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Dwellers in the Hills

<h2>CHAPTER VI</h2><h3>THE MAID AND THE INTRUDERS</h3> There are mornings that cling in the memory like a face caught for a moment in some crowded street and lost; mornings when no cloud curtains the doorway of the sun; when the snaffle-chains rattle sharp in the crisp air and the timber cracks in the frost. They are good to remember when the wrist has lost its power and the bridle-fingers stiffen, and they are clear with a mystic clearness, the elders say, when one is passing to the ghosts. It was such a morning when I stood in the doorway of the old waggon-maker's house. The light was driving the white fogs into the north. A cool, sweet air came down from the wooded hill, laden with the smell of the beech leaves, and the little people of the bushes were beginning to tumble out of their beds. We asked old Simon if he had heard a horse in the night, and he replied that he had heard one stop for a few moments a little before dawn and presently pass on up the road in a trot. Doubtless, he insisted, the rider had dismounted for a drink of his celebrated spring water. We kept our own counsels. If the henchmen of Woodford hunted water in the early morning, it would be, in the opinion of Ump, "when the cows come home." We went over every inch of the horses from their hocks to their silk noses, and every stitch of our riding gear, to be sure that no deviltry had been done. But we found nothing. Evidently Marks was merely spying out the land. Then we led the horses out for the journey. El Mahdi had to duck his head to get under the low doorway. It was good to see him sniff the cool air, his coat shining like a maid's ribbons, and then rise on his hind legs and strike out at nothing for the sheer pleasure of being alive on this October day. And it was good to see him plunge his head up to the eyepits into the sparkling water and gulp it down, and then blow the clinging drops out of his nostrils. El Mahdi, if beyond the stars somewhere in those other Hills of the Undying I am not to find you, I shall not care so very greatly if the last sleep be as dreamless as the wise have sometimes said it is. I spread the thick saddle-blanket and pulled it out until it touched his grey withers, and taking the saddle by the horn swung it up on his back, straightened the skirts and drew the two girths tight, one of leather and one of hemp web. Then I climbed into the saddle, and we rode out under the apple trees. Simon Betts stood in his door as we went by, and called us a "God speed." Straight, honourable old man. He was a lantern in the Hills. He was good to me when I was little, and he was good to Ward. In the place where he is gone, may the Lord be good to him! We stopped to open the old gate, an ancient landmark of the early time, made of locust poles, and swinging to a long beam that rested on a huge post in perfect balance. Easily pushed open, it closed of its own weight. A gate of striking artistic fitness, now long crumbled with the wooden plough and the quaint pack-saddles of the tall grandsires. We rode south in the early daylight. Jud whistled some old song the words of which told about a jolly friar who could not eat the fattest meat because his stomach was not first class, but believed he could drink with any man in the Middle Ages,—a song doubtless learned at Roy's tavern when the Queens and the Alkires and the Coopmans of the up-country got too much "spiked" cider under their waistbands. I heard it first, and others of its kidney, on the evening that old Hiram Arnold bet his saddle against a twenty-dollar gold piece, that he could divide ninety cattle so evenly that there would not be fifty pounds difference in weight between the two droves, and did it, and with the money bought the tavern dry. And the crowd toasted him: <div class="poem"><div class="stanza"> "Here's to those who have half joes, and have a heart to spend 'em; But damn those who have whole joes, and have no heart to spend 'em." </div> </div> On that night, in my youthful eyes, old Hiram was a hero out of the immortal Iliad. We passed few persons on that golden morning. I remember a renter riding his plough horse in its ploughing gears; great wooden hames, broad breeching, and rusty trace chains rattling and clanking with every stride of the heavy horse; the renter in his patched and mud-smeared clothes,—work-harness too. A genius might have painted him and gotten into his picture the full measure of relentless destiny and the abominable indifference of nature. Still it was not the man, but the horse, that suggested the tremendous question. One felt that somehow the man could change his station if he tried, but the horse was a servant of servants, under man and under nature. The broad, kindly, obedient face! It was enough to break a body's heart to sit still and look down into it. No trace of doubt or rebellion or complaint, only an appealing meekness as of one who tries to do as well as he can understand. Great simple-hearted slave! How will you answer when your master is judged by the King of Kings? How will he explain away his brutality to you when at last One shall say to him, "Why are these marks on the body of my servant?" The Good Book tells us on many a page how, when we meet him, we shall know the righteous, but nowhere does it tell more clearly than where it says, he is merciful to his beast. In the Hills there was no surer way to find trouble than to strike the horse of the cattle-drover. I have seen an indolent blacksmith booted across his shop because he kicked a horse on the leg to make him hold his foot up. And I have seen a lout's head broken because the master caught him swearing at a horse. As we rode, the day opened, and leaf and grass blade glistened with the melting frost. The partridge called to his mate across the fields. The ground squirrel, in his striped coat, hurried along the rail fence, bobbing in and out as though he were terribly late for some important engagement. The blackbirds in great flocks swung about above the corn fields, man[oe]uvring like an army, and now and then a crow