<h2><SPAN name="CHAPTER_VIII" id="VIII"></SPAN>CHAPTER VIII</h2><h3>SOME REMARKS OF SAINT PAUL</h3>
<p>A great student of men has written somewhere about the fear that hovers
at the threshold of events. And a great essayist, in a dozen lines, as
clean-cut as the work of a gem engraver, marks the idleness of that fear
when above the trembling one are only the gods,—he alone, with them
alone.</p>
<p>The first great man is seeing right, we know. The other may be also
seeing right, but few of us are tall enough to see with him, though we
stand a-tiptoe. We sleep when we have looked upon the face of the
threatening, but we sleep not when it crouches in the closet of the
to-morrow. Men run away before the battle opens, who would charge first
under its booming, and men faint before the surgeon begins to cut, who
never whimper after the knife has gone through the epidermis. It is the
fear of the dark.</p>
<p>It sat with me on the crupper as we rode into Roy's tavern. Marks and
Peppers and the club-footed Malan were all moving somewhere in our
front. Hawk Rufe was not intending to watch six hundred black cattle
filing into his pasture with thirty dollars lost on every one of their
curly heads. Fortune had helped him hugely, or he had helped himself
hugely, and this was all a part of the structure of his plan. Ward out
of the way first! Accident it might have been, design I believed it was.
Yet, upon my life, with my prejudice against him I could not say.</p>
<p>That we could not tell the whims of chance from the plans of Woodford
was the best testimonial to this man's genius. One moved a master when
he used the hands of Providence to lift his pieces. The accident to Ward
was clear accident, to hear it told. At the lower falls of the Gauley,
the road home runs close to the river and is rough and narrow. On the
opposite side the deep laurel thickets reach from the hill-top to the
water. Here, in the roar of the falls, the Black Abbot had fallen
suddenly, throwing Ward down the embankment. It was a thing that might
occur any day in the Hills. The Black Abbot was a bad horse, and the
prediction was common that he would kill Ward some day. But there was
something about this accident that was not clear. Mean as his fame put
him, the Black Abbot had never been known to fall in all of his vicious
life. On his right knee there was a great furrow, long as a man's finger
and torn at one corner. It was scarcely the sort of wound that the edge
of a stone would make on a falling horse.</p>
<p>Ump and Jud and old Jourdan examined this wound for half a night, and
finally declared that the horse had been shot. They pointed out that
this was the furrow of a bullet, because hair was carried into the
wound, and nothing but a bullet carries the hair with it. The fibres of
the torn muscle were all forced one way, a characteristic of the track
of a bullet, and the edge of the wound on the inside of the horse's knee
was torn. This was the point from which a bullet, if fired from the
opposite side of the river, would emerge; and it is well known that a
bullet tears as it comes out. At least this is always true with a
muzzle-loading rifle. Ward expressed no opinion. He only drew down his
dark eyebrows when the three experts went in to tell him, and directed
them to swing Black Abbot in his stall, and bandage the knee. But I
talked with Ump about it, and in the light of these after events it was
tolerably clear.</p>
<p>At this point of the road, the roar of the falls would entirely drown
the report of a rifle, and the face of any convenient rock would cover
the flash. The graze of a bullet on the knee would cause any horse to
fall, and if he fell here, the rider was almost certain to sustain some
serious injury if he were not killed. True, it was a piece of good
shooting at fifty yards, but both Peppers and Malan could "bark" a
squirrel at that distance.</p>
<p>If this were the first move in Woodford's elaborate plan, then there was
trouble ahead, and plenty of trouble. The horses came to a walk at a
