instant. Wasn’t it lucky? eh!</p>
<p>MARLOW. (Aside.) I have been mortified enough of all conscience, and here
comes something to complete my embarrassment.</p>
<p>HASTINGS. Well, but wasn’t it the most fortunate thing in the world?</p>
<p>MARLOW. Oh! yes. Very fortunate—a most joyful encounter—But
our dresses, George, you know are in disorder—What if we should
postpone the happiness till to-morrow?—To-morrow at her own house—It
will be every bit as convenient—and rather more respectful—To-morrow
let it be. [Offering to go.]</p>
<p>MISS NEVILLE. By no means, sir. Your ceremony will displease her. The
disorder of your dress will show the ardour of your impatience. Besides,
she knows you are in the house, and will permit you to see her.</p>
<p>MARLOW. O! the devil! how shall I support it? Hem! hem! Hastings, you must
not go. You are to assist me, you know. I shall be confoundedly
ridiculous. Yet, hang it! I’ll take courage. Hem!</p>
<p>HASTINGS. Pshaw, man! it’s but the first plunge, and all’s over. She’s but
a woman, you know.</p>
<p>MARLOW. And, of all women, she that I dread most to encounter.</p>
<p>Enter MISS HARDCASTLE, as returned from walking, a bonnet, etc.</p>
<p>HASTINGS. (Introducing them.) Miss Hardcastle, Mr. Marlow. I’m proud of
bringing two persons of such merit together, that only want to know, to
esteem each other.</p>
<p>MISS HARDCASTLE. (Aside.) Now for meeting my modest gentleman with a
demure face, and quite in his own manner. (After a pause, in which he
appears very uneasy and disconcerted.) I’m glad of your safe arrival, sir.
I’m told you had some accidents by the way.</p>
<p>MARLOW. Only a few, madam. Yes, we had some. Yes, madam, a good many
accidents, but should be sorry—madam—or rather glad of any
accidents—that are so agreeably concluded. Hem!</p>
<p>HASTINGS. (To him.) You never spoke better in your whole life. Keep it up,
and I’ll insure you the victory.</p>
<p>MISS HARDCASTLE. I’m afraid you flatter, sir. You that have seen so much
of the finest company, can find little entertainment in an obscure corner
of the country.</p>
<p>MARLOW. (Gathering courage.) I have lived, indeed, in the world, madam;
but I have kept very little company. I have been but an observer upon
life, madam, while others were enjoying it.</p>
<p>MISS NEVILLE. But that, I am told, is the way to enjoy it at last.</p>
<p>HASTINGS. (To him.) Cicero never spoke better. Once more, and you are
confirmed in assurance for ever.</p>
<p>MARLOW. (To him.) Hem! Stand by me, then, and when I’m down, throw in a
word or two, to set me up again.</p>
<p>MISS HARDCASTLE. An observer, like you, upon life were, I fear,
disagreeably employed, since you must have had much more to censure than
to approve.</p>
<p>MARLOW. Pardon me, madam. I was always willing to be amused. The folly of
most people is rather an object of mirth than uneasiness.</p>
<p>HASTINGS. (To him.) Bravo, bravo. Never spoke so well in your whole life.
Well, Miss Hardcastle, I see that you and Mr. Marlow are going to be very
good company. I believe our being here will but embarrass the interview.</p>
<p>MARLOW. Not in the least, Mr. Hastings. We like your company of all
things. (To him.) Zounds! George, sure you won’t go? how can you leave us?</p>
<p>HASTINGS. Our presence will but spoil conversation, so we’ll retire to the
next room. (To him.) You don’t consider, man, that we are to manage a
little tete-a-tete of our own. [Exeunt.]</p>
<p>MISS HARDCASTLE. (after a pause). But you have not been wholly an
observer, I presume, sir: the ladies, I should hope, have employed some
part of your addresses.</p>
<p>MARLOW. (Relapsing into timidity.) Pardon me, madam, I—I—I—as
yet have studied—only—to—deserve them.</p>
<p>MISS HARDCASTLE. And that, some say, is the very worst way to obtain them.</p>
<p>MARLOW. Perhaps so, madam. But I love to converse only with the more grave
and sensible part of the sex. But I’m afraid I grow tiresome.</p>
<p>MISS HARDCASTLE. Not at all, sir; there is nothing I like so much as grave
conversation myself; I could hear it for ever. Indeed, I have often been
surprised how a man of sentiment could ever admire those light airy
pleasures, where nothing reaches the heart.</p>
<p>MARLOW. It’s——a disease——of the mind, madam. In
the variety of tastes there must be some who, wanting a relish——for——um—a—um.</p>
<p>MISS HARDCASTLE. I understand you, sir. There must be some, who, wanting a
relish for refined pleasures, pretend to despise what they are incapable
of tasting.</p>
<p>MARLOW. My meaning, madam, but infinitely better expressed. And I can’t
help observing——a——</p>
<p>MISS HARDCASTLE. (Aside.) Who could ever suppose this fellow impudent upon
some occasions? (To him.) You were going to observe, sir——</p>
<p>MARLOW. I was observing, madam—I protest, madam, I forget what I was
going to observe.</p>
<p>MISS HARDCASTLE. (Aside.) I vow and so do I. (To him.) You were observing,
sir, that in this age of hypocrisy—something about hypocrisy, sir.</p>
<p>MARLOW. Yes, madam. In this age of hypocrisy there are few who upon strict
inquiry do not—a—a—a—</p>
<p>MISS HARDCASTLE. I understand you perfectly, sir.</p>
<p>MARLOW. (Aside.) Egad! and that’s more than I do myself.</p>
<p>MISS HARDCASTLE. You mean that in this hypocritical age there are few that
do not condemn in public what they practise in private, and think they pay
every debt to virtue when they praise it.</p>
<p>MARLOW. True, madam; those who have most virtue in their mouths, have
least of it in their bosoms. But I’m sure I tire you, madam.</p>
<p>MISS HARDCASTLE. Not in the least, sir; there’s something so agreeable and
spirited in your manner, such life and force—pray, sir, go on.</p>
<p>MARLOW. Yes, madam. I was saying——that there are some
occasions, when a total want of courage, madam, destroys all the——and
puts us——upon a—a—a—</p>
<p>MISS HARDCASTLE. I agree with you entirely; a want of courage upon some
occasions assumes the appearance of ignorance, and betrays us when we most
want to excel. I beg you’ll proceed.</p>
<p>MARLOW. Yes, madam. Morally speaking, madam—But I see Miss Neville
expecting us in the next room. I would not intrude for the world.</p>
<p>MISS HARDCASTLE. I protest, sir, I never was more agreeably entertained in
all my life. Pray go on.</p>
<p>MARLOW. Yes, madam, I was——But she beckons us to join her.
Madam, shall I do myself the honour to attend you?</p>
<p>MISS HARDCASTLE. Well, then, I’ll follow.</p>
<p>MARLOW. (Aside.) This pretty smooth dialogue has done for me. [Exit.]</p>
<p>MISS HARDCASTLE. (Alone.) Ha! ha! ha! Was there ever such a sober,
sentimental interview? I’m certain he scarce looked in my face the whole
time. Yet the fellow, but for his unaccountable bashfulness, is pretty
well too. He has good sense, but then so buried in his fears, that it
fatigues one more than ignorance. If I could teach him a little
confidence, it would be doing somebody that I know of a piece of service.
But who is that somebody?—That, faith, is a question I can scarce
answer. [Exit.]</p>
<p>Enter TONY and MISS NEVILLE, followed by MRS. HARDCASTLE and HASTINGS.</p>
<p>TONY. What do you follow me for, cousin Con? I wonder you’re not ashamed
to be so very engaging.</p>
<p>MISS NEVILLE. I hope, cousin, one may speak to one’s own relations, and
not be to blame.</p>
<p>TONY. Ay, but I know what sort of a relation you want to make me, though;
but it won’t do. I tell you, cousin Con, it won’t do; so I beg you’ll keep
your distance, I want no nearer relationship. [She follows, coquetting him
to the back scene.]</p>
<p>MRS. HARDCASTLE. Well! I vow, Mr. Hastings, you are very entertaining.
There’s nothing in the world I love to talk of so much as London, and the
fashions, though I was never there myself.</p>
<p>HASTINGS. Never there! You amaze me! From your air and manner, I concluded
you had been bred all your life either at Ranelagh, St. James’s, or Tower
Wharf.</p>
<p>MRS. HARDCASTLE. O! sir, you’re only pleased to say so. We country persons
can have no manner at all. I’m in love with the town, and that serves to
raise me above some of our neighbouring rustics; but who can have a
manner, that has never seen the Pantheon, the Grotto Gardens, the Borough,
and such places where the nobility chiefly resort? All I can do is to
enjoy London at second-hand. I take care to know every tete-a-tete from
the Scandalous Magazine, and have all the fashions, as they come out, in a
letter from the two Miss Rickets of Crooked Lane. Pray how do you like
this head, Mr. Hastings?</p>
<p>HASTINGS. Extremely elegant and degagee, upon my word, madam. Your friseur
is a Frenchman, I suppose?</p>
<p>MRS. HARDCASTLE. I protest, I dressed it myself from a print in the
Ladies’ Memorandum-book for the last year.</p>
<p>HASTINGS. Indeed! Such a head in a side-box at the play-house would draw
as many gazers as my Lady Mayoress at a City Ball.</p>
<p>MRS. HARDCASTLE. I vow, since inoculation began, there is no such thing to
be seen as a plain woman; so one must dress a little particular, or one
may escape in the crowd.</p>
<p>HASTINGS. But that can never be your case, madam, in any dress. (Bowing.)</p>
<p>MRS. HARDCASTLE. Yet, what signifies my dressing when I have such a piece
of antiquity by my side as Mr. Hardcastle: all I can say will never argue
down a single button from his clothes. I have often wanted him to throw
off his great flaxen wig, and where he was bald, to plaster it over, like
my Lord Pately, with powder.</p>
<p>HASTINGS. You are right, madam; for, as among the ladies there are none
ugly, so among the men there are none old.</p>
<p>MRS. HARDCASTLE. But what do you think his answer was? Why, with his usual
Gothic vivacity, he said I only wanted him to throw off his wig, to
convert it into a tete for my own wearing.</p>
<p>HASTINGS. Intolerable! At your age you may wear what you please, and it
must become you.</p>
<p>MRS. HARDCASTLE. Pray, Mr. Hastings, what do you take to be the most
fashionable age about town?</p>
<p>HASTINGS. Some time ago, forty was all the mode; but I’m told the ladies
intend to bring up fifty for the ensuing winter.</p>
<p>MRS. HARDCASTLE. Seriously. Then I shall be too young for the fashion.</p>
<p>HASTINGS. No lady begins now to put on jewels till she’s past forty. For
instance, Miss there, in a polite circle, would be considered as a child,
as a mere maker of samplers.</p>
<p>MRS. HARDCASTLE. And yet Mrs. Niece thinks herself as much a woman, and is
as fond of jewels, as the oldest of us all.</p>
<p>HASTINGS. Your niece, is she? And that young gentleman, a brother of
yours, I should presume?</p>
<p>MRS. HARDCASTLE. My son, sir. They are contracted to each other. Observe
their little sports. They fall in and out ten times a day, as if they were
man and wife already. (To them.) Well, Tony, child, what soft things are
you saying to your cousin Constance this evening?</p>
<p>TONY. I have been saying no soft things; but that it’s very hard to be
followed about so. Ecod! I’ve not a place in the house now that’s left to
myself, but the stable.</p>
<p>MRS. HARDCASTLE. Never mind him, Con, my dear. He’s in another story
behind your back.</p>
<p>MISS NEVILLE. There’s something generous in my cousin’s manner. He falls
out before faces to be forgiven in private.</p>
<p>TONY. That’s a damned confounded—crack.</p>
<p>MRS. HARDCASTLE. Ah! he’s a sly one. Don’t you think they are like each
other about the mouth, Mr. Hastings? The Blenkinsop mouth to a T. They’re
of a size too. Back to back, my pretties, that Mr. Hastings may see you.
