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Child Life in Colonial Days

<h2>CHAPTER VII</h2> <h3>PENMANSHIP AND LETTERS</h3> <div class="poem"><div class="stanza"> Ink alwais good store on right hand to stand Brown paper for great haste or else box of sand. Dip pen and shake pen and touch pen for haire Wax, quills and penknife see alwais ye beare. </div> <div class="stanza"> —<cite>A New Book of Hands, 1650 circa.</cite> </div> </div> In glancing over old school contracts it will be noted that in a majority of cases the teacher is specified as a writing-master; without doubt the chief requisite of a satisfactory teacher in colonial days was that he should be a good teacher of penmanship. We have seen in our own day distinct changes in the handwriting of an entire generation; the colonists whose lives ended with the seventeenth century had a characteristic handwriting which retained certain elements of old English, even of mediæval script. It was a handsome and dignified chirography and an impressive one, and was usually easy to read. The writing of the first Pilgrim and Puritan fathers was not over-good. Governor John Winthrop's[151] was not much better than Horace Greeley's. Bradford's we are familiar with through the beautiful facsimiles of his <cite>Relation</cite>. The first half of the succeeding century did not send forth such good writers; nor did it send forth writers so universally; the proportion of signatures to public documents by cross instead of writing increased. Our grandparents and great-grandparents all wrote well. In hundreds of century-old letters which I have examined an ill-written letter is an exception. Children at the close of the eighteenth century wrote beautifully rounded, clear, and uniform hands, if we can judge from their copy-books. Little Anna Green Winslow, writing in 1771, showed page after page in a hand far better than that of most girls of her age to-day. Claude Blanchard was commissary of supplies for the French army which landed in Newport in 1780. He visited the Newport school and gave this tribute to the scholars:— <blockquote> "I saw the writing of these children, it appeared to me to be handsome; among others that of a young girl nine or ten years old, very pretty and very modest, and such as I would like my own daughter to be when she is so old; she was called Abigail Earle, as I perceived upon her copy-book, on which her name was written. I wrote it myself, adding to it 'very pretty.'" </blockquote> [152] An "exhibition piece" is here given of the penmanship of Anne Reynolds, a little girl of Norwich, Connecticut, who died shortly after this "piece" was written. Writing-masters were universally honored in every community. A part of the funeral notice of one in Boston, who died in 1769, reads thus:— <blockquote> "Last Friday morning died Mr. Abiah Holbrook in this town. He was looked upon by the best Judges as the Greatest Master of the pen we ever had among us, of which he has left a beautiful Demonstration." </blockquote> This "beautiful demonstration" of his penmanship was a most intricate piece of what was known as fine knotting, or knotwork. It was said to be "written in all the known hands of Great Britain," and was valued at £100. It was bequeathed to Harvard College unless it was bought by the Revolutionary patriot, John Hancock, who had been one of Master Holbrook's pupils and, as we know from the fine bold signature of his own name to the Declaration of Independence, was a very creditable scholar. <div class="figcenter bord" style="width: 451px;"> <ANTIMG src="images/i052.jpg" width-obs="451" height-obs="600" alt="exhibition" /> <div class="caption">Exhibition "Piece" of Anne Reynolds </div> </div> This work had occupied every moment of what Abiah Holbrook called his "spare time" for seven years. As he had, in the year 1745, two hundred and twenty scholars at one time in one school, his[153] spare time must have been very short. He and other writing-masters of the Holbrook family left behind a still nobler demonstration than this knotwork in the handwriting of their scholars—Boston ministers, merchants, statesmen, and patriots—whose elegant penmanship really formed a distinct style, and was known as "Boston Style of Writing." The "hands of Great Britain" were many in number; among them Saxon, Old Mss., Chancery, Gothic, Running Court, Exchequer, Pipe Office, Engrossing, Running Secretary, Round Text, and the "Lettre Frisee," which was minutely and regularly zigzagged. A well-known Boston writing-master was familiarly known as Johnny Tileston. He was born in 1738 and taught till 1823, when he was pensioned off. He was a rough-mannered old fellow; his chief address to the scholars being the term, "You gnurly wretch." His ideal was his own teacher, Master Proctor, and when late in life he saw a scholar wipe his pen on a bit of cloth, he approached the desk, lifted the rag and said, "What's this? Master Proctor had no such thing." Tileston himself always wiped his pens with his little finger and in turn dried his finger on his own white hairs under his wig. An old spelling-book has these lines for a "writing-copy ":— [154] <div class="poem"> "X things a penman should have near at hand— Paper, pomice, pen, ink, knife, horn, rule, plummet, wax, sand." </div> It will be noted that a penwiper is not upon the list. <div class="figcenter bord" style="width: 150px;"> <ANTIMG src="images/i053.jpg" width-obs="150" height-obs="177" alt="initial" /> <div class="caption">Writing-master's Initial </div> </div> In olden times but one kind of a pen was used, one cut from a goose-quill with the feathers left on the handle. The selection and manufacture of these goose-quill pens was a matter of considerable care in the beginning, and of constant watchfulness and "mending" till the pen was worn