little stream below Roy's tavern, and we rode up slowly.</p>
<p>The tavern was a long, low house with a great porch, standing back in a
well-sodded yard. We dismounted, tied the horses to the fence, and
crossed the path to the house. As I approached, I heard a voice say, "If
the other gives 'em up, old Nicholas won't." Then I lifted the latch and
flung the door open.</p>
<p>I stopped with my foot on the threshold. At the table sat Lem Marks, his
long, thin legs stretched out, and his hat over his eyes. On the other
side was Malan and, sitting on the corner of the table, drinking cider
from a stone pitcher, was Parson Peppers,—the full brood.</p>
<p>The Parson replaced the pitcher and wiped his dripping mouth on his
sleeve. Then he burst out in a loud guffaw. "I quote Saint Paul," he
cried. "Do thyself no harm, for we are all here."</p>
<p>Marks straightened in his chair like a cat, and the little eyes of Malan
slipped around in his head. For a moment, I was undecided, but Ump
pushed through and I followed him into the room.</p>
<p>There was surprise and annoyance in Marks's face for a moment. Then it
vanished like a shadow and he smiled pleasantly. "You're late to
dinner," he said; "perhaps you were not expected."</p>
<p>"I think," said I, "that we were not expected, but we have come."</p>
<p>"I see," said Marks.</p>
<p>Peppers broke into a hoarse laugh and clapped his hand on Marks's
shoulder. "You see, do you?" he roared; "you see now, my laddie. Didn't
I tell you that you couldn't stop runnin' water with talk?"</p>
<p>The suggestion was dangerously broad, and Marks turned it. "I recall,"
he said, "no conversation with you about running water. That cider must
be up in your hair."</p>
<p>"Lemuel, my boy," said the jovial Peppers, "the Lord killed Ananias for
lyin' an' you don't look strong."</p>
<p>"I'm strong enough to keep my mouth shut," snapped Marks.</p>
<p>"Fiddle-de-dee," said Peppers, "the Lord has sometimes opened an ass's
mouth when He wanted to."</p>
<p>"He didn't have to open it in your case," said Marks.</p>
<p>"But He will have to shut it in my case," replied Peppers; "you're a
little too light for the job."</p>
<p>The cider was reaching pretty well into the Reverend Peppers. This Marks
saw, and he was too shrewd to risk a quarrel. He burst into a laugh.
Peppers began to hammer the table with his stone pitcher and call for
Roy.</p>
<p>The tavern-keeper came in a moment, a short little man with a weary
smile. Peppers tossed him the pitcher. "Fill her up," he roared, "I
follow the patriarch Noah. He was the only one of the whole shootin'
match who stood in with the Lord, an' he got as drunk as a b'iled owl."</p>
<p>Then he turned to us. "Will you have a swig, boys?"</p>
<p>We declined, and he struck the table with his fist. "Ho! ho," he roared;
"is every shingle on the meetin'-house dry?" Then he marked the
hunchback sitting by the wall, and pointed his finger at him. "Come,
there, you camel, wet your hump."</p>
<p>That a fight was on, I had not the slightest doubt in the world. I
caught my breath in a gasp. I saw Jud loosen his arm in his coat-sleeve.
Ump was as sensitive as any cripple, and he was afraid of no man. To my
astonishment he smiled and waved his hand. "I'm cheek to your jowl,
Parson," he said; "set out the O-be-joyful."</p>
<p>"Hey, Roy!" called Peppers, "bring another pitcher for Humpty Dumpty."
Then he kicked the table with his great cowhide boots and began to
bellow:</p>
<div class="poem"><div class="stanza">
<span class="i0">"Zaccheus he clum a tree<br/></span>
<span class="i0">His Lord an' Master for to see;<br/></span>
<span class="i0">The limb did break an' he did fall,<br/></span>
<span class="i0">An' he didn't git to see his Lord at all."<br/></span></div>
</div>
<p>Ump and I were seated by the wall, tilted back in the tavern-keeper's
split-bottom chairs, while Jud leaned against the door.</p>
<p>The rhyme set the Parson's head to humming, and he began to pat his leg.