Come, Tony.</p>
<p>TONY. You had as good not make me, I tell you. (Measuring.)</p>
<p>MISS NEVILLE. O lud! he has almost cracked my head.</p>
<p>MRS. HARDCASTLE. O, the monster! For shame, Tony. You a man, and behave
so!</p>
<p>TONY. If I’m a man, let me have my fortin. Ecod! I’ll not be made a fool
of no longer.</p>
<p>MRS. HARDCASTLE. Is this, ungrateful boy, all that I’m to get for the
pains I have taken in your education? I that have rocked you in your
cradle, and fed that pretty mouth with a spoon! Did not I work that
waistcoat to make you genteel? Did not I prescribe for you every day, and
weep while the receipt was operating?</p>
<p>TONY. Ecod! you had reason to weep, for you have been dosing me ever since
I was born. I have gone through every receipt in the Complete Huswife ten
times over; and you have thoughts of coursing me through Quincy next
spring. But, ecod! I tell you, I’ll not be made a fool of no longer.</p>
<p>MRS. HARDCASTLE. Wasn’t it all for your good, viper? Wasn’t it all for
your good?</p>
<p>TONY. I wish you’d let me and my good alone, then. Snubbing this way when
I’m in spirits. If I’m to have any good, let it come of itself; not to
keep dinging it, dinging it into one so.</p>
<p>MRS. HARDCASTLE. That’s false; I never see you when you’re in spirits. No,
Tony, you then go to the alehouse or kennel. I’m never to be delighted
with your agreeable wild notes, unfeeling monster!</p>
<p>TONY. Ecod! mamma, your own notes are the wildest of the two.</p>
<p>MRS. HARDCASTLE. Was ever the like? But I see he wants to break my heart,
I see he does.</p>
<p>HASTINGS. Dear madam, permit me to lecture the young gentleman a little.
I’m certain I can persuade him to his duty.</p>
<p>MRS. HARDCASTLE. Well, I must retire. Come, Constance, my love. You see,
Mr. Hastings, the wretchedness of my situation: was ever poor woman so
plagued with a dear sweet, pretty, provoking, undutiful boy? [Exeunt MRS.
HARDCASTLE and MISS NEVILLE.]</p>
<p>TONY. (Singing.) “There was a young man riding by, and fain would have his
will. Rang do didlo dee.”——Don’t mind her. Let her cry. It’s
the comfort of her heart. I have seen her and sister cry over a book for
an hour together; and they said they liked the book the better the more it
made them cry.</p>
<p>HASTINGS. Then you’re no friend to the ladies, I find, my pretty young
gentleman?</p>
<p>TONY. That’s as I find ’um.</p>
<p>HASTINGS. Not to her of your mother’s choosing, I dare answer? And yet she
appears to me a pretty well-tempered girl.</p>
<p>TONY. That’s because you don’t know her as well as I. Ecod! I know every
inch about her; and there’s not a more bitter cantankerous toad in all
Christendom.</p>
<p>HASTINGS. (Aside.) Pretty encouragement this for a lover!</p>
<p>TONY. I have seen her since the height of that. She has as many tricks as
a hare in a thicket, or a colt the first day’s breaking.</p>
<p>HASTINGS. To me she appears sensible and silent.</p>
<p>TONY. Ay, before company. But when she’s with her playmate, she’s as loud
as a hog in a gate.</p>
<p>HASTINGS. But there is a meek modesty about her that charms me.</p>
<p>TONY. Yes, but curb her never so little, she kicks up, and you’re flung in
a ditch.</p>
<p>HASTINGS. Well, but you must allow her a little beauty.—Yes, you
must allow her some beauty.</p>
<p>TONY. Bandbox! She’s all a made-up thing, mun. Ah! could you but see Bet
Bouncer of these parts, you might then talk of beauty. Ecod, she has two
eyes as black as sloes, and cheeks as broad and red as a pulpit cushion.
She’d make two of she.</p>
<p>HASTINGS. Well, what say you to a friend that would take this bitter
bargain off your hands?</p>
<p>TONY. Anon.</p>
<p>HASTINGS. Would you thank him that would take Miss Neville, and leave you
to happiness and your dear Betsy?</p>
<p>TONY. Ay; but where is there such a friend, for who would take her?</p>
<p>HASTINGS. I am he. If you but assist me, I’ll engage to whip her off to
France, and you shall never hear more of her.</p>
<p>TONY. Assist you! Ecod I will, to the last drop of my blood. I’ll clap a
pair of horses to your chaise that shall trundle you off in a twinkling,
and may he get you a part of her fortin beside, in jewels, that you little
dream of.</p>
<p>HASTINGS. My dear ’squire, this looks like a lad of spirit.</p>
<p>TONY. Come along, then, and you shall see more of my spirit before you
have done with me.</p>
<p>(Singing.) “We are the boys That fears no noise Where the thundering
cannons roar.” [Exeunt.]</p>
<p><SPAN name="link2H_4_0005" id="link2H_4_0005"></SPAN></p>
<br/>
<h2> ACT THE THIRD. </h2>
<p>Enter HARDCASTLE, alone.</p>
<p>HARDCASTLE. What could my old friend Sir Charles mean by recommending his
son as the modestest young man in town? To me he appears the most impudent
piece of brass that ever spoke with a tongue. He has taken possession of
the easy chair by the fire-side already. He took off his boots in the
parlour, and desired me to see them taken care of. I’m desirous to know
how his impudence affects my daughter. She will certainly be shocked at
it.</p>
<p>Enter MISS HARDCASTLE, plainly dressed.</p>
<p>HARDCASTLE. Well, my Kate, I see you have changed your dress, as I bade
you; and yet, I believe, there was no great occasion.</p>
<p>MISS HARDCASTLE. I find such a pleasure, sir, in obeying your commands,
that I take care to observe them without ever debating their propriety.</p>
<p>HARDCASTLE. And yet, Kate, I sometimes give you some cause, particularly
when I recommended my modest gentleman to you as a lover to-day.</p>
<p>MISS HARDCASTLE. You taught me to expect something extraordinary, and I
find the original exceeds the description.</p>
<p>HARDCASTLE. I was never so surprised in my life! He has quite confounded
all my faculties!</p>
<p>MISS HARDCASTLE. I never saw anything like it: and a man of the world too!</p>
<p>HARDCASTLE. Ay, he learned it all abroad—what a fool was I, to think
a young man could learn modesty by travelling. He might as soon learn wit
at a masquerade.</p>
<p>MISS HARDCASTLE. It seems all natural to him.</p>
<p>HARDCASTLE. A good deal assisted by bad company and a French
dancing-master.</p>
<p>MISS HARDCASTLE. Sure you mistake, papa! A French dancing-master could
never have taught him that timid look—that awkward address—that
bashful manner—</p>
<p>HARDCASTLE. Whose look? whose manner, child?</p>
<p>MISS HARDCASTLE. Mr. Marlow’s: his mauvaise honte, his timidity, struck me
at the first sight.</p>
<p>HARDCASTLE. Then your first sight deceived you; for I think him one of the
most brazen first sights that ever astonished my senses.</p>
<p>MISS HARDCASTLE. Sure, sir, you rally! I never saw any one so modest.</p>
<p>HARDCASTLE. And can you be serious? I never saw such a bouncing,
swaggering puppy since I was born. Bully Dawson was but a fool to him.</p>
<p>MISS HARDCASTLE. Surprising! He met me with a respectful bow, a stammering
voice, and a look fixed on the ground.</p>
<p>HARDCASTLE. He met me with a loud voice, a lordly air, and a familiarity
that made my blood freeze again.</p>
<p>MISS HARDCASTLE. He treated me with diffidence and respect; censured the
manners of the age; admired the prudence of girls that never laughed;
tired me with apologies for being tiresome; then left the room with a bow,
and “Madam, I would not for the world detain you.”</p>
<p>HARDCASTLE. He spoke to me as if he knew me all his life before; asked
twenty questions, and never waited for an answer; interrupted my best
remarks with some silly pun; and when I was in my best story of the Duke
of Marlborough and Prince Eugene, he asked if I had not a good hand at
making punch. Yes, Kate, he asked your father if he was a maker of punch!</p>
<p>MISS HARDCASTLE. One of us must certainly be mistaken.</p>
<p>HARDCASTLE. If he be what he has shown himself, I’m determined he shall
never have my consent.</p>
<p>MISS HARDCASTLE. And if he be the sullen thing I take him, he shall never
have mine.</p>
<p>HARDCASTLE. In one thing then we are agreed—to reject him.</p>
<p>MISS HARDCASTLE. Yes: but upon conditions. For if you should find him less
impudent, and I more presuming—if you find him more respectful, and
I more importunate—I don’t know—the fellow is well enough for
a man—Certainly, we don’t meet many such at a horse-race in the
country.</p>
<p>HARDCASTLE. If we should find him so——But that’s impossible.
The first appearance has done my business. I’m seldom deceived in that.</p>
<p>MISS HARDCASTLE. And yet there may be many good qualities under that first
appearance.</p>
<p>HARDCASTLE. Ay, when a girl finds a fellow’s outside to her taste, she
then sets about guessing the rest of his furniture. With her, a smooth
face stands for good sense, and a genteel figure for every virtue.</p>
<p>MISS HARDCASTLE. I hope, sir, a conversation begun with a compliment to my
good sense, won’t end with a sneer at my understanding?</p>
<p>HARDCASTLE. Pardon me, Kate. But if young Mr. Brazen can find the art of
reconciling contradictions, he may please us both, perhaps.</p>
<p>MISS HARDCASTLE. And as one of us must be mistaken, what if we go to make
further discoveries?</p>
<p>HARDCASTLE. Agreed. But depend on’t I’m in the right.</p>
<p>MISS HARDCASTLE. And depend on’t I’m not much in the wrong. [Exeunt.]</p>
<p>Enter Tony, running in with a casket.</p>
<p>TONY. Ecod! I have got them. Here they are. My cousin Con’s necklaces,
bobs and all. My mother shan’t cheat the poor souls out of their fortin
neither. O! my genus, is that you?</p>
<p>Enter HASTINGS.</p>
<p>HASTINGS. My dear friend, how have you managed with your mother? I hope
you have amused her with pretending love for your cousin, and that you are
willing to be reconciled at last? Our horses will be refreshed in a short
time, and we shall soon be ready to set off.</p>
<p>TONY. And here’s something to bear your charges by the way (giving the
casket); your sweetheart’s jewels. Keep them: and hang those, I say, that
would rob you of one of them.</p>
<p>HASTINGS. But how have you procured them from your mother?</p>
<p>TONY. Ask me no questions, and I’ll tell you no fibs. I procured them by
the rule of thumb. If I had not a key to every drawer in mother’s bureau,
how could I go to the alehouse so often as I do? An honest man may rob
himself of his own at any time.</p>
<p>HASTINGS. Thousands do it every day. But to be plain with you; Miss
Neville is endeavouring to procure them from her aunt this very instant.