shouted in his pirate tongue as he steered westward to a higher hill-top. All the people of the earth were about their business on this October morning. Sometimes an urchin passed us on his way to the grist mill, astride a bag of corn, riding some ancient patriarchal horse which, out of a wisdom of years, refused to mend his gait for all the kicking of the urchin's naked heels. And we hailed him for a cavalier. Sometimes a pair of oxen, one red, one white, clanked by, dragging, hooked in the yoke-ring, a log chain that made a jerky trail in the road, like the track of a broken-backed snake, and we spoke to the driver, inquiring which one was the saddle horse, and if the team worked single of a Sunday. And he answered with some laughing jeer that set us shaking in our saddles. We had passed the flat lands, and were half way up Thornberg's Hill, a long gentle slope, covered with vines and underbrush and second-growth poplar saplings, when I heard a voice break out in a merry carol,—a voice free, careless, bubbling with the joy of golden youth, that went laughing down the hillside like the voice of the happiest bird that was ever born. It rang and echoed in the vibrant morning, and we laughed aloud as we caught the words of it: <div class="poem"><div class="stanza"> "Can she bake a cherry pie, Billy Boy, Billy Boy? Can she bake a cherry pie, charming Billy? She can bake a cherry pie quick as a cat can wink its eye, She's a young thing and can't leave her mother." </div> </div> It required splendid audacity to fling such rippling nonsense at the feathered choirs in the sassafras thickets, but they were all listening with the decorous attitude of a conventional audience. I marked one dapper catbird, perched on a poplar limb, who cocked his head and heard the singer through, and then made that almost imperceptible gesture with which a great critic indicates his approval of a novice. "Not half bad," he seemed to say,—this blasé old habitué of the thicket music-halls. "I shouldn't wonder if something could be made of that voice if it were trained a trifle." We broke into a trot and, rounding a corner of the wood, came upon the singer. She was a stripling of a girl in a butternut frock, standing bolt upright on a woman's saddle, tugging away at a tangle of vines, her mouth stained purple with the big fox-grapes, her round white arms bare to the elbows, and a pink calico sun-bonnet dangling on her shoulders, held only by the broad strings around her throat. The horse under her was smoking wet to the fetlocks. This piping miss had been stretching his legs for him. It was Patsy, a madcap protegée of Cynthia Carper, the biggest tomboy that ever climbed a tree or ran a saddle-horse into "kingdom come." She slipped down into the saddle when she saw us, and flung her grapes away into the thicket. We stopped in the turnpike opposite to the cross road in which her horse was standing and hailed her with a laugh. She looked us over with the dimples changing around her funny mouth. "You are a mean lot," she said, "to be laughing at a lady." "We are not laughing at a lady," I answered; "we're laughing at the fun your horse has been having. He's tickled to death." "Well," she said, looking down at the steaming horse, "I had to get here." "You had to get here?" I echoed. "Goodness alive! Nobody but a girl would run a horse into the thumps to get anywhere." "Stupid," she said, "I've just had to get here,—there, I didn't mean that. I meant I had to get where I was going." "You were in a terrible hurry a moment ago," said I. "The horse had to rest," she pouted. "You might have thought of that," I said, "a little earlier in your seven miles' run." Then I laughed. The idea of resting the horse was so delicious that Ump and Jud laughed too. The horse's knees were trembling and his sides puffing like a bellows. Here was Brown Rupert, the fastest horse in the Carper stable, a horse that Cynthia guarded as a man might guard the ball of his eye, run literally off his legs by this devil-may-care youngster. I would have wagered my saddle against a sheepskin that she had started Brown Rupert on the jump from the horse-block and held him to a gallop over every one of those seven blessed miles. "Well," she said, "are you going to ride on? Or are you going to sit there like a lot of grinning hoodlums?" Ump pulled off his hat and swept a laughable bow over his saddle horn. "Where are you goin', my pretty maid?" he chuckled. She straightened in the saddle, then dropped him a courtesy as good as he had sent, and answered, "Fair sir, I ride 'cross country on my own business." And she gathered up the bridle in her supple little hand. Jud laughed until the great thicket roared with the echo. Sir Questioner had caught it on the jaw. "My dear Miss Touch-me-not," I put in, "let me give you a piece of advice. That horse is winded. If you start him on the gallop, you'll burst him." She lifted her chin and looked me in the eye. "A thousand thank you's," she said, "and for advice to you, sir, don't believe anything you hear." Then she turned Brown Rupert and rode down the way she had come, sitting as straight in the saddle as an empress. For a moment the sunlight filtering through the poplar branches made queer mottled spots of gold on her curly head, then the trees closed in, and we lost her. I doubled over the pommel of my saddle and laughed until my sides ached. Jud slapped his big hand on the leg of his breeches. "I hope I may die!" he ejaculated. It was his mightiest idiom. But the crooked Ump was as solemn as a lord. He sat looking down his nose. I turned to him when I got a little breath in me. "Don't be glum," I said. "The little spitfire is an angel. You're not hurt." The hunchback rubbed his chin. "Quiller," he said, "don't the Bible tell about a man that met an angel when he was a goin' somewhere?" "Yes," I laughed. "What was that man's name?" said he. "Balaam," said I. "Well," said he, "that man Balaam was the second ass that saw an angel, an' you're the third one." <hr style="width: 65%;" /> <div style="break-after:column;"></div>

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