out. One of the indispensable qualities of a colonial schoolmaster was that he was a good pen maker and pen mender. It often took the master and usher two hours to make the pens for the school. Boys studied arithmetic at eleven years of age, but were not allowed to make pens in school till they were twelve years old. Ink was not bought in convenient liquid form as at present; each family, each person had to be an ink manufacturer. The favorite method of ink-making was through the dissolving of ink-powder. Liquid ink was but seldom seen for sale. In remote districts of Vermont, Maine, and Massachusetts,[155] home-made ink, feeble and pale, was made by steeping the bark of swamp-maple in water, boiling the decoction till thick, and diluting it with copperas. Each child brought to school an ink-bottle or ink-horn filled with the varying fluid of domestic manufacture. <div class="figcenter bord" style="width: 550px;"> <ANTIMG src="images/i054.jpg" width-obs="550" height-obs="291" alt="Holbrook" /> <div class="caption">Writing of Abiah Holbrook </div> </div> A book called <cite>The District School</cite>, written as late as 1834, shows the indifferent quality of the ink used. The writer complains that the parents made a poor ink of vinegar, water, and ink-powder, which the child could not use, and permitted to dry up while he borrowed of the teacher. The inkstand is then "used at the evening meetings as a candlestick." Other inkstands with good ink are seized and used for the same purpose and the ink ruined with grease and nothing left to write with when the teacher sets his scholars to work. There are no remains of olden times that put us more closely in touch with the men, women, and children who moved and lived in these shadowy days than do the letters they wrote. Old James Howell said over two centuries ago: "Letters are the Idea and the truest Miror of the Mind; they shew the Inside of a Man." Certainly the most imaginative mind must be touched with a sense of nearness to the heart of the writer whose yellowed pages he unfolds and whose fading words he deciphers.[156] The roll of centuries cannot dim the power of written words. In the Prince Library, in Boston, are the manuscripts known under the various titles of the <cite>Mather Papers</cite>, the <cite>Cotton Papers</cite>, the <cite>Torrey Papers</cite>, etc. They are delightful to see and to read, for the ink is still clear and black, the paper firm and good, the letters well-formed, and the text breathes a spirit of kindness, affection, and loving thoughtfulness that speaks of the beauty of Puritan home life. Some of the letters are written by Puritan women; and these letters are uniformly well spelt, well written, and intelligent. Perhaps only intelligent women were taught to write. These letters are on fine Dutch paper; there was no English writing-paper till the time of William and Mary. They are carefully folded with due regard to the etiquette of letter-folding, and plainly and neatly addressed. The letters are very tender and gentle; sometimes they are written to children; they begin, "My deare Child"; "My Indear'd Sonn"; "To my dearly loved Friend and Child." One ends, "With my Indeared Love, committing thyself and thy duty and service to all our friends, and to the protection of the Almighty, I am thine." A mother addresses on the outside her letter to her son in these words, "To my very good friend,[157] These Present," etc. John Cotton addresses a letter externally thus: "These, For the Reverend, his very deare Brother, Mr. Increase Mather, Teacher of a Church at Boston, Present." Sometimes the address ran, "Messenger present these to, etc." Hence it may be seen that the word "Present" sometimes seen on modern letters properly is the imperative verb Present. Occasionally the words "Haste! post haste!" were seen, as on English letters, but I have never seen the old postal inscription, "Haste! post, haste! on your Life! on your Life!" A very genuine and pleasing letter was written by John Quincy Adams when he was nine years old to his father, President John Adams:— <blockquote> "Braintree, June the 2nd, 1777. "Dear Sir: I love to receive letters very well, much better than I love to write them. I make but a poor figure at composition, my head is much too fickle, my thoughts are running after bird's eggs, play, and trifles till I get vexed with myself. I have but just entered the 3rd vol of Smollett tho' I had design'd to have got it half through by this time. I have determined this week to be more diligent, as Mr. Thaxter will be absent at Court, & I cannot persue my other studies. I have set myself a Stent & determine to read the 3rd Volume Half out. If I can but keep my resolution, I will write again at the end of the[158] week and give a better account of myself. I wish, Sir, you would give me some instructions with regard to my time & advise me how to proportion my Studies & my Play, in writing I will keep them by me & endeavour to follow them. I am, dear Sir, with a present determination of growing better yours. P.S. Sir, if you will be so good as to favour me with a Blank Book, I will transcribe the most remarkable occurrences I meet with in my reading which will serve to fix them upon my mind." </blockquote> We cannot wonder at the precision and elegance of the letter-writing of our forbears, when we know the "painful" precepts of parents in regard to their children's penmanship and composition. In the letters written by Ephraim Williams, a plain New England farmer, from his home in Stockbridge in the years 1749 et seq. to his son Elijah, while the latter was in Princeton College, is shown the respect felt for a good handwriting. Nearly every letter had some such sentences as these:— <blockquote> "I would intreet you to endeavour daily to Improve yourself in writting and