If she succeeds, it will be the most delicate way at least of obtaining
them.</p>
<p>TONY. Well, keep them, till you know how it will be. But I know how it
will be well enough; she’d as soon part with the only sound tooth in her
head.</p>
<p>HASTINGS. But I dread the effects of her resentment, when she finds she
has lost them.</p>
<p>TONY. Never you mind her resentment, leave ME to manage that. I don’t
value her resentment the bounce of a cracker. Zounds! here they are.
Morrice! Prance! [Exit HASTINGS.]</p>
<p>Enter MRS. HARDCASTLE and MISS NEVILLE.</p>
<p>MRS. HARDCASTLE. Indeed, Constance, you amaze me. Such a girl as you want
jewels! It will be time enough for jewels, my dear, twenty years hence,
when your beauty begins to want repairs.</p>
<p>MISS NEVILLE. But what will repair beauty at forty, will certainly improve
it at twenty, madam.</p>
<p>MRS. HARDCASTLE. Yours, my dear, can admit of none. That natural blush is
beyond a thousand ornaments. Besides, child, jewels are quite out at
present. Don’t you see half the ladies of our acquaintance, my Lady
Kill-daylight, and Mrs. Crump, and the rest of them, carry their jewels to
town, and bring nothing but paste and marcasites back.</p>
<p>MISS NEVILLE. But who knows, madam, but somebody that shall be nameless
would like me best with all my little finery about me?</p>
<p>MRS. HARDCASTLE. Consult your glass, my dear, and then see if, with such a
pair of eyes, you want any better sparklers. What do you think, Tony, my
dear? does your cousin Con. want any jewels in your eyes to set off her
beauty?</p>
<p>TONY. That’s as thereafter may be.</p>
<p>MISS NEVILLE. My dear aunt, if you knew how it would oblige me.</p>
<p>MRS. HARDCASTLE. A parcel of old-fashioned rose and table-cut things. They
would make you look like the court of King Solomon at a puppet-show.
Besides, I believe, I can’t readily come at them. They may be missing, for
aught I know to the contrary.</p>
<p>TONY. (Apart to MRS. HARDCASTLE.) Then why don’t you tell her so at once,
as she’s so longing for them? Tell her they’re lost. It’s the only way to
quiet her. Say they’re lost, and call me to bear witness.</p>
<p>MRS. HARDCASTLE. (Apart to TONY.) You know, my dear, I’m only keeping them
for you. So if I say they’re gone, you’ll bear me witness, will you? He!
he! he!</p>
<p>TONY. Never fear me. Ecod! I’ll say I saw them taken out with my own eyes.</p>
<p>MISS NEVILLE. I desire them but for a day, madam. Just to be permitted to
show them as relics, and then they may be locked up again.</p>
<p>MRS. HARDCASTLE. To be plain with you, my dear Constance, if I could find
them you should have them. They’re missing, I assure you. Lost, for aught
I know; but we must have patience wherever they are.</p>
<p>MISS NEVILLE. I’ll not believe it! this is but a shallow pretence to deny
me. I know they are too valuable to be so slightly kept, and as you are to
answer for the loss—</p>
<p>MRS. HARDCASTLE. Don’t be alarmed, Constance. If they be lost, I must
restore an equivalent. But my son knows they are missing, and not to be
found.</p>
<p>TONY. That I can bear witness to. They are missing, and not to be found;
I’ll take my oath on’t.</p>
<p>MRS. HARDCASTLE. You must learn resignation, my dear; for though we lose
our fortune, yet we should not lose our patience. See me, how calm I am.</p>
<p>MISS NEVILLE. Ay, people are generally calm at the misfortunes of others.</p>
<p>MRS. HARDCASTLE. Now I wonder a girl of your good sense should waste a
thought upon such trumpery. We shall soon find them; and in the mean time
you shall make use of my garnets till your jewels be found.</p>
<p>MISS NEVILLE. I detest garnets.</p>
<p>MRS. HARDCASTLE. The most becoming things in the world to set off a clear
complexion. You have often seen how well they look upon me. You SHALL have
them. [Exit.]</p>
<p>MISS NEVILLE. I dislike them of all things. You shan’t stir.—Was
ever anything so provoking, to mislay my own jewels, and force me to wear
her trumpery?</p>
<p>TONY. Don’t be a fool. If she gives you the garnets, take what you can
get. The jewels are your own already. I have stolen them out of her
bureau, and she does not know it. Fly to your spark, he’ll tell you more
of the matter. Leave me to manage her.</p>
<p>MISS NEVILLE. My dear cousin!</p>
<p>TONY. Vanish. She’s here, and has missed them already. [Exit MISS
NEVILLE.] Zounds! how she fidgets and spits about like a Catherine wheel.</p>
<p>Enter MRS. HARDCASTLE.</p>
<p>MRS. HARDCASTLE. Confusion! thieves! robbers! we are cheated, plundered,
broke open, undone.</p>
<p>TONY. What’s the matter, what’s the matter, mamma? I hope nothing has
happened to any of the good family!</p>
<p>MRS. HARDCASTLE. We are robbed. My bureau has been broken open, the jewels
taken out, and I’m undone.</p>
<p>TONY. Oh! is that all? Ha! ha! ha! By the laws, I never saw it acted
better in my life. Ecod, I thought you was ruined in earnest, ha! ha! ha!</p>
<p>MRS. HARDCASTLE. Why, boy, I AM ruined in earnest. My bureau has been
broken open, and all taken away.</p>
<p>TONY. Stick to that: ha! ha! ha! stick to that. I’ll bear witness, you
know; call me to bear witness.</p>
<p>MRS. HARDCASTLE. I tell you, Tony, by all that’s precious, the jewels are
gone, and I shall be ruined for ever.</p>
<p>TONY. Sure I know they’re gone, and I’m to say so.</p>
<p>MRS. HARDCASTLE. My dearest Tony, but hear me. They’re gone, I say.</p>
<p>TONY. By the laws, mamma, you make me for to laugh, ha! ha! I know who
took them well enough, ha! ha! ha!</p>
<p>MRS. HARDCASTLE. Was there ever such a blockhead, that can’t tell the
difference between jest and earnest? I tell you I’m not in jest, booby.</p>
<p>TONY. That’s right, that’s right; you must be in a bitter passion, and
then nobody will suspect either of us. I’ll bear witness that they are
gone.</p>
<p>MRS. HARDCASTLE. Was there ever such a cross-grained brute, that won’t
hear me? Can you bear witness that you’re no better than a fool? Was ever
poor woman so beset with fools on one hand, and thieves on the other?</p>
<p>TONY. I can bear witness to that.</p>
<p>MRS. HARDCASTLE. Bear witness again, you blockhead you, and I’ll turn you
out of the room directly. My poor niece, what will become of her? Do you
laugh, you unfeeling brute, as if you enjoyed my distress?</p>
<p>TONY. I can bear witness to that.</p>
<p>MRS. HARDCASTLE. Do you insult me, monster? I’ll teach you to vex your
mother, I will.</p>
<p>TONY. I can bear witness to that. [He runs off, she follows him.]</p>
<p>Enter Miss HARDCASTLE and Maid.</p>
<p>MISS HARDCASTLE. What an unaccountable creature is that brother of mine,
to send them to the house as an inn! ha! ha! I don’t wonder at his
impudence.</p>
<p>MAID. But what is more, madam, the young gentleman, as you passed by in
your present dress, asked me if you were the bar-maid. He mistook you for
the bar-maid, madam.</p>
<p>MISS HARDCASTLE. Did he? Then as I live, I’m resolved to keep up the
delusion. Tell me, Pimple, how do you like my present dress? Don’t you
think I look something like Cherry in the Beaux Stratagem?</p>
<p>MAID. It’s the dress, madam, that every lady wears in the country, but
when she visits or receives company.</p>
<p>MISS HARDCASTLE. And are you sure he does not remember my face or person?</p>
<p>MAID. Certain of it.</p>
<p>MISS HARDCASTLE. I vow, I thought so; for, though we spoke for some time
together, yet his fears were such, that he never once looked up during the
interview. Indeed, if he had, my bonnet would have kept him from seeing
me.</p>
<p>MAID. But what do you hope from keeping him in his mistake?</p>
<p>MISS HARDCASTLE. In the first place I shall be seen, and that is no small
advantage to a girl who brings her face to market. Then I shall perhaps
make an acquaintance, and that’s no small victory gained over one who
never addresses any but the wildest of her sex. But my chief aim is, to
take my gentleman off his guard, and, like an invisible champion of
romance, examine the giant’s force before I offer to combat.</p>
<p>MAID. But you are sure you can act your part, and disguise your voice so
that he may mistake that, as he has already mistaken your person?</p>
<p>MISS HARDCASTLE. Never fear me. I think I have got the true bar cant—Did
your honour call?—Attend the Lion there—Pipes and tobacco for
the Angel.—The Lamb has been outrageous this half-hour.</p>
<p>MAID. It will do, madam. But he’s here. [Exit MAID.]</p>
<p>Enter MARLOW.</p>
<p>MARLOW. What a bawling in every part of the house! I have scarce a
moment’s repose. If I go to the best room, there I find my host and his
story: if I fly to the gallery, there we have my hostess with her curtsey
down to the ground. I have at last got a moment to myself, and now for
recollection. [Walks and muses.]</p>
<p>MISS HARDCASTLE. Did you call, sir? Did your honour call?</p>
<p>MARLOW. (Musing.) As for Miss Hardcastle, she’s too grave and sentimental
for me.</p>
<p>MISS HARDCASTLE. Did your honour call? (She still places herself before
him, he turning away.)</p>
<p>MARLOW. No, child. (Musing.) Besides, from the glimpse I had of her, I
think she squints.</p>
<p>MISS HARDCASTLE. I’m sure, sir, I heard the bell ring.</p>
<p>MARLOW. No, no. (Musing.) I have pleased my father, however, by coming
down, and I’ll to-morrow please myself by returning. [Taking out his
tablets, and perusing.]</p>
<p>MISS HARDCASTLE. Perhaps the other gentleman called, sir?</p>
<p>MARLOW. I tell you, no.</p>
<p>MISS HARDCASTLE. I should be glad to know, sir. We have such a parcel of
servants!</p>
<p>MARLOW. No, no, I tell you. (Looks full in her face.) Yes, child, I think
I did call. I wanted—I wanted—I vow, child, you are vastly
handsome.</p>
<p>MISS HARDCASTLE. O la, sir, you’ll make one ashamed.</p>
<p>MARLOW. Never saw a more sprightly malicious eye. Yes, yes, my dear, I did
call. Have you got any of your—a—what d’ye call it in the
house?</p>
<p>MISS HARDCASTLE. No, sir, we have been out of that these ten days.</p>
<p>MARLOW. One may call in this house, I find, to very little purpose.