Then he spied Jud. "Hey, there! Beelzebub," he roared, "can you dust the
puncheons?"</p>
<p>"When the devil's a-fiddlin'," said Jud.</p>
<p>"Ho, the devil," hummed the Parson.</p>
<div class="poem"><div class="stanza">
<span class="i0">"As I set fiddlin' on a tree<br/></span>
<span class="i0">The devil shot his gun at me.<br/></span>
<span class="i0">He missed my soul an' hit a limb,<br/></span>
<span class="i0">An' I don't give a damn for him."<br/></span></div>
</div>
<p>He slapped his leg to emphasise the "damn." At this moment Roy came in
with the two stone pitchers, handed one to Ump and put the other down by
the boisterous Parson.</p>
<p>Peppers turned to him. "Got a fiddle?" he asked.</p>
<p>"I think there's an old stager about," said Roy.</p>
<p>"Bring her in," said Peppers. Then he seized the pitcher by its stone
handle and raised it in the air. "Wine's a mocker," he began, "an'
strong drink is ragin', but old Saint Paul said, 'A little for your
stomach's sake.' Here's lookin' at you, Humpty Dumpty. May you grow
until your ears drag the ground."</p>
<p>The hunchback lifted his pitcher. "Same to you, Parson," he said, "an'
all your family." Then they thrust their noses into the stone pitchers.
Peppers gulped a swallow, then he lowered his pitcher and looked at Ump.</p>
<p>"Humpty Dumpty," he said, speaking slowly and turning down his thumb as
he spoke, "when you git your fall, it'll be another job for them king's
horses."</p>
<p>"Parson," said Ump, "I know how to light."</p>
<p>"How?" said Peppers.</p>
<p>"Easy," said Ump.</p>
<p>Peppers roared. "You ain't learned it any too quick," he said. "What
goes up, has got to come down, an' you're goin' up end over appetite."</p>
<p>"When do I hit the ground, Parson?" asked Ump, with his nose in the
pitcher.</p>
<p>Peppers spread out two of his broad fingers. "To-day is to-day," he
said, "an' to-morrow is to-morrow. Then—" But the cunning Marks was on
his feet before the sentence was finished.</p>
<p>"Peppers," he snapped, "you clatter like a feed-cutter. What are you
tryin' to say? Out with it. Let's hear it."</p>
<p>It was a bold effort to throw us off the scent. Peppers saw the lead,
and for a moment he was sober.</p>
<p>"I was a-warnin' the lost sinner," he said, "like Jonah warned the
sinners in Nineveh. I'm exhortin' him about the fall. Adam fell in the
Garden of Eden." Then the leer came back into his face. "Ever hear of
the Garden of Eden, Lemuel?"</p>
<p>"Yes," said Marks, glad to divert the dangerous drunkard.</p>
<p>"You ought," said Peppers. "Your grandpap was there, eatin' dirt an'
crawlin' on his belly."</p>
<p>We roared, and while the tavern was still shaking with it, Roy came in
carrying an old and badly battered fiddle under his arm. "Boys," he said
timidly, "furse all you want to, but don't start nothin'." Then he gave
the fiddle to Peppers, and came over to where we were seated. "Quiller,"
he said, "I reckon you all want a bite o' dinner."</p>
<p>I answered that we did. "Well," he apologised, "we didn't have your name
in the pot, but we'll dish you up something, an' you can give it a lick
an' a promise." Then he gathered up some empty dishes from a table and
went out.</p>
<p>Peppers was thumping the fiddle strings with his thumb, and screwing up
the keys. His sense of melody was in a mood to overlook many a defect,
and he presently thrust the fiddle under his chin and began to saw it.