spelling; they are very ornimentall to a scholar and the want of them is an exceeding great Blemish." <div class="figcenter bord" style="width: 371px;"> <ANTIMG src="images/i055.jpg" width-obs="371" height-obs="550" alt="Waite" /> <div class="caption">David Waite, Seven Years Old </div> </div> "I desire you would observe in your Wrighting to make proper Distances between words; don't blend your words together use your utmost endeavours to spell well; consult all Rules likely to help you; Such words as require[159] it allways begin with a capitoll Letter, it will much Grace your wrighting. Try to mend your hand in wrighting every day all Opportunities you can possibly get. Observe strictly Gentlemen's meathod of wrighting and superscribing, it may be of service to you: you can scarce conceive what a vast disadvantage it will be to leave the Colledg and not be able to write and spell well. Learn to write a pretty fine Hand as you may have Ocation." </blockquote> He urges him to study the spelling rules laid down in the <cite>Youth's Instructor in the English Tounge</cite>, and tells him not to follow his (the father's) writing for an example as he has "but common English learning." He reproves, admonishes, and finally says Elijah's sisters will prove better scholars than he is if he does not have a care, which was a bitter taunt. Major Dulany of Maryland wrote to his little daughter some very intelligent advice, of which these lines are a portion:— <blockquote> "In letter writing as in conversation it will be found that those who substitute the design of distinguishing themselves for that of giving pleasure to those whom they address must ever fail. Having decided upon what is proper to be said accustom yourself to express it in the best possible manner. Always use the words that most exactly correspond with the ideas you mean to express. There are fewer synonymous words in our language than is generally supposed, as[160] you will find in looking over your Dictionary. It has been remembered upon as a great excellence of Gen'l Washington's writings that no one could substitute a single word which could so well express his meaning. I have heard (whether it be true or not I cannot say) that for seven years of his life he never wrote without having his Dictionary before him." </blockquote> The letters of Aaron Burr, written at a little later period to his beloved daughter Theodosia, show as unvarying and incessant pains to form perfection in letter-writing, as was displayed by Lord Chesterfield in his letters to his son. When she was but ten or twelve we find Burr giving her minute instruction as to her penmanship; its size, shape, the formation of sentences, the spelling, the exact use of synonyms. He sends her sentences bidding her return them in a more elegant form, to translate them into Latin. He exhorts her to study the meaning, use, and etymology of every word in his letter. He has her keep for him a daily journal written in a narrative style. Even when on trial for treason in 1808 he still instructed her, reproving her for her negligent failure to acknowledge letters received. He commended her style, saying she had energy and aptitude of expression; altogether I can fancy no rule of correct epistolary conduct left unsaid by Burr to his daughter. That he had a high opinion of her[161] powers we cannot doubt; but the specimens of her composition that exist show no great brilliancy or originality. As books multiplied after the Revolution, many letters were modelled on effusions that had been seen and admired in print: this at a loss of much naturalness and quaintness of expression. Letter-writing guides formed the most pernicious influence. Miss Stoughton of East Windsor inviting sprightly Nancy Williams of East Hartford to a gay party began her note in this surprising way: "Worthy Lady." Children (and grown people too) had a very reprehensible habit of scribbling in their books. Of course each owner wrote his name, with more or less elegance and accompanying flourishes, according to his capacity. Some very valuable autographs have by this means been preserved. A single title-page will often bear the names of several owners. They also wrote various rhymes and sentiments, which might be gathered under the head of title-page lore. The most ancient rhyme I have seen is dated 1635 and is in an ancient <cite>Cocker's Arithmetic</cite>:— <div class="poem"> "John Greene (or Graves), his book God give Him Grace theirein to look Not oneley to look, but to Understand That Larning is better than House or Land." </div> [162] This rhyme is frequently seen, sometimes with the added lines:— <div class="poem"> "When Land is Gone and Money Spent Then Larning is most excellent. If this you See Remember Me." </div> Another rhyme is:— <div class="poem"> "Steal not this Book for if You Do The Devil will be after You. </div> Longer and more formal rhymes are found in the books of older owners. Occasionally a child's book had a valentine sentiment, or a riddle, or a drawing of hearts and darts; crude pictures of Indians and horses are many. I have seldom found verses from the Bible or religious sentiments written in childish hands. Whether this is the result of profound respect or of indifference I cannot tell. As a special example of book scribbling, one of historical interest is given, a page of the famous "White Bible," which contains the entry, much disputed of genealogical and historical societies, that John Howland married Governor Carver's "grand-darter." <div class="figcenter bord" style="width: 420px;"> <ANTIMG src="images/i056.jpg" width-obs="420" height-obs="600" alt="White" /> <div class="caption">Page from "White" Bible </div> </div> <hr class="chap" /> [163] <div style="break-after:column;"></div>

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