Suppose I should call for a taste, just by way of a trial, of the nectar
of your lips; perhaps I might be disappointed in that too.</p>
<p>MISS HARDCASTLE. Nectar! nectar! That’s a liquor there’s no call for in
these parts. French, I suppose. We sell no French wines here, sir.</p>
<p>MARLOW. Of true English growth, I assure you.</p>
<p>MISS HARDCASTLE. Then it’s odd I should not know it. We brew all sorts of
wines in this house, and I have lived here these eighteen years.</p>
<p>MARLOW. Eighteen years! Why, one would think, child, you kept the bar
before you were born. How old are you?</p>
<p>MISS HARDCASTLE. O! sir, I must not tell my age. They say women and music
should never be dated.</p>
<p>MARLOW. To guess at this distance, you can’t be much above forty
(approaching). Yet, nearer, I don’t think so much (approaching). By coming
close to some women they look younger still; but when we come very close
indeed—(attempting to kiss her).</p>
<p>MISS HARDCASTLE. Pray, sir, keep your distance. One would think you wanted
to know one’s age, as they do horses, by mark of mouth.</p>
<p>MARLOW. I protest, child, you use me extremely ill. If you keep me at this
distance, how is it possible you and I can ever be acquainted?</p>
<p>MISS HARDCASTLE. And who wants to be acquainted with you? I want no such
acquaintance, not I. I’m sure you did not treat Miss Hardcastle, that was
here awhile ago, in this obstropalous manner. I’ll warrant me, before her
you looked dashed, and kept bowing to the ground, and talked, for all the
world, as if you was before a justice of peace.</p>
<p>MARLOW. (Aside.) Egad, she has hit it, sure enough! (To her.) In awe of
her, child? Ha! ha! ha! A mere awkward squinting thing; no, no. I find you
don’t know me. I laughed and rallied her a little; but I was unwilling to
be too severe. No, I could not be too severe, curse me!</p>
<p>MISS HARDCASTLE. O! then, sir, you are a favourite, I find, among the
ladies?</p>
<p>MARLOW. Yes, my dear, a great favourite. And yet hang me, I don’t see what
they find in me to follow. At the Ladies’ Club in town I’m called their
agreeable Rattle. Rattle, child, is not my real name, but one I’m known
by. My name is Solomons; Mr. Solomons, my dear, at your service. (Offering
to salute her.)</p>
<p>MISS HARDCASTLE. Hold, sir; you are introducing me to your club, not to
yourself. And you’re so great a favourite there, you say?</p>
<p>MARLOW. Yes, my dear. There’s Mrs. Mantrap, Lady Betty Blackleg, the
Countess of Sligo, Mrs. Langhorns, old Miss Biddy Buckskin, and your
humble servant, keep up the spirit of the place.</p>
<p>MISS HARDCASTLE. Then it’s a very merry place, I suppose?</p>
<p>MARLOW. Yes, as merry as cards, supper, wine, and old women can make us.</p>
<p>MISS HARDCASTLE. And their agreeable Rattle, ha! ha! ha!</p>
<p>MARLOW. (Aside.) Egad! I don’t quite like this chit. She looks knowing,
methinks. You laugh, child?</p>
<p>MISS HARDCASTLE. I can’t but laugh, to think what time they all have for
minding their work or their family.</p>
<p>MARLOW. (Aside.) All’s well; she don’t laugh at me. (To her.) Do you ever
work, child?</p>
<p>MISS HARDCASTLE. Ay, sure. There’s not a screen or quilt in the whole
house but what can bear witness to that.</p>
<p>MARLOW. Odso! then you must show me your embroidery. I embroider and draw
patterns myself a little. If you want a judge of your work, you must apply
to me. (Seizing her hand.)</p>
<p>MISS HARDCASTLE. Ay, but the colours do not look well by candlelight. You
shall see all in the morning. (Struggling.)</p>
<p>MARLOW. And why not now, my angel? Such beauty fires beyond the power of
resistance.—Pshaw! the father here! My old luck: I never nicked
seven that I did not throw ames ace three times following. [Exit MARLOW.]</p>
<p>Enter HARDCASTLE, who stands in surprise.</p>
<p>HARDCASTLE. So, madam. So, I find THIS is your MODEST lover. This is your
humble admirer, that kept his eyes fixed on the ground, and only adored at
humble distance. Kate, Kate, art thou not ashamed to deceive your father
so?</p>
<p>MISS HARDCASTLE. Never trust me, dear papa, but he’s still the modest man
I first took him for; you’ll be convinced of it as well as I.</p>
<p>HARDCASTLE. By the hand of my body, I believe his impudence is infectious!
Didn’t I see him seize your hand? Didn’t I see him haul you about like a
milkmaid? And now you talk of his respect and his modesty, forsooth!</p>
<p>MISS HARDCASTLE. But if I shortly convince you of his modesty, that he has
only the faults that will pass off with time, and the virtues that will
improve with age, I hope you’ll forgive him.</p>
<p>HARDCASTLE. The girl would actually make one run mad! I tell you, I’ll not
be convinced. I am convinced. He has scarce been three hours in the house,
and he has already encroached on all my prerogatives. You may like his
impudence, and call it modesty; but my son-in-law, madam, must have very
different qualifications.</p>
<p>MISS HARDCASTLE. Sir, I ask but this night to convince you.</p>
<p>HARDCASTLE. You shall not have half the time, for I have thoughts of
turning him out this very hour.</p>
<p>MISS HARDCASTLE. Give me that hour then, and I hope to satisfy you.</p>
<p>HARDCASTLE. Well, an hour let it be then. But I’ll have no trifling with
your father. All fair and open, do you mind me.</p>
<p>MISS HARDCASTLE. I hope, sir, you have ever found that I considered your
commands as my pride; for your kindness is such, that my duty as yet has
been inclination. [Exeunt.]</p>
<p><SPAN name="link2H_4_0006" id="link2H_4_0006"></SPAN></p>
<br/>
<h2> ACT THE FOURTH. </h2>
<p>Enter HASTINGS and MISS NEVILLE.</p>
<p>HASTINGS. You surprise me; Sir Charles Marlow expected here this night!
Where have you had your information?</p>
<p>MISS NEVILLE. You may depend upon it. I just saw his letter to Mr.
Hardcastle, in which he tells him he intends setting out a few hours after
his son.</p>
<p>HASTINGS. Then, my Constance, all must be completed before he arrives. He
knows me; and should he find me here, would discover my name, and perhaps
my designs, to the rest of the family.</p>
<p>MISS NEVILLE. The jewels, I hope, are safe?</p>
<p>HASTINGS. Yes, yes, I have sent them to Marlow, who keeps the keys of our
baggage. In the mean time, I’ll go to prepare matters for our elopement. I
have had the ’squire’s promise of a fresh pair of horses; and if I should
not see him again, will write him further directions. [Exit.]</p>
<p>MISS NEVILLE. Well! success attend you. In the mean time I’ll go and amuse
my aunt with the old pretence of a violent passion for my cousin. [Exit.]</p>
<p>Enter MARLOW, followed by a Servant.</p>
<p>MARLOW. I wonder what Hastings could mean by sending me so valuable a
thing as a casket to keep for him, when he knows the only place I have is
the seat of a post-coach at an inn-door. Have you deposited the casket
with the landlady, as I ordered you? Have you put it into her own hands?</p>
<p>SERVANT. Yes, your honour.</p>
<p>MARLOW. She said she’d keep it safe, did she?</p>
<p>SERVANT. Yes, she said she’d keep it safe enough; she asked me how I came
by it; and she said she had a great mind to make me give an account of
myself. [Exit Servant.]</p>
<p>MARLOW. Ha! ha! ha! They’re safe, however. What an unaccountable set of
beings have we got amongst! This little bar-maid though runs in my head
most strangely, and drives out the absurdities of all the rest of the
family. She’s mine, she must be mine, or I’m greatly mistaken.</p>
<p>Enter HASTINGS.</p>
<p>HASTINGS. Bless me! I quite forgot to tell her that I intended to prepare
at the bottom of the garden. Marlow here, and in spirits too!</p>
<p>MARLOW. Give me joy, George! Crown me, shadow me with laurels! Well,
George, after all, we modest fellows don’t want for success among the
women.</p>
<p>HASTINGS. Some women, you mean. But what success has your honour’s modesty
been crowned with now, that it grows so insolent upon us?</p>
<p>MARLOW. Didn’t you see the tempting, brisk, lovely little thing, that runs
about the house with a bunch of keys to its girdle?</p>
<p>HASTINGS. Well, and what then?</p>
<p>MARLOW. She’s mine, you rogue you. Such fire, such motion, such eyes, such
lips; but, egad! she would not let me kiss them though.</p>
<p>HASTINGS. But are you so sure, so very sure of her?</p>
<p>MARLOW. Why, man, she talked of showing me her work above stairs, and I am
to improve the pattern.</p>
<p>HASTINGS. But how can you, Charles, go about to rob a woman of her honour?</p>
<p>MARLOW. Pshaw! pshaw! We all know the honour of the bar-maid of an inn. I
don’t intend to rob her, take my word for it; there’s nothing in this
house I shan’t honestly pay for.</p>
<p>HASTINGS. I believe the girl has virtue.</p>
<p>MARLOW. And if she has, I should be the last man in the world that would
attempt to corrupt it.</p>
<p>HASTINGS. You have taken care, I hope, of the casket I sent you to lock
up? Is it in safety?</p>
<p>MARLOW. Yes, yes. It’s safe enough. I have taken care of it. But how could
you think the seat of a post-coach at an inn-door a place of safety? Ah!
numskull! I have taken better precautions for you than you did for
yourself——I have——</p>
<p>HASTINGS. What?</p>
<p>MARLOW. I have sent it to the landlady to keep for you.</p>
<p>HASTINGS. To the landlady!</p>
<p>MARLOW. The landlady.</p>
<p>HASTINGS. You did?</p>
<p>MARLOW. I did. She’s to be answerable for its forthcoming, you know.</p>
<p>HASTINGS. Yes, she’ll bring it forth with a witness.</p>
<p>MARLOW. Wasn’t I right? I believe you’ll allow that I acted prudently upon
this occasion.</p>
<p>HASTINGS. (Aside.) He must not see my uneasiness.</p>
<p>MARLOW. You seem a little disconcerted though, methinks. Sure nothing has
happened?</p>
<p>HASTINGS. No, nothing. Never was in better spirits in all my life. And so
you left it with the landlady, who, no doubt, very readily undertook the
charge.</p>
<p>MARLOW. Rather too readily. For she not only kept the casket, but, through
her great precaution, was going to keep the messenger too. Ha! ha! ha!</p>
<p>HASTINGS. He! he! he! They’re safe, however.</p>
<p>MARLOW. As a guinea in a miser’s purse.</p>
<p>HASTINGS. (Aside.) So now all hopes of fortune are at an end, and we must
set off without it. (To him.) Well, Charles, I’ll leave you to your
meditations on the pretty bar-maid, and, he! he! he! may you be as
successful for yourself, as you have been for me! [Exit.]</p>
<p>MARLOW. Thank ye, George: I ask no more. Ha! ha! ha!</p>
<p>Enter HARDCASTLE.</p>
<p>HARDCASTLE. I no longer know my own house. It’s turned all topsy-turvy.