Then he led off with a bellow,</p>
<div class="poem"><div class="stanza">
<span class="i0">"Come all ye merry maidens an' listen unto me."<br/></span></div>
</div>
<p>But the old fiddle was unaccustomed to so vigorous a virtuoso, and its
bridge fell with a bang. The Parson blurted an expletive, inflected like
the profane. Then he straightened the bridge, gave the fiddle a
tremendous saw, and resumed his bellow. But with the accident, his first
tune had gone glimmering, and he dropped to another with the agility of
an acrobat.</p>
<div class="poem"><div class="stanza">
<span class="i0">"In eighteen hundred an' sixty-five<br/></span>
<span class="i0">I thought I was quite lucky to find myself alive.<br/></span>
<span class="i0">I saddled up old Bald Face my business to pursue,<br/></span>
<span class="i0">An' I went to drivin' steers as I used for to do."<br/></span></div>
</div>
<p>The fiddle was wofully out of tune, and it rasped and screeched and
limped like a spavined colt, but the voice of Peppers went ahead with
the bellow.</p>
<div class="poem"><div class="stanza">
<span class="i0">"But the stillhouse bein' close an' the licker bein' free<br/></span>
<span class="i0">I took to the licker, an' the licker took to me.<br/></span>
<span class="i0">I took to the licker, till I reeled an' I fell,<br/></span>
<span class="i0">An' the whole cussed drove went a-trailin' off to hell."<br/></span></div>
</div>
<p>Ump arose and waved his pitcher. "Hold up, Parson," he said. "Here's to
them merry maids that got lost in the shuffle. 'Tain't like you to lose
'em."</p>
<p>The suggestion was timely. The song ran to fifty-nine verses, and no
others printable.</p>
<p>Peppers dropped the fiddle and seized the pitcher. "Correct," he roared.
"Here's to 'em. May the Lord bless 'em, an' bind 'em, an' tie their
hands behind 'em, an' put 'em in a place where the devil can't find
'em."</p>
<p>"Nor you," mumbled Ump in the echo.</p>
<p>They drank, and the hunchback eyed his man over the rim of the pitcher.
The throat of the Parson did not move. It was clear that Peppers had
reached the danger line, and, what was fatal to the plan of Ump, he knew
it. He was shamming. The eyes of the hunchback squinted an instant, and
then hardened in his face.</p>
<p>He lowered his pitcher, took a step nearer to the table, and clashed it
against the Parson's pitcher. "The last one," he said, "to Mister Ward,
God bless 'im!"</p>
<p>It was plain that the hunchback having failed to drink Peppers maudlin,
was now deliberately provoking a fight. The bloated face of the Parson
grew purple.</p>
<p>"Woodford!" he roared.</p>
<p>"I said," repeated Ump slowly, "to Mister Ward. An' his enemies, may the
devil fly away with 'em."</p>
<p>Peppers hurled down his pitcher, and it broke into a thousand pieces on
the oak floor. I saw the hunchback's eyes blink. I saw Jud take a step
towards Peppers, but he was too late. Lem Marks made a sign to Malan.
The club-footed giant bounded on Peppers, pinned his arms to his sides,
and lifting him from the table carried him toward the door. A fight in
Roy's tavern was not a part of the plan of Hawk Rufe.</p>
<p>For a moment the Parson's rage choked him, and he fought and sputtered.
Then he began to curse with terrible roaring oaths that came boiling up,
oaths that would have awakened new echoes in the foul hold of any pirate
ship that ever ran.</p>
<p>His bloodshot eyes rolled and glared at the hunchback over the woolly
head of Malan. There seemed to be something in Ump's face that lashed
the drunkard to a fury. I looked at Ump to see what it was, and unless I
see the devil, I shall never see the like of that expression. It was the
face of a perfectly cool imp.</p>
<p>Black Malan carried Peppers through the door as though he were a bushel
of corn in a bag, and I marked the build of this powerful man. His neck
had muscle creases like the folds on the neck of a muley bull. His
shoulders were bigger than Jud's. His arms were not so long, but they
were thicker, and his legs stood under him like posts. But he was slow,
and he had but little light in his head. A tremendous animal was the
club-footed Malan.</p>
<p>Lem Marks stopped at the door, fingered his hat and began to apologise.
He was sorry Peppers was drunk, and we must overlook the vapourings of a
drunkard. He wished us a pleasant journey.</p>
<p>"To the devil," added Ump when the door had closed on him.</p>
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