His servants have got drunk already. I’ll bear it no longer; and yet, from
my respect for his father, I’ll be calm. (To him.) Mr. Marlow, your
servant. I’m your very humble servant. (Bowing low.)</p>
<p>MARLOW. Sir, your humble servant. (Aside.) What’s to be the wonder now?</p>
<p>HARDCASTLE. I believe, sir, you must be sensible, sir, that no man alive
ought to be more welcome than your father’s son, sir. I hope you think so?</p>
<p>MARLOW. I do from my soul, sir. I don’t want much entreaty. I generally
make my father’s son welcome wherever he goes.</p>
<p>HARDCASTLE. I believe you do, from my soul, sir. But though I say nothing
to your own conduct, that of your servants is insufferable. Their manner
of drinking is setting a very bad example in this house, I assure you.</p>
<p>MARLOW. I protest, my very good sir, that is no fault of mine. If they
don’t drink as they ought, they are to blame. I ordered them not to spare
the cellar. I did, I assure you. (To the side scene.) Here, let one of my
servants come up. (To him.) My positive directions were, that as I did not
drink myself, they should make up for my deficiencies below.</p>
<p>HARDCASTLE. Then they had your orders for what they do? I’m satisfied!</p>
<p>MARLOW. They had, I assure you. You shall hear from one of themselves.</p>
<p>Enter Servant, drunk.</p>
<p>MARLOW. You, Jeremy! Come forward, sirrah! What were my orders? Were you
not told to drink freely, and call for what you thought fit, for the good
of the house?</p>
<p>HARDCASTLE. (Aside.) I begin to lose my patience.</p>
<p>JEREMY. Please your honour, liberty and Fleet-street for ever! Though I’m
but a servant, I’m as good as another man. I’ll drink for no man before
supper, sir, damme! Good liquor will sit upon a good supper, but a good
supper will not sit upon——hiccup——on my
conscience, sir.</p>
<p>MARLOW. You see, my old friend, the fellow is as drunk as he can possibly
be. I don’t know what you’d have more, unless you’d have the poor devil
soused in a beer-barrel.</p>
<p>HARDCASTLE. Zounds! he’ll drive me distracted, if I contain myself any
longer. Mr. Marlow—Sir; I have submitted to your insolence for more
than four hours, and I see no likelihood of its coming to an end. I’m now
resolved to be master here, sir; and I desire that you and your drunken
pack may leave my house directly.</p>
<p>MARLOW. Leave your house!——Sure you jest, my good friend!
What? when I’m doing what I can to please you.</p>
<p>HARDCASTLE. I tell you, sir, you don’t please me; so I desire you’ll leave
my house.</p>
<p>MARLOW. Sure you cannot be serious? At this time o’ night, and such a
night? You only mean to banter me.</p>
<p>HARDCASTLE. I tell you, sir, I’m serious! and now that my passions are
roused, I say this house is mine, sir; this house is mine, and I command
you to leave it directly.</p>
<p>MARLOW. Ha! ha! ha! A puddle in a storm. I shan’t stir a step, I assure
you. (In a serious tone.) This your house, fellow! It’s my house. This is
my house. Mine, while I choose to stay. What right have you to bid me
leave this house, sir? I never met with such impudence, curse me; never in
my whole life before.</p>
<p>HARDCASTLE. Nor I, confound me if ever I did. To come to my house, to call
for what he likes, to turn me out of my own chair, to insult the family,
to order his servants to get drunk, and then to tell me, “This house is
mine, sir.” By all that’s impudent, it makes me laugh. Ha! ha! ha! Pray,
sir (bantering), as you take the house, what think you of taking the rest
of the furniture? There’s a pair of silver candlesticks, and there’s a
fire-screen, and here’s a pair of brazen-nosed bellows; perhaps you may
take a fancy to them?</p>
<p>MARLOW. Bring me your bill, sir; bring me your bill, and let’s make no
more words about it.</p>
<p>HARDCASTLE. There are a set of prints, too. What think you of the Rake’s
Progress, for your own apartment?</p>
<p>MARLOW. Bring me your bill, I say; and I’ll leave you and your infernal
house directly.</p>
<p>HARDCASTLE. Then there’s a mahogany table that you may see your own face
in.</p>
<p>MARLOW. My bill, I say.</p>
<p>HARDCASTLE. I had forgot the great chair for your own particular slumbers,
after a hearty meal.</p>
<p>MARLOW. Zounds! bring me my bill, I say, and let’s hear no more on’t.</p>
<p>HARDCASTLE. Young man, young man, from your father’s letter to me, I was
taught to expect a well-bred modest man as a visitor here, but now I find
him no better than a coxcomb and a bully; but he will be down here
presently, and shall hear more of it. [Exit.]</p>
<p>MARLOW. How’s this? Sure I have not mistaken the house. Everything looks
like an inn. The servants cry, coming; the attendance is awkward; the
bar-maid, too, to attend us. But she’s here, and will further inform me.
Whither so fast, child? A word with you.</p>
<p>Enter MISS HARDCASTLE.</p>
<p>MISS HARDCASTLE. Let it be short, then. I’m in a hurry. (Aside.) I believe
he begins to find out his mistake. But it’s too soon quite to undeceive
him.</p>
<p>MARLOW. Pray, child, answer me one question. What are you, and what may
your business in this house be?</p>
<p>MISS HARDCASTLE. A relation of the family, sir.</p>
<p>MARLOW. What, a poor relation.</p>
<p>MISS HARDCASTLE. Yes, sir. A poor relation, appointed to keep the keys,
and to see that the guests want nothing in my power to give them.</p>
<p>MARLOW. That is, you act as the bar-maid of this inn.</p>
<p>MISS HARDCASTLE. Inn! O law——what brought that in your head?
One of the best families in the country keep an inn—Ha! ha! ha! old
Mr. Hardcastle’s house an inn!</p>
<p>MARLOW. Mr. Hardcastle’s house! Is this Mr. Hardcastle’s house, child?</p>
<p>MISS HARDCASTLE. Ay, sure! Whose else should it be?</p>
<p>MARLOW. So then, all’s out, and I have been damnably imposed on. O,
confound my stupid head, I shall be laughed at over the whole town. I
shall be stuck up in caricatura in all the print-shops. The DULLISSIMO
MACCARONI. To mistake this house of all others for an inn, and my father’s
old friend for an innkeeper! What a swaggering puppy must he take me for!
What a silly puppy do I find myself! There again, may I be hanged, my
dear, but I mistook you for the bar-maid.</p>
<p>MISS HARDCASTLE. Dear me! dear me! I’m sure there’s nothing in my
BEHAVIOUR to put me on a level with one of that stamp.</p>
<p>MARLOW. Nothing, my dear, nothing. But I was in for a list of blunders,
and could not help making you a subscriber. My stupidity saw everything
the wrong way. I mistook your assiduity for assurance, and your simplicity
for allurement. But it’s over. This house I no more show MY face in.</p>
<p>MISS HARDCASTLE. I hope, sir, I have done nothing to disoblige you. I’m
sure I should be sorry to affront any gentleman who has been so polite,
and said so many civil things to me. I’m sure I should be sorry
(pretending to cry) if he left the family upon my account. I’m sure I
should be sorry if people said anything amiss, since I have no fortune but
my character.</p>
<p>MARLOW. (Aside.) By Heaven! she weeps. This is the first mark of
tenderness I ever had from a modest woman, and it touches me. (To her.)
Excuse me, my lovely girl; you are the only part of the family I leave
with reluctance. But to be plain with you, the difference of our birth,
fortune, and education, makes an honourable connexion impossible; and I
can never harbour a thought of seducing simplicity that trusted in my
honour, of bringing ruin upon one whose only fault was being too lovely.</p>
<p>MISS HARDCASTLE. (Aside.) Generous man! I now begin to admire him. (To
him.) But I am sure my family is as good as Miss Hardcastle’s; and though
I’m poor, that’s no great misfortune to a contented mind; and, until this
moment, I never thought that it was bad to want fortune.</p>
<p>MARLOW. And why now, my pretty simplicity?</p>
<p>MISS HARDCASTLE. Because it puts me at a distance from one that, if I had
a thousand pounds, I would give it all to.</p>
<p>MARLOW. (Aside.) This simplicity bewitches me, so that if I stay, I’m
undone. I must make one bold effort, and leave her. (To her.) Your
partiality in my favour, my dear, touches me most sensibly: and were I to
live for myself alone, I could easily fix my choice. But I owe too much to
the opinion of the world, too much to the authority of a father; so that—I
can scarcely speak it—it affects me. Farewell. [Exit.]</p>
<p>MISS HARDCASTLE. I never knew half his merit till now. He shall not go, if
I have power or art to detain him. I’ll still preserve the character in
which I STOOPED TO CONQUER; but will undeceive my papa, who perhaps may
laugh him out of his resolution. [Exit.]</p>
<p>Enter Tony and MISS NEVILLE.</p>
<p>TONY. Ay, you may steal for yourselves the next time. I have done my duty.
She has got the jewels again, that’s a sure thing; but she believes it was
all a mistake of the servants.</p>
<p>MISS NEVILLE. But, my dear cousin, sure you won’t forsake us in this
distress? If she in the least suspects that I am going off, I shall
certainly be locked up, or sent to my aunt Pedigree’s, which is ten times
worse.</p>
<p>TONY. To be sure, aunts of all kinds are damned bad things. But what can I
do? I have got you a pair of horses that will fly like Whistle-jacket; and
I’m sure you can’t say but I have courted you nicely before her face. Here
she comes, we must court a bit or two more, for fear she should suspect
us. [They retire, and seem to fondle.]</p>
<p>Enter MRS. HARDCASTLE.</p>
<p>MRS. HARDCASTLE. Well, I was greatly fluttered, to be sure. But my son
tells me it was all a mistake of the servants. I shan’t be easy, however,
till they are fairly married, and then let her keep her own fortune. But
what do I see? fondling together, as I’m alive. I never saw Tony so
sprightly before. Ah! have I caught you, my pretty doves? What, billing,
exchanging stolen glances and broken murmurs? Ah!</p>
<p>TONY. As for murmurs, mother, we grumble a little now and then, to be
sure. But there’s no love lost between us.</p>
<p>MRS. HARDCASTLE. A mere sprinkling, Tony, upon the flame, only to make it
burn brighter.</p>
<p>MISS NEVILLE. Cousin Tony promises to give us more of his company at home.
Indeed, he shan’t leave us any more. It won’t leave us, cousin Tony, will
it?</p>
<p>TONY. O! it’s a pretty creature. No, I’d sooner leave my horse in a pound,
than leave you when you smile upon one so. Your laugh makes you so
becoming.</p>
<p>MISS NEVILLE. Agreeable cousin! Who can help admiring that natural humour,
that pleasant, broad, red, thoughtless (patting his cheek)—ah! it’s
a bold face.</p>
<p>MRS. HARDCASTLE. Pretty innocence!</p>
<p>TONY. I’m sure I always loved cousin Con.’s hazle eyes, and her pretty
long fingers, that she twists this way and that over the haspicholls, like
a parcel of bobbins.</p>
<p>MRS. HARDCASTLE. Ah! he would charm the bird from the tree. I was never so
happy before. My boy takes after his father, poor Mr. Lumpkin, exactly.
The jewels, my dear Con., shall be yours incontinently. You shall have
them. Isn’t he a sweet boy, my dear? You shall be married to-morrow, and
we’ll put off the rest of his education, like Dr. Drowsy’s sermons, to a
fitter opportunity.</p>
<p>Enter DIGGORY.</p>
<p>DIGGORY. Where’s the ’squire? I have got a letter for your worship.</p>
<p>TONY. Give it to my mamma. She reads all my letters first.</p>
<p>DIGGORY. I had orders to deliver it into your own hands.</p>
<p>TONY. Who does it come from?</p>
<p>DIGGORY. Your worship mun ask that o’ the letter itself.</p>
<p>TONY. I could wish to know though (turning the letter, and gazing on it).</p>
<p>MISS NEVILLE. (Aside.) Undone! undone! A letter to him from Hastings. I
know the hand. If my aunt sees it, we are ruined for ever. I’ll keep her
employed a little if I can. (To MRS. HARDCASTLE.) But I have not told you,
madam, of my cousin’s smart answer just now to Mr. Marlow. We so laughed.—You
must know, madam.—This way a little, for he must not hear us. [They
confer.]</p>
<p>TONY. (Still gazing.) A damned cramp piece of penmanship, as ever I saw in
my life. I can read your print hand very well. But here are such handles,
and shanks, and dashes, that one can scarce tell the head from the tail.—“To
Anthony Lumpkin, Esquire.” It’s very odd, I can read the outside of my
letters, where my own name is, well enough; but when I come to open it,
it’s all——buzz. That’s hard, very hard; for the inside of the
letter is always the cream of the correspondence.</p>
<p>MRS. HARDCASTLE. Ha! ha! ha! Very well, very well. And so my son was too
hard for the philosopher.</p>
<p>MISS NEVILLE. Yes, madam; but you must hear the rest, madam. A little more
this way, or he may hear us. You’ll hear how he puzzled him again.</p>
<p>MRS. HARDCASTLE. He seems strangely puzzled now himself, methinks.</p>
<p>TONY. (Still gazing.) A damned up and down hand, as if it was disguised in
liquor.—(Reading.) Dear Sir,—ay, that’s that. Then there’s an
M, and a T, and an S, but whether the next be an izzard, or an R, confound
me, I cannot tell.</p>
<p>MRS. HARDCASTLE. What’s that, my dear? Can I give you any assistance?</p>
<p>MISS NEVILLE. Pray, aunt, let me read it. Nobody reads a cramp hand better
than I. (Twitching the letter from him.) Do you know who it is from?</p>
<p>TONY. Can’t tell, except from Dick Ginger, the feeder.</p>
<p>MISS NEVILLE. Ay, so it is. (Pretending to read.) Dear ’Squire, hoping
that you’re in health, as I am at this present. The gentlemen of the
Shake-bag club has cut the gentlemen of Goose-green quite out of feather.
The odds—um—odd battle—um—long fighting—um—here,
here, it’s all about cocks and fighting; it’s of no consequence; here, put
it up, put it up. (Thrusting the crumpled letter upon him.)</p>
<p>TONY. But I tell you, miss, it’s of all the consequence in the world. I
would not lose the rest of it for a guinea. Here, mother, do you make it
out. Of no consequence! (Giving MRS. HARDCASTLE the letter.)</p>
<p>MRS. HARDCASTLE. How’s this?—(Reads.) “Dear ’Squire, I’m now waiting
for Miss Neville, with a post-chaise and pair, at the bottom of the
garden, but I find my horses yet unable to perform the journey. I expect
you’ll assist us with a pair of fresh horses, as you promised. Dispatch is
necessary, as the HAG (ay, the hag), your mother, will otherwise suspect
us! Yours, Hastings.” Grant me patience. I shall run distracted! My rage
chokes me.</p>
<p>MISS NEVILLE. I hope, madam, you’ll suspend your resentment for a few
moments, and not impute to me any impertinence, or sinister design, that
belongs to another.</p>
<p>MRS. HARDCASTLE. (Curtseying very low.) Fine spoken, madam, you are most
miraculously polite and engaging, and quite the very pink of courtesy and
circumspection, madam. (Changing her tone.) And you, you great
ill-fashioned oaf, with scarce sense enough to keep your mouth shut: were
you, too, joined against me? But I’ll defeat all your plots in a moment.
As for you, madam, since you have got a pair of fresh horses ready, it
would be cruel to disappoint them. So, if you please, instead of running
away with your spark, prepare, this very moment, to run off with ME. Your
old aunt Pedigree will keep you secure, I’ll warrant me. You too, sir, may
mount your horse, and guard us upon the way. Here, Thomas, Roger, Diggory!
I’ll show you, that I wish you better than you do yourselves. [Exit.]</p>
<p>MISS NEVILLE. So now I’m completely ruined.</p>
<p>TONY. Ay, that’s a sure thing.</p>
<p>MISS NEVILLE. What better could be expected from being connected with such
a stupid fool,—and after all the nods and signs I made him?</p>
<p>TONY. By the laws, miss, it was your own cleverness, and not my stupidity,
that did your business. You were so nice and so busy with your Shake-bags
and Goose-greens, that I thought you could never be making believe.</p>
<p>Enter HASTINGS.</p>
<p>HASTINGS. So, sir, I find by my servant, that you have shown my letter,
and betrayed us. Was this well done, young gentleman?</p>
<p>TONY. Here’s another. Ask miss there, who betrayed you. Ecod, it was her
doing, not mine.</p>
<p>Enter MARLOW.</p>
<p>MARLOW. So I have been finely used here among you. Rendered contemptible,
driven into ill manners, despised, insulted, laughed at.</p>
<p>TONY. Here’s another. We shall have old Bedlam broke loose presently.</p>
<p>MISS NEVILLE. And there, sir, is the gentleman to whom we all owe every
obligation.</p>
<p>MARLOW. What can I say to him, a mere boy, an idiot, whose ignorance and
age are a protection?</p>
<p>HASTINGS. A poor contemptible booby, that would but disgrace correction.</p>
<p>MISS NEVILLE. Yet with cunning and malice enough to make himself merry
with all our embarrassments.</p>
<p>HASTINGS. An insensible cub.</p>
<p>MARLOW. Replete with tricks and mischief.</p>
<p>TONY. Baw! damme, but I’ll fight you both, one after the other——with
baskets.</p>
<p>MARLOW. As for him, he’s below resentment. But your conduct, Mr. Hastings,
requires an explanation. You knew of my mistakes, yet would not undeceive
me.</p>
<p>HASTINGS. Tortured as I am with my own disappointments, is this a time for
explanations? It is not friendly, Mr. Marlow.</p>
<p>MARLOW. But, sir——</p>
<p>MISS NEVILLE. Mr. Marlow, we never kept on your mistake till it was too
late to undeceive you.</p>
<p>Enter Servant.</p>
<p>SERVANT. My mistress desires you’ll get ready immediately, madam. The
horses are putting to. Your hat and things are in the next room. We are to
go thirty miles before morning. [Exit Servant.]</p>
<p>MISS NEVILLE. Well, well: I’ll come presently.</p>
<p>MARLOW. (To HASTINGS.) Was it well done, sir, to assist in rendering me
ridiculous? To hang me out for the scorn of all my acquaintance? Depend
upon it, sir, I shall expect an explanation.</p>
<p>HASTINGS. Was it well done, sir, if you’re upon that subject, to deliver
what I entrusted to yourself, to the care of another sir?</p>
<p>MISS NEVILLE. Mr. Hastings! Mr. Marlow! Why will you increase my distress
by this groundless dispute? I implore, I entreat you——</p>
<p>Enter Servant.</p>
<p>SERVANT. Your cloak, madam. My mistress is impatient. [Exit Servant.]</p>
<p>MISS NEVILLE. I come. Pray be pacified. If I leave you thus, I shall die
with apprehension.</p>
<p>Enter Servant.</p>
<p>SERVANT. Your fan, muff, and gloves, madam. The horses are waiting.</p>
<p>MISS NEVILLE. O, Mr. Marlow! if you knew what a scene of constraint and
ill-nature lies before me, I’m sure it would convert your resentment into
pity.</p>
<p>MARLOW. I’m so distracted with a variety of passions, that I don’t know
what I do. Forgive me, madam. George, forgive me. You know my hasty
temper, and should not exasperate it.</p>
<p>HASTINGS. The torture of my situation is my only excuse.</p>
<p>MISS NEVILLE. Well, my dear Hastings, if you have that esteem for me that
I think, that I am sure you have, your constancy for three years will but
increase the happiness of our future connexion. If——</p>
<p>MRS. HARDCASTLE. (Within.) Miss Neville. Constance, why Constance, I say.</p>
<p>MISS NEVILLE. I’m coming. Well, constancy, remember, constancy is the
word. [Exit.]</p>
<p>HASTINGS. My heart! how can I support this? To be so near happiness, and
such happiness!</p>
<p>MARLOW. (To Tony.) You see now, young gentleman, the effects of your
folly. What might be amusement to you, is here disappointment, and even
distress.</p>
<p>TONY. (From a reverie.) Ecod, I have hit it. It’s here. Your hands. Yours
and yours, my poor Sulky!—My boots there, ho!—Meet me two
hours hence at the bottom of the garden; and if you don’t find Tony
Lumpkin a more good-natured fellow than you thought for, I’ll give you
leave to take my best horse, and Bet Bouncer into the bargain. Come along.
My boots, ho! [Exeunt.]</p>
<p><SPAN name="link2H_4_0007" id="link2H_4_0007"></SPAN></p>
<br/>
<h2> ACT THE FIFTH. </h2>
<p>(SCENE continued.)</p>
<p>Enter HASTINGS and Servant.</p>
<p>HASTINGS. You saw the old lady and Miss Neville drive off, you say?</p>
<p>SERVANT. Yes, your honour. They went off in a post-coach, and the young
’squire went on horseback. They’re thirty miles off by this time.</p>
<p>HASTINGS. Then all my hopes are over.</p>
<p>SERVANT. Yes, sir. Old Sir Charles has arrived. He and the old gentleman
of the house have been laughing at Mr. Marlow’s mistake this half hour.
They are coming this way.</p>
<p>HASTINGS. Then I must not be seen. So now to my fruitless appointment at
the bottom of the garden. This is about the time. [Exit.]</p>
<p>Enter SIR CHARLES and HARDCASTLE.</p>
<p>HARDCASTLE. Ha! ha! ha! The peremptory tone in which he sent forth his
sublime commands!</p>
<p>SIR CHARLES. And the reserve with which I suppose he treated all your
advances.</p>
<p>HARDCASTLE. And yet he might have seen something in me above a common
innkeeper, too.</p>
<p>SIR CHARLES. Yes, Dick, but he mistook you for an uncommon innkeeper, ha!
ha! ha!</p>
<p>HARDCASTLE. Well, I’m in too good spirits to think of anything but joy.
Yes, my dear friend, this union of our families will make our personal
friendships hereditary; and though my daughter’s fortune is but small—</p>
<p>SIR CHARLES. Why, Dick, will you talk of fortune to ME? My son is
possessed of more than a competence already, and can want nothing but a
good and virtuous girl to share his happiness and increase it. If they
like each other, as you say they do—</p>
<p>HARDCASTLE. IF, man! I tell you they DO like each other. My daughter as
good as told me so.</p>
<p>SIR CHARLES. But girls are apt to flatter themselves, you know.</p>
<p>HARDCASTLE. I saw him grasp her hand in the warmest manner myself; and
here he comes to put you out of your IFS, I warrant him.</p>
<p>Enter MARLOW.</p>
<p>MARLOW. I come, sir, once more, to ask pardon for my strange conduct. I
can scarce reflect on my insolence without confusion.</p>
<p>HARDCASTLE. Tut, boy, a trifle! You take it too gravely. An hour or two’s
laughing with my daughter will set all to rights again. She’ll never like
you the worse for it.</p>
<p>MARLOW. Sir, I shall be always proud of her approbation.</p>
<p>HARDCASTLE. Approbation is but a cold word, Mr. Marlow; if I am not
deceived, you have something more than approbation thereabouts. You take
me?</p>
<p>MARLOW. Really, sir, I have not that happiness.</p>
<p>HARDCASTLE. Come, boy, I’m an old fellow, and know what’s what as well as
you that are younger. I know what has passed between you; but mum.</p>
<p>MARLOW. Sure, sir, nothing has passed between us but the most profound
respect on my side, and the most distant reserve on hers. You don’t think,
sir, that my impudence has been passed upon all the rest of the family.</p>
<p>HARDCASTLE. Impudence! No, I don’t say that—not quite impudence—though
girls like to be played with, and rumpled a little too, sometimes. But she
has told no tales, I assure you.</p>
<p>MARLOW. I never gave her the slightest cause.</p>
<p>HARDCASTLE. Well, well, I like modesty in its place well enough. But this
is over-acting, young gentleman. You may be open. Your father and I will
like you all the better for it.</p>
<p>MARLOW. May I die, sir, if I ever——</p>
<p>HARDCASTLE. I tell you, she don’t dislike you; and as I’m sure you like
her——</p>
<p>MARLOW. Dear sir—I protest, sir——</p>
<p>HARDCASTLE. I see no reason why you should not be joined as fast as the
parson can tie you.</p>
<p>MARLOW. But hear me, sir—</p>
<p>HARDCASTLE. Your father approves the match, I admire it; every moment’s
delay will be doing mischief. So—</p>
<p>MARLOW. But why won’t you hear me? By all that’s just and true, I never
gave Miss Hardcastle the slightest mark of my attachment, or even the most
distant hint to suspect me of affection. We had but one interview, and
that was formal, modest, and uninteresting.</p>
<p>HARDCASTLE. (Aside.) This fellow’s formal modest impudence is beyond
bearing.</p>
<p>SIR CHARLES. And you never grasped her hand, or made any protestations?</p>
<p>MARLOW. As Heaven is my witness, I came down in obedience to your
commands. I saw the lady without emotion, and parted without reluctance. I
hope you’ll exact no farther proofs of my duty, nor prevent me from
leaving a house in which I suffer so many mortifications. [Exit.]</p>
<p>SIR CHARLES. I’m astonished at the air of sincerity with which he parted.</p>
<p>HARDCASTLE. And I’m astonished at the deliberate intrepidity of his
assurance.</p>
<p>SIR CHARLES. I dare pledge my life and honour upon his truth.</p>
<p>HARDCASTLE. Here comes my daughter, and I would stake my happiness upon
her veracity.</p>
<p>Enter MISS HARDCASTLE.</p>
<p>HARDCASTLE. Kate, come hither, child. Answer us sincerely and without
reserve: has Mr. Marlow made you any professions of love and affection?</p>
<p>MISS HARDCASTLE. The question is very abrupt, sir. But since you require
unreserved sincerity, I think he has.</p>
<p>HARDCASTLE. (To SIR CHARLES.) You see.</p>
<p>SIR CHARLES. And pray, madam, have you and my son had more than one
interview?</p>
<p>MISS HARDCASTLE. Yes, sir, several.</p>
<p>HARDCASTLE. (To SIR CHARLES.) You see.</p>
<p>SIR CHARLES. But did be profess any attachment?</p>
<p>MISS HARDCASTLE. A lasting one.</p>
<p>SIR CHARLES. Did he talk of love?</p>
<p>MISS HARDCASTLE. Much, sir.</p>
<p>SIR CHARLES. Amazing! And all this formally?</p>
<p>MISS HARDCASTLE. Formally.</p>
<p>HARDCASTLE. Now, my friend, I hope you are satisfied.</p>
<p>SIR CHARLES. And how did he behave, madam?</p>
<p>MISS HARDCASTLE. As most profest admirers do: said some civil things of my
face, talked much of his want of merit, and the greatness of mine;
mentioned his heart, gave a short tragedy speech, and ended with pretended
rapture.</p>
<p>SIR CHARLES. Now I’m perfectly convinced, indeed. I know his conversation
among women to be modest and submissive: this forward canting ranting
manner by no means describes him; and, I am confident, he never sat for
the picture.</p>
<p>MISS HARDCASTLE. Then, what, sir, if I should convince you to your face of
my sincerity? If you and my papa, in about half an hour, will place
yourselves behind that screen, you shall hear him declare his passion to
me in person.</p>
<p>SIR CHARLES. Agreed. And if I find him what you describe, all my happiness
in him must have an end. [Exit.]</p>
<p>MISS HARDCASTLE. And if you don’t find him what I describe—I fear my
happiness must never have a beginning. [Exeunt.]</p>
<p>SCENE changes to the back of the Garden.</p>
<p>Enter HASTINGS.</p>
<p>HASTINGS. What an idiot am I, to wait here for a fellow who probably takes
a delight in mortifying me. He never intended to be punctual, and I’ll
wait no longer. What do I see? It is he! and perhaps with news of my
Constance.</p>
<p>Enter Tony, booted and spattered.</p>
<p>HASTINGS. My honest ’squire! I now find you a man of your word. This looks
like friendship.</p>
<p>TONY. Ay, I’m your friend, and the best friend you have in the world, if
you knew but all. This riding by night, by the bye, is cursedly tiresome.
It has shook me worse than the basket of a stage-coach.</p>
<p>HASTINGS. But how? where did you leave your fellow-travellers? Are they in
safety? Are they housed?</p>
<p>TONY. Five and twenty miles in two hours and a half is no such bad
driving. The poor beasts have smoked for it: rabbit me, but I’d rather
ride forty miles after a fox than ten with such varment.</p>
<p>HASTINGS. Well, but where have you left the ladies? I die with impatience.</p>
<p>TONY. Left them! Why where should I leave them but where I found them?</p>
<p>HASTINGS. This is a riddle.</p>
<p>TONY. Riddle me this then. What’s that goes round the house, and round the
house, and never touches the house?</p>
<p>HASTINGS. I’m still astray.</p>
<p>TONY. Why, that’s it, mon. I have led them astray. By jingo, there’s not a
pond or a slough within five miles of the place but they can tell the
taste of.</p>
<p>HASTINGS. Ha! ha! ha! I understand: you took them in a round, while they
supposed themselves going forward, and so you have at last brought them
home again.</p>
<p>TONY. You shall hear. I first took them down Feather-bed Lane, where we
stuck fast in the mud. I then rattled them crack over the stones of
Up-and-down Hill. I then introduced them to the gibbet on Heavy-tree
Heath; and from that, with a circumbendibus, I fairly lodged them in the
horse-pond at the bottom of the garden.</p>
<p>HASTINGS. But no accident, I hope?</p>
<p>TONY. No, no. Only mother is confoundedly frightened. She thinks herself
forty miles off. She’s sick of the journey; and the cattle can scarce
crawl. So if your own horses be ready, you may whip off with cousin, and
I’ll be bound that no soul here can budge a foot to follow you.</p>
<p>HASTINGS. My dear friend, how can I be grateful?</p>
<p>TONY. Ay, now it’s dear friend, noble ’squire. Just now, it was all idiot,
cub, and run me through the guts. Damn YOUR way of fighting, I say. After
we take a knock in this part of the country, we kiss and be friends. But
if you had run me through the guts, then I should be dead, and you might
go kiss the hangman.</p>
<p>HASTINGS. The rebuke is just. But I must hasten to relieve Miss Neville:
if you keep the old lady employed, I promise to take care of the young
one. [Exit HASTINGS.]</p>
<p>TONY. Never fear me. Here she comes. Vanish. She’s got from the pond, and
draggled up to the waist like a mermaid.</p>
<p>Enter MRS. HARDCASTLE.</p>
<p>MRS. HARDCASTLE. Oh, Tony, I’m killed! Shook! Battered to death. I shall
never survive it. That last jolt, that laid us against the quickset hedge,
has done my business.</p>
<p>TONY. Alack, mamma, it was all your own fault. You would be for running
away by night, without knowing one inch of the way.</p>
<p>MRS. HARDCASTLE. I wish we were at home again. I never met so many
accidents in so short a journey. Drenched in the mud, overturned in a
ditch, stuck fast in a slough, jolted to a jelly, and at last to lose our
way. Whereabouts do you think we are, Tony?</p>
<p>TONY. By my guess we should come upon Crackskull Common, about forty miles
from home.</p>
<p>MRS. HARDCASTLE. O lud! O lud! The most notorious spot in all the country.
We only want a robbery to make a complete night on’t.</p>
<p>TONY. Don’t be afraid, mamma, don’t be afraid. Two of the five that kept
here are hanged, and the other three may not find us. Don’t be afraid.—Is
that a man that’s galloping behind us? No; it’s only a tree.—Don’t
be afraid.</p>
<p>MRS. HARDCASTLE. The fright will certainly kill me.</p>
<p>TONY. Do you see anything like a black hat moving behind the thicket?</p>
<p>MRS. HARDCASTLE. Oh, death!</p>
<p>TONY. No; it’s only a cow. Don’t be afraid, mamma; don’t be afraid.</p>
<p>MRS. HARDCASTLE. As I’m alive, Tony, I see a man coming towards us. Ah!
I’m sure on’t. If he perceives us, we are undone.</p>
<p>TONY. (Aside.) Father-in-law, by all that’s unlucky, come to take one of
his night walks. (To her.) Ah, it’s a highwayman with pistols as long as
my arm. A damned ill-looking fellow.</p>
<p>MRS. HARDCASTLE. Good Heaven defend us! He approaches.</p>
<p>TONY. Do you hide yourself in that thicket, and leave me to manage him. If
there be any danger, I’ll cough, and cry hem. When I cough, be sure to
keep close. (MRS. HARDCASTLE hides behind a tree in the back scene.)</p>
<p>Enter HARDCASTLE.</p>
<p>HARDCASTLE. I’m mistaken, or I heard voices of people in want of help. Oh,
Tony! is that you? I did not expect you so soon back. Are your mother and
her charge in safety?</p>
<p>TONY. Very safe, sir, at my aunt Pedigree’s. Hem.</p>
<p>MRS. HARDCASTLE. (From behind.) Ah, death! I find there’s danger.</p>
<p>HARDCASTLE. Forty miles in three hours; sure that’s too much, my
youngster.</p>
<p>TONY. Stout horses and willing minds make short journeys, as they say.
Hem.</p>
<p>MRS. HARDCASTLE. (From behind.) Sure he’ll do the dear boy no harm.</p>
<p>HARDCASTLE. But I heard a voice here; I should be glad to know from whence
it came.</p>
<p>TONY. It was I, sir, talking to myself, sir. I was saying that forty miles
in four hours was very good going. Hem. As to be sure it was. Hem. I have
got a sort of cold by being out in the air. We’ll go in, if you please.
Hem.</p>
<p>HARDCASTLE. But if you talked to yourself you did not answer yourself. I’m
certain I heard two voices, and am resolved (raising his voice) to find
the other out.</p>
<p>MRS. HARDCASTLE. (From behind.) Oh! he’s coming to find me out. Oh!</p>
<p>TONY. What need you go, sir, if I tell you? Hem. I’ll lay down my life for
the truth—hem—I’ll tell you all, sir. [Detaining him.]</p>
<p>HARDCASTLE. I tell you I will not be detained. I insist on seeing. It’s in
vain to expect I’ll believe you.</p>
<p>MRS. HARDCASTLE. (Running forward from behind.) O lud! he’ll murder my
poor boy, my darling! Here, good gentleman, whet your rage upon me. Take
my money, my life, but spare that young gentleman; spare my child, if you
have any mercy.</p>
<p>HARDCASTLE. My wife, as I’m a Christian. From whence can she come? or what
does she mean?</p>
<p>MRS. HARDCASTLE. (Kneeling.) Take compassion on us, good Mr. Highwayman.
Take our money, our watches, all we have, but spare our lives. We will
never bring you to justice; indeed we won’t, good Mr. Highwayman.</p>
<p>HARDCASTLE. I believe the woman’s out of her senses. What, Dorothy, don’t
you know ME?</p>
<p>MRS. HARDCASTLE. Mr. Hardcastle, as I’m alive! My fears blinded me. But
who, my dear, could have expected to meet you here, in this frightful
place, so far from home? What has brought you to follow us?</p>
<p>HARDCASTLE. Sure, Dorothy, you have not lost your wits? So far from home,
when you are within forty yards of your own door! (To him.) This is one of
your old tricks, you graceless rogue, you. (To her.) Don’t you know the
gate, and the mulberry-tree; and don’t you remember the horse-pond, my
dear?</p>
<p>MRS. HARDCASTLE. Yes, I shall remember the horse-pond as long as I live; I
have caught my death in it. (To TONY.) And it is to you, you graceless
varlet, I owe all this? I’ll teach you to abuse your mother, I will.</p>
<p>TONY. Ecod, mother, all the parish says you have spoiled me, and so you
may take the fruits on’t.</p>
<p>MRS. HARDCASTLE. I’ll spoil you, I will. [Follows him off the stage.
Exit.]</p>
<p>HARDCASTLE. There’s morality, however, in his reply. [Exit.]</p>
<p>Enter HASTINGS and MISS NEVILLE.</p>
<p>HASTINGS. My dear Constance, why will you deliberate thus? If we delay a
moment, all is lost for ever. Pluck up a little resolution, and we shall
soon be out of the reach of her malignity.</p>
<p>MISS NEVILLE. I find it impossible. My spirits are so sunk with the
agitations I have suffered, that I am unable to face any new danger. Two
or three years’ patience will at last crown us with happiness.</p>
<p>HASTINGS. Such a tedious delay is worse than inconstancy. Let us fly, my
charmer. Let us date our happiness from this very moment. Perish fortune!
Love and content will increase what we possess beyond a monarch’s revenue.
Let me prevail!</p>
<p>MISS NEVILLE. No, Mr. Hastings, no. Prudence once more comes to my relief,
and I will obey its dictates. In the moment of passion fortune may be
despised, but it ever produces a lasting repentance. I’m resolved to apply
to Mr. Hardcastle’s compassion and justice for redress.</p>
<p>HASTINGS. But though he had the will, he has not the power to relieve you.</p>
<p>MISS NEVILLE. But he has influence, and upon that I am resolved to rely.</p>
<p>HASTINGS. I have no hopes. But since you persist, I must reluctantly obey
you. [Exeunt.]</p>
<p>SCENE changes.</p>
<p>Enter SIR CHARLES and MISS HARDCASTLE.</p>
<p>SIR CHARLES. What a situation am I in! If what you say appears, I shall
then find a guilty son. If what he says be true, I shall then lose one
that, of all others, I most wished for a daughter.</p>
<p>MISS HARDCASTLE. I am proud of your approbation, and to show I merit it,
if you place yourselves as I directed, you shall hear his explicit
declaration. But he comes.</p>
<p>SIR CHARLES. I’ll to your father, and keep him to the appointment. [Exit
SIR CHARLES.]</p>
<p>Enter MARLOW.</p>
<p>MARLOW. Though prepared for setting out, I come once more to take leave;
nor did I, till this moment, know the pain I feel in the separation.</p>
<p>MISS HARDCASTLE. (In her own natural manner.) I believe sufferings cannot
be very great, sir, which you can so easily remove. A day or two longer,
perhaps, might lessen your uneasiness, by showing the little value of what
you now think proper to regret.</p>
<p>MARLOW. (Aside.) This girl every moment improves upon me. (To her.) It
must not be, madam. I have already trifled too long with my heart. My very
pride begins to submit to my passion. The disparity of education and
fortune, the anger of a parent, and the contempt of my equals, begin to
lose their weight; and nothing can restore me to myself but this painful
effort of resolution.</p>
<p>MISS HARDCASTLE. Then go, sir: I’ll urge nothing more to detain you.
Though my family be as good as hers you came down to visit, and my
education, I hope, not inferior, what are these advantages without equal
affluence? I must remain contented with the slight approbation of imputed
merit; I must have only the mockery of your addresses, while all your
serious aims are fixed on fortune.</p>
<p>Enter HARDCASTLE and SIR CHARLES from behind.</p>
<p>SIR CHARLES. Here, behind this screen.</p>
<p>HARDCASTLE. Ay, ay; make no noise. I’ll engage my Kate covers him with
confusion at last.</p>
<p>MARLOW. By heavens, madam! fortune was ever my smallest consideration.
Your beauty at first caught my eye; for who could see that without
emotion? But every moment that I converse with you steals in some new
grace, heightens the picture, and gives it stronger expression. What at
first seemed rustic plainness, now appears refined simplicity. What seemed
forward assurance, now strikes me as the result of courageous innocence
and conscious virtue.</p>
<p>SIR CHARLES. What can it mean? He amazes me!</p>
<p>HARDCASTLE. I told you how it would be. Hush!</p>
<p>MARLOW. I am now determined to stay, madam; and I have too good an opinion
of my father’s discernment, when he sees you, to doubt his approbation.</p>
<p>MISS HARDCASTLE. No, Mr. Marlow, I will not, cannot detain you. Do you
think I could suffer a connexion in which there is the smallest room for
repentance? Do you think I would take the mean advantage of a transient
passion, to load you with confusion? Do you think I could ever relish that
happiness which was acquired by lessening yours?</p>
<p>MARLOW. By all that’s good, I can have no happiness but what’s in your
power to grant me! Nor shall I ever feel repentance but in not having seen
your merits before. I will stay even contrary to your wishes; and though
you should persist to shun me, I will make my respectful assiduities atone
for the levity of my past conduct.</p>
<p>MISS HARDCASTLE. Sir, I must entreat you’ll desist. As our acquaintance
began, so let it end, in indifference. I might have given an hour or two
to levity; but seriously, Mr. Marlow, do you think I could ever submit to
a connexion where I must appear mercenary, and you imprudent? Do you think
I could ever catch at the confident addresses of a secure admirer?</p>
<p>MARLOW. (Kneeling.) Does this look like security? Does this look like
confidence? No, madam, every moment that shows me your merit, only serves
to increase my diffidence and confusion. Here let me continue——</p>
<p>SIR CHARLES. I can hold it no longer. Charles, Charles, how hast thou
deceived me! Is this your indifference, your uninteresting conversation?</p>
<p>HARDCASTLE. Your cold contempt; your formal interview! What have you to
say now?</p>
<p>MARLOW. That I’m all amazement! What can it mean?</p>
<p>HARDCASTLE. It means that you can say and unsay things at pleasure: that
you can address a lady in private, and deny it in public: that you have
one story for us, and another for my daughter.</p>
<p>MARLOW. Daughter!—This lady your daughter?</p>
<p>HARDCASTLE. Yes, sir, my only daughter; my Kate; whose else should she be?</p>
<p>MARLOW. Oh, the devil!</p>
<p>MISS HARDCASTLE. Yes, sir, that very identical tall squinting lady you
were pleased to take me for (courtseying); she that you addressed as the
mild, modest, sentimental man of gravity, and the bold, forward, agreeable
Rattle of the Ladies’ Club. Ha! ha! ha!</p>
<p>MARLOW. Zounds! there’s no bearing this; it’s worse than death!</p>
<p>MISS HARDCASTLE. In which of your characters, sir, will you give us leave
to address you? As the faltering gentleman, with looks on the ground, that
speaks just to be heard, and hates hypocrisy; or the loud confident
creature, that keeps it up with Mrs. Mantrap, and old Miss Biddy Buckskin,
till three in the morning? Ha! ha! ha!</p>
<p>MARLOW. O, curse on my noisy head. I never attempted to be impudent yet,
that I was not taken down. I must be gone.</p>
<p>HARDCASTLE. By the hand of my body, but you shall not. I see it was all a
mistake, and I am rejoiced to find it. You shall not, sir, I tell you. I
know she’ll forgive you. Won’t you forgive him, Kate? We’ll all forgive
you. Take courage, man. (They retire, she tormenting him, to the back
scene.)</p>
<p>Enter MRS. HARDCASTLE and Tony.</p>
<p>MRS. HARDCASTLE. So, so, they’re gone off. Let them go, I care not.</p>
<p>HARDCASTLE. Who gone?</p>
<p>MRS. HARDCASTLE. My dutiful niece and her gentleman, Mr. Hastings, from
town. He who came down with our modest visitor here.</p>
<p>SIR CHARLES. Who, my honest George Hastings? As worthy a fellow as lives,
and the girl could not have made a more prudent choice.</p>
<p>HARDCASTLE. Then, by the hand of my body, I’m proud of the connexion.</p>
<p>MRS. HARDCASTLE. Well, if he has taken away the lady, he has not taken her
fortune; that remains in this family to console us for her loss.</p>
<p>HARDCASTLE. Sure, Dorothy, you would not be so mercenary?</p>
<p>MRS. HARDCASTLE. Ay, that’s my affair, not yours.</p>
<p>HARDCASTLE. But you know if your son, when of age, refuses to marry his
cousin, her whole fortune is then at her own disposal.</p>
<p>MRS. HARDCASTLE. Ay, but he’s not of age, and she has not thought proper
to wait for his refusal.</p>
<p>Enter HASTINGS and MISS NEVILLE.</p>
<p>MRS. HARDCASTLE. (Aside.) What, returned so soon! I begin not to like it.</p>
<p>HASTINGS. (To HARDCASTLE.) For my late attempt to fly off with your niece
let my present confusion be my punishment. We are now come back, to appeal
from your justice to your humanity. By her father’s consent, I first paid
her my addresses, and our passions were first founded in duty.</p>
<p>MISS NEVILLE. Since his death, I have been obliged to stoop to
dissimulation to avoid oppression. In an hour of levity, I was ready to
give up my fortune to secure my choice. But I am now recovered from the
delusion, and hope from your tenderness what is denied me from a nearer
connexion.</p>
<p>MRS. HARDCASTLE. Pshaw, pshaw! this is all but the whining end of a modern
novel.</p>
<p>HARDCASTLE. Be it what it will, I’m glad they’re come back to reclaim
their due. Come hither, Tony, boy. Do you refuse this lady’s hand whom I
now offer you?</p>
<p>TONY. What signifies my refusing? You know I can’t refuse her till I’m of
age, father.</p>
<p>HARDCASTLE. While I thought concealing your age, boy, was likely to
conduce to your improvement, I concurred with your mother’s desire to keep
it secret. But since I find she turns it to a wrong use, I must now
declare you have been of age these three months.</p>
<p>TONY. Of age! Am I of age, father?</p>
<p>HARDCASTLE. Above three months.</p>
<p>TONY. Then you’ll see the first use I’ll make of my liberty. (Taking MISS
NEVILLE’s hand.) Witness all men by these presents, that I, Anthony
Lumpkin, Esquire, of BLANK place, refuse you, Constantia Neville,
spinster, of no place at all, for my true and lawful wife. So Constance
Neville may marry whom she pleases, and Tony Lumpkin is his own man again.</p>
<p>SIR CHARLES. O brave ’squire!</p>
<p>HASTINGS. My worthy friend!</p>
<p>MRS. HARDCASTLE. My undutiful offspring!</p>
<p>MARLOW. Joy, my dear George! I give you joy sincerely. And could I prevail
upon my little tyrant here to be less arbitrary, I should be the happiest
man alive, if you would return me the favour.</p>
<p>HASTINGS. (To MISS HARDCASTLE.) Come, madam, you are now driven to the
very last scene of all your contrivances. I know you like him, I’m sure he
loves you, and you must and shall have him.</p>
<p>HARDCASTLE. (Joining their hands.) And I say so too. And, Mr. Marlow, if
she makes as good a wife as she has a daughter, I don’t believe you’ll
ever repent your bargain. So now to supper. To-morrow we shall gather all
the poor of the parish about us, and the mistakes of the night shall be
crowned with a merry morning. So, boy, take her; and as you have been
mistaken in the mistress, my wish is, that you may never be mistaken in
the wife. [Exeunt Omnes.]</p>
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